Tan Mom Quotes

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Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
Nobody sounds like that! Mom, Aunt Nan, it won’t work. No way is he ever, ever, ever going to blend in. And his...you know....his shoulders are all wide and he’s all tan and looks Superman strong...and...” “Anything else? Should I turn around?
Anne Eliot (Unmaking Hunter Kennedy)
Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.) The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself.
Amy Tan (The Opposite of Fate: Memories of a Writing Life)
I love you. I love your smile, your snarl, your grin, your face when you’re sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn’t have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they’re cold or calculating or suspicious or laughing or warm, like when you look at me. You’re the best warrior I know, the best leader. You’re the most comforting mom we’ve ever had. You’re the biggest goof ball, the worst driver, and a tr uly lousy cook. You’ve kept us safe and provided for us, in good times and bad. You’re my best friend, my first and only love, and the most beautiful girl I’ve ever seen, with wings or without.
James Patterson (Fang (Maximum Ride, #6))
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Georgie's mother had spectacular cleavage. Tan, freckled, ten miles deep. "Genetics," her mom said when she caught Georgie looking. Heather shoved a bowl of green beans into Georgie's arm. "Were you just staring at Mom's breasts?" "I think so," Georgie said. "I'm really tired--and she's kinda begging for it in that shirt." "Oh, sure," Heather said. "Blame the victim.
Rainbow Rowell (Landline)
Was it tacky to get a cake during a hostage crisis? What was the protocol? She pictured chocolate frosting with white lettering: HAPPY BIRTHDAY, HOPE YOUR DAUGHTER ISN’T DEAD. But this year was her fiftieth, a year with a zero. Veronica had to do something. So on her way to the condo she’d swung by a bakery and picked up a small German chocolate cake. It was her mom’s favorite—or at least it had been, a decade ago.-page 218 of The Thousand Dollar Tan Line
Rob Thomas
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
As I contemplated these happy possibilities, we wound our way through the Pasadena Valley. "I never liked this city," I murmured. "It makes me think of game shows, tawdry parades and drunk washed-up starlets with spray-on tans." Piper coughed. "FYI, Jason's mom was from here. She died here, in a car accident." "I'm sorry. What did she do?" "She was a drunk washed-up starlet with a spray-on tan." "Ah." I waited for the sting of embarrassment to fade. It took several miles.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
She and her mom used to visit him on lunch breaks and, in later years, she did her homework in an empty interrogation room while eavesdropping on the dispatch.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Dad is partial to jazz, and every chance he gets, he winks at me, takes out Mom’s Mozart disc, then pops in a CD of Miles Davis or Woody Herman. Jazz to me sounds brown and tan, and it smells like wet dirt. Jazz music drives Mom crazy, which is probably why Dad puts it on. “Jazz makes me itch,” she says with a frown as Dad’s music explodes into the kitchen. Dad goes to her, gently scratches her arms and back, then engulfs her in a hug. She stops frowning. But she changes it back to classical again as soon as Dad leaves the room.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
It’s like I’ve always had a painted musical sound track playing background to my life. I can almost hear colors and smell images when music is played. Mom loves classical. Big, booming Beethoven symphonies blast from her CD player all day long. Those pieces always seem to be bright blue as I listen, and they smell like fresh paint. Dad is partial to jazz, and every chance he gets, he winks at me, takes out Mom’s Mozart disc, then pops in a CD of Miles Davis or Woody Herman. Jazz to me sounds brown and tan, and it smells like wet dirt.
Sharon M. Draper (Out of My Mind (Out of My Mind, #1))
We usually bring her helmet with us, but we left it back in the hotel room this time." I gasp. I also try to decide what kind of flowers I'll bring to her funeral after I strangle the life from her body. I should have stayed in Jersey, like Mom said. Shouldn't have come here with Chloe and her parents. What business do I have in Florida? We live on the Jersey Shore. If you've seen one beach, you've seen them all, right? But noooooooo. I had to come and spend the last of my summer with Chloe, because this would be our last summer together before college, blah-blah-blah. And now she's taking revenge on me for not letting her use my ID to get a tattoo last night. But what did she expect? I'm white and she's black. I'm not even tan-white. I'm Canadian-tourist white. If the guy could mistake her for me, then he shouldn't be giving anyone a tattoo, right? I was just protecting her. Only, she doesn't realize that. I can tell by that look in her eyes-the same look she wore when she replaced my hand sanitizer with personal lubricant-that she's about to take what's left of my pride and kick it like a donkey. "Uh, we didn't get your name. Did you get his name, Emma?" she asks, as if on cue. "I tried, Chloe. But he wouldn't tell me, so I tackled him," I say, rolling my eyes. The guy smirks. This almost-smile hints at how breathtaking a real one would be. The tingling flares up again, and I rub my arms.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Unos minutos después, los padres de Jimmy entraron en la cocina. A few minutes later, Jimmy’s parents entered the kitchen. —Bien, estáis aquí —dijo papá. “Great, everyone’s here,” said Dad. —Estoy muy contenta de que todos estéis de tan buen humor —continuó mamá—. ¡Qué manera más maravillosa de empezar a comer! ¡No olvidéis lavaros las manos! “I’m happy that everyone’s in such a good mood,” said Mom. “What a great way for us to start lunch! Don’t forget to wash your hands!” Toda la familia se sentó a la mesa y empezaron a comer las cosas sabrosas que había sobre ella. Incluso Jimmy se terminó todo el plato. The entire happy family sat around the large table and began eating all the tasty things there. Even Jimmy finished his whole plateful. Desde ese día, a Jimmy le gusta comerse toda su fruta y verdura. A veces, todavía come algún que otro caramelo, pero sólo unos pocos y después de sus comidas. From that day on, Jimmy liked eating all his fruits and vegetables. Sometimes, he still eats candy but only a little and only ever after his meals.
Shelley Admont (Me Encanta Comer Frutas y Verduras - I Love to Eat Fruits and Vegetables)
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no. "I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets." My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me." She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?" Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?" "Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand." Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round. I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area. Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress. Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too. I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular. Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?" "Mom!" I screech. "No!" She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening. "Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples. "You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes. One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now. I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?" "What were you arguing about in the hall, then?" "I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
How many times had we driven through empty Sunday streets of Hampton while listening to 'Piano Man,' our stomachs leaden with buffet food, queasy from Mom's cigarette smoke? We passed an abandoned tanning salon, its windows boarded up, crude palm trees painted on its walls. A bloated sun smiled demonically from its dead neon sign. 'Everything is beautiful,' Mom said.
Julia Elliott (The New and Improved Romie Futch)
Whatever had happened was a private and painful matter, and as curious as Maddie was, she could no longer sit here and listen. Maddie shifted in her chair. “I, um, should go—” Mitch’s hand shot out and gripped her wrist. To the casual observer, his tanned fingers entwined over her pale skin looked loose, light—a gentle hold between lovers. Except it was like a vice, making it impossible to get away without struggling out of his grasp. She risked a glance at his mom. Charlotte stared at her son’s hand, then raised her gaze to meet Maddie’s. The questions were clear under the Junior League mask of banality. Maddie took a deep breath. Okay, they didn’t want her to go. Maddie settled in the chair, prepared to wait out the uncomfortable conversation. Mitch loosened his hold but didn’t release her. Mitch’s
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Grandpa Jenkins was saying something to me, but I wasn’t sure what, when I jumped up from the couch and ran to the bathroom, and started to be maybe a little bit sick. And it didn’t feel good, and my nose was stuffy, and I could feel my eyes hot and crying a little, and would my Grandpa Jenkins wrinkle his nose and think I was gross, and where was my mom, and— “Shhh, it’s okay.” I felt cool hands softly pulling my hair away from my forehead. “It’s okay, Cilla, I’m here,” my Grandpa said, rubbing my back. “Get it out, I’ll sit with you until it’s over.” “You…,” I said, sniffing, “you don’t have to. I’m okay.” “Don’t be Silly,” he said, in a nice, calm-sounding voice, rubbing my back with his hand. “Of course I won’t leave you.” “Oh,” I said. When I was done being sick (which I’ll admit, was more than a little gross), Grandpa Jenkins took a washcloth and helped me wash my face and hands. Then he patted me dry and carried me back to the couch, which I didn’t even know he could do, it’s been so long since he’s carried me. He tucked me in and showed me a trick where you tuck the blankets underneath the couch cushions to make them snug and tight, which felt nice and made me giggle, because he has A LOT of opinions on how to tuck in sheets and make a bed Just Right. Grandpa Jenkins sat down, but didn’t take out his crossword this time. “Now,” he said, “what’s happening here? Dancing mice, huh?” So I explained how they only dance after they’ve saved the world, and we watched a whole two more episodes, and when the bad guy came on-screen, Grandpa Jenkins gasped and agreed that he was pretty scary (he has the head of a lion, after all). And I was impressed.
Susan Tan (Cilla Lee-Jenkins: The Epic Story)
Con algo tan sencillo como evitar mencionar nuestra idea al inicio de la conversación, empezaremos a formular mejores preguntas de manera natural. Este truco es el más fácil de implementar (y también el más importante) para mejorar nuestras conversaciones con clientes.
Rob Fitzpatrick (El Mom Test: Cómo mantener conversaciones con tus clientes y validar tu idea de negocio cuando todos te mienten. (Spanish Edition))
Steven elbowed me. “Are you thinking about Conrad?” he asked mockingly. For once the answer was no. “No,” I snapped. My mother stuck her head in between our two seats. “Belly, do you still like Conrad? From the looks of things last summer, I thought there might be something between you and Jeremiah.” “WHAT? You and Jeremiah?” Steven looked sickened. “What happened with you and Jeremiah?” “Nothing,” I told them both. I could feel the flush rising up from my chest. I wished I had a tan already to cover it up. “Mom, just because two people are good friends, it doesn’t mean there’s anything going on. Please never bring that up again.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
I ask Daisy, “Why do you say you’re white? Are you ashamed of being mixed?” Daisy snaps back, “My mom is mixed but she doesn’t even say so. She’s only talked to me about it once. I’ve never met her Jamaican family, I’m not ashamed, but I have nothing to claim, nothing handed down to me. It’s not something people can see to look at me. Maybe if I’m with my mum, but I never am. On my own, I just look like a white girl with a tan. And that suits me just fine. I don’t want to explain myself to people. I’ve seen how you have to do it — how people ask you questions like they have the right to see your family tree. I don’t want that. I just want to be me.
Dean Atta (The Black Flamingo)
Silvia lets out a laugh at something Donato has said. She’s moved so she can stretch her tan legs across him. I’m watching him massage her feet. “Did Donato show you Santa Maria del Popolo?” she’s asking me. “It has my favorite Caravaggio.” Donato says something in Italian, which makes her laugh again. “It’s where Nero’s ghost lives,” one of the British sisters says to me. “Do you know Nero?” I remember Donato pointing out a domineering building in the piazza. But I don’t remember him telling us about any ghosts. Cristiano is rolling a joint on his lap. “Omicida.” He lights it. “He dipped Christians in oil,” another one of them is saying as they pass the joint around. “And set them on fire to light his garden at night.” “He killed his mother.” The smoke is very strong, the air suddenly stagnant. “How do you live with so many reminders of death everywhere?” I ask. The breeze returns and I shiver. “It reminds us to live well,” Donato says, puffing on the joint. “That this life is short. You have to take what you want.” I have not thought about my wants in so long that the flood of them makes me light-headed. A drip-irrigation system for the garden, my own Tiffany stud earrings so I don’t have to always be borrowing Mom’s, one of those mid-century modern houses in Benedict Canyon, a buzzy TV show—Guy.
Liska Jacobs (The Worst Kind of Want)
Who's Vanessa?" "I don't believe you. She's only the most popular girl in the whole school." She pointed a finger at the girl in the middle of the three who were still watching Tianna closely. "Everyone knows Vanessa." Vanessa had perfect skin, large blue eyes, and luxurious blond hair that curled over her shoulders. "Are those extensions?" Tianna asked. "All hers." Corrine sighed. Vanessa was dressed in a funky white coat of fake fur that went down to her brown suede boots; underneath was a low-hanging party-girl skirt with two gold belts draped around her tan waist. "Where'd she get the clothes? They're so cool." Tianna glanced self-consciously at her own jeans. The knees were soiled, and there was a long black mark on the side, as if she had skidded in dirt or oil. "Her mom's a costume designer for the movies," Corrine confided. Tianna felt a pang of jealousy- not for the clothes, but from the mention of Vanessa's mother. She wondered where hers was. Why hadn't she been with her this morning?
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Only Asha’s closest friends know she is adopted; she lets everyone else make their own assumptions. It’s easy enough to believe she could be the natural product of her Indian dad and American mom, and this has spared her many explanations. She doesn’t want to share her whole personal history with the perfect mirror girls. She wonders if they would envy the black hair that sprouts every day on her legs, or her dark skin that tans after just ten minutes in the sun, even when slathered with sunscreen. “Oh, Asha, you’re so exotic.” She hears someone behind her, in a low teasing voice. She turns around to see Manisha, rolling her eyes with a smile. “Come on, you want to get some frozen yogurt?” Manisha motions toward the locker room door. “Sure,” Asha says. “I hate that ‘exotic’ thing we always get from people,” Manisha says once they’re outside. “I mean, come out to Fremont and you’ll see it’s not that exotic. Indians everywhere.
Shilpi Somaya Gowda (Secret Daughter)
Oh, are you calling the cops, bitch? Maggie says, Yeah, I actually am! There is a counterprotest that same day. “West Fargo for Knodel.” Maggie watches it on television. It’s led by eight of Aaron Knodel’s current students. Most are female. They play sports and their Facebook profile pictures are assertive and tongue ridden. They wear short shorts and their legs are tan. They hold signs that say, Best teacher we’ve ever had #WF4Knodel Not Guilty #WF4Knodel Passing drivers slow and honk or speed up and scream. Cheers and sunshine. Now the Knodel family station wagon drives past. A photo is snapped. Marie is in the passenger seat, her hair up like a mom’s, her skin considerably brighter than it was in the courthouse, her mouth open like it’s whooping, Yeah! A boy is in the seat behind her, thumbs-upping out the open window, with a smaller boy beside him, looking confused. And Aaron is in the driver’s seat with a little white dog pressed between his rib cage and the steering wheel. On his face is a look of slightly embarrassed yet utterly exultant pride, like a sun over the funeral of an enemy.
Lisa Taddeo (Three Women)
I was greenly jealous of my peers’ moms with their bleach-blonde hair, tanning-bed arms, toothpick waists, and closets full of brand-new clothes: blouses and skirts and pants and designer jeans that some of the mothers let their daughters borrow. I didn’t know whether Mom’s lack of interest in all things fashionable came from being an immigrant from Scotland—where the media-saturated and commodity-rich beauty industry didn’t take over until the end of the twentieth century—or because she was a reader, a writer, and a teacher: mind over matter. All I knew was that, while she would buy me any book I asked for or take me to any play I might want to see, she couldn’t explain how to contour eye shadow or tell me whether my sweater complemented my complexion. She didn’t diet, she didn’t read women’s magazines, and she refused to buy me the enormous gold earrings or the pair of spiky red shoes I coveted, stilettos sharp enough to skewer fi sh. And even though her disinterest meant I didn’t have to participate in a daily beauty competition—one with a trophy mom sacrifi cing her body on the altar of loveliness—I also didn’t have a beauty mentor that I could trust. So I was left to try to copy the popular girls at school, tv and movie icons, or the breathtaking stars in magazines. Even the curling iron was a purchase I had to negotiate on my own.
Jennifer Cognard-Black (From Curlers to Chainsaws: Women and Their Machines)