“
It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Deep in the meadow, under the willow
a bed of grass, a soft green pillow
lay down your head, and close your sleepy eyes
and when again they open, the sun will rise.
Hear it's safe, here it's warm
hear the daisies guard you from every harm
hear your dreams are sweet and tomorrow brings them true
hear is the place where i love you.
Deep in the meadow, hidden far away
a clock of leaves, a moonbeam ray
forget your woes and let your troubles lay
and when again it's morning, they'll wash away.
Hear it's safe, hears its' warm
hear the daises guard you from every harm
Hear your dreams are sweet and tomorrow bring them true
hear is the place where i love you.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
True strength is knowing that you don't have to be strong every single second of the day.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
Trust. We stake our lives on it, but it's a subject that not even the Gallagher Academy can teach. When do you let your guard down? Who do you let in? And I knew at that moment, as I sat beside my mother, bathing in the warm spring light, that those were the questions a good spy never stops asking
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
It's strange how the people you care about least, sometimes know you the best. You let your guard down with them because you don't mind that they see you, warts and all.
”
”
Paige Toon (Chasing Daisy)
“
I don't understand women that call themselves a "bitch". It doesn't empower a woman. Rather, it reveals to everyone that you were deeply hurt at one time. Because of the pain your still carrying, you will continue to hurt anyone that reminds you of those moments when you let your guard down and were fooled. Sadly, it sends a clear message to the observant that you are still hurt. If only women would realize that "we all" have moments of stupidity then they would stop comparing themselves to the masses.
”
”
Shannon L. Alder
“
What is given may be taken away, at any time. Cruelty and devastation wait for you around corners, inside coffers, behind doors: they can leap out at you at any time, like a thief or brigand. The trick is never to let down your guard. Never think you are safe. Never take for granted that your children's hearts beat, that they sup milk, that they draw breath, that they walk and speak and smile and argue and play. Never for a moment forget they may be gone, snatched from you, in the blink of an eye, borne away from you like thistledown.
”
”
Maggie O'Farrell (Hamnet)
“
And don't you let your guard down for a second because you think anything's inevitable.
”
”
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
“
Go to Idris. You’re safer there, but don’t be trusting, and don’t let your guard down. I need you to live.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
She had said she didn’t feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn’t imagine it. Breathing someone else’s breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn’t. Ever. Just the thought made her feel small and weak as a child...
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
I think everyone’s caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationships only happen when it’s convenient. You have to walk on eggshells for people because that’s about how strong they are these days. And you can’t confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn’t perfect. That you have a few flaws. Because who wants to see that? My theory is everybody sucks. So, my conclusion is I don’t need anybody.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
Looking up, he met her startled gaze. 'Let down your guard, Honor. Let me in. Let me love you.' He kissed her lips, tasted the sweetness of her breath. 'Trust me. I won't ever 'urt you.
”
”
Bec McMaster (Kiss of Steel (London Steampunk, #1))
“
You are a child of God, and that alone makes you worthy of care and love. If your guard is up, let it down. If you’ve constructed a defensive wall to protect yourself and keep all the bad guys out, don’t forget who that wall also prevents from getting in—the good guys.
”
”
Brendon Burchard (The Charge: Activating the 10 Human Drives That Make You Feel Alive)
“
Is it possible to become friends with a butterfly?"
"It is if you first become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or a flower. It takes time, but once the butterfly lets its guard down, you can become friends quite naturally."
...
" ... I come here every day, say hello to the butterflies, and talk about things with them. When the time comes, though, they just quietly go off and disappear. I'm sure it means they've died, but I can never find their bodies. They don't leave any trace behind. It's like they've been absorbed by the air. They're dainty little creatures that hardly exist at all: they come out of nowhere, search quietly for a few, limited things, and disappear into nothingness again, perhaps to some other world.
”
”
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
“
If you are waiting for anything in order to live and love without holding back, then you suffer. Every moment is the most important moment of your life. No future time is better than now to let down your guard and love.
”
”
David Deida (Blue Truth: A Spiritual Guide to Life & Death and Love & Sex)
“
You’re right. You keep saying Jacks is the villain. Yet you just let a man attack me with his pet bird in order to hunt another man down and kill him. You also told my guards—who aren’t very nice, by the way—not to let me leave the castle, despite promising me you’d never lock me up. So, no, I don’t know how much of a threat Lord Jacks is, but I’m starting to see you as one.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
The problem with letting people tear your walls down, is that you never know who wants to take down those walls just for the fun of it. For amusement purposes. Just to say that he knew that he could. At the end of the day... the things you build should stay built. And you are no scapegoat for the sins of other people, in anyone's life. How dare anyone take down your walls not in order to see you; but only in order to feed their ego. In order to make you pay for sins not done by your own hands.
”
”
C. JoyBell C.
“
You don’t see the world the way other people do. And when you let your guard down, the way you think, the way you say things… you make people look at things differently. You make people feel things.
”
”
Priscilla Glenn (Emancipating Andie)
“
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap."
"I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?"
"Am i gonna have to beat the shit out o' him? Is that what it's gonna take?"
"He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
”
”
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
“
We live in a time where it has become difficult to distinguish between the President's words and that of a 19 year old assailant. Society gives women the near impossible task of separating harmlessness from danger, the foresight of knowing what some men are capable of. When we call out assault when we hear it, Trump says, "I don't think you understand. Just words. You are overreacting. Overly offended. Hysterical. Rude. Relax." So we dismiss threatening statements and warning signs, apologizing for our paranoia. We go into a party or a meeting, thinking it's just a party or meeting, but when we are taken advantage of and come crawling back damaged they say, "How could you be so naive? You failed to detect danger, let your guard down. What did you think would happen?" Trump made it clear the game is rigged, the rules keep changing. It doesn't matter what you think is assault because, in the end, he decides.
”
”
Chanel Miller (Know My Name)
“
Letting your guard down, even for a moment, invites death.
”
”
Peter V. Brett (The Desert Spear (Demon Cycle, #2))
“
Yesterday, when I took the stage for the sixth time, I read a poem about unreliable friends, people you love and feel bonded to but can never truly trust. It was about feeling alone and vulnerable, and never being able to fully let your guard down.
”
”
Tamara Ireland Stone (Every Last Word)
“
People don’t warn you that heartbreak is a chronic condition. Maybe it
quiets down a little over time, or you can muffle it with distance, but the ache
never quite dials down to zero. It’s there lurking in the background, ready to
flare back up the minute you let your guard down.
”
”
Adam Silvera (Here's to Us (What If It's Us, #2))
“
In this life,” she said, crossing these glorious gams, shimmering in the filmy light, “you can’t let your guard down. If you can control yourself, you can control everyone else.
”
”
Megan Abbott (Queenpin)
“
But then again, if you don’t put yourself out there, don’t let your guard down, don’t open yourself up to the chance of love, then you will never have the experience of someone proving to you they are worthy of the gift you’re giving them. You won’t have a shot at happiness, not real happiness, which comes from sharing your life with someone.
”
”
Aurora Rose Reynolds (Until June (Until Her/Him, #3))
“
What you are as a single person, you will be as a married person, only to a greater degree. Any negative character trait will be intensified in a marriage relationship, because you will feel free to let your guard down -- that person has committed himself to you and you no longer have to worry about scaring him off.
”
”
Josh McDowell
“
I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, ‘You will miss so much by being so guarded.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Relax, let your guard down. You’re all tensed up so you always expect the worst. Relax your body, and the rest of you will lighten up.
”
”
Haruki Murakami (Norwegian Wood)
“
That's life, You know . Dreams come true, just to get ripped away the millisecond you begin to let down your guard and let someone in. And thus the "circle" waits to begin anew.
”
”
Jacob Daniel Plunkett
“
The exercise of deciding where to go next is difficult. Because next most likely means a new forever. It means thinking about where to settle. Where to start over. During the war, their options were fewer, the stakes higher, their mission singular. It was simple, in a way. Keep your chin down, your guard up. Stay one step ahead. Stay alive for one more day. Don't let the enemy win. To think about a long-term plan feels complicated, and burdensome, like flexing an atrophied muscle.
”
”
Georgia Hunter (We Were the Lucky Ones)
“
Is it possible to become friends with a butterfly?.. It is if you become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or flower. It takes time, but once the butterfly lets it guard down, you can become friends quiet naturally.
”
”
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
“
I'll need to see your colors to help me gauge your intoxication."
I assumed it would be a relief to let down my mental guard, but I felt exposed and didn't like the way my dad's eyes squinched up when he saw my colors. I'd been trying not to think about Kaidan, but that only made me think of him more. My dad pinched the bridge of his nose. I was guessing he didn't think dark pink passionate love had any business being in his little girl's wardrobe of emotions. But he didn't say anything about it-only let out a jagged sigh and began.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Why am I sharing it with you? Because good sex? Really, really good sex? Doesn’t need alcohol. And it’s not about compatibility, or practice, or even being in love. It’s about trust. Letting your guard down. Putting yourself in another person’s hands and letting him lead you to places you’ve never been before. And I trusted Drew. With my mind, my heart, my body. I trusted Drew with everything. At least I did then.
”
”
Emma Chase (Twisted (Tangled, #2))
“
I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked.
I paused. "Yeah, he's cute."
"Come on, America! You have to have noticed those eyes and his voice..."
"Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself.
"Yes, okay, he does have a funny laugh, but it's cute."
"Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke."
Marlee lost it and doubled over in laughter.
"All right, all right," she said, coming up for air. "You have to think there's something attractive about him."
I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it.
What was attractive about Maxon?
"Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it."
Marlee smiled, and I knew she'd seen that in him, too.
"And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that.
"And...well, don't tell anyone this, but his arms. I like his arms."
I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation.
"Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed.
"I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird."
"Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms.
"Ha, ha! I bet that's it. I dare you to ask him!"
"No way!
”
”
Kiera Cass (The Selection (The Selection, #1))
“
...So I put it out of its misery, if it really was miserable, and tried not to think about it. That was another thing they taught us at Willow Creek: don't write their eulogy, don't try to imagine who they used to be, how they came to be here, how they came to be this. I know, who doesn't do that, right? Who doesn't look at one of those things and just naturally start to wonder? It's like reading the last page of a book... your imagination just naturally spinning. And that's when you get distracted, get sloppy, let your guard down and end up leaving someone else to wonder what happened to you.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
Mental note when dealing with Mitch: he was a police detective and he had ways of getting information therefore never let your guard down
”
”
Kristen Ashley (Law Man (Dream Man, #3))
“
People annoy the crap out of me," he says. "I think people are nervous and loud and rude and selfish and stupid pretty much all the time."
[...]
"If they're beautiful they know it, so they don't bother having a personality or associating with people that don't fit into their league or can't afford their company. And, somehow these people are the most popular, which makes absolutely no sense. People try so hard to be accepted, they turn into a walking stereotype. They're pathetically easy to predict. They're insecure and try to mask it with whatever product corporate America is currently making and they always let you down. Just give them enough time, and they will."
[...]
"I think everyone's caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationship only happen when it's convenient. You have to walk on eggshells for people because that's how strong they are these days. And you can't confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn't perfect. That you have a few flaws. Because who wants to see that?
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
...the longer I've lived with cancer, the more my definition of toughness has changed. I used to think not crying meant you were tough. Now I think crying means you're tough. It means you're strong enough to be honest and vulnerable. It means you're not pretending. And not pretending, being able to let your guard down and show people how you truly feel and admit that you're a wuss, is one of the toughest things a person can do.
”
”
Alex Trebek (The Answer Is…: Reflections on My Life)
“
You're going to be okay," Winter said reassuringly.
You don't understand," Leven snapped.
What don't I understand?" Winters voice was stern. "Sorry you feel bad, but its not like you just met a person so beautiful that now you feel completely worthless."
What?" Leven said. "What are you talking about?"
Isaw the way you fell over yourselves to stare at her."
That was Geth."
Don't argue, you two," Geth said.
Were not arguing." Leven felt light-headed.
No," Winter confirmed. "We're just...."
Winter looked at Leven. Leven looked right back at her. Winters cheeks burned red and her green eyes outshone Leven's. The two of them stared at one other. Leven closed his eyes.
What are you doing?" Geth asked, concerned.
Winter closed her eyes too and leaned closer. Both of them looked panicked and out of control, but it didn't stop them from moving closer and kissing each other.
Clovers jaw dropped and he pulled something out of his void just so he could let go of it in shock. Even Geth looked caught off guard, as if he'd been given news that he never thought he'd hear in his lifetime.
Leven stumbled back and looked at Winter. His face was almost as red as hers. He looked at Geth and Clover and then back to Winter.
Well that was interesting," Clover said happily.
I don't know what....." Leven tried to say.
No, I......" Winter said. "Its not you.... it's just that my... I think I left something down below.
”
”
Obert Skye (Leven Thumps and the Wrath of Ezra (Leven Thumps, #4))
“
Her clothes were almost dry by the time she reached the gatehouse. The portcullis was down and the gates barred, so she turned aside to a postern door. The gold cloaks who had the watch sneered when she told them to let her in. “Off with you,” one said. “The kitchen scraps are gone, and we’ll have no begging after dark.”
“I’m not a beggar,” she said. “I live here.”
“I said, off with you. Do you need a clout on the ear to help your hearing?”
“I want to see my father.”
The guards exchanged a glance. “I want to fuck the queen myself, for all the good it does me,” the younger one said.
The older scowled. “Who’s this father of yours, boy, the city ratcatcher?”
“The Hand of the King,” Arya told him.
Both men laughed, but then the older one swung his fist at her, casually, as a man would swat a dog. Arya saw the blow coming even before it began. She danced back out of the way, untouched. “I’m not a boy,” she spat at them. “I’m Arya Stark of Winterfell, and if you lay a hand on me my lord father will have both your heads on spikes. If you don’t believe me, fetch Jory Cassel or Vayon Poole from the Tower of the Hand.” She put her hands on her hips. “Now are you going to open the gate, or do you need a clout on the ear to help your hearing?
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Never in her wildest dreams would she have pegged this man as a dirty talker. Just went to show that you should never underestimate the quiet ones - and never let your guard down around them either.
”
”
Elle Kennedy (Midnight Games (Killer Instincts, #3))
“
Letting down your guard can be really difficult, especially when you are black or brown and have been taught that letting down your guard is a sure way to not survive in a world that wants to kill you.
”
”
Mia McKenzie (Black Girl Dangerous on Race, Queerness, Class and Gender)
“
Once you get your hopes up, your mind starts acting on its own. And when your hopes are dashed you get disappointed, and disappointment leads to a feeling of helplessness. You get careless and let your guard down.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don’t dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence—the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes—all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand.
”
”
Jon Krakauer (Into the Wild)
“
Has there ever been a night where you didn’t feel safe? Maybe you felt you were being watched? Or you couldn’t close your eyes for fear of the unknown? If, for only a moment, you let your guard down and hear a sound—unidentified and quiet—maybe it was all in your head.
Never let your guard down.
”
”
Mandi Lynn (Essence)
“
There is no grief amount wolves. Nature has a wonderful way of making you face reality. You can sit and weep if you want, but you are likely to be killed while you're still in your mourning, because you let your guard down.
”
”
Jodi Picoult (Lone Wolf)
“
saying—”
Lady Brice’s next words were lost because, without any warning, Grandma flung the door open.
“You really need to ask permission first,” a guard warned her in a hushed tone.
She kept walking toward me. “Well, my girl, it’s time for me to head out.”
“So soon?” I asked, embracing her.
“I can never stay too long. Your mother is recovering from a heart attack, and she still has the audacity to order me around. I know she’s the queen,” she conceded, raising her hands in the air in surrender, “but I’m her mother, and that trumps queen any day.”
I laughed. “I’ll remember that for down the road.”
“You do that,” she said, rubbing my cheek. “And if you don’t mind, get yourself a husband as soon as you can. I’m not getting any younger, and I’d like to see at least one great-grandchild before I’m dead.” She stared at my stomach and shook her finger. “Don’t let me down.”
“Ooooookay, Grandma.
”
”
Kiera Cass (The Crown (The Selection, #5))
“
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said.
Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe.
“What?”Sadeas asked.
“The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.”
Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.”
“Do we have a deal?”Dalinar asked.
“Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—”
Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp.
Kaladin stared, unable to move, unable to think.
Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.”
Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage.
“They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!”
Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.”
He began to walk away.
Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?”
Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.”
“But…”
“What is a man’s life worth?” Dalinar asked softly.
“The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning.
“And what do you say?”
“A life is priceless,” he said immediately, quoting his father.
Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.”
“You really think it was a good trade, don’t you?” Kaladin said, amazed.
Dalinar smiled in a way that seemed strikingly paternal.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
I should have known better. I shouldn’t have let my guard down. That’s been a big rule of mine for the last year or so. It’s easy to get your heart broken or your shoes stolen.
”
”
Loni Flowers (Taking Chances)
“
People don’t warn you that heartbreak is a chronic condition. Maybe it quiets down a little over time, or you can muffle it with distance, but the ache never quite dials down to zero. It’s there lurking in the background, ready to flare back up the minute you let your guard down.
”
”
Becky Albertalli (Here's to Us (What If It's Us #2))
“
A silver lining of being alone is being with someone you can trust, someone you respect and understand. You can let your guard down when you're by yourself. You can give yourself permission to live your authentic life, without apology. You can love yourself in a way that no one else can.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
I think everyone's caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationships only happen when it's convenient. You have to walk on eggshells for people because that's about how strong they are these days. And you can't confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn't perfect. That you have a few flaws. Because who wants to see that?
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
Go down a few steps and take your positions,” Prometheus instructed. “Let no one onto the roof. Will and Palamedes, you take the north side. Saint-Germain, can you take the west? Joan, the east is yours. I’ll guard the south.”
“How come you get the dangerous side?” Saint-Germain asked.
The big Elder smiled. “They’re all dangerous sides.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
The King sighed. “Sam, ever since the day Morgan brought you to the castle, I knew there was something special about you. It had nothing to do with your magic or whatever Morgan thought you would one day be. It had to do with the size of your heart. You have so much to give to people and I think you sometimes hide it behind your wit and words. I want you to find that someone who makes you feel complete, who allows you to let your guard down and just be.
”
”
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
“
He is on his way to her. In a moment he will leave the wooden sidewalks and vacant lots for the paved streets. The small suburban houses flash by like the pages of a book, not as when you turn them over one by one with your forefinger but as when you hold your thumb on the edge of the book and let them all swish past at once. The speed is breathtaking. And over there is her house at the far end of the street, under the white gap in the rain clouds where the sky is clearing, toward the evening. How he loves the little houses in the street that lead to her! He could pick them up and kiss them! Those one-eyed attics with their roofs pulled down like caps. And the lamps and icon lights reflected in the puddles and shining like berries! And her house under the white rift of the sky! There he will again receive the dazzling, God-made gift of beauty from the hands of its Creator. A dark muffled figure will open the door, and the promise of her nearness, unowned by anyone in the world and guarded and cold as a white northern night, will reach him like the first wave of the sea as you run down over the sandy beach in the dark.
”
”
Boris Pasternak (Doctor Zhivago)
“
It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, ‘You will miss so much by being so guarded.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
She don’t lose on her losses, but she wins on ours. To beat her you don’t have to whip her two out of three or three out of five, but every time you meet. As soon as you let down your guard, as soon as you lose once, she’s won for good. And eventually we all got to lose. Nobody can help that.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
Annabel,” I whispered in her ear, making sure not to touch her. Her heartbeat accelerated, her skin got the chills, and her pupils dilated, not to mention how delicious she smelled and how the excitement only increased the scent. My own body got tense and aroused. “Let your guard down and trust me. Nothing will happen that you don’t want to happen. I’m not trying to get you drunk or trick you. I just want to get to know you better.”
“Shane,” she replied with her sexy, hot, and alluring voice that sent spirals of lust down my spine. “I have nothing against sleeping with you. I’m fully dressed for that.
”
”
Anna Santos (Soul-Mate (Immortal Love #1))
“
Be you therefore, a wise gardener. Cultivate a deep love and respect for yourself, for you are not here to “fix” the world. You are not here to “fix” your brother or sister. It is only love that heals. And until you have loved yourself wholly by having purified the mind of every erroneous thought you have ever held—until you have loved yourself—you do not, in truth, love anyone or anything. Save in those brief moments when you let your guard down and the Love of God shines forth through you so quickly you do not even know what happened! The wise gardener cultivates a state of consciousness in which the Love of God is unimpeded.
”
”
Shanti Christo Foundation (The Way of Mastery ~ Part One: The Way of the Heart (The Way of Mastery))
“
Be real. In work as in life, when you commit to a partner, you need to be willing to be personally vulnerable if you expect them to do the same with you. Letting down your guard isn’t easy; it means revealing who you really are, your authentic self. For me, it has been the only way to make my partners feel the trust that’s necessary to help them open up to conquering their fears. And in becoming vulnerable with others, I’ve learned many things about myself. Asking for help or admitting you’re lost or overwhelmed doesn’t mean you’re weak. It means you’re strong enough to allow your true self to be seen. Opening up to someone is the ultimate act of courage and faith.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Early on a difficult climb, especially a difficult solo climb, you're hyperaware of the abyss pulling at your back. You constantly feel its call, its immense hunger. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge, it makes your movements tentative, clumsy, herky-jerky. Bus as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control.
”
”
Jon Krakauer (Eiger Dreams: Ventures Among Men and Mountains)
“
Rape culture is 1 in 6 women being sexually assaulted in their lifetimes. Rape culture is not even talking about the reality that many women are sexually assaulted multiple times in their lives. Rape culture is the way in which the constant threat of sexual assault affects women’s daily movements. Rape culture is telling girls and women to be careful about what you wear, how you wear it, how you carry yourself, where you walk, when you walk there, with whom you walk, whom you trust, what you do, where you do it, with whom you do it, what you drink, how much you drink, whether you make eye contact, if you’re alone, if you’re with a stranger, if you’re in a group, if you’re in a group of strangers, if it’s dark, if the area is unfamiliar, if you’re carrying something, how you carry it, what kind of shoes you’re wearing in case you have to run, what kind of purse you carry, what jewelry you wear, what time it is, what street it is, what environment it is, how many people you sleep with, what kind of people you sleep with, who your friends are, to whom you give your number, who’s around when the delivery guy comes, to get an apartment where you can see who’s at the door before they can see you, to check before you open the door to the delivery guy, to own a dog or a dog-sound-making machine, to get a roommate, to take self-defense, to always be alert always pay attention always watch your back always be aware of your surroundings and never let your guard down for a moment lest you be sexually assaulted and if you are and didn’t follow all the rules it’s your fault.
”
”
Melissa McEwen
“
I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it’s that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.” Perhaps it begins with one person. Someone you trust. You remove a piece of armor for them; you let the light stream in, even if it makes you wince. Perhaps that is how you learn to be soft yet strong, even in fear and uncertainty. One person, one piece of steel.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child - and Liraz did not like to feel small and weak. Her memories of childhood were not kind.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
I called Matt from Columbia when I needed help." "Yeah," Nicky said, unimpressed. "So we all heard. You called Matt, gave him your 'I'm fine' song and dance routine, and then hitchhiked with strangers back to campus. Maybe you remember?" Nicky waited, but Neil couldn't defend himself against an accusation like that. "Anyway, you're welcome. I just saved you at least two hundred dollars in intensive therapy." Neil didn't think Nicky wearing down his guard was something to be grateful for, but he obediently said, "Thank you." "You ever say that like it's not a question?" Nicky asked, looking pained. "Oh well. I'll take my victories where I can. Focus on the battles first, then win the war, right? I don't know how the quote actually goes but you know what I mean. So where was I?" It didn't take him long to remember. He chattered away a mile a minute about his upcoming presentation. Neil let it go in one ear and out the other. His mind was more on the phone still sitting in his hands than the put-upon tone of Nicky's voice. When Nicky finally turned away to harass Aaron about something, Neil flipped his phone open. He went past his packed inbox to his call history. It hadn't changed; Andrew's name was still the only one there.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind.
But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again."
The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer.
This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building.
Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head.
It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped.
The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm.
A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape.
And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!"
But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!"
The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM.
She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!"
But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work.
Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life!
Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence — the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes — all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand. At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.
”
”
Jon Krakauer
“
Her thoughts began to strike across the page: I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it’s that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.” Perhaps it begins with one person. Someone you trust. You remove a piece of armor for them; you let the light stream in, even if it makes you wince. Perhaps that is how you learn to be soft yet strong, even in fear and uncertainty. One person, one piece of steel.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
What if it was Jamie?"
Dorea looked very briefly caught off guard, but her expression was shielded away almost instantly. She drew in a slow and calculated breath before firmly insisting, "My answer remains the same. I have faith that however long your brother's life is, it will be filled with meaning and love."
"How can you know that?" Mia broke down again, wishing, pleading for Dorea to change her mind and let her confess everything. The burden was too much.
"Because you wear our words," Dorea whispered, touching the golden bracelet on Mia's wrist. "James is currently the last of the Potters. Which means that in the future, he is either alive to give you this bracelet himself, or he has had children or grandchildren and they have placed this in your care. Therefore the Potter name continues, and James lived with meaning and love in his life.
”
”
Shaya Lonnie (The Debt of Time)
“
Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your sleepy eyes And when again they open, the sun will rise. Here it’s safe, here it’s warm Here the daisies guard you from every harm Here your dreams are sweet and tomorrow brings them true Here is the place where I love you. Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her. Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when again it’s morning, they’ll wash away. Here it’s safe, here it’s warm Here the daisies guard you from every harm The final lines are barely audible. Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Pay close attention. Listen carefully. Let's look at what happens when fear is in charge.
With fear in charge, you can never fully relax, let your guard down, be your true self. You can't open up because you are afraid of how people will respond if they were to meet the real you. When fear is in charge, you simply cannot take that chance. Fear will not allow honesty, fear despises spontaneity, and fear refuses to believe in you. Fear may mean well, but it ruins everything by overprotecting you, insisting that you stay hidden and keep a low profile, that your time is coming....sometime later.
Fear is bold, but insists that you be timid. Take a chance and there will be hell to pay: fear will call on its dear friend, shame, to meet you on the other side of your risk taking, to tell you what you should not have done. Fear will trip you, tackle you, smother you, do whatever it takes to cause you to hesitate, to stop you. In this way fear is fearless.
”
”
Thom Rutledge (Embracing Fear: How to Turn What Scares Us into Our Greatest Gift)
“
Perhaps some wine will wash things clean,’ suggested Bugg.
‘Won’t hurt. Pour us some, please. You, guard, come and join us—standing there doing nothing must be a dreadful bore. No need to gape like that, I assure you. Doff that helm and relax—there’s another guard just like you on the other side of that door, after all. Let him bear the added burden of diligence. Tell us about yourself. Family, friends, hobbies, scandals—’
‘Sire,’ warned Bugg.
‘Or just join us in a drink and feel under no pressure to say anything at all. This shall be one of those interludes swiftly glossed over in the portentous histories of great and mediocre kings. We sit in the desultory aftermath, oblivious to omens and whatever storm waits behind yonder horizon. Ah, thank you, Bugg—my Queen, accept that goblet and come sit on my knee—oh, don’t make that kind of face, we need to compose the proper scene. I insist and since I’m King I can do that, or so I read somewhere. Now, let’s see . . . yes, Bugg, stand right over there—oh, massaging your brow is the perfect pose. And you, dearest guard—how did you manage to hide all that hair? And how come I never knew you were a woman? Never mind, you’re an unexpected delight—ow, calm down, wife—oh, that’s me who needs to calm down. Sorry. Women in uniforms and all that. Guard, that dangling helm is exquisite by the way, take a mouthful and do pass judgement on the vintage, yes, like that, oh, most perfect!
‘Now, it’s just occurred to me that we’re missing something crucial. Ah, yes, an artist. Bugg, have we a court artist? We need an artist! Find us an artist! Nobody move!
”
”
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
“
A man is NOT weak if he cries. A man is NOT a punk if he cries. A man is NOT acting like a little b*tch if he cries. He’s a Man! And he’s allowed to have and show his true feelings without feeling less than. Ladies, some of you need to do better. Learn to be compassionate, loving, supportive, and understanding. There’s NOTHING wrong with a man being vulnerable. I encourage you to be his joy, peace, and his safe place. Lift him up and be mindful NOT to tear him down. If you truly care for and love your man, do and say everything with love. Let him know that it’s okay to cry and that he doesn’t have to pretend to be okay when he’s not. Real men DO cry! They experience sadness, disappointments, pain, and many other feelings. A man shouldn’t have to suppress his emotions. That’s pure nonsense! A man that can cry, smile, and let his guards down is a keeper in my book. I couldn’t imagine acting hard all of the time. That’s so unfair! Ladies, strive to be a Queen of substance. PEACE.
”
”
Stephanie Lahart
“
Tears are forming in your eyes
A storm is warning in the sky
The end of the world it seems
You bend down and you fall on your knees
Well get back on your feet yeah
Don't look away
Don't run away
Hey baby it's only life
Don't lose your faith
Don't run away
Hey baby its only life
Yea it's only life
You were always playing hard
Never could let down your guard
But you can't win
If you never give in
To that voice within
Saying pick up your chin
Baby let go of it
[Chorus]
Take your hesitance
And your self-defense
Leave them behind, it's only life
Don't be so afraid
Of facing everyday
Just take your time, it's only life
I'll be your stepping-stone
No, don't be so alone
Just hold on tight, it's only life
[Chorus]
”
”
Kate Voegele
“
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
Do you have any idea what the typical response is whenever I do give someone a glimpse of my life?"
Gideon paused, as if he waited for her to answer.
And Monroe hesitated. Yes. She did know. She knew because it was the same response she would get it she chose to let down her own guard. Hell, it was practically the same response Miles had given the night she had told him the unadulterated truth of her past. She shook her head again.
"Standard response," he said. "I swear to God. First thing out of their mouth's is: 'Wow. It's shocking you're so normal.' What the fuck? Do I have to be damaged for my past to make sense? And what the hell is normal anyway? And does white bread America have dibs on it?"
Gideon stopped talking, crossed his arms, and the look on his face said he regretted saying as much as he had.
”
”
Taylor Stevens (The Innocent (Vanessa Michael Munroe, #2))
“
I think we must only a few of us go," Laurence said, low. "I will take a few volunteers - "
"Oh, the devil you will!" Granby exclaimed furiously. "No, this time I damned well put my foot down, Laurence. Send you off to go scrambling about in that warren with no notion where you are going, and nothing more likely than running into a dozen guards round every corner; I should like to see myself do it. I am not going back to England to tell them I sat about twiddling my thumbs whilst you got yourself cut to pieces. Temeraire, you are not to let him go, do you hear me? He is sure to be killed; I give you my word."
"If the party are sure to be killed, I am not going to let anyone go!" Temeraire said, in high alarm, and sat up sharp, quite prepared to physically hold anyone back who made an attempt to leave.
"Temeraire, this is plain exaggeration," Laurence said. "Mr. Granby, you overstate the case, and you overstep your bounds."
"Well, I don't," Granby said defiantly. "I have bit my tongue a dozen times over, because I know it is wretched hard to sit about watching and you haven't been trained up to it, but you are a captain, and you must be more careful of your neck. It isn't only your own but the Corps' affair if you snuff it, and mine too."
"If I may," Tharkay said quietly, interrupting when Laurence would have remonstrated further with Granby, "I will go; alone I am reasonably sure I can find a way to the eggs, without rousing any alarm, and then I can return and guide the rest of the party there."
"Tharkay," Laurence said, "this is no service you owe us; I would not order even a man under oath of arms to undertake it, without he were willing."
"But I am willing," Tharkay gave his faint half-smile, "and more likely to come back whole from it than anyone else here."
"At the cost of running thrice the risk, going and coming back and going again," Laurence said, "with a fresh chance of running into the guards every time through."
"So it is very dangerous, then," Temeraire said, overhearing to too much purpose, and pricking up his ruff further. "You are not to go, at all, Granby is quite right; and neither is anyone else."
"Oh, Hell," Laurence said, under his breath.
"It seems there is very little alternative to my going," Tharkay said.
"Not you either!" Temeraire contradicted, to Tharkay's startlement, and settled down as mulish as a dragon could look; and Granby had folded his arms and wore an expression very similar. Laurence had ordinarily very little inclination to profanity, but he was sorely tempted on this occasion. An appeal to Temeraire's reason might sway him to allow a party to make the attempt, if he could be persuaded to accept the risk as necessary for the gain, like a battle; but he would surely balk at seeing Laurence go, and Laurence had not the least intention of sending men on so deadly an enterprise if he were not going himself, Corps rules be damned.
”
”
Naomi Novik (Black Powder War (Temeraire, #3))
“
One last point here, and I’ll give you this as a caveat. When Carefree Scamps let their guard down and find themselves telling others about their life, they’re invariably not believed. To a Carefree Scamp, his/her life is just normal talk. To a Rag, Tag & Bobtail, who hasn’t yet lived, it’s unbelievable. When I was living on the Algarve I once had someone say to me, “Is there anywhere you haven’t been? You reckon you’ve lived here for two or three years, and you were also in America for eight years, travelling around America for five years. Where else have you lived?”
And I experienced that not uncommon feeling that I should have kept my mouth shut. Clearly jealous, because although spending 12 years in Portugal and America is hardly exceptional, the Rag Tag wanted desperately to disbelieve that I’d made it happen. But as I say, it’s not exactly notable, is it? I hadn’t told him I’d travelled with a circus for 15 years, or explored the Amazon (although I do have a very good friend who did that for a couple of years), I just mentioned a couple of things that happened when I lived in such-and-such a place. Rag, Tag & Bobtail, who no doubt lived in Tunbridge-Wells-in-Antipathy his whole life hated the fact that he’d never left, and rather than berating himself for not being bold enough to bring out the daring and gutsy poetry of his own life, he hated me because I was.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward.
When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind.
He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could.
I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution.
“Caleb,” I say. “Give me the backpack.”
“What?” he says.
I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.”
“Tris, no.” He shakes his head. “No, I won’t let you do that.”
“Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!”
“I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.”
Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!”
In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me.
I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway.
“Caleb,” I say, “I love you.”
His eyes gleam with tears as he says, “I love you, too, Beatrice.”
“Get down on the floor!” I yell, for the benefit of the guards.
Caleb sinks to his knees.
“If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
I was beginning to care for them. And as that cancerous emotion swelled within my heart so did my poor heart’s fear. Swollen heart. This is an insidious malady chiefly common in that mythical organ that pumps life through the veins of the ego: care, coronary care, complicated by galloping fear. The go-away-closer disease. Starving for contact and calling it poison when it is offered. We learn young to be leery of contact: Never open up, we learn . . . you want somebody running their dirty old fingers over your soul’s privates? Never accept candy from strangers. Or from friends. Sneak off a sack of gumdrops when nobody’s looking if you can, but don’t accept, never accept . . . You want somebody taking advantage? And above all, never care, never never never care. Because it is caring that lulls you into letting down your guard and leaving up your shades . . . you want some fink knowing what you are really like down inside?
”
”
Ken Kesey (Sometimes a Great Notion)
“
Nazi persecution didn’t limit itself to race. Religion, national origin, alternative lifestyles, persons with disabilities—all were targets. How would you characterize the Slavs? Gypsies? Moors? All the lines get blurred. Even within Judaism, there are many races. There are Negro Jews in Ethiopia and Middle Eastern Jews in Iraq. There have been Jews in Japan since the 1860s. Poland was fractionally Jewish, but there were still three and a half million Jews living there in the 1930s.” “But still, today it all seems so incomprehensible.” Ben raised his eyebrows. “Incomprehensible because we’re Americans? Land of the free and home of the brave? Let’s not kid ourselves. We’ve authored our own chapters in the history of shame, periods where the world looked at us and shook its head. Early America built an economy based on slavery and it was firmly supported by law. Read the Supreme Court’s decision in Dred Scott. We trampled entire cultures of Native Americans. ‘No Irish Need Apply’ was written on factory gates in nineteenth-century New York.” Ben shook his head. “We’d like to think we’re beyond such hatred, but the fact is, we can never let our guard down. That’s why this case is so important. To you and to me. It’s another reminder of what can happen when evil is allowed to incubate. Find a reason to turn your nose up at a culture, to denigrate a people because they’re different, and it’s not such a giant leap from ethnic subjugation to ethnic slaughter.” Catherine
”
”
Ronald H. Balson (Once We Were Brothers (Liam Taggart & Catherine Lockhart, #1))
“
Agitation from the other side of the desk.
“No—now you must take this phlegmatically. You had hoped you would qualify. You had feared you would not. Actually, both hope and fear are weaknesses. You knew you would qualify and you hesitate to admit the fact because such knowledge might stamp you as cocksure and therefore unfit. Nonsense! The most hopelessly stupid man is he who is not aware that he is wise. It is part of your qualification that you knew you would qualify.”
Relaxation on the other side of the desk.
“Exactly. Now you feel better and your guard is down. You are fitter to concentrate and fitter to understand. Remember, to be truly effective, it is not necessary to hold the mind under a tight, controlling barrier which to the intelligent probe is as informative as a naked mentality. Rather, one should cultivate an innocence, an awareness of self, and an unselfconsciousness of self which leaves one nothing to hide. My mind is open to you. Let this be so for both of us.
”
”
Isaac Asimov (Second Foundation (Foundation, #3))
“
I could take him down, but not quietly,” Akos said. “I’d probably get myself arrested.”
“Well, we’ll call that our backup plan,” Isae said. “What about distraction?”
“Yeah, sure.” Teka folded her arms. “The man was hired to guard a secure door that leads to Ryzek Noavek’s secret underground prison, and his failure to do so will probably result in his execution, but he will definitely abandon his post just because you wave something shiny at him.”
“Say ‘secret underground prison’ a little louder, why don’t you?” Isae said.
Teka snapped a reply, but Akos wasn’t paying attention. Cisi was tugging his sleeve.
“Let me see your vials,” she said. “I have an idea.”
Akos kept a few vials with him wherever he went--sleep elixir, calming tonic, and a blend for fortitude among them. He wasn’t sure what Cisi needed, but he undid the strap holding the vials against his arm and handed the hard little packet to her. All the glass clinked together as she sorted through it, choosing the sleep elixir. She uncorked it, sniffed it.
“That’s strong,” she said. Isae and Teka were still bickering. About what, he didn’t know, but he wasn’t going to get between them unless they started throwing punches.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
The guard locks the gates of the turbeh, letting the heavy sound of the lock fall into the dark interior, as though leaving the name of the key inside. Dispirited, like me, he sits down on the stone beside me and closes his eyes. Just when I think he has dozed off in his part of the shade, the guard lifts his hand and points to a moth fluttering above the entrance to the tomb, having come out of our clothes or the Persian carpets in the turbeh.
"You see," he says to me casually, "the moth is way up there by the white wall of the doorway, and it is visible only because it moves. From here it almost looks like a bird in the sky. That's probably how the moth sees the wall, and only we know it is wrong. But it doesn't know that we know. It doesn't even know we exist. You try to communicate with it if you can. Can you tell it anything in a way it understands; can you be sure it understood you completely?"
"I don't know," I replied. "Can You?"
"Yes," the old man said quietly, and with a clap of his hands he killed the moth, then profered its crushed body on the palm of his hand.
"Do you think it didn't understand what I told it?"
"You can do the same thing with a candle, extinguish it with your two fingers to prove you exist," I commented.
"Certainly, if a candle is capable of dying... Now, imagine," he went on, "that there is somebody who knows about us what we know about the moth. Somebody who knows how, with what, and why this space that we call the sky and assume to be boundless, is bounded-- somebody who cannot approach us to let us know that he exists except in one way-- by killing us. Somebody, on whose garments we are nourished, somebody who carries our death in his hand like a tongue, as a means of communicating with us. By killing us, this anonymous being informs us about himself. And we, through our deaths, which may be no more than a warning to some wayfarer sitting alongside the assassin, we, I say, can at the last moment perceive, as through an opened door, new fields and other boundaries. This sixth and highest degree of deathly fear (where there is no memory) is what holds and links us anonymous participants in the game. The hierarchy of death is, in fact, the only thing that makes possible a system of contacts between the various levels of reality in an otherwise vast space where deaths endlessly repeat themselves like echoes within echoes...
”
”
Milorad Pavić
“
Likewise, we “trusted the process,” but the process didn’t save Toy Story 2 either. “Trust the Process” had morphed into “Assume that the Process Will Fix Things for Us.” It gave us solace, which we felt we needed. But it also coaxed us into letting down our guard and, in the end, made us passive. Even worse, it made us sloppy. Once this became clear to me, I began telling people that the phrase was meaningless. I told our staff that it had become a crutch that was distracting us from engaging, in a meaningful way, with our problems. We should trust in people, I told them, not processes. The error we’d made was forgetting that “the process” has no agenda and doesn’t have taste. It is just a tool—a framework. We needed to take more responsibility and ownership of our own work, our need for self-discipline, and our goals. Imagine an old, heavy suitcase whose well-worn handles are hanging by a few threads. The handle is “Trust the Process” or “Story Is King”—a pithy statement that seems, on the face of it, to stand for so much more. The suitcase represents all that has gone into the formation of the phrase: the experience, the deep wisdom, the truths that emerge from struggle. Too often, we grab the handle and—without realizing it—walk off without the suitcase. What’s more, we don’t even think about what we’ve left behind. After all, the handle is so much easier to carry around than the suitcase. Once you’re aware of the suitcase/handle problem, you’ll see it everywhere. People glom onto words and stories that are often just stand-ins for real action and meaning. Advertisers look for words that imply a product’s value and use that as a substitute for value itself. Companies constantly tell us about their commitment to excellence, implying that this means they will make only top-shelf products. Words like quality and excellence are misapplied so relentlessly that they border on meaningless. Managers scour books and magazines looking for greater understanding but settle instead for adopting a new terminology, thinking that using fresh words will bring them closer to their goals. When someone comes up with a phrase that sticks, it becomes a meme, which migrates around even as it disconnects from its original meaning. To ensure quality, then, excellence must be an earned word, attributed by others to us, not proclaimed by us about ourselves. It is the responsibility of good leaders to make sure that words remain attached to the meanings and ideals they represent.
”
”
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
“
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps.
Breathless,she came to a sudden halt in front of him.
At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool."
"You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way."
"There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war."
"You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together."
She gave a deep sigh. "You mean it?"
"I do."
"Oh,Wyatt.I was so afraid I'd driven you away forever."
He continued studying her. "Does this mean you're suffering another change of heart?"
"My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle."
A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man."
He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure.
Her tears started again,but this time they were tears of joy.
Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man.
Loved.
Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now.
After a moment he caught her hand.
"Where are we going?"
"Your place.It's closer than the ranch, and we've wasted too much time already."
"i can't leave the ambulance..."
"All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?"
At her little laugh he added, "I'm desperate for some time alone with you."
Alone.
She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her.
She was laughing through her tears as she turned the key in the ignition. The key that had saved his life.
"Wyatt McCord,I can't think of anything I'd rather be than alone with you.
”
”
R.C. Ryan (Montana Destiny)
“
Truly, I advise you: depart from me, and guard yourselves against Zarathustra! And better still: be ashamed of him! Perhaps he has deceived you.
The man of knowledge must be able not only to love his enemies, but also to hate his friends.
One pays back a teacher badly if one remain merely a scholar. And why will you not pluck at my wreath?
You venerate me; but what if your veneration should some day col- lapse? Take heed lest a statue crush you!
You say, you believe in Zarathustra? But of what account is Zarathustra! you are my believers: but of what account are all believers!
You had not yet sought yourselves: then did you find me. So do all believers; therefore all belief is of so little account.
Now do I bid you lose me and find yourselves; and only when you have all denied me, will I return to you.
Truly, with other eyes, my brothers, shall I then seek my lost ones; with another love shall I then love you.
And once again shall you have become friends to me, and children of one hope: then will I be with you for the third time, to celebrate the great noontide with you.
And it is the great noontide, when man is in the middle of his course between animal and overman, and celebrates his advance to the evening as his highest hope: for it is the advance to a new morning.
At such time will the down-goer bless himself, that he should be an over-goer; and the sun of his knowledge will be at noontide.
"Dead are all the Gods: now do we desire the overman to live." - Let this be our final will at the great noontide! -
Thus spoke Zarathustra.
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.”
“I told you before-I don’t care!” she said hotly. “Why can’t you believe me?”
He hesitated a long moment. “The truth?”
“Always.”
“Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.”
She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?”
His wary gaze locked with hers. “Proper Pinter. Proud Pinter.”
“Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.”
Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.”
“I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.”
His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.”
She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“
He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live.
“That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.”
“Sweeting-“
“Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.”
A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.”
Love?
No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.”
“To hell with your brother.” He stalked her with clear intent.
Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?”
“To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Let’s take a look at one couple. Carol and Jim have a long-running quarrel over his being late to engagements. In a session in my office, Carol carps at Jim over his latest transgression: he didn’t show up on time for their scheduled movie night. “How come you are always late?” she challenges. “Doesn’t it matter to you that we have a date, that I am waiting, that you always let me down?” Jim reacts coolly: “I got held up. But if you are going to start off nagging again, maybe we should just go home and forget the date.” Carol retaliates by listing all the other times Jim has been late. Jim starts to dispute her “list,” then breaks off and retreats into stony silence. In this never-ending dispute, Jim and Carol are caught up in the content of their fights. When was the last time Jim was late? Was it only last week or was it months ago? They careen down the two dead ends of “what really happened”—whose story is more “accurate” and who is most “at fault.” They are convinced that the problem has to be either his irresponsibility or her nagging. In truth, though, it doesn’t matter what they’re fighting about. In another session in my office, Carol and Jim begin to bicker about Jim’s reluctance to talk about their relationship. “Talking about this stuff just gets us into fights,” Jim declares. “What’s the point of that? We go round and round. It just gets frustrating. And anyway, it’s all about my ‘flaws’ in the end. I feel closer when we make love.” Carol shakes her head. “I don’t want sex when we are not even talking!” What’s happened here? Carol and Jim’s attack-withdraw way of dealing with the “lateness” issue has spilled over into two more issues: “we don’t talk” and “we don’t have sex.” They’re caught in a terrible loop, their responses generating more negative responses and emotions in each other. The more Carol blames Jim, the more he withdraws. And the more he withdraws, the more frantic and cutting become her attacks. Eventually, the what of any fight won’t matter at all. When couples reach this point, their entire relationship becomes marked by resentment, caution, and distance. They will see every difference, every disagreement, through a negative filter. They will listen to idle words and hear a threat. They will see an ambiguous action and assume the worst. They will be consumed by catastrophic fears and doubts, be constantly on guard and defensive. Even if they want to come close, they can’t. Jim’s experience is defined perfectly by the title of a Notorious Cherry Bombs song, “It’s Hard to Kiss the Lips at Night that Chew Your Ass Out All Day Long.
”
”
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
“
Sit down and have a cup of coffee
With your firm conviction that they're out to get you
Sit down and have a cigarette with your awful fear of death
I saw Milarepa at the all-night diner sharing a table with his personal demons
He said You've got to invite them in with compassion on your breath
Stop running away, 'cause nobody runs as fast as pain and sorrow
Stop pushing away, you're just making it hard
Stop putting it off, 'cause it'll be back to kick your ass tomorrow
Breathe in, breathe out, let down your guard
Sit down and start shooting the shit
With the fear that you'll never measure up to your ideals
Sit down and have a bottle of beer with the ache of all you've lost
I saw Milarepa at the coffee house having a Danish with his hurts and hatreds
He said You've got to invite them in, or you pay ten times the cost.
Stop running away, 'cause nobody runs as fast as fear and loathing
Stop pushing away, you're just making it worse
Stop putting it off, cause it'll be back again in different clothing
Just pop the clutch and go into reverse
Invite them in and let them be there while you learn to stand it
Invite them in and give them room to stomp and shout
When they can come and go
They won't be always pounding on your door
If you let them in you can let them out.
Sit down and have a conversation
With the loneliness that's eating you alive
Sit down and watch a sunset with your overwhelming rage
I saw Milarepa at the corner bar buying a round for the monsters in his heart
He said They're really not so bad when they're let out of their cage
Stop running away, 'cause nobody runs as fast as pain and sorrow
Stop pushing away, you're just making it hard
Stop putting it off, 'cause it'll be back to kick your ass tomorrow
Breathe in, breathe out, let down your guard
”
”
Allison Lonsdale
“
You have something to say to me, Cassidy, say it. Or shut the fuck up.”
“All right,” Jules said. “I will.” He took a deep breath. Exhaled. “Okay, see, I, well, I love you. Very, very much, and . . .” Where to go from here . . .?
Except, his plain-spoken words earned him not just a glance but Max’s sudden full and complete attention. Which was a little alarming.
But it was the genuine concern in Max’s eyes that truly caught Jules off-guard.
Max actually thought . . . Jules laughed his surprise. “Oh! No, not like that. I meant it, you know, in a totally platonic, non-gay way.”
Jules saw comprehension and relief on Max’s face. The man was tired if he was letting such basic emotions show.
“Sorry.” Max even smiled. “I just . . .” He let out a burst of air. “I mean, talk about making things even more complicated . . .”
It was amazing. Max hadn’t recoiled in horror at the idea. His concern had been for Jules, about potentially hurting his tender feelings. And even now, he wasn’t trying to turn it all into a bad joke.
And he claimed they weren’t friends.
Jules felt his throat tighten. “You can’t know,” he told his friend quietly, “how much I appreciate your acceptance and respect.”
“My father was born in India,” Max told him, “in 1930. His mother was white—American. His father was not just Indian, but lower caste. The intolerance he experienced both there and later, even in America, made him a . . . very bitter, very hard, very, very unhappy man.” He glanced at Jules again. “I know personality plays into it, and maybe you’re just stronger than he was, but . . . People get knocked down all the time. They can either stay there, wallow in it, or . . . Do what you’ve done—what you do. So yeah. I respect you more than you know.”
Holy shit.
Weeping was probably a bad idea, so Jules grabbed onto the alternative. He made a joke. “I wasn’t aware that you even had a father. I mean, rumors going around the office have you arriving via flying saucer—”
“I would prefer not to listen to aimless chatter all night long,” Max interrupted him. “So if you’ve made your point . . .?”
Ouch.
“Okay,” Jules said. “I’m so not going to wallow in that. Because I do have a point. See, I said what I said because I thought I’d take the talk-to-an-eight-year-old approach with you. You know, tell you how much I love you and how great you are in part one of the speech—”
“Speech.” Max echoed.
“Because part two is heavily loaded with the silent-but-implied ‘you are such a freaking idiot.’”
“Ah, Christ,” Max muttered.
“So, I love you,” Jules said again, “in a totally buddy-movie way, and I just want to say that I also really love working for you, and I hope to God you’ll come back so I can work for you again. See, I love the fact that you’re my leader not because you were appointed by some suit, but because you earned very square inch of that gorgeous corner office. I love you because you’re not just smart, you’re open-minded—you’re willing to talk to people who have a different point of view, and when they speak, you’re willing to listen. Like right now, for instance. You’re listening, right?”
“No.”
“Liar.” Jules kept going. “You know, the fact that so many people would sell their grandmother to become a part of your team is not an accident. Sir, you’re beyond special—and your little speech to me before just clinched it. You scare us to death because we’re afraid we won’t be able to live up to your high standards. But your back is strong, you always somehow manage to carry us with you even when we falter.
“Some people don’t see that; they don’t really get you—all they know is they would charge into hell without hesitation if you gave the order to go. But see, what I know is that you’d be right there, out in front—they’d have to run to keep up with you. You never flinch. You never hesitate. You never rest.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Hey—we have a problem. You have some unexpected guests down at the gate. You should go check it out.”
Guests? Who would come here to see me?
I hop in the golf cart and drive down to the main gate. Just in time to hear Franny Barrister, the Countess of Ellington, tearing into a poor, clueless Matched security guard.
“Don’t you tell me we can’t come in, you horse’s arse. Where’s Henry—what have you done with him?”
Simon, my brother’s best friend, sees me approach, his sparkling blue eyes shining. “There he is.”
I nod to security and open the gate.
“Simon, Franny, what are you doing here?”
“Nicholas said you didn’t sound right the last time he spoke to you. He asked us to peek in on you,” Simon explains.
Franny’s shrewd gaze rakes me over. “He doesn’t look drunk. And he obviously hasn’t hung himself from the rafters—that’s better than I was expecting.”
“Thanks for the vote of confidence.”
Simon peers around the grounds, at the smattering of crew members and staging tents. “What the hell is going on, Henry?”
I clear my throat. “So . . . the thing is . . . I’m sort of . . . filming a reality dating television show here at the castle and we started with twenty women and now we’re down to four, and when it’s over one of them will get the diamond tiara and become my betrothed. At least in theory.”
It sounded so much better in my head.
“Don’t tell Nicholas.”
Simon scrubs his hand down his face. “Now I’m going to have to avoid his calls—I’m terrible with secrets.”
And Franny lets loose a peal of tinkling laughter. “This is fabulous! You never disappoint, you naughty boy.” She pats my arm. “And don’t worry, when the Queen boots you out of the palace, Simon and I will adopt you. Won’t we, darling?”
Simon nods. “Yes, like a rescue dog.”
“Good to know.” Then I gesture back to their car. “Well . . . it was nice of you to stop by.”
Simon shakes his head. “You’re not getting rid of us that easily, mate.”
“Yes, we’re definitely staying.” Franny claps her hands. “I have to see this!”
Fantastic.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
And . . . I owe you.” Selene didn’t explain because she knew he’d think she was referring to when Meghan saved her life. That was fine with her. Telling him exactly how she owed him would strip her open too bare and she wasn’t willing to let anyone see that vulnerable side of her.
“Telling the truth again.” He frowned now, true confusion in his gaze. Whether from her words or the fact that she was letting him in on this op. “You plan to try to bring me in after the op?”
“No.” That was actually the truth. Wesley, however, was a different story. But she refused to let her mind go there, knowing Levi would pick up on it.
Levi started to respond when a burst of gunfire from the pool area made them both turn at the noise. Selene automatically moved off the bench, crouching down behind it and to her surprise Levi moved in front of her, blocking her even though they were too far away to be in any danger from what she could hear.
“This is what happens when you get a bunch of criminals under the same roof,” he muttered.
She snorted in agreement. “I’m leaving using the beach. You’re free to join me.” There hadn’t been any more gunfire so likely the guards had the situation under control but she wasn’t heading back up there. She’d already had her meeting so she had no reason to return.
Now he snorted as he turned to face her, still crouching low. He slid his long, callused hands down her bare arms. This time she couldn’t hide the shiver. “Oh, I’m joining you,” he murmured, a seductive note in his voice.
But the timing was all wrong. For once she wished she understood the opposite sex more. What was he doing? She’d already told him he could come on the op with her. Her nipples tightened and her body hummed with a strange anticipation as he lightly held her wrists in both hands, his thumbs rubbing her inner wrist in small circles. She started to pull back and he let go of one of her wrists. As she pushed out a sigh of relief, the feel of cold steel skimmed her skin just as the soft snick of handcuffs clicked into place.
”
”
Katie Reus (Shattered Duty (Deadly Ops, #3))
“
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?”
“What happened to the last one?” she asked.
“Got blown off. Don’t ask where,” he added darkly.
“I know nothing,” she assured him. “Come on in. Leta made sandwiches.”
Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed.
“She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening.
“She thinks I’m sleeping with you,” she said simply.” So does Tate.”
“Why?”
“Because I let him think I was,” she said bluntly.
He gave her a hard look. “Bad move, Cecily.”
“I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.”
“I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?”
She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.”
“Even with Tate?” he probed gently.
She wasn’t touching that line with a pole. “Tate doesn’t want me.”
“You keep saying that, and he keeps making a liar of you.”
“I don’t understand.”
“He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek.
She caught her breath. “I thought you got that overseas!”
“Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.”
“He hit you? Why?” she exclaimed.
“Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.”
“What did he do after he hit you?”
“I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.”
“I’m so sorry!”
“Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.”
“Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.”
“I am,” he said easily.
“I like having you as my friend.”
He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added.
“We all have our little quirks.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Ronan was waiting for her beyond the estate’s guarded gate. From the looks of things, he had been waiting for some time. His horse was nosing brown grass as Ronan sat on a nearby boulder, throwing pebbles at the general’s stone wall. When he saw Kestrel ride through the gate on Javelin, he flung his handful of rocks to the path. He remained sitting, elbows propped on his bended knees as he stared at her, his face pinched and white. He said, “I have half a mind to tear you down from your horse.”
“You got my message, then.”
“And rode instantly here, where guards told me that the lady of the house gave strict orders not to let anyone--even me--inside.” His eyes raked over her, taking in the black fighting clothes. “I didn’t believe it. I still don’t believe it. After you vanished last night, everyone at the party was talking about the challenge, yet I was sure it was just a rumor started by Irex because of whatever has caused that ill will between you. Kestrel, how could you expose yourself like this?”
Her hands tightened around the reins. She thought about how, when she let go, her palms would smell like leather and sweat. She concentrated on imagining that scent. This was easier than paying heed to the sick feeling swimming inside her. She knew what Ronan was going to say.
She tried to deflect it. She tried to talk about the duel itself, which seemed straightforward next to her reasons for it. Lightly, she said, “No one seems to believe that I might win.”
Ronan vaulted off the rock and strode toward her horse. He seized the saddle’s pommel. “You’ll get what you want. But what do you want? Whom do you want?”
“Ronan.” Kestrel swallowed. “Think about what you are saying.”
“Only what everyone has been saying. That Lady Kestrel has a lover.”
“That’s not true.”
“He is her shadow, skulking behind her, listening, watching.”
“He isn’t,” Kestrel tried to say, and was horrified to hear her voice falter. She felt a stinging in her eyes. “He has a girl.”
“Why do you even know that? So what if he does? It doesn’t matter. Not in the eyes of society.”
Kestrel’s feelings were like banners in a storm, snapping at their ties. They tangled and wound around her. She focused, and when she spoke, she made her words disdainful. “He is a slave.”
“He is a man, as I am.”
Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
CUCHULAIN’S FIGHT WITH THE SEA
A MAN came slowly from the setting sun,
To Emer, raddling raiment in her dun,
And said, ‘I am that swineherd whom you bid
Go watch the road between the wood and tide,
But now I have no need to watch it more.’
Then Emer cast the web upon the floor,
And raising arms all raddled with the dye,
Parted her lips with a loud sudden cry.
That swineherd stared upon her face and said,
‘No man alive, no man among the dead,
Has won the gold his cars of battle bring.’
‘But if your master comes home triumphing
Why must you blench and shake from foot to crown?’
Thereon he shook the more and cast him down
Upon the web-heaped floor, and cried his word:
‘With him is one sweet-throated like a bird.’
‘You dare me to my face,’ and thereupon
She smote with raddled fist, and where her son
Herded the cattle came with stumbling feet,
And cried with angry voice, ’It is not meet
To idle life away, a common herd.’
‘I have long waited, mother, for that word:
But wherefore now?’
‘There is a man to die;
You have the heaviest arm under the sky.’
‘Whether under its daylight or its stars
My father stands amid his battle-cars.’
‘But you have grown to be the taller man.’
‘Yet somewhere under starlight or the sun
My father stands.’
‘Aged, worn out with wars
On foot, on horseback or in battle-cars.’
‘I only ask what way my journey lies,
For He who made you bitter made you wise.’
‘The Red Branch camp in a great company
Between wood’s rim and the horses of the sea.
Go there, and light a camp-fire at wood’s rim;
But tell your name and lineage to him
Whose blade compels, and wait till they have found
Some feasting man that the same oath has bound.’
Among those feasting men Cuchulain dwelt,
And his young sweetheart close beside him knelt,
Stared on the mournful wonder of his eyes,
Even as Spring upon the ancient skies,
And pondered on the glory of his days;
And all around the harp-string told his praise,
And Conchubar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, ‘Some man has made
His evening fire amid the leafy shade.
I have often heard him singing to and fro,
I have often heard the sweet sound of his bow.
Seek out what man he is.’
One went and came.
‘He bade me let all know he gives his name
At the sword-point, and waits till we have found
Some feasting man that the same oath has bound.’
Cuchulain cried, ‘I am the only man
Of all this host so bound from childhood on.
After short fighting in the leafy shade,
He spake to the young man, ’Is there no maid
Who loves you, no white arms to wrap you round,
Or do you long for the dim sleepy ground,
That you have come and dared me to my face?’
‘The dooms of men are in God’s hidden place,’
‘Your head a while seemed like a woman’s head
That I loved once.’
Again the fighting sped,
But now the war-rage in Cuchulain woke,
And through that new blade’s guard the old blade broke,
And pierced him.
‘Speak before your breath is done.’
‘Cuchulain I, mighty Cuchulain’s son.’
‘I put you from your pain. I can no more.’
While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Conchubar sent that sweet-throated maid,
And she, to win him, his grey hair caressed;
In vain her arms, in vain her soft white breast.
Then Conchubar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus: ‘Cuchulain will dwell there and brood
For three days more in dreadful quietude,
And then arise, and raving slay us all.
Chaunt in his ear delusions magical,
That he may fight the horses of the sea.’
The Druids took them to their mystery,
And chaunted for three days.
Cuchulain stirred,
Stared on the horses of the sea, and heard
The cars of battle and his own name cried;
And fought with the invulnerable tide.
”
”
W.B. Yeats
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many."
HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not."
"How could you? You don't even know who it was, do you?"
"No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all.
"Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside."
A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon.
"Yes," he whispered. "A long list indeed."
"So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice.
"Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?"
She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward.
Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance."
Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room.
"Ah, there you are. Good evening, Grey. Rose, Lord Archer is here."
Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?"
Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
I flip the lock back in place and turn, hitting a concrete wall of a man.
“What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me.
“Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw.
He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot?
“Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.”
“I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.”
I snort and roll my eyes.
“Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before.
“You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him.
“Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too.
“Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe.
“Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...”
His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me.
I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off.
He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating.
When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk.
“I wanna do that again,” I say lazily. I think I could do that over and over again.
“Your place isn’t secure. Come to mine and I’ll do it over and over again.”
“Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment.
“Holy shit.”
I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard.
“I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade.
“Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck.
He steps in front of me, blocking my view of my sister and the other man.
“I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop.
“I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.
”
”
Alexa Riley (Guarding His Obsession)