Tan Line Quotes

We've searched our database for all the quotes and captions related to Tan Line. Here they are! All 100 of them:

There weren’t many people in this world who would let you be vulnerable and still believe you were strong.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
What is he?” “I can’t puzzle it out. He doesn’t have horns, pointed ears—or apparently a need to eat. He does have small fangs, but he also sports a tan line.” “You checked? Natalya, you durrrty bitch.” “Hey, I had to determine if he was a blood sucker or not. Now I don’t know what to think.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
And for about the millionth time in her life she felt an overwhelming gratitude for her best friend. Because she knew he wouldn't mention this afterward; she knew he wouldn't take it as a sign that she was losing her nerve or was in too deep. There weren't many people in this world who would let you be vulnerable and still believe you were strong.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
I asked for a pony. And year after year I'm disappointed.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Sometimes the day begins with nothing to look forward to...
Shaun Tan (The Red Tree)
The twin pillars of outrage journalism: slut shaming and victim blaming.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Tanned, toned, curves in the right places and that small waist…lips, hair, eyes all packaged up like a siren. If she’s a siren, I heard her call, and I’m diving in hook, line, and sinker. - Drew Donovan
Kailin Gow (Falling for Summer (Donovan Brothers #1; Loving Summer #2))
Her feminine beauty was a concept as fleeting as power. If she acquired a tan, put on some weight, and let a few decades pass, the street artists would not be rendering her face to sell their creams anymore. Chinese and Western standards alike were arbitrary, pitiful things. But Juliette still needed to keep herself in line, force herself to follow them if people were to look up to her.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
It’s hard to look the people you love in the face when they’ve seen you fuck up everything you touch. Sometimes, it’s easier to rebuild your life if you’re with someone who’s been as low as you’ve been.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
The hazard of living in a place where you had so much history--so much pain and so much rage and so much love--was that every item could turn on you in a flash.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Thank goodness for the U.S. Navy. I can at least put off telling Logan. The last thing I need is for my boyfriend to pick a fight with an international crime syndicate.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Salinger, Plath, Toole, the literature of choice for the brooding outcast.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
A very naked Lucas was crouched near Ethan. I couldn't process that. He was a werewolf? Dr. Keane and Mason were right? No, no, no. There was another explanation. There had to be. My world tilted and I had an urge to scream hysterically. I stared at his bare back while he tugged off Ethan's cargo pants. He had absolutely no tan lines. He was like a perfect bronzed god. I might have fallen in lust right then and there if I didn't know that he came with issues in the form of a furry body and canine incisors.
Rachel Hawthorne (Moonlight (Dark Guardian, #1))
The skin along the parts in her hair, the skin above and behind the doctor's ears, is as clear and white as the skin inside her other tan lines must look. If women knew how their ears come across, the firm fleshy edge, the little dark hood at the top, all the smooth contours coiled and channeling you to the tight darkness inside, well, more women would wear their hair down.
Chuck Palahniuk (Choke)
When the battle lines are drawn, advance with a clear mind.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
Their mutual misanthropy had sealed the deal.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
For one ridiculous moment she considered changing into something sexier—at least from the waist up, as that was all he’d see on his camera—but decided not to bother. Logan had fallen in love with her in striped T-shirts and jeans. There was no need to mess with a winning formula.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
If you're stuck you could always double up with me at my place. It's the size of a postage stamp, but the roses are the size of poodles. So it sort of evens out." -Austin
Katherine Applegate (Tan Lines: Sand, Surf, and Secrets / Rays, Romance, and Rivalry / Beaches, Boys, and Betrayal (Summer, #5-7))
I was merely observing; I have no agenda." He looked at his hand, still touching hers. "Where did you get that ring?" She contracted her hand into a fist as she pulled it away from him. The amethyst in her ring glowed in the firelight. "It was a gift." "From whom?" "That's none of your concern." He shrugged, though she knew betterthan to tell him who'd really given it to her - rather, she knew Chaol wouldn't want Dorian to know. "I'd like to know who's been giving rings to my Champion." The way the collar of his black jacket lay across his neck made her unnable to sit still. She wanted to touch him, to trace the line between his tan skin and the golden lining of the fabric. "Billiards?" she asked, rising to her feet. I could use another lesson." Celaena didn't wait for his answer as she strode toward the gaming room. She very much wanted to stand close to him and have her skin warm under his breath. She liked that. Worse than that, she realized, she liked him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
What's the difference between sanity and madness anyway? We all play headgames with ourselves. We all have baggage. We all cope somehow. I'm not sure if I'm mad or sane. I mean, I hold my life together, I pay my bills, I raise my kids. But the world is so polarized and bizarre now that for some people, none of these these things matter if they're not wearing the right shoes or don't have the right credit score or a fancy family car. Some people think the most important things to worry about are handbags and tan lines. Meanwhile, war and crime and poverty unfold all around us, and we ignore it. In that environment, how can we even begin to talk about sanity and madness?
A.S. King
Ah, the twin pillars of outrage journalism: slut shaming and victim blaming.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
Best line in the book: "I played the part well, but I was as fake as a California tan on an Alaskan cheerleader.
Ali Parker (Forgotten Bodyguard: Book One)
the tan lines will fade but the memories last forever <3
Socrates (Aristotle, Plato, Socrates, Confucius, Henry David Thoreau: Memorable Quotes)
You know what my favorite thing in the world right now is? What? He leans on close, his mouth hovering just at my ear. "Your tan lines and the fact that I'm the only one who gets to see them." "You're bad" "You like it
Monica Murphy (Second Chance Boyfriend (One Week Girlfriend, #2))
American circumstances and Chiese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you. She learned thse things, but I couldn't teach her Chinses character. How to obey parents and listen to your mother's mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best.
Amy Tan (The Joy Luck Club)
Was it tacky to get a cake during a hostage crisis? What was the protocol? She pictured chocolate frosting with white lettering: HAPPY BIRTHDAY, HOPE YOUR DAUGHTER ISN’T DEAD. But this year was her fiftieth, a year with a zero. Veronica had to do something. So on her way to the condo she’d swung by a bakery and picked up a small German chocolate cake. It was her mom’s favorite—or at least it had been, a decade ago.-page 218 of The Thousand Dollar Tan Line
Rob Thomas
There weren't many people in this world who would let you be vulnerable and still believe you were strong.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
She looks tan...-ish." "There's a fine line between 'tan', and looking like you just rolled around in a giant bag of Doritos. And Miranda seems to prefer the nacho cheese variety.
Jena Leigh (Revival (The Variant Series, #1))
normal’s the watchword
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Honestly I’m glad. Cases where stupid people do stupid things are really more my forte. Like this guy.” He picked up a folder from the mess on his desk. “He updated his Facebook account from inside a house he was robbing. Classic Cliff McCormack material. I’ll leave the murderers to someone who knows what he’s doing.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
In faded leathers and boots, he sure wasn't a clotheshorse like Antonio, and he was sure a lot bigger. The brown leather pants clung to long legs, and his vest opened over a thickly muscled chest. His neck was corded, his arms solid. A gold band circled one darkly tanned biceps. His face… She frowned. All rough lines and craggy bones, he looked like a hard-edged Boromir from Lord of the Rings. His mouth was set in a firm line. And didn't that just figure she'd end up with Boromir? At least Aragorn had a sense of humor.
Cherise Sinclair (Lean on Me (Masters of the Shadowlands, #4))
In the movie I was played by an actor who actually looked more like me than the character the author portrayed in the book: I wasn't blond, I wasn't tan, and neither was the actor. I also suddenly became the movie's moral compass, spouting AA jargon, castigating everyone's drug use and trying to save Julian. (I'll sell my car," I warn the actor playing Julian's dealer. "Whatever it takes.") This was slightly less true of Blair's character, played by a girl who actually seemed like she belonged in our group-- jittery, sexually available, easily wounded. Julian became the sentimentalized version of himself, acted by a talented, sad-faced clown, who has an affair with Blair and then realizes he has to let her go because I was his best bud. "Be good to her," Julian tells Clay. "She really deserves it." The sheer hypocrisy of this scene must have made the author blanch. Smiling secretly to myself with perverse satisfaction when the actor delivered that line, I then glanced at Blair in the darkness of the screening room.
Bret Easton Ellis (Imperial Bedrooms)
The amethyst in her ring glowed in the firelight. "It was a gift." "From whom?" "That's none of your concern." He shrugged, though she knew betterthan to tell him who'd really given it to her - rather, she knew Chaol wouldn't want Dorian to know."I'd like to know who's been giving rings to my Champion." The way the collar of his black jacket lay across his neck made her unnable to sit still. She wanted to touch him, to trace the line between his tan skin and the golden lining of the fabric. "Billiards?" she asked, rising to her feet. I could use another lesson". Celaena didn't wait for his answer as she strode toward the gaming room. She very much wanted to stand close to him and have her skin warm under his breath. She liked that. Worse than that, she realized, she liked him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
I had a hand fetish. His hands were big, probably beneficial for that stupid sport he played. His were the kind of hands that made wedding rings look sexy—tan with vein lines that ran like snaking rivers to his wrist and disappeared under his sleeves.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Beauty is not long hair, skinny legs, tanned skin or perfect teeth. Believe me. Beauty is the face of who cried and now smiles, beauty is the scar on your knee since you fell when you were a kid, beauty is the circles when love doesn't let you sleep, beauty is the expression on the face when the alarm rings in the morning, it's the melted makeup when you have a shower, it's the laughter when you make a joke you're the only one who can understand, beauty is meeting his gaze and stopping understanding, beauty is your gaze when you see him, it's when you cry for all you paranoias, beauty is the lines marked by time. Beauty is what we feel in the inside which also shows outside us. Beauty is the marks the life leaves on us, all the kicks and the caresses the memories leave us. Beauty is letting yourself live.
Emma Watson
The room is full of adult Honeywells talking about the things that Honeywells always talk about, which is to say everything, horses and houses and God and grouting, tanning salons and—of course—theater. Always theater. Honeywells like to talk. When Honeywells have no lines to speak, they improvise. All the world’s a stage.
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
I taught her how American circumstances work. If you are born poor here, it’s no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you. She learned these things, but I couldn’t teach her about Chinese character. How to obey your parents and listen to your mother’s mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best.
Amy Tan (The Joy Luck Club)
Just like Black Bottom,” Passalos agreed. “Black Bottom?” Leo resisted the urge to jump at the dwarfs’ feet again. He was sure Passalos was going to ruin the Archimedes sphere any second now. “Yes, you know.” Akmon grinned. “Hercules. We called him Black Bottom because he used to go around without clothes. He got so tan that his backside, well—” “At least he had a sense of humor!” Passalos said. “He was going to kill us when we stole from him, but he let us go because he liked our jokes. Not like you two. Grumpy, grumpy!” “Hey, I’ve got a sense of humor,” Leo snarled. “Give me back our stuff, and I’ll tell you a joke with a good punch line.” “Nice try!” Akmon pulled a ratchet wrench from the tool belt and spun it like a noisemaker. “Oh, very nice! I’m definitely keeping this! Thanks, Blue Bottom!” Blue Bottom? Leo glanced down. His pants had slipped around his ankles again, revealing his blue undershorts. “That’s it!” he shouted. “My stuff. Now. Or I’ll show you how funny a flaming dwarf is.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing. The artist Paul Klee refers to this simple act as 'taking a line for a walk', an apt description of my own basic practice: allowing the tip of a pencil to wander through the landscape of a sketchbook, motivated by a vague impulse but hoping to find something much more interesting along the way. Strokes, hooks, squiggles and loops can resolve into hills, faces, animals, machines -even abstract feelings- the meanings of which are often secondary to the simple act of making (something young children know intuitively). Images are not preconceived and then drawn, they are conceived as they are drawn. Indeed, drawing is its own form of thinking, in the same way birdsong is 'thought about' within a bird's throat.
Shaun Tan
If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together. As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.
Zoe York (Between Then and Now (Wardham, #0.5))
[33]* In the seventh month, when the heat is dreadful, everything in the building is kept open all through the night, and it’s delightful to wake on moonlit nights and lie there looking out. Dark nights too are delightful, and as for the sight of the moon at dawn, words cannot describe the loveliness. Picture her lying there, on a fresh new mat 1 placed near the outer edge of the gleaming wooden aisle-room floor, the low standing curtain pushed to the back of the room in a quite unseemly way. 2 It should normally be placed at the outer edge, but perhaps she’s concerned about being seen from within. Her lover must have already left. She is lying asleep, a robe drawn up over her head 3 – it is pale greyish-violet with deep violet inner lining, the outer surface a little faded, or perhaps it is a stiffish robe of rich gleaming damask. Beneath this, she is wearing a clove-tan or yellow gossamer-silk shift, and the long strings of her unlined scarlet skirted trousers trailing undone from below the hem of her clothing tell us that she must have fallen asleep with trousers still untied after her lover departed. The soft luxury of hair that lies piled in waves beside her speaks of its wonderful length.
Sei Shōnagon (The Pillow Book)
He went with olive green, because it almost matched his borrowed coat, which was tan. He chose pants with flannel lining, a T-shirt a flannel shirt, and a sweater made of thick cotton. He added white underwear and a pair of black gloves and a khaki watch cap. Total damage was a hundred and thirty bucks. The store owner took a hundred and twenty cash. Four days wear, probably, at the rate of thirty dollars a day. Which added up to more than ten grand a year, just for clothes. Insane, some would say. But Reacher liked the deal. He knew that most folks spent much less than ten grand a year on clothes. They had a small number of good items that they kept in closets and laundered in basements. But the closets and basements were surrounded by houses, and houses cost a whole lot more than ten grand a year, to buy or rent, and to maintain and repair and insure. So who was really nuts ?
Lee Child (61 Hours (Jack Reacher, #14))
No doubt, what with all that graft and corruption filling your schedule.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
When the officer turned to face her, Veronica blinked.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
She and her mom used to visit him on lunch breaks and, in later years, she did her homework in an empty interrogation room while eavesdropping on the dispatch.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
His image shifted jerkily once, twice. She caught the sound of his voice deconstructed into halting and meaningless syllables. And then the window went dark.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
Estoy cansado de esto. Cansado de que todos se obsesionen con ellos mismos, tan obsesionados con el momento que han dejado de preocuparse por lo que ocurrira a continuacion
Katie McGarry (Crossing the Line (Pushing the Limits, #1.1))
Her eyes--lined with black makeup--stared blankly at the ceiling; and her tan was obviously sprayed on since her skin had a healthy apricot glow even though the top of her head was missing.
Donna Tartt (The Goldfinch)
The green painted concrete out in front of the house, which at first seemed like a novel way to save money on lawn-moving, was now just plain depressing. The hot water came reluctantly to the kitchen sink as if from miles away, and even then without conviction, and sometimes a pale brownish color. Many of the windows wouldn't open properly to let flies out. Others wouldn't shut properly to stop them getting in. The newly planted fruit trees died in the sandy soil of a too-bright backyard and were left like grave-markers under the slack laundry lines, a small cemetery of disappointment. It appeared to be impossible to find the right kinds of food, or learn the right way to say even simple things. The children said very little that wasn't a complaint.
Shaun Tan (Tales from Outer Suburbia)
Veronica’s hands wouldn’t stop shaking. She held the revolver straight out from her body and breathed slowly, deeply, the hot-metal smell stinging her nostrils. She tried to relax her shoulders.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
But I was good at running really fucking fast - my hundred-meter spring was bananas. Racism sucked, but it encouraged me to run faster than the bullies. That's the only silver lining you'll find in this chapter.
Tan France (Naturally Tan)
Calvin sits up, jerking his guitar to stand on one thigh. “Mr. Okai.” He swallows. “I didn’t realize you were standing there.” “My niece tells me your name is Calvin.” Calvin looks between the two of us, working this out. Robert, with his smooth dark skin and meticulously short hair. Me: pale and freckled with a chaotic, weedy bun on top of my head. Robert reaches out a hand, and Calvin immediately takes it, standing. “Yes. Calvin McLoughlin.” This makes my uncle laugh, and the boom of it eases the line of Calvin’s shoulders. “That’s a pretty Irish name for someone with such a good tan.” “My mam is Greek,” he explains, and then looks back and forth between me and Robert again, as if asking a question of his own. Robert tilts his head to me, releasing Calvin’s hand and saying in turn, “I married her uncle.” Calvin smiles, quietly saying, “Ah.
Christina Lauren (Roomies)
His skin was dark, his face tanned, little crinkles at the corners of his eyes. Sun lines, not laugh lines, she was sure. She couldn't imagine the devil captain ever laughing at anything except, perhaps, someone else's pain.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
I don't have too many lines ingrained upon my face. I look rather pixieish. Sometimes I wish that as I get older my eyes would become lined and take on more character. It just looks like I haven't suffered enough in my life.
Amy Tan (Where the Past Begins: A Writer's Memoir)
Tally yanked her hand away and stuck it behind her back. "God. I am so sorry." She'd touched him. Felt the heat of his tanned skin, felt the crisp hairs at his groin...felt...oh, man. "Nice try, but no cigar. Want to go for two out of three?" Tally closed her eyes and blew out a breath. "Oh, this day just gets better and better." "It's certainly looking up for me." With an amused glance, the pirate hitched his shorts back over the sharp angle of his hipbones. There'd been so sign of a tan line.
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, "This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch!
Ray Bradbury
And she’d also found Logan again. Now he was her … what? New-old boyfriend? Lover? Skype buddy? Pen pal with benefits? Whatever his title, his e-mails filled her inbox. Sometimes he sent five a day, short and quipping. Other times he sent longer, more serious ones. She kept her tone light when she replied. That’d always been her MO—a joke, a jab. A way to deflect from what she was really feeling. A way to keep the nonstop ache of missing him from becoming too painful to survive. And honestly, what was there to say that would come close to what she felt? The moments they’d spent together before he’d shipped out on his latest naval tour had been the most peaceful she could remember—even with her anxiety about her dad. It’d been the first time she’d felt complete in a long time. And then, just like that, he was gone again.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
As I write these lines I lift my eyes and look seaward.  I am on the beach of Waikiki on the island of Oahu.  Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea.  Nearer, the sea is emerald and light olive-green.  Then comes the reef, where the water is all slaty purple flecked with red.  Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks.  Through and over and out of these wonderful colours tumbles and thunders a magnificent surf.
Jack London (The Cruise of the Snark (Illustrated) (Annotated))
When I pictured Adelita’s face in my head, the lines were getting blurred. I struggled to see impurity. Adelita’s smile, lightly-tanned skin and dark eyes clouded my mind. And, fuck, to me, they were perfect…just like her…a perfect Mexican…I didn’t know what the fuck to do with that.
Tillie Cole (Darkness Embraced (Hades Hangmen, #7))
Veronica eased the car forward, narrowly missing two girls who stopped in the middle of the street to light each other’s cigarettes. They both held up their middle fingers in perfect unison. Veronica cheerfully flipped them off in return, then took a right toward Neptune’s Warehouse District.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
As he reached the river, Oswald suddenly felt as if he were walking around in a painting. Then it dawned on him. Everywhere he looked was a painting! Everything was alive with color: the water, the sky, the boathouses that lined the rivermwith red tin roofs, silver tin roofs, and rusted orange tin roofs. Red boat in a yellow boathouse. Green, pink, blue, tan, yellow, and white boathouses. The wooden pilings sticking out of the water were a thousand different shades of graym and each individual piling was encrusted with hundreds of chalk-white barnacles and black woodpecker holes. Even the grain of the wood and the knots on each post differed from inch to inch and pole to pole.
Fannie Flagg (A Redbird Christmas)
How was your journey?" he asked. "You don't have to make small talk with me," she said. "I don't like it, and I'm not very good at it." They paused at the shade of portico, beside a sweet-scented bower of roses. Casually Lord St. Vincent leaned a shoulder against a cream-painted column. A lazy smile curved his lips as he looked down at her. "Didn't Lady Berwick teach you?" "She tried. But I hate trying to make conversation about weather. Who cares what the temperature is? I want to talk about things like... like..." "Yes?" he prompted as she hesitated. "Darwin. Women's suffrage. Workhouses, war, why we're alive, if you believe in séances or spirits, if music has ever made you cry, or what vegetable you hate most..." Pandora shrugged and glanced up at him, expecting the familiar frozen expression of a man who was about to run for his life. Instead she found herself caught by his arrested stare, while the silence seemed to wrap around them. After a moment, Lord St. Vincent said softly, "Carrots." Bemused, Pandora tried to gather her wits. "That's the vegetable you hate most? Do you mean cooked ones?" "Any kind of carrots." "Out of all vegetables?" At his nod, she persisted, "What about carrot cake?" "No." But it's cake." A smile flickered across his lips. "Still carrots." Pandora wanted to argue the superiority of carrots over some truly atrocious vegetable, such as Brussels sprouts, but heir conversation was interrupted by a silky masculine voice. "Ah, there you are. I've been sent out to fetch you." Pandora shrank back as she saw a tall msn approach in a graceful stride. She knew instantly that he must be Lord Sy. Vincent's father- the resemblance was striking. His complexion was tanned and lightly time-weathered, with laugh-lines at the outer corners of his blue eyes. He had a full head of tawny-golden hair, handsomely silvered at the sides and temples. Having heard of his reputation as a former libertine, Pandora had expected an aging roué with coarse features and a leer... not this rather gorgeous specimen who wore his formidable presence like an elegant suit of clothes. "My son, what can you be thinking, keeping this enchanting creature out in the heat of midday?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
combination of fear, incomprehension and envy: his calm, severe, almost brutal expression intimidated her. He was a big, muscular man, with a ruddy complexion; beneath thick eyebrows, his pale eyes were sometimes unbearable to look at. His tanned, lined hands were the hands of a labourer and a soldier, thought Lucile: earth or blood, it was the same to him. Neither remorse nor sorrow troubled his sleep, of that she was sure; everything was simple to this man.
Irène Némirovsky (Suite Française)
Oak is peering at the lock on the chest. “Once, the Bomb told me a story about poisonous spiders kept inside a trunk. When the thief opened it, he was bitten all over. Died badly. I believe she was trying to dissuade me from stealing sweets.” Tiernan kicks the stack of wood with one snow-covered boot. The logs rumble out of formation. “I am going to make a fire.” I lift the fur and turn it inside out, brushing my hand over the lining to check for rot or bugs. There’s nothing. No discoloration, either, as there might be from poison. The only odor it contains is the faint smell of the smoke used to tan the hide. A few uniforms from a long-disbanded army are in a gray woolen heap. I shake them out and assess them while Oak tries to pry apart the rusty chest. “There probably aren’t any spiders,” he says when I look in his direction. Inside is a waxed wheel of cheese and ancient rolls, along with a skin of slushy wine. He appears disappointed.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Squeezing my eyes shut, I thought of the burning crosses, the rallies, and the people we’d killed. Thought of the white race. How we were meant to lead. To reign supreme. But when I pictured Adelita’s face in my head, the lines were getting blurred. I struggled to see impurity. Adelita’s smile, lightly tanned skin, and dark eyes clouded my mind. And, fuck, to me, they were perfect . . . just like her . . . a perfect Mexican . . . I didn’t know what the fuck to do with that . . .
Tillie Cole (Darkness Embraced (Hades Hangmen, #7))
She couldn't help stealing a covert glance at the exposed part of his torso, the flesh so firm and tanned it appeared to have been cast in bronze. Lower down near his hip, the satiny brown skin merged into a line of ivory. The sight was so intriguing- and intimate- that she felt her stomach tighten pleasurably. Leaning over him as she was, she couldn't help breathing in the dusty, sweaty, sun-heated scent of him. A stunning urge seized her, to touch that brown-and-white borderline with her fingertip, trace a path across his body.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
I DON’T CALL MYSELF A BIBLIOPHILE,” says the illustrator Pierre Le-Tan, gesturing to the twelve-foot-high bookshelves that line the salon of his Left Bank apartment. “Those people like original editions with certain paper or watermarks.…That doesn’t interest me at all. Bibliophiles prefer the pages uncut, some of them; the edition might be wonderful, but what is the point of a book you can’t read? I just like to read my books.” Le-Tan is, by his own admission, a lover of beautiful things—but it’s obvious he lives with his hundreds of volumes rather than among them.
Nina Freudenberger (Bibliostyle: How We Live at Home with Books)
He tans into burning while the opening fanfare to "Peaches en Regalia" flows over him, the bugle call for a hippie army that marched at the peak of the American parabola, that moment when physics held its breath to allow levitation, a small reward before the descent. The hippies knew it then, Maggot Boy Johnson thinks; they couldn't build it into words but they could feel it; a floating in the stomach as history shifted direction. They stopped, hey, what's that sound, and knew that the spiny skyscrapers reflected in the river, the chasms of concrete, the wide streets and sidewalks, the power lines cutting into the hills and mountains above missile silos, the highways drawing lines across the blank plains under enormous skies, the pupil of God's eye, would be the ruins that their grandchildren wandered among, the reminders that once there was always water in the faucet, there was electricity all the time, and America was prying off the shackles of its past. The vision opened up to them and winked out again, and those it blinded staggered through their lives unable to see anything else, while the rest of them wondered if they had only dreamed it.
Brian Francis Slattery (Liberation: Being the Adventures of the Slick Six After the Collapse of the United States of America)
As he reached the river, Oswald suddenly felt as if he were walking around in a painting. Then it dawned on him. Everywhere he looked was a painting! Everything was alive with color: the water, the sky, the boathouses that lined the river with red tin roofs, silver tin roofs, and rusted orange tin roofs. Red boat in a yellow boathouse. Green, pink, blue, tan, yellow, and white boathouses. The wooden pilings sticking out of the water were a thousand different shades of gray and each individual piling was encrusted with hundreds of chalk-white barnacles and black woodpecker holes. Even the grain of the wood and the knots on each post differed from inch to inch and pole to pole.
Fannie Flagg (A Redbird Christmas)
As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
put it down here for you as though I had been an eyewitness. My information was fragmentary, but I’ve fitted the pieces together, and there is enough of them to make an intelligible picture. I wonder how he would have related it himself. He has confided so much in me that at times it seems as though he must come in presently and tell the story in his own words, in his careless yet feeling voice, with his offhand manner, a little puzzled, a little bothered, a little hurt, but now and then by a word or a phrase giving one of these glimpses of his very own self that were never any good for purposes of orientation. It’s difficult to believe he will never come. I shall never hear his voice again, nor shall I see his smooth tan-and-pink face with a white line on the forehead, and the youthful eyes darkened by excitement to a profound, unfathomable blue.
Joseph Conrad (Joseph Conrad: The Complete Novels)
Ever since the 1960s, upon the urging of Dr. T. Berry Brazelton and the all-knowing Dr. Spock,* mothers have been encouraged to read to their children at a very early age. For toddlers and preschoolers who relish this early diet of literacy, libraries become a second home, story hour is never long enough, and parents can’t finish a book without hearing a little voice beg, “Again… again.” For most literary geek girls, it’s at this age that they discover their passion for reading. Whether it’s Harold and the Purple Crayon or Strega Nona, books provide the budding literary she-geek with a glimpse into an all-new world of magic and make-believe—and once she visits, she immediately wants to apply for full-time citizenship. “We tell ourselves stories in order to live.” —author Joan Didion, in The White Album While some children spend their summers sweating on community sports teams or learning Indigo Girls songs at sleep-away camp, our beloved bookworms are more interested in joining their local library’s summer reading program, completing twenty-five books during vacation, and earning a certificate of recognition signed by their city’s mayor. (Plus, that Sony Bloggie Touch the library is giving away to the person who logs the most hours reading isn’t the worst incentive, either. It’ll come in handy for that book review YouTube channel she’s been thinking about starting!) When school starts back up again, her friends will inevitably show off their tan lines and pony bead friendship bracelets, and our geek girl will politely oblige by oohing and aahing accordingly. But secretly she’s bursting with pride over her summer’s battle scars—the numerous paper cuts she got while feverishly turning the pages of all seven Harry Potter books.
Leslie Simon (Geek Girls Unite: Why Fangirls, Bookworms, Indie Chicks, and Other Misfits Will Inherit the Earth)
But, for now, the university wrote back that they hardly dared do my play—it had no women in it! And the ERA ladies on campus would descend with ball-bats if the drama department even tried! Grinding my bicuspids into powder, I suggested that would mean, from now on, no more productions of Boys in the Band (no women), or The Women (no men). Or, counting heads, male and female, a good lot of Shakespeare that would never be seen again, especially if you count lines and find that all the good stuff went to the males! I wrote back maybe they should do my play one week, and The Women the next. They probably thought I was joking, and I’m not sure that I wasn’t. For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangu­tan or dolphin, nuclear-head or water-conversation­ist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics.
Ray Bradbury (Fahrenheit 451)
When I saw them on the beach, perfectly tanned, or when I watched them twirling in the waves, I grasped the transcendental element in surf music. It was all about freedom from the rules of life, the whole of your being concentrated in the act of shooting the tube. For several years after that trip to L.A. I subscribed to Surfer magazine, and I practiced the Atlantic Ocean version of the sport, though only with my body and on rather tame waves. With my voice muffled by the water I would shout a line from “Surf City.” To me, this was the ultimate fantasy of plenty: “two girls for every boy,” except I sang it as “Two girls for every goy.” Fortunately, Brian has survived the schizoid tendencies that seemed close to the surface when I met him. He’s still performing and writing songs. But it was his emotional battle and the intersection of that struggle with the acid-dosed aesthetic of the sixties that produced his most astonishing music.
Richard Goldstein (Another Little Piece of My Heart: My Life of Rock and Revolution in the '60s)
A girl is like a young tree,” she said. “You must stand tall and listen to your mother standing next to you. That is the only way to grow strong and straight. But if you bend to listen to other people, you will grow crooked and weak. You will fall to the ground with the first strong wind. And then you will be like a weed, growing wild in any direction, running along the ground until someone pulls you out and throws you away.” But by the time she told me this, it was too late. I had already begun to bend. I had started going to school, where a teacher named Mrs. Berry lined us up and marched us in and out of rooms, up and down hallways while she called out, “Boys and girls, follow me.” And if you didn’t listen to her, she would make you bend over and whack you with a yardstick ten times. I still listened to my mother, but I also learned how to let her words blow through me. And sometimes I filled my mind with other people’s thoughts—all in English—so that when she looked at me inside out, she would be confused by what she saw.
Amy Tan (The Joy Luck Club)
He shared his place with a Dr. Tubeside, whose practice consisted largely of injecting people with "vitamin B12", a euphemism for the physician's own blend of amphetamines. Today, early as it was, Doc still had to edge his way past a line of "B12"- deficient housewives of a certain melancholy index, actors with casting calls to show up at, deeply tanned geezers looking ahead to an active day of schmoozing in the sun, stewardii just off in some high-stress red-eye, even a few legit cases of pernicious anemia or vegetarian pregnancy, all shuffling along half asleep, chain-smoking, talking to themselves, sliding one by one into the lobby of the little cinder-block building through a turnstile, next to which, holding a clipboard and checking them in, stood Petunia Leeway, a stunner in a starched cap and micro-length medical outfit, not so much an actual nurse uniform as a lascivious commentary on one, which Dr. Tubeside claimed to've bought a truckload of from Fredericks's of Hollywood, in a variety of fashion pastels, today's being aqua, at close to wholesale.
Thomas Pynchon (Inherent Vice)
Elizabeth automatically started forward three steps, then halted, mesmerized. An acre of thick Aubusson carpet stretched across the book-lined room, and at the far end of it, seated behind a massive baronial desk with his shirtsleeves folded up on tanned forearms, was the man who had lied in the little cottage in Scotland and shot at a tree limb with her. Oblivious to the other three men in the room who were politely coming to their feet, Elizabeth watched Ian arise with that same natural grace that seemed so much a part of him. With a growing sense of unreality she heard him excuse himself to his visitors, saw him move away from behind his desk, and watched him start toward her with long, purposeful strides. He grew larger as he neared, his broad shoulders blocking her view of the room, his amber eyes searching her face, his smile one of amusement and uncertainty. “Elizabeth?” he said. Her eyes wide with embarrassed admiration, Elizabeth allowed him to lift her hand to his lips before she said softly, “I could kill you.” He grinned at the contrast between her words and her voice. “I know.” “You might have told me.” “I hoped to surprise you.” More correctly, he had hoped she didn’t know, and now he had his proof: Just as he had thought, Elizabeth had agreed to marry him without knowing anything of his personal wealth. That expression of dazed disbelief on her face had been real. He’d needed to see it for himself, which was why he’d instructed his butler to bring her to him as soon as she arrived. Ian had his proof, and with it came the knowledge that no matter how much she refused to admit it to him or to herself, she loved him. She could insist for now and all time that all she wanted from marriage was independence, and now Ian could endure it with equanimity. Because she loved him. Elizabeth watched the expressions play across his face. Thinking he was waiting for her to say more about his splendid house, she gave him a jaunty smile and teasingly said, “’Twill be a sacrifice, to be sure, but I shall contrive to endure the hardship of living in such a place as this. How many rooms are there?” she asked. His brows rose in mockery. “One hundred and eighty-two.” “A small place of modest proportions,” she countered lightly. “I suppose we’ll just have to make do.” Ian thought they were going to do very well.
Judith McNaught (Almost Heaven (Sequels, #3))
The Four Manifestations of Beauty. “Would you like to know what’s inside?” he asked. I nodded. Anyone who overheard us would have thought we were speaking of school lessons. But really, he was speaking of love. He turned the page. “With any form of beauty, there are four levels of ability. This is true of painting, calligraphy, literature, music, dance. The first level is Competent.” We were looking at a page that showed two identical renderings of a bamboo grove, a typical painting, well done, realistic, interesting in the detail of double lines, conveying a sense of strength and longevity. “Competence,” he went on, “is the ability to draw the same thing over and over in the same strokes, with the same force, the same rhythm, the same trueness. This kind of beauty, however, is ordinary. “The second level,” Kai Jing continued, “is Magnificent.” We looked together at another painting, of several stalks of bamboo. “This one goes beyond skill,” he said. “Its beauty is unique. And yet it is simpler, with less emphasis on the stalk and more on the leaves. It conveys both strength and solitude. The lesser painter would be able to capture one quality but not the other.
Amy Tan (The Bonesetter's Daughter)
Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow. Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it. "The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal. The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?
Elin Hilderbrand (The Blue Bistro)
My ice-cream is melting just as quickly as Danny’s and is dripping down my chin, across my wrist, and onto my thigh. I laugh, throwing my head back and covering my eyes so as not to be blinded by happiness, and it is in this moment of weightlessness that I am suddenly aware of the lightest touch on my skin, like the wings of a butterfly. It flutters against my thigh then lingers on my wrist, but before its delicate wings reach my face, I force my eyes open and see only fragments: pink lips, a tanned cheek, the features and lines of a face silhouetted against the bright sunlight. My nostrils draw in his scent for the very first time and it is so strong that he is not just next to me but intimately close. His smell instantly takes me prisoner, overpowering me to such an extent that I have forgotten who and where I am. I know that, moments before, Alex was using his lips and tongue to clean the melted ice-cream off my thigh and wrist and inadvertently treating me to the most ecstatic experience of my life. My body and mind are adrift in a sea of bliss, the sounds of the park suddenly fade away, and the world and everyone in it cease to exist. All I can see is a blindingly bright light and all I can feel are a man’s moist lips touching mine. Alex’s hot, passionate mouth is kissing me greedily as if there is finally enough air; as if he had been suffocating, but now he can breathe. I know that a kiss like this is neither flirting nor dating and can sense with every fibre of my being that it was a sudden impulse, unplanned and impetuous. When Alex comes to his senses and realises what he has done, I am already staring meaningfully into his eyes. He pulls away slowly and starts to apologise, but I assure him there is no need, just not to do it again. He replies that he won’t, but his eyes say otherwise: he looks as overwhelmed as I feel.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
A pirate! A black patch covered her rescuer's left eye. The elastic holding it in place drew a thin line between his dark brows and across his forehead. His dark hair was wet, and slicked back off his lean face. His strong jaw was hazed with dark bristle. His face bore the austere lines of a man hounded by demons and comfortable with danger. He looked scruffy, unkempt, and strangely appealing. Tally attributed her reaction to being delirious with shock. "Seen enough?" he asked dryly as she continued to stare. "Or do you want me to turn around?" By all means, do. "Sorry. I wasn't really looking looking-I zoned out there for a second." Very smooth, Tallulah. "I wasn't looking looking"? Oh, brother. She blew out a sigh. He wasn't quite a giant, but he was solidly built, and towered over her own not insubstantial five foot nine by a good five or six inches. Six foot four of sheer power, hard muscle, and sex appeal. His broad, darkly tanned shoulders gleamed with moisture. Salt water glittered like tiny diamonds in the hair on his chest and on the silky dark hair on his thickly muscled legs. His hands and feet were enormous. "Understandable." His mocking and enigmatic gaze took in her clinging clothes, bare feet, and grim hold on the railing as his boat rode the swells. There wasn't a thing she could do about her appearance, so she didn't bother fiddling. Besides, she didn't want to draw attention to the wet transparency of her blouse. Not that he looked the type to be crazed by lust. Especially for a woman like her. Perversely disappointed, she realized that far from being crazed with lust at the sight of her size A boobs, the pirate hadn't even noticed he could see right through her shirt. That one, piercing, whiskey-colored eye locked onto her, and Tally's stomach did a weird little somersault. Adrenaline still raced through her body at a furious clip. She took a deep, shuddering breath. "Tally Cruise." Pleased she sounded coherent under the circumstances, she thrust out her hand and smiled. "Michael Wright." He took her hand, not with his right, but his left. His thumb brushed the back of her knuckles. Little zings of electricity shot up her arm.
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft. He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry. I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind. “Mm?” I reply. My mind is full of babble, I’m so high. “Jayme,” he’s insistent, almost pleading. “What are you?” Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves. “What do you mean?” I ask, the disquiet wringing the strength from my voice. “It doesn’t hurt anymore,” he explains, inhaling deeply. I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare. “I don’t understand,” I whisper. He looks down at his exposed abdomen. “I think you healed me.” He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese. I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard. Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car. He shouts my name. It’s too late. I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself. I run. I run and I don’t stop.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
I don't have any tan lines because I sunbathe in the nude.
Robin Bielman (Veiled Target (Veilers, #1))
Some of the men were dressed like Peter and wore red plaid hunting jackets or bulky tan Carhartt jackets or lined flannel shirts, and all of those men were wearing jeans and work boots. Some of the men wore ski jackets and hiking boots and the sort of many-pocketed army green pants that made you want to get out of your seat and rappel. Some of the men wore wide-wale corduroy pants and duck boots and cable0knit sweaters and scarves. It was a regular United Nations of white American manhood. But all the men, no matter what they were wearing, were slouching in their chairs, with their legs so wide open that it seemed as though there must be something severely wrong with their testicles.
Brock Clarke
I had my eye on the street when an SUV pulled up outside. With a flash of long, tanned thighs, a brunette in a black cocktail dress slid out. The major-domo held the door for her and I heard him promise to have the vehicle safely parked in the basement. It seemed she had driven in alone. That was unusual for anyone of any means in Luanda. The woman came inside. She was tall and slim, hardly more than thirty years old. Her long hair was tied back in a chignon. She tossed her head and smiled at the doorman. The look softened the strong lines of her oval face. He snapped his fingers at a hostess who stepped forward with a clipboard. “Madame?” “Fabienne de Valence”, I heard the woman say with a noticeable accent. The hostess checked the guest list, nodded and gestured towards the lifts. I decided it was time to join the reception. There weren’t that many seriously attractive women in Luanda.
Jacques Reynart (Cabinda Livre!)
If we examine the basis of the land-holding system in ancient Israel, we uncover some interesting parallels between God’s relationship towards his people and his relationship towards the land. The bottom line in both cases was that they ultimately belonged to God – ‘The earth is the LORD’s, and everything in it, the world, and all who live in it’ (Ps. 24:1). The fact of God’s ownership placed serious limitations on how both the people and the land were to be treated.
Kim Tan (Jubilee Gospel)
Tan Line I’ve held on to my wedding ring and stored it in an empty pillbox. When I look at my ring finger I can still see a tan line, the ghost of a ring, though we’ve been divorced now more years than we were married. Instead of getting a new wife I decide to buy a new ring to cover the bare whiteness and inscribed it with the words, ‘This too shall pass’. My original ring was inscribed, ‘Too good to pass up’. It’s funny how things come full circle.
Beryl Dov
You live here in Copper Creek, Miss Ashford?” She dipped a fresh cloth in the water and washed the bullet wound in the patient’s shoulder as best she could. “I do now. We arrived today.” She paused and straightened, the muscles in her back in spasms from bending over the table, and from too much riding on trains and coaches and wagons. She thought of Janie waiting at home, watching for her, and hoped she wasn’t worrying. Robert’s only concern would be that she’d left him overlong with people he didn’t know. He hated making chitchat. She just hoped he wasn’t acting sullen and stone-faced with Vince, Janie, and Emma, like he so often did with her. Hearing a clock ticking somewhere behind her, she rethreaded the needle and focused again on her task. Suturing a man was different from suturing a horse, and very definitely different from sewing saddles. Yet something about the repetition of the act felt similar, which made her wonder if she was doing it right. “We?” Finishing the third suture in the man’s shoulder, she peered up at Caradon, the needle poised between her right thumb and forefinger. “I beg your pardon?” “You said ‘we arrived today.’” Not wanting to talk, she tied off a fourth suture, and a fifth, aware of him watching her. “My brother and I.” “Where did you move from?” She raised her head to find him leaning close, their faces inches apart. “If you don’t mind, Marshal Caradon, could we . . . not talk right now?” The tanned lines at the corners of his eyes tightened ever so slightly. “Not much on that, are you, ma’am? Talking, I mean.” Though his expression denied it, she heard a smile in his voice, yet she held back from responding to it. Outwardly anyway. Someone like Wyatt Caradon was the last person she, or Robert, needed in their lives right now. “I don’t mind talking, Marshal. When I’m not exhausted, famished, and stitching up a gunshot wound.” Catching his grin before she looked away, she finished suturing and bandaging the wound.
Tamera Alexander (The Inheritance)
He had what could only be described as a ‘wanker’s tan’ – that is he had that extremely pale complexion you would expect someone to have who has spent long days sitting in their bedroom, curtains tightly closed, studiously avoiding any contact with natural light, bathing in the warming glow of their computer screen, whilst masturbating the day away – like poets do. A ruddy cheeked glow from living
John Donoghue (Police, Crime & 999 - The True Story of a Front Line Officer)
I followed the older woman out to the foyer. Taking the stairs, I scanned each painting that lined the walls. I stilled as I found a portrait that could only have been Nathaniel. He looked young and brash, no more than fifteen. His suit was painted in a regal colour, it set off his tanned skin and sky blue eyes. "Handsome devil was he not?" Bess chuckled. "Or should I say, 'is he not'?" I fought the urge to blush as I trailed after the housekeeper.
Freedom Matthews (Inherited (Curses of VIII, #1))
He obviously just got a haircut, because there's a slim line of white skin between where his tan stops and where the edge of his sun-bleached hair begins, like the curl of surf against a sandy beach.
Heather Vogel Frederick (The Mother-Daughter Book Club)
Reacher and Neagley carried their copy to the door, where the wired-glass window let in some natural light. The American looked exactly like Klopp had described. The artist had done a fine job capturing his words. The wave of blond hair. The skin stretched tight over the skull beneath. The brow and the cheek bones, horizontal and parallel and close together, like two bars on an old-style football helmet, with the eyes flashing out from way behind. The mouth, like a gash. Plus two vertical lines, the nose like a blade, and a crease down the right cheek, as if the most the mouth ever moved was in a lopsided and sardonic smile. The guy was shown in a jacket like Reacher’s. Pale tan denim, authentic in every respect. Under it was a white T-shirt. His collar bones stood out, like his cheek bones. His neck was shown corded with sinew. A hardscrabble guy, no longer young. Neagley
Lee Child (Night School (Jack Reacher, #21))
Luke frowned. This was not great timing. He was getting close to closing the deal with a twenty-five-year-old beauty and who shows up but the younger brother who is all of thirty-two. The hotshot spy-plane pilot. Younger, better-looking, plenty of money, exciting life. An officer. The general would no doubt prefer that. He looked Sean up and down—he was tan, had dark blond hair, a dimpled bad-boy smile and no shortage of lines for picking up women. Good lines; Luke had actually borrowed some of them. “You
Robyn Carr (Temptation Ridge)
He extended a hand down to her. His hands were large, tanned like the rest of him—or perhaps he was simply dark complected—and there was a signet ring on his left little finger. “Mr. Hazlit?” She took another sip of tea. “Miss Windham?” “If you waggle your fingers at me, or—heaven forbid—snap them, I will bite you.” She’d bitten one brother, once more than two decades ago, and the other four had all fallen neatly into line. He dropped his hand. Maggie expected him to launch into a lecture about his trying only to find her reticule and her being contrary and difficult—which she admittedly could be—when he hunkered before her. “Where?” Something lurked in his eyes, something… playful? “Where, what?” “Where would you bite me?” God help her, he’d dropped his voice to that smoky register she’d heard out in the rose arbor. It did things to her insides when he spoke like that, curious, wonderful, dangerous things. She met his gaze, sensing it was crucial not to back down. “On your handsome nose.” The mischief in his eyes blossomed into humor, then into a smile of such charm Maggie’s insides started Trooping the Colors—full parade bands marching in all directions, cheering crowds, waving banners. Gracious. She realized her mistake. “Your arrogant, handsome nose.” “My
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Several times, I woke to the sound of him tapping his grey nails against the steering wheel.  When I opened my eyes to look at him, I could see his elongated canines.  At those times, I wanted to reach over and pat his leg, but I held myself back. When I woke to see his ears pointed too, I quietly studied him for a few minutes.  I knew I was the cause of his agitation.  He’d sensed my withdrawal.  I hadn’t wanted him to see my confusion.  I wanted to talk to Sam first, before saying anything to Clay.  But my approach obviously wasn’t the right one.  Clay had stuck by me through everything.  I needed to trust that he wouldn’t turn away from me after I revealed what had happened. “Clay...” He paused his tapping. “Could you pull over for a minute?” He glanced at me, lifted a concerned brow, but did as I asked.  The tires crunched on the snowy shoulder.  He stopped the car then turned toward me. A sad smile lifted my lips.  I hated to see him like this.  I tapped my lips.  I needed affirmation that we still had our connection, and he needed assurance I was fine. His tight grip on the steering wheel loosened, and he shook his head in amusement.  I held my breath as he leaned toward me. Clay cradled my face in his hands and kissed me tenderly.  I clutched his shirt, dragging him closer.  When he opened his mouth to nip my bottom lip, I groaned and willingly let him in.  We steamed the windows.  My lungs burned for air.  Finally, I had to pull away to catch my breath.  He wrapped his arms around me and placed small gentle kisses on the top of my head. His neck hovered in my line of sight.  I could give him what he wanted.  A quick bite and I wouldn’t need to worry about other potential Mates.  I could Claim him as my own.  But I didn’t want to hurt him anymore.  Physically or emotionally.  I pulled back from our make-out session. Clay gave me one last kiss on the lips then put the car in drive.  The smooth, tan skin of his very human ears called my attention, as did his clean, pink nails.  He looked content, no longer tapping his fingers while he stared ahead at the snow-covered roads. I
Melissa Haag (Hope(less) (Judgement of the Six #1))
With a curt nod, Vane strode in. And stopped dead. Patience was in the hall, waiting- the sight literally stole his breath. As his gaze, helplessly, slid over her, over the soft green merino pelisse, severely cut and snugly fitted, its upstanding collar framing her face, over the tan gloves and half boots, over the pale green skirts peeking beneath the pelisse's hem, Vane felt something inside him tighten, click, and lock. Breathing was suddenly more difficult than if someone had buried a fist in his gut. Her hair, glinting in the light streaming in through the door, was coiffed differently, to more artfully draw attention to her wide golden eyes, to the creaminess of her forehead and cheeks, and the delicate yet determined line of her jaw. And the soft vulnerability of her lips.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
Reacher said, “I’m looking for Jimmy Rat.” The guy glanced at one of the other bikes. Couldn’t help himself. But he said, “Don’t know him,” and walked away, stiff and bow-legged, to the door of the bar. He was pear shaped, and maybe forty years old. Maybe five-ten, and bulky. He had a sallow tan, like his skin was rubbed with motor oil. He pulled the door and stepped inside.
Lee Child (The Midnight Line (Jack Reacher, #22))
I'd adapted my own regimen of upkeep, trying to keep myself seventeen forever: at first begrudgingly, then with increasing panic as the years began to carve lines into my face, loosen my skin. It started with a weekly manicure... Add to that a monthly waxing appointment-- eyebrows, upper lip, underarms, bikini line, legs... When I was twenty-eight, I conceded to Botox... The lasers, I think, began at thirty, zapping the broken blood vessels around my nose, tightening the falling cheeks. The makeup went from a quick swipe of mascara to a full face of foundation, concealer, eyeliner... My air-dried hair was subjected to a weekly blowout, then a twice weekly one, which was when I finally understood the point of shower caps. They never did get me to spray-tan, though. I remain proud of that.
Rachel Kapelke-Dale (The Ballerinas)