Tall Ship Quotes

Tall ships and tall kings Three times three, What brought they from the foundered land Over the flowing sea? Seven stars and seven stones And one white tree. (The Two Towers)

Sea-fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover And quiet sleep and a sweet dream when the long trick's over.

Orcs, and talking trees, and leagues of grass, and galloping riders, and glittering caves, and white towers and golden halls, and battles, and tall ships sailing, all these passed before Sam's mind.

I am not nostalgic. Belonging does not interest me. I had once thought that it did. Until I examined the underpinnings. One is mislead when one looks at the sails and majesty of tall ships instead of their cargo.

All I ask is a tall ship and a star to sail her by.

Away! Away! The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone. Come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth... Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.

I must go down to the sea...to the lonely sea and the sky, And all I ask is a tall ship, and a star to steer her by......

History doesn’t start with a tall building and a card with your name written on it, but jokes do. I think someone is taking us for suckers and is playing a mean game.

All children are heartless. They have not grown a heart yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror.

They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot. I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them? I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls. I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor. We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.

ROSE of all Roses, Rose of all the World! The tall thought-woven sails, that flap unfurled Above the tide of hours, trouble the air, And God’s bell buoyed to be the water’s care; While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand. Turn if you may from battles never done, I call, as they go by me one by one, Danger no refuge holds, and war no peace, For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade: But gather all for whom no love hath made A woven silence, or but came to cast A song into the air, and singing past To smile on the pale dawn; and gather you Who have sought more than is in rain or dew Or in the sun and moon, or on the earth, Or sighs amid the wandering starry mirth, Or comes in laughter from the sea’s sad lips; And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable, To these Old Night shall all her mystery tell; God’s bell has claimed them by the little cry Of their sad hearts, that may not live nor die. Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die. The Sweet Far Thing

Approaching the state of Delaware, the dreamer is a small dog, dreaming impatiently of a past life, long forgotten, when he sailed tall ships across uncharted. The salt spray of the ocean stings my face.

Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble

Love, we must part now: do not let it be Calamitous and bitter. In the past There has been too much moonlight and self-pity: Let us have done with it: for now at last Never has sun more boldly paced the sky, Never were hearts more eager to be free, To kick down worlds, lash forests; you and I No longer hold them; we are husks, that see The grain going forward to a different use. There is regret. Always, there is regret. But it is better that our lives unloose, As two tall ships, wind-mastered, wet with light, Break from an estuary with their courses set, And waving part, and waving drop from sight. - Love We Must Part

What’s got you smilin’ like a bitch who just had good cock?” I was interrupted by a sexy drawl. I looked up to see Nash leaning against the door frame, arms crossed in front of him, sexy smirk plastered on his face. He was tall, all muscle and ink; he exuded a couldn’t-give-a-fuck attitude. Nash was one of the cockiest men I had ever met and the women flocked to him. I rolled my eyes. “Can a woman not smile unless she’s had cock?” I asked. He uncrossed his arms and pushed away from the door frame; coming towards me, “No, sweet thing, it all comes down to cock.” “Well, I hate to tell you, Nash, but this woman hasn’t had any today, and yet I am still smiling. I think your theory is a little off.” I loved bantering back and forth with him. He raised his eyebrows. “J’s fallin’ down on the job there sweetheart. You sure you don’t want to jump ships? I’ve got all you’ll ever need,” he grinned at me, opening his arms wide in an inviting gesture.

Things that come with the fog: horseshoe crabs, tall ships, and wandering hearts.

No one else noticed, or cared. It was just something they did. Taking other people’s livestock. Other people’s lives. She watched the soldiers, hating them. They were different in so many ways, white and black, yellow and brown, skinny, short, tall, small, but they were all the same. Didn’t matter if they wore finger-bone necklaces, or baby teeth on bracelets, or tattoos on their chests to ward off bullets. In the end, they were all mangled with battle scars and their eyes were all dead.

What did it mean, what your father said about the tall, quiet woman. Ar, that? Let's see. Used to say there was four women in every man's heart. The Maid in the Meadow, the Demon Lover, the Stouthearted Woman, the Tall and Quiet Woman.

Olly’s glowing; if he was six inches tall and fluffy, Toys R Us would ship him by the thousands.

The ship itself was about as long as a football field, or some other really long thing, given that may honestly could never remember how long football fields were. A hundred yards? That was like three hundred feet, wasn't it? The boat did seem long, but she was over five feet tall herself, and that's be like sixty of her end to end. Only sixty? Or was that a lot of herselves? Stupid analogies. The boat was big, that should cover it.

I am the daughter of a tall, strong tree. My timber forms a ship, but it is anchorless, flagless. I set sail for the shade and the light; I drink the wind and forget all ports. To hell with freedom, gifted or seized; if in doubt, always endure alone.

I am not nostalgic for a country which doesn’t yet exist on a map.” [...] I am not nostalgic. Belonging does not interest me. I had once thought that it did. Until I examined the underpinnings. One is mislead when on looks at the sails and majesty of tall ships instead of their cargo.

APRIL 16. Away! Away! The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone—come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth.

A dark and lonely plain lay before him, cut by a single strip of water that flowed slow-moving into the east: a ribbon of beaten silver bright beneath the glare of a full moon.… Floating on the nameless river, a ship, tall and proud, with pure white sails raised and ready.… Ranks of warriors holding lances, and two hooded figures walking among them, as if in a stately procession. The smell of willows and cottonwoods, and a sense of passing sorrow.…

They were slowing down. The noise of the rope as they reached the full extent of the jump sounded like the ricochet crack of the sail on a tall ship. And now they were accelerating again, up, up and suddenly they were hanging suspended: weightless in space. No up or down. The feeling of disorientation absolute.

She was beautiful. In fact she was possibly the most beautiful woman I had ever seen. She was tall, with dark black hair, light skin, and big brown eyes. Her face was beautiful, not fake beautiful like a model or an actress, because she was obviously a real person, but rather Helen of Troy, launch-a-thousand-ships kind of good-looking.

She was tall and built like the figurehead of a ship carved by a generous hand.

All I ask is a tall ship, and a star to steer by.

The tall Khitan lifted his head and gazed at Publio, so that the merchant broke into a profuse sweat. "What do you wish of me?" he stuttered. "A ship," answered the Khitan. "A ship well manned for a long voyage." "For how long a voyage?" stammered Publio, never thinking of refusing. "To the ends of the world, perhaps," answered the Khitan, "or to the molten seas of hell that lie beyond the sunrise.

Since I emerged that day from the labyrinth, Dazed with the tall and echoing passages, The swift recoils, so many I almost feared I’d meet myself returning at some smooth corner, Myself or my ghost, for all there was unreal After the straw ceased rustling and the bull Lay dead upon the straw and I remained… I could not live if this were not illusion. It is a world, perhaps; but there’s another. For once in a dream or trance I saw the gods Each sitting on the top of his mountain-isle, While down below the little ships sailed by… That was the real world; I have touched it once, And now shall know it always. But the lie, The maze, the wild-wood waste of falsehood, roads That run and run and never reach an end, Embowered in error – I’d be prisoned there But that my soul has birdwings to fly free. Oh these deceits are strong almost as life. Last night I dreamt I was in the labyrinth, And woke far on. I did not know the place.

Pepper it was that brought Vasco da Gama's tall ships across the ocean, from Lisbon's Tower of Belem to the Malabar Coast: first to Calicut and later, for its lagoony harbour, to Cochin. English and French sailed in the wake of that first-arrived Portugee, so that in the period called Discovery-of-India — but how could we be discovered when we were not covered before? — we were 'not so much sub-continent as sub-condiment', as my distinguished mother had it.

But in a gale, the silent machinery of a sailing-ship would catch not only the power, but the wild and exulting voice of the world’s soul. Whether she ran with her tall spars swinging, or breasted it with her tall spars lying over, there was always that wild song, deep like a chant, for a bass to the shrill pipe of the wind played on the sea-tops, with a punctuating crash, now and then, of a breaking wave. At times the weird effects of that invisible orchestra would get upon a man’s nerves till he wished himself deaf.

She nodded, and moved towards the door. “I’ll turn this top light out. Don’t stay up too long. Sure you’ve got everything you want?” “Sure, honey,” he said. “I’ve got everything now.” “Good night,” she said. She closed the door behind her. He lay for some time in the firelight thinking of Sharon and of Helen, of bright summer days and tall ships at Mystic, of Helen leaping on the Pogo stick on the swept sidewalk with the piles of snow on either hand, of this girl and her kindness. Presently he drifted into sleep, one hand upon the Pogo stick beside him.

Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.

The Adoption When Paul Jobs was mustered out of the Coast Guard after World War II, he made a wager with his crewmates. They had arrived in San Francisco, where their ship was decommissioned, and Paul bet that he would find himself a wife within two weeks. He was a taut, tattooed engine mechanic, six feet tall, with a passing resemblance to James Dean. But it wasn’t his looks that got him a date with Clara Hagopian, a sweet-humored daughter of Armenian immigrants. It was the fact that he and his friends had a car, unlike

She could be quite brave in the presence of a Wyverary, but tall and lovely ladies made her shy, even if they were made of soap.

There are humans on a ship of wood with tall trees on it. As its sole purpose is to transport me, I have declared it mine, and my scent is upon it.

He stood by a fir-tree, which rose far above the others, immensely tall, like the mast of a solitary ship; it was straight as a life without reproach, but cheerless, cold, and silent.

Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.

Ex Libris Here is the fossil as a perfume. Here is a bone picked clean and whittled into a tiny tall ship. Here are magicians teaching secrets to contortionists. Here is colored glass on fire. Here is love broken into vowels and a shrug. Here is scripture forged into the memory of water. Here are rosettes, exposed wiring, teasings onto the brink. Here is the full vista of an hour, and the sun.

At the harbor Rachel was astonished to see an even larger crowd at Pier 11, where the Royal Hawaiian Band was playing. The music was nearly drowned out by whistles and sirens from a flotilla of tugs, sailboats, yachts, all making the loudest racket they could as their flags saluted in the breeze. Rachel at last understood what everyone was waiting for as the most enormous ship she had ever seen steamed into port—planes buzzing it in greeting, boats circling and blaring their horns. The ship was as long as an entire city block and from the waterline to the tip of its smokestacks it was as tall as a five-story building!

The story of Doctor Reefy and his courtship of the tall dark girl who became his wife and left her money to him is a very curious story. It is delicious, like the twisted little apples that grow in the orchards of Winesburg. In the fall one walks in the orchards and the ground is hard with frost underfoot. The apples have been taken from the trees by the pickers. They have been put in barrels and shipped to the cities where they will be eaten in apartments that are filled with books, magazines, furniture, and people. On the trees are only a few gnarled apples that the pickers have rejected. They look like the knuckles of Doctor Reefy's hands. One nibbles at them and they are delicious. Into a little round place at the side of the apple has been gathered all of its sweetness. One runs from tree to tree over the frosted ground picking the gnarled, twisted apples and filling his pockets with them. Only the few know the sweetness of the twisted apples.

The ship of aunts has arrived,” said Grandfather softly. “Aren’t you going down?” I nodded. “You’ll be nice, won’t you?” I said to him. “I will be as charming as a prince,” said Grandfather. “We’ll see,” I said. I left Grandfather laughing behind me.

Our ambitions were, nonetheless, what those of any sensible group of women at that time, perhaps at any modern time, ought to have been: to become safe and successful; to marry someone safe and successful; to have for our children some sort of worldly safety and success. From time to time, however, there is something, I don't know, wistful, about how it has turned out. Not just Brecht's great ship of eight sales and the fifty cannon. The other ships. Perhaps the tall ships, the fleet, the craft, the other ships that don't come in.

so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

Nina Zenik stood behind him, swathed in the red silk kefta that advertised her status as a Grisha Heartrender, one palm pressed to his forehead, the other to the back of his neck. She was tall and built like the figurehead of a ship carved by a generous hand. They were silent, as if they’d been frozen there at the table. There wasn’t even a bed in the room, just a narrow settee where Nina curled up every night. When Kaz had asked Nina why, she’d simply said, “I don’t want anyone getting ideas.” “A man doesn’t need a bed to get ideas, Nina.” Nina fluttered her lashes. “What would you know about it, Kaz? Take those gloves off, and we’ll see what ideas come to mind.

The Hunchback in the Park The hunchback in the park A solitary mister Propped between trees and water From the opening of the garden lock That lets the trees and water enter Until the Sunday sombre bell at dark Eating bread from a newspaper Drinking water from the chained cup That the children filled with gravel In the fountain basin where I sailed my ship Slept at night in a dog kennel But nobody chained him up. Like the park birds he came early Like the water he sat down And Mister they called Hey mister The truant boys from the town Running when he had heard them clearly On out of sound Past lake and rockery Laughing when he shook his paper Hunchbacked in mockery Through the loud zoo of the willow groves Dodging the park keeper With his stick that picked up leaves. And the old dog sleeper Alone between nurses and swans While the boys among willows Made the tigers jump out of their eyes To roar on the rockery stones And the groves were blue with sailors Made all day until bell time A woman figure without fault Straight as a young elm Straight and tall from his crooked bones That she might stand in the night After the locks and chains All night in the unmade park After the railings and shrubberies The birds the grass the trees the lake And the wild boys innocent as strawberries Had followed the hunchback To his kennel in the dark.

Suddenly the sails caught the breeze and filled, they bellied out in the wind, lovely and white and free, the gulls rose in a mass, screaming above the masts, the setting sun caught the painted ship in a gleam of gold, and silently, stealthily, leaving a long dark ripple behind her, the ship stole in towards the land. And a feeling came upon Dona, as though a hand touched her heart, and a voice whispered in her brain, “I shall remember this.” A premonition of wonder, of fear, of sudden strange elation. She turned swiftly, smiling to herself for no reason, humming a little tune, and strode back across the hills to Navron House, skirting the mud and jumping the ditches like a child, while the sky darkened, and the moon rose, and the night wind whispered in the tall trees.

The Adoption When Paul Jobs was mustered out of the Coast Guard after World War II, he made a wager with his crewmates. They had arrived in San Francisco, where their ship was decommissioned, and Paul bet that he would find himself a wife within two weeks. He was a taut, tattooed engine mechanic, six feet tall, with a passing resemblance to James Dean. But it wasn’t his looks that got him a date

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

Eventually Blake followed his winding footsteps back toward the ship, and about where his footsteps snowed he’d gathered his first samples, he stopped. There was a Japanese maple there. It stood some fifteen feet tall, and the bark was beautifully regular in appearance. The leaves were nearly a quarter of an inch thick, and arranged with a peculiar regularity, as were the branches. But it was very definitely a Japanese maple.

Then on the River I saw the dream-built ship of the god Yoharneth-Lehai, whose great prow lifted grey into the air above the River of Silence. Her timbers were olden dreams dreamed long ago, and poets' fancies made her tall, straight masts, and her rigging was wrought out of the people's hopes. Upon her deck were rowers with dream-made oars, and the rowers were the people of men's fancies, and princes of old story and people who had died, and people who had never been.

I MEAN not to defend the scapes of any, Or justify my vices being many; For I confess, if that might merit favour, Here I display my lewd and loose behaviour. I loathe, yet after that I loathe, I run: 5 Oh, how the burthen irks, that we should shun. I cannot rule myself but where Love please; Am driven like a ship upon rough seas. No one face likes me best, all faces move, A hundred reasons make me ever love. 10 If any eye me with a modest look, I blush, and by that blushful glance am took; And she that’s coy I like, for being no clown, Methinks she would be nimble when she’s down. Though her sour looks a Sabine’s brow resemble, 15 I think she’ll do, but deeply can dissemble. If she be learned, then for her skill I crave her; If not, because she’s simple I would have her. Before Callimachus one prefers me far; Seeing she likes my books, why should we jar? 20 Another rails at me, and that I write, Yet would I lie with her, if that I might: Trips she, it likes me well; plods she, what then? She would be nimbler lying with a man. And when one sweetly sings, then straight I long, 25 To quaver on her lips even in her song; Or if one touch the lute with art and cunning, Who would not love those hands for their swift running? And her I like that with a majesty, Folds up her arms, and makes low courtesy. 30 To leave myself, that am in love with all, Some one of these might make the chastest fall. If she be tall, she’s like an Amazon, And therefore fills the bed she lies upon: If short, she lies the rounder: to speak troth, 35 Both short and long please me, for I love both. I think what one undecked would be, being drest; Is she attired? then show her graces best. A white wench thralls me, so doth golden yellow: And nut-brown girls in doing have no fellow. 40 If her white neck be shadowed with brown hair, Why so was Leda’s, yet was Leda fair. Amber-tress’d is she? Then on the morn think I: My love alludes to every history: A young wench pleaseth, and an old is good, 45 This for her looks, that for her womanhood: Nay what is she, that any Roman loves, But my ambitious ranging mind approves?

From the aloof height of Le Paradis, St. Pierre looked not quite real, crushed to nothingness by the immensity of sea and sky around it. The narrow, twisting cobbled lanes, the steep flights of steps, the old granite houses with their gables and protruding upper stories, the bow-windowed shops and the inns with their swinging signs, the tall church tower, the long sea wall guarded by the breakwaters and the grey mass of the fort, the masts of ships sheltering within the harbor, were dwarfed to the semblance of a dream town whose fragility caught at the heart.

In the midst of such industry, gawky Simon was the fabled grasshopper in the nest of ants. He knew he would never amount to much: many people had told him so, and nearly all of them were older—and presumably wiser—than he. At an age when other boys were clamoring for the responsibilities of manhood, Simon was still a muddler and a meanderer. No matter what task he was given to do, his attention soon wandered, and he would be dreaming of battles, and giants, and sea voyages on tall, shining ships ... and somehow, things would get broken, or lost, or done wrong.

What is it?” Dragon asked. “There is a man, lord, just off a ship from Normandy. He’s in the tavern over there and he’s asking for the Lady Rycca.” “Is he? What manner of man?” “Tall, slender, actually he looks rather like her ladyship. He says she is his sister and he seeks word of her.” “Does Rycca have yet another brother?” Wolf asked. He was close to Dragon and had overheard the exchange. The news had him fingering the hilt of his sword. “Yes, she does, but I gather he’s an altogether different sort. Do you mind finishing up here?” “Not at all. Go ahead.” Scant minutes later, Dragon set a horn of ale in front of the visitor from Normandy. The young man looked up, startled. He was pale skinned, with eyes like honey and hair that held the promise of fire. Had Rycca been a man, she would have looked just like him. Happy, happy day that she was not. “What brings you to Hawkforte, friend?” Dragon asked as he took the seat opposite his new acquaintance. “I seek word of my sister, the Lady Rycca of Wolscroft. I have had troubling word of her in Normandy and wish to be assured of her safety.” Trouble involving Rycca? How astonishing. Dragon hid a grin and said, “You would be called—” “Thurlow. And you are—?” This time, Dragon’s smile would not be denied. “Ah, well, as to that, therein hangs a tale.

They had just docked in Greece and the passengers learned they would be quarantined and not be allowed to go ashore... "It was the bitterest disappointment we had yet experienced. To lie a whole day in sight of the Acropolis, and yet be obliged to go away without visiting Athens! Disappointment was hardly a strong enough word to describe the circumstances....At eleven o'clock at night, when most of the ship's company were abed, four of us stole softly ashore in a small boat, a clouded moon favoring the enterprise...Once ashore and seeing no road, we took a tall hill to the left of the distant Acropolis for a mark, and steered straight for it over all obstructions...The full moon was riding high in the cloudless heavens now. We sauntered carelessly and unthinkingly to the edge of the lofty battlements of the citadel, and looked down---- a vision! And such a vision! Athens by moonlight!

The frenzies of the chase had by this time worked them bubblingly up, like old wine worked anew. Whatever pale fears and forebodings some of them might have felt before; these were not only now kept out of sight through the growing awe of Ahab, but they were broken up, and on all sides routed, as timid prairie hares that scatter before the bounding bison. The hand of Fate had snatched all their souls; and by the stirring perils of the previous day; the rack of the past night's suspense; the fixed, unfearing, blind, reckless way in which their wild craft went plunging towards its flying mark; by all these things, their hearts were bowled along. The wind that made great bellies of their sails, and rushed the vessel on by arms invisible as irresistible; this seemed the symbol of that unseen agency which so enslaved them to the race. They were one man, not thirty. For as the one ship that held them all; though it was put together of all contrasting things — oak, and maple, and pine wood; iron, and pitch, and hemp — yet all these ran into each other in the one concrete hull, which shot on its way, both balanced and directed by the long central keel; even so, all the individualities of the crew, this man's valor, that man's fear; guilt and guiltiness, all varieties were welded into oneness, and were all directed to that fatal goal which Ahab their one lord and keel did point to. The rigging lived. The mast-heads, like the tops of tall palms, were outspreadingly tufted with arms and legs. Clinging to a spar with one hand, some reached forth the other with impatient wavings; others, shading their eyes from the vivid sunlight, sat far out on the rocking yards; all the spars in full bearing of mortals, ready and ripe for their fate. Ah! how they still strove through that infinite blueness to seek out the thing that might destroy them!

It was Lillian Bowman-now Lady Westcliff- dashing and radiant in a wine-red gown. Her fair complexion was lightly glazed with color from the southern Italian sun, and her black hair was caught fashionably at the nape of her neck with a beaded silk-cord net. Lillian was tall and slender, the kind of raffish girl one could envision as captaining her own pirate ship... a girl clearly made for dangerous and unconventional pursuits. Though not as romantically beautiful as Annabelle Hunt, Lillian possessed a striking, clean-featured appeal that proclaimed her Americanness even before one heard her distinctly New York accent. Of their circle of friends, Lillian was the one that Evie felt the least close to. Lillian did not possess Annabelle's maternal softness, or Daisy's sparkling optimism... she had always intimidated Evie with her sharp tongue and prickly impatience. However, Lillian could always be counted on in times of trouble.

Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!

One of the few entry points to the Baltic Sea, the Kattegat passage is a busy and treacherous waterway. The entire region is a maze of fractured islands, shallow waters and tricky cur-rents which test the skills of all mariners. A vital sea route, the strait is used by large container ships, oil tankers and cruise ships alike and provides a crucial link between the Baltic coun-tries and Europe and the rest of the world. Navigating is difficult even in calm weather and clear visibility is a rare occurrence in these higher latitudes. During severe winters, it’s not uncommon for sections of the Baltic Sea to freeze, with ice occasionally drifting out of the straits, carried by the surface currents. The ship I was commandeering was on a back-and-forth ‘pendulum’ run, stopping at the ports of St Petersburg (Russia), Kotka (Finland), Gdańsk (Poland), Aarhus (Denmark) and Klaipėda (Lithuania) in the Baltic Sea, and Bremerhaven (Ger-many) and Rotterdam (Netherlands) in the North Sea. On this particular trip, the weather gods were in a benevolent mood and we were transiting under a faultless blue sky in one of the most picturesque regions of the world. The strait got narrower as we sailed closer to Zealand (Sjælland), the largest of the off-lying Danish islands. Up ahead, as we zigzagged through the laby-rinth of islands, the tall and majestic Great Belt Bridge sprang into view. The pylons lift the suspension bridge some sixty-five metres above sea level allowing it to accommodate the largest of the ocean cruise liners that frequently pass under its domi-nating expanse.

5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn. When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ‘gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!

The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deliverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta. Why is the Deliverator so equipped? Because people rely on him. He is a role model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it -- talking trade balances here -- once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here -- once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel -- once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity -- y'know what? There's only four things we do better than anyone else: * music * movies * microcode (software) * high-speed pizza delivery The Deliverator used to make software. Still does, sometimes. But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator's report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills." So now he has this other job. No brightness or creativity involved -- but no cooperation either. Just a single principle: The Deliverator stands tall, your pie in thirty minutes or you can have it free, shoot the driver, take his car, file a class-action suit. The Deliverator has been working this job for six months, a rich and lengthy tenure by his standards, and has never delivered a pizza in more than twenty-one minutes.

Although surely no more than forty, Kamen walked like a much older man and wheezed even when he sat, peering at the world through enormous horn-rimmed spectacles and over an enormous pear of a belly. He was a very tall, very black black man, with features carved so large they seemed unreal. His great staring eyeballs, ship’s figurehead of a nose, and totemic lips were awe-inspiring. Xander Kamen looked like a minor god in a suit from Men’s Warehouse.

If a ship landed in my yard and LGMs stepped out, I’d push past their literature and try to find the cable that dropped the saucer on my roses. Lack of a cable or any significant burning to the flowers, I’d then grab a hammer and start knocking about in the ship till I was convinced that nothing said “Intel Inside.” Then when I discovered a “Flux Capacitor” type thing I would finally stop and say, “Hey, cool gadget!” Assuming the universal benevolence of the LGMs, I’d yank it out and demand from the nearest "Grey” (they are the tall nice ones), “where the hell did this come from?” Greys don’t talk, they communicate via telepathy, so I’d ignore the voice inside my head. Then stepping outside the saucer and sitting in a lawn chair, I’d throw pebbles at the aliens till I was sure they were solid. Then I’d look down at the “Flux Capacitor” and make sure it hadn’t morphed into my bird feeder. Finally, with proof in my hand and aliens sitting on my deck (they’d be offered beers, though I’ve heard that they absorb energy like a plant) I’d grab my cell phone and tell my doctor that I’m having a serious manic episode with full-blown visual hallucinations.

The hero's light sprang from his forehead, long and thick as a warrior's whetstone, long as a prow, and he clattered with rage as he wielded the shields, urging his charioteer on and raining stones on the massed army. Then thick, steady, strong, high as the mast of a tall ship was the straight spout of dark blood that rose up from the fount of his skull to dissolve in an otherworldly mist like the smoke that hangs above a royal hunting-lodge when a king comes to be looked after at the close of a winter's day.

The sun sets at the speed of light, so I thought I also might leave this Port of Woe on tall ships made of snow invading the sun.

Now Montezuma [a Tohono O’odham culture hero] called all the tribes together and said, ‘I am greater than anything that has ever been, greater than anything which exists now, and greater than anything that will ever be. Now, you people shall build me a tall house, floor upon floor upon floor, a house rising into the sky, rising far above this earth into the heavens, where I shall rule as Chief of all the Universe.’ The Great Mystery Power descended from the sky to reason with Montezuma, telling him to stop challenging that which cannot be challenged, but Montezuma would not listen. He said: ‘I am almighty. Let no power stand in my way. I am the Great Rebel. I shall turn this world upside down to my own liking.’ Then good changed to evil. Men began to hunt and kill animals. Disregarding the eternal laws by which humans had lived, they began to fight among themselves. The Great Mystery Power tried to warn Montezuma and the people by pushing the sun farther away from the earth and placing it where it is now. Winter, snow, ice, and hail appeared, but no one heeded this warning. In the meantime Montezuma made the people labour to put up his many-storied house, whose rooms were of coral and jet, turquoise and mother-of-pearl. It rose higher and higher, but just as it began to soar above the clouds far into the sky, the Great Mystery Power made the earth tremble. Montezuma’s many-storied house of precious stones collapsed into a heap of rubble. When that happened, the people discovered that they could no longer understand the language of the animals, and the different tribes, even though they were all human beings, could no longer understand each other. Then Montezuma shook his fists toward the sky and called: ‘Great Mystery Power, I defy you. I shall fight you. I shall tell the people not to pray or make sacrifices of corn and fruit to the Creator. I, Montezuma, am taking your place!’ The Great Mystery Power sighed, and even wept, because the one he had chosen to lead mankind had rebelled against him. Then the Great Mystery resolved to vanquish those who rose against him. He sent the locust flying far across the eastern waters, to summon a people in an unknown land, people whose faces and bodies were full of hair, who rode astride strange beasts, who were encased in iron, wielding iron weapons, who had magic hollow sticks spitting fire, thunder, and destruction. The Great Mystery Power allowed these bearded, pitiless people to come in ships across the great waters out of the east - permitted them to come to Montezuma’s country, taking away Montezuma’s power and destroying him utterly. From Montezuma and the Great Flood

The sight of that familiar hand struck Jack with astonishing force, and for a moment he could have sworn he heard her voice: for this moment it was as though he were in the breakfast-parlour at Ashgrove Cottage, in Hampshire, half the world away, and as though she were there on the other side of the table, tall, gentle, lovely, so wholly a part of himself. But the figure on the other side of the table was in fact a rather coarse rear-admiral of the white, making a remark to the effect that ‘all wives were the same, even naval wives; they all supposed there was a penny post at every station where a ship could swim, ready to carry and fetch their letters without a moment’s delay. That was why sailors were so often ill-received at home, and blamed for not writing oftener: wives were all the same.’ ‘Not mine,’ said Jack; but not aloud…

He describes sailing across mountainous seas, lashed to the wheel the bare rigging overhead dancing with blue electricity, St Elmo's fire the sailors called it. His clothes so saturated with the salt water he can barely stand, would fall if he weren’t tied up. The ship heaves in the heavy swells and the waves crash endlessly over the deck. Anything that wasn't tied down has long slid into the churning maelstrom including three crewmembers that didn’t lash themselves up in time. He holds the wheel and steers so the prow is climbing the huge wave that has blotted out the storm clouds, so tall the ship is almost vertical as it crests the wave and slides down into the next tumultuous surge. He tells how he screams into the storm knowing that the sound will be snatched away almost before it escapes his mouth and will become lost in the turmoil. ‘There is no skill in manning your ship through seas that can smash it as though it were nothing but brittle planks of wood.’ Andre says, ‘Captains will boast of their prowess in a storm but you survive purely by the capricious will of the sea. She decides if you live or die, and in that situation all you can do is hold on for the ride and feel privileged that she has allowed you to see her at her most powerful.

Walked on the battery with Louis Young† in the moon-light. It was lovely! The tide was full. The waters of the bay rippled up against the stones with a pleasing gurgle. The shores of the opposite island of St John’s were seen dimly in the distance; the clump of tall pines standing out a darker shade in the haze. The whole bay was light, silver-like, with ships spotting it, their watch-lights trembling like stars, and reflected below in the water. The sky was perfectly cloudless, intensely blue. The moon full and sharply defined—no haze tip there. The air full of fragrance. The houses along the bay with their piazzas, so strange, so tropical-looking. All still and calm. Is it reality? or I am dreaming, and in fancy conjuring up the shadow of some half-forgotten story? It is real. I have seen it. And I love to remember it as the farewell scene of Charleston. Taken

The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin’s bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number. The

Gilbert McFarland was tall and slender, with brown eyes and a mouth upturned in a perpetual smile. His thick brown hair was hidden under the old floppy fishing hat he always wore, which sported an assortment of hand-tied flies and a button that proclaimed ONE FISH, TWO FISH, RED FISH, BLUE FISH...

There was the granite, left by Paleozoic volcanoes more than three hundred million years ago, that formed what geologists call the fall line, a long, east-facing cliff in the river's jagged middle that prevented tall sailing ships or dugout canoes from passing further upstream, setting the stage for the creation of an even broader cultural divide and laying the groundwork for the building of a rough-hewn trading depot that grew into the city of Richmond.

Septembri maailmas algasid paljud asjad pan-iga. Pandeemia, pangaea, panatsea, panoptikum. Need olid suured sõnad, seda kindlasti, aga nagu öeldud, luges September palju ja talle meeldis, kui sõnad ei üritanud lihtsad välja paista, vaid tõmbasid selga täisvarustuses soomusrüü ja kappasid lippude lehvides lahinguväljale.

They were taken onto the wharves in the port. They numbered more than a thousand. Germans, Austrians, Italians and soldiers. The crew awaited them on the ship. A long gangway led up to it. But what struck Augusto was the immensity of the overhanging hull. He couldn’t recall having seen any others as high as this. Not in Trieste, twenty years earlier; boats weren’t as tall back then. Nor at the Isle of Dogs, as boats there were meant to navigate the river. The men on the quay were ants. A thousand ants waiting to board. Augusto looked upward towards the prow. At the end of the hull something was written. The ship’s name. But he couldn’t read it. I can, though, at the front of the liner. Arandora Star.

They pulled up to 195 Madison Street - a tall narrow six-story redbrick and limestone-trimmed tenement house indistinguishable from all the tenement houses on all the other streets of tenements. The bars and ladders of a fire escape ran up the left side of the building; sooty stone scrolls, shields, and flowers framed the second- and third-story windows. This was the place where they had to live? Two blocks from the commercial madness of East Broadway; two blocks from the filthy snout of the East River, smelling of fish, ships, and garbage; three blocks from the brain-rattling racket of the elevated train; three blocks from the playground of the Henry Street Settlement; practically in the shadow of the construction side of the twin-towered Manhattan Bridge. Every three blocks they passed more people than the entire population of Rakov. Half a million Jews packed the one and a half square miles of the Lower East Side in 1909; 702 people per acre in the densest acres. It was one of the most crowded places on earth, and all of them seemed to be swarming outdoors on the June afternoon that Gishe Sore and her family arrived. Aside from the crisscross steel girders of the Manhattan Bridge at the end of the street, it was all tenement houses as far as she could see. Tenements and bodies. In every room of every building, bodies fought for a ray of light and a sip of air. Bodies slept four to a bed and on two chairs pushed together; bodies sat hunched over sewing machines in parlors and sunless back bedrooms and at kitchen tables heaped with cloth and thread; bodies ate, slept, woke, and cleared out for the next shift of bodies to cycle through. Toilets in the hall or in courtyard outhouses; windows opening, if they opened at all, onto fetid air shafts; no privacy; no escape from the racket and smell of neighbors; no relief from summer heat or blasting winter furnaces. This was the place her American children had brought them to live?

doom. The fading sunlight only accentuates it. Up ahead, a tall chain-link fence surrounds the factory. A security guard clears us and motions us forward to the main building. It’s absolutely massive. It reminds me of a giant warehouse, a thousand feet wide and seemingly with no end. Workers bustle about, focused on building the new ship’s modules. I look up at the high ceiling above us. “The building provides cover?” “Yeah. There are several decoys nearby. Basically, empty buildings, but identical. We even send people to each one every day to complete the charade, just in case they attack.

There are many stories about seagoing cats. My research indicates that cats were domesticated about 9,500 years ago. I really don’t know anyone who was around at that time to verify this, but I also don’t have any reason to doubt this little bit of trivia. It is documented that the Egyptians who kept cats around to bring the good luck, also used them to catch thicket birds that lived in the tall grass along the riverbanks. I guess that these small birds were a treat and a welcome substitute for the usual river fish that the sailors would catch with hooks fashioned from bones. In time it was the Phoenicians who inadvertently brought cats from the middle east to Europe. It seems that sailors had cats with them on their ships from the beginning of recorded history. They successfully used the excuse that the cats would keep the rat population under control. I don’t believe that this was really true since there are stories of where the cat befriended the rats, but in most cases the cats did keep the rats from invading their living spaces. Six-toed cats were thought to be better hunters and to this day many islands in remote areas are overrun by these cats and rats that managed to get ashore from ships that foundered along the island’s shore. Sailors are notoriously superstitious and have always believed that cats can predict the weather and bring luck. There are many accounts concerning this and there may be some truth to this but you’ll have to be the judge. Because of their sensitive inner ears cats can sense barometric pressure drops, indicating foul weather and being warned frequently crawl into their safe hidey-hole prior to a storm. A cat named Oscar, or Oskar in German, was the mascot on the German Battle Cruiser Bismarck when she was sunk by the British. Found floating on a wooden plank, Oskar was rescued by the crew of the British ship the HMS Cossack. No sooner recued and with Oskar renamed Oscar, the HMS Cossack was sunk by the Germans. This time Oscar was rescued by the crew of the HMS Arc Royal, which was then also sunk by the German navy. Not believing their bad luck the Brit’s blamed poor Oscar and renamed the cat to the German Oskar. Thinking Oskar to be the harbinger of bad luck they contacted the German Navy and offered to return their cat. The Germans refused the offer, so the British retired Oskar to a home in Plymouth, England. This time they banned poor Oskar from ever sailing on a British Naval Vessel again and changed his name to Sam. The British Navy banned cats from sailing on British war ships in 1975. Even though the British Navy has banned cats from their ships, other countries and merchant ships still have cats aboard.

Fornander, who was tall and broad-chested, could almost have been a character in one of Melville’s books, as the two men actually crossed paths in the spring of 1843, the one shipping out of the port of Lahaina just as the other arrived.

After several hours the ship slowed and the sky outside had faded to deep crimson wash. The air over the jungle had changed, filled with a dark, toxic humidity, and Talis could see thick mounds of smoke rising from a wasteland of huts and tents and buildings that were surrounded by tall wooden walls. The City of Seraka. A stone fortress and a castle on the left side of the city overlooked the docks. It reeked of human misery and greed. Talis spotted slaves being unloaded from several docked ships, slaves of all races, children and mothers and old women. Where were the men? Talis wondered.

In 1469, the regions of Aragon (Aragón) and Castile (Castilla) were united by the marriage of Ferdinand II and Queen Isabella I, thus creating España or Spain. The treasury of this fledgling nation had been depleted by the many battles they had waged against the Moors. The Spanish monarchs, seeing Portugal’s economic success, sought to establish their own trade routes to the Far East. Queen Isabella embraced this concept from the religious standpoint of going out into “all the world” and converting the pagan people of Asia to Christianity. At the same time, a tall, young, middle-class man, said to have come from Genoa, Italy, who held that his father was a fabric weaver and cheese merchant, sought to become a navigator. As such, Columbus sailed to Portugal where pirates allegedly attacked the ship he was on. Fortunately, he managed to swim ashore and joined his brother Bartholomew as a cartographer in Lisbon. Apparently to him, becoming a mapmaker must have seemed boring when there was a world to explore. Returning to the sea, he sailed to places as far away as Iceland to the north, and ventured south as far as Guinea on the West-African coast. It is reasonable to assume that he had heard or perhaps even read the stories about the Vikings that took place almost five hundred years prior to Columbus’ arriving there.

There are new rules to follow… harsh rules, from what I understand.” The captain rounded the table and reached out to stroke Jon’s dark curls back. “Patience, Jon. All right?” Jon almost flinched at the touch, unable to forget the sly smile that had spread over Oren’s elfin face. Instead he forced himself to close his eyes and lean into the captain’s hand like he normally would. As if I didn’t know what you were up to, he thought bitterly. The previous day had been spent watching Oren as the young man made his way around the ship. Twice, the tall fisherman had approached the captain, both times his body language that of a fawning sycophant as he hung on Baltsaros’s every word. It was enough to make a man sick. When the captain had quickly sent the boy away with a few harsh words, Jon had been childishly pleased; perhaps he had been imagining things. However, as Oren made his way belowdecks, Jon had raised his eyes and seen the captain’s gaze following the willowy youth. When Baltsaros noticed Jon watching him, the older man’s face had gone still, wiped of expression, before the captain had turned and walked away. Jon opened his eyes and pulled away from Baltsaros’s hand. “Why are they still here?” he asked, looking up at the captain. He didn’t want to say the boy’s name. Baltsaros narrowed his eyes at Jon, and he felt sure that his suspicions were grounded in something; it galled him that the first mate was once again covering for the captain. They deserve each other, Jon thought, looking over at Tom. The big man’s brow was furrowed in concern, his sea-green eyes on Jon’s. “I asked Polas to join the crew this morning,” replied Baltsaros, dropping his hand. “He’s mulling it over and will give me his answer before long. Migri and Oren are staying on until they can find a replacement boat or some other suitable accommodation.” With a tilt of his head, he lifted his hand again, this time to Jon’s cheek. “Don’t worry, I want both of them off my ship,” he said softly. The words did nothing to appease Jon. They only showed that Baltsaros was aware that he had concerns, but Jon nodded anyway and bent his lips into a smile. The captain, satisfied with his response, smiled back and leaned in to kiss him quickly.

Some of the old-timers reached out to pat Tom’s shoulder as he made his way down the deck while the newer shipmates just peered curiously at the tattooed sailor that was built like an ox. However, when Tom started bellowing, everyone jumped quickly to obey. “All right ye lot o’ bleedin’ twats, move yer asses. Shore up that fuckin’ clutter and tighten those lines, ye bilge rat. Aye! I’ll drown ye meself if ye don’t heed, boy…” Jon grinned, listening to the first mate yell out orders in his nonstop, rolling mainland accent that was thickly peppered with cursing and laughter. He looked out over the calm water and took a deep breath. Jon knew there would be trying times in the coming months, both from inside the ship and from without, but at this precise moment in time, he felt he could face anything. Jon picked up the bag that Tom had dumped unceremoniously beside him and trotted to the captain’s quarters to throw it inside. With a glance up at the tall, dark man above him on the quarterdeck, Jon smiled. There was nowhere he would rather be.

A sharp lurch in the ship sent them tumbling. An instant later, a loud warning siren blared. “We’re being attacked.” The tall man ran out of the room at a deadly pace.

Even the most intense aerial bombing leaves the walls and foundations of burned-out buildings, as well as parks and woods, roads and tracks, fields and cemeteries. The tsunami spared nothing, and achieved feats of surreal juxtaposition that no explosion could match. It plucked forests up by their roots, and scattered them miles inland. It peeled the macadam off the roads, and cast it hither and thither in buckled ribbons. It stripped houses to their foundations, and lifted cars, lorries, ships and corpses onto the top of tall buildings.

The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin’s bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number.

By 7:00 p.m., the winds were blowing at almost 70 miles per hour, making the storm a hurricane, and a computer model later indicated that the worst winds and the highest waves (now up to 40 feet tall) were located at the very place where the Fitzgerald was fighting for her life.

• “sounding much more like himself and at the same time nothing like himself at all” 28 “Pray tell,” Michael echoed, smirking at John with the confidence of a man who has just been catapulted miraculously out of trouble by someone else who has had the misfortune of stumbling into it.” 45 “She lay on her simple cot and stared up at the bare ceiling, a thousand thoughts and memories swirling through her mind like a rainbow of glittering debutantes, each idea more enticing that the last, all jostling for her attention.”46 “She met his regard with a confident, upward tilt of her chin, and discovered in doing so that his eyes were the exact blue of the forget-me-not. This irked her considerably. It wasn’t right that such an indecent man should have such a memorable gaze.” 56 “Wendy knew, however, that sometimes the best way to win an argument was to not engage in it.” 63 “Michael was dressed for the occasion in a pair of tall black boots, polished to such a shine that they could have turned Medusa herself to stone if no mirrors were handy, and the coat was his very best—which is to say, the one upon which he received the most frequent compliments from the ladies.” 67 “He would have burned the entire report to ash and returned it to her in a snuff box, just to make a point, but he couldn’t quite bring himself to do it.” 99 “Ever since the first time he had done so (which had been a bit of an accident), he had been practicing the move, trying to make it faster and even more heart-stopping every time and leaving knee-shaped depressions all across the southeastern fields of England.” 108 “Are you ready to come with me to the ship?” he asked, his voice more gentle than she had ever heard it.” 112 Contemplating the form of his [hook’s] punishment made for a welcome distraction. “Daily bootlicking at dawn. Literally,” he countered. “Followed by mornings of barnacle scraping, lunches of rock soup, afternoons of button polishing, and sea ration suppers.” 152 “I’m Lieutenant John Abbot.” John stressed the lieutenant bit, just for good measure. He knew Wendy had a predilection for science, and he found himself hoping that particular fondness did not extend equally to scientists.” 153 “She had waited so long and worked so hard to reach this place, to stand on the deck of this ship, that she hadn’t noticed how incredible her life had already become.” 169

Leebe Tuule Leopard haigutas ja eemaldus üha enam Omaha, Nebraska katustest, millele September hüvastijätuks isegi ei lehvitanud. Me ei peaks seda talle pahaks panema: kõik lapsed on südametud. Neile pole süda veel kasvanud, mistõttu nad saavadki kõrgete puude otsa ronida ja šokeerivaid asju öelda ja nii kõrgele hüpata, et täiskasvanute südamed selle peale hirmust kloppima hakkavad. Südamed kaaluvad päris palju. Sellepärast selle kasvamine nii palju aega võtabki. Kuid just nagu lugemises, arvutamises ja joonistamises arenevad lapsed selleski eri kiirusel. (Teada-tuntud tõde on see, et miski ei kiirenda südame kasvu rohkem kui lugemine.) Mõned väikesed on kohutavad ja kurjad, täiesti südametud. Mõned on armsad ja kenad ja üldsegi mitte südametud. Päeval, mil Roheline Tuul Septembri kaasa viis, oli too kuskil vahepeal - mõneti südametu, mõneti kasvanud.Ja nii ei lehvitanud September hüvastijätuks ei oma majale ega ema tehasele, mis kaugel allpool valget suitsu popsis. Ta ei lehvitanud ka isale, kui nad üle Euroopa lendasid. Sind ja mind võib see jahma tada, kuid September oli piisavalt palju raamatuid lugenud ja teadis, et vanemad on pahased ainult senikaua, kuni nad pole veel teada saanud, et nende väike seikleja käis ära Haldjamaal ja mitte tänavanurgal baaris ja siis on kõik hästi.

Venerable training ships displayed their chequered hulls by the wooded shore, and whispered of the days of oak and hemp, when the tall three-decker, comely and majestic, with her soaring heights of canvas, like towers of ivory, had not yet given place to the mud-coloured saucepans that fly the white ensign now-a-days and devour the substance of the British taxpayer: when a sailor was a sailor and not a mere seafaring mechanic.

Something vast suddenly crossed my field of vision. By the time I had reacted and adjusted the magnification, it had passed out of sight into the works shed. I had a brief memory of bright, almost gaudy metal and a shimmering, flowing robe. ‘What the hell was that?’ I hissed. Midas looked at me, lowering his scope, actual fear on his face. Fischig also looked disturbed. ‘A giant, a horned giant in jewelled metal,’ Midas said. ‘He came striding out of the modular hab to the left and went straight into the shed. God-Emperor, but it was huge!’ Fischig agreed with a nod. ‘A monster,’ he said. The cones above roared again, and a rain of withering ash fluttered down across the settlement. We shrank back into the thorn-trees. Guard activity seemed to increase. ‘Rosethorn,’ my vox piped. ‘Now is not a good time,’ I hissed. It was Maxilla. He sent one final word and cut off. ‘Sanctum.’ ‘Sanctum’ was a Glossia codeword that I had given Maxilla before we had left the Essene. I wanted him in close orbit, providing us with extraction cover and overhead sensor advantages, but knew that he would have to melt away the moment any other traffic entered the system. ‘Sanctum’ meant that he had detected a ship or ships emerging from the immaterium into realspace, and was withdrawing to a concealment orbit behind the local star. Which meant that all of us on the planet were on our own. Midas caught my sleeve and pointed down at the settlement. The giant had reappeared and stood in plain view at the mouth of the shed. He was well over two metres tall, wrapped in a cloak that seemed to be made of smoke and silk, and his ornately decorated armour and horned helmet were a shocking mixture of chased gold, acidic yellow, glossy purple, and the red of fresh, oxygenated blood. In his ancient armour, the monster looked like he had stood immobile in that spot for a thousand years. Just a glance at him inspired terror and revulsion, involuntary feelings of dread that I could barely repress. A Space Marine, from the corrupted and damned Adeptus Astartes. A Chaos Marine.

The toothless or peg-legged buccaneer hoisting a flag of defiance against the world, drinking and feasting to a stupor on stolen loot, fleeing at the first sign of serious opposition, leaving only tall tales and confusion in his wake, is, perhaps, just as much a figure of the Enlightenment as Voltaire or Adam Smith, but he also represents a profoundly proletarian vision of liberation, necessarily violent and ephemeral. Modern factory discipline was born on ships and on plantations. It was only later that budding industrialists adopted those techniques of turning humans into machines into cities like Manchester and Birmingham. One might call pirate legends, then, the most important form of poetic expression produced by that emerging North Atlantic proletariat whose exploitation laid the ground for the industrial revolution.

We were still in the longleaf forest, and the tall, straight trunks surrounded us like the masts of long-sunk ships. Lines of an ancient Scottish song drifted through my mind - 'How many strawberries grow in the salt sea; how many ships sail in the forest? - and I wondered muzzily whether the composer had walked through a place like this, unearthly in half-moon and starlight, so dreamlike that the borders between the elements were lost; we might as well be afloat as earthbound, the heave and fall beneath me the rise of planking, and the sound of the pines the wind in our sails

Receding for miles on either side into a flushed, still sky are overhanging pale blue cliffs hundreds of feet high, their bases fretted by little arches, the entrances to caves running in along the level of a bay masked by perfect waves. On the middle of that quiet floor sits a fleet of small black ships, square-rigged, sails furled, motionless, their spars like burnt match-sticks. And high above them, over the tall cliffs’ semi-translucent ranks, are scribbled hundreds of fine black birds hanging in n’s in banks. One can hear their crying, crying, the only sound there is except for occasional sighing as a large aquatic animal breathes. In the pink light the small red sun goes rolling, rolling, round and round and round at the same height in perpetual sunset, comprehensive, consoling, while the ships consider it. Apparently they have reached their destination. It would be hard to say what brought them there, commerce or contemplation.

The Library of Fictional Volumes.” Ahead of us, silhouetted against a brilliant orange sunset, was a tall, rectangular stone building with banks and banks of windows. “Fictional volumes?” echoed Cole. “You mean novels and short stories? But why would they keep the ship’s logbooks there? Aren’t logbooks nonfiction?” Andre said, “It’s not a fiction library. It’s a fictional library of fictional books. Some are fictional fiction and some are fictional nonfiction.” “Isn’t all fiction fictional? Isn’t that what the word means?” Cole objected. “And what’s fictional nonfiction? That doesn’t mean anything.” Dr. Rust explained, “The Spectral Library is where we keep books that only exist in books. Like . . . What’s a good example, someone?” “The Mad Trist of Sir Launcelot Canning,” suggested Andre. “Exactly! The Mad Trist of Sir Launcelot Canning is a work of fiction—it’s a medieval romance. But it only exists in the Poe story ‘The Fall of the House of Usher.’ The narrator reads The Mad Trist to his crazy friend. You can’t find it in any ordinary library, but we have a copy here in our library of fictional books. It’s fictional fiction.

She lay there, her arms raised, her hands folded on top of her head, her eyes wide open, and observed how the grey-blue light penetrated into the room through the white-and-red-striped curtains, picking out the washstand, the two crude chairs and the tall yellow wardrobe in the gloom, illuminating the room without bringing it to life, without, as it were, waking it up. And it seemed to Doralice that this room, as small as a ship's cabin, was in no way connected to her.

And all I ask is a tall ship and a star to steer her by.