Talking Dirty To A Girl Quotes

We've searched our database for all the quotes and captions related to Talking Dirty To A Girl. Here they are! All 71 of them:

You’re too good for me.” He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?” She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.” “Wow,” Carmine said. “I’d like to meet that motherfucker.
J.M. Darhower (Sempre (Sempre, #1))
You wanted to ride, my nasty girl, so fucking ride,” Sander challenged.
Setta Jay (Searing Ecstasy (The Guardians of the Realms, #7))
Do not mock my baby." He pulls away and strokes his palm over he seat. "She was my first love." "Well your current ... er ... girl, is getting jealous with all the attention you're paying your first love, and she has orifices you can stick things in without having your boy bits burnt off." He pulls me into him again and his mouth goes to work on my neck. “Fuck I love it when you talk dirty.
Carmen Jenner (Welcome to Sugartown (Sugartown, #1))
Let me tell you what I want. You, screaming my name, telling me how much you love being Daddy's slutty little girl while you beg me to go harder.
Nenia Campbell (Quid Pro Quo (Nick & Jay, #1))
You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together.
J.D. Salinger (The Catcher in the Rye)
The Herdmans were absolutely the worst kids in the history of the world. They lied and stole and smoked cigars (even the girls) and talked dirty and hit little kids and cussed their teachers and took the name of the Lord in vain and set fire to Fred Shoemaker’s old broken-down toolhouse.
Barbara Robinson (The Best Christmas Pageant Ever)
We played harmless pranks on each other in high school. Stole liquor one time, got drunk and puked it up. Talked about sex—how it stays hard . . . what you do . . . don’t do . . . dirty names for the girl part.
G.M. Monks (Iola O)
Hey, Jesus? Did you send me someone to get over my obsession with Célian Laurent? “Girl, I’m not even talking to you after the last few weeks.
L.J. Shen (Dirty Headlines)
You ought to go to a boy's school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques.
J.D. Salinger (The Catcher in the Rye)
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
What? Don't you want a girl who can talk dirty to you?" His look only hardens. "No, Lucy. I'm serious. I won't tolerate that from you." He doesn't look away and I feel that heat in the pit of my stomach, spreading down again. "Well...I've heard you curse before..." I swallow loudly, but keep his gaze. "I'm a man.
Willow Madison (True Nature (True, #1))
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
What are you saying?” “I want to try.” He wanted clarification on that. “You want to try what?” There it was, that deep flush. “You know.” Yes, he knew, but he wasn’t going to let her off the hook so easily. She was going to be his. For a brief time, she would belong to him and he would have everything he wanted, and he wanted her to start talking dirty. Yes. He wanted to teach her, to train her to accept pleasure so she would expect it. “No, I don’t know. You’ll have to be plain.” Avery blushed a little. “I want to be intimate with you.” So sweet. So polite. So not happening. “That sounds like you want me to get into my pajamas and exchange secrets with you. I’m not your girlfriend, Avery. Tell me what you want. That’s lesson number one. Communication and honesty are the keys to the relationship I want. I need to hear you say plainly what you want.” She hesitated, but only for a moment. He wasn’t surprised. Deep in her heart, she was a brave girl. She’d faced so much and still was open with her heart. Damn, but he didn’t understand that. “I would like for us to sleep together.” “I’m not very sleepy.” He wasn’t going to let her get away with anything. She groaned a little in obvious frustration. “You know that’s not what I’m talking about.” “Yes. I do. So say what you want.” “I want to have sex.” “So clinical. I’ll have to think about that.” “I want to make love.” “Sweet, but not what I’m looking for.” Her face crinkled into the cutest pout. “Damn it, Lee. I want to fuck.” Just like that he was primed and ready. She’d said fuck with such a sweet little heat, her eyebrows forming a V over her face as though the entire incident had offended her polite sensibilities. She would learn there wasn’t room for politeness between them. He growled just a little. “I want to fuck, too, baby. I want to fuck all night long.
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
My sweet naughty girl I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress.
James Joyce
I want to fight, Becky. Can you understand that? I want struggle, I want danger. You know, Sally said something to me once: we were talking about happiness and what that might mean. She said she didn't want to be /happy/, that was a weak, passive sort of thing; she wanted to be alive and active. She wanted /work/. That's the spirit I like. That's what I want; and my work is a rough dirty dangerous kind of work. Oh, I want other things too. I want to write a play and see Henry Irving perform in it. I want to swank about town smoking Havanas and have supper with pretty girls in the Cafe Royal. I want to play poker on a Mississippi riverboat. I want to see Dan Goldberg get into Parliament. I want to see you go to university and get a first-class degree. Sally. . . Sally can do anything we wants, by me. There's a whole world I want, Becky.
Philip Pullman
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
He looks again towards the door, expecting Mum to walk in and remind him of something he's forgotten. He smiles awkwardly. 'Is that it, Dad? I've got to go.' 'Your Mum said I should mention ... um ... satisfaction.' 'What!' 'She said young men should know things, should be told things so that the girl won't be ...' his eyes plead for understanding, '... disappointed.' [...] 'No worries, Dad. My biology teacher said I was a natural.' Dad looks confused. 'I'm kidding, Dad.' [...] Poor bloke, having to do the dirty work while Mum's off with her gang. 'Dad? What did Grandpa tell you about sex?' 'He said if I got a girl pregnant, he'd kill me.
Steven Herrick (Slice)
Be a man. Not any old man, not mankind, but manhood. To do this you don’t need to play pro football and grow hair on your chest and seduce every third woman you meet long as she’s female. All you have to do is hunt, fish (or talk sense about ’em as if you had) and go bug-eyed when the girls go by. If a sunset moves you so much you have to express yourself, do it with a grunt and a dirty word. Or you say, ‘That Beethoven, he blows a cool symphony.’ Never champion a real underdog unless it’s a popular type, like a baseball team. Always treat other men as if you were sore at something and will wipe it off on them if they give you the slightest excuse. I mean sore, Louis, not vexed or in a snit. And stay away from women. They have an intuition that’ll find you nine times out of ten. The tenth time she falls for you, and there’s nothing funnier.” “I think,” Loolyo said after a time, “that you hate human beings.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume IX: And Now the News...)
I love your body 'cause I've lost my mind If you want someone to talk to, you're wasting your time If you want someone to share your life, you need someone who's alive And if every relationship is a two-way street, I have been screwing in the back whilst you drive I never said I was deep, but I am profoundly shallow My lack of knowledge is vast, and my horizons are narrow I never said I was big, I never said that I was clever And if you're waiting to find what's going on in my mind, you could be waiting forever Forever and ever I can dance you to the end of the night 'cause I'm afraid of the dark I have to confess: I'm out of my depth You're going over my head and straight through my heart Some girls like to play it dirty, some girls want to be your mum Me, I disrespected you whilst we were waiting for the taxi to come My morality is shabby, my behaviour unacceptable No, I'm not looking for a relationship, just a willing receptacle I never said I was... I never said I was... I never said I was... I never said I was deep, but I am profoundly shallow My lack of knowledge is vast, and my horizons are narrow Oh, yeah. I never said I was big, I never said that I was clever And if you're waiting to find what's going on in my mind, you could be waiting forever Forever and ever
Jarvis Cocker
Cal was a species all his own – genus man-brick - and while I’d known that from the very start, I embraced it now. I wanted him this way, rumbly-grumbly and demanding as fuck and obscene. My god, was he obscene. I knew some filthy guys but Cal was running some multi-dimensional dirty talk game.
Kate Canterbary (Before Girl (Vital Signs, #1))
Her heart is racing, blood pulsing fast beneath my finger, and she’s taking these tiny sharp breaths. It turns me on in a way I don’t even understand. Normally, the skittish, inexperienced types send me running. But the thought of teaching her anything makes my jeans feel too tight. I want her on her back in my bed, legs spread wide, eyes big and blue, lips parted, mouth babbling that nervous nonsense until I make her forget what she’s saying, forget how to talk altogether. I want to forget myself in her, too, steal some of her sunshine, and give this pristine, perfect girl a taste of what it’s like to get a little dirty.
Cora Carmack (All Broke Down (Rusk University, #2))
I’ve read long, contorted arguments from noted grammarians about why it’s OK to end sentences with prepositions when the prepositions aren’t extraneous, but the driving point still seems to be that nobody in their right mind talks this way. Yes, you could say, “On what did you step?” but not even grammarians think you should.
Mignon Fogarty (Grammar Girl's Quick and Dirty Tips for Better Writing)
I'm thinking we ought to rethink the whole self-esteem thing. It should almost be a dirty word. I mean, look at Kayla. She has the intelligence of a tree stump, and its sense of humour. She's less about real attractiveness than she is about advertising... She's the kind of girl who shows how hot she is because she has nothing else to offer, who doesn't realise that hotness has an expiration date. Yet, I'm still a little nervous talking to her like she's holding a lottery ticket she just might or might not decide to hand over to me. It is nuts, if you stop to think about it. I give give her this power, and it's kind of like voting some idiot into office. But hey, we're good at that, too.
Deb Caletti (The Nature of Jade)
Yeah, yeah, Jesse had been fed the seventy-two virgins line, too. He could remember looking up at the Caliph and explaining that he never really had a thing for virgins. He preferred dirty girls. Now if he could promise him seventy-two fully experienced women with a taste for the nasty, they still wouldn’t talk because having all those women to please sounded a little more like hell than heaven. He’d
Lexi Blake (You Only Love Twice (Masters and Mercenaries, #8))
After the doctor’s outburst, Francie stood hanging her head. She was a dirty girl. That’s what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn’t breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She
Betty Smith (A Tree Grows in Brooklyn)
Monstrous Sea Private Message 2:54 p.m. 28 - Oct -16 rainmaker: Hey, it’s Wallace. Please tell me I blew your mind again. You make the best face when your mind is being blown. MirkerLurker: Whoa that sounded dirty. rainmaker: Too much? MirkerLurker: Ummmmmmmmmm rainmaker: Too much. Noted. MONSTROUS SEA FORUMS USER PROFILE rainmaker * Fanfiction Moderator AGE: Not telling you LOCATION: NO INTERESTS: MS. Writing things.Campfires. Sweaters. Sleeping in. Dogs. Followers 1,350,199 | Following 54 | Posts 9,112 [Unique Works 144] UPDATES View earlier updates Oct 20 2016 The next chapter of the Auburn Blue fanfic will probably be a little late. Just started at the new school. So, that’s fun. Oct 21 2016 Thanks to @joojooboogee for my new avatar! #DallasRainerForever Oct 23 2016 If math homework were a real person, I’d be doing 25 to life. #Mathslaughter Oct 24 2016 There might actually be other MS fans at this school. THANK JESUS I’M SAVED. Oct 26 2016 Life is destroying me today. No time to write. Stupid math. #Mathslaughter Oct 27 2016 Definitely another MS fan at this school. Pros: Awesome; Not alone; Pretty girl. Cons: Pretty girl. #Fuuuuuuuuck Oct 28 2016 Heyyyy let’s not talk about the pretty girl anymore okay she’s probably looking at this.
Francesca Zappia (Eliza and Her Monsters)
Ivie looked at me. “I like his accent. Do you make him talk dirty to you during sex with that accent? I bet that would be hot.” Ricki popped a piece of cheese into her mouth. “I think his ass is hotter.” “Is he hung?” Kerry asked. It was the last question that got a reaction out of Conner. He choked on his sangria. All my girls dissolved into gales of laughter. I looked at him and said, “I warned you.” “Warned him about what?” Ricki teased.
C.C. Wood (Bite Me (Bitten, #1))
You never discuss your business with them, never talk about the thing that occupies most of your thoughts and time, not just because they won’t understand, not just because they will find it boring, not just because, in their naiveté, they will criticize you for your practices, for winning, for generating the wealth they are enjoying at that very moment, but because it will pollute them, make them dirty, just as it did with that first one, that one you kept around the longest, that one you mistook for love.
Nic Kelman (girls: A Paean)
Not they indeed," cried Thorpe; "for, as we turned into Broad Street, I saw them—does he not drive a phaeton with bright chestnuts?" "I do not know indeed." "Yes, I know he does; I saw him. You are talking of the man you danced with last night, are not you?" "Yes. "Well, I saw him at that moment turn up the Lansdown Road, driving a smart-looking girl." "Did you indeed?" "Did upon my soul; knew him again directly, and he seemed to have got some very pretty cattle too." "It is very odd! But I suppose they thought it would be too dirty for a walk.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at. “What about you?” she says to Scottie. “How did you make out?” “I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse. “Scottie,” I say. “Take that out.” “It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that. “Or maybe you have your hands full,” Mrs. Speer says. “No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t. “And boys.” I gesture to her little dorks. “They must keep you busy.” “They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up? “Your girls seem great, too,” she says. “How old are they?” “Ten and eighteen. And yours?” “Ten and twelve.” “Oh,” I say. “Great.” “Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.” “Oh, yeah. That’s Scottie. She’s a riot.
Kaui Hart Hemmings (The Descendants)
He peered up at the house. “I know you’re finished in there, Blake. May as well come out.” I breathed a silent sigh. Blake strolled onto the deck wearing low-slung skater shorts and flip-flops. Being shirtless must’ve been mandatory in California. I kind of wished they’d get dressed so I could focus properly when I told them about the prophecy. Blake joined us beside the pool. “So . . . ,” said Blake, rocking back on his heels. “Lover’s quarrel over?” “We’re not lovers,” Kaidan and I said together. “What’s stopping you?” Blake smiled. “What’s stopping you and Ginger?” Kaidan asked. “An ocean, man. Fu—” He glanced at me. “Uh . . . eff you.” “Eff me?” Kaidan asked, grinning. “No, eff you, mate.” Blake put a fist over his mouth when he caught what must have been a seething look on my face, and he laughed, punching Kaidan in the arm. “Told you, man! She’s pissed about the cursing thing! Ginger was right.” I shook my head. I wouldn’t look at them. I was too humiliated to deny it. “Girl, all you have to do is say the word, and Mr. Lusty McLust a Lot here will be happy to whisper some dirty nothings in your ear.” Kaidan half grinned, sexuality rolling off him as wild as the Pacific below us. I took a shaky breath. “I don’t appreciate when people are fake with me.” I pointed this statement at Kaidan. Okay, calling him a fake was overboard, especially if he was just being respectful. But my feelings were bruised and battered. If Kai wasn’t going to forgive me or be willing to talk, I couldn’t hang around and deal with his bad attitude. It hurt too much, and the unfairness frustrated me to no end. “If you guys will sit down and shut up for a minute, I’ll tell you what I came here to say, and then I’m out of here. You two can find someone else to make fun of.” They both wiped the smiles from their faces. I pulled a padded lawn chair over and sat. They moved a couple of chairs closer, giving me their attention. 
Wendy Higgins (Sweet Peril (Sweet, #2))
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
After John drops me off at home, I run across the street to pick up Kitty from Ms. Rothschild’s. And she invites me in for a cup of tea. Kitty is asleep on the couch with the TV on low in the background. We settle on the other couch with our cups of Lady Grey, and she asks me how the party went. Maybe it’s because I’m still on a high from the night, or maybe it’s the bobby pins so tight on my head that I feel woozy, or it could be the way her eyes light up with genuine interest as I begin to talk, but I tell her everything. The dance with John, how everyone cheered, Peter and Genevieve, even the kiss. She starts fanning herself when I tell about the kiss. “When that boy drove up in that uniform--ooh, girl.” She whistles. “It made me feel like a dirty old lady, because I knew him when he was little. But dear God he is handsome!” I giggle as I pull the bobby pinks from the top of my head. She leans forward and helps me along. My cinnamon bun unravels, and my scalp tingles with relief. Is this what it’s like to have a mother? Late-night boy talk over tea? Ms. Rothschild’s voice gets low and confidential. “Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)
He sweeps his fingers over her folds, teasing her entrance. "So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?" Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do." He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?" "Please," Eden shouts. "Please, I want---" "Use your words. Come on, sweetheart. I know you can do it." "I want your cock in me," she whines. "Fuck me like you own me---" A loud moan rips itself from her throat as Shang presses into her. Splits her open. Stretched her to the fullest. It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips. Feral. An animal. A man on a mission. "'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden." "Shang---" "What is it, sweetheart? Don't tell me I'm too much for you." "No, never. I want---" "What? You want what? You close already?" Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight. He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me." "Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy. He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it." Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse. Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
I pushed forward suddenly, the head of his cock teasing my entrance open in bliss. But a sudden jerk from Ryker left me painfully empty once more, and I whined in frustration. "Just say it," he teased. "Do you like it a little rough? All you have to do is say yes." Fine. Ass. "Yes," I hissed. "Yes, I do." Instant pressure hit me as he slid his length into me in one go. I was so wet, there was no friction stopping him as he filled me completely. Tight, hot, hard. I took in a sharp breath and he gave me a satisfied hum. "There now, that wasn't so hard," he mused. Smack. Ryker shoved into me just a little harder at the same time he smacked me right on the mark, and I screamed. I was so hot, and wet, and full of him that I could hardly keep myself from unraveling. Thankfully, his hands stayed firmly in place, helping to hold me still as he slid out again, only to thrust inside once more. "Fuck, Danica," Ryker rumbled. "Your pretty little ass is turning the hottest shade of pink." I was breathless as Ryker thrust again and again, pushing me higher and higher. Sometimes he would smack the mark again, and I was sure I would be feeling it in the morning but I couldn't bring myself to care. All I could care about was Ryker and what he did to me. I felt wholly and truly right with him, and my head was in a fog as the orgasm hit me hard. "Ryker!" I shouted as he thrust at just the right moment and all the tight muscles in my body came loose. Floating, floating and falling and clenching and dropping into a boneless heap. I was still reeling from the high he had started in me when I felt his hot release as well. Ryker came hard, gripping my hip as he shoved in as deep as he could. The hot, burning stretch of him shoving so hard coupled with the intensity of my own postorgasm shaking pulled another cry from me. When we were both spent and he was still over me, staring down in satisfied confidence, he leaned in with a light kiss. "Good girl, you take me so fucking well." My ass stung, I was filled to the brim, and I liked it. Releasing my hip, he slid out of me and I groaned at the fleeting feeling of fullness. When wetness trickled out of me, more than just my own arousal, I pressed my thighs together.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
I need you to say it." Ryker's hot breath was on my neck, his hand on my hip, and he was ready to sink into me the second he got his answer. All I had to do was admit it. Or I could try to take matters into my own hands just to fuck with him. I pushed forward suddenly, the head of his cock teasing my entrance open in bliss. But a sudden jerk from Ryker left me painfully empty once more, and I whined in frustration. "Just say it," he teased. "Do you like it a little rough? All you have to do is say yes." Fine. Ass. "Yes," I hissed. "Yes, I do." Instant pressure hit me as he slid his length into me in one go. I was so wet, there was no friction stopping him as he filled me completely. Tight, hot, hard. I took in a sharp breath and he gave me a satisfied hum. "There now, that wasn't so hard," he mused. Smack. Ryker shoved into me just a little harder at the same time he smacked me right on the mark, and I screamed. I was so hot, and wet, and full of him that I could hardly keep myself from unraveling. Thankfully, his hands stayed firmly in place, helping to hold me still as he slid out again, only to thrust inside once more. "Fuck, Danica," Ryker rumbled. "Your pretty little ass is turning the hottest shade of pink." I was breathless as Ryker thrust again and again, pushing me higher and higher. Sometimes he would smack the mark again, and I was sure I would be feeling it in the morning but I couldn't bring myself to care. All I could care about was Ryker and what he did to me. I felt wholly and truly right with him, and my head was in a fog as the orgasm hit me hard. "Ryker!" I shouted as he thrust at just the right moment and all the tight muscles in my body came loose. Floating, floating and falling and clenching and dropping into a boneless heap. I was still reeling from the high he had started in me when I felt his hot release as well. Ryker came hard, gripping my hip as he shoved in as deep as he could. The hot, burning stretch of him shoving so hard coupled with the intensity of my own postorgasm shaking pulled another cry from me. When we were both spent and he was still over me, staring down in satisfied confidence, he leaned in with a light kiss. "Good girl, you take me so fucking well." My ass stung, I was filled to the brim, and I liked it. Releasing my hip, he slid out of me and I groaned at the fleeting feeling of fullness. When wetness trickled out of me, more than just my own arousal, I pressed my thighs together.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
Driscoll preached a sermon called “Sex: A Study of the Good Bits of Song of Solomon,” which he followed up with a sermon series and an e-book, Porn-again Christian (2008). For Driscoll, the “good bits” amounted to a veritable sex manual. Translating from the Hebrew, he discovered that the woman in the passage was asking for manual stimulation of her clitoris. He assured women that if they thought they were “being dirty,” chances are their husbands were pretty happy. He issued the pronouncement that “all men are breast men. . . . It’s biblical,” as was a wife performing oral sex on her husband. Hearing an “Amen” from the men in his audience, he urged the ladies present to serve their husbands, to “love them well,” with oral sex. He advised one woman to go home and perform oral sex on her husband in Jesus’ name to get him to come to church. Handing out religious tracts was one thing, but there was a better way to bring about Christian revival. 13 Driscoll reveled in his ability to shock people, but it was a series of anonymous blog posts on his church’s online discussion board that laid bare the extent of his misogyny. In 2006, inspired by Braveheart, Driscoll adopted the pseudonym “William Wallace II” to express his unfiltered views. “I love to fight. It’s good to fight. Fighting is what we used to do before we all became pussified,” before America became a “pussified nation.” In that vein, he offered a scathing critique of the earlier iteration of the evangelical men’s movement, of the “pussified James Dobson knock-off crying Promise Keeping homoerotic worship . . .” where men hugged and cried “like damn junior high girls watching Dawson’s Creek.” Real men should steer clear. 14 For Driscoll, the problem went all the way back to the biblical Adam, a man who plunged humanity headlong into “hell/ feminism” by listening to his wife, “who thought Satan was a good theologian.” Failing to exercise “his delegated authority as king of the planet,” Adam was cursed, and “every man since has been pussified.” The result was a nation of men raised “by bitter penis envying burned feministed single mothers who make sure that Johnny grows up to be a very nice woman who sits down to pee.” Women served certain purposes, and not others. In one of his more infamous missives, Driscoll talked of God creating women to serve as penis “homes” for lonely penises. When a woman posted on the church’s discussion board, his response was swift: “I . . . do not answer to women. So, your questions will be ignored.” 15
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
Carolina walked over to the private deck and turned on the Jacuzzi, the bubbles starting to bounce in the water. Enrique followed her and brushed his hand through the water. "That looks nice, but I don't have a swimsuit." "Neither do I," she said with a smile. She held his gaze as her sundress fell to her toes. She was standing there in nothing but the new bra and panties and heels he'd purchased at the store. The yellow lace barely covered her nipples, and the thong accentuated her perfect ass. Enrique wanted to fuck her against the hot tub until she screamed his name. But again, he reminded himself that he needed to go slow. "You sure? I can run down to the gift shop and buy us swimsuits." She shook her head. "No, Enrique. I just don't want to hold back anymore, I want you." She unhooked her bra and took off her panties, revealing dark curls between her legs. The sight of this beautiful naked woman caused his cock to spring to attention. She carefully slipped out of her shoes, stepped into the tub, and sat down. He'd assumed she would be shy, but apparently that girl was gone. Well then! Enrique stripped down, his cock at full attention. Her mouth opened at the sight of his naked body. He grinned and then slipped into the bubbles and sat next to her. Enrique was about to kiss her when she straddled his thighs. "Are you sure you want to do this?" he asked. She kissed him. "I'm sure." "Carolina... you're so beautiful." He kissed her neck, and she tossed back her hair. His cock was pressed up against her soft belly. He so desperately wanted to be inside of her. Her hands rubbed all over his body, and she hesitantly touched his throbbing cock underwater. Her delicate fingers felt incredible with the current from the jets. Her nipples were glistening from the water, and he sucked on one. She moaned as he touched her pussy, sliding a finger inside of her while thumbing her clit. God, she was tight. "Enrique. That feels so good." He smirked. "You haven't seen anything yet." He lifted her to sit on the edge of the tub, spreading her legs as he knelt on the seat inside. She shook her head and closed her legs. "Oh, I don't know if I'll like that." He laughed. "Yeah, you will." She bit her lower lip. "Do you like doing it?" "Babe, I've been dying to eat your pussy since I met you." Her jaw dropped and her cheeks seemed redder, but maybe that was from the heat of the spa. "Enrique! That mouth!" He grinned. "My dirty mouth speaks the truth. Now spread your legs and relax." She cautiously opened her legs.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Minny came ever day to make sure I was breathing, feed me food to keep me living. All I know is, I ain't saying it. And I know she ain't saying what she want a say either and it's a strange thing happening here cause nobody saying nothing and we still managing to have us a conversation. "Mama, it would really be so terrible if I never met a husband?" Write about what disturbs you, particularly if it bothers no one else. I stare at her, wishing the ceiling fan would fly from its post, crash down on both of us. I feel tears come up in my eyes, cause three years just ain't long enough. A hundred years ain't gone be long enough. Eugenia, just because this is a hospital doesn't mean I'm an invalid" "you kind. you smart. you important." See, I think if God had intended for white people and colored people to be this close together for so much of the day, he would've made us color-blind. Every time a Negro complained about the cost of living didn't mean she was begging for money. But the truth is, I don't care about voting. I don't care about eating at a counter with white people. What I care about is, if, in ten years, a white lady will call my girls dirty and accuse them of stealing the silver. when you little, you only get to ask two questions, what's your name and how old you is, so you better get em right. Mister Jonny knows about me. Miss Celia Knows Mister Jony know about me. But Mister Jonny doesn't know that Miss Celia knows he knows. "Yes ma'am. I tell her." In about a hundred years. How an awful day could turn even worse. It seems like at some point you'd just run out of awful. Lots of folks think if you talk back to your husband, you crossed the line. And that justifies punishment. She can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket. "Don't you let him cheapen you. If Stuart doesn't know how intelligent and kind I raised you to be, he can march straight on back to State Street. Frankly, I don't care much for Stuart. He doesn't know how lucky he was to have you." You tell her we love her, like she's our own family. "You a beautiful person, Minny." Mississippi is like my mother. I am allowed to complain about her all I want, but God help the person who raises an ill word about her around me unless she is their mother too. For the dishonesty upon which a society is founded makes every emotion suspect, makes it impossible to know whether what flowed between two people was honest feeling or pity or pragmatism
Kathryn Stockett (The Help)
They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
General Wainwright was delighted to see them. Years later in a memoir, he recalled the happy moment. They were a scruffy lot, he remembered, covered in road dust and grime, weak with fever and chills and still wide-eyed from their getaway across the bay. You may talk all you want of the pioneer women who went across the plains of early America and helped found our great nation.… But never forget the American girls who fought on Bataan and later on Corregidor.… Theirs had been a life of conveniences and even luxury. But their hearts were the same hearts as those of the women of early America. Their names must always be hallowed when we speak of American heroes. The memory of their coming ashore on Corregidor that early morning of April 9, dirty, disheveled, some of them wounded from the hospital bombings—and every last one of them with her chin up in the air—is a memory that can never be erased.33
Elizabeth M. Norman (We Band of Angels: The Untold Story of American Nurses Trapped on Bataan by the Japanese)
She ran her hand up my thigh and said, “I like it when you fill me deep, Rhys.” I laughed, not realizing it was an attempt at seduction, not a joke. She blinked, that slightly hurt look she gets when she thinks she's being rejected crossing her face. So I kissed her and used washing-machine analogies to dirty-talk her until she was smiling again. Jesus Christ. I think I might love her.
Jana Aston (Good Girl)
Consent can be sexy! Reframing a question as part of seduction/foreplay allows couples to be clear about what kind of sexual activity is allowed while keeping the mood alive. Saying, “I’m wondering what it would be like to kiss you” in a soft, seductive tone can feel easier (and hotter) in a steamy moment than, “Do you mind if I kiss you?
Elle Chase (Curvy Girl Sex: 101 Body-Positive Positions to Empower Your Sex Life)
That night, though, Mom was getting things ready for a party at the restaurant, so I had to bum a ride with Jack and Julie. Jack said they didn’t need a chaperon, but it was just talk. He always helped me when it mattered. While we were waiting for Julie, I asked him about the one detail that was bothering me. “I’m supposed to meet her there,” I said. “Do I meet her inside the gym or outside?” “Do you have a date or not?” “More or less.” Jack grinned and shook his head. “Well, it’s not that simple,” I told him. “She can’t go out on dates, so she’s coming with her parents, and I’m supposed to meet her.” Jack broke out laughing. “You’re singing the freshman blues again, Eddie. Everything ends up half-baked.” “So where do I meet her on a half-baked date?” “Inside,” he said. “That way you won’t have to pay for her ticket.” “I don’t want to look like a cheapskate.” “Why hide the truth? Besides, her parents are bringing her, right? You don’t want to meet her father, do you?” “I don’t know.” “Look, he’ll just shake your hand and give you a dirty look. That’s what freshman girls’ fathers always do.” “Really?” “So save the hassle and the money. Wait inside.” I ended up waiting right inside the door. When Wendy and her father came in, she was careful to keep things looking casual. She pretended not to notice me at first, then said, “Oh, hi, Eddie,” and introduced me to her father as a boy in her algebra class. He shook my hand and gave me a dirty look. For a minute I thought the three of us would end up sitting together, but her father decided not to join us in the student rooting section. Wendy and I found an empty bench in the bleachers and were alone for twenty or thirty seconds before two of her friends came along, then three of mine. Then some friends of theirs. And finally Wayne Parks squeezed into a spot on the bench behind us. All through the game he kept leaning forward and making comments like “Where’s the ref keep his Seeing Eye dog during the game?” Even if Wendy and I hadn’t had an audience, we couldn’t have done much talking. During every time-out the Los Cedros Spirit Band, sitting three rows behind us, blasted us off the benches with fight songs. To top things off, Wendy’s father sat across the aisle and stared at us all night. And the Los Cedros Panthers blew a six-point lead in the final minute and lost the game at the buzzer. Before Wendy and I had our coats on, her father showed up beside us, mumbled, “Nice to meet you, Willy,” and led her away. The night could have been worse, I guess. I didn’t break an ankle or choke on my popcorn or rip my pants. But I had a hard time being thankful for those small favors.
P.J. Petersen (The Freshman Detective Blues)
I’m pregnant,” she whispered. Sam didn’t miss a beat. “So you’re sitting here trying to get in your cups. Excellent way to manage the stress, Taylor.” Taylor started shaking her head back and forth, a pendulum of distress. “Noo, that’s not it at all. I’m...” “You’re at a complete loss. You’re not ready to have a baby. You haven’t told Baldwin because you don’t know how he’s going to react. You don’t know what to think, how to behave, what to do. That about sum it up?” Taylor gave her a dirty look. “Well, leprosy cases are on the rise, too. Besides, you’re supposed to be encouraging me here. Not—” “Not what? What do you want me to do? You’re a big girl. You can make decisions for yourself. Did you want me to toss the beer over the railing and lecture you? I’ll do it if you want. But I don’t think that’s why you wanted to talk to me. So get drunk and talk.” Taylor
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
*JESUS IN LONDON 'INASMUCH AS YE DID IT NOT—' If JESUS came to London, Came to London to-day, He would not go to the West End, He would come down our way; He'd talk with the children dancing To the organ out in the street, And say He was their big Brother And give them something to eat. He wouldn't go to the mansions Where the charitable live, He'd come to the tenement houses Where we ain't got nothing to give. He'd come so kind and so homely, And feed us with love and bread, And then He'd tell us how to behave, And then we'd mind what He said. In the warm, bright, West End churches They sing and preach and pray, They call us “Beloved brethren,” But they do not act that way; And when He come to the church door He'd call out loud and free, “You stop that preaching and praying And show what you've done for Me.” Then they'd say, “Oh, Lord, we have given To the poor both blankets and tracts, And we've tried to make them sober And we've tried to teach them facts. But they will sneak round to the drink shop And pawn the blankets for beer, And we find them very ungrateful— But still we persevere.” Then He would say, “I told you The time I was here before, That you were all of you brothers, All you that I suffered for. I won't go into your churches, I'll stop in the sun outside. You bring out the men, your brothers, The men for whom I died!” Out of our lousy lodgings, From arches and doorways about, They'd have to do as He told them, They'd have to call us out. Millions and millions and millions, Thick and crawling like flies, We should creep out to the sunshine And not be afraid of His eyes. He'd see what God's image looks like When men have dealt with the same— Wrinkled with work that is never done, Swollen and dirty with shame. He'd see on the children's foreheads The branded gutter-sign That marks the girls to be harlots, That dooms the boys to be swine. Then He'd say, “What's the good of churches When these have nowhere to sleep? And how can I hear you praying When they are cursing so deep? I gave My blood and My body That they might have bread and wine, And you have taken your share and theirs Of these good gifts of Mine!” Then some of the rich would be sorry, And all would be very scared; And they'd say, “But we never knew, Lord!” And He'd say, “You never cared!” And some would be sick and shameful Because they'd know that they knew, And the best would say, “We were wrong, Lord. Now tell us what to do!” I think He'd be sitting, likely, For someone 'ud bring Him a chair, With a common kid cuddled up on His knee And the common sun on His hair. And they'd be standing before Him, And He'd say, “You know that you knew. Why haven't you worked for your brothers The same as I worked for you? “For since you're all of you brothers, It's clear as God's blessed sun That each must work for the others, Not thousands work for one. And the ones that have lived bone-idle, If they want Me to hear them pray, Let them go and work for their livings— The only honest way! “I've got nothing new to tell you; You know what I always said. But you've built their bones into churches And stolen their wine and bread. You with My name on your foreheads, Liar, and traitor, and knave, You have lived by the death of your brothers, These whom I died to save.” I wish He would come and say it; Perhaps they'd believe it then, And work like men for their livings And let us work like men. Brothers? They don't believe it, The lie on their lips is red. They'll never believe till He comes again Or till we rise from the dead
E. Nesbit (Jesus In London By E. Nesbit: With Seven Pictures By Spencer Pryse)
eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open
S. Massery (Brutal Obsession)
Sex and the Single Girl Grab my ass Pull me closer Kiss my neck Bite my lip Pull my hair Be gentle Throw me against the wall Pin me down Undress me with your teeth Use your tongue Make me moan Talk dirty to me Don't speak Pressyour weight on me Go deeper Thrust harder Lick my nipples Stick it in my ass Drive me wild Don't stop Stop Don't stop Speed up Slow down Do it sideways Choke me Go down on me Take me in the shower Take me from behind I'm not done with you yet Fuck me again Navigating Sex with your wife Make sure the kids are asleep and tucked in Turn off the lights Take off your socks I think the ceiling needs to be painted I wonder who's on Jimmy Kimmel tonight
Beryl Dov
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside. “You fight dirty, Easy,” she said around her chuckles. “I haven’t had this much fun in so long.” She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.” “Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.” “Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted. “Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.” “Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.” His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?” She nodded and gave him a little smile. “Yeah.” Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere. And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew? “And I need to know this because?” she asked, resting her head on her arm. The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.” Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.” “What do you see then?” Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.” A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?” “Well, kinda hot, anyway.” “Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.” Cheeks burning and big smile threatening, she rolled onto her side to face him. They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe. “What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
Can I borrow a shirt?” she asks. She looks down at her bag. “All my clothes are dirty, and I hate to put on dirty clothes when I just got out of the shower.” I must have looked at her funny because she rushes on to say, “I’ll return it to you tomorrow, before I leave. I just want to sleep in it. Do you have a washing machine?” I nod. “Which question are you answering? The shirt? Or the washer?” “Both,” I say. She smiles at me. I’d talk to this girl all day long if it means she’ll smile at me like that.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
l’after-shave, le badge, le barbeque, le best-seller, le blue-jean, le blues, le bluff, le box-office, le break, le bridge, le bulldozer, le business, le cake, la call-girl, le cashflow, le check-in, le chewing-gum, le club, le cocktail, la cover-girl, le cover-story, le dancing, le design, le discount, le do-it-yourself, le doping, le fan, le fast-food, le feedback, le freezer, le gadget, le gangster, le gay, le hall, le handicap, le hold-up, le jogging, l’interview, le joker, le kidnapping, le kit, le knock-out, le label, le leader, le look, le manager, le marketing, le must, les news, le parking, le pickpocket, le pipeline, le planning, le playboy, le prime time, le pub, le puzzle, se relaxer, le self-service, le software, le snack, le slogan, le steak, le stress, le sweatshirt, le toaster and le week-end.
Alexis Munier (Talk Dirty French: Beyond Merde: The curses, slang, and street lingo you need to Know when you speak francais)
all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques.
Anonymous
THINGS I DON'T LIKE TO SEE. I'm a modest young man, I'd have you all know, And I can't bear to hear or to see anything low; From a child all my friends could not fail to detect, That my notions were moral and strictly correct. Now some of you, doubtless, may think me an ass, And declare my confession is naught for a farce; Still, to what I have said I'll religiously stick, And, to use a low phrase, stand my ground like a brick. Stop, a few minutes you are able to spare, A bit of my mind I intend to lay bare; Tho' with my way of thinking you'll p'raps not agree, I'll tell you a few things I don't like to see. I don't like to see vulgar girls in the town Pull their clothes up, and stand to be goosed for a crown; Nor a man with light trousers, of decency shorn, Stop and talk to young ladies while having the horn. I don't like to see women wear dirty smocks, Nor a boy of fifteen laid' up with the pox; And I don't like to see, it's a fact by my life— A married man grinding another man's wife. Nor I don't like to see - you'll not doubt it, I beg, A large linseed poultice slip down a man's leg; Nor a gray-headed sinner that's fond of a find. When a girl under twelve he is able to grind. In church, too, believe me, I don't like to see A chap grope a girl while she sits on his knee; Nor a lady whose visage is allover scabs, Nor a young married lady troubled with crabs. Nor I don't like to see, through it's really a lark, A clergyman poking a girl in the park; Nor a young lady, wishing to be thought discreet, Looking in print-shops in Holywell Street. I don't like to see, coming out of Cremorne, A girl with her muslin much crumpled and torn;
Anonymous (The Pearl)
It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddamn Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddamn cliques.
J.D. Salinger
Father Wilfred had told us time and time again that it was our duty as Christians to see what our faith had taught us to see. And consequently Mummer used to come home from the shop with all kinds of stories about how God had seen fit to reward the good and justly punish the wicked. The lady who worked at the bookmakers had developed warts on her fingers from handling dirty money all day long. The Wilkinson girl, who had visited the clinic on the Finchley Road that the women at Saint Jude’s talked about in hushed tones, had been knocked down by a car not a week later and had her pelvis snapped beyond repair. Conversely, an elderly lady who came into the shop every week for prayer cards and had spent much of the previous decade raising money for Cafod, won a trip to Fatima.
Andrew Michael Hurley (The Loney)
Young Hans Reiter also liked to walk, like a diver, but he didn’t like to sing, for divers never sing. Sometimes he would walk east out of town, along a dirt road through the forest, and he would come to the Village of Red Men, where all they did was sell peat. If he walked farther east, there was the Village of Blue Women, in the middle of a lake that dried up in the summer. Both places looked like ghost towns, inhabited by the dead. Beyond the Village of Blue Women was the Town of the Fat. It smelled bad there, like blood and rotting meat, a dense, heavy smell very different from the smell of his own town, which smelled of dirty clothes, sweat clinging to the skin, pissed-upon earth, which is a thin smell, a smell like Chorda filum. In the Town of the Fat, as was to be expected, there were many animals and several butcher shops. Sometimes, on his way home, moving like a diver, he watched the Town of the Fat citizens wander the streets of the Village of Blue Women or the Village of Red Men and he thought that maybe the villagers, those who were ghosts now, had died at the hands of the inhabitants of the Town of the Fat, who were surely fearsome and relentless practitioners of the art of killing, no matter that they never bothered him, among other reasons because he was a diver, which is to say he didn’t belong to their world, where he came only as an explorer or a visitor. On other occasions his steps took him west, and he walked down the main street of Egg Village, which each year was farther and farther from the rocks, as if the houses could move on their own and chose to seek a safer place near the dells and forests. It wasn’t far from Egg Village to Pig Village, a village he imagined his father never visited, where there were many pigstys and the happiest herds of pigs for miles around, pigs that seemed to greet the passerby regardless of his social standing or age or marital status, with friendly grunts, almost musical, or in fact entirely musical, while the villagers stood frozen with their hats in their hands or covering their faces, whether out of modesty or shame it wasn’t clear. And farther on was the Town of Chattering Girls, girls who went to parties and dances in even bigger towns whose names the young Hans Reiter heard and immediately forgot, girls who smoked in the streets and talked about sailors at a big port who served on this or that ship, the names of which the young Hans Reiter immediately forgot, girls who went to the movies and saw the most thrilling films, with actors who were the handsomest men on the planet and actresses who, if one wanted to be fashionable, one had to imitate, and whose names the young Hans Reiter immediately forgot. When he got home, like a night diver, his mother asked him where he’d spent the day and the young Hans Reiter told her the first thing that came to mind, anything but the truth. Then his mother stared at him with her blue eye and the boy held her gaze with his two blue eyes, and from the corner near the hearth, the one-legged man watched them both with his two blue eyes and for three or four seconds the island of Prussia seemed to rise from the depths.
Roberto Bolaño (2666)
He says stuff like, "Lydia, I want to fuck you. Let's go back to my place and do the fucking." I mean, obviously it sounds better when he says it—I told you my dirty-talking skills need work.
Jana Aston (Good Girl)
Yeah, yeah, Jesse had been fed the seventy-two virgins line, too. He could remember looking up at the Caliph and explaining that he never had a thing for virgins. He preferred dirty girls. Now if he could promise Jesse seventy-two fully experienced women with a taste for the nasty, they still wouldn’t talk because having all those women to please sounded more like hell than heaven.
Lexi Blake (You Only Love Twice (Masters and Mercenaries, #8))
I love our love/hate relationship, B, but what did we just talk about? Something about you being a good girl? You blow so hot and cold. I just don’t know what to make of you.
K.G. Reuss (Dirty Little Secrets (Kings of Bolten, #1))
Little Bobby Randall was a most unfortunate child. According to his mother, who should have known, he was just “Born wrong.” Well, maybe. Cindy On the first day, his mother asked him what he learned in camp. Bobby’s answers were simple and direct, as though he was quoting his counselor at the camp: “Bobby, please take your seat.” “Bobby, please stop talking.” “Don’t throw kitty in the pool” “Well, I don’t need to tell YOU that the last thing an 11-year-old girl wants to do is help a boy with his zipper, even if he is only 6.“ “Why Mesun cry?” he asked. “Icky is gone,” she said. Sometimes when Bobby’s mother gave him a bath, and he was especially dirty, like the time he decided to see what dog poop would feel like if he rubbed it all over himself, she said that she was going to wash off all the icky. So, you can understand why, when Mi-Sun said “Icky is gone,” Bobby became confused. He was smiling a big beagle smile, and if you have never seen a beagle smile, you have missed one of the great delights of this world. Beagles have large, lustrous brown eyes, and they are particularly good at making those eyes look sad, especially when they want something to eat. But when they smile it makes you feel as though your heart could leap out of your chest. Nothing on this earth brings more joy than a merry little beagle, smiling a big beagle smile and licking you. Nothing.
Bill Schweitzer (Anna Belle Cook and The Boy Who Talked to Dogs)
No, he only fed off me. That's why he was so hard to fight; he's fueled by whatever is in my blood. But his bite had, uh, side effects." Ryker grunted, knowing full well what I was talking about. A frustrated sigh escaped me as I tilted my head back, willing the cool air to take some of this heat from me. "Do you need help taking care of it?" Ryker asked. His tone was surprisingly serious, no playful hints or innuendos marring his offer. I must have had a puzzled look on my face, because he elaborated. "I'm not going to fuck you tonight, Dani. When I take you, it's going to be because you begged me for it, not because another man forced this on you." My lips parted as I stared at Ryker. If he'd wanted to cool me down, his words had the opposite effect. Now all I could picture was finding out just what he kept under that worn pair of jeans. Preferably, I'd be back in a black cotton dress and not Mina's club-wear, and there wouldn't be a vampire after me. But the picture Ryker just painted? I wanted that. My thighs pressed together. I could feel the wetness on my skin. "Fucking hell," I groaned out, gritting my teeth. "No, Ryker. I'd rather let it wear off with time. I'm not going to get off on something Apollo started." The glint in Ryker's eyes was filled with hungry appreciation. Satisfaction was dripping in his voice as he reached out and cupped my chin. "Good girl; I can promise your efforts to wait will be well rewarded." Another needy sound keened from my throat. "Bastard.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
C​G/B​C To play the drums ​F​C/F​G To be picked for teams ​C​C/F​C A safe place to pee ​Em​Am Tall trees to climb ​F​C/E​G A dark blue bike ​C​G​C For her to notice me ​E Don’t braid my hair ​Am Don’t make me wear ​G That bridesmaid’s dress, oh joy ​C​G/B​C That school today ​F​C/E​G Will be easy I pray ​C​G​C Or to just wake up a boy C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt learn to wink ​G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard ​​C Thou shalt learn to dance and lead C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt acquire scars ​G Thou shalt start a pine cone war ​F Thou shalt practice throwing punches ​C Thou shalt not wear a skort ​G Get dirty ​​F In your pockets thou shalt keep A special rock a pocket knife your grubby mitts ​C And several melodies G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) (repeating) C I always have a piece of string G I want to practice French kissing F Don’t cry so much all of the time G I shine my armour every night G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! C Thou shalt learn to wink G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard make you bad ​​C Thou shalt learn to dance and lead G Tomboy! Tomboy! Tomboy! F​Dm​G​C Just to be a good Tomboy!
Ivan E. Coyote (Tomboy Survival Guide)
Making a poltergeist can be a simple recipe: allow a girl to have her first menstrual period, tell her she is a naughty girl for thinking dirty thoughts, punish her, bore her, disenfranchise her from her life, and wait. It is not a universal outcome. More than likely, you will summon nothing more than a moody teenager who slams her bedroom door and wishes aloud she had never been born. In exceptional cases, the dishes will fly off the shelves.
Thomm Quackenbush (The Curious Case of the Talking Mongoose)
I lean over and touch the grass instead. I have not felt grass in years. Ray doesn't like me getting dirty. It doesn't feel like much of anything, and I am oddly disappointed, like when the soap operas are taken off so someone important in a tie can talk about things that don't matter because they will never reach me. Ray has me wrapped up tight from the world.
Elizabeth Scott (Living Dead Girl)
It was surprising how quickly the girls opened up to my mother. Gemma told her the entire story of the Darkroom and the Dulcinea Award. She also reviewed the complete bird lexicon. My mother was as baffled as I was by the ubiquity of blowjobs as an introductory sexual act. “I don’t understand,” said Mom. “Don’t girls give hand jobs anymore? Much less effort required.” “The blowjob is the new hand job,” I said. “Really?” said Mom. “How many girls are entered in the contest? And what do they get—money?” “Most girls don’t even know there is a contest,” Gemma said. “If you don’t want to do something, why do you do it?” said my mom. “There’s this thing the boys do,” Mel said. “They make it seem like there’s something wrong with you if you don’t do it. So, you’re hanging out with some guy you like. You’re kissing and stuff and the next thing you know, he’s unzipped his fly. And you’re like, what happened? But you don’t say that because it’s awkward and—and you’re already not thinking clearly, because you like the person and everything you’ve done so far feels good. You don’t want to ruin the mood, so you do it. And while you’re doing it, you’re not feeling anything at all, and you’re telling yourself it’s not a big deal. But then, later, you feel something. You feel wrong, like dirty and used, and stupid. And you wonder what happened to you, the you who has a backbone.” “I need another drink,” I said. “Me too,” said my mother. Me too, said Gemma and Mel. My mother would have given them both a shot of bourbon, but I nixed that idea when I saw her pull two more glasses from the cabinet. Gemma showed us a few samples of the scoring system but wouldn’t relinquish the entire stack of entrants. “Swallows were spies, right?” said my mother, as she gazed down at the page. “Spies? What do you mean?” Mel said, perking up. “The Russians called female spies ‘swallows’ and male spies ‘ravens’ in the Cold War,” I said. “See, Mel. You’re a spy. That’s all,” said Gemma. “I would cut off the penis of any man who talk about me like this,” said my mother, as she gazed down at a score sheet. “You know what I would like to see? A bad-blowjob contest. That would teach them.” Gemma and Mel, who had seemed so lost, suddenly looked up at Mom like she was their new queen.
Lisa Lutz (The Swallows)
Here’s the thing about men: I like them. I like their laughs and their dirty jokes and their complete lack of ability with their emotions. And I really, really like their bodies. I like male shoulders and chin stubble and the slim line of a man’s hips. I like a man who’s fit as much as the next woman does, but to tell the truth, I’m not even that picky. I can handle a little softness around the middle. Just give me a cute ass and a nice pair of hands and a hard dick, and I’m a girl who’s in her happy place.
Julie Kriss (Dirty Talk (Filthy Rich #3))