Tales Of The City Quotes

We've searched our database for all the quotes and captions related to Tales Of The City. Here they are! All 100 of them:

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A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other.
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Charles Dickens (A Tale of Two Cities)
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It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
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Charles Dickens (A Tale of Two Cities)
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Laugh all you want and cry all you want and whistle at pretty men in the street and to hell with anybody who thinks you're a damned fool!
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Armistead Maupin (More Tales of the City (Tales of the City, #2))
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You have been the last dream of my soul.
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Charles Dickens (A Tale of Two Cities)
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.
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Charles Dickens (A Tale of Two Cities)
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It was the best of times, it was the worst of times.
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Charles Dickens (A Tale of Two Cities)
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I wish you to know that you have been the last dream of my soul.
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Charles Dickens (A Tale of Two Cities)
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β€ŽAnd yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire.
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Charles Dickens (A Tale of Two Cities)
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A day wasted on others is not wasted on one's self.
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Charles Dickens (A Tale of Two Cities)
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There is prodigious strength in sorrow and despair.
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Charles Dickens (A Tale of Two Cities)
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Think now and then that there is a man who would give his life, to keep a life you love beside you.
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Charles Dickens (A Tale of Two Cities)
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A multitude of people and yet a solitude.
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Charles Dickens (A Tale of Two Cities)
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A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.
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Charles Dickens (A Tale of Two Cities)
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Death may beget life, but oppression can beget nothing other than itself.
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Charles Dickens (A Tale of Two Cities)
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I see a beautiful city and a brilliant people rising from this abyss. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
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Charles Dickens (A Tale of Two Cities)
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Sadly, sadly, the sun rose; it rose upon no sadder sight than the man of good abilities and good emotions, incapable of their directed exercise, incapable of his own help and his own happiness, sensible of the blight on him, and resigning himself to let it eat him away.
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Charles Dickens (A Tale of Two Cities)
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I love your daughter fondly, dearly, disninterestedly, devotedly. If ever there were love in the world, I love her.
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Charles Dickens (A Tale of Two Cities)
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Then tell Wind and Fire where to stop," returned madame; "but don't tell me.
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Charles Dickens (A Tale of Two Cities)
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Not knowing how he lost himself, or how he recovered himself, he may never feel certain of not losing himself again.
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Charles Dickens (A Tale of Two Cities)
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Before I go," he said, and paused -- "I may kiss her?" It was remembered afterwards that when he bent down and touched her face with his lips, he murmured some words. The child, who was nearest to him, told them afterwards, and told her grandchildren when she was a handsome old lady, that she heard him say, "A life you love.
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Charles Dickens (A Tale of Two Cities)
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Vengeance and retribution require a long time; it is the rule.
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Charles Dickens (A Tale of Two Cities)
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Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.
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Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
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In a utilitarian age, of all other times, it is a matter of grave importance that fairy tales should be respected." (Frauds on the Fairies, 1853)
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Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
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Liberty, equality, fraternity, or death; - the last, much the easiest to bestow, O Guillotine!
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Charles Dickens (A Tale of Two Cities)
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There is a man who would give his life to keep a life you love beside you.
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Charles Dickens (A Tale of Two Cities)
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I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live: And whosoever liveth and believeth in me shall never die. (John 11:25-26)
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Anonymous (The Holy Bible: King James Version)
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Nothing that we do, is done in vain. I believe, with all my soul, that we shall see triumph.
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Charles Dickens (A Tale of Two Cities)
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Oh, do you have A Tale of Two Cities?" "That silly thing? Men going around getting their heads chopped off for love? Ridiculus." Will unpeeled himself from the door and made his way toward Tessa where she stood by the bookshelves. He gestured expansively at the vast number of volumes all around him. "No, here you'll find all sorts of advice about how to chop off someone else's head if you need to; much more useful.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.
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Charles Dickens (A Tale of Two Cities)
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And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done-- done, see you!-- under that sky there, every day.
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Charles Dickens (A Tale of Two Cities)
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I care for no man on earth, and no man on earth cares for me.
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Charles Dickens (A Tale of Two Cities)
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It's an odd thing, but anyone who disappears is said to be seen in San Francisco. It must be a delightful city and possess all the attractions of the next world.
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Oscar Wilde (The Picture of Dorian Gray)
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Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seeds of rapacious licence and oppression over again, and it will surely yield the same fruit according to its kind.
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Charles Dickens (A Tale of Two Cities)
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For you, and for any dear to you, I would do anything. If my career were of that better kind that there was any opportunity or capacity of sacrifice in it, I would embrace any sacrifice for you and for those dear to you. Try to hold me in your mind, at some quiet times, as ardent and sincere in this one thing. The time will come, the time will not be long in coming, when new ties will be formed about you--ties that will bind you yet more tenderly and strongly to the home you so adorn--the dearest ties that will ever grace and gladden you. O Miss Manette, when the little picture of a happy father's face looks up in yours, when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you!
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Charles Dickens (A Tale of Two Cities)
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His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness. She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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The cloud of caring for nothing, which overshadowed him with such a fatal darkness, was very rarely pierced by the light within him.
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Charles Dickens (A Tale of Two Cities)
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It is a far, far better thing that I do, than I have ever done, it is a far, far better rest I that I go to than I have ever known." A Tale of Two Cities, Charles Dickens
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Barbara Sontheimer
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In the moonlight which is always sad, as the light of the sun itself is--as the light called human life is--at its coming and its going.
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Charles Dickens (A Tale of Two Cities)
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Be natural my children. For the writer that is natural has fulfilled all the rules of art." (Last words, according to Dickens's obituary in The Times.)
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Charles Dickens (Five Novels: Oliver Twist, A Christmas Carol, David Copperfield, A Tale of Two Cities, Great Expectations)
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Mr Lorry asks the witness questions: Ever been kicked? Might have been. Frequently? No. Ever kicked down stairs? Decidedly not; once received a kick at the top of a staircase, and fell down stairs of his own accord.
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Charles Dickens (A Tale of Two Cities)
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For men and women are not only themselves; they are also the region in which they are born, the city apartment or farm in which they learnt to walk, the games they played as children, the old wives tales they overheard, the food they ate, the schools they attended, the sports they followed, the poets they read, and the God they believed in. It is all these things that have made them what they are, and these are the things that you can't come to know by hearsay...
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W. Somerset Maugham (The Razor’s Edge)
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All through it, I have known myself to be quite undeserving. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire- a fire, however, inseparable in its nature from myself, quickening nothing, lighting nothing, doing no service, idly burning away.
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Charles Dickens (A Tale of Two Cities)
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I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out...
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Charles Dickens (A Tale of Two Cities)
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He knew enough of the world to know that there is nothing in it better than the faithful service of the heart.
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Charles Dickens (A Tale of Two Cities)
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With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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REMEMBER HOW STRONG WE ARE IN OUR HAPPINESS, AND HOW WEAK HE IS IN IS MISERY!
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Charles Dickens (A Tale of Two Cities)
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I looked at this man and thought: Oh, how we are going to hurt each other.
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Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
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Mr. Cruncher... always spoke of the year of our Lord as Anna Dominoes: apparently under the impression that the Christian era dated from the invention of a popular game, by a lady who had bestowed her name upon it.
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Charles Dickens (A Tale of Two Cities)
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As she looked, the smoke puffing out of the chimney stopped curling upward and began to take on the shape of a wavering black question mark. Sebastian laughed. "I think that means, Who's there?" Clary pulled her coat closer around her. "It looks like something out of a fairy tale." "Are you cold?" Sebastian put his arm around her. Immediately the smoke curling from the chimney stopped forming itself into question marks and began puffing out in the shape of lopsided hearts.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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You touch some of the reasons for my going, not for my staying away.
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Charles Dickens (A Tale of Two Cities)
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I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.
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Charles Dickens (A Tale of Two Cities)
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Perhaps second-hand cares, like second-hand clothes, come easily off and on.
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Charles Dickens (A Tale of Two Cities)
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
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Charles Dickens
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In the fairy tale, an incomprehensible happiness rests upon an incomprehensible condition. A box is opened and all evils fly out. A word is forgotten and cities perish. A lamp is lit and love flies away. An apple is eaten and the hope of God is gone.
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G.K. Chesterton (Orthodoxy)
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This isn't a fairy tale. It's New York City.
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Alex Flinn (Beastly (Beastly, #1))
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Of little worth as life is when we misuse it, it is worth that effort. It would cost nothing to lay down if it were not.
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Charles Dickens (A Tale of Two Cities)
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That glorious vision of doing good is so often the sanguine mirage of so many good minds.
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Charles Dickens (A Tale of Two Cities)
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I'm not sure I even need a lover, male or female. Sometimes I think I'd settle for five good friends.
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Armistead Maupin (28 Barbary Lane: The Tales of the City Omnibus (Tales of the City, #1-3))
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For you, and for any dear to you, I would do anything. I would embrace any sacrifice for you and for those dear to you. And when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you.
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Charles Dickens (A Tale of Two Cities)
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She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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You might, from your appearance, be the wife of Lucifer,” said Miss Pross, in her breathing. β€œNevertheless, you shall not get the better of me. I am an Englishwoman.
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Charles Dickens (A Tale of Two Cities)
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All things are strange which are worth knowing.
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Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
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We like the wrong sorts of girls, they wrote. They are usually the ones worth writing about.
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Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
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Detestation of the high is the involuntary homage of the low.
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Charles Dickens (A Tale of Two Cities)
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I am not old, but my young way was never the way to age.
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Charles Dickens (A Tale of Two Cities)
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The leprosy of unreality disfigured every human creature in attendance.
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Charles Dickens (A Tale of Two Cities)
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A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!
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Charles Dickens (A Tale of Two Cities)
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There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
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Cassandra Clare
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In seasons of pestilence, some of us will have a secret attraction to the disease--a terrible passing inclination to die of it.
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Charles Dickens (A Tale of Two Cities)
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I would ask you to believe that he has a heart he very, very seldom reveals, and that there are deep wounds in it. My dear, I have seen it bleeding.
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Charles Dickens (A Tale of Two Cities)
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Drive him fast to his tomb. This, from Jacques.
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Charles Dickens (A Tale of Two Cities)
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For what can be imagined more beautiful than the sight of a perfectly just city rejoicing in justice alone.
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Mark Helprin (Winter’s Tale)
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Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt NjΓ‘l 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. NiccolΓ² Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. FranΓ§ois Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. RenΓ© Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. MoliΓ¨re – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
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Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
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The human race had always disgusted me. essentially, what made them disgusting was the family-relationship illness, which included marriage, exchange of power and aid, which neighborhood, your district, your city, your county, your state, your nation-everybody grabbing each other's assholes in the Honeycomb of survival out of a fear-animalistic stupidity.
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Charles Bukowski (Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness)
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You are hard at work madam ," said the man near her. Yes," Answered Madam Defarge ; " I have a good deal to do." What do you make, Madam ?" Many things." For instance ---" For instance," returned Madam Defarge , composedly , Shrouds." The man moved a little further away, as soon as he could, feeling it mightily close and oppressive .
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Charles Dickens (A Tale of Two Cities)
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He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pecuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.
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Roberto BolaΓ±o (2666)
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Because men are killing the forests the fairy tales are running away. The spindle doesn't know whom to prick, the little girl's hands that her father has chopped off, haven't a single tree to catch hold of, the third wish remains unspoken. King Thrushbeard no longer owns one thing. Children can no longer get lost. The number seven means no more than exactly seven. Because men have killed the forests, the fairy tales are trotting off to the cities and end badly.
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GΓΌnter Grass (Rat)
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Your American fairytales end that way.Β  Real fairytales end in blood or tears.
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Luna (Lindsey) Corbden (Emerald City Dreamer (Dreams by Streetlight #1))
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I had read a Tale of Two Cities and found it up to my standards as a romantic novel. She opened the first page and I heard poetry for the first time in my life...her voice slid in and curved down trough and over the words. She was nearly singing.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
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Charles Dickens (A Tale of Two Cities)
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Simon?” β€œYeah?” β€œCan you tell me a story?” He blinked. β€œWhat kind of story?” β€œSomething where the good guys win and the bad guys lose. A nd stay dead.” β€œSo, like a fairy tale?” he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra. He’d had a crush on her when he was eight. Not that this seemed like the time to mention it. β€œNo.” The word was an exhaled breath. β€œWe study fairy tales in school. A lot of that magic is realβ€”but, anyway. No, I want something I haven’t heard yet.” β€œOkay. I’ve got a good one.” Simon stroked Isabelle’s hair, feeling her lashes flutter against his neck as she closed her eyes. β€œA long time ago, in a galaxy far, far away…
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Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
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Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.
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Roberto BolaΓ±o (2666)
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A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life's end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?
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Charles Dickens (A Tale of Two Cities)
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When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment.
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Charles Dickens (A Tale of Two Cities)
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Oh, Mona, we're all damned fools! Some of us just have more fun with it than others. Loosen up, dear! Don't be so afraid to cry . . . or laugh, for that matter. Laugh all you want and cry all you want and whistle at pretty men in the street and to hell with anybody who thinks you're a damned fool!
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Armistead Maupin (More Tales of the City (Tales of the City, #2))
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Winter then in its early and clear stages, was a purifying engine that ran unhindered over city and country, alerting the stars to sparkle violently and shower their silver light into the arms of bare upreaching trees. It was a mad and beautiful thing that scoured raw the souls of animals and man, driving them before it until they loved to run. And what it did to Northern forests can hardly be described, considering that it iced the branches of the sycamores on Chrystie Street and swept them back and forth until they rang like ranks of bells.
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Mark Helprin (Winter’s Tale)
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Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
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Mark Helprin (Winter’s Tale)
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It is very difficult to know people and I don't think one can ever really know any but one's own countrymen. For men and women are not only themselves; they are also the region in which they are born, the city apartment or the farm in which they learnt to walk, the games they played as children, the old wives' tales they overheard, the food they ate, the schools they attended, the sports they followed, the poets they read, and the God they believed in. It is all these things that have made them what they are, and these are the things that you can't come to know by hearsay, you can only know them if you have lived them.
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W. Somerset Maugham (The Razor’s Edge)
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Era el mejor de los tiempos y era el peor de los tiempos; la edad de la sabidurΓ­a y tambiΓ©n de la locura; la Γ©poca de las creencias y de la incredulidad; la era de la luz y de las tinieblas; la primavera de la esperanza y el invierno de la desesperaciΓ³n. Todo lo poseΓ­amos, pero nada tenΓ­amos; Γ­bamos directamente al cielo y nos extraviΓ‘bamos en el camino opuesto. En una palabra, aquella Γ©poca era tan parecida a la actual, que nuestras mΓ‘s notables autoridades insisten en que, tanto en lo que se refiere al bien como al mal, sΓ³lo es aceptable la comparaciΓ³n en grado superlativo.
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Charles Dickens (A Tale of Two Cities)
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Sometimes I think that love is one big fairy tale. I wonder if people who say they are in love, if – really – they’ve just talked themselves into it. They want it so badly, they kind of make it happen. They fake it until they start believing their own story. Maybe that’s just sour grapes or something. Maybe because it doesn’t happen to me, I don’t want to think it happens to anyone else.
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Elizabeth Chandler (Summer in the City)
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I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
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Charles Dickens (A Tale of Two Cities)
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If I may ride with you, Citizen Evremonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage." As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger-worn young fingers, and touched his lips. "Are you dying for him?" she whispered. "And his wife and child. Hush! Yes." "Oh, you will let me hold your brave hand, stranger?" "Hush! Yes, my poor sister; to the last.
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Charles Dickens (A Tale of Two Cities)
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Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world - the figure of the sharp female called La Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented hair from turning gray, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine looked through the little window and sneezed into the sack.
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Charles Dickens (A Tale of Two Cities)
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I wish you to know you have been the last dream of my soul. Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing… But I wish you to know that you inspired it. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into the fire.
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Charles Dickens
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You didn't think I really liked you? Do you think I really like you now?" He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that." Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?" He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat. And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them. You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that." She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
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Holly Black (Valiant (Modern Faerie Tales, #2))
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
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Charles Dickens (A Tale of Two Cities)
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"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias. That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."
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Pete Hamill (Downtown: My Manhattan)
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The ancient Poets animated all sensible objects with Gods or Geniuses, calling them by the names and adorning them with the properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged & numerous senses could perceive. And particularly they studied the genius of each city & country, placing it under its mental deity; Till a system was formed, which some took advantage of & enslav’d the vulgar by attempting to realize or abstract the mental deities from their objects: thus began Priesthood; Choosing forms of worship from poetic tales. And at length they pronounc’d that the Gods had order’d such things. Thus men forgot that All deities reside in the human breast.
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William Blake (The Marriage of Heaven and Hell)
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I should like to ask you: -- Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?" Responding to his softened manner, Mr. Lorry answered: "Twenty years back, yes; at this time of my life, no. For, as I draw closer and closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed with me.
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Charles Dickens (A Tale of Two Cities)
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They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
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Charles Dickens (A Tale of Two Cities)