Talent And Beauty Quotes

Women, they have minds, and they have souls, as well as just hearts. And they’ve got ambition, and they’ve got talent, as well as just beauty. I’m so sick of people saying that love is all a woman is fit for.

I knew I belonged to the public and to the world, not because I was talented or even beautiful, but because I had never belonged to anything or anyone else.

Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.

We earth men have a talent for ruining big, beautiful things.

Sometimes the best and worst times of your life can coincide. It is a talent of the soul to discover the joy in pain—-thinking of moments you long for, and knowing you’ll never have them again. The beautiful ghosts of our past haunt us, and yet we still can’t decide if the pain they caused us out weighs the tender moments when they touched our soul. This is the irony of love.

Get Off The Scale! You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance. Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life. It’s true, the scale can only give you a numerical reflection of your relationship with gravity. That’s it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Don’t give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!

Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand. Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed. Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence. "You. Do you haf any qualities dat distinguish you in any way?" Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit. His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings." "Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!" "Hardly a special talent," ter Borcht said witheringly. Nudge was offended. "Yeah? Let's see YOU do it." ... "I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing." Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony." Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?" "Only when I'm trying to steal their dessert" ...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica." "I vill now destroy de Snickuhs bahrs!" Gazzy barked.

Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.

Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. We are a fountain of shimmering contradictions, most of us. Beautiful in the concept, if we're lucky, but frequently tedious or regrettable as we flesh ourselves out.

You aren’t only talented, but . . . do you know, you’re extra beautiful when you talk about baking. You know you’re good at it, and that knowledge lights you up.

I examined the poets, and I look on them as people whose talent overawes both themselves and others, people who present themselves as wise men and are taken as such, when they are nothing of the sort. From poets, I moved to artists. No one was more ignorant about the arts than I; no one was more convinced that artists possessed really beautiful secrets. However, I noticed that their condition was no better than that of the poets and that both of them have the same misconceptions. Because the most skillful among them excel in their specialty, they look upon themselves as the wisest of men. In my eyes, this presumption completely tarnished their knowledge. As a result, putting myself in the place of the oracle and asking myself what I would prefer to be — what I was or what they were, to know what they have learned or to know that I know nothing — I replied to myself and to the god: I wish to remain who I am. We do not know — neither the sophists, nor the orators, nor the artists, nor I— what the True, the Good, and the Beautiful are. But there is this difference between us: although these people know nothing, they all believe they know something; whereas, I, if I know nothing, at least have no doubts about it. As a result, all this superiority in wisdom which the oracle has attributed to me reduces itself to the single point that I am strongly convinced that I am ignorant of what I do not know.

Women. They have minds, and they have souls, as well as just hearts. And they’ve got ambition. And they’ve got talent as well as just beauty. And I’m so sick of people saying that love is just all a woman is fit for. I’m so sick of it. But I’m so lonely.

The decisive question for man is: Is he related to something infinite or not? That is the telling question of his life. Only if we know that the thing which truly matters is the infinite can we avoid fixing our interests upon futilities, and upon all kinds of goals which are not of real importance. Thus we demand that the world grant us recognition for qualities which we regard as personal possessions: our talent or our beauty. The more a man lays stress on false possessions, and the less sensitivity he has for what is essential, the less satisfying is his life. He feels limited because he has limited aims, and the result is envy and jealousy. If we understand and feel that here in this life we already have a link with the infinite, desires and attitudes change.

They keep saying that beautiful is something a girl needs to be. But honestly? Forget that. Don’t be beautiful. Be angry, be intelligent, be witty, be klutzy, be interesting, be funny, be adventurous, be crazy, be talented - there are an eternity of other things to be other than beautiful. And what is beautiful anyway but a set of letters strung together to make a word? Be your own definition of amazing, always. That is so much more important than anything beautiful, ever.

Beauty always made a target of its possessor. Every other human quality was hidden easily enough – intelligence, talent, selfishness, even madness – but beauty would not be concealed.

The swan who goes on living in its parents' tree will die; this is why those who are beautiful and talented bear the burden of finding their own way in the world.

Beauty thinks it needs no talent and can feed on itself, so it soon dies.

Beauty can be created, knowledge learned, but talent can neither be purchased nor taught.

I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.

You’re a lot of things, Nell Hawthorne. You’re complex. You’re cute. You’re lovely. You’re funny. You’re strong. You’re beautiful.” She seems to be struggling with words and emotions. I keep going. “You’re tortured. You’re hurting. You’re amazing. You’re talented. You’re sexy as fuck.

His [Death] voice is cold at first, John. It seems unfeeling. But if you listen without fear, you find that when he speaks, the most ordinary words become poetry. When he stands close to you, your life becomes a song, a praise. When he touches you, your smallest talents become gold; the most ordinary loves break your heart with their beauty.

But those with an evil heart seem to have a talent for destroying anything beautiful which is about to bloom.

I stared at his cock, mesmerized. Even encased in rubber it remained a thing of true beauty. Had I any talent with a pen, I’d have written it poems. A haiku perhaps … I was hypnotized, helpless. Cock-struck.

Love, how often that word came up in books over and over again. If you had wealth and health, and beauty and talent...you had nothing if you didn't have love. Love changed all that was ordinary into something giddy, powerful, drunken, enchanted.

Give no one in all the world the power to deflect you from your goal, your aim in life, which is to express your hidden talents to the world, to serve humanity, and to reveal more and more of God’s wisdom, truth, and beauty to all people in the world. Remain true to your ideal. Know definitely and absolutely that whatever contributes to your peace, happiness, and fulfillment must of necessity bless all men who walk the earth. The harmony of the part is the harmony of the whole, for the whole is in the part, and the part is in the whole. All you owe the other, as Paul says, is love, and love is the fulfilling of the law of health, happiness, and peace of mind.

And I think you're brilliant, talented, courageous, beautiful. You're my miracle. But you're the only one who can say who you are with authority. So, who are you?

There are so many beautiful, talented souls in this world. Don’t let anything stand in the way of your potential.

Mrs. Grey I have received three compliments on my new haircut. Compliments from my staff are new. It must be the ridiculous smile I’m wearing whenever I think about last night. You are indeed a wonderful, talented, beautiful woman. And all mine.

It is growing up different. It is extreme hypersensitivity. It is a bottomless pit of feeling you're failing, but three days later, you feel you can do anything, only to end the week where you began. It is not learning from your mistakes. It is distrusting people because you have been hurt enough. It is moments of knowing your pain is self inflicted, followed by blaming the world. It is wanting to listen, but you just can’t anymore because your life has been to full of people that have judged you. It is fighting to be right; so for once in your life someone will respect and hear you for a change. It is a tiring life of endless games with people, in order to seek stimulus. It is a hyper focus, so intense about what bothers you, that you can’t pay attention to anything else, for very long. It is a never-ending routine of forgetting things. It is a boredom and lack of contentment that keeps you running into the arms of anyone that has enough patience to stick around. It wears you out. It wears everyone out. It makes you question God’s plan. You misinterpret everything, and you allow your creative mind to fill the gaps with the same old chains that bind you. It narrows your vision of who you let into your life. It is speaking and acting without thinking. It is disconnecting from the ones you love because your mind has taken you back to what you can’t let go of. It is risk taking, thrill seeking and moodiness that never ends. You hang your hope on “signs” and abandon reason for remedy. It is devotion to the gifts and talents you have been given, that provide temporary relief. It is the latching onto the acceptance of others---like a scared child abandoned on a sidewalk. It is a drive that has no end, and without “focus” it takes you nowhere. It is the deepest anger when someone you love hurts you, and the greatest love when they don't. It is beauty when it has purpose. It is agony when it doesn’t. It is called Attention Deficit Disorder.

Talent is something rare and beautiful and precious, and it must not be allowed to go to waste.

A talent for building children's souls, Hilde. So building their souls that they might grow straight and fine, nobly and beautifully formed, to their full human stature. That was where Aline's talent lay.

You are a man of many talents, King Jaxon.” Creases deepened around his eyes. “And you, Queen Jezelia, are a woman of surprising strengths.

Admire other people's beauty and talent without questioning your own. Let people live their truth without it threatening yours. Be truly happy when others are blessed. Learn from everyone, but compare yourself to no-one. Stop striving to be better than others and just work toward being better than who you were yesterday. Don't waste time pointing out other people's flaws or you won't have enough time to focus on all of yours.

Stars don’t beg the world for attention; their beauty forces us to look up.

I am rich and famous. I have a talented and gorgeous husband and two beautiful children. I could go on.

Why do you like show jumping?" "... Beauty and excitement. The elements of trust, talent, training, love, and danger make show jumping a thrilling and aesthetic experience. It's really the ultimate test of two nervous systems--the kinetic transfer of the rider's muscle to the horse's muscle enables them to clear those jumps. And there's nothing like it--horse and rider forming an arc of beauty, efficiency, and power, like a double helix." "DNA," "Yes, DNA, the code to life.

Of course you love her!" he'd replied. "She's been your best friend since you both could walk, and now she's grown up to be beautiful, talented, intelligent and witty. What's not to love about all that?

We won’t ruin Mars,” said the captain. “It’s too big and too good.” “You think not? We Earth Men have a talent for ruining big, beautiful things. The only reason we didn’t set up hot-dog stands in the midst of the Egyptian temple of Karnak is because it was out of the way and served no large commercial purpose.

Demonstrate talent, said Grandmother often to me, and you will still be loved by a husband when beauty has faded.

You're more beautiful than you know, more talented than you think, and more loved than you can imagine.

Be like the sun; never let the opinions of those who hate you dull your shine.

Untalented people, unintelligent people go into politics. Those who are talented become artists, painters, poets, philosophers, mystics, dancers. They have a thousand and one other beautiful things to do, not politics. Only the third rate, the most unintelligent part of a country, moves into politics.

But an inferior talent can only be graceful when it's carrying inferior ideas. And the more narrowly you can look at a thing the more entertaining you can be about it.

While she is lovely, we need to remember that her face is not what distinguishes her. Her beauty is a reflection of the virtue and talent she keeps inside.

Whatever I can do, whatever insignificant talent I might have, people just expect me to sell it- I mean literally, sell it for money, until I have a lot of money and no talent left.

A very precious and lovely part, but not all,” continued Rose. “Neither should it be for a woman: for we’ve got minds and souls as well as hearts; ambition and talents as well as beauty and accomplishments; and we want to live and learn as well as love and be loved. I’m sick of being told that is all a woman is fit for! I won’t have anything to do with love till I prove that I am something besides a housekeeper and baby-tender!

the beauty of an art school: as long as you can pay the tuition, they will never, even in the gentlest way, suggest that you have no talent.

am blessed. I am prosperous. I am successful.” “I am victorious. I am talented. I am creative.” “I am wise. I am healthy. I am in shape.” “I am energetic. I am happy. I am positive.” “I am passionate. I am strong. I am confident.” “I am secure. I am beautiful. I am attractive.” “I am valuable. I am free. I am redeemed.” “I am forgiven. I am anointed. I am accepted.” “I am approved. I am prepared. I am qualified.” “I am motivated. I am focused. I am disciplined.” “I am determined. I am patient. I am kind.” “I am generous. I am excellent. I am equipped.” “I am empowered. I am well able.” “I am a child of the Most High God.

A year ago, I was too busy thinkin' about how lucky I was that someone as beautiful and talented as you let me into her bed to be bossy. Now I know you love me, I can be as bossy as I want.

I suppose no one is as handsome or as beautiful as he or she wishes, or as brilliant in school or as witty in speech or as wealthy as we would like, but in a world of varied talents and fortunes that we can't always command, I think that makes even more attractive the qualities we can command--such qualities as thoughtfulness, patience, a kind word, and true delight in the accomplishment of another. These cost us nothing, and they can mean everything to the one who receives them.

Because I do have feelings, and if I were beautiful and talented and famous, I'd make it as hard for you to leave me as it is for me to leave you.

It wasn’t because you weren’t beautiful, talented, funny, creative or had everything in common. It was because some men prefer plain vanilla ice cream. It’s predictable and a safe choice. Confident and adventurous men prefer the complexity and layers of a sundae, even the ones sprinkled with a little bit of nuts on top.

If you had wealth and health, and beauty and talent . . . you had nothing if you didn’t have love. Love changed all that was ordinary into something giddy, powerful, drunken, enchanted.

I'm one of those people who was meant to have a very ordinary life. I have no special talent, no great beauty, nothing that distinguishes me from a hundred, thousand other girls. But I can't go through an entire lifetime without at least one night of magic.

I don’t have a problem with someone using their talents to become successful, I just don’t think the highest calling is success. Things like freedom and the expansion of knowledge are beyond success, beyond the personal. Personal success is not wrong, but it is limited in importance, and once you have enough of it it is a shame to keep striving for that, instead of for truth, beauty, or justice.

Einstein says, I have no special talents. I’m just passionately curious.

Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit." "You don't mean that." "Come on. I still like you, you know, even if you... crave plasma." Michael blinked and looked at her as if he had never seen her before. "You what?" "Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup. "How clueless are you? Does it come with the fangs?" "I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know." "I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said. "It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look." " How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch. She laughed. "Oh come on. You're a total model-babe." "You're kidding." "You don't think you are?" He shook his head. "Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms. “So? What exactly do you think about me, except that I’m intimidating?” “I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.” Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.” “Well, to be fair, you are Shane’s bratty freak friend.” “Hey!” “You can be bratty and beautiful,” Michael said. “I think it’s interesting.

It was then that I came to an important realization:as long as someone is beautiful,thin,wealthy,fun-loving or talented,we are happy to accept him or her at face value.We are not ever taught to look for-or care about-what lies beneath the surface.

And the child, Francie Nolan, was of all the Rommelys and all the Nolans. She had the violent weaknesses and passion for beauty of the shanty Nolans. She was a mosaic of her grandmother Rommely's mysticism, her tale-telling, her great belief in everything and her compassion for the weak ones. She had a lot of her grandfather Rommely's cruel will. She had some of her Aunt Evy's talent for mimicking, some of Ruthie Nolan's possessiveness. She had Aunt Sissy's love for life and her love for children. She had Johnny's sentimentality without his good looks. She had all of Katie's soft ways and only half of the invisible steel of Katie. She was made up of all these good and these bad things. She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Kitie's secret, desparing weeping. She was the shame of her father staggering home drunk. She was all of these things and of something more that did not come from the Rommelys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only- the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life- the one different thing such as that which makes no two fingerprints on the face of the earth alike.

It is not your beauty, success or money that should define you; neither should your church calling, your charitable contributions or talents. Humility is the cornerstone of character, by which God judges our truth worth, and wisdom is the door he opens when we use it.

Godly womanhood ... the very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom do we hear of a godly woman - or of a godly man either, for that matter.We believe women come nearer to fulfilling their God-given function in the home than anywhere else. It is a much nobler thing to be a good wife, than to be Miss America. It is a greater achievement to establish a Christian home than it is to produce a second-rate novel filled with filth. It is a far, far better thing in the realms of morals to be old-fashioned, than to be ultra-modern. The world has enough women who know how to be smart. It needs women who are willing to be simple. The world has enough women who know how to be brilliant. It needs some who will be brave. The world has enough women who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct.

The most mesmerizing of artists is always like one who was merely drawing in the sand and people came to watch.

She's giving me that duh, really? look that my little sister gives me. Women must be born with that special talent.

The night before, I'd gone overboard with my Lila poems, and maybe it's true that I was hoping that in them he'd see the genius of me, the beauty of my words in his hands.

Beauty and talent can be as much of a blessing as they can be a curse. An apple doesn’t fall far from the tree.

DAY FOURTEEN I DECLARE that I will use my words to bless people. I will speak favor and victory over my family, friends, and loved ones. I will help call out their seeds of greatness by telling them “I’m proud of you, I love you, you are amazing, you are talented, you are beautiful, you will do great things in life.” This is my declaration.

Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.

I will never be someone's last choice, second option, narcissistic supply, doormat, ego booster, sidekick, secret, last time or after thought. I am a Daughter of God that stands for truth. I know my beauty, my talents, my accomplishments, what I have to offer and who leads my life purpose: my Heavenly Father. But, most of all I know my value and I will never let any man define my worth.

He was half of something. A strong, beautiful, talented half of something that was, perhaps, even stronger, greater and more beautiful than he. He was, then, the magical half of something magnificent and unfathomable. She was a complete whole. A small, disoriented, not very strong or harmonius whole, but a whole all the same.

Hey You You are beautiful. You are talented. You are blessed. You are gifted. You are smart. You are funny. You are fun. You are loving. You are lovable. You are unique. You are special. But most of all, you are strong and will get through this because there are others that have gone through something similar. Look for them. Because they are looking for you!

Claire spoke often in her poetry of the idea of "fittingness": that is, when your chosen pursuit and your ability to achieve it--no matter how small or insignificant both might be--are matched exactly, are fitting. This, Claire argued, is when we become truly human, fully ourselves, beautiful....In Claire's presence, you were not faulty or badly designed, no, not at all. You were the fitting receptacle and instrument of your talents and beliefs and desires.

Leonardo became known in Milan not only for his talents but also for his good looks, muscular build, and gentle personal style. “He was a man of outstanding beauty and infinite grace,” Vasari said of him. “He was striking and handsome, and his great presence brought comfort to the most troubled soul.

Neither should it be for a woman: for we’ve got minds and souls as well as hearts; ambition and talents as well as beauty and accomplishments; and we want to live and learn as well as love and be loved.

They that have beauty, let them be thankful for it, and make a good use of it, like any other talent; they that have it not, let them console themselves, and do the best they can without it: certainly, though liable to be over-estimated, it is a gift of God, and not to be despised. 

Here it is. You assume that I am rich; I am not. I shall have nothing once I have emptied my purse. You perhaps suppose that I am a man of high birth, and I am of a rank either lower than your own or equal to it. I have no talent which can earn money, no employment, no reason to be sure that I shall have anything to eat a few months hence. I have neither relatives nor friends nor rightful claims nor any settled plan. In short, all that I have is youth, health, courage, a modicum of intelligence, a sense of honor and of decency, with a little reading and the bare beginnings of a career in literature. My great treasure is that I am my own master, that I am not dependent upon anyone, and that I am not afraid of misfortunes. My nature tends toward extravagance. Such is the man I am. Now answer me, my beautiful Teresa.

If we make a small commitment towards keeping our talent alive, one day it becomes a beautiful gift, which nourishes us, makes our lives complete.

Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.

Instead of being regarded as intelligent or knowledgeable, many a woman would rather be regarded as beautiful or good in the kitchen; many a man, as handsome or good in bed.

Quiet birds rob the universe of beautiful symphonies.

Perfume is the scent that pours out of a flower's soul when crushed.

If there's something I'm not good at, it's usually because I just organically despise it. I can't help that. I'm fabulous at too many other things to waste my time faking it.

The swan who goes on living in its parents’ tree will die; this is why those who are beautiful and talented bear the burden of finding their own way in the world.

Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. "She must be a rare, staggering beauty to make you so faithful." Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. "She must be clever" - plunk - "and fascinating" - plunk - "and very, very talented." Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hands. "She must be the most wonderful person who ever existed.

No one could see her objectively anyway. Even those who saw her for the first time, before she had opened her mouth to sing. Found her radiant, as if her talent could not be contained in her voice and so poured like light though her skin. Then all that could be seen was the weight and the gloss of her hair and the pale pink of her cheeks and her beautiful hands.

It was my teacher's genius, her quick sympathy, her loving tact which made the first years of my education so beautiful. It was because she seized the right moment to impart knowledge that made it so pleasant and acceptable to me. She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs, until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower. Any teacher can take a child to the classroom, but not every teacher can make him learn. He will not work joyously unless he feels that liberty is his, whether he is busy or at rest; he must feel the flush of victory and the heart-sinking of disappointment before he takes with a will the tasks distasteful to him and resolves to dance his way bravely through a dull routine of textbooks. My teacher is so near to me that I scarcely think of myself apart from her. How much of my delight in all beautiful things is innate, and how much is due to her influence, I can never tell. I feel that her being is inseparable from my own, and that the footsteps of my life are in hers. All the best of me belongs to her--there is not a talent, or an aspiration or a joy in me that has not been awakened by her loving touch.

Noah had always been my best friend, my partner in crime, my protector, my soul mate, the love of my life. My everything. I may not have gotten all the beauty, intelligence or talent, but I got Noah Stewart, the one “perfect” thing I could claim as mine and I wouldn’t trade him for anything in the world

Maybe this isn't the right thing to say, but I want you to know: When you ran for the stage, I've never been so proud of you in all my life. You've always been beautiful; you've always been talented. And now I know that your moral compass is perfectly aligned, that you see clearly when things are wrong, and you do everything you can to stop it. As a father, I can't ask for more. I love you America. And I'm so so proud.

It was that time of life: Talents were rising to the surface, weaknesses were beginning to show through, we were finding out what kinds of people we would be. Some would turn out beautiful, some funny, some shy. Some would be smart, others smarter. THe chubby ones would likely always be chubby. THe beloved, I sensed, would be beloved for life. And I worried that loneliness might work that way, too. Maybe loneliness was imprinted in my genes, lying dormant for years but now coming into full bloom.

If at the moment you feel as though you don’t have any talents, go to a time in the past when you felt confident about some aspect of your life. Work on that section, study it, share it, and become more interesting. If you have a profession, a hobby, or a special interest, read about it, and mention it in conversations. Be excited about it, and you’ll be more interesting and more intelligent.

Stalkers have an obsessive over-identification with their unwilling target but also a latent envy of their talents and/or beauty, If they can't possess the person totally, they will destroy the victim's qualities that they can never have.

I grew up in a beautiful era, now sadly in the past. In it there was great readiness for change, and a talent for creating revolutionary visions. Nowadays no one still has the courage to think up anything new. All they ever talk about, round the clock, is how things already are, they just keep rolling out the same old ideas. Reality has grown old and gone senile; after all, it is definitely subject to the same laws as every living organism — it ages. Just like the cells of the body, its tiniest components — the senses, succumb to apoptosis. Apoptosis is natural death, brought about by the tiredness and exhaustion of matter. In Greek this word means ‘the dropping of petals.’ The world has dropped its petals.

This humble person has been alive long enough to see two generations of children grow up, and knows how rare it is for ordinary birds to give birth to a swan. The swan who goes on living in its parents' tree will die; this is why those who are beautiful and talented bear the burden of finding their own way into the world.

I wonder if you sisters full understand the greatness of your gifts and talents and how all of you can achieve the "highest place of honor" in the Church and in the world. One of your unique, precious, and sublime gifts is your femininity, with its natural grace, goodness, and divinity. Femininity is not just lipstick, stylish hairdos, and trendy clothes. It is the divine adornment of humanity. It finds expression in your qualities of your capacity to love, your spirituality, delicacy, radiance, sensitivity, creativity, charm, graciousness, gentleness, dignity, and quiet strength. It is manifest differently in each girl or woman, but each of you possesses it. Femininity is part of your inner beauty. One of your particular gifts is your feminine intuition. Do not limit yourselves. As you seek to know the will of our Heavenly Father in your life and become more spiritual, you will be far more attractive, even irresistible. You can use your smiling loveliness to bless those you love and all you meet, and spread great joy. Femininity is part of the God-given divinity within each of you. It is your incomparable power and influence to do good. You can, through your supernal gifts, bless the lives of children, women, and men. Be proud of your womanhood. Enhance it. Use it to serve others.

Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.

Here is to all the brilliant minds that love deeply, for they write the stories that make us dream of true love. Here is to all the visionaries that create a miracle when others give up hope. Here is to all the artists, musicians, actors, singers, songwriters, dancers, screenwriters, philosophers, inventors and poetic hearts that create a perspective of heaven we can experience in this lifetime. But most of all, here is to the wild souls that the world calls broken, insane, abnormal, weird or different because they are the ones that renew our faith, by what they overcome and create, in a world that needs a sign that God doesn’t forget the least of us.

I hardly know her. It all comes back to the paintings. Her amazing and beautiful talent. Her sincerity. Her kindness. Her feistiness. Her ability to be in my head at all times. Her ability to pull me out of myself and make me see things like I’ve never seen them before.

I'm not envious of your talent Nor jealous of your beauty But admire them both

As a bird with beautiful feathers is the target of hunters, so the gifted are targets of the envious.

With a decision and a defined purpose, you can begin work.

Maybe she's beautiful and nice and talented. That should be illegal. It's not fair to the rest of us drudges.

As a soul, you have the freedom – and earned responsibility – to transpose your personal process of evolution, to manifest your greatest talents and vision, into the work that matters to you most as a means to personal redemption.

there is nothing more beautiful in life than celebrating the talents, dreams, joys, and accomplishments of another being to see - and call attention to - the best in someone else...

Hello, Celaena,” he said as calmly as he could, well aware that two Fae males behind him could hear his thundering heart. Rolfe whipped his head toward him. Because it was Celaena who sat here—for whatever purpose, it was Celaena Sardothien in this room. She jerked her chin at Rolfe. “You’ve seen better days, but considering half your fleet has abandoned you, I’d say you look decent enough.” “Get out of my chair,” Rolfe said too quietly. Aelin did no such thing. She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty to make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hand. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.

The novel’s not dead, it’s not even seriously injured, but I do think we’re working in the margins, working in the shadows of the novel’s greatness and influence. There’s plenty of impressive talent around, and there’s strong evidence that younger writers are moving into history, finding broader themes. But when we talk about the novel we have to consider the culture in which it operates. Everything in the culture argues against the novel, particularly the novel that tries to be equal to the complexities and excesses of the culture. This is why books such as JR and Harlot’s Ghost and Gravity’s Rainbow and The Public Burning are important—to name just four. They offer many pleasures without making concessions to the middle-range reader, and they absorb and incorporate the culture instead of catering to it. And there’s the work of Robert Stone and Joan Didion, who are both writers of conscience and painstaking workers of the sentence and paragraph. I don’t want to list names because lists are a form of cultural hysteria, but I have to mention Blood Meridian for its beauty and its honor. These books and writers show us that the novel is still spacious enough and brave enough to encompass enormous areas of experience. We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.

If ever you are tempted to become discouraged or to lose faith, remember those faithful Saints who remained true in Kirtland. Hold on a little longer. You can do this! You are part of a special generation. You were prepared and preserved to live at this important time in the existence of our beautiful planet earth. You have a celestial pedigree and therefore have all the necessary talents to make your life an eternal success story.

Talent develops itself in solitude—the talent of prayer, of faith, of meditation, of seeing the unseen; character grows in the stream of the world's life. That chiefly is where men are to learn love.

Then it was that Jo, living in the darkened room, with that suffering little sister always before her eyes and that pathetic voice sounding in her ears, learned to see the beauty and the sweetness of Beth's nature, to feel how deep and tender a place she filled in all hearts, and to acknowledge the worth of Beth's unselfish ambition to live for others, and make home happy by that exercise of those simple virtues which all may possess, and which all should love and value more than talent, wealth, or beauty.

The article I actually write is a masterpiece. It takes talent to convince people that war is a beautiful experience. Come one, come all to exotic Viet Nam, the jewel of Southeast Asia, meet interesting, stimulating people of an ancient culture...and kill them. Be the first kid on your block to get a confirmed kill.

As critical and judgmental as we often must be, as much as we will have to correct, as truly as we must face unpleasant realities all of our days, let us recognize and praise the thousands of beauties of life around us; the many wonderful examples of virtuous living; the strengths and the courage of so many souls; the exceptional talents and achievements of our family members, neighbors, and associates; the countless blessings that we have been given. As has been quoted by so many, but seems to fit well here, ‘Two men look out through the same bars: One sees the mud, and one the stars

If you are not feeling supported, maybe you are not supporting yourself. If people are not recognizing the beauty in you, it’s likely to be because you are not recognizing the beauty in yourself. If people are not acknowledging your musical talents, perhaps you are not acknowledging them yourself. If people are not giving you the time of day, it’s because you are not giving it to yourself.

I want to beat them. Even though I'm not cool, or strong, or just, or beautiful, or cute, or pretty, I want to beat the cool, strong, just, beautiful, cute, and pretty people. Even though I wasn't blessed with talent, even though I'm stupid and have a bad personality, have bad grades, am misguided and am a good for nothing, I want to beat the talented, smart, likeable, overachieving people. I want to beat those with friends when I can't have friends. I want to beat the people who work hard when I can't work hard. I want to beat the the victorious people when I can't win. I want to beat the happy people when I'm miserable. Even if I'm hated, even if I'm despised, even if I'm useless, I want to prove that I'm better than the main characters!

She'd never trusted her own natural impulses and instincts Among her greatest fears was the possibility that she might never discover and develop her deepest talents and intuitions. Her special gifts. Her life would be wasted in pursuing the goals set for her by other people. Instead, she wanted to reclaim a power and authority - a primitive, irresistible force - that transcended gender roles. She dreamed of wielding a raw magic that predated civilization itself.

My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.

You have something much more enduring than beauty,” she said severely. “And what is that?” “Grace,” she said simply. “Grace, and talent.” I

Around the world-even in places where there is almost nothing, the rich, the beautiful, the talented, or the very clever can always get something; in fact, the best of whatever there is.

Her father sat her down and spoke to her with great seriousness. "You are not a witch, Katerina. There is magic in the world, and some of it is wholesome, and some of it is not, but it is a thing that is in the blood, and it is not in yours. "The foolish will always treat you badly, because they think you are not beautiful," he said, and she knew this was true. Plain Kate. She was a plain as a stick and thin as a stick and flat as a stick. Her nose was too long and her brows too strong. Her father kissed her twice, once above each brow. "We cannot help what fools think. But understand, it is your skill with a blade that draws this talk. If you want to give up your carving, you have my blessing." "I will never give it up," she answered.

A TV show comprises many departments—Costumes, Props, Talent, Graphics, Set Dressing, Transportation. Everyone in every department wants to show off their skills and contribute creatively to the show, which is a blessing. You’re grateful to work with people who are talented and enthusiastic about their jobs. You would think that as a producer, your job would be to churn up creativity, but mostly your job is to police enthusiasm. You may have an occasion where the script calls for a bran muffin on a white plate and the Props Department shows up with a bran cake in the shape of Santa Claus sitting on a silver platter that says “Welcome to Denmark.” “We just thought it would be funny.” And you have to find a polite way to explain that the character is Jewish, so her eating Santa’s face might have negative connotations, and the silver tray, while beautiful, is giving a weird glare on camera and maybe let’s go with the bran muffin on the white plate. And then sometimes Actors have what they call “ideas.” Usually it involves them talking more, or, in the case of more experienced actors, sitting more. When Actors have ideas it’s very important to get to the core reason behind their idea.

We are all One. The beauty in one person is shared by all. The life path of one individual blesses everyone. The expression of Life neither originates within a single human, belongs to that person, nor remains within the personal boundary. Life is energy and, as such, it belongs to all, reaches all, and blesses all.

I’m in love with an angel. And not the kind with wings and a halo. A human with a heart bigger than a football field. An angel with talent that knows no bounds, who doesn’t conform to societal norms, because those are for suckers. Who believes in aliens and cryptids… Conspiracy theories? My angel knows them all, and will tell you just how misguided your truths are. I’m in love with an angel who is gorgeous and sexy, and has a body that’ll make you weep… And funnily enough, it’s made up almost entirely of sugar. I’m in love with an angel who uses Twizzlers as straws and gives gummy bears names. Oh, hello, Bob. Nice to eat you today. I’m in love with an angel who never stopped believing in me… Even after every bad thing I ever did to him. An angel I used to say hurtful things to, but who still spoke words of encouragement to me when I needed it… Who was there for me when no one else was. An angel who told me it’s not over until it’s over. Because it’s not. I promise, it’s not. My angel was the last person I thought I could love… But I came back to him, over and over, because my heart wanted him when I didn’t understand why. And now I do understand it. It’s as clear as the crystalline grayish blue in his eyes. My angel saved me. He rescued me from hiding. He held me when I needed him, and he loved me when I didn’t. He’s selfless, real… just a brilliant, beautiful fucking weirdo. I’m in love with an angel… And his name is Avi.

What’s secretly in the water of modern culture is that people enter the world empty. That’s a very dangerous idea, because if everybody’s empty than other people can get us to do whatever they want because there’s nothing in us to stand against it. But if we came to do something that’s meaningful, that involves giving and making the world a more beautiful, healthy, lively place, then you become a difficult person to move around and manipulate.

She must be a rare, staggering beauty to make you so faithful... She must be clever" -plunk- "and fascinating" -plunk- "and very, very talented... She must be the most wonderful person who ever existed.

By starving myself into society’s beauty ideal, I had compromised my success, my independence, and my quality of life. Being overweight was really no different. It was just the “f— you” response to the same pressure. I was still responding to the pressure to comply to the fashion industry’s standards of beauty, just in the negative sense. I was still answering to their demands when really I shouldn’t have been listening to them at all. The images of stick-thin prepubescent girls never should have had power over me. I should’ve had my sights set on successful businesswomen and successful female artists, authors, and politicians to emulate. Instead I stupidly and pointlessly just wanted to be considered pretty. I squandered my brain and my talent to squeeze into a size 2 dress while my male counterparts went to work on making money, making policy, making a difference.

River was a beautiful man, inside and out—too beautiful for this world, it turned out. It always seems to be the really talented guys who go down. Why is it that the original thinkers like River Phoenix and Heath Ledger die, but Keanu Reeves still walks among us? River was a better actor than me; I was funnier. But I certainly held my own in our scenes—no small feat, when I look back decades later. But more important, River just looked at the world in a different way than we all did, and that made him fascinating, and charismatic, and, yes, beautiful, but not in a Gap ad kinda way (though he was that, too)—in a there-is-no-one-else-in-the-world-like-him kind of way. Not to mention he was rocketing to stardom, yet you would never know it.

The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden

No matter who we are, where we live, what we look like, the circumstances of our birth or the situations we face; each of us has gifts within us. Strength, beauty, courage, compassion, hope, joy, talent, imagination, reverence, wisdom, love and faith are among them. They are not like material presents we unwrap and hold in our hands. We can’t see these gifts with our eyes. But they are real and powerful. When we open ourselves to them, they can enrich every aspect of our lives. They can help us transform challenges into opportunities and tragedies into triumphs. They can help us make a difference in the world.

Each day the Spirit of God assured me that He wasn’t looking at my intellect or talents, but my yieldedness. Some of what I have found in the beauty of Christ’s humility I have chronicled in this second manual. Many Christians know they are called to a destiny in God, yet Jesus warns that though many are called, few are chosen. Here, in Isaiah 66, He reveals what He’s seeking: humility, contriteness of spirit and a heart that trembles at His word. He says, “To this one I will look.

Remember that He who created you to be creative gave you the things with which to make beauty and gave you the sensitivity to appreciate and respond to His creation. Creativity is His gift to you and the 'raw materials' to be put together in various ways are His gift to you as well.

Isn’t she wonderful? A really fine talent, and so beautiful, too.” “Yes,” I said quietly, clapping as well and taking care not to play pat-a-cake. “It’s quite something to make the chandeliers ring like that.” The clapping upset my sensitive sense of balance, and I staggered slightly. Gideon caught me. “I can’t make it out,” he said angrily, his lips close to my ear. “We haven’t been here two hours, and you’re totally drunk! What on earth were you thinking of?” “You said totally. I’m going to tell on you to Giordano,” I giggled. In all the noise, no one else could hear us. “Anyway, it’s too late. No point in locking the stable door after the horse has gone.” A hiccup interrupted me--hic. “Sorry.” I looked around me. “But everyone else is much more drunk than me, so leave out the moral indignation, okay? I have everything under control. You can let go of me again. I stand here as steady as a rock among the breakers.” “I’m warning you,” whispered Gideon, but he did let go of me.

Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan

But Fazire didn’t do exactly what she said. He did make her perfect. He made her bright and funny and very, very talented. He made her sweet and thoughtful and very, very caring. He made her generous and kind and very, very loving He decided not to make her beautiful, at least not at first, because she should know humility and not grow up with conceit. Though, she would become a beauty, a splendid beauty beyond compare. Just… later.

You might not get the apology you deserve. You might not get answers to explain the actions of others. You might not get truth that makes sense to you. You might not get people to understand what you went through because of them. You might not get communication. You might not get maturity. You might not get mercy or even common decency. You might not get respect or the chance to explain your side of the story. However, you do get to choose how people treat you. God loves you enough to bring people into your life who won't hurt you, abuse you, betray you, lie and gossip about you, psycho analyse you, break your heart or make you an option or choice. He will bring people into your life that will love you, respect you, fight for you, show gratitude for your love and want to be a part of your life mission. The best part of this is you don't have to convince them of your worth. They want to be there. They know your value. They know your struggles. They are in touch with their own faults and understand you struggle just like everyone else. They won't hold you to a greater standard then they do themselves. They care about you and don't want to see you cry, feel discouraged or give up on this life. When you know the power of who you are and what you have to accomplish you will scratch your head in disbelief that you allowed other people to dictate who you are based on little knowledge of what God knows about you and your life purpose. Letting go isn't about accepting defeat or acknowledging you were wrong. Sometimes letting go is realizing that God has something better in store for you.

It was my mother who tucked him in and told him that there exists a sort of love in the world that only survives as long as no one ever speaks of it, and that was why he would never have to worry because my grandmother was never going to be the kind of mother who held her children in her arms and told them how smart and beautiful and talented they were. She was only going to scold them, make them feel diminutive, make them feel like they were never good enough, make them know this world wouldn't be kind to them. She wasn't going to let someone else be better than her at making her children feel pain or scare them more than she could, and that to her, that was a form of protection. That's how we will be with our own children, my mother was proud to realize. Because we'll learn from our mother who learned from her mother before her and all the mothers before them.

They keep saying that beautiful is something a girl needs to be. But honestly? Forget that. Don't be beautiful. Be angry, be intelligent, be witty, be klutzy, be interesting, be funny, be adventurous, be crazy, be talented - there are an eternity of other things to be other than beautiful. And what is beautiful anyway but a set of letters strung together to make a word? Be your own definition of amazing, always. That is so much more important than anything beautiful, ever.

Who are you?” she repeats. “Of the millions and billions of people in the world, you’re the only person who can answer that. Not people online or at your school. I can’t even answer that. I can say who I think you are.” She cups my cheek. “And I think you’re brilliant, talented, courageous, beautiful. You’re my miracle. But you’re the only one who can say who you are with authority. So, who are you?” “I’m . . .” I can’t find the words. My mom leans over and kisses my forehead. “Work on figuring it out. I think it’ll give you more answers than you realize.

And what happens to daughters whose mothers betray them? They don’t become huggable like Sadie, Taiwo thinks. They don’t become giggly, adorable like Ling. They grow shells. Become hardened. They stop being girls. Though they look like girls and act like girls and flirt like girls and kiss like girls—really, they’re generals, commandos at war, riding out at first light to preempt further strikes. With an army behind them, their talents their horsemen, their brilliance and beauty and anything else they may have at their disposal dispatched into battle to capture the castle, to bring back the Honor. Of course it doesn’t work. For they burn down the village in search of the safety they lost, every time, Taiwo knows.

Kay Cannon was a woman I’d known from the Chicago improv world. A beautiful, strong midwestern gal who had played lots of sports and run track in college, Kay had submitted a good writing sample, but I was more impressed by her athlete’s approach to the world. She has a can-do attitude, a willingness to learn through practice, and she was comfortable being coached. Her success at the show is a testament to why all parents should make their daughters pursue team sports instead of pageants. Not that Kay couldn’t win a beauty pageant - she could, as long as for the talent competition she could sing a karaoke version of ‘Redneck Woman’ while shooting a Nerf rifle.

Tomorrow, everyone who is beautiful will come under suspicion. As will those with talent and those with character.” His voice was hoarse. “Don’t you understand? To be called beautiful will be an insult; talent will be called a provocation, and character an outrage. Because it’s their turn now, and they will appear everywhere, from everywhere, emerging in their hundreds of millions and more. Everywhere. The ugly ones, the talentless, those without any character. And they’ll throw vitriol in the face of beauty. They will tar and slander talent. They will stab through the heart anyone with character. They’re here already … And there’ll be more of them. Be careful!

I surveyed my kingdom. Chaos. Cruelty. Abandon. I had always been holding back. Always been restrained. I wanted to be bigger, brighter, better; I wanted to be capricious, malicious, sly. Until now, I had not known the intoxicating sweetness of attention. In the world above, it had always been Käthe or Josef who captivated people’s eyes and hearts— Käthe with her beauty, Josef with his talent. I was forgotten, overlooked, ignored— the plain, drab, practical,talentless sister. But here in the Underground, I was the sun around which their world spun, the axis around which their maelstrom twirled. Liesl the girl had been dull, drab, and obedient; Elisabeth the woman was a queen.

At your core, who you really are–– your energy, values, thoughts, love, power, influence, talents–– is worth so much more than a few words could ever convey. You are indescribable. You are infinite. You are you. A forever work in progress, a perfectly imperfect human, a miraculous soul worthy of all good, loving, beautiful things. Never forget this.

true. I believe God loves each of us unconditionally, but I don’t think that means we get to squander the gifts and talents he’s given us simply because we’re good enough already. A caterpillar is awesome, but if the caterpillar stopped there—if she just decided that good is good enough—we would all miss out on the beautiful creature she would become.

The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting. But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms: "I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good. Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.

Keep music and art alive in our schools because the greatness of a country is not measured by wars that are won, by territory annexed or even the size of a deficit. It is measured by the beauty of the art work by talented hands, the sounds of the music created from the heart and by the wonder of the eyes and ears beholding them in joy. Art and music are the windows of the soul of any country. The greater the art created, the greater the country.

The best art is not always the most popular art, and the most popular art is never truly the best art. The best art is that which is streamed through God. And the worst art is that which is void of God. The master artist of the universe is the Creator of All Things, and his reflection is in all of us. Only the artist who is aware that he is a reflection of that greatness, and that creativity is supreme love, is a true divine artist. Even if he is not the most popular artist, he will be very popular among the stars of His universe. That is the master artist, one who uses his talents to serve as a vehicle of God. In his work, you hear God's voice and see with His eyes.

Boy or girl? I had never thought about that. The men who work at the palace, they use words to govern the country and use strength to protect it. Bringing all kinds of brilliant men from the kingdom, and they all have amazing talents. But...how are they different from me? The women inside the palace, they had white skin and beautiful hair. And their clothes were fashionable, their hearts were gentle and ever changing like the snow in the wind. But...how am I anything like them?

(...) She just gave Rowan a sultry sweep from foot to face. Rowan's expression remained unreadable, eyes intense - near-glowing. And then Aelin said to Rowan with a secret smile, "You, I don't know. But I'd like to." Rowan's lip tugged upward. "I'm not on the market, unfortunately." "Pity," Aelin said (...) "She must be a rare, staggering beauty to make you so faithful. (...) She must be clever and fascinating and very, very talented. She must be the most wonderful person who ever existed." (...) Aelin only had eyes for Rowan as the warrior said to her, "She is indeed that. And more.

Perfect You’re a beautiful kind of madness a misunderstood truth O, the things they could learn from the darkness that is hidden behind your eyes So gifted, yet your talents are wasted you gave up chasing dreams Reality hit and you got a taste of failure Cautious now about bearing your soul For if others saw you fully exposed they may not love you like they claim to Time and experience have taught you to trust no one Friends, lovers, and even family have forsaken you You keep the shattered pieces of your heart in a box Stitching, gluing, and staying up all night trying to put it back together Attempting to fill the void that was left Moving from one man to the next It seems no one can satisfy the appetite for affection that you seek Continually picking at old wounds they never heal properly You have no real home, too restless to stay in one place You are reckless, selfish, stubborn, sometimes rude You’ve bottled up the pain of so much that has been done When you’re hurt You close into yourself, shut down You love attention and yet love being by yourself more May God have mercy on your soul For you are truly lost Daily you fight your demons Yet no one knows of that which you endure You bear it alone, never speaking of it You can blame the broken home from which you came Or the environment that you grew up in The people who tore you down so young You can point the finger at those who have whispered behind your back They all have played a role in your development But looking so deep into the past will keep you from moving forward You must love yourself more than these people claim they do Look at where you stand now No one can know the things you have endured like you You’ve never claimed to be perfect Your flaws tell your story There is no need to hide them

I am glad you think I am all those things, and I believe you. But I’m not going to magically think I’m beautiful or perfect or talented just because you do. I have to get there for myself. I have to believe those things for myself—not because I have a boyfriend who values me and thinks I invented airplane neck pillows. If I base my self-worth on someone else’s opinion or view of me, then I will also base my lack of worth on that person’s opinion as well. And that has the potential of tearing me to pieces.

And so,” he said, “in the end, what must we determine? Is it the intellect of a genius that we revere? If it were their artistry, the beauty of their mind, would we not laud it regardless of whether we’d seen their product before? “But we don’t. Given two works of artistic majesty, otherwise weighted equally, we will give greater acclaim to the one who did it first. It doesn’t matter what you create. It matters what you create before anyone else. “So it’s not the beauty itself we admire. It’s not the force of intellect. It’s not invention, aesthetics, or capacity itself. The greatest talent that we think a man can have?” He plucked one final string. “Seems to me that it must be nothing more than novelty.

Beauty in a woman is a treasure rare Which we are never weary of admiring; But a sweet temper is a gift more fair And better worth the youthful maid's desiring. That was the boon bestowed on Cinderella By her wise godmother - her truest glory. The rest was "nought but leather and prunella." Such is the moral of this little story - Beauties that charm become you more than dress, And win a heart with far greater facility. In short, in all things to ensure success, The real Fairy Gift is amiability! Talent, courage, wit, and worth Are rare gifts to own on Earth; But if you want to thrive at court - So, at least, the wise report - You will find you need some others, Such as godfathers or mothers.

Poetry that tames language into tight structures and yet manages to move us comes off as a feat, paralleling ballet or athletic talent in harnessing craft to beauty. When poetry is based on a less rigorous, more impressionistic definition of craft, its appeal depends more on whether one happens to be individually constituted to “get it” for various reasons. The audience narrows: poetry becomes more like tai chi than baseball.

So no matter what someone says, don’t become less to make someone else more comfortable. You don’t need to hide your talents or opinions or your beauty or even your sexuality. Don’t offer less of your presence, offer more. If someone has a problem with that, let them deal with it, not you. You belong here, nipples and all.

You may look at other beautiful Queens in your life doing their Queenly work with calm, confident efficiency and think you could never be like them… … And you won’t. Because the truth is, no one will rule your realm like you. Your crown will not be identical to the crown of other Queens. There has never been another Queen like you before and there never will be. You are uniquely qualified by the mountains you have climbed, caves you have explored, and the treasures you have discovered. But take heed, dear one, you can confidently acknowledge your strengths, talents, and gifts and be humble. You get to choose how you want to rule your realms.

Ruskin’s interest in beauty and in its possession led him to five central conclusions. First, beauty was the result of a number of complex factors that affected the mind both psychologically and visually. Second, humans had an innate tendency to respond to beauty and to desire to possess it. Third, there were many lower expressions of this desire for possession (including, as we have seen, buying souvenirs and carpets, carving one’s name on a pillar and taking photographs). Fourth, there was only one way to possess beauty properly, and that was by understanding it, by making oneself conscious of the factors (psychological and visual) responsible for it. And last, the most effective means of pursuing this conscious understanding was by attempting to describe beautiful places through art, by writing about or drawing them, irrespective of whether one happened to have any talent for doing so.

He, too, admires himself, for his qualities—his beauty, cleverness, talents—and for his success and achievements. Beware if one of these fails him, for then the catastrophe of a severe depression is imminent. It is usually considered normal when sick or aged people who have suffered the loss of much of their health and vitality or women who are experiencing menopause become depressive. There are, however, many people who can tolerate the loss of beauty, health, youth, or loved ones and, although they grieve, do so without depression. In contrast, there are those with great gifts, often precisely the most gifted, who do suffer from severe depression. For one is free from it only when self-esteem is based on the authenticity of ones own feelings and not on the possession of certain qualities.

Difficult roads can lead you to beautiful destinations; and the beauty of humanity is in our shared mutuality and intrinsic reciprocity, you are never alone in your difficulty, we are all made of the same stardust! The essence of spirituality and the bigger picture is to uncover who you truly are and share in that hard-won individuality; to be a force of good aligning with your gifts, talents and special qualities that we all grow from. We can transmute and transition every seemingly negative thought, emotion, and circumstance for our greater good and those around us.

When you go home, I want you to remember that you are boundless,” he says. “That your dreams are not limited by anything—not uncertainty. Not what someone else thinks or says. Not what you think you should be doing versus what makes your heart light up.” He cups my face with one of his hands, his thumb stroking down my cheek. “Watching you embrace your passion is beautiful. And I hope you keep doing that, no matter what else might get in the way. You are so creative, so talented—the way your imagination overflows when you’re inspired …” He shakes his head, smiling slightly. “You have this endless well of passion and when you love something, you love it so fiercely. I am in awe of that. I am in awe of you.

A good cook was like a good educator; his duty was solely to bring out the talent of the chicken and show it to best advantage, as a good teacher brings out the talent inherent in a young man. Granted that the original talent was there in the chicken, too much coaxing, stuffing, imposing, and spicing would merely distract from its simple beauty and virtue.

She repeated what her mother had told me, that she had been moved when she heard me playing as she passed the house. She had seen me on the street a few times, too, and begun to worship me. She actually used that word: worship. It made me turn bright red. I mean, to be 'worshiped' by such a beautiful little doll of a girl! I don't think it was an absolute lie, though. I was in my thirties already, of course, and I could never be as beautiful and bright as she was, and I had no special talent, but I must have had something that drew her to me, something that was missing in her, I would guess. Which must have been what got her interested in my to begin with. I believe that now, looking back. And I'm not boasting.

Children come to us full of the what is, not what isn’t. When we see our own reality for all it isn’t, we teach our children to operate from lack. When we see our children for all they are yet to become, barely recognizing all they already are, we teach them they are incomplete. For our children to see a look of disappointment in our eyes sows in them seeds of anxiety, self-doubt, hesitation, and inauthenticity. They then begin to believe they should be more beautiful, competent, smart, or talented. In this way, we strip them of their enthusiasm for expressing themselves as they are right now.

When you have a despicable person as a parent, I truly believe you can't escape hating any part of yourself that resembles him or her. Whether it's a physical similarity, a talent, a propensity or an inclination that you share, all commonalities are abhorrent to you. I look like my father. I have his thick dark hair and bright blue eyes. I have my mother's nose, but I have my father's wide, full mouth and his height. I am his child, and I hate the man. I hate that I look like him.

It's like, Jude, for example," I say, quietly, careful with my words. "He's so nice. Everybody likes him. He just gets along with people, everywhere he goes. I know I'm not that. And Ari, she's so talented, and so passionate about music, but I'm not really passionate about anything, other than wanting to succeed. To do my best. But I can make plans, and I can stay organized, and if a teacher assigns a report, I'm going to write the best darn report they've ever seen. If I'm throwing a gala, I'm going to throw a party that no one will ever forget. I can do that. And if I can impress people, then maybe they won't notice that I'm not witty or beautiful or... fun.

There are going to be times in our lives when someone else gets an unexpected blessing or receives some special recognition. May I plead with us not to be hurt—and certainly not to feel envious—when good fortune comes to another person? We are not diminished when someone else is added upon. We are not in a race against each other to see who is the wealthiest or the most talented or the most beautiful or even the most blessed. The race we are really in is the race against sin, and surely envy is one of the most universal of those.

There's a reason why I tell this story. To me these Sunday painters represent myo—the strangeness of beauty—an idea that transcendence can be found in what's common and small. Rather than wishing for singularity and celebrity and genius (and growing all gloomy in its absence), these painters recognize the ordinariness of their talents and remain undaunted. It's the blessings in life, not in self, that they mean to express. And therein lies the transcendence. For as people pursue their plain, decent goals, as they whittle their crude flutes, paint their flat landscapes, make unexceptional love to their spouses—in their numbers across cultures and time, in their sheer tenacity as in the face of a random universe they perform their small acts of awareness and appreciation—there is a mysterious, strange beauty.

But the greatest paradox of the sport has to do with the psychological makeup of the people who pull the oars. Great oarsmen and oarswomen are necessarily made of conflicting stuff—of oil and water, fire and earth. On the one hand, they must possess enormous self-confidence, strong egos, and titanic willpower. They must be almost immune to frustration. Nobody who does not believe deeply in himself or herself—in his or her ability to endure hardship and to prevail over adversity—is likely even to attempt something as audacious as competitive rowing at the highest levels. The sport offers so many opportunities for suffering and so few opportunities for glory that only the most tenaciously self-reliant and self-motivated are likely to succeed at it. And yet, at the same time—and this is key—no other sport demands and rewards the complete abandonment of the self the way that rowing does. Great crews may have men or women of exceptional talent or strength; they may have outstanding coxswains or stroke oars or bowmen; but they have no stars. The team effort—the perfectly synchronized flow of muscle, oars, boat, and water; the single, whole, unified, and beautiful symphony that a crew in motion becomes—is all that matters. Not the individual, not the self.

Leonardo’s willingness to question and then abandon the enticing analogy between the circulation of water on the earth and the circulation of blood in the human body shows his curiosity and ability to be open-minded. Throughout his life, he was brilliant at discerning patterns and abstracting from them a framework that could be applied across disciplines. His geology studies show an even greater talent: not letting these patterns blind him. He came to appreciate not only nature’s similarities but also its infinite variety. Yet even as he abandoned the simplistic version of the microcosm-macrocosm analogy, he retained the aesthetic and spiritual concept underlying it: the harmonies of the cosmos are reflected in the beauty of living creatures.

I've always had a talent for recognizing when I am in a moment worth being nostalgic for. When I was little, my mother would come home from a party, her hair cool from the wind, her perfume almost gone, and her lips a faded red, and she would coo at me "You're still awake! Hiiii." And I'd think how beautiful she was and how I always wanted to remember her stepping out of the elevator in her pea-green wool coat, thirty-nine years old, just like that.

I think about the pepper plant, the corn, cucumbers, tomatoes, and more plants. And I've noticed that while those seeds are living within the fruit or vegetable they can not grow. It is only when those seeds have died, that they can be planted and grow. And, I can relate this same process to the human body. In order to grow and thrive in the spirit, you must die to the flesh. Meaning, You have to rid your mind and body of toxic negative worldly things in order to grow and develop more spiritually.

Were he now still among the living, Dr. Incandenza would now describe tennis in the paradoxical terms of what’s now called ‘Extra-Linear Dynamics.’ And Schtitt, whose knowledge of formal math is probably about equivalent to that of a Taiwanese kindergartner, nevertheless seemed to know what Hopman and van der Meer and Bollettieri seemed not to know: that locating beauty and art and magic and improvement and keys to excellence and victory in the prolix flux of match play is not a fractal matter of reducing chaos to a pattern. Seemed intuitively to sense that it was a matter not of reduction at all, but — perversely — of expansion, the aleatory flutter of uncontrolled, metastatic growth — each well-shot ball admitting of n possible responses, n² responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.

Following Peabody's distracted gaze, Eve had her first view of Jess Barrow. He was beautiful. A painting in motion with a long, shining mane of hair the color of polished oak. His eyes were nearly silver, thickly lashed, intensely focused, as he worked the controls of an elaborate console. His complexion was flawless, tanned to bronze set off by rounded cheekbones and a strong chin. His mouth was full and firm, and his hands, as they flew over the controls, were as finely sculptured as marble. "Roll up your tongue, Peabody," Eve suggested, "before you step on it." "God. Holy God. He's better in person. Don't you just want to bite him?" "Not particularly, but you go ahead." Catching herself, Peabody flushed to the roots of her hair. She shifted on her sturdy legs. This was, she reminded herself, her superior. "I admire his talent." "Peabody, you're admiring his chest. It's a pretty good one, so I can't hold it against you." "I wish he would," she murmured, then cleared her throat as Big Mary stomped back with two dark brown bottles.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

The trouble is, we have up-close access to women who excel in each individual sphere. With social media and its carefully selected messaging, we see career women killing it, craft moms slaying it, chef moms nailing it, Christian leaders working it. We register their beautiful yards, homemade green chile enchiladas, themed birthday parties, eight-week Bible study series, chore charts, ab routines, “10 Tips for a Happy Marriage,” career best practices, volunteer work, and Family Fun Night ideas. We make note of their achievements, cataloging their successes and observing their talents. Then we combine the best of everything we see, every woman we admire in every genre, and conclude: I should be all of that. It is certifiably insane.

But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s

most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man’s wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural.

Our sincere and innermost anxiety is not that we are insufficient. Our sincere and innermost fear is that we are prevailing and dominate. Our proficiency, not our incompetence is the misapprehension that most startles and worries us. It’s when we contemplate in retrospect that we demand of ourselves why am I extraordinary, striking, talented, and remarkable? Essentially, Why can’t you? A child of God blessed from the crown of you head to the soul of your feet. There is nonentity progressive about shrinking so individuals won't feel apprehensive around you. Every individual is predestined to shine. Humans were conceived to manifest the exaltation, magnificence, splendour, beauty or the glory of God imbedded in us . this gift is not some individual but in everyone

If we put this whole progression in terms of our discussion of the possibilities of heroism, it goes like this: Man breaks through the bounds of merely cultural heroism; he destroys the character lie that had him perform as a hero in the everyday social scheme of things; and by doing so he opens himself up to infinity, to the possibility of cosmic heroism, to the very service of God. His life thereby acquires ultimate value in place of merely social and cultural, historical value. He links his secret inner self, his authentic talent, his deepest feelings of uniqueness, his inner yearning for absolute significance, to the very ground of creation. Out of the ruins of the broken cultural self there remains the mystery of the private, invisible, inner self which yearned for ultimate significance, for cosmic heroism. This invisible mystery at the heart of every creature now attains cosmic significance by affirming its connection with the invisible mystery at the heart of creation. This is the meaning of faith. At the same time it is the meaning of the merger of psychology and religion in Kierkegaard's thought. The truly open person, the one who has shed his character armor, the vital lie of his cultural conditioning, is beyond the help of any mere "science," of any merely social standard of health. He is absolutely alone and trembling on the bring of oblivion-which is at the same time the brink of infinity. To give him the new support that he needs, the "courage to renounce dread without any dread...only faith is capable of," says Kierkegaard. Not that this is an easy out for man, or a cure-all for the human condition-Kierkegaard is never facile. He gives a strikingly beautiful idea: not that [faith] annihilates dread, but remaining ever young, it is continually developing itself out of the death throe of dread. In other words, as long as man is an ambiguous creature he can never banish anxiety; what he can do instead is to use anxiety as an eternal spring for growth into new dimensions of thought and trust. Faith poses a new life task, the adventure in openness to a multi-dimensional reality.

On, I don't think I'm a genius!' cried Josie, growing calm and sober as she listened to the melodious voice and looked into the expressive face that filled her with confidence, so strong, sincere and kindly was it. 'I only want to find out if I have talent enough to go on, and after years of study be able to act well in any of the good plays people never tire of seeing. I don't expected to be a Mrs. Siddons or a Miss Cameron, much as I long to be; but it does seem as if I had something in me which can't come out in any way but this. When I act I'm perfectly happy. I seem to live, to be in my own world, and each new part is a new friend. I love Shakespeare, and am never tired of his splendid people. Of course I don't understand it all; but it's like being alone at night with the mountains and the stars, solemn and grand, and I try to imagine how it will look when the sun comes up, and all is glorious and clear to me. I can't see, but I feel the beauty, and long to express it.

While endowed with the morose temper of genius, he [Lakes, Arts Professor] lacked originality and was aware of that lack; his own paintings always seemed beautifully clever imitations, although one could never quite tell whose manner he mimicked. His profound knowledge of innumerable techniques, his indifference to 'schools' and 'trends', his detestation of quacks, his conviction that there was no difference whatever between a genteel aquarelle of yesterday and, say, conventional neoplasticism or banal non-objectivism of today, and that nothing but individual talent mattered--these views made of him an unusual teacher. St Bart's was not particularly pleased either with Lake's methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. Among the many exhilarating things Lake taught was that the order of the solar spectrum is not a closed circle but a spiral of tints from cadmium red and oranges through a strontian yellow and a pale paradisal green to cobalt blues and violets, at which point the sequence does not grade into red again but passes into another spiral, which starts with a kind of lavender grey and goes on to Cinderella shades transcending human perception. He taught that there is no such thing as the Ashcan School or the Cache Cache School or the Cancan School. That the work of art created with string, stamps, a Leftist newspaper, and the droppings of doves is based on a series of dreary platitudes. That there is nothing more banal and more bourgeois than paranoia. That Dali is really Norman Rockwell's twin brother kidnapped by gipsies in babyhood. That Van Gogh is second-rate and Picasso supreme, despite his commercial foibles; and that if Degas could immortalize a calèche, why could not Victor Wind do the same to a motor car?

When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?

I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profilgate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself? ...I think, Mrs. Starkly, that I am speaking of Mrs. Avril M.-T. Incandenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.

Don’t invest in other people’s opinion of you. You can change yourself a hundred different ways to get other people to approve of you and there will still be those who don’t. Your beauty will please some and threaten others. Your intelligence will impress one person and offend another. You will be too tall, too short, too smart, too attractive, too nice, not nice enough, too talented, too poor, and not educated enough for people who are determined to not like you. You must decide that it doesn’t matter what anyone else thinks of you. Their opinions don’t make your bed, pay your bills, or fill your stomach, so stop investing your focus and energy into them.

Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.

One such individual was Amos Tutuola, who was a talented writer. His most famous novels, The Palm-Wine Drinkard, published in 1946, and My Life in the Bush of Ghosts, in 1954, explore Yoruba traditions and folklore. He received a great deal of criticism from Nigerian literary critics for his use of “broken or Pidgin English.” Luckily for all of us, Dylan Thomas, the Welsh poet and writer, was enthralled by Tutuola’s “bewitching literary prose” and wrote glowing reviews that helped Tutuola’s work attain international acclaim. I still believe that Tutuola’s critics in Nigeria missed the point. The beauty of his tales was fantastical expression of a form of an indigenous Yoruba, therefore African, magical realism. It is important to note that his books came out several decades before the brilliant Gabriel García Márquez published his own masterpieces of Latin American literature, such as One Hundred Years of Solitude.

Do not quarrel, therefore, with your lot in life. Do not complain of its never-ceasing cares, its petty environment, the vexations you have to stand, the small and sordid souls you have to live and work with. Above all, do not resent temptation; do not be perplexed because it seems to thicken round you more and more, and ceases neither for effort nor for agony nor prayer. That is your practice. That is the practice which God appoints you; and it is having its work in making you patient, and humble, and generous, and unselfish, and kind, and courteous. Do not grudge the hand that is moulding the still too shapeless image within you. It is growing more beautiful, though you see it not; and every touch of temptation may add to its perfection. Therefore keep in the midst of life. Do not isolate yourself. Be among men and among things, and among troubles, and difficulties, and obstacles. You remember Goethe's words: "Talent develops itself in solitude; character in the stream of life.

Of course I can't complain, because everyone is always telling me to 'enjoy it'. What would they know? They haven't been here, I've done it all alone. Okay, it's been a small experience in its own way, and it will all blow over in a few months or years and no one will even remember me, thank God. But still I've had to do it, I've had to get through it on my own with no one to teach me how, and it has made me loathe myself to an almost unendurable degree. Whatever I can do, whatever insignificant talent I might have, people just expect me to sell it-I mean literallly, sell it for money, until I have a lot of money and no talent left. And then that's it, I'm finished, and the next flashy twenty-five-year-old with an impending psychological collapse comes along.

WILDE: Oh — Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made — the piece of ice in the fist you cannot hold or let go. (He weeps.)

Someone asked me, "What does it mean to be unforgettable?" and I answered, "Being unforgettable means having an absence that is felt just as much as your presence." An absence that is felt just as strongly as the presence. Today, people strive to become unforgettable and they believe the way to achieve this is by constantly reminding others of their attributes and their existence, lest they are forgotten. Lest anyone forget they are beautiful or talented or powerful. But that is not unforgettable; that is desperation. Absence is an attribute, this is what people do not know! Absence is an attribute just as much as presence is. When people feel your absence just as much, or perhaps even more than, they feel your presence-- this is what it means to be unforgettable.

Comet, You told me a story once. You were standing in the kitchen making a taco casserole, wearing a fuzzy sweater that matched your eyes. It was a story about a bunny. When you were young, a little rabbit had found its way into your garage, injured and bleeding. You wanted to save it. You wanted to give it a second chance at life. Unfortunately, the story didn’t end well, and I wished so hard that I could go back in time and help you save that bunny. Since my powers are limited, I did what I could. Meet Hoppity. I hope that when you look at it, hold it, set it on your shelf, you think of me. I hope it serves as a constant reminder of your beautiful heart and the way it changes people. The way it changed me. You changed me, Halley, in all the best ways. Let this be your second chance at life. Take risks. Take opportunities. Take pictures that hang in galleries one day, so everyone can see your talent, your beauty, your immeasurable worth. Fight. Fight for you, for your future. Not with fists and kicks, but with what you’ve always fought best with: love. The night I met you, you sat down in a cold lake and said, “You’re welcome.” I said I didn’t thank you for anything and you replied with, “You might one day.” You were right. Thank you, Halley Foster. You’ve made me a better man. Reed

I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don’t desert me now. I started to write and I wrote: “The time has come,” the Walrus said, “To talk of many things: Of shoes—and ships—and sealing wax— Of cabbages—and kings—” I looked at it and wet my lips. It wasn’t mine, but what the hell, a man had to start someplace.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

Couldn't I try...Naturally, it wouldn't be a question of a tune...But couldn't I in another medium?...It would have to be a book: I don't know how to do anything else. But not a history book: history talks about what has existed - an existent can never justify the existence of another existent. My mistake was to try to resuscitate Monsieur de Rollebon. Another kind of book. I don't quite know which kind - but you would have to guess, behind the printed words, behind the pages, something which didn't exist, which was above existence. The sort of story, for example, which could never happen, an adventure. It would have to be beautiful and hard as steel and make people ashamed of their existence. I am going, I feel irresolute. I dare not make a decision. If I were sure that I had talent...but I have never, never written anything of that sort; historical articles, yes - if you could call them that. A book. A novel. And there would be people who would read this novel and who would say: 'It was Antoine Roquentin who wrote it, he was a red-headed fellow who hung about in cafés', and they would think that about my life as I think about the life of the Negress: as about something precious and almost legendary. A book. Naturally, at first it would only be a tedious, tiring job, it wouldn't prevent me from existing or from feeling that I exist. But a time would have to come when the book would be written, would be behind me, and I think that a little of its light would fall over my past. Then, through it, I might be able to recall my life without repugnance. Perhaps one day, thinking about this very moment, about this dismal moment at which I am waiting, round-shouldered, for it to be time to get on the train, perhaps I might feel my heart beat faster and say to myself: 'It was on that day, at that moment that it all started.' And I might succeed - in the past, simply in the past - in accepting myself.

The first panacea for a mismanaged nation is inflation of the currency; the second is war. Both bring a temporary prosperity; both bring a permanent ruin. But both are the refuge of political and economic opportunists. Ernest Hemingway War, Political, Both Never think that war, no matter how necessary, nor how justified, is not a crime. Ernest Hemingway War, Justified, Matter Once we have a war there is only one thing to do. It must be won. For defeat brings worse things than any that can ever happen in war. Ernest Hemingway War, Once, Happen The world is a fine place and worth the fighting for and I hate very much to leave it. Ernest Hemingway Hate, Leave, Worth Personal columnists are jackals and no jackal has been known to live on grass once he had learned about meat - no matter who killed the meat for him. Ernest Hemingway Once, Matter, Learned The only thing that could spoil a day was people. People were always the limiters of happiness except for the very few that were as good as spring itself. Ernest Hemingway Happiness, Good, Few But man is not made for defeat. A man can be destroyed but not defeated. Ernest Hemingway Defeat, Defeated, Destroyed You're beautiful, like a May fly. Ernest Hemingway Beauty, Beautiful, Fly His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Ernest Hemingway Time, Natural, Talent The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

But what is sovereignty? It is, they say, the power to make laws. Another absurdity, a relic of despotism. The nation had long seen kings issuing their commands in this form: for such is our pleasure; it wished to taste in its turn the pleasure of making laws. For fifty years it has brought them forth by myriads; always, be it understood, through the agency of representatives. The play is far from ended. The definition of sovereignty was derived from the definition of the law. The law, they said, is the expression of the will of the sovereign: then, under a monarchy, the law is the expression of the will of the king; in a republic, the law is the expression of the will of the people. Aside from the difference in the number of wills, the two systems are exactly identical: both share the same error, namely, that the law is the expression of a will; it ought to be the expression of a fact. Moreover they followed good leaders: they took the citizen of Geneva for their prophet, and the contrat social for their Koran. Bias and prejudice are apparent in all the phrases of the new legislators. The nation had suffered from a multitude of exclusions and privileges; its representatives issued the following declaration: All men are equal by nature and before the law; an ambiguous and redundant declaration. Men are equal by nature: does that mean that they are equal in size, beauty, talents, and virtue? No; they meant, then, political and civil equality. Then it would have been sufficient to have said: All men are equal before the law.

It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face--when we know no harm of the possessor at least? A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versa with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. They that have beauty, let them be thankful for it, and make a good use of it, like any other talent; they that have it not, let them console themselves, and do the best they can without it: certainly, though liable to be over-estimated, it is a gift of God, and not to be despised.

That's the beauty of discipline. It trumps everything. A lot of us are born with minimal talent, unhappy in our own skin and with the genetic makeup with which we were born. We have fucked-up parents, grow up bullied and abused, or are diagnosed with learning disabilities. We hate our hometown, our teachers, our families, and damn near everything about ourselves. We wish we could be born again as some other motherfucker in some other time and place. Well, I am proof that rebirth is possible through discipline, which is the only thing capable of altering your DNA. It is the skeleton key that can get you past all the gatekeepers and into each and every room you wish to enter. Even the ones built to keep you the fuck out! ... Discipline builds mental endurance because when effort is your main priority, you stop looking for everything to be enjoyable. Our phones and social media have turned too many of us inside out with envy and greed as we get inundated with other people's success, their new cars and houses, big contracts, resort vacations, and romantic getaways. We see how much fun everyone else is having and feel like the world is passing us by, so we bitch about it and then wonder why we are not where we want to be. When you become disciplined, you don't have time for that bullshit. p140

O Fabricius! What would your great soul have thought, if to your own misfortune you had been called back to life and had seen the pompous face of this Rome saved by your efforts and which your honourable name had distinguished more than all its conquests? 'Gods,' you would have said, 'what has happened to those thatched roofs and those rustic dwelling places where, back then, moderation and virtue lived? What fatal splendour has succeeded Roman simplicity? What is this strange language? What are these effeminate customs? What do these statues signify, these paintings, these buildings? You mad people, what have you done? You, masters of nations, have you turned yourself into the slaves of the frivolous men you conquered? Are you now governed by rhetoricians? Was it to enrich architects, painters, sculptors, and comic actors that you soaked Greece and Asia with your blood? Are the spoils of Carthage trophies for a flute player? Romans, hurry up and tear down these amphitheatres, break up these marbles, burn these paintings, chase out these slaves who are subjugating you, whose fatal arts are corrupting you. Let other hands distinguish themselves with vain talents. The only talent worthy of Rome is that of conquering the world and making virtue reign there. When Cineas took our Senate for an assembly of kings, he was not dazzled by vain pomp or by affected elegance. He did not hear there this frivolous eloquence, the study and charm of futile men. What then did Cineas see that was so majestic? O citizens! He saw a spectacle which your riches or your arts could never produce, the most beautiful sight which has ever appeared under heaven, an assembly of two hundred virtuous men, worthy of commanding in Rome and governing the earth.

For a while, every smart and shy eccentric from Bobby Fischer to Bill Gate was hastily fitted with this label, and many were more or less believably retrofitted, including Isaac Newton, Edgar Allen Pie, Michelangelo, and Virginia Woolf. Newton had great trouble forming friendships and probably remained celibate. In Poe's poem Alone, he wrote that "All I lov'd - I lov'd alone." Michelangelo is said to have written "I have no friends of any sort and I don't want any." Woolf killed herself. Asperger's disorder, once considered a sub-type of autism, was named after the Austrian pediatrician Hans Asperger, a pioneer, in the 1940s, in identifying and describing autism. Unlike other early researchers, according to the neurologist and author Oliver Sacks, Asperger felt that autistic people could have beneficial talents, especially what he called a "particular originality of thought" that was often beautiful and pure, unfiltered by culture of discretion, unafraid to grasp at extremely unconventional ideas. Nearly every autistic person that Sacks observed appeard happiest when alone. The word "autism" is derived from autos, the Greek word for "self." "The cure for Asperger's syndrome is very simple," wrote Tony Attwood, a psychologist and Asperger's expert who lives in Australia. The solution is to leave the person alone. "You cannot have a social deficit when you are alone. You cannot have a communication problem when you are alone. All the diagnostic criteria dissolve in solitude." Officially, Asperger's disorder no longer exists as a diagnostic category. The diagnosis, having been inconsistently applied, was replaced, with clarified criteria, in the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders; Asperger's is now grouped under the umbrella term Autism Spectrum Disorder, or ASD.

One of them is a very familiar personage. Her name is “Mother Church.” She is, in many ways, an admirable and dedicated person, deeply concerned about her children, endlessly and tirelessly careful for every detail of their welfare. Her long experience has taught her to understand her family very well. She knows their capabilities and she knows their weakness even better. She is patient and imperturbable, quite unshockable (she has witnessed all of the considerable range of human wickedness in her time) and there are no lengths to which she ill not go to educate her family. She has a huge fund of stories, maxims and advice, all of them time-tested, and usually interesting as well. She is very talented, skilled din creating a beautiful home for her children; she can show them how to enrich their lives with the glory of music and art. And there is no doubt that she loves God, and wishes to guide her children according to his will. On the other hand, she is extremely inclined to feel that her will and God's are identical. In her eyes there can be no better, no other, way than hers. If she is unshockable, she is frequently cynical. She is shrewd, with a thoroughly earthy and often humorous shrewdness. She knows her children's limitations so well that she will not allow them to outgrow them. She will lie and cheat if she feels it is necessary to keep her charges safe; she uses her authority 'for their own good' but if it seems to be questioned she is ruthless in suppressing revolt. She is hugely self-satisfied, and her judgement, while experienced, is often insensitive and therefore cruel. She is suspicious of eccentricity and new ideas, since her own are so clearly effective, and non-conformists get a rough time, though after they are dead she often feels differently about them. This is Mother Church, a crude, domineering, violent, loving, deceitful, compassionate old lady, a person to whom one cannot be indifferent, whom may one may love much and yet fight against, whom one may hate and yet respect.

A staunch determinist might argue that between a magazine in a democratic country applying financial pressure to its contributors to make them exude what is required by the so-called reading public—between this and the more direct pressure which a police state brings to bear in order to make the author round out his novel with a suitable political message, it may be argued that between the two pressures there is only a difference of degree; but this is not so for the simple reason that there are many different periodicals and philosophies in a free country but only one government in a dictatorship. It is a difference in quality. If I, an American writer, decide to write an unconventional novel about, say, a happy atheist, an independent Bostonian, who marries a beautiful Negro girl, also an atheist, has lots of children, cute little agnostics, and lives a happy, good, and gentle life to the age of 106, when he blissfully dies in his sleep — it is quite possible that despite your brilliant talent, Mr. Nabokov, we feel [in such cases we don't think, we feel] that no American publisher could risk bringing out such a book simply because no bookseller would want to handle it. This is a publisher's opinion, and everybody has the right to have an opinion. Nobody would exile me to the wilds of Alaska for having my happy atheist published after all by some shady experimental firm; and on the other hand, authors in America are never ordered by the government to produce magnificent novels about the joys of free enterprise and of morning prayers.

I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….

The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")