Tale Of The Heart Queen Quotes

Please let it be known that from this day forward my working title for the business is now 'Queen of the Fuck Palace!

Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets

And Eowyn looked at Faramir long and steadily; and Faramir said: 'Do not scorn pity that is the gift of a gentle heart, Eowyn! But I do not offer you my pity. For you are a lady high and valiant and have yourself won renown that shall not be forgotten; and you are a lady beautiful, I deem, beyond even the words of the Elven-tongue to tell. And I love you. Once I pitied your sorrow. But now, were you sorrowless, without fear or any lack, were you the blissful Queen of Gondor, still I would love you. Eowyn, do you not love me?

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.

I looked at Ash over the table; his silver gaze met mine, and I felt my heart swell in my chest. I was in a faery tale, wasn't I? I was playing my part in the story, the human girl who had fallen in love with a faery prince.

Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.

I am married to a prince who will one day be a king. Usually this is where the fairy tale ends. Stories don't go much further than this moment, and I fear there's a good reason for it. A sense of dread hung over today, a black cloud I still can't get rid of. It is an unease deep in the heart of me, feeding off my strength.

At the heart of his paper was the notion that fairy tales relieved us of our need for order and allowed us impossible, irrational desires. Magic was real, that was his thesis. This thesis was at the very center of chaos theory — if the tiniest of actions reverberated throughout the universe in invisible and unexpected ways, changing the weather and the climate, then anything was possible. The girl who sleeps for a hundred years does so because of a single choice to thread a needle. The golden ball that falls down the well rattles the world, changing everything. The bird that drops a feather, the butterfly that moves its wings, all of it drifts across the universe, through the woods, to the other side of the mountain. The dust you breathe in was once breathed out. The person you are, the weather around you, all of it a spell you can’t understand or explain.

what does being a dragonheart mean to you?   surviving / having flames in your veins / never-ending loyalty / powerful alone & with like-hearted people / loving fiercely / strong-spined / dangerous / celebrating yourself / celebrating others / magic even without spells / protective / gentle but armored / light-giver / reigning supremely / what fairy tales are made of / queen of your own life / no doubts about your own worth / forever valiant / tower-breaker / kingdom-shaker / standing up for others / resisting over & over / taking charge of your narrative / bravery beyond measure / not giving negativity a seat at your table / facing the fire head-on / prioritizing yourself / story-hungry / made of gold / dream-chaser / sea storm courage / voice-reclaimer / war-hearted / flower-hearted / RELENTLESS

For as long as there are poets, playwrights and men with hearts to break, tales will be told of the princess who died across the water and returned home to be crowned a queen, the queen of all our hearts.

My story was not a fairy tale of a cruel-hearted girl whose shoes danced her to death, or a kindhearted one who threw her red shoes into the river. This was not a story about a wicked queen made to wear iron heels, or a lovely, golden-haired girl in slippers of glass. This had been about a fever, a nightmare, a dance made into a curse. It was about women turning their own fears into their sharpest blades.

You can be the queen,” I allowed. “Just don’t tell Gary I said that. Friendships have ended for a lot less than that.

My heart lives outside of me now, exposed and raw for the world to witness the monster I’ve become.

She’s like the sun, and everything else is just the stars lucky to be moving around her.

The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home or to the battles of the sea. It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled--the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her round flanks full of treasure, to be visited by the Queen's Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests--and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith--the adventures and the settlers; kings' ships and the ships of men on 'Change; captains, admirals, the dark "interlopers" of the Eastern trade, and the commissioned "generals" of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth!...The dreams of men, the seed of commonwealth, the germs of empires.

In the Land under the Hill, in the Time Before … Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel. Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side. And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her. And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing. She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild. Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature. She did not lie, for she could not lie. Humans are animals. Pain is their nature. For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy. Until the day one brother discovered the truth of the other. The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie. The lady set the useless brother free and allowed him to believe he had freed himself. The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her. The lady let her lover renounce her and run away. And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him. As she had given him his story, she gave him his children. She had nothing left to live for, then, and so lived no longer. This is the story she left behind, the story her lover will never know; this is the story her daughter will never know. This is how a faerie loves: with her whole body and soul. This is how a faerie loves: with destruction. I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that. I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever. This is how a faerie loves: with a gift.

When kindled was the fire, with sober face Unto Diana spoke she in that place. “O thou chaste goddess of the wildwood green, By whom all heaven and earth and sea are seen, Queen of the realm of Pluto, dark and low, Goddess of maidens, that my heart dost know For all my years, and knowest what I desire, Oh, save me from thy vengeance and thine ire That on Actaeon fell so cruelly. Chaste goddess, well indeed thou knowest that I Desire to be a virgin all my life, Nor ever wish to be man’s love or wife. I am, thou know’st, yet of thy company, A maid, who loves the hunt and venery, And to go rambling in the greenwood wild, And not to be a wife and be with child. I do not crave the company of man.

A dream is a wish your heart makes.

When the Wicked Queen calls for Snow White’s heart, because her mir- ror has informed her that she has been outstripped in beauty, the fairy tale warns little girls, even today, that there is danger in beauty. Fairy tales carry the wisdom of the ages; that is why they last and are passed down from generation to generation. So long as the most beautiful woman got the most powerful man and men were women’s only source of power, the role of beauty was too crucial to be discussed. It is only since women have de- veloped alternative sources of economic security and identity that the taboo subject of the power of their beauty has begun to be researched and written about.

Gloriana, being royal isn’t about the wealth you possess, the crown on your head, the fine clothes you wear, or the castle you live in. It’s about the loyalty in your heart for your people, the knowledge in your head to aid them in times of trouble, and the depth of your soul to weather any storm.” Kimbra Swain. Fairy Tales Of A Trailer Park Queen: Boxset (Kindle Locations 3327-3329). Crimson Sun Press.

And thither, ere sweet night had slain sweet day, Iseult and Tristram took their wandering way, And rested, and refreshed their hearts with cheer In hunters' fashion of the woods; and here More sweet it seemed, while this might be, to dwell And take of all world's weariness farewell Than reign of all world's lordship queen and king. Nor here would time for three moon's changes bring Sorrow nor thought of sorrow; but sweet earth Fostered them like her babes of eldest birth, Reared warm in pathless woods and cherished well. And the sun sprang above the sea and fell, And the stars rose and sank upon the sea; And outlaw-like, in forest wise and free, The rising and the setting of their lights Found those twain dwelling all those days and nights. And under change of sun and star and moon Flourished and fell the chaplets woven of June, And fair through fervours of the deepening sky Panted and passed the hours that lit July, And each day blessed them out of heaven above, And each night crowned them with the crown of love. Nor till the might of August overhead Weighed on the world was yet one roseleaf shed Of all their joy's warm coronal, nor aught Touched them in passing ever with a thought That ever this might end on any day Or any night not love them where they lay; But like a babbling tale of barren breath Seemed all report and rumour held of death, And a false bruit the legend tear impearled That such a thing as change was in the world.

Finally the gorilla queen had had enough. She wrote a letter to the editor of Baboons' Home Journal and asked for advice. The editor printed her letter (but in order to protect her privacy, changed her name from 'Gorilla Queen' to 'Worried in the Royal Castle'). The editor suggested hiring a local hunter to take the little troublemaker out into the woods, kill him, and cut his heart out and bring it back. 'Check page 44 of last month's issue for delicious recipes, at just pennies a serving!' she concluded.

Coming as a kind of pleasure-package with her parents and sisters, as a girl Theodora performed acrobatic tricks and erotic dances in and around the hippodrome – part of the fringe of shows, spectacles and penny theatricals that accompanied the games. It was said by contemporary chroniclers that one of Theodora’s most popular turns was a re-enactment of the story of Leda (the mother of Helen of Troy) and the Swan (Zeus in disguise). The Greek myth went that Zeus was so enraptured with Queen Leda when he espied her bathing by the banks of the River Eurotas that he turned himself into a swan so that he could ravish the Spartan Queen. Theodora, as Leda, would leave a trail of grain up on to (some said into) her body, which the ‘swan’ (in Constantinople in fact a goose) then eagerly consumed. The Empress’s detractors delighted in memorialising the fact that Theodora’s services were eagerly sought out for anal intercourse, as both an active and a passive partner. As a child and as an adolescent woman Theodora would have been considered dirt, but she was, physically, right at the heart of human affairs in a burgeoning city in interesting times. Theodora was also, obviously, wildly attractive. Born in either Cyprus or Syria, as a teenager – already the mother of a young girl and with a history of abortions – she left Constantinople as the companion of a Syrian official, the governor of Libya Pentapolis. The two travelled to North Africa, where, after four years of maltreatment, she found herself abandoned by the Byzantine official, her meal-ticket revoked. A discarded mistress, on the road, was as wretched as things could get in the sixth century. (...) Theodora tried to find her way back to the mother city, making ends meet as a prostitute, and the only people to give the twenty-year-old reject shelter were a group of Christians in the city of Alexandria. That random act of kindness was epoch-forming.

Tell it to me.” “Why? We both know the tale.” “Even so. I want to hear it from your lips. Tell the tale. The room will keep rhythm.” Tell the tale. My heart clenched. I miss you, Gauri. Sinking into my old habit was easy enough. I sat on the floor, crossing my legs in front of me, my gaze flickering between Amar and the pillar. Amar’s eyes were closed, his head tilted back to expose his bronzed throat. I spun my tale and the sky shimmered with images. I told Amar of the demon king who wished to escape death so he performed the most severe penances until he was granted a boon by the gods. “He prayed that he would not die inside or outside his home. He prayed that he would die neither at night or day nor in the ground or in the sky. He prayed that neither man nor beast could kill him. He prayed no weapon could harm him.” Amar’s head snapped up. He looked at the pillar with a wicked smile. “And yet death found its way to him.” I nodded. “One day, the god appeared as part-man, part-lion and burst forth from the pillar.” A being of shadow tore through the pillar. A lion’s mane cast a torn shadow across the marble. Fangs lengthened in its mouth. “He came upon the demon king at twilight--” “--which is neither night nor day,” said Amar. “And he appeared on the threshold of a courtyard--” “Neither indoors nor out.” “And he spread the king across his lap.” “Neither above nor below ground.” The shadow story played out in front of us, a tusked hulking man dragged to his knees and then lifted onto the thighs of the beast god. “And he used his fingernails.” “Not a true weapon.” The shadow being lifted muscled arms above his head and claws erupted from his fingers. Amar grinned. “And then death took him,” I said. “Yes,” finished Amar. “He did.” The shadow beast tore its claws into the demon king. Blood spattered across the walls. Within seconds, the images collapsed and the beast god slunk back into the pillar, one eye slit to the outside world before the marble folded up and swallowed him. I stood up, my hands shaking for no reason. “Beautiful,” said Amar. “I found it gruesome,” I said, shivering. Amar rose and walked to where I stood. “I was not talking about the story.

All Hale Kate: Her story is as close to a real-life fairy tale as it gets. Born Catherine Elizabeth Middleton, the quiet, sporty girl next door from the small town of Bucklebury - not quite Cinderella, but certainly a "commoner" by blue bloods' standards - managed to enchant the most eligible bachelor in the world, Prince William, while they were university students 15 years ago. It wasn't long before everyone else fell in love with her, too. We ached for her as she waited patiently for a proposal through 10 years of friendship and romance (and one devastating breakup!), cheered along with about 300 million other TV viewers when she finally became a princess bride in 2011, and watched in awe as she proceeded to graciously but firmly drag the stuffy royal family into the 21st century. And though she never met her mother-in-law, the late, beloved, Princess Diana, Kate is now filling the huge void left not just in her husband's life but in the world's heart when the People's Princess died. The Duchess of Cambridge shares Di's knack for charming world leaders and the general public alike, and the same fierce devotion to her family above all else. She's a busy, modern mom who wears affordable clothes, does her own shopping and cooking, struggles with feelings of insecurity and totes her kids along to work (even if the job happens to involve globe-trotting official state visits) - all while wearing her signature L.K. Bennett 4 inch heels. And one day in the not-too-distance future, this woman who grew up in a modest brick home in the countryside - and seems so very much like on of us- will take on another impossibly huge role: queen of England.

being royal isn’t about the wealth you possess, the crown on your head, the fine clothes you wear, or the castle you live in. It’s about the loyalty in your heart for your people, the knowledge in your head to aid them in times of trouble, and the depth of your soul to weather any storm.” Until I stood before my subjects, I didn’t fully understand his meaning. As

But I hope that in the lives of Ender Wiggin, Novinha, Miro, Ela, Human, Jane, the hive queen, and so many others in this book, you will find stories worth holding in your memory, perhaps even in your heart. That’s the transaction that counts more than bestseller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in. Orson Scott Card Greensboro, North Carolina 29 March 1991

Dead or alive, everyone needs someone to love, someone to feel with your heart when you close your eyes at night. It’s

A dream is a wish your heart makes. It

You heard me. Home at the stroke of twelve and not a second later.” “What time is it now? Nearly ten?” “That gives you two wonderful hours to win the prince’s heart. Good luck!” “Why? Why midnight?” Godnutter glowers at me. “Let’s just say I’ve noticed your evenings with men run a lot later than I approve of. I don’t want you misbehaving with this prince. And if you’re thinking of disobeying me,” she wags the pipe stem at me, “I have set the spell so everything that’s been enchanted will turn back to it’s true form at midnight. Even the things you put white magic on! You’ll have nothing but a pumpkin, two rats, a mouse, and a dowdy dress. So watch the clock or it could get quite embarrassing!” I slam the door shut. “Drop dead, Godnutter!” I shout as the carriage begins to roll. “I already did that!” she calls after me, following it with her nasty cackle. I look back and the spot where she stood is now vacant. But her crazy laugh lingers, chasing me into the night.

beginnings of three different stories, all wrapped around an eternal purpose—to love with all thy heart. For this is the story of kings and queens who overcame their fears, learned to battle the worst within them, and grew in patience to mature into who they were destined to become.

As historians reflect on her renown and her legacy, they will come to judge Diana, Princess of Wales as one of the most influential figures of this, or any other, age. For as long as there are poets, playwrights and men with hearts to break, tales will be told of the princess who died across the water and returned home to be crowned a queen, the queen of all our hearts. Diana, Princess of Wales. She wrote poetry in our souls. And made us wonder.

but the human heart has a bad habit of being hopeful.

But Ulysses caused them to be bound hand and foot, and cast under the hatches; and set sail with all possible speed from that baneful coast, lest others after them might taste the lotos, which had such strange qualities to make men forget their native country, and the thoughts of home.

In the fairy tales, we were meant to hate the evil queens—the women whose hearts had turned bitter, the sorceresses with dark magic at their fingertips. We were supposed to loathe the rejected, the spurned. We were supposed to worship youth and innocence, purity of heart. But you know what? I never liked those stories.

He looked from Janner to Leeli with shining eyes. "All my life I've wanted to believe the stories are true. I've never been able to quiet the pleasurable ache between my heart and my stomach that i felt as a boy when I read these tales. And now that I am wrapped up in the Wingfeather saga, that ache has grown so that I can hardly bear it. Here I sit in the presence of queens and heroes and magic. Yes, magic. It is only when we have grown too old that we fail to see that the maker's world is swollen with magic-it hides in plain sight in music and water and even bumblebees.

Put away from you this unfounded grief; only let it be a lesson to you to be as kind as possible to those you love; and remember, when they are gone from you, you will never think you had been kind enough.

Rich seed of virtue lying hid in poor leaves!

Stranger, I discern neither sloth nor folly in you, and yet I see that you are poor and wretched: from which I gather that neither wisdom nor industry can secure felicity; only Jove bestows it upon whomsoever he pleases. He perhaps has reduced you to this plight. However, since your wanderings have brought you so near to our city, it lies in our duty to supply your wants. Clothes and what else a human hand should give to one so suppliant, and so tamed with calamity, you shall not want. We will shew you our city and tell you the name of our people. This is the land of the Phæacians, of which my father Alcinous is king.

She is, but the Sanhedrin control her. That ink that she stole from us, for her tattoo, we can track her anywhere. It’s a permanent beacon. It doesn’t matter where she goes. I will find her. Not only that, but it has a built-in failsafe. Should she go off the deep end, well, it won’t be a pretty end to a beautiful woman,” he said with no heart at all.

It had all seemed so simple after they broke the curse, when everything felt like a fairy tale. Back then, Belle would have said that their love would be enough to weather them through any storm, and she still believed it. But she hadn't anticipated that the storms would grow and multiply, or that she would find herself adrift, unsure of what side of the battle line she should stand upon. A part of her feared that by marrying a prince and living in a castle, she would become someone she didn't recognize, someone like those ignorant courtiers who had access to the best books and educations money could buy but used them to make their worlds smaller. And then another part of her feared that by resisting the change, she would move further and further away from Lio, and she didn't want that either. Her heart belonged to Lio, but what about the rest of her? Where would she be if she hadn't met him, and if the embers of revolution were stoked all the way to Aveyon? Would she be fighting alongside the men and women she had seen in the gardens of the Palais-Royal?

The Inspector [Richard Queen] turned slowly to survey the faces of the customary puppets. They were always puppets, he reflected--damned wooden-faced ones, when they wanted to keep something back. And they all wanted to keep something back in a murder investigation. There was nothing to be learned from all those guilty countenances. But guilt, he knew from the bitter wisdom of experience, was only a comparative quality of the human animal. It was the heart, not the face, which told the guilty tale.

but I see the resentments of the dead are eternal.

But I hope that in the lives of Ender Wiggin, Novinha, Miro, Ela, Human, Jane, the hive queen, and so many others in this book, you will find stories worth holding in your memory, perhaps even in your heart. That’s the transaction that counts more than bestseller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in.

Vain men! and superstition worse than that which they so lately derided! to imagine that prospective penitence can excuse a present violation of duty, and that the pure natures of the heavenly powers will admit of compromise or dispensation for sin.

The hair of Ulysses stood up on end with affright at these omens; but his companions, like men whom the gods had infatuated to their destruction, persisted in their horrible banquet.

To know thee truly through all thy changes is only given to those whom thou art pleased to grace. To all men thou takest all likenesses. All men in their wits think that they know thee, and that they have thee. Thou art wisdom itself. But a semblance of thee, which is false wisdom, often is taken for thee: so thy counterfeit view appears to many, but thy true presence to few: those are they which, loving thee above all, are inspired with light from thee to know thee.

Thank you for telling me where she would be. Rion’s words come back to me with the diamond-hard clarity of honed steel. But I refuse to believe them. If Nadir gave me up, he had a reason. He had no choice. He would never have done so willingly. After everything we’ve been through, I have to believe that. I handed him my trust, and I refuse to waver at the first test.

My children’s pain will always be mine, too, Lor. I knew that from the moment I laid eyes on your brother. It is the lot of a mother to wear her heart outside of herself from the moment her children are born.

Maybe Livvy's death had fallen like a scythe between that Julian and this one, killing any possibility that he might transform, like the swan princes in the fairy tale, back into the thoughtful, considering boy she loved, with secrets in his heart and paint on his hand.

Nadir,” she says softly. “You’ve protected me over and over. You did save me. But it’s my turn to protect you. And this isn’t your fault. We’ve both been the victims of everyone else’s desires.” She takes my hand and kisses my knuckles. “When this is over, we’re going to spend the rest of our lives making all of this up to each other, not because either of us did anything wrong, but because we deserve happiness.

It is the lot of a mother to wear her heart outside of herself from the moment her children are born.

The dogs are safe. Nothing happens or ever will happen to the dogs. They’re both very good girls.