Tubes Tied Quotes

The mind is the only thing about human beings that’s worth anything. Why does it have to be tied to a bag of skin, blood, hair, meat, bones and tubes? No wonder people can’t get anything done, stuck for life with a parasite that has to be stuffed with food and protected from weather and germs all the time. And the fool thing wears out anyway – no matter how much you stuff and protect it.

For our own part, we learned a great deal about the techniques of love, and because we didn't know the words to denote what we saw, we had to make up our own. That was why we spoke of "yodeling in the canyon" and "tying the tube," of "groaning in the pit," "slipping the turtle's head," and "chewing the stinkweed." Years later, when we lost our own virginities, we resorted in our panic to pantomiming Lux's gyrations on the roof so long ago; and even now, if we were to be honest with ourselves, we would have to admit that it is always that pale wraith we make love to, always her feet snagged in the gutter, always her single blooming hand steadying itself against the chimney, no matter what our present lovers' feet and hands are doing.

The man wrote his message. Are you really a boy, like Xash says? the god asked Arin. You’ve been mine for twenty years. I raised you. The Valorian signed the scrap of paper. Cared for you. The message was rolled, sealed, and pushed into a tiny leather tube. Watched over you when you thought you were alone. The captain tied the tube to a hawk’s leg. The bird was too large to be a kestrel. It didn’t have a kestrel’s markings. It cocked its head, turning its glass-bead eyes on Arin. No, not a boy. A man made in my image . . . one who knows he can’t afford to be seen as weak. The hawk launched into the sky. You’re mine, Arin. You know what you must do. Arin cut the Valorian’s throat.

The frenzied hypernatalism of the women's magazines alone (and that includes People, Us, and InStyle), with their endless parade of perfect, "sexy" celebrity moms who've had babies, adopted babies, been to sperm banks, frozen their eggs for future use, hatched frozen eggs, had more babies, or adopted a small Tibetan village all to satisfy their "baby lust," is enough to make you want to get your tubes tied. (These profiles always insist that celebs all love being "moms" much, much more than they do their work, let alone being rich and famous, and that they'd spend every second with their kids if they didn't have that pesky blockbuster movie to finish.)

Patriarchy is women structuring lifelong decisions around men they haven't met.

He’d had to watch a video on YouTube to figure out how to tie the damn thing—which he was never telling anyone, ever. Except maybe Lane. Lane would either know how to tie a perfect Windsor knot or would own a clip-on tie. The thought made Jared smile. But he also mentally told himself to find out which it was. He couldn’t let Lane go to a similar meeting in a clip-on tie.

Two years ago, Hanna said she was going on vacation with Laura downstate and instead drove to Marquette and had her tubes tied. She wasn't going to end up like her mother, with too many children in a too-small house with too little to eat. Despite her best efforts, however, she has found herself living in a too-small house with too many people and too little to eat. It is a bitter pill to swallow.

The mind is the only thing about human beings that’s worth anything. Why does it have to be tied to a bag of skin, blood, hair, meat, bones and tubes? No wonder people can’t get anything done, stuck for life with a parasite that has to be stuffed with food and protected from weather and germs all the time. And the fool thing wears out anyway—no matter how much you stuff and protect it! —Kurt Vonnegut Jr.

Don't eat anything your great grandmother wouldn't recognize as food. "When you pick up that box of portable yogurt tubes, or eat something with 15 ingredients you can't pronounce, ask yourself, "What are those things doing there?" Pollan says. Don’t eat anything with more than five ingredients, or ingredients you can't pronounce. Stay out of the middle of the supermarket; shop on the perimeter of the store. Real food tends to be on the outer edge of the store near the loading docks, where it can be replaced with fresh foods when it goes bad. Don't eat anything that won't eventually rot. "There are exceptions -- honey -- but as a rule, things like Twinkies that never go bad aren't food," Pollan says. It is not just what you eat but how you eat. "Always leave the table a little hungry," Pollan says. "Many cultures have rules that you stop eating before you are full. In Japan, they say eat until you are four-fifths full. Islamic culture has a similar rule, and in German culture they say, 'Tie off the sack before it's full.'" Families traditionally ate together, around a table and not a TV, at regular meal times. It's a good tradition. Enjoy meals with the people you love. "Remember when eating between meals felt wrong?" Pollan asks. Don't buy food where you buy your gasoline. In the U.S., 20% of food is eaten in the car.

What the fuck is that?” I ask Uncle Drew as he walks up to us. “That, my little asshole, is a screaming goat. Molly showed me this awesome video on YouTube and I had to get one,” Uncle Drew says with a huge smile. “GAAAAAAAAAAAAAAAAAAAAH!” Uncle Drew turns around and points proudly to a little black and white goat tied to one of Aunt Liz and Uncle Jim’s trees. “Isn’t she cute? Her name is Taylor Swift.” “GAAAAAAAAAAAAAAAAAAAAH!” the goat screams as she looks right at us. “I don’t even understand what is happening right now,” I reply with a shake of my head. “I’ve been trying to teach her—” “GAAAAAAAAAAAAAAAAAAAAH!” “How to sing a—” “GAAAAAAAAAAAAAAAAAAAAH!” “Song, but she never comes in at the right—” “GAAAAAAAAAAAAAAAAAAAAH!

Doris loves Superman as well.unfortunately, she got knocked down by a van last year, and it was a big, long recovery for her, really. It took about six months, didn't it, before she was fully back to normal. She never gone back to normal. She's got a bionic leg now, which made her twice as fast and twice as stupid. You know, but she's just such good fun. But anyway,like she had a bit of a low point, you know, when she got really fed up, you know, with those stupid lampshade collars, you know, that they have on their head. Ugh, bumping into everything, she was walking about sighing. Ugh, like that, you know, and if you've ever been known or been with the terriers, but that ball of energy,you know, and she wasn't allowed to be for a walk or anything. It was awful. So to cheer her up, I bought her a little Superman outfit for dogs. When you get home, you look online. They are absolutely brilliant. You can get Wonder Woman and Darth Vader, all sorts. They're the funniest thing I have ever seen in my. The front paws, the front legs go in Super man's legs, you know, and it like covers up the paw with these little, red boot things on the bottom. And it comes up and ties around the neck, and there's tube stuff down from the front. So from the front, it's like a tiny, little Superman with a dog's head. And then, on the back there's this cape. So when she trots around, it looks like she's flying! Ah, it's brilliant! And she loves it. I couldn't get it off for about a week. It's honestly, they're absolutely brilliant, you must check it out. So anyway, tonight this is for Doris.

Nearly everyone who is asked where they want to spend their final days says at home, surrounded by people they love and who love them. That's the consistent finding of surveys and, in my experience as a doctor, remains true when people become patients. Unfortunately, it's not the way things turn out. At present, just over one-fifth of Americans are at home when they die. Over 30 percent die in nursing homes, where, according to polls, virtually no one says they want to be. Hospitals remain the site of over 50 percent of deaths in most parts of the country, and nearly 40 percent of people who die in a hospital spend their last days in ICU, where they will likely be sedated or have their arms tied down so they will not pull out breathing tubes, intravenous lines, or catheters. Dying is hard, but it doesn't have to be this hard.

For our own part, we learned a great deal about the techniques of love, and because we didn't know the words to denote what we saw, we had to make up our own. That was why we spoke of "yodeling in the canyon" and "tying the tube," of "groaning in the pit,""slipping the turtle's head," and "chewing the stinkweed." Years later, when we lost our own virginities, we resorted in our panic to pantomiming Lux's gyrations on the roof so long ago; and even now, if we were to be honest with ourselves, we would have to admit that it is always that pale wraith we make love to, always her feet snagged in the gutter, always her single blooming hand steadying itself against the chimney, no matter what our present lovers' feet and hands are doing. And we'd have to admit, too, that in our most intimate moments, alone at night with our beating hearts, asking God to save us, what comes most often is Lux, succubus of those binocular nights.

she picked up a jug of distilled water and poured it into a flask, plugging the flask with a stopper outfitted with a tube wriggling from its top. Next, she clipped the flask onto one of two metal stands that stood between two Bunsen burners and struck a strange metal gadget that sparked like flint striking steel. A flame appeared; the water began to heat. Reaching up to a shelf, she grabbed a sack labeled “C8H10N4O2,” dumped some into a mortar, ground it with a pestle, overturned the resulting dirtlike substance onto a strange little scale, then dumped the scale’s contents into a 6- x 6-inch piece of cheesecloth and tied the small bundle off. Stuffing the cheesecloth into a larger beaker, she attached it to the second metal stand, clamping the tube coming out of the first flask into the large beaker’s bottom. As the water in the flask started to bubble, Mrs. Sloane, her jaw practically on the floor, watched as the water forced its way up the tube and into the beaker. Soon the smaller flask was almost empty and Elizabeth shut off the Bunsen burner. She stirred the contents of the beaker with a glass rod. Then the brown liquid did the strangest thing: it rose up like a poltergeist and returned to the original flask. “Cream and sugar?” Elizabeth

The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.

Twas the night before Christmas and in SICU All the patients were stirring, the nurses were, too. Some Levophed hung from an IMED with care In hopes that a blood pressure soon would be there. One patient was resting all snug in his bed While visions—from Versed—danced in his head. I, in my scrubs, with flowsheet in hand, Had just settled down to chart the care plan. Then from room 17 there arose such a clatter We sprang from the station to see what was the matter. Away to the bedside we flew like a flash, Saved the man from falling, with restraints from the stash. “Do you know where you are?” one nurse asked while tying; “Of course! I’m in France in a jail, and I’m dying!” Then what to my wondering eyes should appear? But a heart rate of 50, the alarm in my ear. The patient’s face paled, his skin became slick And he said in a moment, “I’m going to be sick!” Someone found the Inapsine and injected a port, Then ran for a basin, as if it were sport. His heart rhythm quieted back to a sinus, We soothed him and calmed him with old-fashioned kindness. And then in a twinkling we hear from room 11 First a plea for assistance, then a swearing to heaven. As I drew in my breath and was turning around, Through the unit I hurried to respond to the sound. “This one’s having chest pain,” the nurse said and then She gave her some nitro, then morphine and when She showed not relief from IV analgesia Her breathing was failing: time to call anesthesia. “Page Dr. Wilson, or May, or Banoub! Get Dr. Epperson! She ought to be tubed!” While the unit clerk paged them, the monitor showed V-tach and low pressure with no pulse: “Call a code!” More rapid than eagles, the code team they came. The leader took charge and he called drugs by name: “Now epi! Now lido! Some bicarb and mag! You shock and you chart it! You push med! You bag!” And so to the crash cart, the nurses we flew With a handful of meds, and some dopamine, too! From the head of the bed, the doc gave his call: “Resume CPR!” So we worked one and all. Then Doc said no more, but went straight to his work, Intubated the patient, then turned with a jerk. While placing his fingers aside of her nose, And giving a nod, hooked the vent to the hose. The team placed an art-line and a right triple-lumen. And when they were through, she scarcely looked human: When the patient was stable, the doc gave a whistle. A progress note added as he wrote his epistle. But I heard him exclaim ere he strode out of sight, “Merry Christmas to all! But no more codes for tonight!” Jamie L. Beeley Submitted by Nell Britton

39 SYLVIA Victoria is dressed in a billowy flower-printed dress that I found in her closet. Something tight is out of the question because of her feeding tube and it would not have been flattering with the way she often slumps in the chair. I have a feeling the dress used to be more snug on her, but now it hangs loose on her bony frame. I also spent some time on her hair. I combed it out and put in the oil treatment again, and it looks lush and shiny. I thought about trying to tie it back, but I think it’s most flattering when it’s loose. Now I’m working on her makeup. I put a layer of pink lipstick on her crooked lips, and now I’m doing my best to cover the scar on her left cheek. I don’t think there’s anything I could do to conceal it entirely, but it looks a lot better than when I started. Victoria is allowing me to put on the makeup, but she looks utterly unenthusiastic. I can’t entirely blame her. As much as I chatter about how much fun this will be, I’m not looking forward to it either. Part of me wants to duck out and leave Victoria and Adam to have Thanksgiving alone as a married couple. But the more I read of her diary, I feel like that is not what Victoria wants. She doesn’t want to be alone with him. And I don’t want her to be alone with him either. “There.” I dab on the last of the concealer—I’ve used half the container and the scar is still very visible. “All done.” Victoria just stares at me. “You look beautiful.” I grab the mirror I found in the bathroom and hold it up to her face. “Take a look.” Victoria glances briefly at the mirror, then turns away. She never seems very happy when I show her a mirror. She either looks away or frowns at herself. Sometimes she touches the scar. I wish Adam had shelled out for her to get plastic surgery. I know he thinks she doesn’t notice, but he’s wrong. “I just…” I chew on my lip. “I want you to know that I’m not going to… I mean, Adam is your husband, not mine. I’m going to tell him tonight that I’m not going to…” For the first time since I came in here, Victoria’s eyes show a spark of interest. “It’s not right,” I say. “It was a mistake and I’m sorry. I’ll tell him tonight.” “Be…” She’s focusing so hard on what she wants to say that some drool comes out of the right side of her mouth, smearing her lipstick. “Be… care…” For once, I know exactly what she’s trying to say. Be careful. I leave Victoria to find some nail polish in the bathroom. That’s the last thing I need to complete her look for the evening. I want Victoria to look really beautiful tonight. Like her old self, as much as possible. It’s important to me. Maggie must have moved the nail polish when she was cleaning. I look in the usual place in the closet within the bathroom, but it’s not there anymore. I search through the other shelves, trying to find the bag of multicolor nail polish tubes. I find more makeup, but not polish. But one thing I do find surprises me. It’s a black bag of medications. I never was sure where Adam kept Victoria’s medications. He always just seems to have them ready to administer. I pick up a bottle from the black plastic bag and see the date of the most recent refill. It was less than a month ago.

Finally, on Wednesday, they began to lower the sedation again, and immediately he reached for the ventilator tube and tried to pull it out. “Don’t fight it,” I told him again and again, trying to explain what was happening. I held his hand. The nurse came in and told me they were going to try to take the ventilator out. “Do you want me to stay, or leave you?” I asked him. His eyes were closed, but he put his hand out and rubbed my back. Just for a moment. He’s there! I wanted to shout. Everything’s going to be okay. The antibiotics must be working! I wanted to sing and shout and dance. After the ventilator was out, he began opening his eyes just a crack when someone came in to say hello. And things got even better--he was calm although he was still tied down, and when a friend and Willie came in to say hello, Jep said, “What’s up?” I wanted to laugh and cry at the same time. Those were the first words I’d heard him say since he’d gone deer hunting. I questioned him a little, wanting to know what he remembered, but he couldn’t talk much and still seemed very sleepy, dozing off every few minutes. Thursday morning was one of the best days of my life because Jep woke up bright-eyed. “Why am I in here? What happened?” he asked. He didn’t remember anything. He looked awake and alert and rested. But I was exhausted, having gotten very little sleep or food and not knowing if Jep would live or die, while he’d been taking the longest nap of his life. We held hands, and though I was exhausted, I was happy. Thursday afternoon he talked a little more and ate a cracker. He was back. Slowly but surely, he was coming back. He knew who I was, so I believed he would know who the kids were. And he started talking more and more. Thank you, Lord, for bringing Jep back to me.

1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.

Tesla applied for a patent on an electrical coil that is the most likely candidate for a non mechanical successor of his energy extractor. This is his “Coil for Electro magnets,” patent #512,340. It is a curious design, unlike an ordinary coil made by turning wire on a tube form, this one uses two wires laid next to each other on a form but with the end of the first one connected to the beginning of the second one. In the patent Tesla explains that this double coil will store many times the energy of a conventional coil.   The patent, however, gives no hint of what might have been its more unusual capability. In an article for Century Magazine, Tesla compares extracting energy from the environment to the work of other scientists who were, at that time, learning to condense atmospheric gases into liquids. In particular, he cited the work of a Dr. Karl Linde who had discovered what Tesla described as a self-cooling method for liquefying air. As Tesla said, “This was the only experimental proof which I was still wanting that energy was obtainable from the medium in the manner contemplated by me.” What ties the Linde work with Tesla's electromagnet coil is that both of them used a double path for the material they were working with. Linde had a compressor to pump the air to a high pressure, let the pressure fall as it traveled through a tube, and then used that cooled air to reduce the temperature of the incoming air by having it travel back up the first tube through a second tube enclosing the first. The already cooled air added to the cooling process of the machine and quickly condensed the gases to a liquid. Tesla's intent was to condense the energy trapped between the earth and its upper atmosphere and to turn it into an electric current. He pictured the sun as an immense ball of electricity, positively charged with a potential of some 200 billion volts. The Earth, on the other hand, is charged with negative electricity. The tremendous electrical force between these two bodies constituted, at least in part, what he called cosmic-energy. It varied from night to day and from season to season but it is always present. Tesla's patents for electrical generators and motors were granted in the late 1880's. During the 1890's the large electric power industry, in the form of Westinghouse and General Electric, came into being. With tens of millions of dollars invested in plants and equipment, the industry was not about to abandon a very profitable ten-year-old technology for yet another new one. Tesla saw that profits could be made from the self-acting generator, but somewhere along the line, it was pointed out to him, the negative impact the device would have on the newly emerging technological revolution of the late 19th and early 20th centuries. At the end of his article in Century he wrote: “I worked for a long time fully convinced that the practical realization of the method of obtaining energy from the sun would be of incalculable industrial value, but the continued study of the subject revealed the fact that while it will be commercially profitable if my expectations are well founded, it will not be so to an extraordinary degree.

Do you think I care if you starve?” he asks conversationally. “I want you to suffer, little ballerina. On my terms, not yours. If you continue to refuse your meals, I’ll tie you to your bed and shove a feeding tube down your throat. You won’t die until I allow it. At the perfect moment, orchestrated by me.

Mombasah-city, with her brave array of sumptuous palace, proudest edifice, defaced, deformed by fire and steel shall pay in kind the tale of byegone malefice. Thence on those Indian shores which proud display their hostile fleets, and warlike artifice 'gainst the Lusians, with his sail and oar shall young Lourenço work th' extremes of war. What mighty vessels Sam'orim's orders own covering Ocean, with his iron hail poured from hot copper-tube in thunder-tone all shall he shatter, rudder, mast and sail; then with his grapples boldly, deftly thrown, the hostile Ammiral he shall assail, board her, and only with the lance and sword shall slay four hecatombs of Moors abhor'd. But God's prevision 'scaping human sight, alone who knows what good best serves His end, shall place the Hero where ne toil ne might his lost young life availeth to forfend. In Cháúl-bay, where fierce and furious fight with fire and steel shall fervid seas offend, th' Infidel so shall deal that end his days where Egypt's navy doth conjoin Cambay's. There shall the pow'er of man'ifold enemies, — for only stronger force strong force can tire,— and Winds defaulting and fierce injuries of Ocean, 'gainst a single life conspire : Here let all olden men from death arise to see his Valour, catch his noble fire : A second Scæva see who, hackt and torn, laughs at surrender, quarter holds in scorn. With the fierce torture of a mangled thigh, torn off by bullet which at random past, his stalwart arms he ceaseth not to ply, that fiery Spirit flaming to the last : Until another ball clean cuts the tie so frail that linkèd Soul and Body fast ;— the Soul which loosed from her prison fleets whither the prize eterne such Conqueror greets. Go, Soul! to Peace from Warfare turbulent wherein thou meritedst sweet Peace serene ! for those torn tortured limbs, that life so rent who gave thee life prepareth vengeance keen : I hear een now the furious storm ferment, threating the terrible eternal teen, of Chamber, Basilisco, Saker-fire, to Mameluke cruel and Cambayan dire. See with stupendous heart the war to wage, driven by rage and grief the Father flies, paternal fondness urging battle-gage, fire in his heart and water in his eyes : Promise the sire's distress, the soldier's rage, a bloody deluge o'er the knees shall rise on ev'ry hostile deck: This Nyle shall fear, Indus shall sight it, and the Gange shall hear.

also brought home a set of fly-fishing how-to videotapes. This is the eighties, I reasoned, the age of video. What better way to take up a sport than from a comfortable armchair? That’s where I’m at my best with most sports anyway. There were three tapes. The first one claimed it would teach me to cast. The second would teach me to “advanced cast.” And the third would tell me where trout live, how they spend their weekends, and what they’d order for lunch if there were underwater delicatessens for fish. I started the VCR and a squeaky little guy with an earnest manner and a double-funny hat came on, began heaving fly line around, telling me the secret to making beautiful casting loops is … Whoever made these tapes apparently assumed I knew how to tie backing to reel and line to backing and leader to line and so on all the way out to the little feather and fuzz fish snack at the end. I didn’t know how to put my rod together. I had to go to the children’s section at the public library and check out My Big Book of Fishing and begin with how to open the package it all came in. A triple granny got things started on the spool. After twelve hours and help from pop rivets and a tube of Krazy Glue, I managed an Albright knot between backing and line. But my version of a nail knot in the leader put Mr. Gordian of ancient Greek knot fame strictly on the shelf. It was the size of a hamster and resembled one of the Woolly Bugger flies I’d bought except in the size you use for killer whales. I don’t want to talk about blood knots and tippets. There I was with two pieces of invisible plastic, trying to use fingers the size of a man’s thumb while holding a magnifying glass and a Tensor lamp between my teeth and gripping nasty tangles of monofilament with each big toe. My girlfriend had to come over and cut me out of this with pinking shears. Personally, I’m going to get one of those nine-year-old Persian kids that they use to make incredibly tiny knots in fine Bukhara rugs and just take him with me on all my fishing trips.

For good measure, he took off the guy’s steel-toed shoes since some brainiac had made a YouTube video about escaping from tie wraps using your shoelaces that had gone viral. Indy wasn’t taking any chances.

MENTAL PICTURE 1 In your mind’s eye see yourself lying stretched out on the bed. Form a picture of your legs as they would look if made of concrete. See yourself lying there with two very heavy concrete legs. See these very heavy concrete legs sinking far down into the mattress from their sheer weight. Now picture your arms and hands as made of concrete. They also are very heavy and are sinking down into the bed and exerting tremendous pressure against the bed. In your mind’s eye see a friend come into the room and attempt to lift your heavy concrete legs. He takes hold of your feet and attempts to lift them. But they are too heavy for him. He cannot do it. Repeat with arms, neck, etc. MENTAL PICTURE 2 Your body is a big marionette doll. Your hands are tied loosely to your wrists by strings. Your forearm is connected loosely by a string to your upper arm. Your upper arm is connected very loosely by a string to your shoulder. Your feet, calves, thighs are also connected together with a single string. Your neck consists of one very limp string. The strings that control your jaw and hold your lips together have slackened and stretched to such an extent that your chin has dropped down loosely against your chest. All the various strings that connect the various parts of your body are loose and limp and your body is just sprawled loosely across the bed. MENTAL PICTURE 3 Your body consists of a series of inflated rubber balloons. Two valves open in your feet, and the air begins to escape from your legs. Your legs begin to collapse and continue until they consist only of deflated rubber tubes, lying flat against the bed. Next a valve is opened in your chest, and as the air begins to escape your entire trunk begins to collapse limply against the bed. Continue with arms, head, and neck. MENTAL PICTURE 4 Many people will find this the most relaxing of all. Just go back in memory to some relaxing and pleasant scene from your past. There is always some time in everyone’s life when he felt

MENTAL PICTURE 1 In your mind’s eye see yourself lying stretched out on the bed. Form a picture of your legs as they would look if made of concrete. See yourself lying there with two very heavy concrete legs. See these very heavy concrete legs sinking far down into the mattress from their sheer weight. Now picture your arms and hands as made of concrete. They also are very heavy and are sinking down into the bed and exerting tremendous pressure against the bed. In your mind’s eye see a friend come into the room and attempt to lift your heavy concrete legs. He takes hold of your feet and attempts to lift them. But they are too heavy for him. He cannot do it. Repeat with arms, neck, etc. MENTAL PICTURE 2 Your body is a big marionette doll. Your hands are tied loosely to your wrists by strings. Your forearm is connected loosely by a string to your upper arm. Your upper arm is connected very loosely by a string to your shoulder. Your feet, calves, thighs are also connected together with a single string. Your neck consists of one very limp string. The strings that control your jaw and hold your lips together have slackened and stretched to such an extent that your chin has dropped down loosely against your chest. All the various strings that connect the various parts of your body are loose and limp and your body is just sprawled loosely across the bed. MENTAL PICTURE 3 Your body consists of a series of inflated rubber balloons. Two valves open in your feet, and the air begins to escape from your legs. Your legs begin to collapse and continue until they consist only of deflated rubber tubes, lying flat against the bed. Next a valve is opened in your chest, and as the air begins to escape your entire trunk begins to collapse limply against the bed. Continue with arms, head, and neck. MENTAL PICTURE 4 Many people will find this the most relaxing of all. Just go back in memory to some relaxing and pleasant scene from your past. There is always some time in everyone’s life when he felt relaxed, at ease, and at peace with the world. Pick out your own relaxing picture from your past and call up detailed memory images. Yours may be a peaceful scene at a mountain lake where you went fishing. If so, pay particular attention to the little incidental things in the environment. Remember the quiet ripples on the water. What sounds were present? Did you hear the quiet rustling of the leaves? Maybe you remember sitting perfectly relaxed, and somewhat drowsy, before an open fireplace long ago. Did the logs crackle and spark? What other sights and sounds were present? Maybe you choose to remember relaxing in the sun on a beach. How did the sand feel against your body? Could you feel the warm, relaxing sun, touching your body, almost as a physical thing? Was there a breeze blowing? Were there gulls on the beach? The more of these incidental details you can remember and picture to yourself, the more successful you will be.

The surgeon, hand tired, asked me if I'd like to take over. Foggy, I did. I got my hand around the back of the young lifeless heart and squeezed. Tough, slippery, the sinewy muscle was a leather bag, filled with blood, rolling in the steamy chest cavity, tied to the tubes of the major vessels. Why was I doing this? My hand hurt. I gave up. The heart lay like a grayish-blue fruit on a tree of bones. Sickening. The face of the BMS was blue, turning white. The gash in his chest was bright red, turning to a clotted black. We'd ruined his body, even as he'd died. As I left the room, I heard Jo yell out with crisp authority: 'Any BMS students here? This is a chance you don't get often in your training, to learn to massage the heart. Great teaching case. Come on.

The mind is the only thing about human beings that's worth anything. Why does it have to be tied to a bag of skin, blood, hair, meat, bones and tubes? No wonder people can't get anything done, stuck for life with a parasite that has to be stuffed with food and protected from weather and germs all the time. And the fool thing wears out anyway- no matter how much you stuff and protect it.

The figure then went to work. A tourniquet of rubber tubing was tied taut around Rita’s left wrist. Pruning shears were then extracted from his right rear pocket where some men carry their wallets. He applied the sheers to the right ring finger of the unconscious producer, and with an abrupt snap of the handles, the finger was separated from the hand.

The nail knot can be used to permanently attach a 6-inch section of heavy monofilament to your fly line, with a perfection loop on the other end. This makes it easy to change leaders, with a loop-to-loop connection. You can also attach the butt section of your leader directly to the fly line with this knot. It helps to have a tube to tie this knot, and makes it much easier to do than with just a nail.

The loop at the end of a fly line can be any of the following: • Just a 6-inch piece of monofilament nail knotted to the end of the line. You can do this yourself or ask a kindly fly shop employee to do it for you. • A fused loop, where the core of the line itself is permanently welded to itself at the factory. • Braided loops can also be purchased or made at home with a crochet hook. The hollow end opposite the loop is inserted over the end of the fly line, a piece of stretchy tubing is usually passed over the connection, and then the whole arrangement gets a tiny drop of superglue to hold it in place. Again, this can be put on by a knowledgeable fly shop employee, or you can try it yourself. • The strongest (but bulkiest) way to put a loop on the end of a fly line is to double over the last 2 inches of the line and then tie three tiny nail knots using 10-pound nylon over the line. These are usually only used on bigger saltwater lines where strength is valued over delicacy. And if you want one, I’d really recommend you ask an expert to do it for you until you get really comfortable with nail