“
Falling's the part that takes your breath away. It's the part when you can't believe the person standing in front of you both exists and happened to wander into your path. It's supposed to make you feel lucky to be alive, exactly when and where you are.
”
”
Emily Henry (Beach Read)
“
Neal didn't take Georgie's breath away. Maybe the opposite. But that was okay--that was really good, actually, to be near someone who filled your lungs with air.
”
”
Rainbow Rowell (Landline)
“
Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away
”
”
Will Smith
“
Sometimes it's the same moments that take your breath away that breathe purpose and love back into your life.
”
”
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
“
Whenever you feel a negative emotion be alone in a room and just sit down with it and feel. Don't judge it, criticize it, intellectualize it, explain it away. Allow yourself to feel the pain. It's okay. Accompany it - breathe into it - and after a while, you'll feel the anger or fear or sadness lose it's urgency and power. Allow God to tenderly embrace you in your pain. And then, at the right time, you can let go.
”
”
Bo Sánchez (You Have The Power to Create Love: Take Another Step on the Simple Path to Happiness)
“
Life is not measured by the breathes you take, but by the moments that take your breathe away.
”
”
George Carlin
“
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing.
And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle.
But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!.
Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
”
”
Alan Moore (Watchmen)
“
Life isn't how many breaths you take, but it's the moments that take your breath away.
”
”
Will Smith
“
Sometimes your nearness takes my breath away; and all the things I want to say can find no voice. Then, in silence, I can only hope my eyes will speak my heart.
”
”
Robert Sexton
“
You’re about to be rich, Kaz. What will you do when there’s no more blood to shed or vengeance to take?”
“There’s always more.”
“More money, more mayhem, more scores to settle. Was there never another dream?”
He said nothing. What had carved all the hope from his heart? She might never know.
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. "Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.”
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?”
He took a breath. “I want you to stay. I want you to … I want you.”
“You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?”
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
“How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Everyone breathing is broken. Keep breathing light into them until the stained glass collage takes your breath away.
”
”
Ryan Lilly (Write like no one is reading)
“
There’s always that one guy who gets a hold on you. Not like your best friend’s brother who gets you in a headlock kind of hold. Or the little kid you’re babysitting who attaches himself to your leg kind of hold.
I’m talking epic. Life changing. The “can’t eat, can’t sleep, can’t do your homework, can’t stop giggling, can’t remember anything but his smile” kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite ’80s songs, like the “Must Have Been Love”s, the “Take My Breath Away”s, the “Eternal Flame”s—the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
What is given may be taken away, at any time. Cruelty and devastation wait for you around corners, inside coffers, behind doors: they can leap out at you at any time, like a thief or brigand. The trick is never to let down your guard. Never think you are safe. Never take for granted that your children's hearts beat, that they sup milk, that they draw breath, that they walk and speak and smile and argue and play. Never for a moment forget they may be gone, snatched from you, in the blink of an eye, borne away from you like thistledown.
”
”
Maggie O'Farrell (Hamnet)
“
We mistake sex for romance. Guys are taught that pushing a girl up against a wall is romance. Sex is easy; you can do it with anyone, yourself, with batteries. Romance is when someone you like walks into a room and they take your breath away. Romance is when two people are dancing and they fit together perfectly. Romance is when two people are walking next to each other and all of a sudden they find themselves holding hands, and they don’t know how that happened
”
”
John C. Moffi
“
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.”
His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair.
“I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.”
Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine.
When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
You will always miss her. There will be days - even years from now - when the missing will be so sharp it will take your breath away. But there will be good days, too, months and years of them. In one way or another you'll be searching for her all your life.
”
”
Kristin Hannah (Fly Away (Firefly Lane, #2))
“
First, it’s okay to be sad. It’s okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly”—her eyes glossed over—“and you and your brothers take care of each other, and your father. Even when you grow up and move away, it’s important to come home. Okay?”
My head bobbed up and down, desperate to please her.
“One of these days you’re going to fall in love, son. Don’t settle for just anyone. Choose the girl that doesn’t come easy, the one you have to fight for, and then never stop fighting. Never”—she took a deep breath—“stop fighting for what you want. And never”—her eyebrows pulled in—“forget that Mommy loves you. Even if you can’t see me.” A tear fell down her cheek. “I will always, always love you.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Life is not the breaths you take but the moments that take your breath away.
”
”
George Strait
“
Whenever you’re close, everything is better. The closer you are, the easier I breathe … You take away the dark, the cold. And you remind me what it’s like to want to be here.
”
”
Lucy Score (Things We Hide from the Light (Knockemout, #2))
“
don't say no to me you can't say no to me because it's such a relief to have love again and to lie in bed and be held and touched and kissed and adored and your heart will leap when you hear my voice and see my smile and feel my breath on your neck and your heart will race when I want to see you and I will lie to you from day one and use you and screw you and break your heart because you broke mine first and you will love me more each day until the weight is unbearable and your life is mine and you'll die alone because I will take what I want then walk away and owe you nothing it's always there it's always been there and you cannot deny the life you feel fuck that life fuck that life fuck that life I have lost you now.
”
”
Sarah Kane (Crave)
“
This way,” he murmurs and abruptly is inside me once more, but he doesn’t start his usual punishing rhythm straight away. He leans over, releases my hands, and pulls me upright so I am practically sitting on him. His hands move up to my breasts, and he palms them both, tugging gently on my nipples. I groan, tossing my head back against his shoulder. He nuzzles my neck, biting down, as he flexes his hips, deliciously slowly, filling me again and again.
“Do you know how much you mean to me?” he breathes against my ear.
“No,” I gasp.
He smiles against my neck, and his fingers curl around my jaw and throat, holding me fast for a moment. “Yes, you do. I’m not going to let you go.” I groan as he picks up speed. “You are mine, Anastasia.” “Yes, yours,” I pant. “I take care of what’s mine,” he hisses and bites my ear.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.
”
”
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
“
Life is not breaths you take, but the moments that take your breath away.
”
”
George Strait
“
At the end of the day faith is a funny thing. It turns up when you don't really expect it. Its like one day you realize that the fairy tale may be slightly different than you dreamed. The castle, well, it may not be a castle. And its not so important happy ever after, just that its happy right now. See once in a while, once in a blue moon, people will surprise you , and once in a while people may even take your breath away.
”
”
Zane Grey
“
The world isn’t fair. And no matter how good and decent you are, no matter how much you give to others, someone is always going to hate you for no other reason than the fact that you breathe. You can’t help that. You can’t change people or their minds once they’ve allowed them to get twisted by hatred. But you can change how you deal with them. Never back down, but walk away when you can, fight when you must. Whatever you do don’t give them the power to hurt you. Don’t let them inside you. They’re not worth it. Live your life for yourself. Stay true to yourself and if they can’t see the beauty that is you, it’s their loss. Let the bitterness take them to their graves. Spend your time on what matters most. Being you and appreciating the people who see you for who and what you are. The people who love you, and the ones that you love. They are all that matter. Let the rest go to hell.” - Drux Cruel
”
”
Sherrilyn Kenyon (Born of Silence (The League, #5))
“
See them together and you will feel a force that will take your breath away.
”
”
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
“
Your kiss can take my breath away, Bree, not that you haven’t before, but now we can give each other frost kisses. – Kian, Frost Kisses
”
”
Kailin Gow
“
Don't be upset. Don't listen to me. I only meant that I am jealous of a dark, unconscious element, something irrational, unfathomable. I am jealous of your toilet articles, of the drops of sweat on your skin, of the germs in the air you breathe which could get into your blood and poison you. And I am jealous of Komarovsky, as if he were an infectious disease. Someday he will take you away, just as certainly as death will someday separate us. I know this must seem obscure and confused, but I can't say it more clearly. I love you madly, irrationally, infinitely.
”
”
Boris Pasternak (Doctor Zhivago)
“
Life is not measured by the amount of breaths you take, but by the moments that take your breath away
”
”
Micalea Smeltzer (Finding Olivia (Trace + Olivia, #1))
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there aren’t any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executioner’s assistant leans almost amorously toward him. “Your turn next, brother. Kindly step this way.” And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a man’s humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we don’t want yet do everything we can to bring about.
”
”
Aldous Huxley (Ape and Essence)
“
Which was worse? To feel nothing, or to grieve for something you no longer remembered? Surely when you forgot, you’d forget to be sad, or what was the point? And yet that numbness would take part of your self away, it would be like having pins-and-needles in your soul … I took a deep breath.
”
”
Bridget Collins (The Binding)
“
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Your silence exists as does my self gathering. But so does the almost absolute silence of the world's dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air. The plants already breathe, while we still ask ourselves how to speak to each other, without taking breath away from them.
”
”
Luce Irigaray (To Be Two)
“
Because at the end of the day, we’re all lost. We’re all cracked. We’re all scarred. We’re all broken. We’re all just trying to figure out this thing called life, you know? Sometimes it feels so lonely, but then you remember your core tribe. The people who sometimes hate you, but never stop loving you. The people who always show up, no matter how many times you’ve fucked up and pushed them away. That’s your tribe. These people, these struggles, this is my tribe. So yeah, we fall apart, but we’ll fall together. We’ll stand up—together. Then, at the end of all the bullshit, all of the tears, all of the hurt, we’ll take a few steps at a time. Then we’ll take a few deep breaths, and we’ll walk each other home.
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
You’ll meet people that you love who fuck up constantly. You’ll learn how to weed out the assholes from the warriors. You’ll know what groups of people to stay away from because they’re not safe spaces for your heart. You’ll learn when to forgive human error and when to eradicate the unworthy from your spirit.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.
”
”
William Gaddis (The Recognitions)
“
Hey". Meghan's fingers on my arm nearly made me jump out of my skin. She smiled up at me, though her eyes were puzzled. "You seem awfully nervous this morning. Is something wrong?"
Now or never, Ash. I took a deep breath. "No", I replied, turning to her, "Nothing's wrong, but I did want to ask you something. Come here a moment."
Taking both her hands, I backed away to the middle of the floor, to an open space in front of the curtains. She followed, still wearing a bemused expression, and I paused a moment to gather my thoughts. "I don't...know how it's done in your world", I began, as she tilted her head at me. "I've seen it before...but, I'm not sure how to ask. It never really comes up in the Winter Court."
Meghan blinked, frowning slightly. "What do you mean?"
"I know my role here," I continued. "Whatever happens, I'm still your knight, and nothing will change that. You are queen of this realm, and I have no desire to rule. That said, fighting your enemies, standing with you no matter what comes at us. But I'm no longer satisfied with just being your knight and protector. I want something more". I stopped and took a deep breath, then slowly released her hands, stepped back and sank to one knee. "What I'm trying to ask is...Meghan Chase, will you do me the honor of marrying me?
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
He knew how to handle pain. You had to lie down with pain, not draw back away from it. You let yourself sort of move around the outside edge of pain like with cold water until you finally got up your nerve to take yourself in hand. Then you took a deep breath and dove in and let yourself sink down it clear to the bottom. And after you had been down inside pain a while you found that like with cold water it was not nearly as cold as you had thought it was when your muscles were cringing themselves away from the outside edge of it as you moved around it trying to get up your nerve. He knew pain.
”
”
James Jones (From Here to Eternity)
“
But the truth, he knows, is otherwise. His pleasure in living has been snuffed out. Like a leaf on a stream, like a puffball on a breeze, he has begun to float towards his end. He sees it quite clearly, and it fills him with (the word will not go away) despair. The blood of life is leaving his body and despair is taking its place, despair that is like a gas, odourless, tasteless, without nourishment. You breathe it in, your limbs relax, you cease to care, even at the moment when the steel touches your throat.
”
”
J.M. Coetzee (Disgrace)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
You realize that is you allow me to court you, all your opposition to marriage is going to have to be reconsidered."
She smiled, feigning innocence."What opposition to marriage?"
"Excellent."
"But I'm thinking we should have a long courtship."
"Why?" He looked surprised.
"Because i find I've developed a taste for adventure."
"That sounds dangerous. Not at all in character for a delicate flower."
She laughed." We know I've never been good at being a delicate flower. Besides, it shan't be too dangerous."
"How can you be so sure?"
She smiled brilliantly at him, taking his breath away.
"Because, on my next adventure, I'll have you by my side.
”
”
Sarah MacLean (The Season)
“
You, Book! You are the only one who won't deceive, won't attack, won't insult, won't abandon! You're quiet - but you laugh, shout, and sing: you're obedient - but you amaze, tease, and entice; you're small, but you contain countless peoples. Nothing but a handful of letters, that's all, but if you feel like it, you can turn heads, confuse, spin, cloud, make tears spring to the eyes, take away the breath, the entire soul will stir in the wind like a canvas, will rise in waves and flap its wings!
”
”
Tatyana Tolstaya (The Slynx)
“
Time is a funny thing, it can give and it can take away; and a single moment in time can truly change one’s life forever!
The best kind of love is unexpected, unexplainable, undeniable, and unimaginable.
Your sweet scent will forever be with me, reminding me of the love we once shared. I will breathe in the memories until we meet again.
Before you act on what you have been told, consider your source. It may simply be assumption on their part, and that can be far from fact.
Why stand back and wait for someone to fail when you can stand up and offer your support?
Love is when the sound of your partner’s snoring lulls you to sleep, and it acts as a reminder that they are there by your side.
Building a wall around your heart is a voluntary imprisonment to which only you have the key. Open your heart to life’s possibilities!
”
”
Donna L. Jones
“
Every so often in life, you randomly cross paths with someone that touches you in a way that you really can't explain, but somehow you know that you will never be the same again. A person that is unknowingly, so incredibly beautiful, both inside and out, that they take your breath away. Recently, I met someone exactly like that. As a matter of fact, I'm still not convinced that she isn't an angel here to protect me from myself and the rest of you crazies... these next few songs are for my angel. I hope the rest of you find your angel someday. Just remember, don't let go when you do, even if they try to fly away.
”
”
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
“
Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
You’re unbelievable,” I snapped.
“I’m yours.”
That socked me in the gut too, so hard it winded me and all I could do was stare up at him. Taking advantage, his face dipped close and his hands curled around both sides of my head.
“First fuckin’ time you smiled at me in my bed, that’s when it happened,” he murmured. “You’re under my skin. I’m under yours.”
I shook my head and his face got even closer, all I could see were his sky blue eyes, all I could feel were his lips a breath away from mine.
“I like you there, buddy, and you like me there too.
”
”
Kristen Ashley (At Peace (The 'Burg, #2))
“
Mom." I couldn't believe she was doing this again. She was taking this moment, this time when I was strongest, away from me.
"I don't care what I have to do," she said, her voice low and even. "I don't care if I have to send you away or switch schools. I don't care if I have to follow you twenty-four hours a day, you will not see him, Halley. You will not destroy yourself this way."
"Why are you just assuming I'm going back to him?" I asked her, just as she was drawing in breath to make another point.
"Why don't you ask me what I said to him out there?"
She shut her mouth, caught off guard. "What?"
"Why don't you ever wait a second and see what I'm planning, or thinking, before you burst in with your opinions and ideas? You never even give me a chance."
"Yes, I do," she said indignantly.
"No," I said. "You don't. And then you wonder why I never tell you anyone or share anything with you. I can never trust you with anything or share anything with you. I can never trust you with anything, give you any piece of me without you grabbing it to keep for yourself."
"That's not true," she said slowly, but it was just now hitting her, I could see it. "Halley, you don't always know what's at stake, and I do."
"I will never learn," I said to her slowly, "until you let me."
And so we stood there in the kitchen, my mother and I, facing off over everything that had built up since June, when I was willing to hand myself over free and clear. Now I needed her to return it all to me, with the faith that I could make my own way.
”
”
Sarah Dessen (Someone Like You)
“
It wasn't you're fault," I whisper. And then out of self-protection more than anything else, I bring the glory. I don't warn him or anything. I don't damp it down. I bring it. The room fills with light.
"This is what I am," I say, my hair ablaze around my head.
He squints at me. his jaw juts out a little in pure stubbornness. He stands his ground
"I know," he says.
I take a step towards him, close the space between us, put my glowing hand against his cheek. He starts to tremble. "This is what I am," I say again and my wings are out now.
His knees wobble, but he fights it. He puts his hand at my waist, turns me, pulls me closer, which surprises me.
"I can accept that," he whispers, and holds his breath, and leans in to kiss me
His lips brush mine for an instant, and an emotion like victory tears through him, but he pulls away and glances at the front door. Groans.
Christian is standing in the doorway.
"Wow," Tucker says, trying to grin. "You really know how to cramp a guy's style."
His legs give out. He falls to his knees.
My light blinks off.
”
”
Cynthia Hand (Boundless (Unearthly, #3))
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
FINAL NOTATIONS
it will not be simple, it will not be long
it will take little time, it will take all your thought
it will take all your heart, it will take all your breath
it will be short, it will not be simple
it will touch you through your ribs, it will take all your heart
it will not be long, it will occupy your thought
as a city is occupied, as a bed is occupied
it will take all your flesh, it will not be simple
you are coming into us who cannot withstand you
you are coming into us who never wanted to withstand you
you are taking parts of us into places never planned
you are going far away with pieces of our lives
it will be short, it will take all your breath
it will not be simple, it will become your will
”
”
Adrienne Rich (An Atlas of the Difficult World)
“
Half-smile when you first wake up in the morning Hang a branch, any other sign, or even the word “smile” on the ceiling or wall so that you see it right away when you open your eyes. This sign will serve as your reminder. Use these seconds before you get out of bed to take hold of your breath. Inhale and exhale three breaths gently while maintaining the half smile. Follow your breaths.
”
”
Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Leo, I know it’s unexplainable because I barely know you, but being with you makes me feel good inside and happy. I’ve never had that. When I see you, I feel like I’m home. Like we’re pieces of a puzzle that have finally come together. And . . . and I think being happy isn’t about the big moments, like when you graduate from college or get that job you’ve been wanting. It’s the small moments that take your breath away and make you truly happy, like the first time you see your newborn’s face or . . . or when you meet someone who could be your soulmate.
”
”
Ilsa Madden-Mills (Very Bad Things (Briarcrest Academy, #1))
“
Just by breathing deeply on your anger, you will calm it. You are being mindful of your anger, not suppressing it...touching it with the energy of mindfulness. You are not denying it at all. When I speak about this to psychotherapists, I have some difficulty. When I say that anger makes us suffer, they take it to mean that anger is something negative to be removed. But I always say that anger is an organic thing, like love. Anger can become love. Our compost can become a rose. If we know how to take care of our compost...Anger is the same. It can be negative when we do not know how to handle it, but if we know how to handle our anger, it can be very positive. We do not need to throw anything away," (50).
”
”
Thich Nhat Hanh (For a Future to Be Possible)
“
Don't grab hurtful comments and pull them close to you by rereading them and ruminating on them. Don't play with them by rehearsing your badass comeback. And whatever you do, don't pull hatefulness close to your heart.
Let what's unproductive and hurtful drop at the feet of your unarmored self. And no matter how much your self-doubt wants to scoop up the criticism and snuggle with the negativity so it can confirm its worst fears, or how eager the shame gremlins are to use the hurt to fortify your armor, take a deep breath and find the strength to leave what's mean-spirited on the ground. You don't even need to stomp it or kick it away.
Cruelty is cheap, easy, and chickenshit. It doesn't deserve your energy or engagement. Just step over the comments and keep daring, always remembering that armor is too heavy a price to pay to engage with cheap-seat feedback.
”
”
Brené Brown (Dare to Lead)
“
Heart beats fast
Colors and promises
How do be brave
How can I love when I'm afraid
To fall
But watching you stand alone
All of my doubt
Suddenly goes away somehow
One step closer
I have died everyday
waiting for you
Darling, don't be afraid
I have loved you for a
Thousand years
I'll love you for a
Thousand more
Time stands still
Beauty in all she is
I will be brave
I will not let anything
Take away
What's standing in front of me
Every breath,
Every hour has come to this
One step closer
I have died everyday
Waiting for you
Darling, don't be afraid
I have loved you for a
Thousand years
I'll love you for a
Thousand more
And all along I believed
I would find you
Time has brought
Your heart to me
I have loved you for a
Thousand years
I'll love you for a
Thousand more
One step closer
One step closer
I have died everyday
Waiting for you
Darling, don't be afraid,
I have loved you for a
Thousand years
I'll love you for a
Thousand more
And all along I believed
I would find you
Time has brought
Your heart to me
I have loved you for a
Thousand years
I'll love you for a
Thousand more
”
”
Christina Perri
“
But now what? Why, now comes my master, takes me right away from my work, and my friends, and all I like, and grinds me down into the very dirt! And why? Because, he says, I forgot who I was; he says, to teach me that I am only a nigger! After all, and last of all, he comes between me and my wife, and says I shall give her up, and live with another woman. And all this your laws give him power to do, in spite of God or man. Mr. Wilson, look at it! There isn't one of all these things, that have broken the hearts of my mother and my sister, and my wife and myself, but your laws allow, and give every man power to do, in Kentucky, and none can say to him nay! Do you call these the laws of my country? Sir, I haven't any country, anymore than I have any father. But I'm going to have one. I don't want anything of your country, except to be let alone,--to go peaceably out of it; and when I get to Canada, where the laws will own me and protect me, that shall be my country, and its laws I will obey. But if any man tries to stop me, let him take care, for I am desperate. I'll fight for my liberty to the last breath I breathe. You say your fathers did it; if it was right for them, it is right for me!
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
Manage me, I am a mess, swept under the rug of yesterday’s home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn’t. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing.
”
”
Alex Gaskarth
“
You'll be my wife," he said inexorably.
"You want to own me!" she accused, trying to crawl away from him.
"Yes." He flung her down on the bed and flattened his weight on her. As he spoke, his hot breath fanned
her mouth and chin. "Yes. I want other people to look at you and know you're mine. I want you to take
my name and my money. I want you to
live with me. I want to be inside you . . . part of your thoughts . . . your body . . . all of you. I want you to
trust me. I want to give you whatever elusive, impossible, goddamned mysterious thing it is you need in
order to be happy. Does that frighten
you? Well, it frightens the hell out of me. Don't you think I'd stop feeling this way if I could? It's not as if
you're the easiest woman in the world!!
”
”
Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
“
Try to roll with the punches. Keep your chin up. Don’t take any wooden nickels. Vote Democrat in every election. Ride your bike in the park. Dream about my perfect, golden body. Take your vitamins. Drink eight glasses of water a day. Pull for the Mets. Watch a lot of movies. Don’t work too hard at your job. Take a trip to Paris with me. Come to the hospital when Rachel has her baby and hold my grandchild in your arms. Brush your teeth after every meal. Don’t cross the street on a red light. Defend the little guy. Stick up for yourself. Remember how beautiful you are. Remember how much I love you. Drink one Scotch on the rocks every day. Breathe deeply. Keep your eyes open. Stay away from fatty foods. Sleep the sleep of the just. Remember how much I love you.
”
”
Paul Auster (The Brooklyn Follies)
“
You look different." His words, normally crisp,are now sluggish.
"So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?"
"Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea."
"No,it isn't" I'm not sure I like Four this way.There's something unsettling about it.
"Didn't know you had a tattoo," he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath.
"Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way."
I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand.
"What way?" I ask. "Drunk?
"Yeah...well,no." His voice softens. "Real,I guess."
"I'll pretend I didn't."
"Nice of you." He puts his lips next to my ear and says, "You look good, Tris."
His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?"
"Of course." He winks at me.
I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends.
Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot.
"Come on,little girl," he says, "I'm taking you to dinner."
I rest my elbows on Al's back and wave at Four as he carries me away.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I took a steadying breath. “Listen, I know we have a full night ahead of us, but I wanted to give you your birthday present.”
“Oh, darling, you didn’t need to get me anything. Every day with you is a gift.” He leaned in and kissed me.
“Well, I hadn’t planned on getting you a gift, but then something presented itself, so here we are.”
“All right then,” he said, placing his glass on the ground. “I’m ready. Where is it?”
“That’s the only problem,” I started. I felt my hands begin to shake. “It won’t actually arrive for another seven or eight months.”
He smiled but squinted. “Eight months? What in the world could take . . .”
As his words drifted away, so did his eyes, leaving my face and making their way to my stomach. He seemed to expect me to look different, for me to be as big as a house already. But I’d done my best to hide everything: the tiredness, the nausea, the sudden distaste for foods.
He stared on and on, and I waited for him to smile or laugh or jump up and down. But he sat there, frozen to the point that it started to frighten me.
“Maxon?” I reached out and touched his leg. “Maxon, are you all right?”
He nodded, still watching my stomach.
”
”
Kiera Cass (The One (The Selection, #3))
“
No more boys taking you on trips, you hear?” His voice was gravelly. “You can take your own self from now on. Last thing you need is some boy distracting you and making this whole situation even more complicated. Promise me you'll stay away from that son of Pharzuph.”
I opened my mouth but the words stuck in my dry throat. How sweat beaded up on my forehead.
“I tried that once, John,” Patti warned him. “It didn't work out so well for me.”
“Have you seen the way he looks at her?” He focused on Patti, but pointed at me.
“Yes, and I've seen the way she looks at him. Truthfully, I think they need each other.”
“Those two need each other like a bullet needs a target. Trust me. I've seen Nephilim kids killed for falling in love and letting it get in the way of their work.”
“Well, you don't have to worry, because we're not in love,” I chimed in. “He doesn't like me like that.”
Dad puffed out a breath of air. “Well, he must feel something, 'cause he sure doesn't want that other kid near you.”
“Is there someone else you're interested in?” Patti asked.
I rolled my colors back up, tucked them inside, and yanked the barrier back into place. Then I entertained the image of Kopano's sweet dimple for a brief second before pushing it away.
“I'm not ready to think about that,” I answered.
My father tilted his head up to the ceiling and pressed his giant hands to his face, muffling his speech. “I'm way too old for this.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
Something about you caught me by surprise
Though I always knew you’d be my demise.
“I didn’t want you to love me
Didn’t want you thinking of me
So I kept my distance
Tried to ignore your existence
I was blinded by my pride
With you, the Jekyll to my Hyde
But that’s where you found me
Baby, that’s where you unwound me
Loving you would be as easy as taking a breath
But to look at you, that’s a dance with death
I’d risk it all,
For you I would
You’d make me fall,
And fall I would
Loving you would be as easy as taking a breath
But to be by you, that’s a dance with death.
“I thought once was enough
You turned to me and called my bluff,
Maybe I should have walked away
but I couldn’t resist, I needed replay after replay
Loving you would be as easy as taking a breath
But to give you up, that’s a dance with death
We were over from the start
I never said I’d give my heart
So now it’s time for this to end
After all, a friend is just a friend
Loving you would be as easy as taking a breath
But to give you up, that’s a dance with death
So now it’s time for this to end
After all, a friend is just a friend.
”
”
R.S. Grey (The Duet (Heart, #1))
“
Something terrible was clawing up her throat.
“I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.”
“Damn your god.”
Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.”
“Why not? I can say anything. Anything except what really matters.”
“Kestrel, take it back. You’ll offend him.”
“Your god risks you.”
“He protects me.”
“You’re his plaything.”
“You’re wrong. He loves me.”
Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe.
“It’s true,” Arin insisted.
She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
All right, silent dark bear with angry frown, tell me more about your land.”
He settled back down, picturing it. “I would tend to our land from the moment the sun rose to when it set and then you ...she would tend to me.”
He laughed at her expression again. The world of exile camps and the Valley felt very far away, and he wanted to lie there forever.
“Let me tell you about your bride,” she said, propping herself up on her elbows.
“Both of you would cultivate the land. You would hold the plow, and she would walk alongside you with the ox, coaxing and singing it forward. A stick in her hand, of course, for she would need to keep both the ox and you in line.”
“What would we...that is, my bride and I, grow?”
“Wheat and barley.”
“And marigolds.”
Her nose crinkled questioningly.
“I would pick them when they bloomed,” he said. “And when she called me home for supper, I’d place them in her hair and the contrast would take my breath away.”
“How would she call you? From your cottage? Would she bellow, ‘Finnikin!’?”
“I’d teach her the whistle. One for day and one for night.”
“Ah, the whistle, of course. I’d forgotten the whistle.
”
”
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Then what is true love?” she asked audaciously.
Derian leaned forward, his focus powerfully fixed on her. His voice turned delicate and compelling as he spoke.
“Love is so much more than a feeling. True love, Eena, is something that develops over time. It’s not that initial infatuation nor the shivers and butterflies that take your breath away when you’re first attracted to someone. Those things are nice, but they are barely the beginning of what could become true love. The emotions you speak of are temporary and unreliable, elicited when two people come together. The power I speak of grows ever stronger over time until it is steadfast, even in separation. Then, reunited, it solidifies unshakably.”
She shook her head. “I don’t quite follow.”
The captain inched closer, fixing her with the sincerest of gazes. His hands cupped as if he were holding his very heart within them.
“True love is a developed and intense appreciation for someone. It’s that perfect awareness that you are finally whole when she’s with you, and that hollow incompleteness you suffer when she’s gone. True love takes time, Eena. It’s an earned comfort that tells you she’ll be right there beside you no matter what you do, not necessarily happy with your every action, but faithful to you just the same. Love is knowing someone so deeply, understanding her so completely, that you can finish her thoughts without hesitation, confident in reading her face, her body, even her slightest gesture means something to you. Love is years of devotion, sacrifice, commitment, loyalty, trust, faith, and friendship all wrapped up in one. True love does more than cause your heart to flutter, Eena. It upholds your heart when the infatuation no longer makes it flutter.”
“Wow.
”
”
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
“
I don't get it?" she asked "I don't get it? Let me tell you something about what I get. You think you're so smart? I spent three years on a full academic scholarship at the best college-prep school in the country. And when they kicked me out I had to petition-petition!-to keep them from wiping out my four-point-oh transcript."
Daniel moved away, but Luce pursued him, taking a step forward for every wide-eyed step he took back. Probably freaking him out, but so what? He'd been asking for it every time he condescended to her.
"I know Latin and French, and in middle school, I won the science fair three years in a row."
She had backed him up against the railing of the boardwalk and was trying to restrain herself from poking him in the chest with her finger. She wasn't finished.
"I also do the Sunday crossword puzzle, sometimes in under an hour. I have an unerringly good sense of direction... though not always when it comes to guys."
She swallowed and took a moment to catch her breath.
"And someday, I'm going to be a psychiatrist who actually listens to her patients and helps people. Okay? So don't keep talking to me like I'm stupid and don't tell me I don't understand just because I can't decode your erratic, flaky, hot-one-minute-cold-the-next, frankly"-she looked up at him, letting out her breath-"really hurtful behavior." She brushed a tear away, angry with herself for getting so worked up.
”
”
Lauren Kate (Fallen (Fallen, #1))
“
Can you conceive of an injustice, criminal in nature, encroaching upon your life’s course? Yes, you; reading this. -- Does your status, as it were, have you so psychologically fractured you honestly believe you’re immune? If thought occupies you for more than a second, you’re entrenched in ignorance you favor.
What should be an innate appreciation of society holds little to no relevance today. Your financial footing takes priority over just about any and everything. Being alive, able bodied, and breathing isn’t enough. What happens when that’s all stripped away?
The choice to exist in the creation of social media was yours, where a mere accusation, or negative posting could damage what should be held in the highest regard, your reputation. The cyber establishment’s chokehold is fierce, and you feel it, yet you constantly wonder why you can’t breathe, but hey, you’re “woke” right?
Your foundation, personal and or financial might be buckling, but you’re clueless, even though it was you who shared every delicate and secular aspect of your life.
Our brand has replaced moral fiber, dictating and tampering with the control of humanity. Are we waiting for the catastrophic crash of mankind? It appears so, when you step back from the edge, watch and listen? That’s a predicament that wasn’t even on your radar, but here you are, “woke,” right?
A roof over your head, clothes on your back, sustenance, hell, even the air you breathe, all taken for granted. This should be a daunting notion I’m setting before the appetite of your consciousness, but perhaps it remains far-fetched. The question you should be asking yourself is, how woke are you; really?
Regardless of gender, a simple compliment, smile, assistance, or jealousy can ignite a desire to stalk or destroy a person. -- The only untainted bubble any of us occupied was in utero, so you are not above reproach of any kind. Whatever self-made bacterial hubris you’ve placed yourself in, outside of that, speaks to the degree of self-importance encasing you, so it’s impossible for you to appreciate what it is to be “woke,” in the real world.
”
”
Fayton Hollington (TWISTED)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles.
He turns on her. "What could be funny?"
She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again.
"And you think that's funny?"
"You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath.
"Obviously."
"Don't you see? It worked!"
"All I saw was Toraf, my sister's mate, my best friend, kissing my...my..."
"Your what?"
"Student." Obsession.
"Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous."
Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?"
She nods, laugher bubbling up again. "And it worked! Did you see her face?"
"You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?"
"I told him to do it."
Galen's fists ball against his will. "You told him to kiss you?"
"No! Sort of. Not really though."
"Emma-"
"I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!"
She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?"
"I just told you I did, Galen."
"Not his plan. The kiss."
The delight leaves her face like a receding tide. "That's none of your business, Highness."
He runs a hand through his hair to keep from shaking her. And kissing her.
"Triton's trident, Emma. Did you like it or not?"
Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?"
"What does that have to do with anything?"
"Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house.
"Emma, wait."
"I'm tired of waiting, Galen. Good night.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
He hit her with his best smile. Her eyes widened. She took a deep breath. 'Oh no, not that seductive face. I'm overcome with the need to take off these awful clothes. What is happening? I do not understand. Oooh. Ahhh.' She touched her wrist to her forehead. 'Somebody help me. I'm being drenched with my own fluids.'
Evil woman.
'See now, you shouldn't have done that,' Kaldar said.
She gave him an innocent look.
'You've made yourself into a challenge. Now I'll have to seduce you out of principle.'
'You can try. Not that you'll get anywhere. If you were in love, that would be one thing, but we both know this is pride talking.' Audrey patted his forearm. 'It's all right. I won't tell anybody about your shameful failure. I'll keep it completely confidential.' She pretended to lock her lips and throw away the key.
'I'll remind you of this when you're collapsing on my sheets, all happy and out of breath.' He leaned closer. "I'm picturing it in my head. Mmm, you look lovely.'
'Whatever fantasies help you get through the day.' Audrey said.
'So kind of you.'
'I'm all about being charitable when it doesn't cost me anything.'
Charity? For me?
Before this was all over, either they would be lovers or they'd kill each other. Right now, he had no idea which it would be.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
Her face screws up in disgust and she steps forward. "You're a fool, Miller Hart. He'll never let you walk away."
He explodes.
"I love her!" he roars, knocking every person back in the room. "I fucking love her!" Tears burst from my eyes and I fall into his side. He immediately grabs me and pulls me close. "I love her. I love everything she stands for and I love how much she loves me. It's more than you love me. It's more than any of you claim to love me! It's pure and light. It's made me feel. It's made me want more. If any fucker tries to take her away from me, I'll fucking kill them." Pulling up for a second, he gathers a long breath. "Slowly," he adds, shaking beside me, clinging to me tightly, like he's afraid someone will try right now. "I don't care what he says. I don't care what he thinks he can do to me. It'll be him sleeping with one eye open, Sophia, not me. So tell him. Fucking run to him and confirm what he already knows. I don't want to fuck for living anymore. Tell him I don't want to line his pockets anymore. You're not holding me to ransom. Miller Hart is out of the game. The Special One has quit!" He withdraws and takes a few moments to suck in another calming gulp of air, while everyone looks at him, shocked. Including me. "I love her. Go to him. Tell him I love her. Tell him I'm Olivia's now. And tell him if he even thinks about touching a hair on her precious head, it'll be the last thing he ever does.
”
”
Jodi Ellen Malpas (One Night Unveiled (One Night, #3))
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Stay."
The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son."
Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need."
Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—"
"I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning."
Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed.
"I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—"
Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son."
Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm.
"I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day."
-Dallas and Dee
”
”
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
“
Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight.
My faery with a soul.
He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist.
And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder.
He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close."
I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine."
"This isn't going to work. It never would have."
"Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us."
"God Noah..." Her voice broke. "I'm a mess."
A mess? "You 're beautiful."
"I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability."
"Not true. My brothers will love you and you 'll love them. You are not a liability."
"But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?"
Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open.
"Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked.
I forced my head straight and narrowed my eyes. "I love you."
She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours."
To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together."
Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose."
She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me.
I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair.
She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
My blood, sweat and tears
Even my blood, sweat and tears
Even my body, heart and soul
I know that it’s all yours
This is a spell that’ll punish me
Peaches and cream
Sweeter than sweet
Chocolate cheeks
And chocolate wings
But your wings are wings of the devil
In front of your sweet is bitter bitter
Kiss me, I don’t care if it hurts,
Hurry and choke me
So I can’t hurt any more
Baby, I don’t care if I get drunk, I’ll drink you in now
Your whiskey, deep into my throat
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I don’t care if it hurts, tie me up
So I can’t run away
Grab me tightly and shake me
So I can’t snap out of it
Kiss me on the lips lips,
Our own little secret
I wanna be addicted to your prison
So I can’t serve anyone that’s not you
Even though I know,
I drink the poisonous Holy Grail
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
Kill me softly
Close my eyes with your touch
I can’t even reject you anyway
I can’t run away anymore
You’re too sweet, too sweet
Because you’re too sweet
My blood, sweat and tears
My blood, sweat and tears
”
”
BTS
“
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded.
She squirmed in his arms. “What are you—”
He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides.
Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate.
Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
”
”
Katie Ashley (The Proposition (The Proposition, #1))
“
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said.
Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe.
“What?”Sadeas asked.
“The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.”
Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.”
“Do we have a deal?”Dalinar asked.
“Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—”
Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp.
Kaladin stared, unable to move, unable to think.
Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.”
Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage.
“They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!”
Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.”
He began to walk away.
Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?”
Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.”
“But…”
“What is a man’s life worth?” Dalinar asked softly.
“The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning.
“And what do you say?”
“A life is priceless,” he said immediately, quoting his father.
Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.”
“You really think it was a good trade, don’t you?” Kaladin said, amazed.
Dalinar smiled in a way that seemed strikingly paternal.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
Like you?” My face twisted in abhorrence, spitting the words like they were revolting. Her eyes widened. I shook my head, a dark chuckle on my lips. “You think I fucking like you? Are you kidding me here? I don’t like you. I love you. Even that’s an under-fucking-statement. I live for you. I breathe for you. I will die for you. It. Has. Always. Been. You. Ever since I saw your sorry ass for the first time on that threshold and you fucking poked me in the chest like I was a toy. We’ve been apart for ten years, Rose LeBlanc, and not even one day has passed without me thinking of you. And not just in passing. You know, the occasional she-could-have-been-a-g reat-fuck. I mean really taking my time to think about you. Wondering what you looked like. Where youwere. What you were doing. Who you were with. I stalked you on Facebook. And Twitter—which, by the way, you need to deactivate because you never once bothered to tweet—but you aren’t exactly a social media animal. I asked about you. Every time I was in town. And once I realized you were in New York with Millie…” “Rosie, I bought a new penthouse in TriBeca a few months before you moved into our building.”
“Why are you telling me this?” She blinked away her tears, but fresh ones rolled down to replace them time. “Because I had to sell it and lost a shit-ton of money the moment I realized you were going to be my neighbor if I stayed in my current place. Real talk, Rosie, you are all I ever wanted. Even when you wanted me to be with your sister. She was a comforting candle. You were the dazzling sun. I’d lived in the dark—for your selfish ass. And if you think I’m going to settle for something , you’re dead wrong. I am taking everything . We will have kids, Rose LeBlanc. We will have a wedding. And we will have joy and vacations and days where we just fuck and days where we just fight and days where we just live. Because this is life, Baby LeBlanc, and I love the fuck out of you, so I’m going to give you the best one there is. Got it?
”
”
L.J. Shen (Ruckus (Sinners of Saint, #2))
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it.
My right hand was faster, was not mine.
Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry.
The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression.
I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again.
I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face.
This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised.
Did that mean pass or fail?
The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration.
In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole.
I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real.
Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed.
'No one's betrayed you, stupid,' I railed at her.
'How could he? How?' she ranted, ignoring me.
We sobbed beyond control.
One word snapped us back from the edge of hysteria.
From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?"
"Mel?" he asked again, the hope he didn't want to feel colouring his tone.
My breath caught in another sob, an aftershock.
"You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it."
"If you're in there, Mel..." He paused.
Melanie hated the "if". A sob burst up through my lungs and I gasped for air.
"I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
”
”
Alexandra Adornetto
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
You work that you may keep pace with the earth and the soul of the earth.
For to be idle is to become a stranger unto the seasons,
and to step out of life's procession, that marches in majesty and proud submission towards the infinite.
When you work you are a flute through whose heart the whispering of the hours turns to music.
Which of you would be a reed, dumb and silent, when all else sings together in unison?
Always you have been told that work is a curse and labour a misfortune.
But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born,
And in keeping yourself with labour you are in truth loving life,
And to love life through labour is to be intimate with life's inmost secret.
But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written.
You have been told also that life is darkness, and in your weariness you echo what was said by the weary.
And I say that life is indeed darkness save when there is urge,
And all urge is blind save when there is knowledge,
And all knowledge is vain save when there is work,
And all work is empty save when there is love;
And when you work with love you bind yourself to yourself, and to one another, and to God.
And what is it to work with love?
It is to weave the cloth with threads drawn from your heart,
even as if your beloved were to wear that cloth.
It is to build a house with affection,
even as if your beloved were to dwell in that house.
It is to sow seeds with tenderness and reap the harvest with joy,
even as if your beloved were to eat the fruit.
It is to charge all things you fashion with a breath of your own spirit,
And to know that all the blessed dead
are standing about you and watching.
Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil.
And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet."
But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass;
And he alone is great who turns the voice of the wind into a song made sweeter by his own loving.
Work is love made visible.
And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy.
For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger.
And if you grudge the crushing of the grapes, your grudge distils a poison in the wine.
And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
”
”
Kahlil Gibran (The Prophet)
“
Are you going to hand me over to him?"
"I haven't decided yet," I teased, and he smiled again, erasing his momentary seriousness. "So, where'd you get the suit?"
"Believe it or not, that lovely friend of yours, Willa," Loki said. "She brought me a whole slew of clothes last night. When I asked her why she was being so generous, she said it was out of fear that I would run around naked."
I smiled. "That does sound like something you would do. Why are you wearing all black, though? Didn't you know you were going to a wedding?"
"On the contrary," he said, doing his best to look unhappy. "I'm in mourning over the wedding."
"Oh, because it's too late?" I asked.
"No, Wendy, it's never too late." His voice was light, but his eyes were solemn.
"May I cut in?" the best man asked.
"No, you may not," Loki said. I'd started to move away from him, but he held fast.
"Loki," I said, and my eyes widened.
"I'm still dancing with her," Loki said, turning to look at him. "You can have her when I'm done."
"Loki," I said again, but he was already twirling me away. "You can't do that."
"I just did." He grinned. "Oh, Wendy, don't look so appalled. I'm already the rebel Prince of thine enemy. I can't do much more to tarnish my image."
"You can certainly tarnish mine," I pointed out.
"Never," Loki said, and it was his turn to look appalled. "I'm merely showing them how it's done."
He began spinning me around the dance floor in grand arcs, my gown swirling around me. He was a brilliant dancer, moving with grace and speed. Everyone had stopped to watch us, but I didn't care. This was the way a Princess was supposed to dance on her wedding day.
The song ended, switching to something by Mozart, and he slowed, almost to a stop, but he kept me in his arms.
"Thank you." I smiled. My skin felt flushed from dancing, and I was a little out of breath. "That was a wonderful dance."
"You're welcome," he said, staring intently at me. "You are so beautiful."
"Stop," I said, looking away as my cheeks reddened.
"How can you blush?" Loki asked, laughing gently. "People must tell you how beautiful you are a thousand times a day."
"It's not the same," I said.
"It's not the same?" Loki echoed. "Why? Because you know they don't mean it like I do?"
We did stop dancing them, and neither of us said anything. Garrett came up to us. He smiled, but his eyes didn't appear happy.
"Can I cut in?" Garrett asked.
"Yes," Loki said, shaking off the intensity he'd had a moment ago, and grinned broadly at Garrett. "She's all yours, good sir. Take care of her."
He patted Garrett on the arm once for good measure and gave me a quick smile before heading back over to the refreshment table.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?"
"Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways.
"Oh," Toraf says. "It must be someone I know, then."
"Toraf, I swear by Triton's trident-"
"These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna."
"She's not going to any island with you, Toraf!" Emma yells.
"Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles.
Rayna shakes her head. "It's no use, Emma. I really don't have a choice."
She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you."
Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him.
Toraf shakes his head. "She's not staying with you, Emma."
"We'll see about that, tadpole," she returns.
"Galen, do something," Toraf says, not taking his eyes off Emma.
Galen grins. "Such as?"
"I don't know, arrest her or something," Toraf says, crossing his arms.
Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table.
Everyone gasps except Galen-who laughs so hard he almost upturns his chair.
Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?"
The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?"
Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt.
The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago."
This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly.
She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand."
She laughs and shows him it's empty. "No weapons."
"Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her.
She shrugs. "Survival instinct, maybe?"
He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks.
"Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))