Taipei Tao Lin Quotes

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On average, since the urge to kill myself isn't so strong that I actually kill myself, the world is worth living in.
Tao Lin (Taipei)
He wanted to hide by shrinking past zero, through the dot at the end of himself, to a negative size, into an otherworld, where he would find a place— in an enormous city, too large to know itself, or some slowly developing suburb— to be alone and carefully build a life in which he might be able to begin, at some point, to think about what to do about himself.
Tao Lin (Taipei)
When he heard laughter, before he could think or feel anything, his heart would already be beating like he’d sprinted twenty yards. As the beating slowly normalized he’d think of how his heart, unlike him, was safely contained, away from the world, behind bone and inside skin, held by muscles and arteries in its place, carefully off-center, as if to artfully assert itself as source and creator, having grown the chest to hide in and to muffle and absorb—and, later, after innovating the brain and face and limbs, to convert into productive behavior—its uncontrollable, indefensible, unexplainable, embarrassing squeezing of itself.
Tao Lin (Taipei)
It would take her thousands of steps to get anywhere, but she would get there easily, and when she arrived, in the present, it would seem like it had been a single movement that brought her there. Did existence ever seem worked for? One seemed simply to be here, less an accumulation of moments than a single arrangement continuously gifted from some inaccessible future.
Tao Lin (Taipei)
After blearily looking at the internet a little, then peeing and brushing his teeth and washing his face, he lay in darkness on his mattress, finally allowing the simple insistence of the opioid, like an unending chord progression with a consistently unexpected and pleasing manner of postponing resolution, to accumulate and expand, until his brain and heart and the rest of him were contained within the same songlike beating—of another, larger, protective heart—inside of which, temporarily safe from the outside world, he would shrink into the lunar city of himself and feel and remember strange and forgotten things, mostly from his childhood.
Tao Lin (Taipei)
The unindividualized, shifting mass of everyone else would be a screen, distributed throughout the city, onto which he'd project the movie of his uninterrupted imagination. Because he'd appear to, and be able to pretend he was, but never actually be a part of the mass, maybe he'd gradually begin to feel a kind of needless intimacy, not unlike being in the same room as a significant other and feeling affection without touching or speaking.
Tao Lin (Taipei)
I know,' said Erin, and described how she'd lately felt depressed in a new and scary way, which Paul also had felt lately and described as a sadness-based fear, immune to tone and interpretation, as if not meant for humans - more visceral than sadness, but unlike fear because it decreased heart rate and impaired the senses, causing everything to seem 'darker.
Tao Lin (Taipei)
Paul thought of how they'd kept delaying buying plane tickets to visit his parents in Taiwan - in December, which was next month, he knew - as if in tacit understanding that their relationship wouldn't last that long. Paul felt himself trying to interpret the situation, as if there was a problem to be solved, but there didn't seem to be anything, or maybe there was, but he was three or four skill sets away from comprehension, like an amoeba trying to create a personal webpage using CSS.
Tao Lin (Taipei)
Paul thought of Taipei as a fifth season, or “otherworld,” outside, or in equal contrast with, his increasingly familiar and self-consciously repetitive life in America, where it seemed like the seasons, connecting in right angles, for some misguided reason, had formed a square, sarcastically framing nothing
Tao Lin (Taipei)
Gradually, after being the target a few times of a similar capriciousness, which he discerned as default behavior for most people, and not liking it, Paul learned to not be more generous or enthusiastic or attentive that he could sustain regardless of his mood and to not talk to people if his only reason to was because he felt lonely or bored.
Tao Lin (Taipei)
Laura ordered a margarita, then sometimes turned her head 90 degrees, to her right, to stare outside—at the sidewalk, or the quiet street—with a self-consciously worried expression, seeming disoriented and shy in a distinct, uncommon manner indicating to Paul an underlying sensation of “total yet failing” (as opposed to most people’s “partial and successful”) effort, in terms of the social interaction but, it would often affectingly seem, also generally, in terms of existing. Paul had gradually recognized this demeanor, the past few years, as characteristic, to some degree, of every person, maybe since middle school, with whom he’d been able to form a friendship or enter a relationship (or, it sometimes seemed, earnestly interact and not feel alienated or insane). After
Tao Lin (Taipei)
The late-afternoon sky, in Paul's peripheral vision, panoramic and mostly unobstructed, appeared rural or suburban, more indicative of forests and fields and lakes—of nature's vast connections, through the air and the soil, to more of itself—than of outer space, which was mostly what Paul thought of when beneath an urban sky, even in daytime, especially in Manhattan, between certain buildings, framing sunless zones of upper atmosphere, as if inviting space down to deoxygenate a city block.
Tao Lin (Taipei)
As a waiter served their medium-rare steaks and, on multicolored rice, cooked into fetal positions, eight medium-large shrimp, Paul realized with some confusion that he might have overreacted. Staring at the herbed butter, flecked and large as a soap sample, on his steak, he was unsure what, if he had overreacted, had been the cause. It occurred to him that, in the past, in college, he would have later analyzed this, in bed, with eyes closed, studying the chronology of images—memories, he’d realized at some point, were images, which one could crudely arrange into slideshows or, with effort, sort of GIFs, maybe—but now, unless he wrote about it, storing the information where his brain couldn’t erase it, place it behind a toll, or inadvertently scramble its organization, or change it gradually, by increments smaller than he could discern, without his knowledge, so it became both lost and unrecognizable, he probably wouldn’t remember most of this in a few days and, after weeks or months, he wouldn’t know it had been forgotten, like a barn seen from inside a moving train that is later torn down, its wood carried elsewhere on trucks.
Tao Lin (Taipei)
- ¿No te parece a veces que vivir en el mundo es como una mierda? - ¿A qué te refieres? - dijo Paul lentamente. - A ver... que lo que el mundo puede darnos no basta para satisfacernos. - No -dijo Paul al cabo de unos diez segundos, y se tapó la cara con las manos-. Quiero decir... el mundo está bien, y me baso en pruebas, porque no me he suicidado. Si me suicidara... podría decir que el mundo es malo, en general. - Definitivamente, vamos. - En general -dijo Paul sin apartar las manos-. Como las ganas de suicidarme no son tan fuertes como para que me suicide, el mundo es un lugar en el que vale la pena vivir.
Tao Lin (Taipei)
-Y ahora qué hacemos - dijo Paul cuando unos veinte minutos más tarde se marchaban del parque. Después de dar unos pasos en la calle, Daniel miró distraídamente en las dos direcciones y, con la vista al frente y expresión preocupada, dobló a la derecha en la acera. -Teníamos un objetivo específico, eso lo recuerdo -dijo Paul-. ¿Cuál era? - No lo sé - dijo Daniel al cabo de unos segundos. - Acabábamos de comentarlo. - Me acuerdo de algo -dijo Daniel con aire ausente. - Ah, sí , vender libros. - Vamos -dijo Daniel. - Habíamos olvidado nuestro propósito y acabamos de recuperarlo -dijo Paul sonriendo-. No teníamos ningún objetivo, pero aun así seguíamos avanzando al mismo ritmo. - Dios -dijo Daniel en voz baja.
Tao Lin (Taipei)
Something staticky and paranormally ventilated about the air, which drifted through a half-open window, late one afternoon, caused a delicately waking Paul, clutching a pillow and drooling a little, to believe he was a small child in Florida, in a medium-size house, on or near winter break. He felt dimly excited, anticipating a hyperactive movement of his body into a standing position, then was mostly unconscious for a vague amount of time until becoming aware of what seemed to be a baffling non sequitur—and, briefly, in its mysterious approach from some eerie distance, like someone else’s consciousness—before resolving plainly as a memory, of having already left Florida, at some point, to attend New York University. After a deadpan pause, during which the new information was accepted by default as recent, he casually believed it was autumn and he was in college, and as he felt that period’s particular gloominess he sensed a concurrent assembling, at a specific distance inside himself, of dozens of once-intimate images, people, places, situations. With a sensation of easily and entirely abandoning a prior context, of having no memory, he focused, as an intrigued observer, on this assembling and was surprised by an urge, which he immediately knew he hadn’t felt in months, or maybe years, to physically involve himself—by going outside and living each day patiently—in the ongoing, concrete occurrence of what he was passively, slowly remembering. But the emotion dispersed to a kind of nothingness—and its associated memories, like organs in a lifeless body, became rapidly indiscernible, dissembling by the metaphysical equivalent, if there was one, of entropy—as he realized, with some confusion and an oddly instinctual reluctance, blinking and discerning his new room, which after two months could still seem unfamiliar, that he was somewhere else, as a different person, in a much later year.
Tao Lin (Taipei)
A partir de un determinado momento, advirtió Paul vagamente, la tecnología había pasado a señalarle únicamente el carácter ineludible y próximo de la nada. En vez de liberar nanobots en el torrente sanguíneo para reparar las cosas más rápidamente de lo que se deterioraban, implantar pequeños computadores en el cerebro de la gente o aplicar otros métodos que Paul había descubierto en la Wikipedia con intención de aplazar la muerte hasta convertirla en ese ente lejano y menguante y casi inexistente que entonces era la vida- y para que la vida, para los humanos inmortales, se convirtiera en la diversión preponderante que entonces era la muerte-, la tecnología parecía abocada a eliminar la vida para siempre cumpliendo incontroladamente su única función: convertir la materia, animada o inanimada, en materia computerizada con el único objeto, al parecer, de aumentar su funcionamiento hasta que el universo fuera un único ordenador. La tecnología, una abstracción indetectable en la realidad concreta, estaba llevando a cabo su tarea concreta, intuyó Paul débilmente mientras le acariciaba el pelo a Erin, gracias a una mano de obra humana, creciente y cada vez más entregada que, en el transcurso de cientos de generaciones, iba recibiendo lo que parecían anticipos (desde los pies a los coches pasando por las bicicletas, desde la cara a Internet hasta los tablones de anuncios) a cambio de convertir una cantidad suficiente de materia en materia computerizada para que los ordenadores pudieran ir construyéndose a sí mismos.
Tao Lin (Taipei)
It was spring, not winter or autumn, Paul thought with some lingering confusion. He listened to the layered murmur of wind against leaves, familiarly and gently disorienting as a terrestrial sound track, reminding people of their own lives, then opened his MacBook—sideways, like a hardcover book—and looked at the internet, lying on his side, with his right ear pressed into his pillow, as if, unable to return to sleep, at least in position to hear what, in his absence, might be happening there.
Tao Lin (Taipei)
...and sleepily thought of how technology was no longer the source of wonderment and possibility it had been...
Tao Lin (Taipei)
At some point, Paul vaguely realized, technology had begun for him to mostly only indicate the inevitability and vicinity of nothingness. Instead
Tao Lin (Taipei)
when i was five i went fishing with my family when i was five i went fishing with my family my dad caught a turtle my mom caught a snapper my brother caught a crab i caught a whale that night we ate crab the next night we ate turtle the next night we ate snapper the night ate we ate whale the night ate we ate whale the night ate we ate whale the night ate we ate whale the night ate we ate whale the night ate we ate whale
Tao Lin (Taipei)
Laura was ten feet away, in a throne-like chair, facing Paul, but not looking at him, or anyone, it seemed. Paul openly stared at her for around ten seconds, to no response, then moved chips and guacamole onto his lap (partly because he felt anxious about Laura seeming to refuse to look at him) and focused on steadily eating while repeatedly thinking “eating chips and guacamole.
Tao Lin (Taipei)
Gradually, after being the target a few times of a similar capriciousness, which he discerned as default behavior for most people, and not liking it, Paul learned to not be more generous or enthusiastic or attentive than he could sustain regardless of his mood and to not talk to people if his only reason to was because he felt lonely or bored
Tao Lin (Taipei)
He allowed himself to consider earlier opportunities, mostly for something to do, and discerned after a brief sensation of helplessness--like if he'd divided 900 by itself and wanted the calculator to answer 494/494 or 63/63--that, in terms of leaving this social situation, he shouldn't have been born.
Tao Lin (Taipei)
The unindividualized, shifting mass of everyone else would be a screen, distributed throughout the city, onto which he'd project the movie of his uninterrupted imagination. Because he'd appear to, and be able to pretend he was\, but never actually be a part of the mass, maybe he'd begin to feel a kind of needless intimacy, not unlike being in the same room as a significant other and feeling affection without touching or speaking. An earnest assembling of the backup life he'd sketched and constructed the blueprints and substructures (during the average of six weeks per year, spread throughout his life, that he'd been in Taiwan) would begin, at some point, after which, months and years later, one morning, he would sense the independent organization of a second, itinerant consciousness—lured here by the new, unoccupied structures—toward which he'd begin sending the data of his sensory perception.
Tao Lin, Taipei
Nice" said Paul staring transfixed at Fran's delicate and extreme gaze, like that of a skeleton with eyeballs, or a person with their face peeled off.
Tao Lin (Taipei)
Susie-Q," said Daniel with a smirk-like grin indicating both earnest disapproval and a kind of fondness toward Seroquel and its intense, often uncomfortable tranquilizing effects—as if, believing Susie-Q wasn't malicious, he could forgive her every time she induced twelve hours of sleep followed by twelve to twenty-four hours of feeling lost and irritable, therefore she functioned, if inadvertently, as a teacher of forgiveness and acceptance and empathy, for which he was grateful.
Tao Lin (Taipei)
After untangling a cord, then moving the MacBook to the floor, Paul lay beside Erin and meekly pawed her forearm three times, then briefly held some of her fingers, which were surprisingly warm. He lay stomach-down with his arm on her arm, thinking that if she woke, while he was asleep, this contact could be viewed as accidental. Maybe she would roll toward him, resting her arm across his back—they'd both be stomach-down, as if skydiving—in an unconscious or dream-integrated manner she wouldn't remember, in the morning, when they'd wake in a kind of embrace and begin kissing, neither knowing who initiated, therefore brought together naturally, like plants that join at their roots.
Tao Lin (Taipei)