Tailored Suit Quotes

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She nodded, grabbed her purse out of the drawer and skedaddled, walking like she was on a catwalk, one foot in front of the other, her ass swaying under the skirt of her expensive, tailored suit. Bitch. I thought again, watching her go. “No comparison,” Luke said after the door closed behind Dawn and I turned to him. “Excuse me?” “Dawn’s a man eater. You’re not. No comparison,” Luke answered and I didn’t know how to take that. “Is that good?” The half-smile came back. “Most men prefer to do the eating.” Holy fucking cow.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
Oh, Jeeves,' I said; 'about that check suit.' Yes, sir?' Is it really a frost?' A trifle too bizarre, sir, in my opinion.' But lots of fellows have asked me who my tailor is.' Doubtless in order to avoid him, sir.' He's supposed to be one of the best men in London.' I am saying nothing against his moral character, sir.
P.G. Wodehouse
I think motherhood is the noblest task of all, because you cannot do it at your convenience, or tailor it to suit your preferences. You have to be ready to give up everything when you take on this task: your time, restful nights, your hobbies, your pursuit of physical fitness, any beauty you may have had, and all of the private little pleasures you might have counted as a right, from late dinners and long soaks in the tub to weekend excursions and cycling trips…I’m not saying you can’t have any of these things, but you have to be ready to let them all go if you’re going to have children and put them first.
Johann Christoph Arnold (Endangered : Your Child in a Hostile World)
A man came up to her. Expensively tailored suit. Okay, he wasn't exactly a man because he was only thirty-five. But he was trying.
Candace Bushnell (Sex and the City)
She took a second look at him, at his fancy tailored suit. Dark gray with pinstripes. Oh please, like she’d really believe he was a dom at all? “Gabrielle Anderson. Are you sure you’re Master Marcus?” “Why would you think I’m not Master Marcus?” he asked. Well, good grief. She waved a hand at him and kept the duh from slipping out. Just in case he really was Master Marcus. Maybe he hadn’t changed yet or something. “The suit? Where are your leathers or latex or…biker jacket or vest? And black? Did you forget to wear black?” He stared for a second, as if she’d turned into a drooling idiot, and then simply roared. Deep, full laughter—amazing coming from someone who looked like he should have a stick up his ass.
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
To be a prosperous pastor one needs: (1) a bible (2) a tailored suit; and (3) a few psychology books.
Mokokoma Mokhonoana
The speaker at the meeting, a blonde woman in a fine tailored suit, shared how alcoholism had stolen her own childhood, and had now come back for her child.
Anne Lamott (Imperfect Birds)
Fine, as the tailor said to the broke and naked knight, suit yourself.
Christopher Moore (The Serpent of Venice)
There were many advantages to a well-tailored suit, and Dominic was treated to one of them right now: a view of soft wool clinging to the lines of lean, strong thighs and a tight ass that defined the word spankable.
Cordelia Kingsbridge (Kill Game (Seven of Spades #1))
If we were not impressed by job titles, suits, and jargon, we would demand that financial advisors show us their personal bank statements before they tell us what we could or should do with our own money.
Mokokoma Mokhonoana
There’s a guy there too, sitting in an armchair across from me with a glass coffee table between us. He’s maybe three or four years older than me, and he looks like he has just stepped off a GQ cover, with his thick wavy dark hair, square jaw, flawless smooth skin, and elegantly tailored suit that does a lot for his tall athletic frame. Aside from Grayson, he’s probably one of the most handsome guys I’ve met in person. - Celestra Caine about Jack Simple, FADE by Kailin Gow
Kailin Gow (Fade (Fade, #1))
Do you think I'd carry a gun in a suit like this ? My tailor would throw a fit.
Leslie Charteris (The Saint Plays with Fire)
SIT WITH ME I’m not trying to write a tailored suit. I’m trying to write boot socks, warm from the dryer. There’s an endless autumn in me, scenting my thoughts like campfire smoke. I write for the weather I know.
Jarod K. Anderson (Field Guide to the Haunted Forest)
There is something innately dangerous about the man, something I’ve never been able to put my finger on. He’s made of pure flames inside his tailored suit and I’m not the only stupid moth attracted to the flickering fire of his.
V. Theia (Manhattan Target (From Manhattan #6))
Properly cared for, a Savile Row suit can be handed down the generations—like gout.
Ben Schott (Jeeves and the King of Clubs)
A tailor walks into a lawyer, and the bar says, "I like your suit." And the tailor replies, "This morning I spotted a non-sequitur detective. Don't worry, he didn't follow me.
Jarod Kintz (This Book is Not for Sale)
It’s like you put on this expensive tailored suit and everybody tells you how great you look in it, but it doesn’t fit quite right unless you stand perfectly still.
Political Animals
His sadness seemed complete. It had left him nothing, no proper enjoyment, no Saturday mornings. Sadness wore him like a tailored suit.
Leif Enger (Virgil Wander)
She isn't the girl who used to live next door, hasn't been for years. Back then she had freckles and jeans with holes at the knees and a ponytail yanked so tight it made her eyes pull at the corners. Now she wears pantyhose and tailored suits; she has had the same short bob hairstyle for five years. But when Patrick gets close enough, she still smells like childhood to him.
Jodi Picoult (Perfect Match)
My tailor - a tailor who maintains the devoted manners of a bygone era and who speaks to me in the third person - finally couldn't prevent himself from suggesting a less morose wardrobe for me. "For however elegant, black is sad." And so it's the colour that suits me, for I am also sad.
Gabrielle Wittkop (The Necrophiliac)
The fox came to pay the birch tree a vist, bringing with him a book of poetry. He was wearing a dark blue suit fresh from the tailor's, and his light brown leather shoes squeaked slightly as he walked.
Kenji Miyazawa (Winds from Afar (English and Japanese Edition))
Moments later a huge male with a cropped mohawk came out. Rehvenge was dressed in a perfectly tailored black suit and had a black cane in his right hand. As he came slowly over to the Brotherhood's table, his patrons parted before him, partly out of respect for his size, partly out of fear from his reputation. Everyone knew who he was and what he was capable of: Rehv was the kind of drug lord who took a personal interest in his livelihood. You crossed him and you turned up diced like something off the Food Channel.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
They were all tall and slender with heads groomed like manikins' heads, and as they talked the heads waved gracefully above their dark tailored suits, rather like long-stemmed flowers and rather like cobras' hoods.
F. Scott Fitzgerald (Tender Is the Night)
Jesus Christ. He was wearing a suit for once, a dark gray ensemble that looked tailored to fit his wide shoulders, full arms, slim hips, and muscular thighs. How the hell did he go through the day without getting slipped a Rohypnol by every woman he came in contact with?
Mariana Zapata (Lingus)
I always say South America’s the only place where you cut a gentleman his suit one week and see his statue wearing it the next.
John Le Carré (The Tailor of Panama)
Watching him walk over, Alex mused that Eli Cooper was the sort of man who knew how to use his physicality. Beneath his handmade shirts and tailored suits, a street fighter hummed through every loose-limbed motion. But that impression did not extend to his face, which was structurally perfect. Skyscraper-high cheekbones. Superhero jaw. A mouth that should have a government warning. There were no signs of past trouble with a jealous husband or an abandoned girlfriend. No one had ever broken his nose. No one had busted his lip. Strange, because her first instinct on seeing him was to roundhouse kick him into the next millennium.
Kate Meader (Playing with Fire (Hot in Chicago, #2))
Conor's grandma wasn't like other grandmas. He'd met Lily's grandma loads of times, and she was how grandmas were supposed to be: crinkly and smiley, with white hair and the whole lot. She cooked meals where she made three separate eternally boiled vegetable portions for everybody and would giggle in the corner at Christmas with a small glass of sherry and a paper crown on her head. Conor's grandma wore tailored trouser suits, dyed her hair to keep out the grey, and said things that made no sense at all, like "Sixty is the new fifty" or "Classic cars need the most expensive polish." What did that even mean? She emailed birthday cards, would argue with waiters over wine, and still had a job. Her house was even worse, filled with expensive old things you could never touch, like a clock she wouldn't even let the cleaning lady dust. Which was another thing. What kind of grandma had a cleaning lady?
Patrick Ness (A Monster Calls)
But at times words can be a dangerous addition to music — they can pin it down. Words imply that the music is about what the words say, literally, and nothing more. If done poorly, they can destroy the pleasant ambiguity that constitutes much of the reason we love music. That ambiguity allows listeners to psychologically tailor a song to suit their needs, sensibilities, and situations, but words can limit that, too. There are plenty of beautiful tracks that I can’t listen to because they’ve been “ruined” by bad words — my own and others. In Beyonce's song "Irreplaceable," she rhymes "minute" with "minute," and I cringe every time I hear it (partly because by that point I'm singing along). On my own song "Astronaut," I wrap up with the line "feel like I'm an astronaut," which seems like the dumbest metaphor for alienation ever. Ugh.
David Byrne (How Music Works)
If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way. Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?
Tatsuya Ishida
On this upward and sometimes hazardous journey, each of us meets our share of daily challenges. If we are not careful, as we peer through the narrow lens of self-interest, we may feel that life is bringing us more than our fair share of trials--that somehow others seem to be getting off more lightly. But the tests of life are tailored for our own best interests, and all will face the burdens best suited to their own mortal experience. In the end we will realize that God is merciful as well as just and that all the rules are fair. We can be reassured that our challenges will be the ones we needed, and conquering them will bring blessings we could have received in no other way.
Jeffrey R. Holland (Created for Greater Things)
Not mamy of our old families can boast that a Savile Row tailor calls four times a year at their country estates to measure the scarecrows in the fields for new suits.
J.B. Morton (The Best of Beachcomber)
And there Henry is, in the flesh, as classically handsome as ever in his tailored three-piece suit, all tousled sandy hair and high cheekbones and a soft, friendly mouth
Casey McQuiston (Red, White & Royal Blue)
Sometimes the thought had occurred to me that Adam dressed so civilized in his silk shirts and hand-tailored suits as a shield against the wildness within him.
Patricia Briggs (River Marked (Mercy Thompson, #6))
He notices David Beckham in a well-tailored suit—once again, how had he convinced himself he was straight?
Casey McQuiston (Red, White & Royal Blue)
Arrogance is an unattractive trait, but Luc wears it with all the comfort of a tailored suit.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
A man who visits a barber to be shaved, or who orders a suit from a tailor, is not a disciple, but a customer. So one who comes to the Savior only to be saved is the Savior’s customer, not His disciple. A disciple is one who says to Christ, ‘How I long to do work like Yours! To go from place to place taking away fear; bringing instead joy, truth, comfort, and life eternal!
Richard Wurmbrand (In God's Underground)
door. It was likewise ordered, that three hundred tailors should make me a suit of clothes, after the fashion of the country; that six of his majesty’s greatest scholars should be employed to instruct me in their language; and lastly, that the emperor’s horses, and those of the nobility and troops of guards, should be frequently exercised in my sight, to accustom themselves to me.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
In high school, Tom won rave reviews for his rousing performance of Curly in Oklahoma! while I was relegated to the understudy for Laurey, a role I did not once bring to fruition while pining for Tom from the chorus. His custom-tailored suit for our wedding was far nicer than my dress, and it was all anyone could talk about at our ceremony. If anyone could steal the thunder of my cancer diagnosis, it was Tom.
Camille Pagán (Life and Other Near-Death Experiences)
Likewise the boy who was dressed to the nines in a muddy but finely tailored suit and stove-in top hat, his face drawn and haggard from lack of sleep, for he hadn’t allowed himself any in days, so afraid was he of his dreams.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
When police abuse and racial killings are in the news, from Baltimore to Ferguson, Missouri, to Columbia Junction, Fox summons Fuhrman in his tailored suit and “in your face” attitude to explain why police brutality is justified.
Robert F. Kennedy Jr. (Framed: Why Michael Skakel Spent Over a Decade in Prison for a Murder He Didn't Commit)
Such diplomacy is not to be sneezed at, for the suit is a window to the soul: lightweight cotton when cash is tight, Italian cashmere when an inheritance lands; waistlines drawn in during illness or anxiety, and let out at times of excess. Weddings, funerals, christenings, and court appearances—all of life's landmarks are sanctified, quietly and confidentially, by one's tailor.
Ben Schott (Jeeves and the King of Clubs)
Von Neumann, by contrast, wore a three-piece suit at almost all times, including on a donkey ride down the Grand Canyon; even as a student he was so well dressed that, upon first meeting him, the mathematician David Hilbert reportedly had but one question: Who is his tailor?45
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Jason didn’t seem to be paying any attention. Instead, he looked mouthwateringly gorgeous leaning against the wall with his heart in his eyes, and his lanky body encased in that sweetly tailored suit that showed the spread of his shoulders and the bulge of his alpha cock. Vale’s
Leta Blake (Slow Heat (Heat of Love, #1))
Young certainly wouldn't have expected to be ambushed by three yuppies gone bad in El Paso, Texas. . . . young had never before been taken down by people wearing expensive shoes and tailored suits...not physically, anyway. He'd gone up against plenty of sharks in Washington DC,....
J. Fally
These include coats, suits, jackets, skirts, and dresses. My standard is this: hang any clothes that look like they would be happier hung up, such as those made with soft materials that flutter in the breeze or highly tailored cuts, which protest at being folded. These we should hang willingly.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
A man who works hard and uses his wealth to purchase jewelry to adorn himself, suits tailored in London, shoes handmade in Rome, and a hundred-thousand-dollar sportscar, which he drives cautiously and keeps in meticulous repair, will be viewed by everybody as a poor fool with a lot of pathetic needs.
Alphonso Lingis (Dangerous Emotions)
When I was in school in Luxor I would see these photographs of Englishmen and Frenchmen who visited Egypt, before the djinn came. Mostly they were in suits. But sometimes they’d put on a jellabiya and headscarf. I found out they called it ‘going native.’ To look exotic, they said.' 'Did they?' Aasim cut in. 'Did they what?' 'Look exotic.' 'No. Just ridiculous.' Aasim snickered. 'Anyway, when I bought my first suit, the English tailor asked me why I wanted it. I told him I wanted to look exotic.
P. Djèlí Clark (A Dead Djinn in Cairo (Dead Djinn Universe, #0.1))
The cost of an outfit is irrelevant. It’s the fit that’s important. A $1,000 suit won’t look nearly as good as a $200 suit with $100 in tailoring.
Rian Stone (Praxeology, Volume 1: Frame: On self actualization for the modern man)
As long as people’s starting points are asymmetrical, people will be tempted, unconsciously if not consciously, to tailor their conceptions of fairness to suit their interests.
Joshua Greene (Moral Tribes: Emotion, Reason, and the Gap Between Us and Them)
He wore a tailor's masterpiece of obsidian fabric so expensive that it would've been personally offended to have been referred to as a 'black suit'. It was a really nice black suit.
Mandy Ashcraft (Small Orange Fruit)
What do I think of that? Honestly, I wasn’t surprised. About any of it. “I think we’re dogs,” I tell him. “And I think perfectly tailored suits and European cars hide it really well.” St. Carmen looks good. I look good. And people judge you differently when your lawn is manicured. When you shop at the best stores. When you’re picked up in Town Cars. “But we’re still dogs,” I murmur.
Penelope Douglas (Tryst Six Venom (Tryst Six, #1))
Ranger was in his usual black—a perfectly tailored black suit, and a black dress shirt open at the neck. The Glock at the small of his back was also black. Ranger’s body is perfect. His hair is very dark brown. Cut short. His eyes are dark brown and intense. His skin is the color of hot chocolate, the lucky result of his Latino ancestry. His earbud matched his skin tone and was barely detectable.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
..the grief...had never been over him, a clumsy foreign child. It had always been for themselves, so young then, learning that you could not tailor your hopes like a suit and expect them to fit forever
Andrew Sean Greer (The Path of Minor Planets)
Lincoln must have welcomed the chance that evening to escape from such friends, if only to submit to a final fitting for the recently delivered inaugural suit from the Chicago tailors Titsworth & Brother.
Harold Holzer (Lincoln President-Elect : Abraham Lincoln and the Great Secession Winter, 1860-1861)
A well-chosen tie could make me almost merry; a good book, an excursion in a motor car or an hour with a woman left me fully satisfied. It particularly pleased me to ensure that this way of life, like a faultlessly correct suit of English tailoring, did not make me conspicuous in any way. I believe I was considered pleasant company, I was popular and welcome in society, and most who knew me called me a happy man.
Stefan Zweig (The Collected Stories of Stefan Zweig)
She’d gone cold turkey on Nora’s books a year ago, when her ex-husband, Rick-the-Dick, threw Black Hills at the wall, snarling that her favorite author had given her an unrealistic view of love. “Our marital problems are her fault,” he said. “She’s made you believe in happily ever after—something any adult knows is a myth. Grow up.” Then he packed his custom-tailored suits and slammed out the door of their swanky Manhattan apartment.
Ava Miles (Nora Roberts Land (Dare Valley, #1))
That’s how my cousin came to don the hand-tailored suits and to arrogate to himself the glamorous responsibility for ushering to their tables big-name customers such as Jersey City’s crooked mayor, Frank Hague; New Jersey’s light-heavyweight champion, Gus Lesnevich; and racket tycoons like Cleveland’s Moe Dalitz, Boston’s King Solomon, L.A.’s Mickey Cohen, and even “the Brain” himself, Meyer Lansky, when they were in town for a gangland convention.
Philip Roth (The Plot Against America)
There were about thirty of them, I think - all women; all seated at tables, bearing drinks and books and papers. You might have passed any one of them upon the street, and thought nothing; but the effect of their appearance all combined was rather queer. They were dressed, not strangely, but somehow distinctly. They wore skirts - but the kind of skirts a tailor might design if he were set, for a dare, to sew a bustle for a gent. Many seemed clad in walking-suits or riding-habits. Many wore pince-nez, or carried monocles on ribbons. There were one or two rather startling coiffures; and there were more neckties than I had ever seen brought together at any exclusively female ensemble.
Sarah Waters (Tipping the Velvet)
A man who works hard and uses his wealth to purchase jewelry to adorn himself, suits tailored in London, shoes handmade in Rome, and a hundred-thousand-dollar sportscar, which he drives cautiously and keeps in meticulous repair, will be view
Alphonso Lingis (Dangerous Emotions)
Ryland Grace?” said a woman’s voice. I looked up with a start. I hadn’t heard her come in. She looked to be in her mid-forties, wearing a well-tailored business suit. She carried a briefcase. “Uh, yeah,” I said. “Can I help you with something?
Andy Weir (Project Hail Mary)
Cocktail hour at the embassy consisted of lots of charming men and women in suits and LBDs drinking Buck’s Fizz and being friendly to one another, and so what if half of them had gill slits and dorsal fins under the tailoring, and the embassy smelled of seaweed because it was on an officially derelict oil rig in the middle of the North Sea, and the Other Side has the technical capability to exterminate every human being within two hundred kilometers of a coastline if they think we’ve violated the Benthic Treaty?
Charles Stross (The Annihilation Score (Laundry Files, #6))
A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.
Ayn Rand
And there Henry is, in the flesh, as classically handsome as ever in his tailored three-piece suit, all tousled sandy hair and high cheekbones and a soft, friendly mouth. He holds himself with innately impeccable posture, as if he emerged fully formed and upright out of some
Casey McQuiston (Red, White & Royal Blue)
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The masculine way needs to be revived. The way of the Asuras is a possible answer to India’s current problems. But the Asura way cannot and should not be replicated. Some improvements and adjustments are necessary. Questioning must be encouraged. And, it has to be tailored to suit our current circumstances.
Amish Tripathi (Scion of Ikshvaku (Ram Chandra, #1))
Some people can't see their piteous personalities. They can't fathom the of their own selves! They remain prisoners in their own cages of archaic thoughts. Fettered to a parochial mentality, they fail to become visionaries! Enslaved to their innate desire for pettiness, they remain small minded and little hearted! Alas, wearing a well-tailored tailored suit or a trendy blazer does not take away their lack of sophistication. Unknowingly they make a caricature of themselves! Thus, they remain epitomes of platitude and banality; their thoughts reek of oafishness, fatuousness, and avariciousness! In the process, they fail to inspire the world, and let down people around them.
Avijeet Das
My first impression of him was that he was free spirited, clever, funny. That proved to be completely inaccurate. We left the party together and walked around for hours, lied to each other about our happy lives, ate pizza at midnight, took the Staten Island Ferry back and forth and watched the sun rise. I gave him my phone number at the dorm. By the time he finally called me, two weeks later, I’d become obsessed with him. He kept me on a long, tight leash for months—expensive meals, the occasional opera or ballet. He took my virginity at a ski lodge in Vermont on Valentine’s Day. It wasn’t a pleasurable experience, but I trusted he knew more about sex than I did, so when he rolled off and said, “That was amazing,” I believed him. He was thirty-three, worked for Fuji Bank at the World Trade Center, wore tailored suits, sent cars to pick me up at my dorm, then the sorority house sophomore year, wined and dined me, and asked for head with no shame in the back of cabs he charged to the company account. I took this as proof of his masculine value. My “sisters” all agreed; he was “suave.” And I was impressed by how much he liked talking about his emotions, something I’d never seen a man do. “My mom’s a pothead now, and that’s why I have this deep sadness.” He took frequent trips to Tokyo for work and to San Francisco to visit his twin sister. I suspected she discouraged him from dating me.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Perhaps I should go back a few years earlier. My parents, who travelled from Odessa, the Russian city on the Black Sea, shortly before the 1914 war, were part of a vast migration of Jews fleeing Tsarist oppression to the dream of America that obsessed poor men all over Europe. The tailors thought of it as a place where people had, maybe, three, four different suits to wear. Glaziers grew dizzy with excitement reckoning up the number of windows in even one little skyscraper. Cobblers counted twelve million feet, a shoe on each. There was gold in the streets for all trades; a meat dinner every single day. And Freedom. That was not something to be sneezed at, either. But my parents never got to America.
Emanuel Litvinoff (Journey through a Small Planet)
My name is Liv Daniels. What’s yours?” He smiled wider, nearly sending my heart into overload. “Liv. That’s a nice name. Is it short for something?” He stood and I craned my neck. He was quite tall. His tailored suit had made him appear far slighter than he was up close. He offered me a hand, again politely. I studied his hand for a moment, before taking it. It was huge and for some reason, I had the strangest feeling I shouldn’t, I shouldn’t touch his hand. I should back away and return to the idiot at my table. Somehow his hand became a fork in a road, and I knew myself; I would take the wrong road. “Olive, but I like Liv.” I reached forward and squeezed his hand, trying desperately not to let go. There was no spark or great event, like I had imagined there might be. It was a simple handshake but my heart was beating a mile a minute. I peered back up at him, overwhelmed by the height difference between us. Maybe he wasn’t my age. He was extremely tall and broad. I had to be at least five foot six in my four-inch heels, but still I craned my neck to stare into his eyes. They were midnight-blue pools that I wanted to swim in. “I’m Briton, Briton Thorlackson.” “It’s nice to meet you, Briton. I’m Liv Daniels.” He smiled and cocked his head to the side. “Yes, I believe we’ve covered that.” I laughed, but it was a strange laugh I didn’t recall laughing before. I felt my face flush red. “Yes, I believe you’re correct.
Tara Brown (Sunder)
Now here he was, tailored iron-gray suit, thin maroon tie, a maroon handkerchief peeking out from his breast pocket. His oxblood wing tips gleamed. He looked like a supervillain or, worse, an upper-crust English spy, an openly promiscuous and functionally alcoholic heterosexual with an on-and-off-again messiah complex. It was the shoes, the way they were tied.
Percival Everett (Dr. No)
By no means is my friend original in this last use of the “expensive = good” rule to snare those seeking a bargain. Culturist and author Leo Rosten gives the example of the Drubeck brothers, Sid and Harry, who owned a men’s tailor shop in Rosten’s neighborhood while he was growing up in the 1930s. Whenever the salesman, Sid, had a new customer trying on suits in front of the shop’s three-sided mirror, he would admit to a hearing problem, and, as they talked, he would repeatedly request that the man speak more loudly to him. Once the customer had found a suit he liked and had asked for the price, Sid would call to his brother, the head tailor, at the back of the room, “Harry, how much for this suit?” Looking up from his work—and greatly exaggerating the suit’s true price—Harry would call back, “For that beautiful all-wool suit, forty-two dollars.” Pretending not to have heard and cupping his hand to his ear, Sid would ask again. Once more Harry would reply, “Forty-two dollars.” At this point, Sid would turn to the customer and report, “He says twenty-two dollars.” Many a man would hurry to buy the suit and scramble out of the shop with his “expensive = good” bargain before Poor Sid discovered the “mistake.
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
At its core, socialism is truly whatever its defenders want it to be, tailored to suit any hot topic and conveniently aligned with anything perceived as kind, compassionate, or sensitive to the plight of the citizenry and the so-called “common good”. Whether it is an ambitious plan to end poverty or world hunger, or to eliminate inequality in our midst, socialism is merely a specious device for social control and, invariably, social ruin.
J.M. Rock (Death by Socialism)
Nina came out—gloved, pursed, be-hatted, wearing a fall suit a little too tailored for her structure—came out with a frail and indefinite-looking man and paused to argue with him, saying, “Freddie, if you show him three, he’ll bog, and you know it, dear. That little mind can make a choice of the best of two, if the choice is obvious. So make the presentation of just Tommy’s and Mary Jane’s. They’re the best and the worst so far, and he’ll pick Tommy’s and we’re in.” Freddie shrugged and sighed and went back in.
John D. MacDonald (The Deep Blue Good-By)
Teilhard de Chardin—usually referred to by the first part of his last name, Teilhard, pronounced TAY-yar—was one of those geniuses who, in Nietzsche’s phrase (and as in Nietzsche’s case), were doomed to be understood only after their deaths. Teilhard, died in 1955. It has taken the current Web mania, nearly half a century later, for this romantic figure’s theories to catch fire. Born in 1881, he was the second son among eleven children in the family of one of the richest landowners in France’s Auvergne region. As a young man he experienced three passionate callings: the priesthood, science, and Paris. He was the sort of worldly priest European hostesses at the turn of the century died for: tall, dark, and handsome, and aristocratic on top of that, with beautifully tailored black clerical suits and masculinity to burn. His athletic body and ruddy complexion he came by honestly, from the outdoor life he led as a paleontologist in archaeological digs all over the world. And the way that hard, lean, weathered face of his would break into a confidential smile when he met a pretty woman—by all accounts, every other woman in le monde swore she would be the one to separate this glamorous Jesuit from his vows.
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
Commitment is what transforms a dream into reality. One percent or ninety-nine percent complete are both incomplete. Wanting is wishing or dreaming. Deciding is the willingness to do whatever it takes to make your wishes and dreams come true. Pondering on what you are going to do actually sucks up more time and energy than going out there and doing it. If you’re planted in an environment with depleted soil loaded with weeds, your conditions must change in order for you grow and thrive. As you change your circle of influence, your thinking changes, and ultimately your world changes too. When you are too busy trying to outshine others, you miss out on your own inner spark. If your focus is on competing with others, you cannot complete you. Perfection is a myth, a misconception, and just an opinion. A well-tailored business suit might look perfect to a banker, but deemed to be dreadful to a heavy metal rocker. Going out of your comfort zone might be gut-wrenching, but dying with the music still inside is even more painful. Stagnation drains your energy and slowly sucks the life out of you. When you declutter your mental space, just like clearing out physical space, you find valuables you had long forgotten about. Keeping emotional toxin in your head is like fertilizing unwanted weeds. Positivity is your weed killer. Turn it around, and let that poison fuel your passion, just like farmers using manure to fertilize plants. Like eating, going to the bathroom, or exercising, self-transformation cannot be delegated. I was a sunflower trying to survive and grow in a stinky muddy swamp, but instead being strangled by a bunch of weeds.
Megan Chan
And that’s why you are a brilliant choice for pilot. Octogenarian Grandmother Paves Way for Humanity.” “You can’t pave the stars. I’m not a grandmother. And I’m sixty-three not eighty.” “It’s a figure of speech. The point is that you’re a PR goldmine.” I had known that they asked me to helm this mission because of my age—it would be a lot to ask of someone who had a full life ahead of them. Maybe I was naive to think that my experience in establishing the Mars colony was considered valuable. How can I explain the degree to which I resented being used for publicity? This wasn’t a new thing by a long shot. My entire career has been about exploitation for publicity. I had known it, and exploited it too, once I’d realized the power of having my uniform tailored to show my shape a little more clearly. You think they would have sent me to Mars if it weren’t intended to be a colony? I was there to show all the lady housewives that they could go to space too. Posing in my flight suit, with my lips painted red, I had smiled at more cameras than my colleagues. I stared Garrett Biggs and his fork. “For someone in PR, you are awfully blunt.
Mary Robinette Kowal (The Lady Astronaut of Mars)
Beautiful!' she would murmur, nudging Septimus, that he might see. But beauty was behind a pane of glass. Even taste (Rezia liked ices, chocolates, sweet things) had no relish to him. He put down his cup on the little marble table. He looked at people outside; happy they seemed, collecting in the middle of the street, shouting, laughing, squabbling over nothing. But he could not taste, he could not feel. In the tea-shop among the tables and the chattering waiters the appalling fear came over him—he could not feel. He could reason; he could read, Dante for example, quite easily (“Septimus, do put down your book,” said Rezia, gently shutting the Inferno), he could add up his bill; his brain was perfect; it must be the fault of the world then—that he could not feel. "The English are so silent," Rezia said. She liked it, she said. She respected these Englishmen, and wanted to see London, and the English horses, and the tailor-made suits, and could remember hearing how wonderful the shops were, from an Aunt who had married and lived in Soho. It might be possible, Septimus thought, looking at England from the train window, as they left Newhaven; it might be possible that the world itself is without meaning.
Virginia Woolf (Mrs. Dalloway)
Rebecca,why haven't you burned his wardrobe yet?" Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but. But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met." Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort. "You can't seriously intend to take your wife out wearing something like that?" Julie continued. "What's wrong with what she's wearing?" "Not her,you fool.You! You're married now. Your old taste in clothes-" "Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?" The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about. But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
(about Pilgrims) It would be difficult to imagine a group of people more ill-suited to a life in the wilderness. They packed as if they had misunderstood the purpose of the trip. They found room for sundials and candle snuffers, a drum, a trumpet, and a complete history of Turkey. One William Mullins packed 126 pairs of shoes and 13 pairs of boots. Yet, between them they failed to bring a single cow or horse or plough or fishing line. Among the professions represented on the Mayflower's manifest were two tailors, a printer, several merchants, a silk worker, a shopkeeper and a hatter- occupations whose importance is not immediately evident when one thinks of surviving in a hostile environment. Their military commander, Miles Standish, was so diminutive of stature that he was known to all as "Captain Shrimpe" hardly a figure to inspire awe in the savage natives from whom they confidently expected to encounter. With the uncertain exception of the little captain, probably none in the party had ever tried to bring down a wild animal. Hunting in seventeenth century Europe was a sport reserved for the aristocracy. Even those who labelled themselves farmers generally had scant practical knowledge of husbandry, since farmer in the 1600s, and for some time afterwards, signified an owner of land rather than one who worked it. They were, in short, dangerously unprepared for the rigours ahead, and they demonstrated their manifest incompetence in the most dramatic possible way: by dying in droves. Six expired in the first two weeks, eight the next month, seventeen more in February, a further thirteen in March. By April, when the Mayflower set sail back to England just fifty-four people, nearly half of them children, were left to begin the long work of turning this tenuous toe-hold into a self-sustaining colony.
Bill Bryson (Made in America an Informal History Of)
The people are pieces of software called avatars. They are the audiovisual bodies that people use to communicate with each other in the Metaverse. Hiro's avatar is now on the Street, too, and if the couples coming off the monorail look over in his direction, they can see him, just as he's seeing them. They could strike up a conversation: Hiro in the U-Stor-It in L.A. and the four teenagers probably on a couch in a suburb of Chicago, each with their own laptop. But they probably won't talk to each other, any more than they would in Reality. These are nice kids, and they don't want to talk to a solitary crossbreed with a slick custom avatar who's packing a couple of swords. Your avatar can look any way you want it to, up to the limitations of your equipment. If you're ugly, you can make your avatar beautiful. If you've just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse. Spend five minutes walking down the Street and you will see all of these. Hiro's avatar just looks like Hiro, with the difference that no matter what Hiro is wearing in Reality, his avatar always wears a black leather kimono. Most hacker types don't go in for garish avatars, because they know that it takes a lot more sophistication to render a realistic human face than a talking penis. Kind of the way people who really know clothing can appreciate the fine details that separate a cheap gray wool suit from an expensive hand-tailored gray wool suit. You can't just materialize anywhere in the Metaverse, like Captain Kirk beaming down from on high. This would be confusing and irritating to the people around you. It would break the metaphor. Materializing out of nowhere (or vanishing back into Reality) is considered to be a private function best done in the confines of your own House. Most avatars nowadays are anatomically correct, and naked as a babe when they are first created, so in any case, you have to make yourself decent before you emerge onto the Street. Unless you're something intrinsically indecent and you don't care.
Neal Stephenson (Snow Crash)
Cade quickly checked his cell phone. Of course Vaughn, with his FBI superpowers of perception, had to comment. “Got another offer on the table that expires soon?” he asked. “Go away.” Vaughn grinned. “You’re quite circumspect about this situation with Brooke. I find that very intriguing, don’t you, Hux?” No reply. “Hux?” Vaughn looked to his right, where Huxley was reading something on his phone. With an unmistakable smile, he tucked his phone into the pocket of his impeccably tailored Ralph Lauren suit, and then noticed Cade and Vaughn looking at him. “Sorry. What were we talking about?” “Just giving Cade crap about a certain sexy general counsel. But never mind that.” Vaughn pointed suspiciously. “What’s going on here, with the phone and the sneaky smile?” He studied his partner. “Don’t tell me you actually have a hot date tonight.” “Okay, I won’t tell you.” Huxley took a sip of his beer, deliberately leaving them hanging. “Look at you,” Cade said. “With who?” “Addison.” “Addison? Who’s—” It took Vaughn a second, then his mouth fell open. “Agent Simms? When did this happen?” Huxley swirled his glass, looking quite coy. “Things have been percolating for a while. But they shifted into high gear after our fake date at Sogna.” Vaughn threw out his hands in exasperation. “First Morgan, now you. Plus McCall’s getting married next month, and Pallas is having a kid. Purposely. Am I the only one not getting laid as part of an FBI sting operation?” Huxley pretended to muse over this. “Maybe you should take some time. Figure out what’s gone wrong with your mojo these days.” “My mojo is perfectly fine,” Vaughn assured him. Cade was curious. “Is it serious?” Huxley smiled. “Yeah. I think so.” Vaughn scoffed at this. “Come on. You’ve only been seeing her for, what, a month?” Huxley shrugged. “I like her. She likes me. It’s not that complicated.” Cade and Vaughn threw each other looks. Right. “Amateur,” Vaughn said, with a conspiratorial grin. “Amateur, huh? I’ll be sure to ask Addison tonight if she agrees with that assessment.” And if his confident smile was any indication, Agent Seth Huxley wasn’t worried about the answer to that one bit.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Impeccable tailoring has helped make Prince Charles the king of London’s menswear mecca, Savile Row, where high-end shops sometimes bear his royal warrant (a tri-feathered heraldic badge of approval). His look is timeless: sharply cut double-breasted suits, shirts with spread collars, bold rep ties and pocket squares. The prince has single-handedly kept the double-breasted look in fashion since the ’80s, but he’s not afraid to take a risk, pressing on with linen suits after the press bashed his rumpled appearance. “He couldn’t care less,” says his former personal tailor Thomas Mahon. “He even ordered another.
People Magazine (People: The Royals: Their Lives, Loves, and Secrets)
people had begun to look recognisably modern as strict gender codes began to blur. Men wore lounge suits and soft collars, while women’s mannish tailored suits with ties, shorter skirts and masculine hats were severe and practical, announcing fierce determination rather than acquiescent femininity.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
There she goes, an elderly, well-dressed woman in a tailor-made suit and a, what was it, “worn” fur coat—a lady dressed, armoured for the day, vanishing now down the long ugly avenue, the black branches scratching her out of sight. There she goes, all day to impress others with her small linen handkerchiefs, the pearls in her ears, her hesitant manner, her tremulous smile,--while to him was left the imprint of her head, it was already cold where she had lain, and knowing what they would never know, that she wore a blue slip beneath the suit…
Mary McMinnies (The flying fox: A novel set during the twilight of British rule in Malaya (Oxford paperbacks))
The cut of his black tailored suit emphasises his sheer size. He’s all muscle, shoulders broad and powerful. Sex on legs. Drawing the looks of every female in the area.
Claire Marta (The Devil You Know (Ceasefire, #1))
As she approached the library, she felt her heartbeat quicken uncomfortably. Squaring her shoulders, she crossed the threshold. Devon appeared to be browsing over a row of books, reaching up to straighten a trio of volumes that had fallen sideways. “My lord,” Kathleen said quietly. Devon turned, his gaze finding hers at once. He was stunningly handsome, dressed in a dark suit of clothes that had been tailored in the new looser-fitting fashion, the coat, waistcoat, and trousers all made of matching fabric. The informal cut of the suit did nothing to soften the hard lines of his body. For a moment Kathleen couldn’t help remembering the feel of his arms around her, his solid chest beneath her cheek. Heat swept over her face. Devon bowed, his face inscrutable. He appeared relaxed at first glance, but a closer look revealed faint shadows beneath his eyes, and finespun tension beneath his calm veneer. “I hope you’re well this morning,” he said quietly. Her blush deepened uncomfortably. “Yes, thank you.” She curtsied and wove her fingers together in a stiff knot. “You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Jonathan Green had a firm handshake, clear eyes, and a jawline not dissimilar to Dudley Do-Right’s. He was in his early sixties, with graying hair, a beach-club tan, and a voice that was rich and comforting. A minister’s voice. He wasn’t a handsome man, but there was a sincerity in his eyes that put you at ease. Jonathan Green was reputed to be one of the top five criminal defense attorneys in America, with a success rate in high-profile criminal defense cases of one hundred percent. Like Elliot Truly, Jonathan Green was wearing an impeccably tailored blue Armani suit. So were the lesser attorneys. Maybe they got a bulk discount. I was wearing impeccably tailored black Gap jeans, a linen aloha shirt, and white Reebok sneakers. Green said, “Did Elliot explain why we wanted to see you?
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
He looked so strong in his tailored suit, his muscular shoulders and arms filling out every inch of fabric. The color of it brought out the bewitching blue of his eyes and contrasted with the magnificent midnight color of his hair. His masculine face was freshly shaven, and looked so smooth it tempted her to reach out and test its softness. She tried not to be obvious as her eyes trailed over him, but he caught her and raised his eyebrows ever so slight as a grin tugged at his lips. She ducked her head, the blood rushing up her neck and into her face. Nathaniel
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
PERSONAL PROFILE FOR EFFECTIVE COMMUNICATION Consider the following list of twelve characteristics that are central to communicating both in an interview and on the job. If you feel you are lacking in a particular category, you can use the explanations and suggestions given to enhance your interactive ability in the workplace. 1. Activation of PMA. Use positive thinking techniques such as internal coaching. 2. Physical appearance. Make sure to dress appropriately for the event. In most interviews, business attire (a suit or sport coat and tie for men; a suit, dress, or tailored pants for women) is recommended. What you wear to the interview communicates not only how important the event is to you but your ability to assess a situation and how you should behave in it. Appropriate grooming is essential, both in an interview and on the job. 3. Posture. Carry yourself with confidence. Let your posture communicate that you are a winner. Keep your face on a vertical plane, spine straight, shoulders comfortably back. By simply straightening up and using the diaphragmatic breathing you learned in Chapter 6 (which proper posture encourages), you will feel much better about yourself. Others will perceive you in a more positive light as well. 4. Rate of speech. Your rate of speech ought to be appropriate for the specific situation and person or persons it is intended for. Too fast is annoying, and too slow is boring. A good way to pace your speech is to speak at close to the rate of the person who is talking to you. 5. Eye contact. Absolutely essential for successful communication. Occasionally, you should avert your gaze briefly in order to avoid staring. But try not to look down at your lap or let your eyes wander all around the room as you speak. This suggests a lack of confidence and an inability to stay on track. 6. Facial expressions. You gain more credibility when you are open and expressive. The warmer personality will seem stronger and more confident. And perhaps most important, remember to smile in conversation. If you seem interested and enthusiastic, it will enhance the chemistry between you and the interviewer or your supervisor. You can develop the ability to use facial expressions to your advantage through a kind of biofeedback that makes use of the mirror and continuously experimenting in real life. Look at your reflection for several minutes. Practice being relaxed and create the expressions that are appropriate. Do you look interested? Alert? Motivated? Practice responding to an interviewer. Impress the “muscle memory” of these expressions into your mind.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
I love wearing a well tailored suit. Strutting in my sartorial repute.
Richard L. Ratliff
He was dressed in a dark gray suit handcrafted by his favorite tailor in Milan.
Brett Battles (The Buried (Jonathan Quinn #9))
From the top pocket of his finely tailored suit peeped a white carnation
Sarit Yishai-Levi (The Beauty Queen of Jerusalem)
This South is nothing like the South in which I used to live, with its manicured lawns and gated country clubs. Even that South has changed. Over the years, Nashville has gotten bigger and more complex. The relatively modest, adolescent city in which I was born had grown into an adult with a tailored suit and gym-toned thighs, all glamour and muscle. It is part of the New South. In that South, there is no place for my daydreams. My true South, this South, is old, and deep, well into the belly of the region, far below the Mason-Dixon Line.
Emily Bernard (Black Is the Body: Stories from My Grandmother's Time, My Mother's Time, and Mine)
Jane was tall, angular, and wore her short platinum hair sculpted into various unlikely permutations, from angry spikes to soft finger waves, all of which played counterpoint to the tailored men’s suits she wore when she worked at the bank, making her appear either fiercely pretty, or frightfully confused. Right now she wore a houndstooth tweed Savile Row suit she’d inherited from Charlie, waistcoat with watch chain, and a pair of eight-inch patent-leather red pumps the same shade as her bow tie. She might have been the result of a time-travel accident where Doctor Who parts were woven into the warp with those of a robot stripper.
Christopher Moore (Secondhand Souls (Grim Reaper, #2))
KIRKUS REVIEWS BOOK REVIEW A retired professor explores the life and writings of Carl Sandburg in this debut book. “During the first half of the twentieth century,” Quinley writes, “Carl Sandburg seemed to be everywhere and do everything.” Though best known for his Pulitzer Prize–winning poetry and multivolume biography of Abraham Lincoln, Sandburg had a wide-ranging career as a public intellectual, which included stints in journalism as a columnist and investigative reporter, in musicology as a leading advocate and performer of folk music, and in the nascent movie industry as a consultant and film critic. He also dabbled in political activism, children’s literature, and novels. Not only does Quinley, a retired college administrator and professor, hail Sandburg as a 20th-century icon (“If my grandpa asks you a question,” his grandchildren joke, “the answer is always Carl Sandburg”), but much of his own life has been adjacent to that of the poet as well. Born in Maywood, Illinois, a “few blocks” from Sandburg’s home 30 years prior, Quinley would eventually move to the Appalachian Mountains. He lived just a few miles from Sandburg’s famed residence in Hendersonville, North Carolina. As a docent for the Carl Sandburg Home National Historic Site, the author was often asked for literature about the luminary’s life. And though much has been written about Sandburg, biographies on the iconoclast are either out of print or are tomes with more than 800 pages. Eschewing comprehensiveness for brevity, Quinley seeks to fill this void in the literary world by offering readers a short introduction to Sandburg’s life and writings. At just 122 pages, this accessible book packs a solid punch, providing readers with not just the highlights of Sandburg’s life, but also a sophisticated analysis of his passions, poetry, and influence on American culture. This engaging approach that’s tailored to a general audience is complemented by an ample assortment of historical photographs. And while its hagiographic tone may annoy some readers, this slim volume is backed by more than 260 endnotes and delivers an extensive bibliography for readers interested in learning more about the 20th century’s “voice of America.” A well-written, concise examination of a literary legend Kirkus Indie, Kirkus Media LLC, 2600 Via Fortuna Suite 130 Austin, TX 78746 indie@kirkusreviews.com
John W. Quinley
At this point, Saddam took Saleh aside at the Presidential Palace, walked him to his private quarters, and called on the presidential barber to get a haircut, and the presidential tailor to get him a well-fitted suit. An hour later, Saddam flattered Saleh saying, “Now you look Presidential.” The two leaders hit it off quickly after that... Excerpt from- Abdulaziz: Making Yemen a Good World Citizen, page 91.
Raidan AlSaqqaf (ABDULAZIZ: Making Yemen a Good World Citizen)
Many of us take a “what does the company want from me” approach to applying our talents, and we end up tailoring ourselves to suit our work rather than tailoring our work to suit who we are.
Tom Rath (It's Not About You: A Brief Guide to a Meaningful Life)
said he figured she had maybe fifteen or twenty outfits, four hundred bucks an outfit, maybe eight grand in total. Truth was she had thirty-four business suits in her closet. She’d worked three years on Wall Street. She had eight grand tied up in the shoes alone. Four hundred bucks was what she had spent on a blouse, and that was when she felt driven by native common sense to be a little economical. She liked Armani. She had thirteen of his spring suits. Spring clothes from Milan were just about right for most of the Chicago summer. Maybe in the really fierce heat of August she’d break out her Moschino shifts, but June and July, September too if she was lucky, her Armanis were the thing. Her favorites were the dark peach shades she’d bought in her last year in the brokerage house. Some mysterious Italian blend of silks. Cut and tailored by people whose ancestors had been fingering fine materials for hundreds of years. They look at it and consider it and cut it and it just falls into marvelous soft shapes. Then they market it and a Wall Street broker buys it and loves it and is still wearing it two years into the future when she’s a new FBI agent and she gets snatched off a Chicago street. She’s still wearing it eighteen hours later after a sleepless night on the filthy straw in a cow barn. By that point, the thing is no longer something that Armani would recognize.
Lee Child (Die Trying (Jack Reacher, #2))