β
As for monkeys, I would have five, and they would be named: See No Evil, Hear No Evil, Speak No Evil, Do Pretty Much Whatever The Hell You Want, and Expensive Attorney.
β
β
Tad Williams
β
He who is certain he knows the ending of things when he is only beginning them is either extremely wise or extremely foolish; no matter which is true, he is certainly an unhappy man, for he has put a knife in the heart of wonder.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
Never make your home in a place. Make a home for yourself inside your own head. You'll find what you need to furnish it- memory, friends you can trust, love of learning, and other such things. That way it will go with you wherever you journey.
β
β
Tad Williams
β
We are none of us promised anything but the last breath we take.
β
β
Tad Williams
β
You are only a prisoner when you surrender.
β
β
Tad Williams (Shadowplay (Shadowmarch, #2))
β
We tell lies when we are afraid... afraid of what we don't know, afraid of what others will think, afraid of what will be found out about us. But every time we tell a lie, the thing that we fear grows stronger.
β
β
Tad Williams
β
A piece of writing is a trap,β he said cheerily, βand the best kind. A book, you see, is the only kind of trap that keeps its captiveβwhich is knowledgeβalive forever.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
She had to find her own story, and she could make it whatever shape she thought best.
β
β
Tad Williams (River of Blue Fire (Otherland, #2))
β
Books are a form of magicββ the doctor lifted the volume he had just laid on the stack, ββbecause they span time and distance more surely than any spell or charm.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
...Coca-Cola and fries, the wafer and wine of the Western religion of commerce.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Remember that each light between sunrise and sunset is worth dying for at least once.
β
β
Tad Williams (Shadowrise (Shadowmarch, #3))
β
Whatever my ancestors did to you, none of them consulted me.
β
β
Tad Williams (Shadowrise (Shadowmarch, #3))
β
He had once thought it was strange to have a friend you'd never met. Now it was even stranger, losing a friend you'd never really had
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Has everyone gone mad?β
βEveryone was mad already, my lady,β Cadrach said with a strange, sorrowful smile. βIt is merely that the times have brought it out in them.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
A man who will not listen carefully to advice honestly given is a fool. Of course, a man who blindly takes any advice he receives is a bigger fool.
β
β
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
β
Tangaloor, fire-bright
Flame-foot, farthest walker
Your hunter speaks
In need he walks
In need, but never in fear.
β
β
Tad Williams (Tailchaser's Song)
β
Confident. Cocky. Lazy. Dead.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Ah? A small aversion to menial labor?" The doctor cocked an eyebrow. "Understandable, but misplaced. One should treasure those hum-drum tasks that keep the body occupied but leave the mind and heart unfettered.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
You show me what someone listens to, Iβll tell you everything you want to know about his soul. (For instance, a bunch of Nickelback albums would have indicated he never had a soul in the first place.)
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
Every man is the hero of his own song.
β
β
Tad Williams (Mountain of Black Glass (Otherland, #3))
β
the road to Heaven is paved with bullshit and busy work.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
Not everyone can stand up and be a hero, Princess. Some prefer to surrender to the inevitable and salve their consciences with the gift of survival.
β
β
Tad Williams (Stone of Farewell (Memory, Sorrow, and Thorn, #2))
β
People in science fiction flicks always seemed to know useful things about the places time travel took them. But what if the time traveler had been only an average history student? What then?
β
β
Tad Williams
β
Stairs. This is Hell. Hell is stairs, was all Theo could think. I'd sell my soul for a goddamn elevator.
But I don't have a soul, do I? I'm some kind of fairy.
Okay, settle for an escalator, then.
β
β
Tad Williams (The War of the Flowers)
β
Just get up. What's your name, kid?"
"G-man"
"I don't mean your codename down at the Dickhead Club. What does it say on your driver's license?
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
What does that mean, 'real'? Amn't I real, you? If you cut me, do I not bleed? If you piss me off, will I not kick you up the arse?
β
β
Tad Williams (The War of the Flowers)
β
I'm tired of being lost and I'm tired of dying, so I'm going to try something different this time.
β
β
Tad Williams (Shadowplay (Shadowmarch, #2))
β
But our own selves are like pearls, created by layer after layer of present laid over past until the original thing is completely hidden.
β
β
Tad Williams (Tailchaser's Song)
β
A teenage girl creaming while she listens to some boy-band, a monk digging on the God he hears in Gregorian chants, or John fucking Coltrane himself climbing up into the sky on a staircase made of sixteenth notes, it's all the same. If it takes you there, it's good.
β
β
Tad Williams
β
-You're pretty hard-boiled, Tinker Bell.
-Call me that name again and you'll be wondering how your bollocks wound up lodged in your windpipe--from below. Just because we don't get to your side of things much anymore doesn't mean we don't know anything. 'If you believe in fairies, clap your hands!' If you believe in fairies, kiss my rosy pink arse is more like it. Now are you going to shut your gob or not?
β
β
Tad Williams (The War of the Flowers)
β
There is no such thing as an accident. That's what science is all about. (...) There are only patterns we don't yet recognize.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Was Briony the only person who could hear the venom dripping from the womanβs tongue? What good was beauty β a mature beauty, but beauty nonetheless β if it cloaked such a viperous soul?
β
β
Tad Williams (Shadowrise (Shadowmarch, #3))
β
It's amazing the stupid things I say sometimes. I mean, you could start an entire branch of scientific research about the stuff I say that gets proved wrong while I'm still busy saying it.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
So we face our final hours...and all that was once certain has become uncertain. Except for defeat. That, as always, is the end of all our stories.
β
β
Tad Williams (Shadowheart (Shadowmarch, #4))
β
If you wish to carry a hungry weasel in your pocket, it is your choice.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
After all, is it not the way we humans shape the universe, shape time itself? Do we not take the raw stuff of chaos and impose a beginning, middle, and end on it, like the simplest and most profound of folktales, to reflect the shapes of our own tiny lives? And if the physicists are right, that the physical world changes as it is observed, and we are its only known observers, then might we not be bending the entire chaotic universe, the eternal, ever-active Now, to fit that familiar form?
β
β
Tad Williams (Sea of Silver Light (Otherland, #4))
β
Sometimes I talk about baseball just to annoy people who donβt understand it.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
See, vodka, thatβs drinking. Beerβwell, beer is just getting the inside of your mouth wet.
β
β
Tad Williams (Sleeping Late On Judgement Day (Bobby Dollar, #3))
β
Experience came easily enough, learning how not to suffer would have proved much more practical.
β
β
Tad Williams (Shadowplay (Shadowmarch, #2))
β
When it falls on your head, then you are knowing it is a rock.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
If your enemy comes to speak bearing a sword, open your door to him and speak, but keep your own sword at hand. If he comes to you empty-handed, greet him the same way. But if he comes to you bearing gifts, stand on your walls and cast stones down on him.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
All people know the Greater Hunger...It is the hunger for warmth, for family, for connection to the stars and the earth and other living things..."
"For love?" Renie asked.
"Yes, I suppose that could be true.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
God gives us all youth, and the takes it away again. What have you gained to offset that loss? Patience? Perhaps a little wisdom? Then be patient, and perhaps you'll also be wise. (Miriamele)
β
β
Tad Williams (The Witchwood Crown (The Last King of Osten Ard, #1))
β
Good stories will tell you that facing the lie is the worst terror of all. And there is no talisman or magic sword that is half so potent a weapon as truth
β
β
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
β
There were more problems with solitude than just being horny and bored. If you didn't have anyone to talk to for days on end, you didn't have anyone to let you know whether you were going nuts or not.
β
β
Tad Williams (The War of the Flowers)
β
but sometimes when things go very wrong and even the highest are frightened, innocence is not enough for salvation.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
If we do not reach our hands will always be empty.
β
β
Tad Williams (Shadowplay (Shadowmarch, #2))
β
Because love does not do sums, but instead make choices, and then gives its all.
β
β
Tad Williams (Legends)
β
A man whose wisdom is true does not sit in waiting for the world to come at him piece by piece for proving its existence!
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
Now I end my death song. I give my farewell to mountain and sky. It has been good to be alive.
β
β
Tad Williams (Stone of Farewell (Memory, Sorrow, and Thorn, #2))
β
Fight and live, fight and die, God waits for all.
β
β
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
β
Fear goes where it is invited.
β
β
Tad Williams (Stone of Farewell (Memory, Sorrow, and Thorn, #2))
β
But that is enough of such worrying. The river is waiting, and our hearts must be light, so we can faster travel.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
If the road to Hell is paved in good intentions, a friend of mine used to say, the road to Heaven is paved with bullshit and busy work.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
I haven't met that many women, human or angelic, who actually like to drive. In my experience they seem to be much more pragmatic about the whole thing than we are. For most males, driving is an extension of their masculinity; they have little fantasy scenarios going all the time - races, chases, and dramatic combat with other drivers. Females, on the other hand, generally seem to view driving as something you do to get somewhere. I know, crazy.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
In bad times, a king or a queen can be a rock for the waters to crash against, so those less strong are not washed away. I will be such a rock. Only give me a chance, sweet Zoria, and I will be a rock for my people.
β
β
Tad Williams (Shadowheart (Shadowmarch, #4))
β
Never trust people that like to call things by initials, that's my philosophy.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Go down." It seemed obvious. "You have to go down before you can come out - that's how these things always work.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
What, you donβt have a sofa gun? I thought everyone did.
β
β
Tad Williams (Sleeping Late On Judgement Day (Bobby Dollar, #3))
β
But remember this lesson, Simon, one fit for kings... or the sons of kings. Nothing is without cost. There is a price to all power, and it is not always obvious.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
... Humans turn the places they live into great crowded piles of mud and stone, like the nests termites build--but what happens when in all the world there are only termite hills left but no bush?
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Thank God for, as I posted earlier, the glow of work accomplished. Because a few seconds later, someone on the internet mentioned pie. I donβt blame them. Itβs a good subject. But pie was mentioned and I remembered there was strawberry-rhubarb pie in the refrigerator. So I went there. And pie there was none. I suspect the teenaged boy has inhaled it. And now I cling to life and hope as best I can, because my world is dark and pieless.
β
β
Tad Williams
β
To fight a war, you must believe it can accomplish something. We fight this one to save Johnβs kingdom, or perhaps even to save all of mankind... but isnβt that what we always think? That all wars are uselessβexcept the one weβre fighting now?
β
β
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
β
Our lives aren't even about doing real things most of the time. We think and talk about people we've never met, pretend to visit places we've never actually been, to discuss things that are just names as though they were as real as rocks or animals or something. Information Age. Hell it's the Imagination Age. We're living in our own minds.
No, she decided as the plane began its steep descent, really we're living in other people's minds.
β
β
Tad Williams (Mountain of Black Glass (Otherland, #3))
β
Every time you open your mouth,β Clarence said, βyou just seem older and weirder.
β
β
Tad Williams (Sleeping Late On Judgement Day (Bobby Dollar, #3))
β
You see, that is the secret of history, little Brionyβwho tells the last story.
β
β
Tad Williams (Shadowmarch (Shadowmarch, #1))
β
So that's what--one "yes," one "not sure," and one "I had had a dream about a bug.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
Thank you for your news, Princess. It is none of it happy, but only a fool desires cheerful ignorance and I try not to be a fool. That is my heaviest burden.
β
β
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
β
Piercing My Hearte there is A Golden Dagger; That is God
Piercing God's Hearte there is a Golden Needle; That is me
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
When you were old, did your memories crowd out your other thoughts? Or did you lose themβyour childhood, your hated enemies, your friends?
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
Never make your home in a place,β the old man had said, too lazy in the spring warmth to do more than wag a finger. βMake a home for yourself inside your own head. Youβll find what you need to furnish itβmemory, friends you can trust, love of learning, and other such things.
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
... those people who believe in previous lives always think they were dukes or queens or something, ignoring the fact that most people back then spent their whole lives up to their knees in shit before dying of toothless old age at thirty.
β
β
Tad Williams (The War of the Flowers)
β
It's always difficult when people compare me unfavorably with other contemporary writers. It's much easier when they use examples from earlier eras of fiction. Because then I can say, "Well, I may not be talented, but at least I'm not DEAD.
β
β
Tad Williams
β
Theo knew enough about women and their clothes to recognize she was trying to strike an appropriate balance between... what? Between liking him and hating him? Between wanting to look good and not wanting to look too available? Just because he knew a mixed message when he saw one didn't mean he knew exactly which messages were being mixed
β
β
Tad Williams (The War of the Flowers)
β
What's the light of Heaven look like on earth? Like sunlight streaming through clouds in the tackiest garage sale painting you ever saw. Really, it's so beautiful it's embarrassing. No subtlety whatsoever.
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
Even the king's Erkynguard might have wished to be elsewhere, rather than here on this killing ground where duty brought them and loyalty prisoned them. Only the mercenaries were here by choice. To Simon, the minds of men who would come to this of their own will were suddenly as incomprehensible as the thoughts of spiders or lizardsβless so, even, for the small creatures of the earth almost always fled from danger. These were madmen, Simon realized, and that was the direst problem of the world: that madmen should be strong and unafraid, so that they could force their will on the weak and peace-loving. If God allowed such madness to be, Simon could not help thinking, then He was an old god who had lost His grip.
β
β
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
β
Sometimes people need reasons for things, even when there are no reasons. That's what makes people believe in conspiracies or religions - if there is any difference. The world is just too complicated, so they need simple explanations.
β
β
Tad Williams (Otherland 1 - 4 Boxed Set)
β
The world was all mud and wire. The war in the heavens was only a faint imitation of the horror men had learned to make.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
We survive. But when survival is the only goal, what do the survivors become? This
β
β
Tad Williams (The Heart of What Was Lost (Memory, Sorrow, and Thorn, #3.5))
β
He turned up the car radio and punched buttons until he found something loud and thumpingly exultant, some piece of jolly stupidity from AC/DC.
β
β
Tad Williams (The War of the Flowers)
β
He was a figurehead - an aging CEO of his own family who only showed up for the board meetings and wondered how so much got done without him.
β
β
Tad Williams (The War of the Flowers)
β
Im Schlamm fing es an, wie so vieles.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
He has about him still a kind of terrible beauty, as dangerously beguiling as the grandeur of a storm rushing across the sea.
β
β
Tad Williams (Shadowmarch (Shadowmarch, #1))
β
Why were men so caught up with their honor, their solemn word, their promises?
Half the time the promises were never asked of them in the first place.
And yet the wars that were fought over such things, the hearts broken and the lands ruined..!
β
β
Tad Williams (Shadowheart (Shadowmarch, #4))
β
Do you listen to the wolves, Seoman?β Jiriki asked. βItβs hard n-not to.β βThey sing such fierce songs.β The Sitha shook his head. βThey are like your mortal kind. They sing of where they have been, and what they have seen and scented. They tell each other where the elk are running, and who has taken whom to mate, but mostly they are merely crying βI am! Here I am!β
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
When you stopped to think about it, he reflected, there werenβt many things in life one truly needed. To want too much was worse than greed: it was stupidityβa waste of precious time and effort. The
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
It was frighteningly close to what he believed of his father at the worst moments - that he really was the kind of man who would send a letter signed "Sincerely, Cpl. Peter Vilmos" to someone he'd seen naked.
β
β
Tad Williams (The War of the Flowers)
β
Music really did mean something to him, he realized, and it always had. It called to him, although there were no words to describe what it promised. It was like a secret language he never forgot how to speak, a hometown he could always return to when he tired of what life was throwing at him.
β
β
Tad Williams
β
A part of me, of course, was reminding myself over and over and over again that I should never have tried to lie to the higher angels of the Ephorate. Hubris, the Greeks called that. βA dumbshit move,β might be a more contemporary way of putting it.
β
β
Tad Williams (Happy Hour in Hell)
β
COME AWAY, dreamer, come away. Soon you will witness things that only sleepers and sorcerers can see. Climb onto the wind and let it bear youβyes, it is a swift and frightening steed, but there are leagues and leagues to journey and the night is short.
β
β
Tad Williams (Shadowmarch (Shadowmarch, #1))
β
Dear Diary
Went out shopping today. Picked up half a dozen sheep, two pigs, and a princess. The sheep are rather depressingly thin, the pigs and princess only slightly less so. Dear Diary
Went out shopping today. Picked up half a dozen sheep, two pigs, and a princess. The sheep are rather depressingly thin, the pigs and princess only slightly less so.
β
β
Tad Williams
β
Welcome to the Information Jungle.
β
β
Tad Williams (City of Golden Shadow (Otherland, #1))
β
How can you care for a rough man like me?' he asked me. 'How can you love a man who can bring you no lands but the farm a soldier's pension can buy? Who can give your children no title of nobility?' Because love does not do sums, I should have told him. Love makes choices, and then gives its all. Had he seen himself as I first saw him though, he could have had no questions.
β
β
Tad Williams (The Wood Boy / The Burning Man)
β
It was only after they had left the bridge and its gaurdian far behind that Theo realized he had left Tansy's telephone-brooch in the pocket of his jacket. He had no plans to go back for it, of course: as far as Theo was concerned, that piece of two-legged ugliness was welcome to blow out Tansy's long-distance bill or download a ton of troll-porn and charge it to the Daisy commune.
Betray me, huh? Taste the Revenge of Vilmos!
β
β
Tad Williams (The War of the Flowers)
β
Johnny Battistini had gone to Japan once as a replacement drummer for a metal band past its prime ... a one-shot gig that he had talked about for years afterward. At the time, Theo had been frustrated by Johnnyβs inability to describe Tokyo and why it had made such an impression on him. Although he spoke about it frequently ... he could never explain his fascination more clearly than: βIt was just ... weird. Itβs like a regular city, but then itβs all different and shit. But to them itβs not different. And thatβs the really weird part!
β
β
Tad Williams (The War of the Flowers)
β
Never make your home in a place,β the old man had said, too lazy in the spring warmth to do more than wag a finger. βMake a home for yourself inside your own head. Youβll find what you need to furnish itβmemory, friends you can trust, love of learning, and other such things.β Morgenes had grinned. βThat way it will go with you wherever you journey. Youβll never lack for a homeβunless you lose your head, of courseΒ .Β .
β
β
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
β
Since your father has escaped my justice, it is you who must hear my words."
"Words. You keep saying..."
"Because that was the gift your father gave to me. And the curse that ruined me as well, changed my life to wretched misery. There are hours yet before the guard comes - nay, eons. An eternity, in fact. This is my time, Miranda. Now you will have your words back: before I kill you, you will hear my tale... and you will know what you have done.
β
β
Tad Williams (Caliban's Hour)
β
During its timeless hours of movement and inspection, as it floated on the number-winds and learned from their shape and force, it had become aware of something else, something so far from the conceptual map of the environment it had originally been given as to briefly constitute a new danger to the Nemesis program's logical integrity.
β
β
Tad Williams (River of Blue Fire (Otherland, #2))
β
I've always preferred the city at night. I believe that San Judas, or any city, belongs to the people who sleep there. Or maybe they don't sleep - some don't - but they live there. Everybody else is just a tourist.
Venice, Italy, for instance, pulls in a millions tourists for their own Carnival season but the actual local population is only a couple of hundred thousand. Lots of empty canals and streets at night, especially when you get away from the big hotels, and the residents pretty much have it to themselves when tourist season slows during the winter.
Jude has character - everybody agrees on that. It also has that thing I like best about a city: You can never own it, but it you treat it with respect it will eventually invite you in and make you one of its true citizens. But like I said, you've got to live there. If you're never around after the bars close, or at the other end of the night as the early workers get up to start another day and the coffee shops and news agents raise their security gates, then you don't really know the place, do you?
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
β
I donβt get it,β Clarence whispered to me. βWeβre the only ones in the place. When are your friends supposed to get here?β
βWhy, bab?β asked the cream pitcher, its top opening and closing like a tiny silver mouth. βAre you thinking about asking one of the waitresses out instead?β The chuckle that followed was a little coarser than the silvery-bell variety one usually expects from invisible spirits. Clarence let out a yelp like a dog whose tail has just found its way under a foot and was halfway to the front door before I could convince him to come back. At the other end of the long room the waitresses looked up without interest, then went back to discussing particle physics or whatever else was keeping them from bringing me a glass of water
β
β
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))