Neon Yellow Quotes

We've searched our database for all the quotes and captions related to Neon Yellow. Here they are! All 43 of them:

That's the van? It looks like a rotting banana." This was undeniable - Eric had painted the van a neon shade of yellow, and it was blotched with dings and rust like splotches of decay.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The world is exploding in emerald, sage, and lusty chartreuse - neon green with so much yellow in it. It is an explosive green that, if one could watch it moment by moment throughout the day, would grow in every dimension.
Amy Seidl (Early Spring: An Ecologist and Her Children Wake to a Warming World)
I love you," Amir told her. Samirah stumbled backwards like she'd been hit in the face with a giant eagle egg. Alex propped her up. "I ... yes," Sam squeaked. "Also. Too." Amir nodded. He turned and got into his car. A moment later, his tail-lights disappeared down Flagship Way. Samirah smacked her own forehead. "Also? Too? I am such an idiot." Alex patted her arm. "I thought you were quite eloquent. Come on sister. Your neon-yellow warship awaits.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Think of it like the best mac and cheese you've ever had. No neon yellow Velveeta and bread crumbs. I'm talking gourmet cheddar, the expensive stuff from Vermont that crackles as it melts into the crust on top. Imagine if right before you were about to tear into it, the mac and cheese starts talking to you?
Alaya Dawn Johnson (Zombies Vs. Unicorns)
This girl is not someone I should be fucking with. She’s got neon yellow hazardous signs written all over her slim body clearly warning me to stay the fuck away and yet all I seem to be doing is stupidly running towards it. Towards her. At full speed.
Francette Phal (Stain (Stain, #1))
Her neon yellow t-shirt said Suck It Up, Buttercup. It was baggy, but she wasn’t wearing a bra. This long-legged bitch tempts me.
Roni O'Connell (Inside Phoenix)
Aliens struck me as being rather goth. Luckily, in the daylight, there could be no more effective goth repellent than our home’s hideous furnishings. We had 1970s green and yellow linoleum floors. Neon orange and brown, scratchy, wool plaid furniture. And on the living room wall, a huge, earnest painting of two raccoons someone had made while serving a prison sentence.
Alissa Nutting (Unclean Jobs for Women and Girls: Stories (Art of the Story))
After the dinner-and-interrogation. John stopped short on the sidewalk: The theater was gone. Instead, two gigantic clown faces grinned at him from the windows of a gleaming new restaurant. The faces were almost as large as the wide front door, painted on either side, and above them was a sign, in red and yellow neon letters: CIRCUS BABY’S PIZZA.
Scott Cawthon (The Fourth Closet (Five Nights at Freddy's, Book #3))
The tiny puncture wounds left by their fangs oozed the neon colors of their skins. Pus dyed bright pink, yellow, and blue dripped down her fingers.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
He held up his hand, and in it was... Oh, God. The neon-pink vibrator, glowing in the dark now. It was following her, stalking her, all the way down the yellow brick road to hell.
Jill Shalvis (Get a Clue)
I let the lights and the faces come at me. I let the nerves tap out signals to my brain center. I let go. The pink, green, and yellow neons flashed on and off with a definite rhythm, each with its own particular tempo. Together they screamed out a syncopated color rhapsody. The faces; the cafés; the speed of light, steel cars. Swift; quick. Red; green. Flash; off. Stop; go.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
That bitch should not be in a club like this. As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes. She looks like a neon sign bumblebee by way of early Debbie Harry rip-off.
Rachel Cohn (Nick & Norah's Infinite Playlist)
The wind howled about the bus, and the wipers slooshed heavily back and forth across the windshield, smeering the city into a red and yellow neon wetness. It was early afternoon, but it looked like night through the glass
Neil Gaiman (American Gods)
a large terrarium filled with hundreds of snakes. They were artificially bright, their skins almost glowing in shades of neon pink, yellow, and blue. No longer than a ruler and not much thicker than a pencil, they twisted into a psychedelic carpet that covered the bottom of the case.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
My brother was twelve and learning algebra; I was nineteen and learning how to look people in the eye. I was learning other things, too: how to distinguish packs of cigarettes by color, the names of the blacks and yellows and reds. I was memorizing the refrain of every pop song on the radio. But mostly I was learning that the only way for the night to end is for the night to end. There was no way to speed up a lonely hour.
Claire Luchette (Agatha of Little Neon)
Twas the night before Christmas—well, the late afternoon, in fact, but who could tell at the North Pole in the middle of winter—and Matthias the werewolf was knee-deep in reindeer guts. Really, it was the deer’s own fault for having that glowing red nose that had made it ever so easy to pick him out in the gloom. There it had been, like a neon sign saying FAST FOOD and Matt being like Yellow Dog Dingo—always hungry—had taken the opportunity for a quick snack.
Kat Richardson (Wolfsbane and Mistletoe)
There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, read, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights.
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
He wiped the sweat off his forehead and bent to look out the window. It was amazing how heavy a 1.6-pound pistol could get if you weren’t relaxed. He knew better and chided himself, but forgot the pain the moment he saw the target building. The neon dragon dancing on the roof glinted off the puddles in sparks of yellow and red. Outside the Dragon’s Door the line stretched back around the block. Steele set the pistol on the ledge and checked the Rolex Submariner on his wrist. It was 11:25. He pulled a magnifier from the inside pocket of his Manning and Manning jacket and pressed it to his eye. “I’m on target,” he said. “Uploading the feed, stand by,
Sean Parnell (Man of War (Eric Steele #1))
The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The female diver continued to peel off the wet suit. Was Sam the only one who noticed? "And, Rachel, I don't believe you've met Sam." "No. No, I haven't. But I've heard great things about him." The diver flashed a million-watt smile as she slipped out of the wet suit. The conservative black maillot swimsuit beneath wasn't worth a damn at hiding what the wet suit had covered up. Sam's throat went dry and there was a humming sound behind his ears. Venus had risen from the sea, not in a shell, but in neon yellow and black neoprene. Green eyes seemed to assess him, as he stepped forward to take the hand she offered. Winter and the photographer faded away entirely. Please, please, please, he silently begged, don't be Winter's wife.
Mariah Stewart (Priceless)
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
Naima Coster (Halsey Street)
But the accompanying steamed rice, pressed into the shape of a chrysanthemum, had a clean, delicate sweetness unlike any rice I had ever tasted. The tray also held a plastic bowl and sipped the savory liquid enriched with diced tofu and emerald wisps of wakame seaweed. In a shallow dish sat a small block of bean curd splashed with soy sauce and topped with pinkish curls of dried bonito that looked like pencil shavings. I cut into the silky white cube and tried to balance the craggy chunk on the slender pieces of wood. It tumbled off. After trying again, success was rewarded with the sweet taste of milky custard mingled with dark soy and smoky fish flakes. There were pickles too, crisp neon-yellow half-moons of sweet daikon radish and crunchy slices of eggplant. Although I had not expected culinary brilliance from a mall restaurant, dinner was exceeding expectations. The ingredients were plain, but exceptional in their purity and freshness.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
It took her eyes a moment to adjust. The shack was lit by a yellow bulb hanging from the ceiling and the thin light that made its way through the dusted windows. Neon beer signs affixed to the walls flittered noisily on and off, on and off. Behind a makeshift bar, a man, morose and gray, sat motionless
William Lashner (A Filthy Business)
The northern lights appeared overhead, cascading in swirls of yellow, green, red, and purple. Impossible, magical color; lights fell like silken scarves across the sky, skeins of yellow, neon-green, shocking pink. The electric-bright moon seemed to watch it all.
Kristin Hannah (The Great Alone)
An image began to form in her mind. There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, red, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights. Were these streets of Kowloon that she was seeing it her head?
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
Everything seems neon lit when I look back at that time, like the track suits that made color exhausting and the parachute pants that gave all the boys who wore them airplane eyes. Sometimes I'll even remember an old man in greasy overalls and instead of mechanic's blue, I see them bright yellow and glowing. That's the art of the '80s. It's also the damage of it. Perhaps because they belonged to me, I will say that the '80s were as best as any time to grow up in. I think too they were a good time to meet the devil. Particularly that June day in 1984, when the sky seemed to be made on the kitchen counter, the clouds scattering like spilled flour.
Tiffany McDaniel (The Summer that Melted Everything)
The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good
Harlan Coben (Back Spin (Myron Bolitar, #4))
She pats my chest with a quick good-bye tap, and then she walks away. She goes inside the house, and she doesn’t come back out. She doesn’t come back out to lifeguard for the youth group at the pool. She doesn’t come back out to roast marshmallows. She doesn’t come back out to check on her horse. She doesn’t come out the next morning to start events with the campers. She doesn’t come outside again at all until the next night, when a neon-yellow Mustang pulls into the drive. Chase Gerald gets out and goes to get my girl. Then she finally comes out. On his fucking arm.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
A magnificent fireworks began: magnesium flares blindingly white, yellow, and then red, like dying stars; straight bright red streaks of machine-gun fire; elegant and clear lines of bullets traced like fugitive neon light; and scarlet, sinister rugged patches from antiaircraft artillery. Then the noise: after the solemn, promising silence of the flares came the mad disorderly reaction of the inhabitants of the earth to the regular, obstinate sounds of the invisible motors in the sky. The airplanes replied to the nervous coughing of the machine guns with great battering blows that shook the earth. It was a celebration in honor of death.
Albert Memmi (The Pillar of Salt)
Post-its scattered around the house, the colors switching between neon shades depending on the task or mood. It’s a game we’ve played together for years. Pink Post-its have sexy stuff, blue are happy notes, green includes need-to-do-or-buy items, and yellow has sweet messages she finds on Pinterest.
Lauren Asher (Collided (Dirty Air, #2))
Alexander went to the refrigerator and got himself a neon yellow sports drink. It looked like a radioactive urine sample.
Stuart Gibbs (Spy School)
Good call dropping the mystery-ingredient round." She caught Sylvie's questioning glance. "Finalist last year with an unknown allergy to turmeric. Violent gastro effects. Ever seen the pie scene in Stand By Me?" Sylvie winced. "We had to reshoot the whole day. I was scrubbing neon yellow out of my ears for a week." Mariana smoothed back a strand of salt-and-pepper hair. "We looked like we'd banded together to massacre Big Bird." Only this woman could make that anecdote sound almost classy.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Neon signs flashed the word “NEWS” in ironic yellow.
Marcel M. du Plessis (The Silent Symphony)
On either side of us were stinging nettles, a couple of feet deep; past that, slender trunks that bowed under the weight of their fresh foliage. Some of the older trees were fallen, spiked, half covered by mosses, lichens, slime molds in bubblegum pink and neon yellow we could just make out in the escalating light.
Jennifer Croft (The Extinction of Irena Rey)
US merchant ships had already been told a month ago not to operate with their lights on at night, but back in New York City lights still made them perfect, dark silhouettes for U-boat captains who observed them through their periscopes. In April 1942, New York City finally decided to turn out the lights. However, the “blackout” that was desired by Admiral Andrews never materialized, as Mayor La Guardia argued for a compromise—New York City would institute a “dimout.” The Statue of Liberty’s torch was extinguished. The Wrigley’s fish and neon bubbles in Times Square were taken down. However, at night, the Camel man kept smoking, and blowing smoke rings over a dark street. Street lamps and traffic lights were dimmed, and cars either ran with just their parking lights on or had their lights painted over so light could only escape through a slit. Gasoline and rubber shortages saw fewer and fewer cars were on the road, and most cars running were yellow taxicabs that were exempt from rationing. Floodlights that illuminated the facades of New York City’s most recognizable structures—the Empire State Building, the Chrysler Building, and Rockefeller Center—were turned off, making them look like “giant mausoleums.” In late April, sporadic blackout drills made the city even darker.
Matthew Black (Operation Underworld: How the Mafia and U.S. Government Teamed Up to Win World War II)
and she giggled as she walked against the current of bodies in the crosswalk. The subway was right there, but she didn’t want to take it yet—the beauty of New York City was walking, was serendipity and strangers, and it was still her birthday, and so she was just going to keep going. Alice turned and walked up Eighth, past the crummy tourist shops selling magnets and keychains and i ♥ ny T-shirts and foam fingers shaped like the Statue of Liberty. Alice had walked for almost ten blocks when she realized she had a destination. She and Sam and their friends had enjoyed many, many hours in bars as teenagers: they’d spent nights at the Dublin House, on 79th Street; at the Dive Bar, on Amsterdam and 96th Street, with the neon sign shaped like bubbles, though that one was a little too close to home to be safe; and some of the fratty bars farther down Amsterdam, the ones with the buckets of beers for twenty dollars and scratched pool tables. Sometimes they even went to some NYU bars downtown, on MacDougal Street, where they could dash across the street for falafel and then go back to the bar, like it was their office and they were running out for lunch. Their favorite bar, though, was Matryoshka, a Russian-themed bar in the 50th Street 1/9 subway station. Now it was just the 1 train, but back then, there was also the 9. Things were always changing, even when they didn’t feel like it. Alice wondered if no one ever felt as old as they were because it happened so slowly, and you were only ever one day slower and creakier, and the world changed so gradually that by the time cars had evolved from boxy to smooth, or green taxis had joined yellow ones, or MetroCards had replaced tokens, you were used to it. Everyone
Emma Straub (This Time Tomorrow)
...inside a silver cage hung from the ceiling, a yellow bird sang, oblivious.
T.R. Napper (Neon Leviathan)
Now that he knew that he was, that he existed to celebrate his existence, he looked with delight and fascination at every all-night hot-food stall, every neon welcome to a caste bar or club, every vagrant waft of steam from the pneumatique ventilators, every puddle of yellow streetlight, every rain-slick cobble, because in the continued existence of those other things he saw his own being reflected.
Ian McDonald (Out on Blue Six)
It was ash on fingertips, and vast. Stepping upon it gave the impression that it had come not from below, buffed by millions of years of wind slicing against rock, but rather from above; that perhaps it had drifted down and settled here. The layers undulated from an inch to hundreds of feet thick. Red storms swept and swirled, colouring the atmosphere with grains so light it took days until the air became clear again: shifting from bloodshot and murky to a jaundiced yellow, the sepia sun somewhere above the thick cloud-layer.
Adam J. Smith (Neon Sands (Neon #1))
Once ingested the spores germinate and begin consuming the larvae, much like the other diseases mentioned. The larvae eventually die after the cell is capped. Before they die, the larvae turn a brownish/yellow color. This is a sure sign that something is wrong in a colony. Larvae should always be a stunning, nearly neon white. And they should be shiny and glistening, not dull. Once the cell is capped the infected larvae die
Kim Flottum (The Backyard Beekeeper: An Absolute Beginner's Guide to Keeping Bees in Your Yard and Garden)
This Marcovaldo possessed an eye ill-suited to city life: billboards, traffic-lights, shop-windows, neon signs, posters, no matter how carefully devised to catch the attention, never arrested his gaze, which might have been running over the desert sands. Instead, he would never miss a leaf yellowing on a branch, a feather trapped by a roof-tile; there was no horsefly on a horse's back, no worm-hole in a plank, or fig-peel squashed on the sidewalk that Marcovaldo didn't remark and ponder over, discovering the changes of season, the yearnings of his heart, and the woes of his existence.
Italo Calvino (Marcovaldo)