T Mann Quotes

A writer is someone for whom writing is more difficult than it is for other people.

A house without books is like a room without windows.

Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.

Be ashamed to die until you have won some victory for humanity.

It is love, not reason, that is stronger than death.

Tolerance becomes a crime when applied to evil.

That was the goth stage, where I decided I'd never get the girl of my dreams because of my scars. Not to mention my hairstyle. (pause) But then she slammed a door handle into my gut. And when a girl does that to a boy, it means she likes him.

Doing nothing for others is the undoing of ourselves.

In books we never find anything but ourselves. Strangely enough, that always gives us great pleasure, and we say the author is a genius.

Laughter is a sunbeam of the soul.

Dreams aren't memories," he says.

Do not think of knocking out another person's brains because he differs in opinion from you. It would be as rational to knock yourself on the head because you differ from yourself ten years ago.

When you are an addict and you get caught, you always seem to be at your lowest point.

Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportianate, the absurd and the forbidden.

There are so many different kinds of stupidity, and cleverness is one of the worst.

Movies will make you famous; Television will make you rich; But theatre will make you good.

There's something about a guy who admits he's a jerk that makes him forgiveable.

Lost, yesterday, somewhere between sunrise and sunset, two golden hours, each set with sixty diamond minutes. No reward is offered for they are gone forever.

Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them. In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.

Get me outa here. F*ckin' creepy cheerleaders.

War is only a cowardly escape from the problems of peace.

No man remains quite what he was when he recognizes himself.

I know I am talking nonsense, but I’d rather go rambling on, and partly expressing something I find it difficult to express, than to keep on transmitting faultless platitudes.

It's the intent, not the word, that makes something harsh.

He who loves the more is the inferior and must suffer.

Once you read something, you can't erase it from your brain.

If you don't want me to see, I guess, don't sleep in the same room as me." He looks at her with a sly smile. "But I'm known for sleeping in school. It's my shtick.

Yes, they are carnal, both of them, love and death, and therein lies their terror and their great magic!

The phone rings. “Asshole,” she mutters. She picks it up. “Will you let me explain?” “No.” She hangs up.

A harmful truth is better than a useful lie.

Come on, Cabel," Carrie says. "Let me give you a ride, at least. Unless you want Shay to- hey, here she comes now." Carrie titters, her eyes dancing. Cabel's eyes grow wide. He slips into the backseat of Carrie's car without a word. "Get me outta here. Fuckin' creepy cheerleaders.

Cabel: Um, Janie? Janie: Yesss, Cabel? Cabel: I have another lie to confess. Janie: Oh, dear. What is it? Cabel: I do, actually, know what my GPA is. Janie: And? Cabel: And. I have a full-ride scholarship. Cabel is pushed violently from the beanbag chair. And pounced upon. And told, repeatedly, what a bastard he is. Janie is told that she will most certainly get a scholarship too, with her grades. Unless she plays hooky with drug dealers.

There is only one real misfortune: to forfeit one's own good opinion of oneself. Lose your complacency, once betray your own self-contempt and the world will unhesitatingly endorse it.

Passionate—that means to live for the sake of living. But one knows that you all live for sake of experience. Passion, that is self-forgetfulness. But what you all want is self-enrichment.

He probably was mediocre after all, though in a very honorable sense of that word.

I stand between two worlds. I am at home in neither, and I suffer in consequence. You artists call me a bourgeois, and the bourgeois try to arrest me...I don't know which makes me feel worse.

It is remarkable how a man cannot summarize his thoughts in even the most general sort of way without betraying himself completely, without putting his whole self into it, quite unawares, presenting as if in allegory the basic themes and problems of his life.

Steampunk is...a joyous fantasy of the past, allowing us to revel in a nostalgia for what never was. It is a literary playground for adventure, spectacle, drama, escapism and exploration. But most of all it is fun!

Nothing is more curious and awkward than the relationship of two people who only know each other with their eyes — who meet and observe each other daily, even hourly and who keep up the impression of disinterest either because of morals or because of a mental abnormality. Between them there is listlessness and pent-up curiosity, the hysteria of an unsatisfied, unnaturally suppressed need for communion and also a kind of tense respect. Because man loves and honors man as long as he is not able to judge him, and desire is a product of lacking knowledge.

I know i'll screw up. But i'll keep trying, as long as you let me.

Nothing is stranger or more ticklish than a relationship between people who know each other only by sight, who meet and observe each other daily - no hourly - and are nevertheless compelled to keep up the pose of an indifferent stranger, neither greeting nor addressing each other, whether out of etiquette or their own whim.

And then they kiss. Slowly, gently. Because with the right person, sometimes kissing feels like healing.

A solitary, unused to speaking of what he sees and feels, has mental experiences which are at once more intense and less articulate than those of a gregarious man. They are sluggish, yet more wayward, and never without a melancholy tinge. Sights and impressions which others brush aside with a glance, a light comment, a smile, occupy him more than their due; they sink silently in, they take on meaning, they become experience, emotion, adventure. Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.

The Moth don't care when he sees The Flame. He might get burned, but he's in the game. And once he's in, he can't go back, he'll Beat his wings 'til he burns them black... No, The Moth don't care when he sees The Flame. . . The Moth don't care if The Flame is real, 'Cause Flame and Moth got a sweetheart deal. And nothing fuels a good flirtation, Like Need and Anger and Desperation... No, The Moth don't care if The Flame is real. . .

Because with the right person, sometimes kissing feels like healing.

She gets to school late. Bashful gives her a tardy, and won't reconsider. Janie always hated Bashful. Stupidest. Dwarf. Ever.

Art is the funnel, as it were, through which spirit is poured into life.

Carrie doesn't seem to talk about anything with sharp edges. Maybe she's afraid they might poke her and then she'd burst.

So, ah, I'm not sure if you know this, but you're not wearing a shirt." "Distracting, isn't it?

Janie. Does not like. To be called. Buffy.

Bashful=Spanish, Miss Gardenia Doc=Psychology, Mr. Wang Happy=Chemistry 2, Mr. Durbin Dopey=English Lit., Mr. Purcell Dippy=Math, Mrs. Craig Dumbass=PE, Coach Crater

This was love at first sight, love everlasting: a feeling unknown, unhoped for, unexpected--in so far as it could be a matter of conscious awareness; it took entire possession of him, and he understood, with joyous amazement, that this was for life.

Solitude produces originality, bold & astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd, and the forbidden.

Read if you believe

All interest in disease and death is only another expression of interest in life.

Order and simplification are the first steps towards mastery of a subject

A lonely, quiet person has observations and experiences that are at once both more indistinct and more penetrating than those of one more gregarious; his thoughts are weightier, stranger, and never without a tinge of sadness. . . . Loneliness fosters that which is original, daringly and bewilderingly beautiful, poetic. But loneliness also fosters that which is perverse, incongruous, absurd, forbidden.

Only love, and not reason, yields kind thoughts.

Hey Cabe?" she says, drying her hair, feeling refreshed. Grinning. Putting all thoughts but one aside for the moment. "You wanna go get Jimmy a raincoat and we'll take care of you?" Cabel looks at her. Turns his head and narrows his eyes. Who the hell is Jimmy?

It's always hard when you've known a person a long time and then you have to recognise that you have nothing left in common but your memories.

Cabel gives her a quizzical look. "I am totally not getting enough attention here.

Distance in a straight line has no mystery. The mystery is in the sphere.

Because there's no way on earth she's going to make it through college unless she grows some serious ovaries and turns this train wreck around

You're asking for trouble, Hannagan," he growls. "And you would be....?" Janie asks. She giggles. "Trouble.

Give me a house furnished with books rather than furniture! Both, if you can, but books at any rate!

Cabel smiles and hangs up. "Guess what." What," Janie says. We can go out on our first date." Woo hoo!" And guess what else- You're buying." Me? Why?" Because you lost the bet." Janie thinks for a moment. Punches Cabel in the arm. "You did not fail five quizzes or tests!" I did. I have proof.

I highly regret this day in advance.

If you want to touch me, Kendall, touch me. Don't hide behind those little girl slaps.

Technology and comfort - having those, people speak of culture, but do not have it.

Memories are made of peculiar stuff, elusive and yet compelling, powerful and fleet. You cannot trust your reminiscences, and yet there is no reality except the one we remember......

Janie calls Cabel. "Hi, uh, Mom," she says. Cabel snorts. "Hello, dear. Did you make it through the blizzard?" "Yeah. Barely." Janie grins into the phone.

Until you have done something for humanity,” wrote the great American educator Horace Mann, “you should be ashamed to die.

Ignorance breeds monsters to fill up the vacancies of the soul that are unoccupied by the verities of knowledge.

You - best secret boyfriend ever.

I've got a huge, terrible problem." Oh no! Not that horrible toenail fungus that takes six months to cure?" No, no, no. Much worse. This is shocking news. Are you sure I should tell you while you're driving?" I've got my headset on. Both hands on the wheel. Windows rolled up. Go for it." Okay, here goes...Principal Abernethy called me this morning to let me know I'm in the running for valedictorian." There is silence. A rather loudish snort. And guffaws. Congratulations," she finally says, laughing. "What ever are you going to do?" Fail ever assignment from today onward." You won't be able to." Watch me.

They have an unusual relationship. And when things are good, it's magic.

Janies lips part in surprise. She takes it. Feels really strange about opening it in front of him. She wets her lips and examines the box and the ribbon that surounds it. "Thank you." She says softly. "Um..." He clears his throat, "The gift, see is actually inside the box. The box is like an extra bonus gift.It's how we do things here on planet Earth.

The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.

Janie: Did you ever sell drugs? Cabel: Yes. Pot. Ninth and tenth grade. I was, uh...rather troubled back then. Janie: Why did you stop? Cabel: Got busted, and Captain made me a better deal. Janie: So you've been a narc since then? Cabel: I cringe at your terminology.

Excellent." Captain nods. "Cabel. What's your job?" Watching in agony, sir." Captain suppressed a smile. "I'd make you stay home if I didn't know you'd sneak out, anyway. while you are watching in agony, feel free to take note of anyone who comes or goes that's not on the list.

The days began to fly now, and yet each one of them was stretched by renewed expectations and swollen with silent, private experiences. Yes, time is a puzzling thing, there is something about it that is hard to explain.

Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.

This phone," he says finally. "I want this phone." She laughs. "No. S'mine." Janie, I don't think you understand. I want it." Sorry." It's got photo caller ID; Internet; video, camera, and digital recorder?! Holy Hannah... It's making me warm all over." Oh yeah?" Janie says in a sexy voice. "Wanna play with my phone, baby?" Hell yes, I do.

...she's leaving now. ... Janis attacks the back door of the school gym and finds herself in a heavy cloud of smoke. She realizes she's found the Goths' hangout. Who knew? "Oof," someone says. She keeps walking, muttering, "sorry" to whomever it was she hit with the flying door. *** Cabel: ... That was the Goth stage where I decided I'd never get the girl of my dreams because of my scars. Not to mention the hairstyle. (pause) But then she slammed a door handle into my gut. And, when a girl does that to a boy, it means she likes him.

There's just no happily ever after in Janie's book. But they both know there is something. Something good between them. There is respect. And there is depth. Unslefishness. An understanding between them that surpasses a hell of a lot else. And there's that love thing.

She opens her eyes slowly. It takes her a moment to adjust to the bright kitchen light, shining in her eyes. "Can we rearrange the furniture this weekend?" she asks sleepily. "So when I sleep out here, you don't shine all of Satan's fiery hell lights in my eyes first thing in the morning?

Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state ... Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly.

Captain looks at Janie closely. "Jesus, Mary, and Joseph," she says. "You're gonna have a heck of a shiner by the time the day's over. Did you black our?" "I...uh..." Janie shrugs. "I really have no idea." "Yes, I think she did." Cabel cuts in. "I'm going to need to watch her all day. And probably all night, too," he adds. Very, very seriously. The captain throws a rubber eraser at him and sends him out for coffee.

Oh baby," he whispers. Steps back. Out of the doorway. His face ashen. He walks slowly back to the kitchen. Leans over the counter. Puts his head in his hands. His hair falls over his fingers. The bathroom door clicks shut. She stays there for a long time. He's pulling his hair out.

And life? Life itself? Was it perhaps only an infection, a sickening of matter? Was that which one might call the original procreation of matter only a disease, a growth produced by morbid stimulation of the immaterial? The first step toward evil, toward desire and death, was taken precisely then, when there took place that first increase in the density of the spiritual, that pathologically luxuriant morbid growth, produced by the irritant of some unknown infiltration; this, in part pleasurable, in part a motion of self-defense, was the primeval stage of matter, the transition from the insubstantial to the substance. This was the Fall.

Do you think Cabel knows?" Have you thought about asking him?" Janie glances up to read her face. Bites her quivering lip to still it. "We're not exactly on speaking terms right now." Captain sighs. "I gathered that." Carefully she says, "Cabel has his own demons and if he doesn't get on with killing them soon, I'm going to kick his ass...

It is most certainly a good thing that the world knows only the beautiful opus but not its origins, not the conditions of its creation; for if people knew the sources of the artist's inspiration, that knowledge would often confuse them, alarm them, and thereby destroy the effects of excellence. strange hours! strangely enervating labor! bizarrely fertile intercourse of the mind with a body!

Isn't it grand, isn't it good, that language has only one word for everything we associate with love - from utter sanctity to the most fleshly lust? The result is perfect clarity in ambiguity, for love cannot be disembodied even in its most sanctified forms, nor is it without sanctity even at its most fleshly. Love is always simply itself, both as a subtle affirmation of life and as the highest passion; love is our sympathy with organic life.

I tend to agree with the theory that if you want to keep a memory pristine, you must not call upon it too often, for each time it is revisited, you alter it irrevocably, remembering not the original impression left by experience but the last time you recalled it. With tiny differences creeping in at each cycle, the exercise of our memory does not bring us closer to the past but draws us further away.

A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries. He may regard the general, impersonal foundations of his existence as definitely settled and taken for granted, and be as far from assuming a critical attitude towards them as our good Hans Castorp really was; yet it is quite conceivable that he may none the less be vaguely conscious of the deficiencies of his epoch and find them prejudicial to his own moral well-being. All sorts of personal aims, hopes, ends, prospects, hover before the eyes of the individual, and out of these he derives the impulse to ambition and achievement. Now, if the life about him, if his own time seems, however outwardly stimulating, to be at bottom empty of such food for his aspirations; if he privately recognises it to be hopeless, viewless, helpless, opposing only a hollow silence to all the questions man puts, consciously or unconsciously, yet somehow puts, as to the final, absolute, and abstract meaning in all his efforts and activities; then, in such a case, a certain laming of the personality is bound to occur, the more inevitably the more upright the character in question; a sort of palsy, as it were, which may extend from his spiritual and moral over into his physical and organic part. In an age that affords no satisfying answer to the eternal question of 'Why?' 'To what end?' a man who is capable of achievement over and above the expected modicum must be equipped either with a moral remoteness and single-mindedness which is rare indeed and of heroic mould, or else with an exceptionally robust vitality. Hans Castorp had neither one nor the other of these; and thus he must be considered mediocre, though in an entirely honourable sense.

Are you okay?" she whispers, giggling. Me? Oh sure. You might have to carry me out of here, though." What happened?" I created a distraction." I gathered that." Step stool, encyclopedias, floor." I see. Well, I can't thank you enough." Sure you can. Help me flunk enough tests, so I drop out of the 'torian range." Can't you just tell Abernethy that you have a reputation as a dumbshit to keep up, and you don't want the attention?" Flunking is more fun.

In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.

There were profound reasons for his attachment to the sea: he loved it because as a hardworking artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life's task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?

Independent study, community service, adventures and experience, large doses of privacy and solitude, a thousand different apprenticeships — the one-day variety or longer — these are all powerful, cheap, and effective ways to start a real reform of schooling. But no large-scale reform is ever going to work to repair our damaged children and our damaged society until we force open the idea of “school” to include family as the main engine of education. If we use schooling to break children away from parents — and make no mistake, that has been the central function of schools since John Cotton announced it as the purpose of the Bay Colony schools in 1650 and Horace Mann announced it as the purpose of Massachusetts schools in 1850 — we’re going to continue to have the horror show we have right now.

I want you to stop being subhuman and become 'yourself'. 'Yourself,' I say. Not the newspaper you read, not your vicious neighbor's opinion, but 'yourself.' I know, and you don't, what you really are deep down. Deep down, you are what a deer, your God, your poet, or your philosopher is. But you think you're a member of the VFW, your bowling club, or the Ku Klux Klan, and because you think so, you behave as you do. This too was told you long ago, by Heinrich Mann in Germany, by Upton Sinclair and John Dos Passos in the United States. But you recognized neither Mann nor Sinclair. You recognize only the heavyweight champion and Al Capone. If given your choice between a library and a fight, you'll undoubtedly go to the fight.