Synecdoche New York Quotes

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Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
There are nearly thirteen million people in the world. None of those people is an extra. They're all the leads of their own stories. They have to be given their due.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
And the truth is I feel so angry, and the truth is I feel so fucking sad, and the truth is I've felt so fucking hurt for so fucking long and for just as long I've been pretending I'm OK, just to get along, just for, I don't know why, maybe because no one wants to hear about my misery, because they have their own. Well, fuck everybody. Amen.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
We're all hurtling towards death. Yet here we are, for the moment, alive. Each of us knowing we're going to die. Each of us secretly believing we won't.
Charlie Kaufman (Synecdoche, New York)
You've been a part of me forever. Don't you know that? I breathe your name in every exhalation.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
CLAIRE I used to be a baby! CADAN I'm sorry.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
What was once before you - an exciting, mysterious future - is now behind you. Lived; understood; disappointing. You realize you are not special. You have struggled into existence, and are now slipping silently out of it. This is everyone's experience. Every single one. The specifics hardly matter. Everyone's everyone. So you are Adele, Hazel, Claire, Olive. You are Ellen. All her meager sadnesses are yours; all her loneliness; the gray, straw-like hair; her red raw hands. It's yours. It is time for you to understand this. As the people who adore you stop adoring you; as they die; as they move on; as you shed them; as you shed your beauty; your youth; as the world forgets you; as you recognize your transience; as you begin to lose your characteristics one by one; as you learn there is no-one watching you, and there never was, you think only about driving - not coming from any place; not arriving any place. Just driving, counting off time.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
Dear diary, I'm afraid I'm gravely ill. It is perhaps times like these that one reflects on things past. An article of clothing from when I was young. A green jacket. I walk with my father. A game we once played. Pretend we're faeries. I'm a girl faerie. My name is Laura Lee. And you're a boy faerie. Your name is Tita Lee. Pretend, when we're faeries we fight each other, and I say "Stop hitting me I'll die!" And you hit me again and I say, "Now I have to die." And then you say, "But I'll miss you." And I say, "But I have to. And you'll have to wait a million years to see me again. And I'll be put in a box, and all I'll need is a tiny glass of water and lots of tiny pieces of pizza and the box will have wings like an airplane." And you'll ask, "Where will it take you?" "Home." I say. — Sadie Goldstein [Olive] Synecdoche, New York (2008)
Jeannette Rupert (Synecdoche, New York: Screenplay)
Dear diary, I'm afraid I'm gravely ill. It is perhaps times like these that one reflects on things past. An article of clothing from when I was young. A green jacket. I walk with my father. A game we once played. Pretend we're faeries. I'm a girl faerie. My name is Laura Lee. And you're a boy faerie. Your name is Tita Lee. Pretend, when we're faeries we fight each other, and I say "Stop hitting me I'll die!" And you hit me again and I say, "Now I have to die." And then you say, "But I'll miss you." And I say, "But I have to. And you'll have to wait a million years to see me again. And I'll be put in a box, and all I'll need is a tiny glass of water and lots of tiny pieces of pizza and the box will have wings like an airplane." And you'll ask, "Where will it take you?" "Home." I say. — Sadie Goldstein [Olive] Synecdoche, New York (2008)
Charlie Kaufman (Synecdoche, New York: The Shooting Script)