Swing Dance Quotes

She wished she had a little yellow house of her own, with a flower box full of real flowers and herbs – pansies and rosemary – and a sweet lover who would swing dance with her in the evenings and cook pasta and read poetry aloud.

I promise you that the same stuff galaxies are made of, you are. The same energy that swings planets around stars makes electrons dance in your heart. It is in you, outside you, you are it. It is beautiful. Trust in this. And you your life will be grand.

Hey, are you a boy or a — never mind, can I have a push on the swing?” And some day, y’all, when we grow up, it’s all gonna be that simple.

But here there was only hot swing music and liquor, dance halls, ban, and movies, and sex that hung in the gloom like a chandelier and flooded the world with brief, deceptive rainbows.

Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.

Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.

Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.

If movements were a spark every dancer would desire to light up in flames.

If spirit is the seed, dance is the water of its evolution.

Dance is the timeless interpretation of life.

If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.

Show me a person who found love in his life and did not celebrate it with a dance.

Don't breathe to survive; dance and feel alive.

Life is an affair of mystery; shared with companions of music, dance and poetry.

Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.

Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.

DANCE – Defeat All Negativity (via) Creative Expression.

She who is a dancer can only sway the silk of her hair like the summer breeze.

Dance is the ritual of immortality.

One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.

Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when’s the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q—but really, it’s just construction and traffic and iPhones and humidity.

Tommy grabs my waist and swings me around in a circle. I drag my feet because i am opposed to people touching me when I'm not expecting it. Also because it will take more than dancing to cheer me up.

I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells.

Burdened no more is soul for whom life flows through dance and not breath.

Dance is that delicacy of life radiating every particle of our existence with happiness.

Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.

As the light swayed above him and the shadows danced and flapped, he began to swing the cane, bringing it down again and again, his arm rising and falling like a machine.

Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.

Edie Sedgwick (1943-1971) I don't know how she did it. Fire She was shaking all over. It took her hours to put her make-up on. But she did it. Even the false eye-lashes. She ordered gin with triple limes. Then a limosine. Everyone knew she was the real heroine of Blonde on Blonde. oh it isn't fair oh it isn't fair how her ermine hair turned men around she was white on white so blonde on blonde and her long long legs how I used to beg to dance with her but I never had a chance with her oh it isn't fair how her ermine hair used to swing so nice used to cut the air how all the men used to dance with her I never got a chance with her though I really asked her down deep where you do really dream in the mind reading love I'd get inside her move and we'd turn around and she'd turn around and turn the head of everyone in town her shaking shaking glittering bones second blonde child after brian jones oh it isn't fair how I dreamed of her and she slept and she slept forever and I'll never dance with her no never she broke down like a baby like a baby girl like a lady with ermine hair oh it isn't fair and I'd like to see her rise again her white white bones with baby brian jones baby brian jones like blushing baby dolls

When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.

We collided by mistake fate dancing in the rafters as I wandered the room until I saw you laughing to a friend and I closed my eyes so I could see the white swing the children laughing a thousand moments of happy and sad and old hands in old hands a life in a flash and there, in my open eyes - was you.

The sidewalk was all cracked and wavy, like little hills, and the weeds pushed their way up through the cement. I had to roller-skate there anyway, because they wouldn't let me out of their sight, and they could watch me from the swing on the front porch of the old house. It was hard to skate there, and I kept falling down and getting sores on my knees...Sometimes, when they left me alone in 102 to go to the store, I'd turn on the radio and dance all around the room. I'd get on the furniture and jump from couch to the bed to the chair, leaping and twirling the whole time.

I am the interpretation of the prophet I am the artist in the coffin I am the brave flag stained with blood I am the wounds overcome I am the dream refusing to sleep I am the bare-breasted voice of liberty I am the comic the insult and the laugh I am the right the middle and the left I am the poached eggs in the sky I am the Parisian streets at night I am the dance that swings till dawn I am the grass on the greener lawn I am the respectful neighbour and the graceful man I am the encouraging smile and the helping hand I am the straight back and the lifted chin I am the tender heart and the will to win I am the rainbow in rain I am the human who won’t die in vain I am Athena of Greek mythology I am the religion that praises equality I am the woman of stealth and affection I am the man of value and compassion I am the wild horse ploughing through I am the shoulder to lean onto I am the Muslim the Jew and the Christian I am the Dane the French and the Palestinian I am the straight the square and the round I am the white the black and the brown I am the free speech and the free press I am the freedom to express I will die for my right to be all the above here mentioned And should threat encounter I’ll pull my pencil

And they are dancing, the board floor slamming under the jackboots and the fiddlers grinning hideously over their canted pieces. Towering over them all is the judge and he is naked dancing, his small feet lively and quick and now in doubletime and bowing to the ladies, huge and pale and hairless, like an enormous infant. He never sleeps, he says. He says he’ll never die. He bows to the fiddlers and sashays backwards and throws back his head and laughs deep in his throat and he is a great favorite, the judge. He wafts his hat and the lunar dome of his skull passes palely under the lamps and he swings about and takes possession of one of the fiddles and he pirouettes and makes a pass, two passes, dancing and fiddling at once. His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.

Gathered round the bucket of coke that burned in front of the shelter, several figures were swinging arms against bodies and rubbing hands together with large, pantomimic gestures: like comedians giving formal expression to the concept of extreme cold.

I promise you that the same stuff galaxies are made of, you are. The same energy that swings planets around stars makes electrons dance in your heart. It is in you, outside you, you are it. It is beautiful. Trust in this. And you and your life will be grand.

After dinner she liked to linger in the aft lounge on “A” deck, listening to music and watching couples swing dancing. She would have given all the rest of her life to be on that dance floor with Kenji, feeling his arms around her as he held her close, followed by a long walk in the moonlight with nothing but ocean and freedom in every direction.

Now the day is done, Now the shepherd sun Drives his white flocks from the sky; Now the flowers rest On their mother's breast, Hushed by her low lullaby. Now the glowworms glance, Now the fireflies dance, Under fern-boughs green and high; And the western breeze To the forest trees Chants a tuneful lullaby. Now 'mid shadows deep Falls blessed sleep, Like dew from the summer sky; And the whole earth dreams, In the moon's soft beams, While night breathes a lullaby. Now, birdlings, rest, In your wind-rocked nest, Unscared by the owl's shrill cry; For with folded wings Little Brier swings, And singeth your lullaby.

Burdened no more is soul for whom life flows through dance like breath.

Make dance the mission every moment seeks to accomplish.

--and that if you gave them a dance floor and a full band to fuel them, they could do more than dance: they could fly. ....They did it without wings.

what you loses on the swings you gain on the roundabouts

Spirit is a child, the tune of dancing feet its lullaby.

She remembers going to the garden during the auction and falling asleep on a swing with questions about the ghost woman.

The public is fortunate. Everything pleases them: icecream cones, rock concerts, singing, swinging, love, hate, masturbation, hot dogs, country dances, Jesus Christ, roller skating, spiritualism, capitalism, communism, circumcision, comic strips, Bob Hope, skiing, fishing murder bowling debating, anything. They don’t expect much and they don’t get much. They are one grand gang.

And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.

Life is a dance toward God, I began to think. And the dance is not so graceful as we might want. While we glide and swing out practiced sway, God crowds our feet, bumps our toes, and scuffs our shoes. So we learn to dance with the One who made us. And it is a difficult dance to learn, because its steps are foreign.

The living cell is the most complex system of its size known to mankind. Its host of specialized molecules, many found nowhere else but within living material, are themselves already enormously complex. They execute a dance of exquisite fidelity, orchestrated with breathtaking precision. Vastly more elaborate than the most complicated ballet, the dance of life encompasses countless molecular performers in synergetic coordination. Yet this is a dance with no sign of a choreographer. No intelligent supervisor, no mystic force, no conscious controlling agency swings the molecules into place at the right time, chooses the appropriate players, closes the links, uncouples the partners, moves them on. The dance of life is spontaneous, self-sustaining, and self-creating.

Stop thinking about the steps. There are no moves in blues, only movement. Just listen to the music,” Matt whispered into my ear. I let go, softening into his arms. The sways became steps, and without even realising, I was dancing.

As the wind swelled, my tree started to sway. Almost like a human body it swung back and around, gently at first, then more and more wildly. While the swaying intensified, so did my fears that the trunk might snap and hurl me to the ground. But in time my confidence returned. Amazed at how the tree could be at once so flexible and so sturdy, I held on tight as it bent and waved, twisted and swirled, slicing curves and arcs through the air. With each graceful swing, I felt less a creature of the land and more a part of the wind itself. "The rain began falling, it's sound merging with the splashing river and the singing trees. Branches streamed like waterfalls of green. Tiny rivers cascaded down every trunk, twisting through moss meadows and bark canyons. All the while, I rode out the gale. I could not have felt wetter. I could not have felt freer. "When, at last, the storm subsided, the entire world seemed newly born. Sunbeams danced on rain-washed leaves. Curling columns of mist rose from every glade. The forest's colors shown more vivid, its smells struck more fresh. And I understood, for the first time in my life, that the Earth was always being remade, that life was always being renewed. That it may have been the afternoon of this particular day, but it was still the very morning of Creation.

I know I get crazy when it comes to you, but God knows I’m tryin’, Pidge. I don’t wanna screw this up.” “Then don’t.” “This is hard for me, ya know. I feel like any second you’re going to figure out what a piece of shit I am and leave me. When you were dancing last night, I saw a dozen different guys watching you. You go to the bar, and I see you thank that guy for your drink. Then that douchebag on the dance floor grabs you.” “You don’t see me throwing punches every time a girl talks to you. I can’t stay locked up in the apartment all the time. You’re going to have to get a handle on your temper.” “I will. I’ve never wanted a girlfriend before, Pigeon. I’m not used to feeling this way about someone…about anyone. If you’ll be patient with me, I swear I’ll get it figured out.” “Let’s get something straight; you’re not a piece of shit, you’re amazing. It doesn’t matter who buys me drinks, or who asks me to dance, or who flirts with me. I’m going home with you. You’ve asked me to trust you, and you don’t seem to trust me.” He frowned. “That’s not true.” “If you think I’m going to leave you for the next guy that comes along, then you don’t have much faith in me.” He tightened his grip. “I’m not good enough for you, Pidge. That doesn’t mean I don’t trust you, I’m just bracing for the inevitable.” “Don’t say that. When we’re alone, you’re perfect. We’re perfect. But then you let everyone else ruin it. I don’t expect a one-eighty, but you have to pick your battles. You can’t come out swinging every time someone looks at me.” He nodded. “I’ll do anything you want. Just…tell me you love me.” “You know I do.” “I need to hear you say it,” he said, his brows pulling together. “I love you,” I said, touching my lips to his. “Now quit being such a baby.” He laughed, crawling into the bed with me. We spent the next hour in the same spot under the covers, giggling and kissing, barely noticing when Kara returned from the shower.

She was radiant, her cheeks glowing with heat, her long locks shimmering in the lantern light like golden marmalade, swinging in rhythm with the zitaraes and flutes. I wished I could be her sometimes, jumping into every moment fully, her cheer covering the darkness that still lurked deep inside her.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

We owe so much to these humble pioneers of the dances and I wonder if they realize what an outstanding gift they have left us.

Limit not to only five, when the divine gifts the supreme sixth; the sense of dance

My feet were keeping in time with the music, but my heart was pounding out a different rhythm altogether.

The puppet dances, He turns flips and he jigs. His painted red smile looks happy but he is screaming, for he performs on red-hot coals. His wooden feet begin to smoke. A man comes in with a shining axe. He swings it. I think he will cut off the puppet's burning feet, but instead the axe cuts all his strings. But the man with the axe falls just as swiftly as the puppet leaps away, free.

I run to the water's edge and the cold ocean licks my toes. Without touching my face I can feel that it's wet with fog and tears and sweat. I stand there, on the cusp of the ocean and listen to its loud inhale. And then it recedes and takes everything from my childhood with it the porcelain dolls, the tap-dancing shoes, the concert ticket stubs, the tiny trophies, and the long, long swing.

I don't know. Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when's the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q--but really, it's just construction and traffic and iPhones and humidity. They might as well write musicals about Milton, Georgia. We'd open with a ballad: 'Sunday at the Mall.' And then 'I Left My Heart at Target,' If Ethan were here, he'd have the whole libretto written by the time we stepped out of the car.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

But I can do any kind of dance,” he continued, smiling at my incredulity. “I also do swing, modern. What would you like to dance to?” “No way,” I said. “I’m not dancing with my therapist.” I wasn’t concerned that he was being sexually suggestive or creepy; I knew that he had no intention of that. It was more that I didn’t want to use my therapy time that way. I had things to talk about, like how I was coping with my medical condition. But part of me also knew that this was just an excuse I was giving myself, that this intervention could be useful, that the movement of dance allows our bodies to express our emotions in a way that words sometimes can’t. When we dance, we express our buried feelings, talking through our bodies instead of our minds—and that can help us get out of our heads and to a new level of awareness. That’s partly what dance therapy is about. It’s another technique some therapists use. But still—no.

you feel what else is there to do in life apart from living? And even that is out of your control; it depends on an infinite number of factors. Everything is in your unconscious mind. Why sex desire arose in you, why you raised a family, how greed and anger entered you, why you were dishonest, why you accumulated wealth, why you made enemies – you have no idea! You are just like a puppet, whose strings are being pulled by someone else. You imagine you are dancing, but in fact it is someone else who is making you dance. Look closely at your life and you will find that you are nothing more than a puppet. How can anything real happen in the life of a man who is not his own master, but merely a puppet?

At the end of a workday I still had plenty of energy left to compete against Yank for the neighborhood girls. My secret weapon against Yank was my dancing. Most big men are clumsy and heavy-footed, but not me. I had a good sense of rhythm and I could move every part of my body. I had very fast hands, too, and good coordination. Swing music was sweeping the country and social dancing was all the rage. I went dancing six nights a week (never on a Sunday) to a different hall every night. That’s how you learned the dances. You learned by going dancing. They all had certain steps, unlike today where you just make it up as you go along. After the war, one of the jobs I had was a ballroom dance instructor. In

I was father to the land. I saved my people. I was... King. "By... earth," he said, more a movement of the lips than a thing of the throat and air. "By... sky..." Another breath, and it did hurt a little now. The next was harder. The women leaned over him, the mothers of his children. He blinked once more. His own mother, her black braids swinging as she rocked his hurt away. She was singing to him: "Manabozho saw some ducks Hey, hey, heya hey Said 'Come little brothers, sing and dance'; Hey, hey, heya hey--

He watched the newly arrived commuters as they stepped into the carriage, pushed their way down the tube, the odours from their damp clothes mingling, giving off varying degrees of mustiness: London grime, or smoke from airless offices. A woman wearing a blue swing coat glanced along the carriage, casting around for an empty seat. Her pale skin, the searching green eyes, reminded him of Emma. Briefly, he felt his breath catch; he stood, clambered back over his neighbour and indicated for her to take his seat. And so his mind stayed with Emma when he knew he should be working out a strategy for telling Dorothy of his news. But Emma was never far away; like the glitter balls in dance halls, she would slowly rotate in his memory, different facets reappearing, as the hues changed in her auburn hair.

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

Tania, why don’t you take off your shoes? You’ll be more comfortable.” “I’m fine,” she said. How did he know her feet were killing her? Was it that obvious? “Go on,” he prodded gently. “It will be easier for you to walk on the grass.” He was right. Breathing a sigh of relief, she bent, unstrapped the sandals, and slipped them off. Straightening up and raising her eyes to him, she said, “That is a little better.” Alexander was silent. “Now you’re really tiny,” he said at last. “I’m not tiny,” she returned. “You’re just outsized.” Blushing, she lowered her gaze. “How old are you, Tania?” “Older than you think,” Tatiana said, wanting to sound old and mature. The warm Leningrad breeze blew her blonde hair over her face. Holding her shoes with one hand, she attempted to sort out her hair with the other. She wished she had a rubber band for her ponytail. Standing in front of her, Alexander reached out and brushed the hair away. His eyes traveled from her hair to her eyes to her mouth where they stopped. Did she have ice cream all around her lips? Yes, that must be it. How awkward. She licked her lips, trying to clean the corners. “What?” she said. “Do I have ice cream—” “How do you know how old I think you are?” he asked. “Tell me, how old are you?” “I’m going to be seventeen soon,” she said. “When?” “Tomorrow.” “You’re not even seventeen,” Alexander echoed. “Seventeen tomorrow!” she repeated indignantly. “Seventeen, right. Very grown up.” His eyes were dancing. “How old are you?” “Twenty-two,” he said. “Twenty-two, just.” “Oh,” she said, and couldn’t hide the disappointment in her voice. “What? Is that very old?” Alexander asked, failing to keep the smile off his face. “Ancient,” Tatiana replied, failing to keep the smile off her face. Slowly they walked across the Field of Mars, Tatiana barefoot and carrying the red sandals in her slightly swinging hands.

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

Before every elementary school classroom had a 'Drop Everything and Read' period, before parents and educators agonized more about children being glued to Call of Duty or getting sucked into the vortex of the Internet, reading as a childhood activity was not always revered. Maybe it was in some families, in some towns, in some magical places that seemed to exist only in stories, but not where I was. Nobody trotted out the kid who read all the time as someone to be admired like the ones who did tennis and ballet and other feats requiring basic coordination. While those other kids pursued their after-school activities in earnest, I failed at art, gymnastics, ice skating, soccer, and ballet with a lethal mix of inability, fear and boredom. Coerced into any group endeavor, I wished I could just be home already. Rainy days were a godsend because you could curl up on a sofa without being banished into the outdoors with an ominous 'Go play outside.' Well into adulthood, I would chastise myself over not settling on a hobby—knitting or yoga or swing dancing or crosswords—and just reading instead. The default position. Everyone else had a passion; where was mine? How much happier I would have been to know that reading was itself a passion. Nobody treated it that way, and it didn't occur to me to think otherwise.

The moment when your heart’s rhythm synchronises with the chants of the holy temple, you find God in your soul. It was noisy yet peaceful. They were all dancing in the packed hall, with eyes closed and hands swinging up in the air. It was as if the motto of life was nothing but to enjoy this very moment and taste the love of the almighty.

Your hair grows by itself, your heart beats by itself, and your breath happens pretty much by itself. Your glands secrete the essences by themselves and you do not have voluntary control over these things, and so we say they happen spontaneously. So, when you go to bed and try to go to sleep you interfere with the spontaneous process of going to sleep. If you try to breathe real hard you will find you get balled-up in your breathing. So if you are to be human, you just have to trust yourself to go to sleep, to digest your food, and to have bowel movements. Of course if something goes seriously wrong and you need a surgeon that is another matter, but by and large the healthy human being does not from the start of life need surgical interference. One lets it happen by itself, and so with the whole picture that is fundamental to it. You have to let go and let it happen, because if you don’t then you are constantly going to be trying to do what happens easily only if you do not try. When you think a bit about what people really want to do with their time, and you ask what they do when they are not being pushed around or somebody is telling them what to do, you find they like to make rhythms. They listen to music and they dance or they sing, or perhaps they do something of a rhythmic nature like playing cards, bowling, or raising their elbows. Given the chance, everybody wants to spend their time swinging.

Dresses you might wear for special occasions she wore every day. In this way she and Joseph were alike. They dressed to be seen, which is how it came to be that they built up a reputation for floor showing, as Uncle Joe calls it. “Yeah, we knew we looked good.” They danced wherever there was a floor—a bar or a ball. The sidewalk, sometimes. “We used to go in clubs and start dancing from the door. For a poor man I used to dress my can off,” he says. “That’s what used to get me in so much trouble and thing with the ladies.” He and his baby sister, Ivory, would swing it out, jitterbugging and carrying on. Ivory was always fun and always light on her feet. She was especially gifted at being led and men generally loved this quality in her.

Eva and I walked downstairs, and I was definitely not prepared for what I saw. Jason was on top of the kitchen table in nothing but his boxers, swinging his shirt around his head. He was singing something, but I couldn't make out the words. I laughed, my hand shooting to my mouth as I watched Tyler try to coax him down while Eva picked up the clothes that were strewn all over the floor. "Evaaaa, why don't you come up here and strip with me, just like you did the other night! Come on, baby!" he said, swinging his hips as if he were dancing to music that we could all hear. Eva slapped her palm to her forehead, and Charlotte laughed hard. When Jason touched the waistband of his boxers, I closed my eyes as I and everyone around me screamed, “No!

John is standing at the other end of the table, drinking Coke and nodding his head to the beat. I’ve been so busy running around, we’ve hardly had a chance to talk. I lean over the table and call out, “Having fun?” He nods. Then, quite suddenly, he bangs his glass down on the table, so hard the table shakes and I jump. “All right,” he says. “It’s do or die. D-day.” “What?” “Let’s dance,” John says. Shyly I say, “We don’t have to if you don’t want to, John.” “No, I want to. I didn’t take swing-dancing lessons from Stormy for nothing.” I widen my eyes. “When did you take swing dance lessons from Stormy?” “Don’t worry about it,” he says. “Just dance with me.” “Well…do you have any war bonds left?” I joke. John fishes one out of his pants pocket and slaps it on the refreshments table.

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

Style” comes on and we all go crazy, screaming in each other’s faces and jumping up and down. Peter goes craziest of all. He keeps asking me if I’m having fun. He only asks out loud once, but with his eyes he asks me again and again. They are bright and hopeful, alight with expectation. With my eyes I tell him, Yes yes yes I am having fun. We’re starting to get the hang of slow dancing, too. Maybe we should take a ballroom-dancing class when I get to UVA so we can actually get good at it. I tell him this, and fondly he says, “You always want to take things to the next level. Next-level chocolate chip cookies.” “I gave up on those.” “Next-level Halloween costumes.” “I like for things to feel special.” At this, Peter smiles down at me and I say, “It’s just too bad we’ll never dance cheek to cheek.” “Maybe we could order you some dancing stilts.” “Oh, you mean high heels?” He snickers. “I don’t think there’s such a thing as ten-inch heels.” I ignore him. “And it’s too bad your noodle arms aren’t strong enough to pick me up.” Peter lets out a roar like an injured lion and swoops me up and swings me around, just like I knew he would. It’s a rare thing, to know someone so well, whether they’ll pivot left or right. Outside of my family, I think he might be the person I know best of all.

Wasim starts this one wide. Very wide. But from the moment he puts it out there, it starts to move in. It’s the most typical Wasim Akram ball. The ball doesn’t just swing, it manages its own destiny in a madcapped energetic way. It’s an orb of light more than a ball. Fluttering. Dancing. Lewis gets on the front foot and pushes towards it, but the ball zips past him quicker than he can see. It takes a bit of inside edge for dramatic effect and zaps into the stumps. This is reverse swing.

When doing pole a woman cannot help but learn how to reach, extend, lean, stretch and follow through. She also learns, among other physical skills, to climb, two swing, to hold her own body weight, to balance and to invert. She encourages other women to grow in strength and confidence. A pole body may be lightly muscled but it is strong. It is not a static body either, it is creative and confident, all the things that we deplore as lacking, for women’s bodies, in cultural discourses and narratives.

I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.

I want to know more about how they’re defending this place, Bolvangar,” he said. Without even having to think about it, she found her fingers moving the hands to point to the helmet, the griffin, and the crucible, and felt her mind settle into the right meanings like a complicated diagram in three dimensions. At once the needle began to swing round, back, round and on further, like a bee dancing its message to the hive. She watched it calmly, content not to know at first but to know that a meaning was coming, and then it began to clear. She let it dance on until it was certain.

Juliet and Romeo Awake the scene, a twilight chamber’d dream, Two angels both alike in dignity: One imaged misadventure on the screen; The second struck by moonlight’s alchemy. A pair of star-crossed lovers spends their night; He in deed dreams such a sight as she, Swing crystal scales to crispest fair delight. In his eyes her merry fragrant dance: she Civil thoughts and civil music meet; on Fair Lansdowne Street where love lays its scene, Romeo and Juliet did greet; within Their airy eyes on hopes and thoughts unseen. The curtain lifts on this sweet poem with woe, For love to find Juliet and her Romeo.

if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

Ginny Cupper took me in her car out to the spread fields of Indiana. Parking near the edge of woods and walking out into the sunny rows of corn, waving seeds to a yellow horizon. She wore a white blouse and a gray patch of sweat under her arms and the shadow of her nipples was gray. We were rich. So rich we could never die. Ginny laughed and laughed, white saliva on her teeth lighting up the deep red of her mouth, fed the finest food in the world. Ginny was afraid of nothing. She was young and old. Her brown arms and legs swinging in wild optimism, beautiful in all their parts. She danced on the long hood of her crimson Cadillac, and watching her, I thought that God must be female. She leaped into my arms and knocked me to the ground and screamed into my mouth.

those manufacturing companies: America! With our pocket money we bought flat packets of chewing gum, beautifully wrapped, that included a picture of a movie star – we collected those – and it all smelled strange and rosy: America! On short-wave radio an army station crackled into the room, with an announcer who might start talking right over a swing band: America! Lionel Hampton came to the Netherlands in September 1953 and his saxophonist lay on his back onstage and carried on playing. Hampton abandoned his vibraphone to play drums for a while and to do an improvised dance to ‘Hey-Ba-Ba-Re-Bop’. De Gelderlander, our provincial newspaper, wrote: ‘How vast must be the emptiness of those hearts that have lost any longing for values more exalted than those of Negro moaning.’ But

Catherine glimpsed him again, leaning against the wall, arms folded. People passed back and forth between them, but she caught flashes of his face. His expression was tense and unhappy and his eyes still focused on her. She ducked behind a large man to hide and chatted with various people to keep the distance of a room between them. She’d known Jim would probably be here tonight and she’d planned to greet him politely as a teacher would treat a student since everyone knew she was tutoring him anyway. But that smoldering look he’d given her had changed everything. The way he looked and the way she felt, surely if they got within a foot of each other the entire town would see the combustible attraction between them as if they’d shouted it aloud. No. Better to accept a dance with some white-bearded farmer who would swing her around hard enough to tear her bodice seam. Better to help Mrs. Hildebrandt cut one of the cakes at the refreshment table and gush over Polly Flint’s new baby or spend a moment in the coatroom fixing Jennie’s straggling curls. Better to chat or dance with every member of the Broughton community than admit to the fact that Jim was standing solitary and friendless in his brand new suit, waiting for her to acknowledge him At one point it seemed he might approach her as he moved through the crowd in her direction. But when Catherine flitted away, putting more distance between them, he stopped and stationed himself by the wall once more, leaving it up to her to come to him. To her infinite shame, she didn’t—not even to say a quick “hello,” and when she next stole a surreptitious glance toward him, he was gone. She scanned the room. He’d left the building. She had no idea how long he’d been gone.

He says, "Are you a dead man now?" It's a flood inside me, I see all those places and people again. I hold the kid on her porch and go by the name of Jimmy to a marvelous old woman. I watch a girl run with the most glorious, bloodied feet in the world. I laugh with the thrill on a religious man's face. I see Angie Carusso's ice-creamed lips and feel the loyalty of the Rose boys. I watch the darkness of a family lit up by the power and the glory, let my mother unleash the truth and love and disappointment of her life, and sit in a lonely man's cinema. Looking into the mirrored glass, I stand with my friend in a river. I watch Marvin Harris push his daughter on a swing, high into the sky, and I dance with the love and Audrey for three minutes straight... "Well?" he asks again. "Are you looking at a dead man?" This time, I answer. I say, "No," and the criminal speaks. "Well, it was worth it, then...

I wanted something from him then, this man I'd married. I wanted to dance with him in our living room late at night; I wanted to make love on the floor while a song that shaped all my views of love played in the background. If this was love, if this was marriage, then we should have access to everything those songs promised. We should own that romance. I gathered my courage; I walked over & put my hand on his shoulder, pulled him to his feet, but I knew immediately that i couldn't go through with it. We were both too self-conscious. He did a kind of joke dance, swinging me around with jerky movements, and then he went up to bed, leaving me by myself. And how could I could complain? That was the man I married; he was wonderful in many ways, but he was never going to dance with me in our living room. He wasn't going to come back down the stairs and take me in his arms. Those were just facts I'd have to face.

From chapter three of THE GREAT GATSBY by Scott Fitzgerald: “By seven o’clock the orchestra has arrived . . . the bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter . . . The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. . . . already there are wanderers, confident girls who weave here and there among the stouter and more stable . . . excited with triumph glide on through the sea-change of faces and voices and color under the constantly changing light. “Suddenly one of these gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvass platform. . . . There is a burst of chatter as the erroneous news goes around that she is Gilda Gray’s understudy from the Follies. The party has begun.

When you’re on the dance floor screaming louder than the amps and dancing to the pulse of the lights, you’re in the bubble. As soon as the bubble bursts, that it, you’re now outside it all. The swinging arms of the crowd become shutting barriers; the lights blind you and force you back; the deafening music becomes a solid wall of impenetrable sound. It’s like you stop being one of the actors and turn into one of the film crew behind the scenes. You just have to stand back and watch in silence; the fake set slides away from you on wheels and you’re left in the dark shadows, waiting for the director to shout, ‘Cut!’ just so you can move again. As soon as you step foot inside a club, you know that you have to keep in that bubble moment; keep drinking; keep dancing; keep mingling. Until one drink too many, exhausted from the dancing, you mingle beyond the last person in the club and fall outside the moment. Then it’s lost forever and you end up sitting next to a sleeping drunk or leaning against a pile of discarded coats.

Thanks for the ride.It was really nice of you." "No worrie. Since I'm down here, maybe I'll swing by Geno's for a cheesesteak." He shook his head. "You saw what was in my fridge." "I did. Alex..." I could ask. It would be so easy. A pizza,some of Nonna's fettuccine... "I had a good time," I told him. Coward, I scolded myself. "I didn't expect to." "Yeah,well,you can't beat a good raptor attack. Next time before we get started, I'll show you my French comic book collection..." He wiggled his eyebrows at me in perv fashion. "Then we'll work." "Okay," I agreed. "Sounds good." I started up the sidewalk. Instead of going home,I'd decided to go over to Marino's. Offer to peel garlic or something.Dad would appreciate it. "Hey,Ella." I turned. "Yeah?" "I'll see you tomorrow." I must have looked blank. "At the dance," he added. "Oh.Yeah.See you tomorrow." I turned back toward the restaurant. "Hey,Ella." "Yeah?" "J'ai passe un tres bon moment, aussi." When I just stared at him again, he snorted. "Work it out." I did,but not before he'd driven away. He'd had a really good time,too.

SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.

Grayson, I’m going to dance on the day that you swing.” “If he swings, I swing with him.” Joss rose to his feet. Gray drilled his brother with a glare. “Joss, no.” Sit down, damn you. Think of our sister. Think of your son. “I’m the captain of the Aphrodite.” Joss’s voice rang through the courtroom. “I’m responsible for the actions of her passengers and crew. If my brother is a pirate, then I’m a pirate, too.” Gray’s heart sank. They would both die now, he and his idiot of a brother. Joss walked to the center of the courtroom, the brass buttons of his captain’s coat gleaming as he strode through a shaft of sunlight. “But I demand a full trial. I will be heard, and evidence will be examined. Logbooks, the condition of the ships, the statements of my crew. If you mean to hang my brother, you’ll have to find cause to hang me.” Fitzhugh’s eyebrows rose to his wig. “Gladly.” “And me.” Gray groaned at the sound of that voice. He didn’t even have to look to know that Davy Linnet was on his feet. Brave, stupid fool of a boy. “If Gray’s a pirate, I’m a pirate, too,” Davy said. “I helped him aim and fire that cannon, that’s God’s truth. If you hang him, you have to hang me.” Another chair scraped the floorboards as its occupant rose to his feet. “And me.” Oh God. O’Shea now? “I boarded the Kestrel. I took control of her helm and helped bind that piece of shite.” The Irishman jutted his chin at Mallory. “Suppose that makes me a pirate, too.” “Very good.” Fitzhugh’s eyes lit with glee. “Anyone else?” Over by the window, Levi stood. His shadow blanketed most of the room. “Me,” he said. “Now, Levi?” Gray pulled at his hair. “Seven years in my employ, you don’t say a single goddamned word, and you decide to speak now?” Bloody hell, now they were all on their feet. Pumping fists, cursing Mallory, defending Gray, arguing over which one of them deserved the distinction of most bloodthirsty pirate. It would have been a heartwarming display of loyalty, if they weren’t all going to die.

I told you before--you mustn’t let Edward scare you. He’s a bully and a coward. What would Frank Merriwell do if he were you?” Frank Merriwell--I was thoroughly sick of hearing that name. “I don’t care what some dumb guy in a story would do. I’m not going to fight Edward.” “Fight me then.” Hannah raised her fists and danced around on her bare feet, bouncing, ducking, and swinging at the air around my head. “Pretend I’m Edward!” I ducked a punch, and she swung again. “Put up your dukes,” she ordered, “defend yourself, sir.” This time Hannah clipped my chin hard enough to knock me down. Her shirtwaist was completely untucked, her face was smudged, her hair was tumbling down her back and hanging in her eyes. “On your feet, sir,” she shouted. “Let’s see your fighting spirit!” Hannah was making so much noise she didn’t hear John Larkin push aside the branches and enter the grove. When he saw her take another swing at me, he started laughing. Hannah whirled around, her face scarlet, and stared at John. “What do you mean by sneaking up on us like a common Peeping Tom?” “With the noise you’ve been making, you wouldn’t have noticed a herd of rampaging elephants.” John was still laughing, but Hannah was furious. Putting her fists on her hips, she scowled at him. “Well, now you know the truth about me. I’m no lady and I never claimed to be one. I suppose you’ll start taking Amelia Carter for rides in your precious tin lizzie and treating her to sodas at your father’s drugstore. I’m sure she’d never brawl with her brothers.” Theo and I looked at each other. We were both hoping Hannah would make John leave. Before he came along and ruined everything, we’d been having fun. To my disappointment, John didn’t seem to realize he was unwanted. Leaning against a tree, he watched Hannah run her hands through her hair. “I don’t know what you’re so fired up about,” he said. “Why should I want to take Amelia anywhere? I’ve never met a more boring girl. As for her brothers--a little brawling wouldn’t hurt them. Or Amelia either.” Hannah turned away, her face flushed, and John winked at me. “Your sister’s first rate,” he said, “but I wager I know a sight more about boxing than she does. Why not let me show you a thing or two?” Happy again, Hannah smiled at John. “What a grand idea! But go slow, Andrew’s still weak.” When John took off his jacket, I edged closer to Hannah. “I like your lessons,” I said to her, scowling at John. He was rolling up his sleeves, probably to show off his muscles. Next to him, I was nothing but a skinny little baby. He’d knock me flat and everyone would laugh at me.

Mowbray! Been a while since you bothered with the season. What brings you to town?” Lord Adrian Montfort, Earl of Mowbray, shifted his gaze from the couples whirling past on the dance floor and to the man who approached: the tall, fair, eminently good-looking Reginald Greville. He and Greville, his cousin, had once been the best of friends. However, time and distance had weakened the bond—with a little help from the war with France, Adrian thought bitterly. Ignoring Reginald’s question, he offered a somewhat rusty smile in greeting, then turned his gaze back to the men and women swinging elegantly about the dance floor. He replied instead, “Enjoying the season, Greville?” “Certainly, certainly. Fresh blood. Fresh faces.” “Fresh victims,” Mowbray said dryly, and Reginald laughed. “That too.” Reginald was well-known for his success in seducing young innocents. Only his title and money kept him from being forced out of town. Shaking his head, Adrian gave that rusty smile again. “I wonder you never tire of the chase, Reg. They all look sadly similar to me. I would swear these were the very same young women who were entering their first season the last time I attended…and the time before that, and the time before that.” His cousin smiled easily, but shook his head. “It has been ten years since you bothered to come to town, Adrian. Those women are all married and bearing fruit, or well on their way to spinsterhood.” “Different faces, same ladies,” Adrian said with a shrug. “Such cynicism!” Reg chided. “You sound old, old man.” “Older,” Adrian corrected. “Older and wiser.” “No. Just old,” Reg insisted with a laugh, his own gaze turning to the mass of people moving before them. “Besides, there are a couple of real lovelies this year. That blonde, for instance, or that brunette with Chalmsly.” “Hmmm.” Adrian looked the two women over. “Correct me if I’m wrong, but my guess is that the brunette—lovely as she is—doesn’t have a thought in her head. Rather like that Lady Penelope you seduced when last I was here.” Reg’s eyes widened in surprise at the observation. “And the blonde…” Adrian continued, his gaze raking the woman in question and taking in her calculating look. “Born of parents in trade, lots of money, and looking for a title to go with it. Rather like Lily Ainsley. Another of your conquests.” “Dead-on,” Reginald admitted, looking a bit incredulous. His gaze moved between the two women and then he gave a harsh laugh. “Now you have quite ruined it for me. I was considering favoring one or both of them with my attentions. But now you have made them quite boring.” -Reg & Adrian

The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,

We dance. Sweet, downcast, through-the-lashes-glances bely every beating she got at thirteen, every lash of the tongue from her dad at fourteen, every heroin high that let her out for awhile, every hour and day she had to be tough. She is so natural and soft. Her shoulders are down, hips loose and swinging as we close together. I swear I'm growing chest hair just looking at her. I've been a boy in public before, but I've never seen her like this. That's it exactly; I haven't seen her at all, except in glimpses, in half-confessional role-play sex. And here she is - pressed tight against my chest, hips grinding against my crotch to the bass bump of the music. Her thigh along mine is electric heaven. Two drag queens cannot decide whether we are breeders or in drag. I stroke my mascara-made mustache at them - but none of it matters with hands in suede and the way she smiles.

The throbbing of the music murky yellow light revealing swaying bodies moving to the beat. Shadowy outlines of tall men the waving hair of the woman. Happy smiles and a heart beating with excitement. Fedoras, suspenders and tattoos.Swing music, pounding base. Laughing with friends. Walking down well lite city streets, feeling humanity all around. ~Swing Dancing