Sweetheart Sayings Quotes

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They'll say you are bad or perhaps you are mad or at least you should stay undercover. Your mind must be bare if you would dare to think you can love more than one lover.
David Rovics
Good morning, sweetheart." "I like that," I say quietly, smiling even though he can't see it. "I like it when you call me sweetheart." He laughs then, his shoulders shaking as he does. He rolls onto his back, arms stretched out at his sides. God, he looks so good without his clothes on.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I didn't know what to say, but my heart was racing as he slid his hands down to mine. He placed them on his chest, right above his heart. "I have hope," he said, his gaze never leaving mine. "I have hope because I love you-I've been in love with you, Avery. Probably before I even realized that I was." "You loved me?" Cam dropped his forehead to mine and his chest rose sharply under my hands. "I love you." My heart stuttered. "You love me?" "Yes, sweetheart.
J. Lynn (Wait for You (Wait for You, #1))
Sweetheart, when you say Matt's name, you have the same look in your eyes that he'd get whenever he'd say yours.
Sarah Ockler (Twenty Boy Summer)
It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death. "Cut," I hear Cressida say quietly. "What's wrong with her?" Plutarch says under his breath. "She's figured out how Snow's using Peeta," says Finnick. There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken. Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob. "I can't do this anymore," I say. "I know," he says.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You love me,” I breathe. He lets out a short laugh. “You’re such a fucking girl.” “Say it again.” He smiles, a full blown one that tingles my body all over. “I fucking love you, sweetheart.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Kitty's always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The short story is, we grew up together. But that's more Josh's and my story. High school sweet-hearts? That's Peter and Gen's story. So what's ours, then? I suppose I'll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
And he left. I watched him walk out – he didn’t say good-bye, he didn’t even look back. It scared me, how easy it was for him to do that.
Sara Zarr (Sweethearts)
Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You’re living off your parent’s money? At your age?” Oh no she didn’t. I took another drink and then smiled at her in warning as if to say, ‘don’t play this game with me, sweetheart, you won’t win.’ She didn’t heed the warning. “So they pay for everything? Doesn’t that make you feel guilty?” Every fucking day. “Was it your money that bought those Louboutin’s… or Braden’s?
Samantha Young (On Dublin Street (On Dublin Street, #1))
Marry me,' he whispers. I stare at him, disbelief and joy colliding. And it's the look in his eyes —the hopeful, terrified look in his eyes— that nearly kills me. I'm suddenly crying. I clasp my hands over my face. A sob escapes my mouth. Gently, he pries my hands away from my face. 'Ella?' he says, his words barely a whisper. I'm still crying when I throw my arms around his neck, still crying when he says, a little nervously— 'Sweetheart, I really need to know if this means yes or no—' 'Yes,' I cry, slightly hysterical. 'Yes, yes to everything with you. Yes to forever with you. Yes.
Tahereh Mafi (Defy Me (Shatter Me, #5))
CUSTOMER: OK, so you want this book? THEIR DAUGHTER: Yes! CUSTOMER: Peter Pan? THEIR DAUGHTER: Yes, please. Because he can fly. CUSTOMER: Yes, he can - he's very good at flying. THEIR DAUGHTER: Why can't I fly, daddy? CUSTOMER: Because of evolution, sweetheart.
Jen Campbell (Weird Things Customers Say in Bookshops)
Sweetheart, never listen to what my enemies say. They're very confused people. I know they are because I've spent years making them that way.
Tamora Pierce (Mastiff (Beka Cooper, #3))
You don’t need to replace me. You can have me, sweetheart.” I pant for air. “Say that again.” His lips brush my ear, hot breath warming me. “How about I just fucking kiss you?
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Sweetheart," Bill said formally, "I have always loved you, and I will be proud to die in your service. When I'm gone, say a prayer for me in a real church.
Charlaine Harris
Then he crouches down behind it, motions for Tess and me to sit down, and begins unbuttoning his vest. I blush scarlet and thank every god in the world for the darkness surrounding us. “I’m not cold and I’m not bleeding,” I say to him. “Keep your clothes on.” The boy looks at me. I would’ve expected his bright eyes to look dimmer in the night, but instead they seem to reflect the light coming from the windows above us. He’s amused. “Who said anything about you , sweetheart?
Marie Lu (Legend (Legend, #1))
Are you quite finished?" Henry says, sounding strangled. "Can you perhaps stop putting your sodding life in danger now?" "Aw, you do care," Alex says. "I'm learning all your hidden depths today, sweetheart." Henry exhales and slumps off him. "I can't believe even mortal peril will not prevent you from being the way you are.
Casey McQuiston (Red, White & Royal Blue)
This kind of thing doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I am very good at sensing others' true feelings." But any number of times I've seen people who say they're easily hurt hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are duped by the most transparent flattery. It's enough to make me ask the question: How well do we really know ourselves?
Haruki Murakami (Sputnik Sweetheart)
Jack grabbed Phil's arm to teleport back to Romatech. Phil muttered a curse. "If you say one word about this to the other guys, I will stake you in your sleep." "Don't worry, sweetheart. If they find out about this, I'll stake myself.
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
Don't take on about her, Gabriel. What difference does it make whose sweetheart she is, since she can't be yours?' 'That's the very thing I say to myself,' said Gabriel.
Thomas Hardy (Far From the Madding Crowd)
Well, friend, I don’t know about your tastes, but I tend to like it very bloody,” Myrnin said. He shifted position, dragging Claire along like a rag doll without any effort at all. “Have we been introduced?” “Probably not. Why, are you asking me out, sweetheart?” “You’re not my type, darling. Is this one yours?” “No,” Frank said, and looked at Shane, just in a quick flicker. “Let’s say she’s a friend of the family.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.
Deb Caletti (Honey, Baby, Sweetheart)
The importance of our connection, what it meant to find each other again, the way it made what happened to us and between us not be a waste, not be for nothing. He would know, he had to know, that not saying good-bye would be the worst end of all.
Sara Zarr (Sweethearts)
Desperately, I needed a reversal of fortunes. Then suddenly, I knew what I needed to do. So, I stopped at the Northside cemetery. Mom was buried there. I gave Deya another pass and left her outside the gates of the cemetery. I wasn’t certain but I didn’t want to mix my perceived notion of Deya’s Voodoo with Mom’s Ghosts, Dead Dawg, and Haints. Too many demons in the same location didn’t appear to be a smart thing. Once inside,I said what I needed to say, laid a rose, and headed back to retrieve my sweetheart. But I knew Deya. She had a fear of ghouls and hitchhikers hanging out in the graveyard. So wisely, I scanned her person for a Greek cross, miniature doll, or chicken foot in her possession. Fortunately, she passed my inspections. So, I left the graveyard, took the wheel, and got the hell out of that area in a haze.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
And what if they don’t respond to your call?” June says. I shoot her a quick smile. “Have some faith, sweetheart. The people love me.
Marie Lu (Champion (Legend, #3))
It is easy to be swept away by some overwhelming feeling, so it’s helpful to remember that any stressful feeling is like a compassionate alarm clock that says, “You’re caught in the dream.” Depression, pain, and fear are gifts that say, “Sweetheart, take a look at your thinking right now. You’re living in a story that isn’t true for you.
Byron Katie (Loving What Is: Four Questions That Can Change Your Life)
I have these realistic dreams and snap wide awake in the middle of the night. And for a while I can't work out what's real and what isn't... That kind of feeling. Do you have any idea what I'm saying?
Haruki Murakami (Sputnik Sweetheart)
What they say is, life goes on, and that is mostly true. The mail is delivered and the Christmas lights go up and the ladders get put away and you open yet another box of cereal. In time, the volume of my feelings would be turned down in gentle increments to a near quiet, and yet the record would still spin, always spin. There was a place for Rose so deeply within myself that it was another country, another world, with its own light and time and its own language. A lost world. Yet its foundations and edges were permanent-the ruins of Pompeii, the glorious remnants or the Forum. A world that endured, even as it retreated into the past. A world visited, imagined, ever waiting, yet asleep
Deb Caletti (Honey, Baby, Sweetheart)
Good night, sweetheart," he says. "Good bye, sweetheart," I say. And it's so casual, so innocent that he doesn't suspect a thing.
Lauren DeStefano (Wither (The Chemical Garden, #1))
His heart still hammered away but he was strangely relieved. "Stop saying that, Sarah. You have nothing to be sorry about. This is my fault and intend on fixing it. But I won't let you back out now, sweetheart. I can't. It may not be too late for you but there's no turning back for me." ~Angel~ Forever Mine
Elizabeth Reyes (Forever Mine (The Moreno Brothers, #1))
So what are we, then?” I asked. “When someone asks who I am, what am I supposed to say?” “You say, ‘Hi, I’m Liv, Dean’s very hot and sexy lady.’” I couldn’t smother a giggle. “Seriously.” “Paramour?” “No.” “Cuddle bunny?” “God, no.” “Valentine? Sweetheart? Girlfriend?” “Girlfriend.” I rested my forehead against his chest. “I guess.” “Not the best word, but it’ll do in public.” He kissed my temple. “In private, you can just be my beauty.
Nina Lane (Allure (Spiral of Bliss, #2))
Everything’s going to be okay, sweetheart,” she says because she’s a people-mechanic and always knows when I’m malfunctioning.
Jandy Nelson (I'll Give You the Sun)
I was alive in the past, and I’m alive now, sitting here talking to you. But what you see here isn’t really me. This is just a shadow of who I was. You are really living. But I’m not. Even these words I’m saying right now sound empty, like an echo.
Haruki Murakami (Sputnik Sweetheart)
Querida, it's alright," he said. "No one has hurt me in years." "Hey, you're supposed to be my brother," I said, trying to joke. "Brother's don't hold their sisters' hands or call them querida." Seb smiled, his hazel eyes starting to dance. "Yes, they do," he said. "This happens all the time." "Well I guess things are different in Mexico then," I said. "Because in America, no way. And I'm an American." "But you're in Mexico now," he pointed out. "Right. And you're saying here, boys holds hands with their sisters and call them sweetheart." "Oh yes. We're very friendly, we Mexicans.
L.A. Weatherly (Angel Fire (Angel, #2))
They do not care if you are good. They barely care if you are wicked. The only thing that makes them listen is power. It is not enough to be an uncle’s favorite, to please some god in his bed. It is not enough even to be beautiful, for when you go to them, and kneel and say, ‘I have been good, will you help me?’ they wrinkle their brows. Oh, sweetheart, it cannot be done. Oh, darling, you must learn to live with it. And have you asked Helios? You know I do nothing without his word.
Madeline Miller (Circe)
I think about how there are certain people who come into your life, and leave a mark. I don’t mean the usual faint impression: he was cute, she was nice, they made me laugh, I wish I’d known her better, I remember the time she threw up in class. And I don’t just mean that they change you. A lot of people can change you – the first kid who called you a name, the first teacher who said you were smart., the first person who crowned you best friend. It’s the change you remember, the firsts and what they meant, not really the people. Ethan changed me, for instance, but the longer we are apart the more he sort of recedes into the distance as a real person and in his place is a cardboard cutout that says first boyfriend. I’m talking about the ones who, for whatever reason are a part of you as your own soul. Their place in your heart is tender; a bruise of longing, a pulse of unfinished business. My mom was right about that. Just hearing their names pushes and pulls at you in a hundred ways, and when you try to define those hundred ways, describe them even to yourself, words are useless. If you had a lifetime to talk, there would still be things left unsaid.
Sara Zarr (Sweethearts)
I love you Alex. I don‘t think I‘ll ever get tired of hearing you say that sweetheart. He lifted himself on his elbow and kissed her. I love you too. Forever. Valerie still could't believe the impossibility of this night. If she woke up in her bed and this all had been a dream she was going to kill someone.
Elizabeth Reyes (Always Been Mine (The Moreno Brothers, #2))
A boy and a girl were insanely in love with each other,” my mother’s voice was saying. “They decided to become engaged. And that’s when presents are always exchanged. The boy was poor–his only worthwhile possession was a watch he’d inherited from his grandfather. Thinking about his sweetheart’s lovely hair, he decided to sell the watch in order to buy her a silver barrette. The girl had no money herself to buy him a present. She went to the shop of the most successful merchant in the town and sold him her hair. With the money, she bought a gold watchband for her lover. When they met on the day of the engagement party, she gave him the wristband for a watch he had sold, and he gave her the barrette for the hair she no longer had
Paulo Coelho (By the River Piedra I Sat Down and Wept)
He was a wild one as a lad, and there's a look about him that says he could be again." Kathy sighed. "I've always had a soft spot for a wild heart in a man. Have you no sweetheart in the States then, Jude?" "No." She thought briefly of William. Had she ever considered her husband her sweetheart? "No one special." "If they're not special, what would the point be?
Nora Roberts (Jewels of the Sun (Gallaghers of Ardmore, #1))
I notice Ryke sitting on the edge of the bed with Daisy lounging drunkenly across his lap. “Big bad wolf…” She reaches up to touch his hair but her arm sags limply next to her. “Eat me.” It’s a provocative, intoxicated statement that I do my best to block out. Ryke lowers his head to her, kissing Daisy once…twice and then he says, “Every fucking day, sweetheart.
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
Just let me be strong for you for a minute, okay?” He said softly. “You’ve held on for a long time, sweetheart. Nobody can say you haven’t been strong. But it’s been a hell of a night, so why don’t you let me hold you and help you right now, okay?
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
Sweetheart, look at me" Hank whispered. I looked at him, he moved inside me and it felt delicious. "Ït starts now" he told me. I moved with him, i wasn't really focusing on what he was saying, mainly because it was building again and i could feel it coming. "What starts now?" i asked. You and me". He moved faster, pressed harder, went deeper. Good god. "What?" i asked dazedly. "You and me", he said again
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
All I'm saying is, you've never alone, and God made everyone unique with different gifts. Now that's not to say it doesn't sting a little when someone points yours out.
Jill S. Alexander (The Sweetheart of Prosper County)
People who feel the need to say ‘I’m fine’ are never fine, sweetheart,” she says.
Coco Mellors (Cleopatra and Frankenstein)
That’s right,” he purred. “Just say the word, sweetheart. If you don’t ask me to touch you, I won’t.
Kaylie Smith (Phantasma (Wicked Games, #1))
Sweetheart, listen carefully, when I say that I don’t need anybody but you, what I mean is that I never have. I need you. I’ve never needed anyone or anything the way I need you. I need you in a way that would break me if I lost you. Being with you makes every part of my life better. Every second I get with you is the best second of my life. I’m not good at expressing myself, not like you are, but I treasure this thing between us. Don’t think I don’t.
R.K. Lilley (Bad Things (Tristan & Danika, #1))
I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors--values, standards, my own limitations as an observer--make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself. This kind of thing doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I am very good at sensing others' true feelings." But any number of times I've seen people who say they've easily hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are duped by the most transparent flattery. It's enough to make me ask the question: How well do we really know ourselves? The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am.
Haruki Murakami (Sputnik Sweetheart)
I’ve tried so many times to think of a new way to say it - and it’s still I love you - love you - love you - my Sweetheart.
Zelda Fitzgerald
Camilla, you…my God,” he whispered against my skin, his voice sounding oddly strained. “Sweetheart, do you even know? You’re so perfect and you don’t even realize.” The endearment seeped into me like a touch, warming me as much as his body did. “Did I say a good thing, Professor?” “Oh, you said an amazing thing. Tonight I’m going to make very, very sure you know how much it means to me.
Delphine Dryden (The Theory of Attraction (Science of Temptation, #1))
Why Just ask the donkey in me To speak to the donkey in you, When I have so many other beautiful animals And brilliant colored birds inside That are longing to say something wonderful And exciting to your heart? Let's open all the locked doors upon our eyes That keep us from knowing the Intelligence That begets love And a more lively and satisfying conversation With the Friend. Let's turn loose our golden falcons So that they can meet in the sky Where our spirits belong-- Necking like two Hot kids. Let's hold hands and get drunk near the sun And sing sweet songs to God Until He joins us with a few notes From his own sublime lute and drum. If you have a better idea Of how to pass a lonely night After your glands may have performed All their little magic Then speak up sweethearts, speak up, For Hafiz and all the world will listen. Why just bring your donkey to me Asking for stale hay And a boring conference with the idiot In regards to this precious matter-- Such a precious matter as love, When I have so many other divine animals And brilliant colored birds inside That are all longing To so sweetly Greet You!
Hafez (The Gift)
But doesn't every precious era feel like fiction once it's gone? After a while, certain vestigial sayings are all that remain. Decades after the invention of the automobile, for instance, we continue to warn each other not to 'put the cart before the horse'. So, too, we do still have 'day'dreams and 'night'mares, and the early-morning clock hours are still known colloquially (if increasing mysteriously) as 'the crack of dawn'. Similarly, even as they grew apart, my parents never stopped calling each other 'sweetheart'.
Karen Thompson Walker (The Age of Miracles)
I’m falling in love with you, Dahlia. I don’t expect you to say it back after everything you’ve been through this year, but I didn’t want to go another night without you knowing how I feel. Just like I can’t go another day with you thinking I’m okay with us keeping things casual.” Por Dios. His eyes shimmer from the moon peeking through the clouds. “I missed out on a chance to make you mine before, but I don’t plan on making the same mistake again. We’re the real deal, sweetheart, and I’m done letting you believe anything else.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
I miss you,” he says. “I still miss you, sweetheart. Every day is like the first day I lost you.
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
Dear wife, I'm sorry that I am mysteriously incapable of folding clean laundry, but I iron, oh, I iron. Sweetheart, I'll make your white shirt so crisp and sharp that it will split atoms as you walk.
Sherman Alexie (You Don't Have to Say You Love Me)
Say the words, sweetheart, and I'll stop. If not, prepare to have your fucking world rocked.
Nacole Stayton (A Graceful Mess)
I had no idea what to say. A silence descended on us as sudden as the instant fresh oil is poured into a large frying pan.
Haruki Murakami (Sputnik Sweetheart)
Once we were in love, So I know it's true, the saying: True love never ends For as much as I loved you when we were sweethearts, I love you even more Now that we are friends
Karen E. Quinones Miller
Ryke says sweetheart with so much force that it conflicts with the mildness of the word. I wonder if that’s us. Soft to his hard. Sweet to his rough. Wild to his stone. I like it.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
I missed you too, sweetheart,” she says. Then she kisses me on the mouth.
Sophie Lark (There Are No Saints (Sinners, #1))
The iron law of sobriety, with apologies to Leo Tolstoy: the stories of addicts are all alike; but each person gets sober their own way. Addiction is an old country song: you lose the dog, lose the truck, lose the high school sweetheart. In recovery you play the song backward, and that’s where things get interesting. Where’d you find the truck? Did the dog remember you? What’d your sweetheart say when they saw you again?
Kaveh Akbar (Martyr!)
To: Anna Oliphant From: Etienne St. Clair Subject: HAPPY CHRISTMAS Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco. To: Anna Oliphant From: Etienne St. Clair Subject: I forgot to tell you. Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled? To: Anna Oliphant From: Etienne St. Clair Subject: Are you awake yet? Wake up.Wake up wake up wake up. To: Etienne St. Clair From: Anna Oliphant Subject: re: Are you awake yet? I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me. P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo. To: Anna Oliphant From: Etienne St. Clair Subject: HAHAHA@ Was it a PROMISE RING? Did your father give you a PROMISE RING? To: Etienne St. Clair From: Anna Oliphant Subject: Re: HAHAHA! I am so not responding to that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
CUSTOMER: Do you have a book with a list of careers? I want to give my daughter some inspiration. BOOKSELLER: Ah, is she applying to university? CUSTOMER: Oh no, not yet. She’s just over there. Sweetheart? (a four year old girl comes over) CUSTOMER: There you are. Now, you talk to the nice lady, and I’m going to find you a book on how to become a doctor or a scientist. What do you think about that? (The girl says nothing) CUSTOMER (to bookseller): Won’t be a sec. (Customer wanders off into non-fiction) BOOKSELLER: So, what’s your name? CHILD: Sarah. BOOKSELLER: Sarah? That’s a beautiful name. CHILD: Thank you. BOOKSELLER: So, Sarah, what do you want to be when you grow up? CHILD: . . . A bumblebee. BOOKSELLER: Excellent.
Jen Campbell (Weird Things Customers Say in Bookshops)
(D)ialogue is generally the worst choice for exposition. 'When you're writing lines...you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.
Jincy Willett (The Writing Class)
Go ahead, deny up and down that the delicate act of turning the doorknob, that act which may transform everything, is done with the indifferent vigor of a daily reflex. See you later, sweetheart. Have a good day. Tighten your fingers around a teaspoon, feel its metal pulse, its mistrustful warning. How it hurts to refuse a spoon, to say no to a door, to deny everything that habit has licked to a suitable smoothness. How much simpler to accept the easy request of the spoon, to use it, to stir the coffee.
Julio Cortázar (Cronopios and Famas)
Sweetheart, I know you think it'll be a cathartic experience and you'll say your piece and everyone will come away the wiser,' says Dad. 'But in real life that doesn't happen. I've confronted enough assholes in my time. They never realize they're assholes. Not once. Whatever you say.
Sophie Kinsella (Finding Audrey)
Here’s the thing. I’m tired of this roommate bullshit. I want more than that. I want you to be my girl. I want you in my bed, just like this. I want to take you out, show you off, and get the jealous looks from all the other assholes who wish you were theirs. I want, more than anything, for you to be my sweetheart, because that’s what you’ve become to me, even if I started saying it by being an ass. I want to be able to call you mine for real, not pretend.” Sighing, I pause. “Charlie, I want—I need—you to be my fucking girl.
Tessa Teevan (Incinerate (Explosive, #2))
It's never too late to change your mind and be who you were meant to be. Our minds can be really powerful things, and they can come up with a million reasons as to why you can't make a change. Our minds can say that it's not logical, or it's been like this for too long, or it's too hard, or what are people going to think. But sometimes it's more important to live from your gut and from your heart than from your head... It's okay to decide that being happy is worth more than getting the law degree, or marrying your high-school sweetheart because they were nice enough, or being an actor because you think you're incapable of doing anything else. It's never too late to take charge of your destiny and make a different contribution to the world.
Lisa Jakub
On the way out, a man loading up a wagon exchanged a wave with them. “You boys looking for work?” he asked skeptically. “Neither of you looks up to a full day in the field.” “You’d be surprised,” said Jesper. “We signed on to do some work out near Saint Hilde.” Wylan waited, nervous, but the man just nodded. “You doing repairs at the hospital?” “Yup,” Jesper said easily. “Your friend there don’t talk much.” “Shu,” said Jesper with a shrug. The older man gave some kind of grunt in agreement and said, “Hop on in. I’m going out to the quarry. I can take you to the gates. What are the flowers for?” “He has a sweetheart out near Saint Hilde.” “Some sweetheart.” “I’ll say. He has terrible taste in women.” Wylan considered shoving Jesper off the wagon.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Okay, consider this. Say you’re going to go on a long journey with someone by car. And the two of you will take turns driving. Which type of person would you choose? One who’s a good driver, but inattentive, or an attentive person who’s not such a good driver?
Haruki Murakami (Sputnik Sweetheart)
You know what your real problem is, sweetheart?” “What?” I ask, wanting to know and scared of the answer. “You’re totally underfucked,” he says, his voice dropping a register. He leans in closer. “And I’m the one who can tip the scales in the other direction.
Karina Halle (The Offer)
You said we've got a new page. I figure I've got some say in what gets written on it. So I'm going to work on you. Last time around, you threw yourself at me.” “I did no such thing.” “Sure you did. But I can see I've got my work cut out for me this time. That's okay.” He skimmed his thumb over her knuckles before she jerked her hand free. “In fact, I think I'm going to enjoy it.” “I don't know why I waste my time trying to mend fences with you. You're as arrogant as you ever were.” “Just the way you like me, sweetheart.
Nora Roberts (The Reef)
I am serenading you sweetheart,” Kip says, “The way I figure it, you like those idiots who play guitars, so I figure I will learn how to play so I can seduce you. Jagger will understand. I mean he can’t play drums for shit, so you will have no choice but to fall madly in love with my guitar and drum playing skills.” He grins like a Cheshire cat.
Sasha Marshall (Guitar Face (Guitar Face, #1))
Thy life's journey lies along its own path, Ian," she said, "and I cannot share thy journey - but I can walk beside thee. And I will." The woman standing behind them in the line heaved a deep, contented sigh. "Now, that's a very pretty and right thing to say, sweetheart," she said to Rachel, in approving tones. And, switching her gaze to Ian, looked him skeptically up and down. He was dressed in buckskins, clout, and calico shirt, and, bar the feathers in his hair and the tattoos, didn't look too outlandish, he thought. "You probably don't deserve her," the woman said, shaking her head doubtfully. "But try, there's a good lad.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
The old Elsa would’ve watched me with a wild gaze. She would’ve had a battle in those electric blue eyes about whether to fight or to save her energy. Not this Elsa. She doesn’t flinch. She just remains as immovable as a statue. A cold, frigid statue. This isn’t my Elsa. And if I have to break the statue to bring her out, then so be it. She stares up at me with dim eyes. “We’re enemies, aren’t we?” “Maybe.” “Then we’re over,” she says with more strength than needed. I push a stray blonde strand behind her ear, taking my time to feel the warmth of her skin against mine. “That’s where you’re wrong, sweetheart,” I murmur near her mouth, “Being enemies doesn’t change the fact that you’re fucking mine.
Rina Kent (Steel Princess (Royal Elite, #2))
Gathering her courage, she swallowed past the lump in her throat and held his gaze. It wasn’t how she’d envisioned telling him, but she couldn’t let him go without saying the words. “I’m falling in love with you.” The smile died, his amused expression dissolving into shock. “What?” “Yeah. So you have to come back so I can finish the job.” A jumble of emotions swirled in the blue depths of his eyes as he stared at her. Then he broke into a wide smile and brought a hand up to cradle her cheek. “I’m coming back, sweetheart. I wouldn’t miss that chance for the world.
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
You’re in control,” he tells me as his lips ghost over mine. “Take what you want, sweetheart. I’ll give you as much or as little as you say.” “What if it’s not what you want?” I whisper, hoping he maybe doesn’t hear. Noah shifts back enough to look me in the eyes. “I want you, Kristin.
Corinne Michaels (One Last Time (Second Time Around, #2))
You started that one.” Her mouth dropped open. “I didn’t say anything!” “Sweetheart, your eyes said it all.” He lowered his hand from his cuffs and jerked his chin out toward the darkness lit with twinkling bug butts. “Now, behave, will you? I’m trying to watch bugs catch a mate. See if I can’t get some tips.” “Hell, make your ass glow, and I might take back everything I’ve said about you.
Cindi Madsen (Resisting the Hero (Accidentally in Love, #3))
What are you trying to say, Fin?" Fin looked at him, her eyes filling with tears. "That it doesn't matter if you live a billion years, or just a short handful like Jake. It's how bright you burn while living them that really matters, and Jake burned so bright it hurt my eyes." Overwhelmed, Ryan buried his face in her neck, breathing her in. "You're so beautiful," he whipered hoarsly. Pulling back, he cupped her face in his hands and looked at her fiercely. "You burn just as bright sweetheart." Her eyes were wide and so full of love it made his heart ache. "So do you, Ryan," she replied softly.
Kate McCarthy (Fighting Redemption)
Lincoln,” Sam had asked him on one of those nights, the summer before their senior year, “do you think we’ll get married some day?” “I hope so,” he’d whispered. He didn’t usually think about it like that, like “married.” He thought about how he never wanted to be without her. About how happy she made him and how he wanted to go on being that happy for the rest of his life. If a wedding could promise him that, he definitely wanted to get married. “Wouldn’t it be romantic,” she said, “to marry your high school sweetheart? When people ask us how we met I’ll say, ‘We met in high school. I saw him, and I just knew.’ And they’ll say, ‘Didn’t you ever wonder what it would be like to be with someone else?
Rainbow Rowell (Attachments)
Luke!...We have to be able to do cool dancing so we don't embarrass our child!" "I'm a very cool dancer," replies Luke. "Very cool indeed," "No you're not!" "I had dance lessons in my teens, you know," he retorts. "I can waltz like Fred Astire." "Waltz?" I echo derisively. "That's not cool! We need to know all the street moves. Watch me." I do a couple funky head-wriggle body-pop maneuvers, like they do on rap videos. When I look up, Luke is gaping at me. "Sweetheart," he says. "What are you doing?" "It's hip-hop!" I say. "It's street!" "Becky! Love!" Mum has pushed her way through her dancing guests to reach me. "What's wrong? Has labour started?" Honestly. My family has no idea about contemporary urban steet dance trends.
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
Too much?" he asks. I nod desperately. He halts, pulling out a bit. Instant panic spreads through my stomach. I didn't say stop. I didn't ask him to stop. We agreed that he wouldn't- "That's too bad," he says, his voice at once mean and fond, like he contains every multitude I'll ever need. "Since you'll take what I fucking give you." He rocks back inside, knocking any sense of self out of me. My entire body tightens around him, around his words, and I think that maybe I'm- "Oh sweetheart. Already? Just from this?
Ali Hazelwood (Deep End)
[Didn’t Sappho say her guts clutched up like this?]" Didn’t Sappho say her guts clutched up like this? Before a face suddenly numinous, her eyes watered, knees melted. Did she lactate again, milk brought down by a girl’s kiss? It’s documented torrents are unloosed by such events as recently produced not the wish, but the need, to consume, in us, one pint of Maalox, one of Kaopectate. My eyes and groin are permanently swollen, I’m alternatingly brilliant and witless —and sleepless: bed is just a swamp to roll in. Although I’d cream my jeans touching your breast, sweetheart, it isn’t lust; it’s all the rest of what I want with you that scares me shitless.
Marilyn Hacker (Love, Death, and the Changing of the Seasons)
Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?" Blue gray eyes twinkled at her over his cream-colored mare's back. "I didn't. It's Farant. " His blond hair curled thickly over his head, almost matching the pony's in color. "Thank you. Trainee Farant, you're missing spots. " "Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed. "Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up. "Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large? "Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. " His grin was wolfish. "But that can be fixed. " Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw. "No, sir. I just never met nobody like you. " "And if you're lucky, you won't again, " muttered Buri, passing by.
Tamora Pierce (Wild Magic (Immortals, #1))
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
The first sixth-grade assembly.” I look up at him. “Huh?” “That’s the first time I saw you. You were sitting in the row in the front of me. I thought you were cute.” I laugh. “Nice try.” It’s so endearingly Peter to make up stuff to try and sound romantic. He keeps going. “Your hair was really long and you had a headband with a bow. I always liked your hair, even back then.” “Okay, Peter,” I say, reaching up and patting him on his cheek. He ignores me. “Your backpack had your name written on it in glitter letters. I’d never heard of the name Lara Jean before.” My mouth falls open. I hot-glued those glitter letters to my backpack myself! It took me forever trying to get them straight enough. I’d forgotten all about that backpack. It was my prized possession. “The principal started picking random people to come on stage and play a game for prizes. Everybody was raising their hands, but your hair got caught in your chair and you were trying to untangle it, so you didn’t get picked. I remember thinking maybe I should help you, but then I thought that would be weird.” “How do you remember all that?” I ask in amazement. Smiling, he shrugs. “I don’t know. I just do.” Kitty’s always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The shorty story is, we grew up together. But that’s more Josh’s and my story. High school sweethearts? That’s Peter and Gen’s story. So what’s ours, then? I suppose I’ll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You know that man’s story already. He’s just starting to believe what Day’s been saying to him for years, but he’s scared as fuck. If you hurt him in any way, Day will hurt you.” Johnson stopped grinning and looked back at God. “I thought Day hated him?” “Day is complex, Johnson. He’s crazy about Ronowski, that’s why he rides the man so hard.” “I get that,” Johnson responded. “All right. I don’t mind doing the slow thing. We’ll start with wings and a game tonight.” Johnson shrugged and started inching toward his car. “Next week, maybe dinner and a movie.” “Sounds good, bro.” God waved and climbed in his truck. Now that he was done playing Chuck Woolery and there were no more love connections to be made. He was going home to his sweetheart.    
A.E. Via (Nothing Special)
Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life.
Philippe Claudel (Brodeck)
You think I married you because I lost when we drew straws?” He chuckled softly. “Oh, Meri. Sweetheart. I won the straw draw. I didn’t lose it.” She stared at him, not comprehending the difference. “What are you saying?” Travis grinned. “When we sat around the table that night, we didn’t decide to draw straws because none of us wanted to marry you. We drew straws because all of us wanted to marry you.” Meredith blinked up at her husband. Could it be true? Had she been a prize, not a chore? “And I’ll tell you something else.” He dipped his head and lowered his voice, his grin turning downright mischievous. “But you gotta swear not to tell the others.” She nodded. “I rigged the contest.” “What?” “I made sure that I was the one who ended up with the short straw.” Meredith’s pulse quickened. “Why?” Travis shrugged a bit, and if she didn’t know better, she could have sworn his skin pinkened a bit under his tan. “At the time I told myself that you were my responsibility. That because of our previous encounter, I should be the one to marry you.” A responsibility. Of course. Meredith forced her chin to stay raised and her back straight despite her yearning to curl up into a protective ball. “But I was fooling myself.” Travis’s gaze met hers, and she caught her breath. The way he looked at her, it was . . . was . . . “Even then I was falling in love with you.” It was love. “I couldn’t stand the idea of one of my brothers marrying you. You belonged with me. I knew it. I couldn’t explain it, but I knew it. And over the last several weeks, I’ve only grown more sure. I love you, Meredith. I thank God every day for bringing you back into my life.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Thinking back now, I can see we were just at that age when we knew a few things about ourselves—about who we were, how we were different from our guardians, from the people outside—but hadn’t yet understood what any of it meant. I’m sure somewhere in your childhood, you too had an experience like ours that day; similar if not in the actual details, then inside, in the feelings. Because it doesn’t really matter how well your guardians try to prepare you: all the talksvideos, discussions, warnings, none of that can really bring it home. Not when you’re eight years old, and you’re all together in a place like Hailsham; when you’ve got guardians like the ones we had; when the gardeners and the delivery men joke and laugh with you and call you “sweetheart.”    All the same, some of it must go in somewhere. It must go in, because by the time a moment like that comes along, there’s a part of you that’s been waiting. Maybe from as early as when you’re five or six, there’s been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you’ll get to know how it feels.” So you’re waiting, even if you don’t quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don’t hate you or wish you any harm, but who nevertheless shudder at the very thought of you—of how you were brought into this world and why—and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it’s a cold moment. It’s like walking past a mirror you’ve walked past every day of your life, and suddenly it shows you something else, something troubling and strange.
Kazuo Ishiguro (Never Let Me Go)
It’s bad enough that you’re both late to my class, but you have the nerve to have a full-blown conversation,” Mr. Dineen barked, glowering at us. “Joseph, would you care to tell the class what you two are whispering about? In your native tongue, if you will, since I have spent the past six years attempting to teach you the language.” “Ceart go leor, a mhúinteoir,” my boyfriend replied with a nonchalant shrug as he replied in As Gaeilge. “Bhí mé ag rá le mo leannán go bhfuil grá agam di.” My heart slammed wildly in my chest as I mentally translated his words. Fair enough, teacher. I was telling my sweetheart that I love her. “Dúirt mé léi freisin go bhfuil cuma álainn uirthi,” Joey continued to say, not missing a beat. I also told her that she looks beautiful. Shrugging, he added, “Agus go bhfuil mo chroí istigh inti.” And that my heart is inside her. “Go hiontach,” Mr. Dineen replied, arching a brow. Impressive. “Le haghaidh buachaill nach n-éisteann sa rang.” For a boy who doesn’t listen in class. “Sea.” Joey smirked. “Tá a fhios agam.” Yeah, I know.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
I really, really, really would be forever indebted to you if you just revealed how you did one trick. Just one, that’s all I’m asking for.” Jay wipes his mouth with a napkin, his lips forming a smirk. “When you say ‘forever indebted,’ just what are we talking about here?” Jessie makes a foreboding sound. “No way, sweetheart. You don’t want to do that. This fucker’s a slave driver when you owe him.” “Okay, well, maybe I won’t be forever in your debt. Perhaps I was getting a little carried away with myself. If you tell me one trick, I’ll owe you one thing in return. You can decide, but it has to be reasonable, like washing your car or something.” Jay leans forward and steeples his fingers in front of him. “Will you wash my car topless?” he asks huskily. My cheeks colour, and Jessie lets out a bark of a laugh. “Oh, now, that is a good idea.” “Okay, let me amend my offer. I will owe you, but it can’t be sexual.” “Topless isn’t sexual,” says Jay. “Topless is natural.” “I second that,” Jessie adds. “How about braless?” Jay goes on. God, these two. Why do I even bother? “Fine. I retract my offer,” I huff, sitting back in my seat and folding my arms.
L.H. Cosway (Six of Hearts (Hearts, #1))
Meanings don't just affect the way we feel; they affect all of our relationships and interactions. Some people think the first ten years of a relationship is just the beginning; that they're just now getting to know each other, and it's really exciting. It's an opportunity to go deeper. Other people could be ten days into a relationship, and the first time they have an argument, they think it's the end. Now tell me, if you think this is the beginning of a relationship, are you going to behave the same way as if it were the end? That one slight shift in perception, in meaning, can change your whole life in a moment. In the beginning of a relationship, if you're totally in love and attracted, what will you do for the other person? The answer is: anything! If he or she asks you to take out the trash, you might leap to your feet and say, "Anything that lights you up, sweetheart!" But after seven days, seven years, or seventy years, people say things like, "What the hell do you think I am, your janitor?!" And they wonder what happened to the passion in their life. I've often shared with couples having trouble in their relationships that if you do what you did in the beginning of the relationship, there wont be an end! Because in the beginning of the relationship, you were a giver, not an accountant. You weren't weighing constantly the meaning of who was giving more. Your entire focus was just lighting up that person, and his or her happiness made you feel like your life was filled with joy.
Tony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom Series))
My bad mood returns like an unwanted rash. “I got in a fight with Logan. And that’s all I’m saying on the subject, because if I talk about it right now, it’ll just piss me off again and then I’ll be too distracted to produce Dumb and Dumber’s show.” We both glance at the main booth, where Evelyn is using the reflection on her water glass to check her makeup, dabbing delicately at her eye shadow. Pace is engrossed with his phone, his chair tipped back so far that I predict a very loud disaster in the near future. “God, I love them,” Daisy says with a snicker. “I don’t think I’ve ever met two more self-absorbed people.” Morris saunters out of the booth and wanders over to us. He notices Daisy’s shirt and says, “Sweetheart, we’re at work. Show some decorum.” “Says the guy who ripped this shirt off me in the supply closet.” Rolling her eyes, she takes a step away. “I’m going to make myself presentable in the bathroom. I’d do it out here, but I’m scared Dumber might take a picture and post it on a porn site.” “Wait, the names Dumb and Dumber actually correspond to each of them?” Morris says in surprise. “I thought it was more of a general thing. Which one is Dumber?” The second the question leaves his mouth, a muffled crash reverberates from the booth, and we all turn to see Pace tangled up on the floor. Yup, the guy who spent an hour regaling me about his cow-tipping days back in Iowa? Tipped himself right over. From behind the glass, Pace bounces to his feet, notices us staring, and mouths the words, “I’m okay!” Morris sighs. “I withdraw the question
Elle Kennedy (The Mistake (Off-Campus, #2))
In the late afternoon, Lily approached Ian as he reclined on the couch sketching. “I’ve got something to ask you,” she said, the tiniest waver in her voice betraying her nervousness. Ian went on high alert and placed his pad and pencil on the coffee table. “What is it, sweetheart?” he managed to get out, keeping his voice even. Lily wrung her hands. “Okay. Now, you don’t have to if you don’t want to, okay? I promise I’ll understand if you say no. Really, I will.” His shoulders slumped in relief and he rescued her hands from each other before either was damaged. “Darlin’, you needn’t be afraid to ask. I would love for you to take me to bed and spend the rest of the day making wild, passionate love to me. Tonight and tomorrow too, if that would make you happy,” Ian assured her. Lily blinked and frowned uncertainly. “Umm…tempting as that sounds, no, that’s not it.” “Need an organ donated, then? I’ve got one in mind just for you.” “This is serious.” She giggled, thumping him on the chest. “Damn right it is. Do you have any idea how long it’s been since I’ve seen you naked?” he said, raising an eyebrow in challenge. “How the hell am I supposed to get better under these horrific conditions? I may end up in therapy yet. See, look, my eye’s already starting to twitch…
Shannon MacLeod (The Celtic Knot: Suit of Cups (Arcana Love Vol. 1))
You must have traveled all night,” she heard herself say. “I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.” Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became. Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.” Alarmed by her own lack of self-discipline, Amelia made a wobbly attempt to stand on her own, but he only hugged her more closely. “No, don’t pull away. I’ve got you.” He cuddled her shaking form against his chest. Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.” “Amelia hardly ever cries,” Poppy said. “She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…” As he paused, Poppy said, “A shoulder to lean on.” “Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them. Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child. As Amelia hiccupped and quieted in his arms, Cam asked a few questions of Poppy, who told him about Merripen’s condition and Leo’s disappearance, and even about the missing silverware. Finally getting control of herself, Amelia cleared her aching throat. She lifted her head from Cam’s shoulder and blinked. “Better?” he asked, holding the handkerchief up to her nose. Amelia nodded and blew obediently. “I’m sorry,” she said in a muffled voice. “I shouldn’t have turned into a watering pot. I’m finished now.” Cam seemed to look right inside her. His voice was very soft. “You don’t have to be sorry. You don’t have to be finished, either.” She realized that no matter what she did or said, no matter how long she wanted to cry, he would accept it. And he would comfort her.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The Holy Water No one lives outside the walls of this sacred place, existence. The holy water, I need it upon my eyes: it is you, dear, you – each form. What mother would lose her infant – and we are that to God, never lost from His gaze are we? Every cry of the heart is attended by light’s own arms. You cannot wander anywhere that will not aid you. Anything you can touch – God brought it into the classroom of your mind. Differences exist, but not in the city of love. Thus my vows and yours, I know they are the same. I have just peeled the skin from the potato and you are still contemplating its worth, sweetheart; indeed there are wonderful nutrients in all, for God made everything. You joined our community at birth. With your Father being who He is, what do the world’s scales know of your precious value. The priest and the prostitute – they weigh the same before the Son’s immaculate being, but who can bear that truth and freedom, so a wise man adulterated the scriptures; every wise man knows this. My soul’s face has revealed its beauty to me; why was it shy so long, didn’t it know how this made me suffer and weep? A different game He plays with His close ones. God tells us truths you would not believe, for most everyone needs to limit His compassion; concepts of right and wrong preserve the golden seed until one of God’s friends comes along and tends your body like a divine bride. The Holy sent out a surveyor to find the limits of its compassion and being. God knows a divine frustration whenever He acts like that, for the Infinite has no walls. Why not tease Him about this? Why not accept the freedom of what it means for our Lord to see us as Himself. So magnificently sovereign is our Lover; never say, 'On the other side of this river a different King rules.” For how could that be true – for nothing can oppose Infinite strength. No one lives outside the walls of this sacred place, existence. The holy water my soul’s brow needs is unity. Love opened my eye and I was cleansed by the purity of each form.
Rabia al Basri
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You should have never let him in the house.” Noah stopped in front of the counter. “For God’s sake, Sabella, I thought you would know better than to confront that son of a bitch while you’re carrying my mark.” She kept her head down. How many times had she laughed at Nathan when he had said something similar? When he had been irritated with her, or was just being a man. She should have known better than to go four-wheeling with Sienna that first year they were married, without him, because when she wrecked, she wrenched her ankle and he hadn’t been tere to make sure she was okay. She should have known better than to try to fix a busted pipe in the basement on her own, because she’d ended up drenched and the basement had gotten wet. So many instances. And she should have always known better. She lifted her head. “Now you can leave. You should know better than to piss off an already angry woman.” She should have known better than to give Rory a say in the hiring. “Sabella, sweetheart, look at me.” His voice roughened. “If he had hurt you, I would have had to kill him. I would have enjoyed killing him.” “And it would have been my fault.” She nodded with a bitter smile. “Sure, I understand.” “No, it would have been his fault for being stupid enough to touch you. But haven’t you figured out that yet that men aren’t always smart enough to keep their hands off things that don’t belong to them?” Her head jerked up in surprise. “So you think I belong to you now?” She didn’t flinch when he reached out to touch her. Over the years, she had always had to suppress a flinch when another man tried to stroke her, kiss her. “You don’t belong to him,” he told her, his fingertip stroking over the rasp of his beard that he had left on her jaw. “Testosterone is a dangerous thing sometimes.
Lora Leigh (Wild Card (Elite Ops, #1))
You play with great skill," he said. "Thank you." "Is that your favorite piece?" "It's my most difficult," Helen said, "but not my favorite." "What do you play when there's no one to hear?" The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen's stomach to tighten pleasurably. Perturbed by the sensation, she was slow to reply. "I don't remember the name of it. A piano tutor taught it to me long ago. For years I've tried to find out what it is, but no one has ever recognized the melody." "Play it for me." Calling it up from memory, she played the sweetly haunting chords, her hands gentle on the keys. The mournful chords never failed to stir her, making her heart ache for things she couldn't name. At the conclusion, Helen looked up from the keys and found Winterborne staring at her as if transfixed. He masked his expression, but not before she saw a mixture of puzzlement, fascination, and a hint of something hot and unsettling. "It's Welsh," he said. Helen shook her head with a laugh of wondering disbelief. "You know it?" "'A Ei Di'r Deryn Do.' Every Welshman is born knowing it." "What is it about?" "A lover who asks a blackbird to carry a message to his sweetheart." "Why can't he go to her himself?" Helen realized they were both speaking in hushed tones, as if they were exchanging secrets. "He can't find her. He's too deep in love- it keeps him from seeing clearly." "Does the blackbird find her?" "The song doesn't say," he said with a shrug. "But I must know the ending to the story," Helen protested. Winterborne laughed. It was an irresistible sound, rough-soft and sly. When he replied, his accent had thickened. "That's what comes o' reading novels, it is. The story needs no ending. That's not what matters." "What matters, then?" she dared to ask. His dark gaze held hers. "That he loves. That he's searching. Like the rest of us poor devils, he has no way of knowing if he'll ever have his heart's desire.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))