Sweet Nursing Quotes

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Has anyone else . . ." "Hmm?" Grams walked the paper back across the room and took up her tray of hospital good again, settling it over me. "Has anyone else, what?: "Been by," I mumbled. "To visit." Grams gave me a knowing smile. "A charming young woman with a mouth that could give a sailor a heart attack? A sweet little one who brought you flowers? The one who spent half a day chasing doctors and nurses around, demanding answers about your condition? Or, by any chance are you referring to a very well - mannered Southern boy?
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
None of them were easy or soft or simple. They were like me, nursing hurts and hidden wounds, all broken in different ways. We didn't quite fit together. We had edges so jagged we cut each other sometimes, but as I curled up on my side, the warmth of the fire at my back, I felt a rush of gratitude so sweet it made my throat ache. Fear came with it. Keeping them close was a luxury I would pay for. Now I had more to lose.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Well, what do you want me to say?' The Doctor was so angry he was almost hovering. 'Well done on marrying the only male nurse not to have a full set of Barbara Streisand records? Why did you pick him, anyway? Were there no flight attendants in your village?' 'Only Jeff,' [Amy replied]. 'Ah.'... 'I picked Rory, always Rory, because he is just like you,' I [Amy] yelled at him. 'He is sweet and understanding and funny and he always tries to do the right thing. Plus you both run the same way.' 'We do not.' 'Do so.
James Goss (Doctor Who: Dead of Winter)
...For having a baby's sweet face so close to your own, for so long a time as it takes to nurse 'em, is a great tonic for a sad soul.
Erica Eisdorfer (The Wet Nurse's Tale)
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
Nina LaCour (Hold Still)
A young nurse, someone new whom he didn't recognise, came up to Henry and patted him on the arm. "Are you a friend or a family member?" She whispered the question in his ear, trying not to disturb Sheldon. The question hung there like a beautiful chord, ringing in the air. Henry was Chinese, Sheldon obviously wasn't. They looked nothing alike. Nothing at all. "I'm distant family," Henry said.
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
Home they brought her warrior dead: She nor swooned, nor uttered cry: All her maidens, watching, said, ‘She must weep or she will die.’ Then they praised him, soft and low, Called him worthy to be loved, Truest friend and noblest foe; Yet she neither spoke nor moved. Stole a maiden from her place, Lightly to the warrior stepped, Took the face-cloth from the face; Yet she neither moved nor wept. Rose a nurse of ninety years, Set his child upon her knee— Like summer tempest came her tears— ‘Sweet my child, I live for thee.’ -Alfred Lord Tennyson
Colleen Houck
Whiles in the early Winter eve We pass amid the gathering night Some homestead that we had to leave Years past; and see its candles bright Shine in the room beside the door Where we were merry years agone But now must never enter more, As still the dark road drives us on. E'en so the world of men may turn At even of some hurried day And see the ancient glimmer burn Across the waste that hath no way; Then with that faint light in its eyes A while I bid it linger near And nurse in wavering memories The bitter-sweet of days that were.
William Morris (The House of the Wolfings)
The door opened and Gideon walked in. I held his gaze when I said, "If Gideon's dick touched anything but his hand or me, we'd be over." His brows rose. "Well, then." I smiled sweetly and winked. "Hi, ace." "Angel." He looked at Cary. "How are you feeling this morning?" Cary's lips twisted wryly. "Like I got hit by a bus. . . or a bat." "We're working on getting you set up at home. It looks like we can make that happen by Wednesday." "Big tits, please," Cary said. "Or bulging muscles. Either will do." Gideon looked at me. I grinned. "The private nurse." "Ah." "If it's a woman," Cary went on, "can you get her to wear one of those white nurse dresses with the zipper down the front." "I can only imagine the media frenzy over that sexual-harassment lawsuit," Gideon said dryly. "How about a collection of naughty-nurse porn instead?" "Dude." Cary smiled wide and looked, for a moment, like his old self. "You're the man." Chapter 12, pg 214
Sylvia Day (Reflected in You (Crossfire, #2))
Explain to me again how matricide is illegal in some states,” Sissy growled from behind him as he pulled her toward the enormous staircase. “In all states. Plus, I think there are some moral restrictions around it, too.” “That’s not fair. Clearly, these lawmakers haven’t met my mother.” “I wouldn’t know. Besides, this is all so foreign to me,” he explained once they hit the top step. “My mother loves me and would do anything for me, so I’ve never had a desire to kill her.” Light brown eyes abruptly narrowed. “Throw that in my face again, and your sweet momma will be nursing your mauled body back to health.” “Sweet talker.
Shelly Laurenston (The Mane Attraction (Pride, #3))
Sure, I said. But some people would ask, 'How can you expect others to replicate what you're doing here?' What would be your answer to that? He turned back and , smiling sweetly, said, Fuck you. Then, in a stentorian voice, he corrected himself: No. I would say, 'The objective is to inculcate in the doctors and nurses the spirit to dedicate themselves to the patients, and especially to having an outcome-oriented view of TB.' He was grinning, his face alight. He looked very young just then. In other words, 'Fuck you'.
Paul Farmer
Such views the youthful Bard allure, But, heedless of the following gloom, He deems their colours shall endure 'Till peace go with him to the tomb. —And let him nurse his fond deceit, And what if he must die in sorrow! Who would not cherish dreams so sweet, Though grief and pain may come tomorrow?
William Wordsworth (Lyrical Ballads)
Sure,” I said. “But some people would ask, ‘How can you expect others to replicate what you’re doing here?’ What would be your answer to that?” He turned back and, smiling sweetly, said, “Fuck you.” Then, in a stentorian voice, he corrected himself: “No. I would say, ‘The objective is to inculcate in the doctors and nurses the spirit to dedicate themselves to the patients, and especially to having an outcome-oriented view of TB.’ ” He was grinning, his face alight. He looked very young just then. “In other words, ‘Fuck you.
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World)
Such a number of nights,' said the girl, with a touch of woman's tenderness, which communicated something like sweetness of tone, even to her voice; 'such a number of nights as I've been patient with you, nursing and caring for you, as if you had been a child: and this the first that I've seen you like yourself; you wouldn't have served me as you did just now, if you'd thought of that, would you? Come, come; say you wouldn't.
Charles Dickens (Oliver Twist)
I don’t understand hospital chaplains that try to rob my patients of their anger. Sometimes anger is a key motivator that gets people to take action. Anger can push a cancer patient to jump out of his hospital bed, walk down to the nurses station and scream, “I am getting the hell out of here!”. There is a misconception that God is simply sweet and passive. Actually, God can be quite cunning, manipulative and relentless with his children. What we consider as negative traits are actually helpful in molding us. He will use a negative emotion if needed to push people to do things that will change them for the better. He will allow people or situations to derail us if there is a chance that those interactions will push us forward. Personally, I don’t want a God that is going to send some church member to my deathbed with a plate of cookies and tell me to have faith. Actually, I rather have a God that screams, “Get the hell off your ass, stop feeling sorry for yourself. Walk down the hall with that Physical Therapist so you can get on with your life!" A little anger in a person can push them to do amazing things.
Shannon L. Alder
They’re like little boys, men. Sometimes of course they’re rather naughty and you have to pretend to be angry with them. They attach so much importance to such entirely unimportant things that it’s really touching. And they’re so helpless. Have you never nursed a man when he’s ill? It wrings your heart. It’s just like a dog or a horse. They haven’t got the sense to come in out of the rain, poor darlings. They have all the charming qualities that accompany general incompetence. They’re sweet and good and silly, and tiresome and selfish. You can’t help liking them, they’re so ingenuous, and so simple. They have no complexity or finesse. I think they’re sweet, but it’s absurd to take them seriously.
W. Somerset Maugham (The Constant Wife)
A clammy dew is beading on my brow, At mere remembering her pale laugh, and curse. “Ha! ha! Sir Dainty! there must be a nurse Made of rose leaves and thistledown, express, To cradle thee my sweet, and lull thee: yes, I am too flinty-hard for thy nice touch: My tenderest squeeze is but a giant’s clutch.
John Keats (Complete Works of John Keats)
None of them were easy or soft or simple. They were like me, nursing hurts and hidden wounds, all broken in different ways. We didn‘t quite fit together. We had edges so jagged we cut each other sometimes, but as I curled up on my side, the warmth of the fire at my back, I felt a rush of gratitude so sweet it made my throat ache. Fear came with it. Keeping them close was a luxury I would pay for. Now I had more to lose.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Sometimes I fixate on how disgusting humans are. I think about how we do things like litter and invent nuclear bombs. I think about racism, war, rape, child abuse, and climate change. I think about how gross people are. I think about public bathrooms, armpits, and about all of our dirty hands. I think about how infection and diseases are spread. I think about how every human has a butt, and about how disgusting that is. Other times I fixate on how endearing people are. We sleep on soft surfaces; we like to be cozy. When I see cats cuddled up on pillows, I find it sweet; we are like that too. We like to eat cookies and smell flowers. We wear mittens and hats. We visit our families even when we’re old. We like to pet dogs. We laugh; we make involuntary sounds when we find things funny. Laughing is adorable, if you really think about it. We have hospitals. We invented buildings meant to help repair people. Doctors and nurses study for years to work here. They come here every day just to patch other people up. If we discovered some other animal who created infrastructure in the anticipation that their little animal peers might get hurt, we would all be absolutely moved and amazed.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
When I want somebody to read to, To match a dream with tuneful phrase, It is my nurse that I pay heed to, Companion of my youthful days, Or, following a boring dinner, A neihbour comes in, who I corner, Catch at his coat tails suddenly And choke him with a tragedy, Or, (here I am no longer jesting), Haunted by rhymes and yearning's ache, I roam beside my country lake And scare a flock of wild ducks resting: Hearing my strophes' sweet-toned chants, They fly off from the banks at once.
Alexander Pushkin (Eugene Onegin)
Mother inexhaustible and incorruptible, creatures, born the first, engendered by thyself and by thyself conceived, issue of thyself alone and seeking joy within thyself, Astarte! Oh! Perpetually fertilized, virgin and nurse of all that is, chaste and lascivious, pure and revelling, ineffable, nocturnal, sweet, breather of fire, foam of the sea! Thou who accordest grace in secret, thou who unites, thou who lovest, thou who seizes with furious desire the multiplied races of savage beasts and the couplets the sexes in the wood. Oh, irresistible Astarte! hear me, take me, possess me, oh, Moon! and thirteen times each year draw from my womb the sweet libation of my blood!
Pierre Louÿs (The Songs of Bilitis)
Each day she struggled to fold herself up into the small, perfect pieces the world demanded. The freckle-faced village girl who peddled eggs at market to support her family. The dutiful daughter who spent every waking moment nursing her perpetually ill father back to health. The quiet girl who was trying not to drown in an ocean of her own secrets.
Adrienne Tooley (Sweet & Bitter Magic)
There on the sofa, as I nursed Maxie and her eyes slid closed, I said to the girls, ‘I think nursing is where kisses come from.’ I had been thinking about it. Nursing had to be the place where nurturing and sweet milk and soft skin and mouths and warmth all came together and started to mean something about love. I had always assumed kissing was a learned thing, like waving bye-bye or speaking a language. But since Maxie, I’d decided that it was innate, the adult version of something we know to do from the moment we’re born. All of it tied together in the cycle of life.
Katherine Center
A daughter in an asylum! I had done that to her. Still, she had obviously decided to forgive me.                 “We’ll take up where we left off, Esther,” she had said, with her sweet, martyr’s smile. “We’ll act as if all this were a bad dream.”                 A bad dream.                 To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.                 A bad dream.                 I remembered everything.                 I remembered the cadavers and Doreen and the story of the fig tree and Marco’s diamond and the sailor on the Common and Doctor Gordon’s wall-eyed nurse and the broken thermometers and the Negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a gray skull.                 Maybe forgetfulness, like a kind snow, should numb and cover them.                 But they were part of me. They were my landscape.
Sylvia Plath (The Bell Jar)
... Before your horror can be sweet. Or proper. Before your grief is other than discreet. The intellectual damn Will nurse your half-hurt. Quickly you are well. But weary. How you yawn, have yet to see Why nothing exhausts you like this sympathy
Gwendolyn Brooks (The Essential Gwendolyn Brooks: (American Poets Project #19))
As the nurse prepared the mixture, H wandered down the ward and laid his hand on the old man’s. “I have something to help you, Roman,” he told him. Dr. H sensed with amazement the old man’s history through the touch of skin. For a second, like a surge of flame, the young man Roman was there, growing up in Franz Josef’s Galicia, a lady-killer in the sweet little nougat of a city, the petit Wien, the jewel of the Vistula, Cracow. Wearing Franz Josef’s uniform and going to the mountains for spring maneuvers. Chocolate-soldiering in Rynek Glowny with the girls of Kazimierz, in a city of lace and patisseries. Climbing the Kosciuszko Mound and stealing a kiss among the shrubbery. How could the world have come so far in one manhood? asked the young man in old Roman. From Franz Josef to the NCO who had had a sanction to put Rosalia Blau and the scarlet fever girls to death?
Thomas Keneally (Schindler's List)
None of them were easy or soft or simple. They were like me, nursing hurts and hidden wounds, all broken in different ways. We didn't quite fit together. We had edges so jagged we cut each other sometimes, but as I curled up on my side...I felt a rush of gratitude so sweet it made my throat ache.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Heart; I named my lass sweetly; She danced to the mundane tunes of daftness; By nature she was midsummer madness; Or rather a reckless, careless, devil-may-care colleen. I pampered all her hefty desires; Brain; my friend said treat her with caution; For she is a child; doesn’t ruminate her action; You are mother, with deep devotion. And one fine day came the tempest darling; She named him love, besotted and infatuated; Enchanted by his charms, smelled the roses; Failed to see the thorns that pricked. And drip-drip-drip, the blood it dripped; When her beloved tossed and crushed her core; She knew not how to stand up straight; I opened my eyes and the driblets fell. Don’t nurse her; said my friend; my brain; For she is a demented lass not worth the pain; She will go away when her wounds are dried; To her unmoved brutal hero, Love. A mother cannot be unmoved, I cried; For all this time, I held her high; I knocked at your door, you flinty villain; Not to hear, all that you said. Call me a demon or a dragon; For all I will say is don’t nurse the brat; Let her bleed and cry for some more time; She will get up; for she is your child. All he said was unerred truth; She bled and nursed her own wounds; She drove me to her hero’s place; And said, “This is where my poem stays.
Ranjani Ramachandran
You're an absolutely stunning, murderous little creature,' he murmured. 'There'll be time for all the sweet whispers later,' Jasper said, and when Casteel pulled back, there was a fire in his eyes. 'You do look quite lovely, Penellaphe.' 'Thank you,' I said. 'What about me?' Casteel asked, and behind him, Naill sighed. 'You look passable.' 'That was rude,' he replied. 'Would you like to go sit in the shade and nurse your wounded feelings? Like you did when you were young and inevitably injured yourself doing something incredibly stupid?' Casteel's brows lowered as he looked over at Jasper. 'This marriage ceremony is starting off in a really weird way.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
None of them were easy or soft or simple. They were like me, nursing hurts and hidden wounds, all broken in different ways. We didn’t quite fit together. We had edges so jagged we cut each other sometimes, but as I curled up on my side, the warmth of the fire at my back, I felt a rush of gratitude so sweet it made my throat ache. Fear came with it.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
What a comfort that Cassandra should be so recovered! It was more than we had expected. I can easily believe she was very patient and very good. I always loved Cassandra for her fine dark eyes and sweet temper. I am almost entirely cured of my rheumatism, — just a little pain in my knee now and then, to make me remember what it was, and keep on flannel. Aunt Cassandra nursed me so beautifully.
Jane Austen (Complete Works of Jane Austen)
What do you consider to be the greatest blessing which you have reaped from your wealth? One, he said, of which I could not expect easily to convince others. For let me tell you, Socrates, that when a man thinks himself to be near death, fears and cares enter into his mind which he never had before; the tales of a world be- low and the punishment which is exacted there of deeds done here were once a laughing matter to him, but now he is tormented with the thought that they may be true: either from the weakness of age, or because he is now drawing nearer to that other place, he has a clearer view of these things; suspicions and alarms crowd thickly upon him, and he begins to reflect and consider what wrongs he has done to others. And when he finds that the sum of his transgres- sions is great he will many a time like a child start up in his sleep for fear, and he is filled with dark forebodings. But to him who is conscious of no sin, sweet hope, as Pindar charmingly says, is the kind nurse of his age: ’Hope,’ he says, ’cherishes the soul of him who lives in justice and holiness, and is the nurse of his age and the companion of his journey;– hope which is mightiest to sway the restless soul of man.
Plato (The Republic)
If she had to choose which aspect of the suite she despised most, it would have been a hard call between the lock and the garden, though these days she nursed a particular grudge against the curtains. She hid behind them to watch Arin leave the house, and return--very often on her horse. Despite the way he had looked after the battle, his injuries weren’t serious. His limp lessened, the bandage on his neck disappeared, and the raging bruises muted into ugly greens and violets. Several days passed without any words between him and her, and that set Kestrel on edge. It was hard to rub out the memory of his smile--exhausted, sweet. And then that waterfall of relief. Kestrel sent him a letter. Jess was likely to recover, she wrote. She asked to visit Ronan, who was being held in the city prison. Arin’s reply was a curt note: No. She decided not to press the issue. Her request had been due to a sense of obligation. She dreaded seeing Ronan--even if he agreed to speak with her. Even if he did not loathe her now. Kestrel knew that to look upon Ronan would be to come face-to-face with her failure. She had done everything wrong…including not being able to love him. She folded the one-word letter and set it aside.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
According to Reggie Tasker’s notes, Nurse Dennison returned with her treat and immediately prepared a drink of orange pop for her niece Shirley. For the next hour or so she observed the child’s convulsions with a most flattering concern; later on, perhaps because the child’s stamina seemed about to triumph over her aunt’s intention, Nurse Dennison said that, in her opinion, what little Shirley needed at this point in her illness was another sip or two of orange pop; it was sure to settle her stomach and return her to her customary bouncing health. She tendered the cup, and Shirley, a sweet, obedient child, drank at her aunt’s bidding.
William March (The Bad Seed)
I imagine what a woman might be able to smuggle into jail, given the remarkable flexibility of the female anatomy. I think about how, when I was a student nurse, I had to practice to figure out the width of a dilated cervix. One centimeter was an opening the size of a fingertip. Two and a half centimeters were the second and third fingers, slipped into an opening the size of the neck of a bottle of nail polish remover. Four centimeters of dilation were those same fingers, spread in the neck of a forty-ounce bottle of Sweet Baby Ray’s barbecue sauce. Five centimeters was the opening of a fifty-ounce Heinz ketchup bottle. Seven centimeters: a plastic shaker of Kraft Parmesan cheese.
Jodi Picoult (Small Great Things)
At 1.30 she left the hospital to do some shopping. Both men were sound asleep. Gentle afternoon sunlight flooded the room, and I felt as though I might drift off at any moment perching on my stool. Yellow and white chrysanthemums in a vase on the table by the window reminded people it was autumn. In the air floated the sweet smell of boiled fish left over from lunch. The nurses continued to clip-clop up and down the hall, talking to each other in clear, penetrating voices. They would peep into the room now and then and flash me a smile when they saw that both patients were sleeping. I wished I had something to read, but there were no books or magazines or newspapers in the room, just a calendar on the wall.
Haruki Murakami
But now be so kind as to tell me: what does a baby smell like when he smells the way you think he ought to smell? Well?’ ‘He smells good,’ said the wet nurse. ‘What do you mean, “good”?’ Terrier bellowed at her. ‘Lots of things smell good. A bouquet of lavender smells good. Stewed meat smells good. The gardens of Arabia smell good. But what does a baby smell like, is what I want to know?’ The wet nurse hesitated. She knew very well how babies smell, she knew precisely – after all she had fed, tended, cradled and kissed dozens of them … She could find them at night with her nose. Why, right at that moment she bore that baby smell clearly in her nose. But never until now had she described it in words. ‘Well?’ barked Terrier, clicking his fingernails impatiently. ‘Well it’s – ’ the wet nurse began, ‘it’s not all that easy to say, because … because they don’t smell the same all over, although they smell good all over, Father, you know what I mean? Their feet for instance, they smell like a smooth warm stone – or no, more like curds … or like butter, like fresh butter, that’s it exactly. They smell like fresh butter. And their bodies smell like … like a pancake that’s been soaked in milk. And their heads, up on top, at the back of the head, where the hair makes a cowlick, there, see where I mean, Father, there where you’ve got nothing left …’ And she tapped the bald spot on the head of the monk who, struck speechless for a moment by this flood of detailed inanity, had obediently bent his head down. ‘There, right there, is where they smell best of all. It smells like caramel, it smells so sweet, so wonderful, Father, you have no idea! Once you’ve smelled them there, you love them whether they’re your own or somebody else’s. And that’s how little children have to smell – and no other way. And if they don’t smell like that, it they don’t have any smell at all up there, even less than cold air does, like that little bastard there, then … you can explain it however you like, Father, but I’ – and she crossed her arms resolutely beneath her bosom and cast a look of disgust towards the basket at her feet as if it contained toads – ‘I, Jeanne Bussie, will not take that thing back!
Patrick Süskind (Perfume: The Story of a Murderer)
Behind The Fan Sweet and interesting story ByWriter and Readeron September 5, 2018 Format: Kindle Edition How much do we really know about the long lives of our grandparents? When 100-year old Dottie is suddenly surrounded by her family as they decide to move her into a nursing home, a box of glamour photographs is revealed, showing a stunning enchantress behind a fan of ostrich feathers. As her daughters and granddaughters recognise their grandmother as the alluring woman, the story emerges of wild, hard years dancing in a mob-run club, and the great romance finding their grandfather. As the tale is revealed, it gives each of the women in the family perspective and wisdom on their own messy lives. Touching and interesting, I really enjoyed this.
Caroline Walken (Behind the Fan)
--Your headache-- I am trying to imagine it Your head is in your hands The nurse is pouring pills onto a plate November again Too late Your headache It is a bird Wounded, in leaves Its sweet bird’s nest is full of pain in a distant place November There are daisies In the ruined garden, still blooming strangely And in a manic yellow hat, the old lady And the old man, dead in his bed And their daughter, the saint: Her dark, religious hair gets tangled in the branches She is screaming, grabbing While the nurses play Mozart in another room While the bats fly over the roof Snatch the black notes from the blackness Laughing You cry I am going to die I can see them through this window Their little black capes The touching ugliness of their little faces
Laura Kasischke (Space, in Chains)
The lady is ninety-two years old, petite, well poised, and proud. She is fully dressed each morning by eight o’clock, with her hair fashionably coiffed and her makeup perfectly applied, in spite of the fact that she is legally blind. Today she has moved to a nursing home. Her husband of seventy years recently passed away, making this move necessary. After many hours of waiting patiently in the lobby of the nursing home, she smiles sweetly when told her room was ready. As she maneuvers her walker to the elevator, the staff person provides a visual description of her tiny room, including the eyelet curtains that have been hung on her window. “I love it,” she states with the enthusiasm of an eight-year-old having just been presented with a new puppy. “Mrs. Jones, you haven’t seen the room… just wait,” the staff person says. Then Mrs. Jones speaks these words: “That does not have anything to do with it,” she gently replies. “Happiness is something you decide on ahead of time. Whether I like the room or not does not depend on how the furniture is arranged. It is how I arrange my mind that matters. I have already decided to love it. It is a decision I make every morning when I wake up. I have a choice. I can spend the day in bed recounting the difficulty I have with the parts of my body that no longer work, or I can get out of bed and be thankful for the ones that do work. Each day is a gift, and as long as my eyes open, I will focus on the new day and all of the happy memories I have stored away… just for this time in my life.
Joyce Meyer (How to Age Without Getting Old: The Steps You Can Take Today to Stay Young for the Rest of Your Life)
on without anesthesia. In a letter he describes: “I suffered agonies, as they related all to me, and did violence to myself in keeping to my seat. I could scarcely bear it.” Surgery on the penis, the rectum or the anus would have been a terrifying torture, especially if the patient was a five-year-old foreigner who couldn’t have possessed the coping skills, the insight or perhaps sufficient fluency in English to understand what was happening to him. It’s awful to consider what he might have imagined when a nurse changed his dressings, administered his medicines or appeared at his bedside with a supply of leeches if he had an inflammation believed to be due to an excess of blood. The nurse may have had a sweet bedside manner. She may have been strict and humorless. A typical requirement in those days was that she was single or widowed, ensuring that all her time could be devoted to the hospital. Nurses were underpaid. They worked long, grueling hours and were exposed to extraordinarily unpleasant conditions
Patricia Cornwell (Ripper: The Secret Life of Walter Sickert)
When My Sorrow Was Born         When my Sorrow was born I nursed it with care, and watched over it with loving tenderness. And my Sorrow grew like all living things, strong and beautiful and full of wondrous delights. And we loved one another, my Sorrow and I, and we loved the world about us; for Sorrow had a kindly heart and mine was kindly with Sorrow. And when we conversed, my Sorrow and I, our days were winged and our nights were girdled with dreams; for Sorrow had an eloquent tongue, and mine was eloquent with Sorrow. And when we sang together, my Sorrow and I, our neighbors sat at their windows and listened; for our songs were deep as the sea and our melodies were full of strange memories. And when we walked together, my Sorrow and I, people gazed at us with gentle eyes and whispered in words of exceeding sweetness. And there were those who looked with envy upon us, for Sorrow was a noble thing and I was proud with Sorrow. But my Sorrow died, like all living things, and alone I am left to muse and ponder. And now when I speak my words fall heavily upon my ears. And when I sing my songs my neighbours come not to listen. And when I walk the streets no one looks at me. Only in my sleep I hear voices saying in pity, “See, there lies the man whose Sorrow is dead.”         And When My Joy was Born         And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.” But none of my neighbours came to look upon my Joy, and great was my astonishment. And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited. Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips. Then my Joy died of isolation. And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
Kahlil Gibran (The Complete Works of Kahlil Gibran: All poems and short stories (Global Classics))
In the Morning of Life In the morning of life, when its cares are unknown, And its pleasures in all their new lustre begin, When we live in a bright-beaming world of our own, And the light that surrounds us is all from within; Oh, it is not, believe me, in that happy time We can love as in hours of less transport we may: -- Of our smiles, of our hopes, 'tis the gay sunny prime, But affection is warmest when these fade away. When we see the first glory of youth pass us by, Like a leaf on the stream that will never return; When our cup, which had sparkled with pleasure so high, First tastes of the other, the dark flowing urn; Then, then is the moment affection can sway With a depth and a tenderness joy never knew; Love nursed among pleasures is faithless as they, But the Love born of sorrow, like sorrow, is true! In climes full of sunshine, though splendid their dyes, Yet faint is the odour the flowers shed about; 'Tis the clouds and the mists of our own weeping skies That call the full spirit of fragrancy out. So the wild glow of passion may kindle from mirth, But 'tis only in grief true affection appears; -- And even though to smiles it may first owe its birth, All the soul of its sweetness is drawn out by tears.
Thomas Moore
ELEKTRA: If this is all you were, Orestes, how could your memory fill my memory, how is it your soul fills my soul?.... Look! You are nothing at all. Just a crack where the light slipped through. Oh, my child, I thought I could save you. I thought I could send you beyond. But there is not beyond. .....somewhere, I don't know where - suddenly alone you stopped - where death was. You stopped. And I would have waited and washed you and lifted you up from the fire like a whitened coal. ....Into your child's fingers I put the earth and the sky. No mother did that for you. No nurse. No slave. I. Your sister, without letting go, day after day, year after year, and you my own sweet child. But death was a wind too strong for that. One day three people vanished. Father. You. Me. Gone. Now our enemies rock with laughter. And she runs mad for joy - that creature in the shape of your mother - how often you said you would come one secret evening and cut her throat! But our luck canceled that, whatever luck is. And instead my beloved, luck sent you back to me colder than ashes, later than shadows. ....Oh, my love, take me there. Let me dwell where you are. I am already nothing. I am already burning. Oh, my love, I was once part of you - take me too! Only void is between us. And I see that the dead feel no pain. (Elektra, by Sophocles)
Anne Carson (An Oresteia)
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
In other words, you'll pretend to be someone else in order to snag a husband." "Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets." He flashed her a condescending smile. "What is it?" she snapped. "Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?" "The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto." His jaw dropped. "Are you insane?" "I know they're rather beyond my reach, but they seem to like my company-" "I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years." "How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him." "I don't have to. Their reputations tell me they're utterly unacceptable." Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..." "Is an oily sort, from what I hear," he snapped. "No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?" That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all." She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that. But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know." Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door. Oh, dear, she hadn't meant to run him off entirely.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur, other gifts Have followed; for such loss, I would believe, Abundant recompence. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
Yet in all the years she’d stared at others, Emma had never seen so many good-looking people in one place before. The nurse…gorgeous. The doctor…gorgeous and so damn sweet. And that deputy guy…well, he went beyond gorgeous, but he was anything but sweet.
Linda Lael Miller (Sun, Sand, Sex (includes: The Long Island Coven, #1))
That’s why I do like them, because they are so sweet. A sermon is not to tell you what you are, but what you ought to be, and a novel should tell you not what you are to get, but what you’d like to get.” “If so, then, I’d go back to the old school, and have the heroine really a heroine, walking all the way up from Edinburgh to London, and falling among thieves; or else nursing a wounded hero, and describing the battle from the window. We’ve got tired of that; or else the people who write can’t do it nowadays. But if we are to have real life, let it be real.” “No, Bell, no,” said Lily. “Real life sometimes is so painful.” Then her sister, in a moment, was down on the floor at her feet, kissing her hand and caressing her knees, and praying that the wound might be healed.
Anthony Trollope (Complete Works of Anthony Trollope)
I just . . . I just wanted to make sure you were . . . okay.” He shoved away from the door as he took a long stride toward her, letting the door slam behind him. “I should be asking you the same thing,” he said, cringing, his voice filled with concern. Violet knew how she looked. The bruise on her cheek had turned a strange combination of green, yellow, and purple. The swelling had gone down, but not enough for anyone else to notice. “I’m fine.” She hedged and then tried to shrug it off. “If you like bar-fight chic.” His face darkened. “I wasn’t really talking about what’s on the outside.” “You mean, like, it’s what’s on the inside that counts?” Rafe grimaced, the ghost of a smile finding his lips. “Well, when you put it that way, it sounds sort of . . .” “Sweet?” “I was gonna say lame. But, yeah, that works too.” “Yeah? Well, you look . . .” She was going to say better, but she practically stumbled over the word. He looked anything but better. If she looked beat-up, he looked downright thrashed. Even behind the bandages, Violet could see scrapes and mottled skin. “Terrible. You look terrible.” She moved closer to him on the landing as he unlocked the closed door. “But better than the last time I saw you, I guess.” Rafe tried to laugh, but winced and grabbed his ribs. “Damn, V, I wouldn’t plan on a career in nursing if I were you; your bedside manner stinks.” His eyes clouded over when he saw her stroking the black onyx hanging from around her neck. “Krystal?” he asked. “For protection,” Violet clarified. “Um, yeah, I got one too. Mine’s for healing.” He tugged at the silver chain around his neck. He held up an irregular-looking stone that had been tucked beneath his shirt. It was cloudy—opaque—and Violet wondered at the mystical qualities Krystal believed it possessed. “I meant it’s from Krystal. Right?” “Oh, yeah . . . right.” She nodded, realizing she’d misunderstood his question.
Kimberly Derting (The Last Echo (The Body Finder, #3))
Damn. Mama says the ugly girls are the lucky ones because they don't have to worry. I was at the nursing home visiting Miss Willoughby and she showed me a picture of herself when she was my age. She was perfect — like an old-fashioned China doll. And she never got married, her whole life through. She was never together with a man. Now, as sweet as she is, her face looks like a road map and her teeth are all pushed-out and yellow. And all I thought was, boy, is her chance over now. If I were as gorgeous as Miss Willoughby was, I'd always be worried that time was running out I wouldn't want to waste being pretty by being good. So I don't want to be all that pretty.
Doug Wright (The Stonewater Rapture)
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Wow,” I said. “I’m really hungry.” And just like that, out of the blue, it hit me. I glanced around the room frantically, knowing I was seconds away from losing it. Fortunately, I found a clean trash can parked right beside my bed and grabbed it just in time to absolutely fill it with projectile vomit. It was chartreuse and abundant, and splattered the lily white trash bag like a Pollock canvas. I snorted and sniffed and coughed. I felt like a demon. I could hear Marlboro Man getting up. “You okay?” he said, clearly not knowing what the heck he was supposed to be doing. I grabbed a wad of Kleenexes and wiped the corners of my mouth. As mortified as I was, my stomach felt a hundred times better. A nurse entered the room just after I set down the trash can. “How you doing?” she asked with a sweet smile. Little did she know the fun she’d just missed.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
That pressure in his heart that he’d lived with in her absence released, love overflowing its bounds, sluicing sweet warmth through his veins.
Rose Fresquez (The Entrepreneur's Nurse (The Caregivers, #2))
I was amazed at how expensive economists thought doctors were. They instituted many economic maneuvers—de-skilling medicine onto nurses and physician assistants; computerizing medical decision-making; substituting algorithms for thinking—because they assumed that doctors were such expensive commodities. And yet doctors were not expensive, at least, not the doctors I knew. We cost no more than the nurses, the middle managers, and the information technicians, alas. Adding up all the time I spent with Mrs. Muller, the cost of her accurate diagnosis was about the same as one MRI scan, wholesale. Economists did the same thing with the other remedies of premodern medicine—good food, quiet surroundings, and the little things—treating them as expensive luxuries and cutting them out of their calculations. At Laguna Honda, for instance, while most patients were on fifteen or even twenty daily medications, many of which they didn’t need, the budget for a patient’s daily meals had been pared down to seven dollars, which could supply only the basics. I began to wonder: Had economists ever applied their standard of evidence-based medicine to their own economic assumptions? Under what conditions, with which patients and which diseases was it cost-effective to trade good food, clean surroundings, and doctor time for medications, tests, and procedures? Especially ones that patients didn’t need? Although Mrs. Muller was an impressive example of Laguna Honda’s Slow Medicine, she wasn’t the only one. Almost every patient I admitted had incorrect or outmoded diagnoses and was taking medications for them, too. Medications that required regular blood tests; caused side effects that necessitated still more medications; and put the patient at risk for adverse reactions. Typically my patients came in taking fifteen to twenty-five medications, of which they ended up needing, usually, only six or seven. And medications, even the cheapest, were expensive. Adding in the cost of side effects, lab tests, adverse reactions, and the time pharmacists, doctors, and nurses needed to prepare, order, and administer them, each medication cost something like six or seven dollars a day. So Laguna Honda’s Slow Medicine, to the extent that it led to discontinuing ten or twelve unnecessary medications, was more efficient than efficient health care by at least seventy dollars per day. I
Victoria Sweet (God's Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine)
Upon learning that a certain precious nursing home resident we knew never had any visitors, Avery said, “We can be her family, Mama!” So for several months, we visited Annie and gathered small details from the staff about what she loved most. We were warned that sometimes Annie got confused and upset, but we never experienced anything other than a sweet and cooperative woman who loved Elvis Presley, arts and crafts, and being outside
Rachel Macy Stafford (Only Love Today: Reminders to Breathe More, Stress Less, and Choose Love)
Nursing an infant, in the first few months, really sucks up the day. I never get over and am always totally taken aback by the amount of time in a day it takes to nurse a baby. When you are all and solely what they eat in the beginning of their lives, which I am in the habit of being for about the first year—Marco a little longer, Leone a little less—it could be, if you were a less driven and energetic person than myself, about the only thing you accomplished in a day. Certainly in a vacation day. But I imagine the total sensory pleasure for the kid—to pass out at the tap, belly full of that rich, sweet good stuff, and then he is in a little incomparable sleep coma with his cheeks still smashed up against the warm boob firmly and securely held in the arms of his mother—and so I tend to give my kids their twenty minutes of nursing and then their twenty minutes of post-hookup nap, undisturbed, in the very position they fell into it in, regardless of my own discomfort, arm cramps or list of shit to do that day. If you do the math of that, in pure forty-minute increments, factoring that an infant needs to be fed every couple of hours … well, an eight-hour day can really fly by, and what I used to accomplish in that time gets reduced to a maddening fraction. A whisper more than zilch.
Gabrielle Hamilton (Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef)
Likewise, she will know that if I start watching reality TV, quoting Dr. Phil, riding roller coasters, and seem to have forsaken bacon in favor of anything soy—it’s time to Get the Pillow. That’s what—well, I can’t tell you who but she’s a nurse—says they all say when they’ve got a particularly cantankerous patient on their wing.
Jill Conner Browne (American Thighs: The Sweet Potato Queens' Guide to Preserving Your Assets)
Brookside Hospital was one of the largest hospitals in the state, but Belinda still felt as though she was alone inside the curtain. Nurses had been swarming her a few minutes before; now she was alone, surrounded
Mercy Levy (Belinda's Sweet Escape)
Do you need me to take your temperature?” “What?” What the hell was he talking about? “What are you—” The words died on his lips, and his jaw dropped when Dex stepped into the doorway. “I said, do you need me to check your temperature, Mr. Brodie?” “Sweet Jesus.” It took some effort for Sloane to close his mouth, but eventually he managed it. Dex strutted into the room dressed in nurse’s scrubs made of white latex so tight it was all but painted on his body. The V-neck top exposed his collarbone and emphasized the curve of every muscle, from his lean sculpted torso, to his muscular legs, and the prominent outline of his hard dick. The white was a stark contrast against his tanned skin. Holy hell, his partner looked like something out of a porn magazine. Wait.
Charlie Cochet (Rise & Fall (THIRDS, #4))
He’s not coming, baby,” the nurse said. “Do you have someone else to call?” Nadia glanced up, startled by the nurse’s confidence that Luke would not show, but even more jolted by her use of the word baby. A cotton-soft baby that seemed to surprise the nurse herself, like it had tripped off her tongue. Just like how after the surgery, in her delirium, Nadia had looked into the nurse’s blurred face and said “Mommy?” with such sweetness, the nurse had almost answered yes.
Brit Bennett (The Mothers)
Excuse me,” Blue Eyes says. “This is my patient.” I smile. I don’t mean for it to be a dirty smile, but it probably is. Because if I’m her patient, then she’s my nurse. My nurse, as in, all mine.
Sasha Gold (Sweet Trouble)
It would be wrong to say that love produces quarrels; but love does produce those intimate relations of which quarrelling is too often one of the consequences,—one of the consequences which frequently seem to be so natural, and sometimes seem to be unavoidable. One brother rebukes the other,—and what brothers ever lived together between whom there was no such rebuking?—then some warm word is misunderstood and hotter words follow and there is a quarrel. The husband tyrannizes, knowing that it is his duty to direct, and the wife disobeys, or “only partially obeys, thinking that a little independence will become her,—and so there is a quarrel. The father, anxious only for his son's good, looks into that son's future with other eyes than those of his son himself,—and so there is a quarrel. They come very easily, these quarrels, but the quittance from them is sometimes terribly difficult. Much of thought is necessary before the angry man can remember that he too in part may have been wrong; and any attempt at such thinking is almost beyond the power of him who is carefully nursing his wrath, lest it cool! But the nursing of such quarrelling kills all happiness. The very man who is nursing his wrath lest it “cool,—his wrath against one whom he loves perhaps the best of all whom it has been given him to love,—is himself wretched as long as it lasts. His anger poisons every pleasure of his life. He is sullen at his meals, and cannot understand his book as he turns its pages. His work, let it be what it may, is ill done. He is full of his quarrel,—nursing it. He is telling himself how much he has loved that wicked one, how many have been his sacrifices for that wicked one, and that now that wicked one is repaying him simply with wickedness! And yet the wicked one is at that very moment dearer to him than ever. If that wicked one could only be forgiven how sweet would the world be again! And yet he nurses his wrath.
Anthony Trollope (The Last Chronicle of Barset (Chronicles of Barsetshire, #6))
Come on, Melinda. You can’t avoid it forever. We both know you’re pregnant.” “Ugh,” she said, accepting the cool, wet cloth. She pressed it to her face, her brow, her neck. She didn’t have any more to say. But Jack knew. There had been tears, exhaustion, nausea. She turned watering eyes up to him. He shrugged and said, “You eased up on the breast-feeding, popped an egg and I nailed it.” Her eyes narrowed as if to say she did not appreciate the explanation. He held out a hand to bring her to her feet. “You have to wean David,” he said. “Your body can’t completely nourish two children. You’ll get weak. You’re already exhausted.” “I don’t want to be pregnant right now,” she said. “I’m barely over being pregnant.” “I understand.” “No, you don’t. Because you haven’t ever been pregnant.” He thought this would probably be a bad time to tell her that he did so understand, since he had lived with a pregnant person and listened very attentively to every complaint. “We should go see John right away, so you can find out how pregnant.” “How long have you suspected?” she asked him. “I don’t know. A few weeks. It was a little tougher this time….” “Oh, yeah?” “Well, yeah. Since you haven’t had a period since the first time I laid a hand on you. God, for a supposedly sterile woman, you certainly are fertile.” Then he grinned, fully aware it would have got him smacked if he hadn’t been holding the baby. She whirled away from him and went to sit on their bed. She put her face in her hands and began to cry. Well, he’d been expecting exactly this. There’d been a lot of crying lately and he knew she was going to be mighty pissed off. He sat down beside her, put an arm around her and pulled her close. David patted her head. “It’s going to be okay,” he said. “I’m not delivering this one. I want that understood.” “Try not to be cute,” she said through her tears. “I think my back already hurts.” “Can I get you something? Soda? Crackers? Arsenic?” “Very funny.” She turned her head to look at him. “Are you upset?” He shook his head. “I’m sorry it happened so soon. Sorry for you. I know there are times you get damned uncomfortable and I wanted you to get a break.” “I should never have gone away with you.” “Nah. You were already pregnant. Wanna bet?” “You knew before that?” “I wondered why you were so emotional, and that was a possible reason. I never bought your whole sterile thing. But I don’t have a problem with it. I wanted more kids. I like the idea of a larger family than the three of us. I come from a big family.” “There will not be five, I can guarantee you that,” she said. Then she bored a hole through him with her eyes. “Snip, snip.” “You’re not going to blame this on me, Mel. I suggested birth control. A couple of times, as a matter of fact. You were the one said it could never happen twice. And then explained that whole business about not ovulating while you’re nursing. How’s that working for you so far? Hmm?” “Screw you,” she said, not sweetly. “Well, obviously…” “I’d like you to understand I wasn’t relying on that breast-feeding thing. I’m a midwife—I know that’s not foolproof. I really didn’t think it possible that… Shit,” she said. She sighed deeply. “I just barely got back into my jeans….” “Yeah, those jeans. Whoa, damn. Those jeans really do it to me. No one wears a pair of jeans like you do.” “Aren’t you getting a little sick of having a fat wife?” “You’re not fat. You’re perfect. I love your body, pregnant and unpregnant. I know you’re trying to get me all worked up, but I’m not going there. You can try to pick a fight with me all day and I just won’t play. It wouldn’t be a fair fight—you’re out to get me and we both know it. Do you have appointments this morning?” “Why?” “Because I want to go to Grace Valley for an ultrasound. I want to know when I have to have the house done.” *
Robyn Carr (Whispering Rock (Virgin River, #3))
You’re teaching nursing?” he asked, surprised. She nodded. “I’ve been doing that for the past year or so. Turns out I like it.” “My new sister-in-law, Shelby—she’s a student there, in nursing. Cutest thing you’ll ever see. Best thing that ever happened to Luke. Any chance you know her?” “What year is she in?” Franci asked. “First year. She got married in her first semester because Paddy and Colin were done with their deployments—she waited for all the Riordans to be available. She’s way younger than Luke and is just starting college.” Franci tilted her head and smiled, thinking how sweet it was that cranky, womanizing old Luke ended up with a sweet young girl who was determined to get an education. “I’m pretty sure I haven’t met Luke’s wife. Most of the freshmen are stuck in liberal-arts courses the first year. I teach one medical-surgical course and one that boils down to charting ER patients. I’m just one of many instructors. Mostly, I teach juniors and seniors. I share an office on campus with another nursing instructor and I only teach a couple of days a week. Except for meetings, of which there are too many.” “You never did go for the meetings,” he said with a smile. “I’ll have to tell Shelby to introduce herself. You’ll love her. You’ll—” “One thing at a time, all right?” Franci asked patiently.
Robyn Carr (Angel's Peak (Virgin River #10))
Early July 2012 In one of Andy’s responses, my ex-lover wrote, Young, That sounds great! I look forward to co-writing the fourth book of A Harem Boy Saga with you. This will provide us time to map out the outline of our joint project during the course of our correspondence. As much as I’d love to work with you on this project, I want to be sure that Walter is okay with us going into this venture together. I have no desire to upset your loving relationship and certainly have no wish to be an unwelcome intruder into your lives. Let me know if he agrees. When I was in hospital recovering from my nervous breakdown, I met Jack, a 24-year-old nursing student. He cared for me during my recovery. We dated for several months before his transfer to a hospice in a different city. I did not have the courage to tell Toby that Jack and I were dating. I was afraid Toby would threaten suicide again, until the fateful evening when he discovered Jack and me making out in my flat. My caregiver and I had proceeded to my lodgings after a scrumptious dinner one evening. After several glasses of wine while watching television, Jack leaned his head against my shoulder. His dreamy, doe-like eyes looked adoringly at me, reminding me of your beautiful Asian eyes staring at me during our intimate moments together. Our kisses soon led to lingering sensual foreplay. Before long, our clothes were scattered all over. Jack went on his knees, eagerly caressing my growing hardness and wrapping his luscious lips around me under my briefs. Easing down my underwear, he went to work. His sweetness stirred my longing for you. Closing my eyes to savor his warm fallation, I reclined against the comfortable sofa and enjoyed the pleasurable sensation showered upon my erection. He engulfed my pulsating manhood, suckling away as if to satisfy his hunger. It was similar to the way you used to relish my hardness for hours on end. Like you, he pleasured me with deep, devotional worship; I was overwhelmed by his sexual imperativeness, wanting his warmth to wash over my entirety. His expert titillation did wonders for my soul, causing me to spasm involuntarily. He devoured my length as if deprived of nourishment while I nurtured my feed into Jack’s bobbing head, pressing him against my quivering palpitations.
Young (Unbridled (A Harem Boy's Saga, #2))
As he forced himself to retreat from the world of his sketch, Elijah realized the boys were trying to start a squabble over some lower order of card—a three? “I-unts” became increasingly vocal, interspersed with “It’s not your turn,” until Elijah had to set his drawing aside and scoop William up in his arms. “What you want,” he informed the child, “is a stout tickling.” He scratched lightly at the boy’s round tummy, provoking peals of merriment. William’s laughter, surprisingly hearty coming from so small a body, sounded to Elijah exactly as Prudholm’s had when that worthy was still small enough to tease and tickle like this. “Elijah…” Jenny’s tone bore patience and a warning. Don’t get the little ones all wound up, Elijah. You’re the oldest, and they look to you for an example of proper decorum. He lifted the happy little fellow up over his head and slowly lowered him. “Enough, my lad. Time to go with nurse and have some bread and jam. You’d like that, wouldn’t you? Or maybe some of your mama’s delicious stollen. Mmmm.” “I want some of Mama’s Christmas bread too,” Kit announced. “Come along, Aunt Jen. We’ll share.” Elijah stood, passed Sweet William off to his nurse, and took Aunt Jen by the hand. “I’m sure your aunt longs to accompany you, Kit, but she must stay here and help me clean up this awful mess.” Kit’s gaze darted to the scattering of cards on the rug. To a small child, a deck held thousands of cards, none of which little hands found easy to stack. Such a pity, that. “I’ll save you a piece of stollen, Aunt Jen.” Kit took his nurse’s hand and towed her toward the door. “’Bye, Aunt, ’bye, Mr. Harrison.” “Au revoir,” Elijah murmured.
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
He glanced at Sweet Water and thought how short their time together had been . . . not even the turn of a single season. And he wished with all his heart that he and Sweet Water could have seen the wild strawberries blossom in spring and the does lead their young, wobbly legged fawns to the river to drink. He wished they could have lain in each other’s arms and watched the sun go down on a warm summer’s night. He wanted to show her the morning mist on the Ohio, and the first flight of a young eaglet. He wanted to make a child with her . . . a child of their love . . . and see that infant nurse at her warm breast and grow strong and wise. Sweet Water and I could sit by a fire in the autumn of our lives, while shared memories of love and laughter drifted around us like bright fall leaves, he mused . . . while grandchildren tumbled around our feet.
Judith E. French (This Fierce Loving)
In the kitchen, her family nibbled Helen’s lemon squares. Melanie urged brownies on the nurses. “Take these,” she told Lorraine. “We can’t eat them all, but Helen won’t stop baking.” “Sweetheart,” Lorraine said, “everybody mourns in her own way.” Helen mourned her sister deeply. She arrived each day with shopping bags. Her cake was tender with sliced apples, but her almond cookies crumbled at the touch. Her pecan bars were awful, sticky-sweet and hard enough to break your teeth. They remained untouched in the dining room, because Helen never threw good food away.
Allegra Goodman (Apple Cake)
St. Nectarios died in an Athens hospital in 1920. The nun and nurse who were attending him removed his woolen undershirt and carelessly tossed it onto the bed of a paralytic. The paralyzed man immediately stood up and began praising God. The next day, at the first public viewing of his body, the crowd was amazed to see that his face was exuding a sweet-smelling myrrh. Six months later his coffin was opened while work was being done to the grave. St. Nectarios’ unembalmed body had remained uncorrupt and continued to exude myrrh. Like the bones of the prophet Elisha that brought a dead man to life (2 Kings 13:21), the body of St. Nectarios became a source of healing and spiritual power. God’s power and majesty are manifest in His Saints even in death.
Clark Carlton (The Faith (The Faith Series))
Blakeborough has never struck me as the kind of man to overlook criminal behavior, even in his brother.” “True. He has a strong moral sense, even if he does hide it beneath an equally strong aversion to people.” He drew back to stare at her. “Forgive me, sweeting, but I cannot imagine you married to him. His melancholy would give you fits within a month.” “Right,” she teased, “because I’m much better off married to a man who follows plans so slavishly that he stays awake half the night for fear of oversleeping and missing the coronation.” He arched an eyebrow. “I couldn’t sleep for watching you nurse Ambrose. It’s been some time since I…well…saw your charms unveiled in any other capacity. I have to take my pleasures where I may.” “Aw, my poor dear,” she said in mock concern. Deciding to put him out of his misery, she added, “I ought to say that’s what you get for being so unfashionable as to share a bedchamber with your wife, but as it happens, Dr. Worth--” The music abruptly ended, and the sound of a gong being struck broke into everyone’s conversations. They fell silent as Max went to stand at the entrance to the room with Victor and Isabella at his side. “Attention, everyone!” Max clapped his cousin on the back. “I am proud and pleased to introduce to you the new owner of Manton’s Investigations.” Cheers and applause ensued. When it died down, Tristan called out, “So the legal machinations are finally done? Dom has actually let go of the thing at last?” “I signed the papers yesterday,” Dom told his brother. He gazed fondly at Jane. “I decided I’d lost enough of my life to finding other people’s families. Now I’d rather spend time with my own.” “I’ll bet that didn’t stop you from writing a contract of epic proportions.” Lisette grinned at her husband. “How many stipulations did Dom make before he agreed to complete the sale?” “Only one, actually,” Max said. Everyone’s jaw dropped, including Jane’s. She gaped at her husband. “Only one? You didn’t dictate how Victor is to run the thing and when and where and--” “As you once said so eloquently, my love, ‘you can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ There didn’t seem much point in setting forth a plan that wouldn’t be followed.” Dom smirked at her. “I do heed your trenchant observations, you know. Sometimes I even act on them.” She was still staring at him incredulously when he shifted his gaze to Victor. “Besides, Victor is a good man. I trust him to uphold the reputation of Manton’s Investigations.” Jane glanced at Victor. “You’re not going to change the name to ‘Cale Investigations’?” Victor snorted. “I’d have to be mad. Who wants to start from scratch to build a company’s reputation? It’s known for excellence as Manton’s, and it will always be known as Manton’s, as long as I have anything to say about it.” “So what was the one stipulation that Dom required?” Tristan asked. Dom scowled. “That it never, in any official capacity, whether in interviews or correspondence or consultation, be referred to as ‘the Duke’s Men.’” As everyone burst into laughter, Jane stretched up to kiss his cheek. “Now, that sounds more like you, my darling.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
they were as different from all the denizens of Laguna Honda—doctors, nurses, patients, and administrators—as their virtual health care and rehabilitation facility would be from the hospital we knew so well. It
Victoria Sweet (God's Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine)
February 2 Donna Made a Difference Whatever you do, do it all for the glory of God.—1 Corinthians 10:31b Donna’s big brown eyes and sweet smile were like magnets drawing people to her. Her face had a glow that just can’t be described. Donna and I became good friends after meeting each other in a Bible study several years ago. My dear friend battled cancer for four years. She lost her battle, one day past her fifty-second birthday. Donna lived to glorify God. She always put God and others first in her life. Donna never complained about her years of suffering. When I telephoned her to see how she was doing, she always blessed me more than I blessed her. Donna never missed an opportunity to tell others the good news of Jesus Christ. Because her face glowed with God’s love, people listened to her. She shared the good news of Jesus to waitresses, to physicians, to nurses, to hospital employees. Instead of being consumed with her sad situation, she was concerned about others knowing how to have eternal life. Many people will be in heaven because Donna made a difference. I want to be more like Donna—patient, kind, uplifting, and always ready to tell someone about Jesus Christ. She was his faithful servant. She studied the Word, she claimed the Word, she lived the Word, and she shared the Word. Christians have the responsibility of representing Christ in all we do. We all need to be more like Donna. She did everything in the name of her Lord Jesus. She lived as Christ’s ambassador while on this earth. Today’s Scripture tells us that we should do everything for the glory of God. Glorifying God means that we give honor and praise to God. It means that we recognize His power and His importance. A good question that we might ask ourselves as a guiding principle is this: Will these words or this action bring glory to God? Do you make a difference?
The writers of Encouraging.com (God Moments: A Year in the Word)
During visiting hours, Sameer brings flowers that the night nurse (why is she still awake?) dispatches to the bin. ‘Hospital policy,’ she says. Mom brings home-made sweets. The nurse sends the sweets off to keep the flowers company. Hospital policy again. Sameer’s mom, who has flown in from Igatpuri to spend the week with us, brings ghastly advice. ‘Yesterday, you were living for yourself,’ she says, making it sound like I was dancing for money on the tops of bar tables. ‘Now you must live for your daughter.’ There’s no hospital policy about advice. (I checked.)
Payal Kapadia (Maidless in Mumbai)
There were still things her mother liked to buy herself. Mainly sweet thing: Bourbons, Haribo, Flake bars. Her mother delighted in them all. After years of always eating healthily and often too busy on her shifts as a nurse to find time to eat, as an older adult she had developed a sweet tooth. Hayley had learnt to stop repeating her mother's own words about healthy eating back to her; she didn't want to begrudge her any pleasure as her health deteriorated.
Ruth Heald (The Nanny)
Maureen is a sweet lady." "Who's completely out of her depth as matron here. I don't know how she passed her nursing exams let alone become the head honcho. She almost killed me not long after I arrived here." "You're exaggerating." "I am not," Dora said, indignantly, "Moron shoved one of my suppositories down my throat at medicine time. I nearly choked to death. She was too busy concentrating on getting an aspirin up my arse to notice me turning blue.
Stuart Bone (Long Shadows)
Ashley says to give you her best.” “Oh, that’s sweet. How’s she doing these days?” Ashley Winston was one of Elizabeth and Sandra’s good friends who used to work at the hospital as a nurse practitioner.
Susannah Nix (Mad About Ewe (Common Threads, #1))
You fed us, washed us, forced that vile medicine down our throats. By sheer force of will you made some of us live who would have died if you hadn't bullied us, threatened us, maybe sweet-talked some of us that I don't know about
Maggie Osborne (Silver Lining)
I was in the prime of my time as the maiden, the magic of the middle – not yet the mother and far from the crone. My supple, small breasts were not yet deflated from years of nursing sweet babies. My strong, smooth stomach hadn’t expanded in the mysterious, magical way it would, to grow another human. My skin was yet to be speckled in white spots, ravaged by too many summers. As the years passed, my looks would fade, the lines around my eyes would grow deeper, and I would become a different kind of beautiful.
Dana Da Silva (The Shift: A Memoir)
Life could never be quite as sweet again. A vital part of her had died, it seemed, with Arnold's going; a part which beauty, work or the love of friends could not replace. But from these sources came a measure of comfort for which she was humbly grateful. She learnt, at this time, the invaluable lesson of find happiness in little things, and by picking up small crumbs of comfort as she went about her daily work nursed her damaged spirit back to health.
Miss Read (Miss Clare Remembers (Fairacre, #4))
We flew into the small airfield in Monrovia where we were met by Jimmy, Captain Duffy’s assistant. It didn’t take long, driving on the back streets to get to the city hospital. Jimmy carefully avoided many of the potholes that pockmarked the wet streets but without seatbelts it was a bumpy ride that I wouldn’t want to repeat! One German and two Liberian doctors along with some orderlies shared the responsibilities of running the hospital. A few local nurses and attendants completed the staff. These few people were all they had to do everything, and I guess the hospital was lucky to have them. One of the attendants wearing a bloodstained shirt accompanied us on our way to the morgue. As he opened the large swinging door I was hit by an unmistakable sweet pungent odor of death that nearly caused me to throw up right there on the spot. Not having as much as a handkerchief to keep out the smell, I simply covered my nose and mouth with my hand and followed the attendant into the metal building. It took a moment for my eyes to adjust from the still bright afternoon sun to the dark interior of the shed, but as they did, I witnessed a sight I can never forget. In the heat of this building were a few bloated, decaying naked cadavers lying on planks, with hundreds of flies swarming around them. If they didn’t have sheets for the living, it couldn’t be expected that there would be any for the dead. Turning on the single lightbulb hanging over a stainless-steel tray table with a corpse on it, allowed us to see the room better. The naked body directly in front of me, with its mutilated head propped up by a block of wood, was startling and is still vivid to this day. Although a part of his skull was crushed in, I could see where crabs had been eating the side of his face. Despite this mutilation I could instantly tell that it was Olaf. His ashen face had a stubble growth on it and the grey, gaping, bloodless wound on his forehead showed that he had either been in a terrible accident or murdered! There was no doubt as to what had happened to Olaf and I knew that it wasn’t an accident. Murder was commonplace in Liberia, especially in Monrovia.
Hank Bracker
If people believe the government is giving them AIDS and blowing up levees, and that white-owned companies are trying to sterilize them, they would be lacking in normal human emotions if they did not—to put it bluntly—hate the people they believed responsible. Indeed, vigorous expressions of hatred go back to at least the time of W.E.B. Du Bois, who once wrote, “It takes extraordinary training, gift and opportunity to make the average white man anything but an overbearing hog, but the most ordinary Negro is an instinctive gentleman.” On another occasion he expressed himself in verse: 'I hate them, Oh! I hate them well, I hate them, Christ! As I hate hell! If I were God, I’d sound their knell This day!' Such sentiments are still common. Amiri Baraka, originally known as LeRoi Jones, is one of America’s most famous and well-regarded black poets, but his work is brimming with anti-white vitriol. These lines are from “Black Dada Nihilismus:” 'Come up, black dada nihilismus. Rape the white girls. Rape their fathers. Cut the mothers’ throats.' Here are more of his lines: 'You cant steal nothin from a white man, he’s already stole it he owes you anything you want, even his life. All the stores will open up if you will say the magic words. The magic words are: Up against the wall motherfucker this is a stick up!' In “Leroy” he wrote: “When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone.” When he was asked by a white woman what white people could do to help the race problem, he replied, “You can help by dying. You are a cancer. You can help the world’s people with your death.” In July, 2002, Mr. Baraka was appointed poet laureate of New Jersey. The celebrated black author James Baldwin once said: “[T]here is, I should think, no Negro living in America who has not felt, briefly or for long periods, . . . simple, naked and unanswerable hatred; who has not wanted to smash any white face he may encounter in a day, to violate, out of motives of the cruelest vengeance, their women, to break the bodies of all white people and bring them low.” Toni Morrison is a highly-regarded black author who has won the Nobel Prize. “With very few exceptions,” she has written, “I feel that White people will betray me; that in the final analysis they’ll give me up.” Author Randall Robinson concluded after years of activism that “in the autumn of my life, I am left regarding white people, before knowing them individually, with irreducible mistrust and dull dislike.” He wrote that it gave him pleasure when his dying father slapped a white nurse, telling her not “to put her white hands on him.” Leonard Jeffries is the chairman of the African-American studies department of the City College of New York and is famous for his hatred of whites. Once in answer to the question, “What kind of world do you want to leave to your children?” he replied, “A world in which there aren’t any white people.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Her four youngest employees, all in their late twenties or early thirties sat around a table, mugs of hot liquid in front of them. Stacey knew Ashley only drank tea. She worked exclusively in the hibiscus gardens with the girl on her right, Bailey. Lizzie and Tayla were dressed in their maid uniforms, one sipping hot chocolate if the marshmallows were any indication, and the other nursing what looked like black coffee. “Morning, ladies,” Stacey said. Her staff didn’t jump to attention the way she’d seen the employees at Sweet Breeze. “Morning,” the all chorused back. Stacey enjoyed the more casual relationship she had with her employees, and she wondered if dark, dangerous Davenport even knew how to be casual. What would that look like on him? Jeans? A T-shirt? Swim trunks? She couldn’t imagine the imposing man who’d shown up at her door wearing that expensive suit in anything but crisp,
Elana Johnson (The Billionaire's Enemy (Getaway Bay, #1))
Until the beginning of 2003, Italians smoked everywhere and considered it quite normal; they lit up inside stores, including those which sell fabric or paper goods, in the airport, ignoring repeated loudspeaker announcements that no smoking was allowed, at the greengrocers where cigarette ash dangled perilously over the zucchini and the cherry tomatoes, and even in hospitals, although from time to time crack Italian Carabinieri units called the NAS, set up to enforce health standards, would appear, unannounced, and hand out hefty fines to all the doctors and nurses they found in flagrante. Once I even had blood taken by two white-coated doctors who took my vital fluid with cigarettes dangling from their lips, an open window their only concession to my passive smoke concerns.
Sari Gilbert (My Home Sweet Rome: Living (and loving) in Italy's Eternal City)
So here I was, about to put a bullet in my own sweet little daughter’s head. I looked at her through the white mists, which seemed to press memories into my head: Mandy dressed as Christopher Columbus at her preschool play, running offstage into the audience to hug her big sister Beth. Mandy as a toddler, drawing on the wall with lipstick. Mandy as a nursing infant. We’d shared a blissful bond. I’d spent hours holding her, sniffing her cotton-candy-sweet hair. Her life meant more to me than my own.
Traci L. Slatton (Fallen)
So I either glide in and wet-nurse him, if that's what the interview needs, or I burst in like a madwoman and tear his nuts off with my teeth?
Caz Frear (Sweet Little Lies (Cat Kinsella, #1))
Hunters try to take the kills that will not affect the herd overall. I would not rob a mother of nursing young, nor would I steal an egg. What if there are less animals to hunt in the next year if I do so?” She laughs again, clearly amused by my reluctance. “That’s kind of sweet, I suppose. But no, we have animals—chickens, mostly—that are kept just to lay eggs. They lay an egg every day and people go and gather them.” I am shocked. “You keep the animal captive and steal its young every day?
Ruby Dixon (Barbarian's Heart (Ice Planet Barbarians, #9))
I still can’t believe he sent the school nurse over to check on you,” Cress said. “The infirmary is all the way on the other side of school. He must have been really worried if he went out of his way to fetch her.
Alexandra Moody (Sweet Heartbreak (Weybridge Academy, #1))
Meditative moments have come in many forms—sitting up in the middle of the night nursing my newborn, soaking in the peace and quiet, feeding her as I am being fed by the sweetness of her being;
Myla Kabat-Zinn (Everyday Blessings: The Inner Work of Mindful Parenting)
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