Swamp Thing Quotes

We've searched our database for all the quotes and captions related to Swamp Thing. Here they are! All 100 of them:

I thought I recognized you." Really? He remembered me looking like Swamp Thing? How flattering.
Josh Lanyon (Somebody Killed His Editor (Holmes & Moriarity #1))
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
There are people. There are stories. The people think they shape the stories, but the reverse if often closer to the truth. Stories shape the world. They exist independently of people, and in places quite devoid of man, there may yet be mythologies.
Alan Moore (Swamp Thing, Vol. 2: Love and Death)
I eat like a tortoise eats, if you've ever seen a tortoise eating. Like some prehistoric swamp thing.
R.J. Palacio (Wonder (Wonder, #1))
Swamp Thing, in Hell: "Demon...How...could God...allow such a place? Etrigan: Think you God built this place, wishing man ill and not lusts uncontrolled or swords unsheathed? Not God, my friend. The truth's more hideous still: These halls were carved by men while yet they breathed. God is no parent or policeman grim dispensing treats or punishments to all. Each soul climbs or descends by its own whim. He mourns, but He cannot prevent their fall. We suffer as we choose. Nothing's amiss. All torments are deserved...
Alan Moore
He almost danced to the fridge, found the three least hairy things in it, put them on a plate and watched them intently for two minutes. Since they made no attempt to move within that time he called them breakfast and ate them. Between them they killed a virulent space disease he'd picked up without knowing it in the Flargathon Gas Swamps a few days earlier, which otherwise would have killed off half the population of the Western Hemisphere, blinded the other half, and driven everyone else psychotic and sterile, so the Earth was lucky there.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
I know you, I know you. You're the only serious person in the room, aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person, because you never went to college, and you resent education, you resent social ease, you resent good manners, you resent success, you resent any kind of success, you resent God, you resent Christ, you resent thousand-dollar bills, you resent Christmas, by God, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal...spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have is a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard.
William Gaddis (The Recognitions)
Little by little, studying the infinite possibilities of a loss of memory, he realized that the day might come when things would be recognized by their inscriptions but that no one would remember their use.... At the beginning of the road into the swamp they put up a sign that said "Macondo" and another larger one on the main street that said "God exists".
Gabriel García Márquez (One Hundred Years of Solitude)
Am I more afraid Of taking a chance and learning I'm somebody I don't know, or of risking new territory, only to find I'm the same old me? There is comfort in the tried and true. Breaking ground might uncover a sinkhole, one impossible to climb out of. And setting sail in uncharted waters might mean capsizing into a sea monster's jaws. Easier to turn my back on these things than to try tjem and fail. And yet, a whisper insists I need to know if they are or aren't integral to me. Status quo is a swamp. And stagnation is slow death.
Ellen Hopkins (Perfect (Impulse, #2))
Please, don't go. It's lonely. There's a hole in my head as big as the world and it's so very lonely...
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
Order is not enough. You can’t just be stable, and secure, and unchanging, because there are still vital and important new things to be learned. Nonetheless, chaos can be too much. You can’t long tolerate being swamped and overwhelmed beyond your capacity to cope while you are learning what you still need to know. Thus, you need to place one foot in what you have mastered and understood and the other in what you are currently exploring and mastering. Then you have positioned yourself where the terror of existence is under control and you are secure, but where you are also alert and engaged. That is where there is something new to master and some way that you can be improved. That is where meaning is to be found.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
How is it that one day life is orderly and you are content, a little cynical perhaps but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know know that things will not be the same as at home. Explorers are prepared. But for us, who travel to cities of the interior by chance, there is no preparation. We who are fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back worse.
Jeanette Winterson (The Passion)
If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning. They're right. It does. However much you beg it to stop. It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember. It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life... All trying not to think about what's waiting at the bottom. Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor. Intoxicated by the motion we forget all the risks. And then the world turns... And somebody falls off... And oh God it's such a long way down. Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller... Receding in our memories until they're no longer visible. We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth. Trying to measure how far we have to fall. No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives... Wrapping ourselves in comforting banalities to keep us warm against the cold. "Time's a great healer." "At least it was quick." "The world keeps turning." Oh Alec— Alec's dead.
Alan Moore (Swamp Thing, Vol. 5: Earth to Earth)
[..]Although personally, I think cyberspace means the end of our species." Yes? Why is that?" Because it means the end of innovation," Malcolm said. "This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they'll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behaviour. We innovate new behaviour to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That's the effect of mass media - it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there's a McDonald's on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there's less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity - our most necessary resource? That's disappearing faster than trees. But we haven't figured that out, so now we're planning to put five billion people together in cyberspace. And it'll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. [..]
Michael Crichton (The Lost World (Jurassic Park, #2))
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
I absolutely think that happiness is a choice. One of the most potent forces in human psychology is the power of habit. Do something, think something, often enough and it will become the only thing you can do or think. Choose to be unhappy and soon that’s all you will be. Live in a swamp and you’ll grow webbed feet.
Nicholas Evans
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
Yes, of course, the whole idea is utterly inane, but to let its predictable inanities blind you to its truly fabulous and breathtaking aspects is to do both oneself and the genre a disservice.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.
Annie Dillard (Teaching a Stone to Talk: Expeditions and Encounters)
The mind is a malleable thing. Soil, if you’re feeling poetic. Depending on the seed, anything will grow in it, from graceful gardens to idyllic meadows, from weedy forests to foggy swamps. Harmonious or chaotic, peaceful or perilous, healthy or ill—it’s all a matter of seeds.
Nicolas Lietzau (Dreams of the Dying (The Twelfth World, #1))
You have waged bitter and undeclared war upon the green, gutting the rain forests, mile after mile, day after day, but know this: the war has come home! It is man's turn to embrace the scythe.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
How is it different?" He rolled his head back, sable hair falling down on his shoulders. "With Rose I knew what to say. I could take a step back and talk to her. I remembered all the crap from the magaznies. It was easy." "And with me, it's hard?" Why? Because she was a swamp girl? And how did the magazines fit into it? William looked away from her. "I don't like it when you're away. If I don't see you, I can't settle down. If I see you talking with another man, I want to claw his throat out. And none of the things you're supposed to say fit." Oh, this had to be good. "What sort of things?" He sighed. "The lines. Like, 'You're my everything,' or 'Did it hurt when you fell from heaven?
Ilona Andrews (Bayou Moon (The Edge, #2))
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
The funny thing about my procrastination was that I was almost done with the screenplay. I was like a person who had fought dragons and lost limbs and crawled through swamps and now, finally, the castle was visible. I could see tiny children waving flags on the balcony; all I had to do was walk across a field to get to them. But all of a sudden I was very, very sleepy. And the children couldn't believe their eyes as I folded down to my knees and fell to the ground face-first, with my eyes open. Motionless, I watched ants hurry in and out of a hole and I knew that standing up again would be a thousand times harder than the dragon or the swamp and so I did not even try. I just clicked on one thing after another after another.
Miranda July (It Chooses You)
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn)
It's raining in Washington tonight. Plump, warm summer rain that covers the sidewalks with leopard spots. Downtown, elderly ladies carry their houseplants out to set them on the fire-escapes, as if they were infirm relatives or Boy Kings. I like that.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
Maybe the world has run out of room for monsters... or maybe... they're just getting harder to recognize.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
In any agenda, political or otherwise, there is a cost to be borne. Always ask what it is, and who will be paying. If you don’t, then the agenda makers will pick up the perfume of your silence like swamp panthers on the scent of blood, and the next thing you know, the person expected to bear the cost will be you. And you may not have what it takes to pay. QUELLCRIST
Richard K. Morgan (Broken Angels (Takeshi Kovacs, #2))
Fleas plague you, she says. Swamp skitters can kill you, an a little thorn- so small you hardly notice- it can work it's way unner the skin an bit after bit, yyer hand's infected. Maybe you loose a couple fingers, maybe the whole hand. Maybe yer blood goes bad an you die. Tiny things can cause plenty of trouble.
Moira Young (Rebel Heart (Dust Lands, #2))
There is a house above the world, where the over-people gather. There is a man with wings like a bird.. there is a man who can sea across the planet and wring diamonds from its anthracite. There is a man who moves so fast that his life is an endless gallery of statues..In the house above the world the over-people gather..To a fry, mad voice that whispers of earthdeath.
Alan Moore
Out of the choked Devonian waters emerged sight and sound and the music that rolls invisible through the composer's brain. They are there still in the ooze along the tideline, though no one notices. The world is fixed, we say: fish in the sea, birds in the air. But in the mangrove swamps by the Niger, fish climb trees and ogle uneasy naturalists who try unsuccessfully to chase them back to the water. There are things still coming ashore.
Loren Eiseley (The Immense Journey)
Things in the margins, including humans who wander there, are often on the brink of becoming something else, or someone else.
Barbara Hurd (Stirring the Mud: On Swamps, Bogs, and Human Imagination)
The thing was—” He stopped, looking for the right language. “Yes?” the doctor said. “Alice is a lamp. A bright lamp, from the moment she was born. She kind of shines. Looking at her hurt my eyes, and I was afraid to touch her.” “You were afraid of her light?” “No. I was afraid I was going to put her light out. That my darkness would swamp her light.” “So you felt like you had to stay away from her, to keep her safe.” “I have to stay away from her, yes.
Ann Napolitano (Hello Beautiful)
When your focus is on how you feel about things in the world then the things of the world slip from view, your little boat of learning things for what they are are swamped by the swells of how you feel about them. With hard work and with learning, the things of the world are still somehow out there, waiting for you to know about them, no matter how you feel. They survive how you feel about them and they are there before and after the storms of your feelings roar through and abate. Feelings aren't much of a compass to go by.
Stephen Jenkinson (Die Wise: A Manifesto for Sanity and Soul)
In my experience, the only thing that worked on crazy was crazier, and I could definitely top anything Sinful could deal out.
Jana Deleon (Swamp Sniper (Miss Fortune Mystery, #3))
Beyond love, beyond unrequited love, perhaps even beyond any other passion known to humanity, deep, deep in the depths of the turgid, clinging, swamplike pit of despair that lies dormant within every soul, lurks JEALOUSY. Jealousy, that most demeaning and debilitating of emotions. Jealousy, which can double the strength of the love upon which it is based, but whilst doubling it, warp and pervert it, untill it is no longer recognizable as the thing of beauty it once was. Jealous love is no more like true love than Mr Hyde was like Dr Jekyll or a stagnant swamp is like a freshwater lake.
Ben Elton (Stark)
now, suddenly, I want to be anywhere but here. No, the truth is I don’t want to be anywhere at all, because wherever I go, I still come with me. I’m stuck in this brain, in this body, in this ugly swamp of humanness. How do I manage to screw everything up?
Julie Buxbaum (Tell Me Three Things)
He’d fallen in love with Quinn slowly, quietly. With Dima, it was like a baseball bat upside the head, these feelings. They completely swamped him, made him want different things, made him want to be different.
Avril Ashton ((Watch Me) Break You (Run This Town, #1))
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
When we’re upset and feel vulnerable or hurt or overwhelmed, we want to vent our emotions and feel consoled, validated, and understood. This provides an immediate sense of security and connection and feeds the basic need we have to belong. As a result, the first thing we usually seek out in others when our inner voice gets swamped in negativity is a fulfillment of our emotional needs.
Ethan Kross (Chatter: The Voice in Our Head, Why It Matters, and How to Harness It)
I’ve felt that I was trying to row a heavily loaded boat in a storm. I’ve had so much trouble just trying to keep afloat that I couldn’t be bothered about things that didn’t matter, things I could part with easily and not miss, like good manners and--well, things like that. I’ve been too afraid my boat would be swamped and so I’ve dumped overboard the things that seemed least important.
Margaret Mitchell (Gone with the Wind)
In the heart of darkness, a flower blossoms, enriching the shadows with its promise of hope... In the fields of light, an adder coils, and the radiant tranquility is lent savor by its sinister presence. Right and wrong, black and white, good and evil...all my existence I have looked from one to the other, fully embracing neither one...never before have I understood how much they depend on each other.
Alan Moore (Swamp Thing, Vol. 4: A Murder of Crows)
This inability to ground his fantasies in reality has generally been regarded as one of Leonardo’s major failings. Yet in order to be a true visionary, one has to be willing to overreach and to fail some of the time. Innovation requires a reality distortion field. The things he envisioned for the future often came to pass, even if it took a few centuries. Scuba gear, flying machines, and helicopters now exist. Suction pumps now drain swamps. Along the route of the canal that Leonardo drew there is now a major highway.
Walter Isaacson (Leonardo da Vinci)
I squatted by the water as it flowed over the tumbled rocks, thought how far they must've come to have settled in the concrete channel, the stream clear and melodious, the smell of fresh water. I didn't want to think about my mother anymore. I'd rather think about the way the willows and the cottonwoods and palms broke their way through the concrete, growing right out of the flood control channel, how the river struggled to re-establish itself. A little silt was carried down, settled. A seed dropped into it, sprouted. Little roots shot downward. The next thing you had trees, shrubs, birds. My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred-year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth-emptied, malarial, into a fan of swamps that met the ocean.
Janet Fitch (White Oleander)
In any agenda, political or otherwise, there is a cost to be borne. Always ask what it is, and who will be paying. If you don’t, then the agenda makers will pick up the perfume of your silence like swamp panthers on the scent of blood, and the next thing you know, the person expected to bear the cost will be you. And you may not have what it takes to pay.
Richard K. Morgan (Broken Angels (Takeshi Kovacs, #2))
Balance was so elusive: either it was like this, too fast, or there was the heavy thing like wading through a swamp to get to the end of a sentence.
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there’s no visible emotion at all. They look so blank it would be easy to imagine that they weren’t feeling much. And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me--- others as well, but mostly Matt--- and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn’t feel a thing. It was like being at the bottom of the sea.
Mary Lawson (Crow Lake)
Once when I was younger I went out and sat under the sky and looked up and asked it to take me back. What I should have done was gone to the swamp and bog and ask them to bring me back because, if anything is, mud and marsh are the origins of life. Now i think of the storm that made chaos, that the storm opened a door. It tried to make over a world the way it wanted it to be. At school I learned that storms create life, that lightning, with its nitrogen, is a beginning; bacteria and enzymes grow new life from decay out of darkness and water. It's into this that I want to fall, into swamp and mud and sludge and it seems like falling is the natural way of things; gravity needs no fuel, no wings. It needs only stillness and waiting and time.
Linda Hogan
Woman's fear of the female Self, of the experience of the numinous archetypal Feminine, becomes comprehensible when we get a glimpse - or even only a hint – of the profound otherness of female selfhood as contrasted to male selfhood. Precisely that element which, in his fear of the Feminine, the male experiences as the hole, abyss, void, and nothingness turns into something positive for the woman without, however, losing these same characteristics. Here the archetypal Feminine is experienced not as illusion and as maya but rather as unfathomable reality and as life in which above and below, spiritual and physical, are not pitted against each other; reality as eternity is creative and, at the same time, is grounded in primeval nothingness. Hence as daughter the woman experiences herself as belonging to the female spiritual figure Sophia, the highest wisdom, while at the same time she is actualizing her connection with the musty, sultry, bloody depths of swamp-mother Earth. However, in this sort of Self-discovery woman necessarily comes to see herself as different from what presents itself to men -as, for example, spirit and father, but often also as the patriarchal godhead and his ethics. The basic phenomenon - that the human being is born of woman and reared by her during the crucial developmental phases - is expressed in woman as a sense of connectedness with all living things, a sense not yet sufficiently realized, and one that men, and especially the patriarchal male, absolutely lack to the extent women have it. To experience herself as so fundamentally different from the dominant patriarchal values understandably fills the woman with fear until she arrives at that point in her own development where, through experience and love that binds the opposites, she can clearly see the totality of humanity as a unity of masculine and feminine aspects of the Self.
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
I've studied the disease, I've lived in the swamp. It is my informed conclusion that we are suffering, as an ex-great nation, from top-down corporate rot. And that's not just the judgement of an ailing old fart. A lot of people in my Service make a profession of not seeing things in black and white. Do not confuse me with them. I'm a late-onset, red-toothed radical with balls. Still with me?
John le Carré (Our Kind of Traitor)
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
John H. Watson might have been many things - a doctor, a storyteller, and by most accounts a kind and decent man-but he clearly wasn't a zoologist. There's no such thing as a swamp adder. And the idea that Sherlock Holmes deduced its existence from a saucer of milk is ridiculous- snakes have zero interest in milk. They also can't hear anything but vibrations, so they wouldn't hear a whistle. But they do breathe, so a snake couldn't survive in a locked safe.
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
it has always been both necessary and proper for man, in his thinking, to divide things up, and to separate them, so as to reduce his problems to manageable proportions; for evidently, if in our practical technical work we tried to deal with the whole of reality all at once, we would be swamped. So, in certain ways, the creation of special subjects of study and the division of labour was an important step forward.
David Bohm (Wholeness and the Implicate Order (Routledge Classics))
If I should say that he is a victim of injustice, then I would be asking by implication for sympathy; and if one insists upon looking at this boy as a victim of injustice, he will be swamped by a feeling of guilt so strong as to be indistinguishable from hate. Of all things, men do not like to feel that they are guilty of wrong, and if you make them feel guilt, they will try desperately to justify it on any grounds; but, failing that, and seeing no immediate solution that will set things right without too much cost to their lives and property, they will kill that which evoked in them, the condemning sense of guilt. And this is true of all men- whether they be white or black -it is a peculiar and powerful, but common need.
Richard Wright (Native Son)
He put on a little knapsack and he walked through Indiana and Kentucky and North Carolina and Georgia clear to Florida. He walked among farmers and mountain people, among swamp people and fishermen. And everywhere people asked him why he was walking through the country. Because he loved true things he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savor the country, and there was no other way to do it save on foot.
John Steinbeck (Cannery Row (Cannery Row, #1))
SO NOW IT’S 1979. Year of the Goat. The Earth Goat. Here are some things you might remember. Margaret Thatcher had just been elected prime minister. Idi Amin had fled Uganda. Jimmy Carter would soon be facing the Iran hostage crisis. In the meantime, he was the first and last president ever to be attacked by a swamp rabbit. That man could not catch a break.
Karen Joy Fowler (We Are All Completely Beside Ourselves)
Uglier than death backin' outta the outhouse readin' mad magazine and crazy as a football bat.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
-I was a doctor, remember? -For plants. I was a nurse. For people.
Scott Snyder (Swamp Thing, Volume 1: Raise Them Bones)
England's a nice place if you're rich, but otherwise it's a fucking swamp of prejudice, class confusion, the whole thing.
Hanif Kureishi (The Buddha of Suburbia)
Give him his due: this is a man who has always faced his fears square on, whether they be a deadly swamp adder, a hideous poison that might drive you to insanity or a hell-hound set loose on the moors. Holmes has done many things that are, frankly, baffling – but he has never run away.
Anthony Horowitz (Moriarty (Sherlock Holmes, #2))
Existen personas. Existen historias. Las personas creen modelar las historias, pero lo contrario suele acercarse más a la verdad. Las historias modelan el mundo. Existen independientemente de las gentes. En lugares donde no hay hombres, también hay mitologías. Los glaciares tienen sus leyendas. El océano canta sus propios romances.
Alan Moore (Swamp Thing, Vol. 2: Love and Death)
What was magic, after all, but something that happened at the snap of a finger? Where was the magic in that? It was mumbled words and weird drawings in old books, and in the wrong hands it was as dangerous as hell, but not one half as dangerous as it could be in the right hands. The universe was full of the stuff; it made the stars stay up and the feet stay down. But what was happening now . . . this was magical. Ordinary men had dreamed it up and put it together, building towers on rafts in swamps and across the frozen spines of mountains. They’d cursed and, worse, used logarithms. They’d waded through rivers and dabbled in trigonometry. They hadn’t dreamed, in the way people usually used the word, but they’d imagined a different world, and bent metal around it. And out of all the sweat and swearing and mathematics had come this . . . thing, dropping words across the world as softly as starlight.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
These coins are not very valuable. Jack went out to get a napoleon changed, so as to have money suited to the general cheapness of things, and came back and said he had "swamped the bank, had bought eleven quarts of coin, and the head of the firm had gone on the street to negotiate for the balance of the change." I bought nearly half a pint of their money for a shilling myself. I am not proud on account of having so much money, though. I care nothing for wealth.
Mark Twain (The Innocents Abroad)
The thing is, work has simply swamped my whole existence. Slowly but surely it's robbed me of my mother, my wife, and everything that meant anything to me. It's like a germ planted in the skull that devours the brain, spreads to the trunk and the limbs, and destroys the entire body in time. No sooner am I out of bed in the morning than work clamps down on me and pins me to my desk before I've even had a breath of fresh air. It follows me to lunch and I find myself chewing over sentences as I'm chewing my food. It goes with me when I go out, eats out of my plate at dinner and shares my pillow in bed at night. It's so extremely merciless that once the process of creation is started, it's impossible for me to stop it, and it goes on growing and working even when I'm asleep. ... Outside that, nothing, nobody exists.
Émile Zola (The Masterpiece)
Be courteous, kind, and forgiving. Be gentle and peaceful each day. Be warm and human and grateful, And have a good thing to say. Be thoughtful and trustful and childlike, Be witty and happy and wise. Be honest and love all your neighbors, Be obsequious, purple, and clairvoyant. Be pompous, obese, and eat cactus. Be dull and boring and omnipresent. Criticize things you don’t know about. Be oblong and have your knees removed. Be sure to stop at stop signs, And drive fifty-five miles an hour. Pick up hitchhikers foaming at the mouth, And when you get home get a master’s degree in geology. Be tasteless, rude, and offensive. Live in a swamp and be three-dimensional. Put a live chicken in your underwear. Go into a closet and suck eggs.
Steve Martin
Look not too long in the face of the fire O man!...believe not the artificial fire, when its redness makes all things look ghastly. Tomorrow, in the natural sun, the skies will be bright; those who glared like devils in the forking flames, the morn will show in far other, at least gentler relief; the glorious, golden, glad sun, the only true lamp - all others but liars! Nevertheless the sun hides not Virginia's dismal swamp, nor Rome's accursed Campagna, nor wide Sahara, nor all the millions of miles of deserts and of griefs beneath the moon. The sun hides not the ocean which is the dark side of this Earth, and which is two thirds of this Earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true - not true, or undeveloped. With books the same. The truest of all men was The Man of Sorrows, and the truest of all books is Solomon's, and Ecclesiastes is the fine hammered steel of woe. 'All is vanity'. ALL. The wilful world hath not got hold of unchristian Solomon's wisdom yet. But he who dodges hospitals and jails, and walks fast crossing grave yards, and would rather talk of operas than hell; calls Cowper, Young, Pascal, Rosseau, poor devils all sick of men; and throughout a carefree lifetime swears by Rabelais as passing wise, and therefore jolly; - not that man is fitted to sit down on tomb stones, and break the green damp mould unfathomable wounderous Solomon.
Herman Melville (Moby-Dick or, The Whale)
I think he likes you.” I watched Paci join the others, noticing that he was still glancing at me occasionally, and watching other guys who were looking over at Peter and me.   “Really?” “Yeah.   He keeps watching you.   Once he heard Bodo wasn’t your boyfriend, he was all over that.” I sighed.   “Shit.” “Yeah.   Exactly.   You’d better not go around advertising you’re single.   There’s not a hell of a lot of available jawbreakers if you know what I mean.” My mind raced with the implications.   It was stupid of me not to have been thinking about all this stuff before.   I guess I was so wrapped up in finding food to eat, a place to live, and companions who wouldn’t eat me, I hadn’t much considered the other human needs, other than on the most basic level.   God, I hope there are no rapists in this group.   The last thing I wanted to do was kill a guy in the swamp.
Elle Casey (Warpaint (Apocalypsis, #2))
The little unknown thing was growing within her as suddenly and softly as the first touch of spring on the maples. It was putting out its hidden, watery roots as simply and surely as little cypresses take root in a stretch of swamp water away off yonder. It was coming upon her as quietly as the dark came up from the woods at night and hushed in the little clearing, closing every chink of every shutter tight with nothing. Impulses swelled within her, swelled her body fit to burst; yet they did not come out in words, nor song, nor in any sign.
Caroline Miller (Lamb in His Bosom)
All things end. They rarely end as we would like them to and often do so before we are ready. We transition in a way that gives our loss honor; we grieve with a love and true appreciation for what we have no longer. It was clear that my mom was ready to go; it was her time. My love of her and my desperation to keep her in my life were of no consequence to that fact, any more than my relentless attempts to improve The Lyon's Den kept it from cancellation. Both personally and professionally I was swamped with the message: Your plan pales compared to the larger one.
Rob Lowe (Love Life)
He cound find no condemnation in her for his failurs, no blame for the sorrow in her.There was only a fierce need to find a way to understand and accept those things she could not change. She felt the shortcomings were her own youth and lack of experience. She was particularly distressed that she had inadvertently placed him in danger because she didn't have the knowledge to shield her presence from their enemies. Gregori nearly groaned aloud.He didn't deserve her;he never would. Savannah turned her head slowly toward him,her blue eyes dark with the wildness of the storm in their depths. He could it feel it then, the heat and hunger.The raging storm. It moved through her blood the way it moved through the night sky.It called to something primitive and savage in him. He felt the beast roar, the hunger swamp him. Silver eyes glowed red in the dark night,ferocious, feral, more animal than man. Gregori would never forget that moment. Not in a century,not in an eternity. The night was theirs. In spite of everything between them, there was nothing that could keep them apart. They belonged together. They needed each other. Hearts and minds, bodies and souls.
Christine Feehan (Dark Magic (Dark, #4))
Among the most beautiful things I've ever heard anyone say came from my student Bethany, talking about her pedagogical aspirations or ethos, how she wanted to be as a teacher, and what she wanted her classrooms to be: "What if we joined our wildernesses together?" Sit with that for a minute. That the body, the life, might carry a wilderness, an unexpected territory, and that yours and mine might somewhere, somehow, meet. Might, even, join. And what if the wilderness - perhaps the densest wild in there - thickets, bogs, swamps, uncrossable ravines and rivers (have I made the metaphor clear?) - is our sorrow? Or... the 'intolerable.' It astonishes me sometimes - no, often - how every person I get to know - everyone, regardless of everything, by which I mean everything - lives with some profound personal sorrow... Everyone, regardless, always, of everything. Not to mention the existential sorrow we all might be afflicted with, which is that we, and what we love, will soon be annihilated. Which sounds more dramatic than it might. Let me just say dead. Is this, sorrow, of which our impending being no more might be the foundation, the great wilderness? Is sorrow the true wild? And if it is - and if we join them - your wild to mine - what's that? For joining, too, is a kind of annihilation. What if we joined our sorrow, I'm saying. I'm saying: What if that is joy?
Ross Gay (The Book of Delights: Essays)
The road crossed a dried slough where pipes of ice stood out of the frozen mud like formations in a cave. The remains of an old fire by the side of the road. Beyond that a long concrete causeway. A dead swamp. Dead trees standing out of the gray water trailing gray and relic hagmoss. The silky spills of ash against the curbing. He stood leaning on the gritty concrete rail. Perhaps in the world’s destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.
Cormac McCarthy (The Road)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Here come warm gusts of decomposing leaves, of rotting vegetation. We are in a swamp now; in a malarial jungle. There is an elephant white with maggots, killed by an arrow shot dead in its eye. The bright eyes of hopping-birds—eagles, vultures—are apparent. They take us for fallen trees. They pick at a worm—that is a hooded cobra—and leave it with a festering brown scar to be mauled by lions. This is our world, lit with crescents and stars of light; and great petals half transparent block the openings like purple windows. Everything is strange. Things are huge and very small. The stalks of flowers are thick as oak trees. Leaves are high as the domes of vast cathedrals. We are giants, lying here, who can make forests quiver.
Virginia Woolf (The Waves)
It is done, lifemate.Come home to me. Savannah's voice was low and compelling, soft, seductive, not in the least concerned with his insistence that she see that he was a killer. That he would always be a killer. This is where you belong.Not alone, never alone. Can't you feel me reaching for you? Feel me,Gregori. Feel me reaching for you.Needing you. He could feel it, in his mind, in his heart.Her voice touched him in some secret, deep place he kept locked away even from himself. She was everything beautiful in the world,and,God help him them both,he could not bring himself to give her up. I need you,Gregori. The whisper came again. This time there was a new urgency in it.She swamped him with her desire,with rising heat and sudden fear that he would leave her alone. Gregori? Answer me. Don't leave me. I couldn't bear it if you did. There is no chance of such a thing, ma petite. I am coming home. It was the only home he had ever known, the only sanctuary he had ever had: Savannah. She whispered to him, soft and sensuous, a dream of his for so long that she was a part of his soul. She whispered to him of unconditional, total acceptance. He launched himself skyward, his body dissolving into the mist, to become part of the moving fog he had manufactured.
Christine Feehan (Dark Magic (Dark, #4))
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
Eddie Carroll had just come in from outside, and read Noonan's letter standing in the mudroom. He flipped to the beginning of the story. He stood reading for almost five minutes before noticing he was uncomfortably warm. He tossed his jacket at a hook and wandered into the kitchen. He sat for a while on the stairs to the second floor, turning through the pages. Then he was stretched on the couch in his office, head on a pile of books, reading in a slant of late October light, with no memory of how he had got there. He rushed through to the ending, then sat up, in the grip of a strange, bounding exuberance. He thought it was possibly the rudest, most awful thing he had ever read, and in his case that was saying something. He had waded through the rude and awful for most of his professional life, and in those fly-blown and diseased literary swamps had discovered flowers of unspeakable beauty, of which he was sure this was one. It was cruel and perverse and he had to have it. He turned to the beginning and started reading again. ("Best New Horror")
Joe Hill (20th Century Ghosts)
The physical domain of the country had its counterpart in me. The trails I made led outward into the hills and swamps, but they led inward also. And from the study of things underfoot, and from reading and thinking, came a kind of exploration, myself and the land. In time the two became one in my mind. With the gathering force of an essential thing realizing itself out of early ground, I faced in myself a passionate and tenacious longing—to put away all thought forever, and all the trouble it brings, all but the nearest desire, direct and searching. To take the trail and not look back. Whether on foot, on snowshoes or by sled, into the summer hills and their late freezing shadows—a high blaze, a runner track in the snow would show where I had gone. Let the rest of mankind find me if it could.
John Haines
I finish off the wine and attempt to write. I must write, I have to write. Writing is why I’m here. I stare at my open notebook, blank for all but one badly drawn eye. A few swirls. The words I don’t know scratched over and over again. Surrounded by limp flowers. I long for my first writing office, the waiting area of the hair salon where my mother worked when I was a child. I wrote with such feverish abandon on that sagging couch between the dusty Buddha and the dustier fake flowers, beneath framed photos of women smiling under impossibly, painfully elaborate arrangements of hair. Clients would sit in waiting area chairs nearby, pretending to read magazines but all the while regarding me askance, a lanky child in a Swamp Thing T-shirt clutching her mermaid journal close, staring at them through bangs I barely ever let my mother cut. I was afraid she’d gouge out my eyes. Whatcha workin’ on there? they might ask me. Uncovering your secret shame, I thought. Don’t mind my daughter, my mother would say as she led them to a chair, tilted their heads back into a wash sink where they’d immediately close their eyes.
Mona Awad (Bunny)
This, not incidentally, is another perfect setting for deindividuation: on one side, the functionary behind a wall of security glass following a script laid out with the intention that it should be applied no matter what the specific human story may be, told to remain emotionally disinvested as far as possible so as to avoid preferential treatment of one person over another - and needing to follow that advice to avoid being swamped by empathy for fellow human beings in distress. The functionary becomes a mixture of Zimbardo's prison guards and the experimenter himself, under siege from without while at the same time following an inflexible rubric set down by those higher up the hierarchical chain, people whose job description makes them responsible, but who in turn see themselves as serving the general public as a non-specific entity and believe or have been told that only strict adherence to a system can produce impartial fairness. Fairness is supposed to be vested in the code: no human can or should make the system fairer by exercising judgement. In other words, the whole thing creates a collective responsibility culminating in a blameless loop. Everyone assumes that it's not their place to take direct personal responsibility for what happens; that level of vested individual power is part of the previous almost feudal version of responsibility. The deindividuation is actually to a certain extent the desired outcome, though its negative consequences are not.
Nick Harkaway (The Blind Giant)
Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are you done?” “Almost,” Harding said. “Hang on.” “And believe me, it’ll be fast. If you map complex systems on a fitness landscape, you find the behavior can move so fast that fitness can drop precipitously. It doesn’t require asteroids or diseases or anything else. It’s just behavior that suddenly emerges, and turns out to be fatal to the creatures that do it. My idea was that dinosaurs—being complex creatures—might have undergone some of these behavioral changes. And that led to their extinction.
Michael Crichton (The Lost World (Jurassic Park, #2))
Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted." The minute the duke was gone, however, any "delight" she was feeling apparently vanished. "How dare you interfere! You should be upstairs searching my suitors' rooms or speaking to their servants or something useful instead of-" "Do you realize what could have happened if I hadn't come along?" he snapped. "This room is private and secluded, with a nice hot stove keeping it cozy. All he would have had to do was lay you down on one of those damned benches that are everywhere and-" He caught himself. But not quickly enough. "And what?" she prodded. "I would have let him ravish me like the wanton I am?" Confound it all. "I wasn't saying that." "That's what it sounded like. Apparently you have some notion that I have no restraint, no ability to resist the attentions of a man I've known since childhood." "You have no idea what a man can do to a woman!" Jackson shouted. She paled. "It was just a kiss." He strode up to her, driven by a madness he couldn't control. "That's how it begins. A man like him coaxes you into a kiss, then a caress, then..." "I would never let it go beyond a kiss," she said in outrage. "What sort of woman do you think I am?" He backed her toward the wall. "The sort who is too trusting to realize what some men are really after. You can't control every situation, my lady. Some men take what they want, and there isn't a damned thing you can do about it." "I know more about the true nature of men than you think." She stopped short as she came up against the wall. "I can take care of myself." "Can you?" He thrust his hands against the wall on either side of her, trapping her. He thought of his mother and the heartbreak she'd endured because some nobleman had taken a fancy to her. A roiling sickness swamped him at the idea of Lady Celia ever suffering such a thing because she was too reckless and naïve to recognize that she was not invincible. Bending in close, he lowered his voice. "You really believe you can stop any man who wants to hurt you, no matter how strong and determined he is?" Challenge shone in her eyes. "Absolutely." It was time someone made her realize he vulnerability. "Prove it," he growled. Then he brought his mouth down on hers.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Be courteous, kind, and forgiving. Be gentle and peaceful each day. Be warm and human and grateful. Be thoughtful and trustful and childlike, Be witty and happy and wise. Be honest and love all your neighbors. Be obsequious, purple, and clairvoyant. Be pompous, obese, and eat cactus. Be dull and boring and omnipresent. Criticize things that you don't know about. Be oblong and have your knees removed. Be sure to stop at stop signs, And drive fifty-five miles an hour. Pick up a hitchhiker foaming at the mouth. And when you get home get a master's degree in geology. Be tasteless , rude, and offensive. Live in a swamp and be three- dimensional. Put a live chicken in your underwear. Go into a closet and suck eggs. "Now, everyone," repeat Added- Ladies only: Never make love to bigfoot! Men only: Hello, my name is bigfoot.
Steve Martin
Suddenly, the swan dropped down from the sky, flew low over the swamp, almost touching the water, just slow enough to have a closer look at the girl. The sight of the swan’s cold eye staring straight into hers, made the girl feel exposed, hunted and found, while all those who had suddenly stopped eating fish, watched this big black thing look straight at the only person that nobody had ever bothered having a close look at. Her breathing went AWOL while her mind stitched row after row of fretting to strangle her breath: What are they thinking about me now? What did the swan have to single me out for and not anyone else standing around? What kind of premonition is this? Heart-thump thinking was really tricky for her. She feasted on a plague of outsidedness. It was always better never to have to think about what other people thought of her.
Alexis Wright (The Swan Book)
- You listen to me. I've just taken a lot from you. I've taken a lot from people just like you. Just like you. That's tough, isn't it, just like you, that this town is loaded with people just like you, the world is loaded with people just like you. The honest men who are too good to fit anywhere. You're one of the people, aren't you. Look at your hands, have you ever had a callus? You don't get them lifting glasses. Who are you, to be so bitter? Have you ever done one day of work? And you talk to me about life, about real life, about human misery. -I know you, I know you. You're the only serious person in the room aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person. You resent good manners, you resent success, you resent any kind of success, you resent God, you resent thousand-dollar bills, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal, . . . spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard.
William Gaddis (The Recognitions)
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain
There was a guy next to my cot name of Dan, who had been blowed up inside a tank. He was all burnt and had tubes going in and out of him everyplace, but I never heard him holler. He talk real low and quiet, and after a day or so, him and me got to be friends. Dan came from the state of Connecticut, and he was a teacher of history when they grabbed him up and threw him into the Army. But because he was smart, they sent him to officer school and made him a lieutenant. Most of the lieutenants I know were about as simple minded as me, but Dan was different. He had his own philosophy about why we were here, which was that we were doing maybe the wrong thing for the right reasons, or vice-versa, but whatever it is, we ain't doing it right. Him being a tank officer and all, he say it ridiculous for us to be waging a war in a place where we can't hardly use our tanks on account of the land is mostly swamp or mountains. I told him about Bubba and all, and he nod his head very sadly and said there will be a lot more Bubbas to die before this thing is over.
Winston Groom (Forrest Gump (Forrest Gump, #1))
Let’s just run through this again, shall we?” said the Demon King. He leaned back in his throne. “You happened to find the Tezumen one day and decided, I think I recall your words correctly, that they were ‘a bunch of Stone-Age no-hopers sitting around in a swamp being no trouble to anyone,’ am I right? Whereupon you entered the mind of one of their high priests—I believe at that time they worshipped a small stick—drove him insane and inspired the tribes to unite, terrorize their neighbors and bring forth upon the continent a new nation dedicated to the proposition that all men should be taken to the top of ceremonial pyramids and be chopped up with stone knives.” The King pulled his notes toward him. “Oh yes, some of them were also to be flayed alive,” he added. Quezovercoatl shuffled his feet. “Whereupon,” said the King, “they immediately engaged in a prolonged war with just about everyone else, bringing death and destruction to thousands of moderately blameless people, ekcetra, ekcetra. Now, look, this sort of thing has got to stop.” Quezovercoatl swayed back a bit. “It was only, you know, a hobby,” said the imp. “I thought, you know, it was the right thing, sort of thing. Death and destruction and that.” “You did, did you?” said the King. “Thousands of more-or-less innocent people dying? Straight out of our hands,” he snapped his fingers, “just like that. Straight off to their happy hunting ground or whatever. That’s the trouble with you people. You don’t think of the Big Picture. I mean, look at the Tezumen. Gloomy, unimaginative, obsessive…by now they could have invented a whole bureaucracy and taxation system that could have turned the minds of the continent to slag. Instead of which, they’re just a bunch of second-rate axe-murderers. What a waste.
Terry Pratchett (Eric (Discworld, #9))
Monch was on no simple retreat. The journey he had plotted for himself was much longer, and took him many buckets away from Appollon to Angarr's Sorrow, the land of fetid bogs in southeastern Sarthiss. This was a world far away from everything he knew... from everyone he knew. Granted, the list of people he knew was exceptionally short, especially since Monch was horrible with names and only slightly less horrible with faces. Regardless, he did not wish to accidentally advertise his inexperience to anyone he might possibly know, which is why he travelled so far afield. There were ruins in the swamps, ruins hidden under years of neglect and heavy with decay. Things lurked in those ruins, inhuman beasts with forbidden hungers. He intended to use the dangers of the swamps as the whetstone that would hone his abilities to a razor-keen edge. Monch would test his blade against and come back all the stronger... ...or dead. No... that wasn't right. Given the fact that he was immortal, death really wasn't an option. So then, he would come back stronger... ...or something something horrible. Monch decided to fill in those particular details later on, when he had time to ponder his autobiography at length. He would tidy up that particular idiom later.
D.F. Monk (Tales of Yhore: The Chronicles of Monch)
them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are
Michael Crichton (The Lost World (Jurassic Park, #2))
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Friedrich Nietzsche
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.
Susan Orlean (The Orchid Thief)
And those terrible angels—the angel of annihilation—is a beautiful thing, is the maker, too, of joy, and is partly what Zadie Smith’s talking about when she talks about being in joy. That it’s not a feeling or an accomplishment: it’s an entering and a joining with the terrible (the old German kind), joy is. Among the most beautiful things I’ve ever heard anyone say came from my student Bethany, talking about her pedagogical aspirations or ethos, how she wanted to be as a teacher, and what she wanted her classrooms to be: “What if we joined our wildernesses together?” Sit with that for a minute. That the body, the life, might carry a wilderness, an unexplored territory, and that yours and mine might somewhere, somehow, meet. Might, even, join. And what if the wilderness—perhaps the densest wild in there—thickets, bogs, swamps, uncrossable ravines and rivers (have I made the metaphor clear?)—is our sorrow? Or, to use Smith’s term, the “intolerable.” It astonishes me sometimes—no, often—how every person I get to know—everyone, regardless of everything, by which I mean everything—lives with some profound personal sorrow. Brother addicted. Mother murdered. Dad died in surgery. Rejected by their family. Cancer came back. Evicted. Fetus not okay. Everyone, regardless, always, of everything. Not to mention the existential sorrow we all might be afflicted with, which is that we, and what we love, will soon be annihilated. Which sounds more dramatic than it might. Let me just say dead. Is this, sorrow, of which our impending being no more might be the foundation, the great wilderness? Is sorrow the true wild? And if it is—and if we join them—your wild to mine—what’s that? For joining, too, is a kind of annihilation. What if we joined our sorrows, I’m saying. I’m saying: What if that is joy?
Ross Gay
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle Series))
Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.
Walter Tevis (The Color of Money (Eddie Felson, #2))
In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
… A destitute joins me and wants admittance into my soul, and I am thus not destitute enough. Where was my destitution when I did not live it? I was a player at life, one who thought earnestly about life and lived it easily. The destitute was far away and forgotten. Life had become difficult and murkier. Winter kept on going, and the destitute stood in snow and froze. I join myself with him, since I need him. He makes living light and easy. He leads to the depths, to the ground where I can see the heights. Without the depths , I do not have the heights. I may be on the heights, but precisely because of that I do not become aware of the heights. I therefore need the bottommost for my renewal. If I am always on the heights, I wear them out and the best becomes atrocious to me. But because I do not want to have it, my best becomes a horror to me. Because of that I myself become a horror, a horror to myself and to others, and a bad spirit of torment. Be respectful and know that your best has become a horror, with that you save yourself and others from useless torment. A man who can no longer climb down from his heights is sick, and he brings himself and others to torment. If you have reached your depths, then you see your height light up brightly over you, worthy of desire and far-off, as if unreachable, since secretly you would prefer not to reach it since it seems unattainable to you. For you also love to praise your heights when you are low and to tell yourself that you would have only left them with pain, and that you did not live so long as you missed them. It is a good thing that you have almost become the other nature that makes you speak this way. But at bottom you know that it is not quite true. At your low point you are no longer distinct from your fellow beings. You are not ashamed and do not regret it, since insofar as you live the life of your fellow beings and descend to their lowliness you also climb into the holy stream of common life, where you are no longer an individual on a high mountain, but a fish among fish, a frog among frogs. Your heights are your own mountain, which belongs to you and you alone. There you are individual and live your very own life. If you live your own life, you do not live the common life, which is always continuing and never-ending, the life of history and the inalienable and ever-present burdens and products of the human race. There you live the endlessness of being, but not becoming. Becoming belongs to the heights and is full of torment. How can you become if you never are? Therefore you need your bottommost, since there you are. But therefore you also need your heights, since there you become. If you live the common life at your lowest reaches, then you become aware of your self. If you are on your heights, then you are your best, and you become aware only of your best, but not that which you are in the general life as a being. What one is as one who becomes, no one knows. But on the heights, imagination is as its strongest. For we imagine that we know what we are as developing beings, and even more so, the less we want to know what we are as beings. Because of that we do not love the condition of our being brought low, although or rather precisely because only there do we attain clear knowledge of ourselves. Everything is riddlesome to one who is becoming, but not to one who is. He who suffers from riddles should take thought of his lowest condition; we solve those from which we suffer, but not those which please us. To be that which you are is the bath of rebirth. In the depths, being is not an unconditional persistence but an endlessly slow growth. You think you are standing still like swamp water, but slowly you flow into the sea that covers the earth’s greatest deeps, and is so vast that firm land seems only an island imbedded in the womb of the immeasurable sea.
C.G. Jung (The Red Book: Liber Novus)