“
I bare my soul and you are suspicious! No, Scarlett, this is a bona fide honorable declaration. I admit that it's not in the best of taste, coming at this time, but I have a very good excuse for my lack of breeding. I'm going away tomorrow for a long time and I fear that if I wait till I return you'll have married some one else with a little money. So I thought, why not me and my money? Really, Scarlett, I can't go all my life waiting to catch you between husbands.
”
”
Margaret Mitchell (Gone with the Wind)
“
A reserved lover, it is said, always makes a suspicious husband.
”
”
Oliver Goldsmith (She Stoops to Conquer)
“
It's most dangerous nowadays for a husband to pay any attention to his wife in public. It always makes people think that he beats her when they are alone. The world has grown so suspicious of anything that looks like a happy married life.
”
”
Oscar Wilde (Lady Windermere's Fan)
“
Wives?" she asked, interrupting him. For a moment, he had assumed she was tuning to the novel. Then he saw her waiting, suspicious eyes, so he replied cautiously, "None active," as if wives were volcanoes.
”
”
John Le Carré (The Honourable Schoolboy (George Smiley, #6; Karla Trilogy, #2))
“
Did they know that Arthur Conan Doyle went on to investigate mysteries in his real life and absolved a man for a crime for which he has been convicted? Did they know how Agatha Christie brilliantly staged her own disappearance in order to exact an elegant revenge on a cheating husband? They probably did not. And no one was going to discount Stevie Bell, who had gotten into this school on the wings of her interest in the Ellingham case, and who had been a bystander at a death that was now looking more and more suspicious.
”
”
Maureen Johnson (Truly, Devious (Truly Devious, #1))
“
We live in a modern society. Husbands and wives don't
grow on trees, like in the old days. So where
does one find love? When you're sixteen it's easy,
like being unleashed with a credit card
in a department store of kisses. There's the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn't be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you'd quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You'll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you'd pull over, slide open the mouth's
red door just to see how it fits. Oh where
does one find love? If you rub two glances, you get a smile.
Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don't invite the kiss over
and answer the door in your underwear. It'll get suspicious
and stare at your toes. Don't water the kiss with whiskey.
It'll turn bright pink and explode into a thousand luscious splinters,
but in the morning it'll be ashamed and sneak out of
your body without saying good-bye,
and you'll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue's pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I'll love you through a brick wall kiss.
Even when I'm dead, I'll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.
”
”
Jeffrey McDaniel
“
She made me love her,” said Colson, “and she scared me at the same time. I was suspicious of her on account of the way her husband, Peter Gunness, died.
”
”
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
“
It’s most dangerous nowadays for a husband to pay any attention to his wife in public. It always makes people think that he beats her when they’re alone. The world has grown so suspicious of anything that looks like a happy married life.
”
”
Oscar Wilde (Lady Windermere’s Fan)
“
I slept with Mick because I wanted to protect our careers, mine and hers. And that was more important to me than the sanctity of our relationship. And I slept with Harry because I wanted a baby, and I thought people would get suspicious if we adopted. Because I was afraid to draw attention to the sexlessness of our marriage. And I chose that over the sanctity of our relationship.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Is there a reason you are here?" he finally demanded.
With complete nonchalance she replied, "Well,I've brought my trunks. I do believe I'm moving in."
"The hell you are!"
"Nice of you to welcome me in your usual boorish manner" was all she said to that.
A muscle ticked in his jaw. It made not a jot of difference that he'd just gone to Norford and back this morning to bring her here himself. That had been his idea.Her coming here on her own was her idea,and it make him suspicious.
"Don't start your manipulations already," he warned her. "Answer my question."
"Why am I still here? Shall we start with the obvious reason? Because I really am pregnant and once my pregnancy starts to show,I do not want to be in a position to have people ask me who my husband is and not believe me when I tell them that it's you."
"And the not-so-obvious answer?"
"Because you make me so furious that I spite myself to spite you!
”
”
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
“
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers.
The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously.
She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.”
“And that surprises you?”
“Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her.
Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?”
“You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him.
He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.”
“Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.”
Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Financial standing, a social position beyond what she has now, and a husband to dote upon her every wish. What more could she ask for?"
"Maybe youth. Vigor. Teeth."
"Lord Cameron has his own teeth." Margaret narrowed her eyes at the other candidate. "I'm not so certain about Munro. They seemed somewhat clacky at dinner, so I'm suspicious.
”
”
Karen Hawkins (How to Capture a Countess (The Duchess Diaries, #1))
“
read an article about this once. A woman was injured in a car wreck and was in a coma. She lived in a nursing facility and her husband came to visit her every day. The staff became suspicious that he was having sex with her despite her being in a coma, so they set up hidden cameras. The man was arrested for rape because his wife was unable to give consent.
”
”
Colleen Hoover (Verity)
“
Time—how often has she heard it described as sand within a glass, steady, constant. But that is a lie, because she can feel it quicken, crashing toward her. Panic beats a drum inside her chest, and outside, the path is a single dark line, stretched straight and narrow toward the village square. On the other side, the church stands waiting, pale and stiff as a tombstone, and she knows that if she walks in, she will not come out. Her future will rush by the same as her past, only worse, because there will be no freedom, only a marriage bed and a deathbed and perhaps a childbed between, and when she dies it will be as though she never lived. There will be no Paris. No green-eyed lover. No trips on boats to faraway lands. No foreign skies. No life beyond this village. No life at all, unless— Adeline pulls free of her father’s grip, drags to a stop on the path. Her mother turns to look at her, as if she might run, which is exactly what she wants to do, but knows she can’t. “I made a gift for my husband,” says Adeline, mind spinning. “I’ve left it in the house.” Her mother softens, approving. Her father stiffens, suspicious. Estele’s eyes narrow, knowing.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
No one has been able to aggregate more intention data on what consumers like than Google. Google not only sees you coming, but sees where you’re going. When homicide investigators arrive at a crime scene and there is a suspect—almost always the spouse—they check the suspect’s search history for suspicious Google queries (like “how to poison your husband”). I suspect we’re going to find that U.S. agencies have been mining Google to understand the intentions of more than some shopper thinking about detergent, but cells looking for fertilizer to build bombs. Google controls a massive amount of behavioral data. However, the individual identities of users have to be anonymized and, to the best of our knowledge, grouped. People are not comfortable with their name and picture next to a list of all the things they have typed into the Google query box. And for good reasons. Take a moment to imagine your picture and your name above everything you have typed into that Google search box. You’ve no doubt typed in some crazy shit that you would rather other people not know. So, Google has to aggregate this data, and can only say that people of this age or people of this cohort, on average, type in these sorts of things into their Google search box. Google still has a massive amount of data it can connect, if not to specific identities, to specific groups.
”
”
Scott Galloway (The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google)
“
Merripen,” Harry said pleasantly. “Did you enjoy the breakfast?” The Rom was in no mood for small talk. He stared at Harry with a gaze promising death. “Something is wrong,” he said. “If you’ve done something to harm Poppy, I will find you and rip your head from your—” “Merripen!” came a cheerful exclamation as Leo suddenly appeared beside them. Harry didn’t miss the way Leo jabbed a warning elbow against the Gypsy’s ribs. “All charm and lightness, as usual. You’re supposed to congratulate the bridegroom, phral. Not threaten to dismember him.” “It’s not a threat,” the Rom muttered. “It’s a promise.” Harry met Merripen’s gaze directly. “I appreciate your concern for her. I assure you, I’ll do everything in my power to make her happy. Poppy will have anything she wants.” “I believe a divorce would top the list,” Leo mused aloud. Harry leveled a cool stare at Merripen. “I’d like to point out that your sister married me voluntarily. Michael Bayning should have had the bollocks to come to the church and carry her out bodily if necessary. But he didn’t. And if he wasn’t willing to fight for her, he didn’t deserve her.” He saw from Merripen’s quick blink that he had scored a point. “Moreover, after going through these exertions to marry Poppy, the last thing I would do is mistreat her.” “What exertions?” the Rom asked suspiciously, and Harry realized that he hadn’t yet been told the entire story. “Never mind that,” Leo told Merripen. “If I told you now, you’d only make an embarrassing scene at Poppy’s wedding. And that’s supposed to be my job.” They exchanged a glance, and Merripen muttered something in Romany. Leo smiled faintly. “I have no idea what you just said. But I suspect it’s something about battering Poppy’s new husband into forest mulch.” He paused. “Later, old fellow,” he said. A look of grim understanding passed between them.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
It should come as no surprise that women need to work doubly hard to prove their right to power. They have to look to their menfolk around them who can support their claim, rather than detract from it--to their fathers and patriarchs, not to their husbands and lovers. They must clarify to a suspicious public that they are not greedy and conniving, power-hungry for their own sakes, but concerned for the success of a broad swath of society. How does one do that except by somehow downplaying their own ambition, or subsuming her power to that of a male associate, or allowing herself to be interrupted in important meetings, or apologizing more than her male counterparts, or appearing more tentative in her decision-making, or not applying for positions and promotions she might think she isn't qualified for? A woman is rarely congratulated for grasping for more, for reaching higher. Women know exactly how their ambition is perceived by the public, and they must veil their power grabs in a warm and cuddly swath of nonaggression and nonthreatening verbiage, dazzling smiles, colored hair, and a calm and steady gaze, maternal even, without holding their head too high, but not too low either. Is it any surprise that today's women don't even apply for political position of authority if they have to walk through a gauntlet of abuse dissecting their appearance, demeanor, age, weight, and sexual past white simultaneously walking a tightrope of unspoken demands for masculinization?
”
”
Kara Cooney (When Women Ruled the World: Six Queens of Egypt)
“
The dog whines, and Julia leans down and lifts her up. “Don’t cry,” she says into Suzanne’s fur. “You shouldn’t police her emotions,” Alma says, but then, frowning, asks, “Are you okay?” It’s a rare display of interpersonal concern as far as Alma goes, and Julia wishes for a second that she weren’t okay, that she could call upon her daughter for some kind of nontraumatic assistance, splinter removal or a dislocated shoulder, something that would require close bodily contact with this person she’s borne, so long as Alma is—such a rarity from her narcissistic lioness—offering. As it is, there isn’t a way to navigate deftly. To allude to something physiological will make her daughter (who doesn’t particularly enjoy her parents’ live presence but also doesn’t want them dead) suspicious and to tell the truth—that she’d been steeling herself for an encounter with her husband following an encounter with the woman who’d almost ended their marriage—is obviously out of the question.
”
”
Claire Lombardo (Same As It Ever Was)
“
For members of a particular religious community, the sense of obligation takes a specific form when it comes to their commitment to each other. In the movie Shall We Dance?, Richard Gere plays a bored middle-aged attorney who surreptitiously takes up ballroom dancing. His wife, played by Susan Sarandon, becomes suspicious at his renewed energy and vitality. She hires a private detective, who discovers the dance studio and reports the news. She decides to let her husband continue dancing undisturbed. In the scene where she meets the private detective in a bar to pay his fee and end the investigation, they linger over a drink and discuss why people marry in the first place. The detective, whose countless investigations into infidelity have rendered him cynical about marriage, suggests that the desire to marry has something to do with hormones and passing fancy. She disagrees. The reason we marry, she insists, is that “we need a witness to our lives. There’s a billion people on the planet. . . . I mean, what does any one life really mean? But in a marriage, you’re promising to care about everything. The good things, the bad things, the terrible things, the mundane things . . . all of it, all of the time, every day. You’re saying ‘Your life will not go unnoticed because I will notice it. Your life will not go un-witnessed because I will be your witness.’ ” The sacramental bond that unites two people in a marriage or committed relationship is known as a covenant. A covenant—the word means mutual agreement—is a promise to bear witness to the life of another: the good things, the bad things, the terrible things, the mundane things. At its heart, the relationship among members of a religious community is covenantal as well. As with marriage, the relationship also includes other dimensions, such as friendship and perhaps financial and/or legal partnership. But the defining commitment that members of a religious community make to each other arises from their calling—their covenantal duty—to bear witness to each other’s lives: the lives they now lead and the lives they hope to lead in the future, and the world they now occupy and the world they hope to occupy in the future.
”
”
Galen Guengerich (God Revised: How Religion Must Evolve in a Scientific Age)
“
You know what's weird?" David said as Stevie was lost in thought. "What's weird is making a hobby out of the death of your classmate. You know what's also weird? Going through people's rooms, including the room of your dead classmate. Because you seem crazy."
People might be dismissive of someone obsessed with mystery stories, as if the line between fiction and reality was so distinct. They didn't know, perhaps, that Sherlock Holmes was based on a a real man, Dr. Joseph Bell, and that the methods Arthur Conan Doyle created for his fictional detective inspired generations of real-world detectives. Did they know that Arthur Conan Doyle went on to investigate mysteries in his real life and even absolved a man of a crime for which he had been convicted? Did they know how Agatha Christie brilliantly staged her own disappearance in order to exact an elegant revenge on a cheating husband?
They probably did not.
And no one was going to discount Stevie Bell, who had gotten into this school on the wings of her interest in the Ellingham case, and who had been a bystander at a death that was now looking more and more suspicious.
She was not crazy. And Hayes's key was in her pocket and Pix was on her way back.
Stevie turned away and left David's room without saying anything else. Because she was also not going to let him see her cry.
”
”
Maureen Johnson (Truly, Devious (Truly Devious, #1))
“
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.”
Bayle started to laugh. “Oh, you really think so?”
Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to.
“Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?”
I nodded once. “Yeah. That’s him.”
For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs.
I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed.
With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap.
It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet.
With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists.
His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart.
And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself.
When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood.
“Do you feel better?” I asked her.
She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.”
“That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration.
“You should see her when she’s not pregnant,” I said.
”
”
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
“
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress?
Well, there was his native charm.
People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners.
The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man."
There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words."
But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable.
Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat."
Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle."
Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it."
But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
”
”
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
“
She'd voiced the unspoken question that had plagued him and tormented him earlier that morning, a question that had weighted his body down almost as it was a poison, a question without an answer ad it completely eluded his mind, much like an unfaithful husband avoids a questioning, nagging, suspicious wife.
”
”
Jill Thrussell (Mindplant: Trimorphia (Glitches #3))
“
Lovey immediately straightened next to her, his ears pulling back as he squinted at him, and then going straight up when Conall continued forward. When he then bared his teeth and growled low in his throat, Claray tightened her fingers in the fur at the back of his neck in warning, then turned to bare her teeth and growl at the wolf in return.
Lovey didn't look happy, but he did relax a little. Though she noticed he stood a little taller, puffed out his chest and went back to squinting suspiciously at Conall too.
"Wife?"
Claray turned to him in question. "Aye, husband?"
"Ye just growled at the wolf," he pointed out.
"Aye," she agreed, and smiled at him. " 'Tis what he understands.
”
”
Lynsay Sands (Highland Wolf (Highland Brides, #10))
“
A man was once told by an astrologer that his wife would leave him for someone else and that would lead to his death. As a result of that prediction the man became increasingly fearful. He became extremely suspicious towards his wife even though she was devoted towards him.
He also started hating her and hitting because he believed she would not be loyal towards him and leave him. After ten years of constant physical and emotional abuse the wife had enough and became attracted to another man, she felt was much kinder. One day after yet another violent episode from the suspicious husband, she decided that she would leave him for the other man and ran away that evening! Shocked, the man committed suicide.
The man made that very thing happen that he feared! His own fear led him to commit actions that ultimately made his wife desert him. He made his life a self-fulfilling prophecy. If you are going to make your life a self-fulfilling prophecy, might as well make it a constructive one, not a destructive one fueled by endless fear!
On a lighter note, if you are the impressionable kind, which many of us are, this is why sometimes it is best to not try and know your future!
”
”
Anubhav Srivastava (UnLearn: A Practical Guide to Business and Life (What They Don't Want You to Know Book 1))
“
Sometimes women are overly suspicious of their husbands. When Adam stayed out very late for a few nights, Eve became upset. "You're running around with other women," she charged. "You're being unreasonable," Adam responded. "You're the only woman on earth." The quarrel continued until Adam fell asleep, only to be awakened by someone poking him in the chest. It was Eve. "What do you think you're doing?" Adam demanded. "Counting your ribs!
”
”
E. King (Best Adult Jokes Ever)
“
In her growing years, Ammu had watched her father weave his hideous web. He was charming and urbane with visitors...He donated money to orphanages and leprosy clinics. He worked hard on his public profile as a sophisticated, generous, moral man. But alone with his wife and children he turned into a monstrous, suspicious bully, with a steak of vicious cunning. They were beaten, humiliated, and then made to suffer the envy of friends and relations for having such a wonderful husband and father.
”
”
Arundhati Roy
“
A sudden insight teased him. What if she didn’t want to leave? What if she was just angry with him and acting impulsively? He left Rand to kneel at her feet. She eyed him suspiciously. He hated that he’d given her cause to look at him that way. “I will ask ye this but once. Do ye wish to forsake our bond and my offered protection? Do ye truly wish to return to your life of providing for yourself and working and raising your bairn alone? I would have ye stay here with me, and I would care for you your whole life. I would treat your bairn as my own. I have means, and I am a good man, though I ken I havena given ye cause to believe it. “Stay with me, Malina. Let me prove to you the man I am. I wouldna expect your love, and I dinna expect you to share my bed. But I wish ye to stay and be my wife. I wish to be your husband. Will you release me from the vow I made to help ye return home?” He made himself stop blathering and waited for her answer, drowning in the emerald pools of her eyes. Closing his hands around hers, around the box, he found some solace in the fact that she didn’t pull away. She appraised him with liquid eyes. Could that be tenderness he glimpsed? But it was gone too soon, replaced with suspicion. Och, he’d been so dishonest with her she likely would never be able to trust him. Mayhap it was for the best she was leaving. If she couldn’t trust him, he’d nay be able to make her happy. At last, she shook her head. “I suspect you’re a good man, even though you lied to me. I see goodness in you, and honor. Any woman would be lucky to have you as her husband.” His heart lifted with hope. “Any woman from your time,” she added gently. “I don’t belong here. I need to go back to my time. My being here is a mistake. This is all a huge mistake.” His heart crumbled as he released her hands and pulled the heavy velvet pouch from his sporran. “Then, take this. ’Tis my wedding gift to you. If I canna be with you to keep my marriage vows, I pray this will clear my name before the Lord.” She took the pouch and looked inside. Her eyes grew wide. “It’s gold. I can’t take this.” She tried to push it back into his hands, but he refused it. “You must. ’Tis the best I can do for you, Malina mine. I hope ye will remember me well when you use it. I hope this will provide for you and your bairn for many years.” Not giving her a chance to reject his gift as she’d rejected him, he rose and blew out the lantern. He led Rand from the stables, and said, “Come, Malina. ’Tis time to send you home.
”
”
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
“
Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I repeat the words. I barely stutter, and it warms my heart when I realize that. Suddenly, Elvis gets serious. “Dearly beloved, we are gathered here today…” Sam’s eyes meet mine, and he takes my hands. I pass my flowers to one of my sisters and look up at him. We recite the official vows, and I have to blink hard to get through them, particularly when I look at the TV screen and see Marta crying into her handkerchief. “Who gives this woman to be married?” Elvis asks. Emilio’s voice rings out. “Her mother and I.” This time, a hot tear tracks down my cheek and Sam very gently wipes it away. “You okay?” he whispers. “I now pronounce you husband and wife,” Elvis declares. “Now let’s have a little less conversation and a really big kiss.” He swivels his hips again and I laugh through my tears. Sam
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Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
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But I beg you remember,’ said her ladyship, turning back to Artemisia, ‘not to walk down St James’s Street.’ ‘Yes, I know: it would be a moral hazard to my reputation,’ said Artemisia, reciting what she had been taught. ‘Though why people should make such a fuss over a lady being ogled by the gentlemen in St James’s Street is beyond me. Debutantes are paraded in front of those very same gentlemen to be ogled at in every other setting and no one has any objections to that practice! Rather than having to go through a whole Season to catch a husband, it would be far quicker if each girl was walked up and down St James’s, whirled around so she could be seen from all angles and auctioned off to the highest bidder. Why, St James’s could become the Tattersall’s of the marriage mart!’ Lady Lubriot choked on what sounded suspiciously like a laugh, and then tried to recover the situation by looking stern. ‘Chérie!’ she exclaimed. ‘You must never – never! – voice that particular notion of yours in public.’ ‘Tattersall’s?’ repeated Aunt Ophelia with incredulity. ‘Did the child just compare the Season to a horse auction?
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D.G. Rampton (Artemisia)
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Treaties are like marriage: they aren't entered in to with the thought of betrayal, and once they're concluded one shouldn't be suspicious. And if that doesn't suit somebody, they shouldn't get married. Because you can't become a cuckold without being a husband, but you'll admit that fear of wearing the horns is a pitiful and quite ridiculous justification for enforced celibacy.
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Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
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It would be nice to have someone to converse with even if she was only all of twelve years old, still suspicious of me, and possibly in love with my husband.
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Darcie Rochester (Confessions of the Scandalous Mrs. Darcy: A Pride and Prejudice Variation)
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So a peasant, having bought a mirror for the first time, thought that he recognized in it the face of his dead father; he hid it as a great treasure, but so often consulted it that his suspicious wife ferreted it out, and was horrified to find in it the picture of a woman about her own age, who was apparently her husband’s mistress.
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Will Durant (Our Oriental Heritage (Story of Civilization 1))
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Unlike men, women have not, until the feminist movement had sex based solidarity the isolation is not incidental; solidarity is what men have feared most in women. To prevent its formation, every state we know about separated women from each other, imprisoning them in the home, where they were under the direct surveillance of husbands or kin. When women began to ally with each other and to politic during the French revolution, men barred female assembly. In India today, men suspiciously eye women who gather at wells or pumps. Women are afraid to speak to each other, although no law forbids it. Simply making men central, by making them necessary to survival, is enough to set women against each other.
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Marilyn French (From Eve to Dawn: A History of Women in the World, Vol. 1)
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Your own good’ was the mantra of my mother when I was growing up – it justified being force-fed laxatives once every three months, not celebrating my birthdays at school, curfews against travelling alone, refusal of permission to go to picnics.
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Meena Kandasamy (The Suspicious Husband)
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Security was, though, an ongoing rock-paper-scissors match between technologies that all seemed to want different things. The lobby of the building, its elevators and stairwells, and its exterior belts of walkways and gardens had all been covered by security cameras from the very beginning of Zula and Csongor’s tenancy. In those days a security guard would sit all day behind a reception desk in the lobby, keeping an eye on the main entrance, glancing down from time to time at an array of flat-panel monitors that showed him the feeds from those cameras. But the desk had been torn out some years ago and replaced with a big saltwater aquarium. The building still employed a security firm. But those guards who were human, and who were actually on site, spent most of the day up on their feet, strolling about the property while keeping track of events in wearable devices. Some of the “guards” were just algorithms, analyzing video and audio feeds for suspicious behavior, recognizing faces and cross-checking them against a whitelist of residents, friends, and neighbors, and a blacklist of predators, stalkers, and ex-husbands. Anything ambiguous was forwarded to a Southeast Asian eyeball farm.
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Neal Stephenson (Fall; or, Dodge in Hell)
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Mr. Van Koeren learned with fury that he had become a father two months before the allotted time. During his first paroxysm of rage, on the receipt of intelligence which seemed to confirm all his previous suspicious, it was, I believe, with difficulty that he was prevented from slaying both the innocent causes of his resentment. The caution of his race and the presence of the physicians induced him, however, to put a curb upon his furious will until reflection suggested quite as criminal, if not as dangerous, a vengeance. As soon as his poor wife had recovered from her illness, unnaturally prolonged by the delicacy of constitution induced by previous mental suffering, she was astonished to find, instead of increasing his persecutions, that her husband had changed his tactics and treated her with studied neglect.
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Fitz-James O'Brien (The Pot of Tulips)
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If I was married to a guy like that, chances are good he’d wind up being a suspicious smell in the attic
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G.A. McKevett (A Few Drops of Bitters (Savannah Reid, #26))