“
Life is like a novel. It's filled with suspense. You have no idea what is going to happen until you turn the page.
”
”
Sidney Sheldon
“
George’s utterance of the nest and the trap belonged to a bigger mystery she did not yet understand. One day I will, she promised herself. She would stake her life that those last words from her son would be solved by her. They were steppingstones into… whatever the wind and the stars and the valiant trees held for her.
”
”
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
“
Life was better than he expected with his new Italian family inheritance, and it felt good to take a deep breath without fear of someone attacking him or his family.
”
”
Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series Book 2))
“
Do as little harm to others as you can; make any sacrifice for your true friends; be responsible for yourself and ask nothing of others; and grab all the fun you can. Don't give much thought to yesterday, don't worry about tomorrow, live in the moment, and trust that your existence has meaning even when the world seems to be all blind chance and chaos. When life lands a hammer blow in your face, do your best to respond to the hammer as if it had been a cream pie.
”
”
Dean Koontz
“
I wanted to thank you for saving my life. I am still puzzled about your motives
though. Was it revenge against Zedan for rejecting you?”
“You insult me. It seems that you think of everybody in the same lowly terms you
think of yourself. If there is anybody I should hate for Zedan rejecting me, it should be
you. He was only doing what is expected of him in our society.”
“You mean you don't hate me?” This was a new revelation to Brown. It worried him.
He was used to hate, he could deal with it, but this he could not understand, he had used
the girl ruthlessly and yet she did not hate him.
”
”
Max Nowaz (The Arbitrator)
“
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
”
”
Grace Willows
“
We strive for harmony, but it is not always realized.
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
Time was not on their side, it was the enemy.
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
Only you can charter the course of your destiny.
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
Sally wiped the blood from Anderson’s mouth with her sleeve. She spoke to him, but also loud enough for all to hear. ‘Go find your son, Mr Anderson. This is our war now.
”
”
Barry Kirwan (When the children come (Children of the Eye, #1))
“
You always have free will to choose your path.
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
I read her nasty, wicked thoughts—and she knows for sure that I am a Druid. She is totally warped and absolutely no doubt about it—evil!
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
It is wise to offer your gratitude when you ask and when you receive.
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
If
"If freckles were lovely, and day was night,
And measles were nice and a lie warn't a lie,
Life would be delight,--
But things couldn't go right
For in such a sad plight
I wouldn't be I.
If earth was heaven and now was hence,
And past was present, and false was true,
There might be some sense
But I'd be in suspense
For on such a pretense
You wouldn't be you.
If fear was plucky, and globes were square,
And dirt was cleanly and tears were glee
Things would seem fair,--
Yet they'd all despair,
For if here was there
We wouldn't be we.
”
”
E.E. Cummings
“
I have words for this patently pedantic policy and what the mildly misogynistic men who tried to run my life could do with it. And if it rhymed with "dove it up their mass," I'd never tell a soul.
”
”
J. Rose Black (Chasing Headlines)
“
You don't know what can happen tomorrow. Life is like a novel, isn't it? It's filled with suspense. You never know what's going to happen until you turn the page.
”
”
Sidney Sheldon
“
2004 was a momentous year: a space craft landed on Mars, Mark Zuckerberg launched the Facebook, Michael Schumacher won his seventh world championship, and I met Elina.I couldn’t take my eyes off her and NASA must have been able to see her smile from Mars; it lit up the whole square. The town. My world. I had never felt so good
”
”
Brian J. Twiddy (Blessing)
“
They say that when you're about to die, your life flashes before your eyes. They never tell you that when you watch someone you once loved dying, hovering between this life and the next, it's twice as painful, because you're reliving two lives that traveled one road together.
”
”
Becca Fitzpatrick (Black Ice)
“
All living things are sensitive to their surroundings and convey distress and sorrow as well as joy. Trees are no exception as they are most rooted to mother earth and their limbs carry knowledge we can only aspire to obtain.
”
”
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
“
Your life is a book; make it a bestseller.
”
”
Shanon Grey
“
True to course, he didn’t know the nature of the assignment; true to course, he didn’t ask. That was probably for the best. Preparation for the Iranian hostage extraction had been difficult, and its execution life-threatening, but that was child’s play compared to what was coming.
”
”
Chad Boudreaux
“
He knew what he was doing – justifying an atrocity. But in war, that’s what always happened. Your red lines – those you swore to defend at all costs when you signed up – shifted, until finally none worth fighting for remained. PTSD wasn’t just about what happened to you; it was about what you did.
”
”
Barry Kirwan (When the children come (Children of the Eye, #1))
“
Favorite Quotations.
I speak my mind because it hurts to bite my tongue.
The worth of a book is measured by what you carry away from it.
It's not over till it's over.
Imagination is everything.
All life is an experiment.
What the caterpillar calls the end of the world, the master calls the butterfly.
”
”
Pat Frayne (Tales of Topaz the Conjure Cat: Part I Topaz and the Evil Wizard & Part II Topaz and the Plum-Gista Stone)
“
He had always been so careful, never revealed his true identity. But somehow, they’d fingered him, and his life had changed forever—for the worst. He couldn’t help but think that someone in the Central Intelligence Agency had turned on him. One of his own.
”
”
Chad Boudreaux (Scavenger Hunt)
“
[B]ehind the mother fighting for her son’s life was the priestess of the forest and the cup.
”
”
Susan Rowland (The Sacred Well Murders (Mary Wandwalker #1))
“
Charlotte had been surrounded by men most of her adult life. Only one attracted her, only one had she fallen in love with – and he turned out to be cruel and broke her heart. But he was dead. She had killed him. He was a Nazi, an SS officer, dashing and charismatic … an evil person.
”
”
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
“
The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
”
”
Charles Dickens (Oliver Twist)
“
The officer looked at her. “So, to recap, you carried a package of, you don’t know what, for a girl you’ve never seen before and gave it to a man you don’t know. Or so you say. Who does that?
”
”
Alyssa Hall (And Then I Heard the Quiet)
“
…You’re throwing us away because you’re afraid to let yourself fall in love. You’re searching for something that isn’t real. You’re not Eric Stone. He’s your protagonist. Eric Stone is make-believe and life isn’t an adventure novel.
”
”
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
“
At first glance, Jake, Shayna, Seneca, and Conner seem like average teens. Maybe even like some kids you know. But they’re not. They know that magic, spells, and prophecies are real.
”
”
C. Toni Graham (Crossroads and the Dominion of Four (Crossroads, #2))
“
Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen. It gives life a permanently provisional feeling. It doesn't seem worth starting anything. I can't settle down. I yawn, fidget, I smoke too much. Up till this I always had too little time. Now there is nothing but time. Almost pure time, empty successiveness.
”
”
C.S. Lewis (A Grief Observed)
“
And now Anderson stood looking at his father. His hands were trembling with eagerness, extending toward him, wanting his father to embrace him. He wanted to love it back to life for all those lost times, for all those times of hope. “Permission to sit, sir?
”
”
Behcet Kaya (Murder on the Naval Base)
“
You will be staying here until I’ve deemed it safe for you to go back to your life. Do you understand me?
”
”
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
“
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky."
Excerpt from Grace Willow's Last Minute Bride
”
”
Grace Willows
“
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
This life is a virtual simulation game where you can win or lose, you can continue playing for the rest of your life or join the club. You decide! You only have to respect one rule because your stay in the human farm will depend on that, continue playing until the end no matter how many times you are brought into this reality, so stay awake with your eyes wide open and your mouth tight shut."
Welcome to the game of life, welcome to the matrix.
”
”
Marcos Orowitz (TALENT FOR HORROR 2: Special- Madame Jeanne Weber's shoes (Talent for Horror Series Book Revelation 2022))
“
Emotions don’t interfere in my acting, nor in my life.
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
Life sure has a way of spitting in your eyes when you don’t respect its lessons.
”
”
H. Meadow Hopewell (Rage Against the Machine)
“
But this is my fucking life! My mom died and some reporter wanted a story.” I heaved for air. “And all I cared about was playing in some game. Like that was what mattered. She was dying, and I was mad. I’m still fucking pissed. Criminals survive every day. Murderers and rapists and lunatics. But not her.”
“Life, in all the years I’ve been living it, son, doesn’t make a lick of sense where that’s concerned.
”
”
J. Rose Black (Chasing Headlines)
“
Whereas during those months of separation time had never gone quickly enough for their liking and they were wanting to speed its flight, now that they were in sight of the town they would have liked to slow it down and hold each moment in suspense, once the breaks went on and the train was entering the station. For the sensation, confused perhaps, but none the less poingant for that, of all those days and weeks and months of life lost to their love made them vaguely feel they were entitled to some compensation; this present hour of joy should run at half the speed of those long hours of waiting.
”
”
Albert Camus (The Plague)
“
Often the wise way is to seek the need, not the want. Want is often tainted by greed and is often wholly self-centred. Need by contrast is often the wish of the heart or soul for something better, something more whole.
”
”
Robert Reid (The Empress: (The Emperor, The Son and The Thief, #4))
“
I want to be able to fulfill someone’s heart’s desires and make them happy. Learn new things about life and have memorable experiences.
”
”
Charles Dyson (A Decade of Desire: Erotic Memoirs from The Office Diaries)
“
There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
My CB handle is Flaming Chick, but name’s Melba—dry and crisp like the toast. Meet my co-pilot, Spark Pug,” she snorted, “Most people walk their dogs, but he’s so old I take him out for a stand . . . it takes all he’s got to lift his leg.
”
”
JoDee Neathery (A Kind of Hush)
“
He hugged her hard. "I love you. My life is so much better with you in it than out of it.
”
”
Cindy Gerard (To the Brink (The Bodyguards #3))
“
Next morning, while her children were still asleep in their tent, Evie got up early. The acorn she had planted the day before had sprung to life and was nearly ten feet high. Sitting on the fallen log where the forest boy had sat thirty years earlier, she listened. There was no dancing partner. Maybe she was now too old, but the oak trees did sing for her.
”
”
Robert Reid (The Empress: (The Emperor, The Son and The Thief, #4))
“
A spell... this is real life, not some magical world - what kind of an alternate reality did I stumble into?
”
”
Carl Novakovich (The Watchers: The Tomb)
“
When I get to the end of my life, I want to be able to look back and know that my being here made things better - Daphne
”
”
Karen Rose (Did You Miss Me? (Romantic Suspense, #14; Baltimore, #3))
“
True forgiveness is letting go of something and moving forward with your life. I was stuck in the past, drowning in misery.
”
”
Sharon Carter (Love Auction: Too Risky to Love Again)
“
He was running for his life. If he didn’t make it, he hoped Emily would take off and get to safety.
”
”
Dawn Chalker (Bear Me in Mind)
“
We do not remember days, Shemei, we remember moments, and the richness of life lies in memories we have forgotten.
”
”
Terri Herman-Poncé (In This Life)
“
=> When life gives you a hundred reasons to cry, show life that you have a thousand reasons to smile.
=> Never tell your problems to anyone...20% don't care and the other 80% are glad you have them.
=> It's true that we don't know what we've got until we lose
it, but it's also true that we don't know what we've been
missing until it arrives.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
Regret in life indicates your vitality has yet to be sufficiently tested. Appreciating lessons of your past and it’s tethering to your current circumstance and future, will cure that. It’s an awakening on the horizon. – Fayton
Award-winning published poet, plus.
”
”
Fayton Hollington (TWISTED)
“
Treaties on paper came and went, but a promise sealed in blood was for life.
”
”
Robert Reid (White Light Red Fire)
“
Before I started killing people, I like to think I was a fairly normal kid.
”
”
Edward Williams
“
Drama does not just walk into our lives. Either we create it, invite it, or associate with it.
”
”
Brandi L. Bates (Remains To Be Seen)
“
You settle for less, you get less.
”
”
Brandi L. Bates (Remains To Be Seen)
“
She had learned, too, that quiet was a thing you built, not a thing you inherited.
”
”
D.L. Maddox (Stolen (The Dog Walker #3))
“
I feel like a massive wave of life just washed over me. While luck comes in many guises, winning the lottery pales into nothing compared to meeting unique people.
”
”
Charles Dyson (A Decade of Desire: Erotic Memoirs from The Office Diaries)
“
Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.
”
”
Colin Phelan (The Local School)
“
Life ends with a snap of small bones, a head cracked from its stem, and a spirit unmoored...
”
”
Sarah Kernochan (Jane Was Here)
“
And they...LIVED! Life isn't always ‘Happily Ever After’, rather, loving FOREVER, regardless.
”
”
Carmen DeSousa (She Belongs To Me (Southern Suspense, #1))
“
He’d wormed his way into Justin’s life like a grub—preying on his weaknesses and his sexual orientation.
”
”
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
“
If you're worried I'll bite, I promise to tell you first.
”
”
Lisa Renee Jones (Escaping Reality (The Secret Life of Amy Bensen, #1))
“
I would like to request that the Elder join us for celebrations in Aldene. I have a daughter who needs a husband, and I think I know the man she will choose.” Alastair Munro smiled. He could see the words Aonaibh Ri Chéile shining brightly from the new Elder’s ring.
”
”
Robert Reid (White Light Red Fire)
“
Starla and Conner ambled to his car, knowing each deliberate footstep meant the road to parting was nearer. He leaned his back against the door pulling her within inches of his face, their personal space evaporating like dew steeped in the warmth of the morning sun. She tilted her head sideways, searching his eyes with hers. Straightening the collar of his shirt she said, “If I’m too bold forgive me, but you fill a void in my life . . . you’re like finding that stray earring I’ve been trying to find for ages and now that I have, it scares me.
”
”
JoDee Neathery (A Kind of Hush)
“
God knows, I’m no expert on relationships, but I do know when something’s good. And this thing we’ve created between us is precious and rare. I only hope it’s not fleeting, because for the first time in my adult life, I’ve given someone the power to hurt me.
”
”
Linda Castillo (Gone Missing (Kate Burkholder, #4))
“
No matterwhat he did to make Claire’s life better or show her he’d changed, these memories would always linger in the recesses of his mind. For the rest of his life, he’d know what he’d done. Tony hated himself for all of it—hell, he always had the end justifies the means argument, but even he didn’t believe that anymore. Not now. Not now that he knew Claire and loved Claire.
”
”
Aleatha Romig (Convicted (Consequences, #3))
“
She wasn't a cowardIf she were she would have retreated back into her shell years before and pulled back entirely from life. She was a fighter. Life knocked her down, and she coped by getting up and moving on.
”
”
Dee Henderson (Danger in the Shadows (O'Malley, #0))
“
It was like this blackness that crept into the corners of my life until everything was grey and dirty. My insides felt burnt out, like if you cut me open, all you would find would be smoke. No heart. No bones. There was nothing left, just the anger. It followed me everywhere. It sat on my bed and watched me sleep and when I had to eat, it looked at me across the table.
”
”
Tanya Byrne (Heart-Shaped Bruise)
“
Edward unlocked a drawer of his desk where he kept valuables, opened it, and withdrew the Buck knife Amelia had given him a few days after he’d turned eighteen, about a month before they were to be married. He stared straight ahead, feeling its weight in his hand. He looked down at the knife, opened it, and scraped his finger lightly across the blade. Still sharp. He had used it for only a month, but after Amelia left him at the altar, he stored it away, rarely touching it. Today, however, he wanted to remember the pain.
”
”
Steven Decker (One More Life to Live (Edward and the Bricklayer Book 1))
“
What is it, Val? What are you watch . . .” His word trailed off as his
eyes landed on the TV screen. The headline looming at the bottom of
the screen said it all—
“Planet Killer Aimed at Earth”
Wordlessly, Jeremy moved around the couch and plopped down
beside Valerie, whose eyes were glued to the screen. After moments of
watching, he turned to look at her, and her mouth was sagging open. It
was only then he realized his was too. He closed it with an audible click,
returning his attention to the screen. The narrator continued on about
the details of the new discovery until he got to the scientific name for
the asteroid and the new media moniker; Rabbit’s Revenge. Something
clicked in the back of his mind. Some little sensation of recognition
sparked at the name, but for the life of him Jeremy couldn’t place why.
”
”
Jody Summers (The Mayan Legacy)
“
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Since that night a couple of weeks ago when Valerie had stayed with
him, they had barely separated. The stories of Rabbit’s Revenge droned
on and on talking of the impending doom of the planet and the international
scientific community’s various attempts to determine a course of
action to prevent it.
For Jeremy, however, each passing day left him feeling more and
more certain he was missing something. It was just a nagging little sensation
that lingered like an itch on the back of his neck. With Valerie
now firmly implanted in his life, it was a wonder he even thought about
it at all, but during his quiet moments and when he awoke in the mornings
or even during his more intense workouts, the sensation crept back
up on him. It seemed to center around the experience of having his life
pass before his eyes, but beyond that it was just nebulous.
And annoying.
”
”
Jody Summers (The Mayan Legacy)
“
Yet the upcoming year was going to be a new phase of my life. I would get to follow my big
brother to the big house. I had reached that golden age of six. Finally, I was going to experience
the real deal. This was no appetizer, or tater tots, or French fries. This was the whole Ore-Ida. I would be amongst thechaos like all the neighborhood kids. Everyone that knew Jerry would get to know me, too.
Since we were at Aunt Kathy’s, I had to curtail my exuberance. We had nothing like the freedom at mom’s shack. So, I did my best to remain out of sight. But those efforts were futile. School was just hours away. I really couldn’t contain myself without medication or God forbid, a good old-fashioned ass beating.
Well, Aunt Kathy implored me to settle down. She kept issuing threat after threat with such statements, “Boy, do I needto beat the black off of you,” or “Gorilla will be your name when
I’m finish!” Yes, I got the message but beating my butt wasn’t going to be enough. Heck, I had been waiting for three long, long years just to join Jerry. Anything short of a bullet wasn’t going to stop me.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
God must think her a badass because he’d handed her this moment, and he didn’t dole out shit she couldn’t handle. That was a fact taught long ago by that miserable bitch called life.
”
”
Cristin Harber (Savage Secrets (Titan, #4))
“
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours.
Secrets could be so irresistibly beautiful...
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
Why do you even want to be involved with me?" she asked. "I'm a complete mess. I don't have my head on straight. I'm a master at fucking up everything that's good in my life."
"But you're my mess." Cole said quietly. "I don't need you to be perfect. I just need you to be you because that's who I care about.
”
”
Maya Banks (Shades of Gray (KGI, #6))
“
There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
I've got no tolerance for a man who hurts women. Every man on this planet owes his life to a woman. I hope they catch the bastard and hang him by his nuts.
”
”
Pamela Clare (Skin Deep (I-Team, #5.5))
“
I’ve been on the run most of my life, yet I still need to mentally go over the plan several times a day. Because they’ve almost caught me before. Because they’ll never stop hunting me.
”
”
Jordan Night (I, Outlawed (Santina, #1))
“
What we love in our books are the depths of many marvelous moments seen all at once.There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. When seen all at once, they produce an image of life that is beautiful and surprising and deep.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
The Search for reason ends at the known; on the immense expanse beyond it only the sense of the ineffable can glide. It alone knows the route to that which is remote from experience and understanding. Neither of them is amphibious: reason cannot go beyond the shore, and the sense of the ineffable is out of place where we measure, where we weigh. We do not leave the shore of the known in search of adventure or suspense or because of the failure of reason to answer our questions. We sail because our mind is like a fantastic seashell, and when applying our ear to its lips we hear a perpetual murmur from the waves beyond the shore. Citizens of two realms, we all must sustain a dual allegiance: we sense the ineffable in one realm, we name and exploit reality in another. Between the two we set up a system of references, but we can never fill the gap. They are as far and as close to each other as time and calendar, as violin and melody, as life and what lies beyond the last breath.
”
”
Abraham Joshua Heschel (Man Is Not Alone: A Philosophy of Religion)
“
Learning to pause is the first step in the practice of Radical Acceptance. A pause is a suspension of activity, a time of temporary disengagement when we are no longer moving toward any goal. . . . The pause can occur in the midst of almost any activity and can last for an instant, for hours or for seasons of our life. . . . We may pause in the midst of meditation to let go of thoughts and reawaken our attention to the breath. We may pause by stepping out of daily life to go on a retreat or to spend time in nature or to take a sabbatical. . . . You might try it now: Stop reading and sit there, doing "no thing," and simply notice what you are experiencing.
”
”
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
“
It is a miserable thing to live in suspense; it is the life of the spider.
”
”
Jonathan Swift
“
He was too old to be working, too young to be dead and too broke to do anything else. Life's a bitch, sometimes...
”
”
Chris Culver (Just Run)
“
You must give me leave to flatter myself, my dear cousin, that your refusal of my addresses is merely words of course. My reasons for believing it are briefly these: -- It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you. Your portion is unhappily so small that it will in all likelihood undo the effects of your loveliness and amiable qualifications. As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females.
(Mr. Collins, after proposing to Elizabeth Bennet and being refused, in Pride and Prejudice.)
”
”
Jane Austen
“
Pon distancia y trata de mantener la sonrisa. Sintoniza un rock and roll en la radio y ve hacia toda la vida que existe con todo el valor que puedas reunir y toda la fe que logres invocar. Sé leal, sé valiente, aguanta. El resto es oscuridad.
”
”
Stephen King (It)
“
A convicted felon has rights, too. Your company took advantage of my client at a low point in his life. Like a helpless child, he couldn’t fight for himself. It makes me wonder how you sleep at night.”
Aiden’s brow hiked. “The helpless child was the boy he orphaned when he killed his father.
”
”
Diane L. Kowalyshyn (Double Cross (Cross Your Heart and Die, #2))
“
I desire you so much that I believe I might lose my reason. My body yearns for yours, and I crumble every single time you touch me. I've tried to be stronger but the memory of you inside me burns me. No man has ever made me feel the way you did. Whether you believe me or not, I will cherish that unforgettable moment for the rest of my life.
”
”
Chris Lange (The Lord of the Clans)
“
I am sorry, Lharkin told them, but I cannot: I no longer have the power of the Light. To bring Spyrel back, Cila, would mean to lose my own life, as that would be the price a Night Empian would now pay.
”
”
Marie Montine (Mourning Grey: Part Three The Guardians Of The Temple Saga)
“
You can’t make it through life numbing, Karolina. At least, not a vampiric life. When you numb, you block out the positive experiences too, and it’s feeling the good which makes surviving the bad worthwhile.
”
”
M.R. Noble (Dark Eyes: White Lies (The Dark Eyes #2))
“
…but I don’t think I’m the only person who is tired of books and movies full of paper-doll characters you don’t care about, who have no self-respect and no respect for anybody or any institution…..And I don’t want to sound preachy or Victorian, but I’m tired of amorality in fiction and in real life. Immorality is a fascinating human dilemma that creates suspense for the readers and tension for the characters, but where is the tension in an amoral situation? When people have no personal code, nothing is threatening and nothing is meaningful.
”
”
Olive Ann Burns
“
When you walked into my life, I knew at that moment who I am, everything inside of me was no longer mine. One touch from your hand is all it took, from that second on, I knew that I will always belong to you.
”
”
Karen-Anne Stewart (Healing Rain (Rain Trilogy, #2))
“
I know a little more about you now, Audray, or whoever you really are. The New Year is near, and my son’s resolution will not include you. Or I could make your life very uncomfortable after I tell James about you.
”
”
Marie Montine (Mourning Grey: Part One: The Guardians Of The Temple Saga)
“
THE QUR’AN BEGINS WITH A MYSTERY. AFTER A SHORT SEVEN-VERSE
preface, the Qur’an’s grand opening chapter launches not with a word, but with . . . three enigmatic Arabic letters:
Alif Lam Mim
”
”
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
“
Thinking is man’s only basic virtue, from which all the others proceed. And his basic vice, the source of all his evils, is that nameless act which all of you practice, but struggle never to admit: the act of blanking out, the willful suspension of one’s consciousness, the refusal to think - not blindness, but the refusal to see; not ignorance, but the refusal to know. It is the act of unfocusing your mind and inducing an inner fog to escape the responsibility of judgment - on the unstated premise that a thing will not exist if only you refuse to identify it, that A will not be A so long as you do not pronounce the verdict ‘It is.
”
”
Ayn Rand (Atlas Shrugged)
“
I have only known two men's souls in my life, one the devil, the other the the bird's wings which picked me up and carried me back to the freedom of being.
”
”
Wendy gibbins
“
The day you lose your ability to make me laugh, I’ll know that life isn’t worth living.
”
”
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
“
All the bad in my life led me to her, which makes me think that I can live with the past if she is my future. —HEW
”
”
Michelle Warren (He + She)
“
Well, if you can accept that I’m a great big geeky fangirl, then I guess I can accept that you’re a skeptic and a realist.
”
”
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
“
Sometimes the closer you are to the truth, the harder it is to see.
”
”
Jacqueline Simon Gunn (Circle of Trust (Close Enough to Kill #2))
“
I now wear the memory of nothingness
a piece of white sail wrapped like second skin.
”
”
Helene Cardona (Life in Suspension: La Vie Suspendue)
“
Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.
”
”
James Salter (Light Years)
“
We’ve got to stop meeting like this.”
“No, we don’t.” He liked meeting like this, over her bare ass, a hot-off-the-presses copy of the Rocky Mountain News, and a steaming cup of coffee. It was so perfect, he planned on doing it every day for the rest of his life. He just hadn’t told her yet.
”
”
Tara Janzen (On the Loose (Steele Street, #7))
“
Depression is not dramatic, but it is total. It’s sneaky - you almost don’t notice it at first. Like a cat burglar, it comes in through an open window while you’re sleeping. It takes little things at first; your appetite, your desire to return phone calls. Then it comes back for the big stuff, like your will to live.
Then next thing you know, your legs are filled with sand. The thought of brushing your teeth fills you with dread, it seems like such an impossible task. Suddenly you’re living your life in black and white – nothing is bright, nothing is pretty anymore. Music sounds tinny and distant. Things you found funny seem dull and off-key.
”
”
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
“
The truth had always been there, but he had been afraid to delve into his past. It only eventually caught up to him anyway, like a relentless monster, gobbling up his entire life, the bones having been spat out, leaving behind a pathetic existence.
”
”
Marie Montine (Arising Son: Part One (The Guardians of the Temple Saga))
“
Beyond even any teaching, though, the aspect of spiritual life that is the most profound is the element of grace. Grace is something that comes to us when we somehow find ourselves completely available, when we become openhearted and open-minded, and are willing to entertain the possibility that we may not know what we think we know. In this gap of not knowing, in the suspension of any conclusion, a whole other element of life and reality can rush in. This is what I call grace. It’s that moment of “ah-ha!”—a moment of recognition when we realize something that previously we never could quite imagine.
”
”
Adyashanti (Falling Into Grace)
“
At a hundred and twenty five miles per hour, with the wind rushing in his face, darkness around him, he is alone in the universe, but then, Zeb has been alone all his life.
”
”
Ty Patterson (The Warrior)
“
Writing is a way of organizing experience and life itself.
”
”
Patricia Highsmith (Plotting and Writing Suspense Fiction)
“
Suspense left my life a long time ago, now it has returned. I do not care for it.
”
”
Ben Marcus (The Flame Alphabet)
“
I become ocean, mercury, silver
shimmers, fairy tales, fascinated.
”
”
Helene Cardona (Life in Suspension: La Vie Suspendue)
“
You listen to the silence
drawn on the ashes of ancient sacrifices.
”
”
Helene Cardona (Life in Suspension: La Vie Suspendue)
“
The phone felt suddenly heavy, like an anchor to a life she was already losing.
”
”
D.L. Maddox (Reckoning (The Dog Walker #4))
“
Gigi’s actual name was Jolene Kraken. If her penetralia was exposed, even Gigi herself would be surprised. She was smart, aloof, indifferent to the opinions of others. Maybe she was amoral. Maybe because self-analysis wasn’t her strong suit. Neither did self-analysis interest her. Her goal as a young woman was to make serious money, enough to set her up for a life in which she could romp and stomp through the world doing exactly what she wished. And frequently what she wished was to deliver justice to people with bad intentions. She wanted to hurt people who hurt people.
”
”
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
“
As the sun rules the day and the moon governs the night, so too, we are connected by: the air that we breathe, light that we see and the darkness that follows. Life is too short to waste it on disagreements. Surely, we can all agree to disagree. So let us find a common ground, form a union and spread joy, happiness and freedom around the world for the benefit of you, me and the future generations to come.
”
”
Raymond Beresford Hamilton (Identity Assumption)
“
Natalie was going to stay at home, cooking meals, baking pies, and making sure their life together was comfortable. When Zach came home from a hard day's work, she wanted to be there for him, not coping with her own stress and fatigue. She knew some women would object to her decision, but this was her life, and she was going to live it as she chose.
”
”
Pamela Clare (Breaking Point (I-Team, #5))
“
There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
She says it is a school for bluestockings which, according to her, is really only a fashionable way of saying it is a school for ugly girls who cannot find suitable husbands. To tease her, for I believe it is one of his greatest pleasures in this life, my father bought a pair of blue silk stockings for me the day we received my letter of acceptance. That evening and the next, father and I dined alone.
”
”
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
“
Arthur went down, and I know him too well to imagine he's coming back up unless I drag him behind me, a sullen Eurydice. I know the hard set of his jaw and the soft slide of his lips, I know the terrible guilt that drives him and the scars it left behind. I know he is the thing I have been chasing and craving, searching and waiting and hoping for my entire life: home.
”
”
Alix E. Harrow (Starling House)
“
Alannah?” He held her limp body waiting for a response. “Don’t do this.” He put his hand over the other cut whispering his words and healing it as well. “Alannah?” His voice begged, as he held her face in his hand Still no response. He looked at the ground she had laid on realizing that she had lost a lot of blood. Then from the corner of his eye he saw the rise and fall of her chest and let out a breath he hadn’t realized he was holding. She still lives.
”
”
B.C. Morin (Mark of the Princess (The Kingdom Chronicles, #1))
“
To capture the drama of the unconscious, one had to start with the key, and the key was the dream. But the novelist’s task was to pursue this dream, to unravel its meaning; the goal was to reach the relation of dream to life; the suspense was in finding this which led to a deeper significance of our acts.
”
”
Anaïs Nin (The Novel of the Future)
“
Life is a school. Have fun! Enjoy! But don't forget to learn!
”
”
C.J. Heigelmann (An Uncommon Folk Rhapsody: A Multicultural American Civil War Romance and Suspense Novel)
“
God's ways often didn't make sense upon first glance.
”
”
Dani Pettrey (Still Life (Chesapeake Valor, #2))
“
Life has its enigmatic events, that can make it a mystery, or my misery. It all depends on how I view it.
”
”
Anthony Liccione
“
Something can be very funny and then suddenly very terrifying-very exciting, and suddenly very ridiculous. I think that’s what life is like, that’s what interests me.
”
”
Joss Whedon
“
Live life to the fullest and never forget the people that supported you along the way.
”
”
Dorothy W. Cosey
“
It was disconcerting to live in a time in which accepting reality required a suspension of disbelief.
”
”
Dan Chaon (Sleepwalk)
“
You know me, gattina, you're just conditioned to think you can't trust anyone. He did that to you. Don't let him interfere with us. You have the right to live your life, Grace.
”
”
Christine Feehan (Shadow Warrior (Shadow Riders, #4))
“
He didn't want to take over her life, he wanted her to surrender it to him. Invading her privacy was far different than her volunteering to tell him what was going on in her life.
”
”
Christine Feehan (Shadow Warrior (Shadow Riders, #4))
“
She had refused to draw the monster. She feared to give him form.
”
”
Christina Dodd (Because I'm Watching (Virtue Falls, #3))
“
I think I've proved that I'm not to be trusted," he said.
"Then why do I feel safer now that I have in my entire life?"
"Because you're just as screwed up as me.
”
”
Brynn Kelly (Deception Island (The Legionnaires #1))
“
We packed
whole lives into bundles in search
of what chooses us, what wants to come
back to the surface, what needs to be said.
We had so many dreams
we didn’t know what to make of them.
”
”
Helene Cardona (Life in Suspension: La Vie Suspendue)
“
There are many causes for a suicide, and generally the most obvious ones were not the most powerful. Rarely is suicide committed (yet the hypothesis is not excluded) through reflection. What sets off the crisis is almost always unverifiable. Newspapers often speak of "personal sorrows" or of "incurable illness." These explanations are plausible. But one would have to know whether a friend of the desperate man had not that very day addressed him indifferently. He is the guilty one. For that is enough to precipitate all the rancors and all the boredom still in suspension. But if it is hard to fix the precise instant, the subtle step when the mind opted for death, it is easier to deduce from the act itself the consequences it implies. In a sense, and as in melodrama, killing yourself amounts to confessing. It is confessing that life is too much for you or that you do not understand it. Let's not go too far in such analogies, however, but rather return to everyday words. It is merely confessing that that "is not worth the trouble." Living, naturally, is never easy. You continue making the gestures commanded by existence for many reasons, the first of which is habit. Dying voluntarily implies that you have recognized, even instinctively, the ridiculous character of that habit, the absence of any profound reason for living, the insane character of that daily agitation, and the uselessness of suffering. What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.
”
”
Albert Camus
“
Leaning forward he placed his lips over hers. She told herself he was breathing life into her, but the truth was he'd always been sucking it out, slowly, one breath at a time. - From ENGRAVED
”
”
Amber Garza
“
People snare when I tell them that I’m an emotional prostitute. But after my rebuttal, they begin to realize that they are one too. Like me, they have pimped their emotions for the affections of another. Like me, they’ve gone through life tormented by the idea of living a happily ever after, not realizing that the ever after isn’t so happy.
”
”
Beatrice McClearn (Diaries of an Emotional Prostitute)
“
Oh yes, how terrible for you. Having to have a staff wait on you, having the world for yours to take due to being born into privilege and being so unbelievably bored at the prospect of living a life of leisure thanks to the genetic lottery you won that you threw it all away for a pursuit of a career that, quite frankly, is not your strong suit, shall we say. Yes. Poor little rich girl. Everything you have now, everything you had lost and walked away from, is of your doing. You just had to maintain a life of decorum. Sorry if the expectations of being proper were unattainable for you. I hadn’t expected that to be outside of your reach.
”
”
Kathleen Lopez (Thirteen for Dinner)
“
She did nothing, although sometimes when she saw him in the village she'd smile in a faint, puzzled way. After three weeks of this the suspense was too much for him and he took his own life; in fact he took it all the way across the continent, where he became a reformed character and never went home again.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
Sounds to me you just haven’t found the right man, is all,” Sage proposed. “When the time comes, it will be when you least expect it. My late husband died three years ago, and Nick and Niki came into my life unexpectedly. My husband ran a background check on me before we met, which was understandable. He had been through a messy divorce. He tried to stay away from me but couldn’t. I’m blessed to have them, including this bundle of joy,” she shone with pleasure.
”
”
Sharon Carter (Love Auction II: Love Designs)
“
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake.
Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
”
”
David James Duncan
“
There should have been a dark whisper in the wind. Or maybe a deep chill in the bone. Something. An ethereal song only Elizabeth or I could hear. A tightness in the air. Some textbook premonition. There are misfortunes we almost expect in life—what happened to my parents, for example—and then there are other dark moments, moments of sudden violence that alter everything. There was my life before the tragedy. There is my life now. The two have very little in common.
”
”
Harlan Coben (Tell No One)
“
How would Elijah ever understand a life that is dark more than light? Or a shadow of someone who follows her around, and when she least expects it, taps her on the back and asks, where are you going, Seraphina?
”
”
Christy A. Campbell (The Sharing Moon)
“
Whenever there is love beyond boundaries ....
Whenever trust flows deeper than oceans ....
Nevertheless, a Trial is born ....
You pass that trial, sacred you shall be .... if you don't, your are immortal !!!!
”
”
M.W.Latif
“
Rationality is man's basic virtue, the source of all his other virtues. Man's basic vice, the source of all evils, is the act of unfocussing his mind, the suspension of his conciousness, which is not blindness, but the refusal to see, not ignorance, but the refusal to know. Irrationality is the rejection of man's means of survival and therefore, a commitment to a course of blind destruction; that is anti-mind, anti-life.
”
”
Ayn Rand (The Virtue of Selfishness: A New Concept of Egoism)
“
In the beginning was the Word. And the Word was programmed in classic binary. And the Word said, “Let there be life!” And so, somewhere in the TechnoCore vaults of my mother’s estate, frozen sperm from my long-dead daddy was defrosted, set in suspension, shaken like the vanilla malts of yore, loaded into something part squirt gun and part dildo, and—at the magic touch of a trigger—ejaculated into Mother at a time when the moon was full and the egg was ripe.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
The Ordinary is Extraordinary ..." my motto for life as a writer/Mom/woman
”
”
Lisa Barr
“
You can suck the life out of someone without ever touching a drop of their blood. --Raphael Sinclair
”
”
Helen Maryles Shankman (The Color of Light)
“
Next to God, Family is the best thing.
”
”
April Floyd (Unique: A Unique World & A Unique Life)
“
I want to know why you love me.
Because I don't make sense without you. You're part of me.
”
”
Dani Pettrey (Still Life (Chesapeake Valor, #2))
“
He was worth waiting for, even when I didn’t know he was coming into my life.
”
”
Cristin Harber (Ricochet (Delta #4))
“
It feels as though it were just yesterday Grandfather exited my life like a bullet, leaving a bleeding hole behind.
”
”
Chitra Banerjee Divakaruni (Oleander Girl)
“
Have you been hitting the wine or my mother's brownies again?
”
”
Terri Herman-Poncé (In This Life)
“
He had the muscular definition of a man who had spent his life restraining elephants in heat.
”
”
Taona Dumisani Chiveneko (Sprout of Disruption (The Hangman's Replacement # 1))
“
They are from another world, another way of life that somehow has merged with our own. These worlds are kept separate for the safety of everyone. " "And yet, I connect them." "You do.
”
”
Meredith T. Taylor (Churning Waters (The Churning Waters Saga, #1))
“
It is then good to remember that artists have existed and persisted, like the snail and coelacanth and other changing forms of organic life since long before governments were dreamed of.
”
”
Patricia Highsmith (Plotting and Writing Suspense Fiction)
“
Let us leave in suspension such debates about the economic costs of the War and look at another kind of cost, a kind more subtle, pervasive, and continuing, a kind that conditions in a thousand ways the temper of American life today. This cost is psychological, and it is, of course, different for the winner and the loser.
”
”
Robert Penn Warren (The Legacy of the Civil War)
“
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink.
Suddenly I felt the slight weight go this body against my back and the corner of his mouth brushed adjacent my ear.
"How human you are," he whispered.
”
”
Jes Dory (Isle (Isle #1))
“
Can you conceive of an injustice, criminal in nature, encroaching upon your life’s course? Yes, you; reading this. -- Does your status, as it were, have you so psychologically fractured you honestly believe you’re immune? If thought occupies you for more than a second, you’re entrenched in ignorance you favor.
What should be an innate appreciation of society holds little to no relevance today. Your financial footing takes priority over just about any and everything. Being alive, able bodied, and breathing isn’t enough. What happens when that’s all stripped away?
The choice to exist in the creation of social media was yours, where a mere accusation, or negative posting could damage what should be held in the highest regard, your reputation. The cyber establishment’s chokehold is fierce, and you feel it, yet you constantly wonder why you can’t breathe, but hey, you’re “woke” right?
Your foundation, personal and or financial might be buckling, but you’re clueless, even though it was you who shared every delicate and secular aspect of your life.
Our brand has replaced moral fiber, dictating and tampering with the control of humanity. Are we waiting for the catastrophic crash of mankind? It appears so, when you step back from the edge, watch and listen? That’s a predicament that wasn’t even on your radar, but here you are, “woke,” right?
A roof over your head, clothes on your back, sustenance, hell, even the air you breathe, all taken for granted. This should be a daunting notion I’m setting before the appetite of your consciousness, but perhaps it remains far-fetched. The question you should be asking yourself is, how woke are you; really?
Regardless of gender, a simple compliment, smile, assistance, or jealousy can ignite a desire to stalk or destroy a person. -- The only untainted bubble any of us occupied was in utero, so you are not above reproach of any kind. Whatever self-made bacterial hubris you’ve placed yourself in, outside of that, speaks to the degree of self-importance encasing you, so it’s impossible for you to appreciate what it is to be “woke,” in the real world.
”
”
Fayton Hollington (TWISTED)
“
Some women like to treat a man like a piece of bubble gum. The poor sap thinks everything’s fine. And it is—until the taste runs out. Then she’ll just spit him out the car window of her life and never look back.
”
”
Robert Burton Robinson (Illusion of Luck (Greg Tenorly Suspense #3))
“
If the writer wants to create suspense, or build tension, or make the reader wait and wonder, or join a journey of discovery, or hold on for dear life, he can save subject and verb of the main clause until later. As I just did.
”
”
Roy Peter Clark (Writing Tools: 50 Essential Strategies for Every Writer)
“
The Age Of Reason
1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’
2. “ I’m not so much interested in myself as all that’ he said simply.
‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’
3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’
4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’
5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’
6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’
‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’
‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’
7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’
8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’
9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
”
”
Jean-Paul Sartre
“
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink. Suddenly I felt the slight weight of his body against my back and the corner of his mouth brushed against my ear. "How human you are," he whispered.
”
”
Jes Dory (Isle (Isle #1))
“
He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them.
Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price
”
”
Jane Austen (Mansfield Park)
“
Sometimes love comes easily, and sometimes it's the most challenging decision a person ever makes. That reality doesn't make one way right and the other wrong, it just is. The love underlying marriage is more than an emotion, more than a set of facts adding up to a decision. It's the choice that this is the person I'm going to stay with for the rest of my life. It's something you have to make with your head and your heart . . . .
”
”
Dee Henderson (Threads of Suspicion (Evie Blackwell Cold Case, #2))
“
After a brief period of suspense, the will of my mistress was read, and we learned that she had bequeathed me to her sister’s daughter, a child of five years old. So vanished our hopes. My mistress had taught me the precepts of God’s Word: “Thou shalt love thy neighbor as thyself.” “Whatsoever ye would that men should do unto you, do ye even so unto them.”2 But I was her slave, and I suppose she did not recognize me as her neighbor.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
When my son speaks of playing sports, I've always told him: playing on the team is great, but aspire to be the guy who owns the team. I've always told my son: most of the guys on the team will end up bankrupt with bum knees, but not the guy who owns that franchise.
”
”
Brandi L. Bates
“
Why do I make room in my mind for such filth and nonsense? Do I hope that if feeling disguises itself as thought I shall feel less? Aren’t all these notes the senseless writhings of a man who won’t accept the fact that there is nothing we can do with suffering except to suffer it? Who still thinks there is some device (if only he could find it) which will make pain not to be pain. It doesn’t really matter whether you grip the arms of the dentist’s chair or let your hands lie in your lap. The drill drills on. And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen. It gives life a permanently provisional feeling. It doesn’t seem worth starting anything. I can’t settle down. I yawn, I fidget, I smoke too much. Up till this I always had too little time. Now there is nothing but time. Almost pure time, empty successiveness. One flesh. Or, if you prefer, one ship. The starboard engine has gone. I, the port engine, must chug along somehow till we make harbour. Or rather, till the journey ends. How can I assume a harbour? A lee shore, more likely, a black night, a deafening gale, breakers ahead—and any lights shown from the land probably being waved by wreckers. Such was H.’s landfall. Such was my mother’s. I say their landfalls; not their arrivals.
”
”
C.S. Lewis (A Grief Observed)
“
Fear no more," said Clarissa. Fear no more the heat o' the sun; for the shock of Lady Bruton asking Richard to lunch without her made the moment in which she had stood shiver, as a plant on the river-bed feels the shock of a passing oar and shivers: so she rocked: so she shivered.
Millicent Bruton, whose lunch parties were said to be extraordinarily amusing, had not asked her. No vulgar jealousy could separate her from Richard. But she feared time itself, and read on Lady Bruton's face, as if it had been a dial cut in impassive stone, the dwindling of life; how year by year her share was sliced; how little the margin that remained was capable any longer of stretching, of absorbing, as in the youthful years, the colours, salts, tones of existence, so that she filled the room she entered, and felt often as she stood hesitating one moment on the threshold of her drawing-room, an exquisite suspense, such as might stay a diver before plunging while the sea darkens and brightens beneath him, and the waves which threaten to break, but only gently split their surface, roll and conceal and encrust as they just turn over the weeds with pearl.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Highly creative people have a gift for connecting supposedly unrelated elements and ideas. They cross borders without regard for customs posts or No Trespassing signs. They throw suspension bridges across great distances. These elegant and unexpected combinations flow together beautifully in the twilight zone, where metaphor and resemblance rules in place of logic and classification.
”
”
Robert Moss (Dreamgates: An Explorer's Guide to the Worlds of Soul, Imagination, and Life Beyond Death)
“
My life is hard. No one would rob me of that. The clothes I am wearing came out of a knotted up black plastic trash bag from a resale shop downtown. And not the downtown where shiny cars wink at you in the sunlight. If a car winks at you in this area it’s being driven by a person you would be best to avoid.
My side of downtown is crumbling and skirted by chain link fences.
--Rocky Evans
”
”
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
“
There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at once.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Sean: Yeah? You got a lady now?
Will: Yeah, I went on a date last week.
Sean: How'd it go?
Will: Fine.
Sean: Well, are you going out again?
Will: I don't know.
Sean: Why not?
Will: Haven't called her.
Sean: Jesus Christ, you are an amateur.
Will: I know what I'm doing. She's different from the other girls I met. We have a really good time. She's smart, beautiful, fun...
Sean: So Christ, call her up.
Will: Why? So I can realize she's not so smart. That she's boring. You don't get it. Right now she's perfect, I don't want to ruin that.
Sean: And right now you're perfect too. Maybe you don't want to ruin that. Well, I think that's a great philosophy Will, that way you can go through your entire life without ever having to really know anybody. My wife used to turn the alarm clock off in her sleep. I was late for work all the time because in the middle of the night she'd roll over and turn the damn thing off. Eventually I got a second clock and put it under my side of the bed, but it got to where she was gettin' to that one too. She was afraid of the dark, so the closet light was on all night. Thing kept me up half the night. Eventually I'd fall asleep, out of sheer exhaustion and not wake up when I was supposed to cause she'd have already gotten to my alarms. My wife's been dead two years, Will. And when I think about her, those are the things I think about most. Little idiosyncrasies that only I knew about. Those made her my wife. And she had the goods on me too. Little things I do out of habit. People call these things imperfections Will. It's just who we are. And we get to choose who we're going to let into out weird little worlds. You're not perfect. And let me save you the suspense, this girl you met isn't either. The question is, whether or not you're perfect for each other. You can know everything in the world, but the only way you're findin' that one out is by giving it a shot. You sure won't get the answer from an old fucker like me. And even if I did know, I wouldn't tell you.
Will: Why not? You told me every other fuckin' thing. You talk more than any shrink I ever met.
Sean: I teach this shit, I didn't say I knew how to do it.
Will: You ever think about gettin' remarried?
Sean: My wife's dead.
Will: Hence, the word remarried.
Sean: My wife's dead.
Will: Well I think that's a wonderful philosophy, Sean. That way you can go through the rest of your life without having to really know anyone.
Sean: Time's up.
”
”
Matt Damon (Good Will Hunting)
“
When exactly does the “wave function collapse” take place? (So you’re not kept in suspense, almost no modern physicist thinks that “consciousness” has anything whatsoever to do with quantum mechanics. There are an iconoclastic few who do, but it’s a tiny minority, unrepresentative of the mainstream.)
”
”
Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
“
Jane Austen is thus a mistress of much deeper emotion than appears upon the surface. She stimulates us to supply what is not there. What she offers is, apparently, a trifle, yet is composed of something that expands in the reader's mind and endows with the most enduring form of life scenes which are outwardly trivial. Always the stress is laid upon character... The turns and twists of the dialogue keep us on the tenterhooks of suspense. Our attention is half upon the present moment, half upon the future...Here, indeed, in this unfinished and in the main inferior story, are all the elements of Jane Austen's greatness.
”
”
Virginia Woolf
“
THERE WAS ALWAYS a boy in your life that common sense and the prayers of parents told you to stay away from: fast talker, fast car, and fast hands. He was the boy your father kept a loaded shotgun by the door for and met on the front porch if he ever thought about venturing onto his property…let alone the threshold. He was the tall, dark, mysteriously handsome, and uncharacter-istically quiet one that made you wonder what was going on in his head, and that little voice in your head said it wasn’t always so honorable. He was the boy you broke all of the rules over because bad-boys equaled excitement and the rebel in you liked the ride.
”
”
A.J. Lape (Grade A Stupid (Darcy Walker Teenage Sleuth Thrillers #1))
“
I feel conscious that I should find no reason to regret abandoning so pleasant a manner of life and such valuable privileges to become a wife of anyone. Beside, marriag is not in my opinion, so exceedingly desirable as some persons think. A woman's career is over when she marries. Once married, all is fixed - certainty takes the place of all her pleasant dreams. For her, no more hopes, no more doubts, no more suspense, no more possibility of anything better. She knows what she is and will be until death. For my part, I like to give free scope to my thoughts.
”
”
Klementyna Tańska-Hoffmanowa (The Journal of Countess Françoise Krasinska)
“
Therapy labels as sickness what might otherwise be judged as weak or willful actions; it thus equips the patient to fight (or resign himself to) the disease, instead of irrationally finding fault with himself. Inappropriately extended beyond the consulting room, however, therapeutic morality encourages a permanent suspension of the moral sense. There is a close connection, in turn, between the erosion of moral responsibility and the waning of the capacity for self-help—in the categories used by John R. Seeley, between the elimination of culpability and the elimination of competence. "What says 'you are not guilty' says also 'you cannot help yourself.' " Therapy legitimates deviance as sickness, but it simultaneously pronounces the patient unfit to manage his own life and delivers him into the hands of a specialist.
”
”
Christopher Lasch (The Culture of Narcissism: American Life in An Age of Diminishing Expectations)
“
Whatever the unknown in Europe, it had to be better than the known in a small town, where truth was hidden behind smiles, pleasantries, and an abundance of stretch lace at weddings. Whatever, the yet-to-be-written truth about her own life, it seemed certain to be waiting elsewhere on a blank page, somewhere people made no attempt to predict the future based upon a person's past.
Quote from: A Summer Abroad, Mrs. Duchesney's First Real Mystery
c. 2013 Peggy Kopman-Owens
”
”
Peggy Kopman-Owens
“
Maybe Christ will come again. Maybe seeds will be planted, maybe there’ll be harvests then, maybe early figs to eat, maybe new life, maybe fresh blood, maybe companionship and love and protection, safety from what’s outside, maybe the door will hold, or maybe . . . Maybe the troubles will come, and the end will come, and the sky will collapse and there will be terrible rains and showers of poison light, or maybe my life is really fine, maybe Joe loves me and I’m only crazy thinking otherwise, or maybe not, maybe it’s even worse than I know, maybe . . . I want to know, maybe I don’t. The suspense, Mr. Lies, it’s killing me.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
My face flushed scarlet. I was a stranger in my own skin. I had ever felt this kind of anger in my life. Fort and confusion grew. Its sensation was an overwhelming concoction of hate. The only things I knew - the only things keeping me remotely calm- was the following litany.
My name is Eleanora Ada Stone. I was moved from home to home for seventeen years. I am now living on this god-forsaken island in Maine. I was being kept from a world of secrets. I have abilities. I am not human. I do not know what I am.
”
”
Jes Dory (Isle (Isle #1))
“
Jack gave her a fierce look. “Your mother gave up the best thing she had in her life. I know you miss her, I know you’re confused and have all sorts of questions for her. But you’re better than her, Lola, you’re better than all of this.
“She wronged you, not the other way around. You didn’t do anything wrong. You didn’t deserve what happened to you. She’s the one that needs to feel bad, not you.
“Sometimes there are no answers. You have to accept that. Maybe you’ll never know what you think you need to know, but do you really need to know all the details, really? You know she wasn’t there when you needed her, she still isn’t here when you need her, but look around, Lola.” Jack opened his arms wide. “You got me. You got your aunt. Jared. Sebastian. Rachel. Even Isabelle.
“You need to realize that and move on, as best you can. I had to realize that myself. When you let go of the pain and hurt and unanswered questions, Lola, then you’ll be okay. You’re safe now.” Jack pressed a kiss to her forehead. “You’re safe now. Remember that. Believe that.
”
”
Lindy Zart (Safe and Sound)
“
But she feared time itself, and read on Lady Bruton's face, as if it had been a dial cut in impassive stone, the dwindling of life; how year by year her share was sliced; how little the margin that remained was capable any longer of stretching, of absorbing, as in the youthful years, the colours, salts, tones of existence, so that she filled the room she entered, and felt often as she stood hesitating one moment on the threshold of her drawing-room, an exquisite suspense, such as might stay a diver before plunging while the sea darkens and brightens beneath him, and the waves which threaten to break, but only gently split their surface, roll and conceal and encrust as they just turn over the weeds with pearl.
”
”
Virginia Woolf (Mrs. Dalloway)
“
There are no telegrams on Tralfamadore. But you’re right: each clump of symbols is a brief, urgent message—describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn’t any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
There are no telegrams on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message - describing a situation, a scene. We Tralfamadorians read them all at once , not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
It seems right now that all I’ve ever done in my life is making my way here to you.’
I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused.
‘Don, what are you…what have you done to yourself?’
‘I’ve made some changes.’
‘Big changes.’
‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’
Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care.
‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required.
‘I need a minute to think,’ she said.
I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision.
‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead.
'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’
‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter.
‘According to your definition, no.’
Rosie looked extremely unhappy. The evening had turned into a disaster.
'I thought my behaviour would make you happy, and instead it’s made you sad.’
‘I’m upset because you can’t love me. Okay?’
This was worse! She wanted me to love her. And I was incapable.
Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
Dr. Bar David?”
A young man with black eyes and curly hair came toward him. Carrying a digital recorder. He looked familiar.
“Richard Falco, North Richardson High. I took algebra and Calc I from you.”
“Oh, yes, of course. Good to see you.”
“I’m now reporting for Anchor Media. Just started a couple of months ago.”
David started walking away. “Good for you. What a good course of action.”
“Listen, I need to get a couple of quotes anyway. I wonder if—Oh, wait! I’m so sorry. You were at the North Richardson school shooting, five years ago.”
David nodded. And began to panic.
“That’s why you’re here, right?” the stupid student asked. “Protesting gun laws?”
“I really need to be going, now. Good luck with your interviews.” Hyperventilating.
Richard grabbed David’s shoulder. “But Dr. Bar David. Your story, tragic as it is, ends up being the reason for this whole public gun melting, right? A few words from you about—”
David lost it. “Listen! My whole life changed that day. When that meshugener killed my entire family, my wife and my son, in an instant! With a gun he purchased the week before!” David grabbed the kid’s throat. “I do not want to talk about it. Don’t mention me in your article. I will sue you! Leave me alone.”
Richard swallowed and nodded, fast. “Sorry, sorry, I’m so sorry—”
David started shouting, “The bullets! The bullets! The bullets!”
His head pounded. His ears roared.
”
”
Michael Grigsby (Segment of One)
“
They are all in the same category, both those who are afflicted with fickleness, boredom and a ceaseless change of purpose, and who always yearn for what they left behind, and those who just yawn from apathy. There are those too who toss around like insomniacs, and keep changing their position until they find rest through sheer weariness. They keep altering the condition of their lives, and eventually stick to that one in which they are trapped not by weariness with further change but by old age which is too sluggish for novelty. There are those too who suffer not from moral steadfastness but from inertia, and so lack the fickleness to live as they wish, and just live as they have begun. In fact there are innumerable characteristics of the malady, but one effect - dissatisfaction with oneself. This arises from mental instability and from fearful and unfulfilled desires, when men do not dare or do not achieve all they long for, and all they grasp at is hope: they are always unbalanced and fickle, an inevitable consequence of living in suspense. They struggle to gain their prayers by every path, and they teach and force themselves to do dishonourable and difficult things; and when their efforts are unrewarded the fruitless disgrace tortures them, and they regret not the wickedness but the frustration of their desires. Then they are gripped by repentance for their attempt and fear of trying again, and they are undermined by the restlessness of a mind that can discover no outlet, because they can neither control nor obey their desires, by the dithering of life that cannot see its way ahead, and by the lethargy of a soul stagnating amid its abandoned hopes.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
“
There are two kinds of directors; those who have the public in mind when they conceive and make their films and those who don't consider the public at all. For the former, cinema is an art of spectacle; for the latter, it is an individual adventure. There is nothing intrinsically better about one or the other; it's simply a matter of different approaches. For Hitchcock as for Renoir, as for that matter almost all American directors, a film has not succeeded unless it is a success, that is, unless it touches the public that one has had in mind right from the moment of choosing the subject matter to the end of production. While Bresson, Tati, Rossellini, Ray make films their own way and then invite the public to join the "game," Renoir, Clouzot, Hitchcock and Hawks make movies for the public, and ask themselves all the questions they think will interest their audience. Alfred Hitchcock, who is a remarkably intelligent man, formed the habit early--right from the start of his career in England--of predicting each aspect of his films. All his life he has worked to make his own tastes coincide with the public', emphasizing humor in his English period and suspense in his American period. This dosage of humor and suspense has made Hitchcock one of the most commercial directors in the world (his films regularly bring in four times what they cost). It is the strict demands he makes on himself and on his art that have made him a great director.
”
”
François Truffaut (The Films in My Life)
“
The necessary and needful reaction from the collective unconscious expresses itself in archetypally formed ideas. The meeting with oneself is, at first, the meeting with one's own shadow. The shadow is a tight passage, a narrow door, whose painful constriction no one is spared who goes down to the deep well. But one must learn to know oneself in order to know who one is. For what comes after the door is, surprisingly enough, a boundless expanse full of unprecedented uncertainty, with apparently no one inside and no one outside, no above and no below, no here and no there, no mine and no thine, no good and no bad. It is a world of water, where all life floats in suspension; where the realm of the sympathetic system, the soul of everything living, begins; where I am indivisibly this and that; where I experience the other in myself and the other-than-myself experiences me.
No, the collective unconscious is anything but an encapsulated personal system; it is sheer objectivity, as wide as the world and open to all the world. There I am the object of every subject, in complete reversal of my ordinary consciousness, where I am always the subject that has an object. There I am utterly one with the world, so much a part of it that I forget all too easily who I really am. "Lost in oneself" is a good way of describing this state. But this self is the world, if only a consciousness could see it. That is why we must know who we are."
―from_Archetypes of the Collective Unconscious_
”
”
C.G. Jung
“
It never was about the musician or the instrument - it was about the laser notes in a hall of mirrors, the music itself. It was going to change the world for the better and it has. Maybe not as fast or as much as we wanted, but it has and it still will. Whether your name is Mozart, or Django Reinhardt, or Robert Johnson, or Jimi Hendrix, or whoever is next; who you are doesn't matter so long as you can open that conduit and let the music come through. It is the burning edge, whatever it sounds like and whoever is playing it. It is the noisy, messy, silly, invincible voice of life that comes through the LP on the turn-table, the transistor radio, or the Bose in your new Lexus that makes you want to get up out of whatever you are stuck in and dance. It is Dionysus and the Maenads all over again. No one can control it and I pity whoever tries. I am old now and only a house cat sunning herself in the window - but I was a tigress once, and I remember. I still remember.
”
”
G.J. Paterson (Bird of Paradise)
“
The gates were thrown open by their companions upon guard, and by the domestics of the old court, who had already formed a secret conspiracy against the life of the too virtuous emperor. On the news of their approach, Pertinax, disdaining either flight or concealment, advanced to meet his assassins; and recalled to their minds his own innocence, and the sanctity of their recent oath. For a few moments they stood in silent suspense, ashamed of their atrocious design, and awed by the venerable aspect and majestic firmness of their sovereign, till at length, the despair of pardon reviving their fury, a barbarian of the country of Tongress levelled the first blow against Pertinax, who was instantly despatched with a multitude of wounds. His head, separated from his body, and placed on a lance, was carried in triumph to the Prætorian camp, in the sight of a mournful and indignant people, who lamented the unworthy fate of that excellent prince, and the transient blessings of a reign, the memory of which could serve only to aggravate their approaching misfortunes.
”
”
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
“
Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more.
Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends.
The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season.
Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.
”
”
Charlotte Brontë
“
Certainty is an unrealistic and unattainable ideal.
We need to have pastors who are schooled in apologetics and engaged intellectually with our culture so as to shepherd their flock amidst the wolves.
People who simply ride the roller coaster of emotional experience are cheating themselves out of a deeper and richer Christian faith by neglecting the intellectual side of that faith. They know little of the riches of deep understanding of Christian truth, of the confidence inspired by the discovery that one’s faith is logical and fits the facts of experience, and of the stability brought to one’s life by the conviction that one’s faith is objectively true.
God could not possibly have intended that reason should be the faculty to lead us to faith, for faith cannot hang indefinitely in suspense while reason cautiously weighs and reweighs arguments. The Scriptures teach, on the contrary, that the way to God is by means of the heart, not by means of the intellect.
When a person refuses to come to Christ, it is never just because of lack of evidence or because of intellectual difficulties: at root, he refuses to come because he willingly ignores and rejects the drawing of God’s Spirit on his heart. unbelief is at root a spiritual, not an intellectual, problem. Sometimes an unbeliever will throw up an intellectual smoke screen so that he can avoid personal, existential involvement with the gospel. In such a case, further argumentation may be futile and counterproductive, and we need to be sensitive to moments when apologetics is and is not appropriate.
A person who knows that Christianity is true on the basis of the witness of the Spirit may also have a sound apologetic which reinforces or confirms for him the Spirit’s witness, but it does not serve as the basis of his belief.
As long as reason is a minister of the Christian faith, Christians should employ it.
It should not surprise us if most people find our apologetic unconvincing. But that does not mean that our apologetic is ineffective; it may only mean that many people are closed-minded.
Without a divine lawgiver, there can be no objective right and wrong, only our culturally and personally relative, subjective judgments. This means that it is impossible to condemn war, oppression, or crime as evil. Nor can one praise brotherhood, equality, and love as good. For in a universe without God, good and evil do not exist—there is only the bare valueless fact of existence, and there is no one to say that you are right and I am wrong.
No atheist or agnostic really lives consistently with his worldview. In some way he affirms meaning, value, or purpose without an adequate basis. It is our job to discover those areas and lovingly show him where those beliefs are groundless.
We are witnesses to a mighty struggle for the mind and soul of America in our day, and Christians cannot be indifferent to it.
If moral values are gradually discovered, not invented, then our gradual and fallible apprehension of the moral realm no more undermines the objective reality of that realm than our gradual, fallible apprehension of the physical world undermines the objectivity of that realm.
God has given evidence sufficiently clear for those with an open heart, but sufficiently vague so as not to compel those whose hearts are closed.
Because of the need for instruction and personal devotion, these writings must have been copied many times, which increases the chances of preserving the original text. In fact, no other ancient work is available in so many copies and languages, and yet all these various versions agree in content. The text has also remained unmarred by heretical additions. The abundance of manuscripts over a wide geographical distribution demonstrates that the text has been transmitted with only trifling discrepancies.
”
”
William Lane Craig (Reasonable Faith: Christian Truth and Apologetics)
“
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
”
”
Henry James (The Beast in the Jungle)
“
That drawer was full of photographs of her. She showed me any number, old and recent.
"All dead," I told her.
She turned her head and glanced at me quickly:
"Dead?"
"Yes, for all they appear to be alive."
"Even this one with the smile?"
"Yes. And this pensive one: and the one with the eyes drooped."
"But how can they be dead, if I here am alive?"
"Ah, you, yes; because you do not see yourself now. But when you are in front of a mirror, the moment you look at yourself again, you are no longer alive."
"And why not?"
"Because, in order to behold yourself, you must for a moment halt life within you. Excuse me, but seeing that you go to the photographer's so often—when the photographer, in front of you with his camera, tells you to be sure not to move, you must have noticed—life is suspended in you—and you feel that such suspension cannot last more than a second—it is like turning into a statue—For life is constant motion, and one can never really see one's self."
"You mean to say that I, while living, have never seen myself?"
"Never; not as I can see you. But I see a likeness of you that is mine and mine alone; it is assuredly not yours. You, while living, have possibly been able to catch no more than a bare glimpse of your own in some snapshot or other that has been made of you; and it has come as an unpleasant surprise; it may even have pained you to recognize yourself, in helter-skelter motion like that."
"That's true."
"For you can only know yourself when you strike an attitude: a statue: not alive. When one is alive, one lives and does not see himself. To know one's self is to die. The reason you spend so much time looking at yourself in that mirror, in all mirrors, is that you are not alive; you do not know how to live, you cannot or you do not want to live. You want too much to know yourself; and meanwhile, you are not living."
"Why, nothing of the sort! I never can succeed in keeping still a moment."
"But you want to see yourself always. In every act of your life. It is as if you had before you always the likeness of yourself, in every action, in every gesture. It is from this that your intolerance comes. You do not want the feeling in you to be blind. You compel it to open its eyes and look at itself in a mirror which you are forever holding up in front of it. And feeling, the moment it sees itself, turns ice within you. You cannot go on living before a mirror. One's aim should be never to see one's self. For the reason that, however much you may try, you can never know yourself as others see you. And of what use is it, then, to know one's self for one's self's sake? You may even come to the point where you will no longer be able to understand why you must have that likeness which the mirror gives you back.
”
”
Luigi Pirandello (One, No One, and One Hundred Thousand)
“
His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train.
And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition.
His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now?
I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then?
The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)
”
”
Karl Wiggins (Dogshit Saved My Life)
“
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!”
But really, how can a picture hurt you?
Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction.
Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time.
In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Witness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing.
Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
”
”
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
“
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon.
The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified.
It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel.
One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice.
The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched.
The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward.
Death has his whims. He takes it into his head to dismount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along.
In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment.
Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there.
There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them.
For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops.
But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
”
”
Johannes V. Jensen (Kongens fald)