“
When we go with the tide of life and pursue the twisting currents of our thoughts, a surge of consciousness can guide us through the blurred passages of our history and light up striking instants that we may have missed out. ("Knowing someone was waiting")
”
”
Erik Pevernagie
“
He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.”
The tides of her own heart surged at his words, even though his words were nothing but lies.
”
”
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
“
He heard the sound of waves striking the shore, and it was as though the surging of his young blood was keeping time with the movement of the sea's great tides. It was doubtless because nature itself satisfied his need that Shinji felt no particular lack of music in his everyday life.
”
”
Yukio Mishima (The Sound of Waves)
“
Between two worlds life hovers like a star,
'Twixt night and morn, upon the horizon's verge.
How little do we know that which we are!
How less what we may be! The eternal surge
Of time and tide rolls on, and bears afar
Our bubbles; as the old burst, new emerge,
Lash'd from the foam of ages; while the graves
Of Empires heave but like some passing waves.
”
”
Lord Byron (Don Juan)
“
The tides surged through the marsh and each wave that hit the beach came light-struck and broad-shouldered, with all the raw power the moon could bestow.
”
”
John Berendt (Midnight in the Garden of Good and Evil)
“
It faded slowly, ebbing like the tide. He rolled onto his back, staring up, his head still aching. The black clouds were beginning to roll back, showing a widening strip of blue; the Angel was gone, the lake surging under the growing light as if the water were boiling.
Simon began to sit up slowly, his eyes squinted painfully against the sun. He could see someone racing down the path from the farmhouse to the lake. Someone with long black hair, and a purple jacket that flew out behind her like wings. She hit the end of the path and leaped onto the lakeside, her boots kicking up puffs of sand behind her. She reached him and threw herself sand behind her. She reached him and threw herself down, wrapping her arms around him. “Simon,” she whispered.
He could feel the strong, steady beat of Isabelle’s heart.
“I thought you were dead,” she went on. “I saw you fall down, and—I thought you were dead.”
Simon let her hold him, propping himself up on his hands. He realized he was listing like a ship with a hole in the side, and tried not to move. He was afraid that if he did, he would fall over. “I am dead.”
“ I know,” Izzy snapped. “I mean more dead than usual.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room - a cry of boundless, dark, demanding grief; pitch-black and glabrous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming. Full of the glitter and the frenzy of night, the horn thundered in, conveying from the distant offing, from the dead center of the sea, a thirst for the dark nectar in the little room.
”
”
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
“
The truest love that ever heart
Felt at its kindled core,
Did through each vein, in quickened start,
The tide of being pour.
Her coming was my hope each day,
Her parting was my pain;
The chance that did her steps delay
Was ice in every vein.
I dreamed it would be nameless bliss,
As I loved, loved to be;
And to this object did I press
As blind as eagerly.
But wide as pathless was the space
That lay our lives between,
And dangerous as the foamy race
Of ocean-surges green.
And haunted as a robber-path
Through wilderness or wood;
For Might and Right, and Woe and Wrath,
Between our spirits stood.
I dangers dared; I hindrance scorned;
I omens did defy:
Whatever menaced, harassed, warned,
I passed impetuous by.
On sped my rainbow, fast as light;
I flew as in a dream;
For glorious rose upon my sight
That child of Shower and Gleam.
Still bright on clouds of suffering dim
Shines that soft, solemn joy;
Nor care I now, how dense and grim
Disasters gather nigh.
I care not in this moment sweet,
Though all I have rushed o'er
Should come on pinion, strong and fleet,
Proclaiming vengeance sore:
Though haughty Hate should strike me down,
Right, bar approach to me,
And grinding Might, with furious frown,
Swear endless enmity.
My love has placed her little hand
With noble faith in mine,
And vowed that wedlock's sacred band
Our nature shall entwine.
My love has sworn, with sealing kiss,
With me to live--to die;
I have at last my nameless bliss.
As I love--loved am I!
”
”
Charlotte Brontë (Jane Eyre)
“
He was always doing that these days. Everything he saw became a symbol of his own existence, from a rabbit caught in headlights to raindrops racing down a window-pane. Perhaps it was a sign that he was going to become a poet or a philosopher: the kind of person who, when he stood on the sea-shore, didn't see waves breaking on a beach, but saw the surge of human will or the rhythms of copulation, who didn't hear the sound of the tide but heard the eroding roar of time and the last moaning sigh of humanity fizzing into nothingness. But perhaps it was a sign, he also thought, that he was turning into a pretentious wanker.
”
”
Stephen Fry (The Liar)
“
Families of no importance—so much is lost, entire histories, there is no room for it all. There are only the generations surging forward like the tide, the years filled with sound and froth, then being washed over by the rest. That is the legacy of the cities.
”
”
Vintage (Burning the Days: Recollection (Ambassador Book Awards) (Vintage International))
“
persistent, flowing through fallen shadows,
excavating tunnels, drilling silences,
insisting, running under my pillow,
brushing past my temples, covering my eyelids
with another, intangible skin made of air,
its wandering nations, its drowsy tribes
migrate through the provinces of my body,
it crosses, re-crosses under the bridges of my bones,
slips into my left ear, spills out from my right,
climbs the nape of my neck,
turns and turns in my skull,
wanders across the terrace of my forehead,
conjures visions, scatters them,
erases my thoughts one by one
with hands of unwetting water,
it evaporates them,
black surge, tide of pulse-beats,
murmur of water groping forward
repeating the same meaningless syllable,
I hear its sleepwalking delirium
losing itself in serpentine galleries of echoes,
it comes back, drifts off, comes back,
endlessly flings itself
off the edges of my cliffs,
and I don’t stop falling
and I fall
”
”
Octavio Paz
“
Fortune's Malice. Mad Fortune sweeps along in wanton pride, Uncertain as Euripus' surging tide; Now tramples mighty kings beneath her feet; Now sets the conquered in the victor's seat. She heedeth not the wail of hapless woe, But mocks the griefs that from her mischief flow. Such is her sport; so proveth she her power; And great the marvel, when in one brief hour She shows her darling lifted high in bliss, Then headlong plunged in misery's abyss.
”
”
Boethius (The Consolation of Philosophy)
“
The mind drinks less and less. Impatience. Highways full of crowds going somewhere, somewhere, somewhere, nowhere. The gasoline refugee. Towns run into motels, people in nomadic surges from place to place, following the moon tides, living tonight in the room where you slept this noon and I the night before.
”
”
Ray Bradbury (Fahrenheit 451)
“
You can’t beat the tide. No one can.
”
”
Mike Michalowicz (Surge: Time the Marketplace, Ride the Wave of Consumer Demand, and Become Your Industry's Big Kahuna)
“
At night a bird perched on my window
and chirped. Roaming rims of night
tides surge and cascade, plummet.
”
”
Sneha Subramanian Kanta
“
At first he had appreciated only the material quality of the sounds which those instruments secreted. And it had been a source of keen pleasure when, below the narrow ribbon the violin part, delicate, unyielding, substantial and governing the whole, he had suddenly perceived, where it was trying to surge upwards in a flowing tide of sound, the mass of the piano-part, multiform, coherent, level, and breaking everywhere in melody like the deep blue tumult of the sea, silvered and charmed into a minor key by the moonlight. But at a given moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he had tried to collect, to treasure in his memory the phrase or harmony—he knew not which—that had just been played, and had opened and expanded his soul, just as the fragrance of certain roses, wafted upon the moist air of evening, has the power of dilating our nostrils.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Each in His Own Tongue
A fire mist and a planet,
A crystal and a cell,
A jellyfish and a saurian,
And caves where the cave men dwell;
Then a sense of law and beauty,
And a face turned from the clod —
Some call it Evolution,
And others call it God.
A haze on the far horizon,
The infinite, tender sky,
The ripe, rich tint of the cornfields,
And the wild geese sailing high;
And all over upland and lowland
The charm of the goldenrod —
Some of us call it Autumn,
And others call it God.
Like tides on a crescent sea beach,
When the moon is new and thin,
Into our hearts high yearnings
Come welling and surging in;
Come from the mystic ocean,
Whose rim no foot has trod —
Some of us call it Longing,
And others call it God.
A picket frozen on duty,
A mother starved for her brood,
Socrates drinking the hemlock,
And Jesus on the rood;
And millions who, humble and nameless,
The straight, hard pathway plod —
Some call it Consecration,
And others call it God.
”
”
William Herbert Carruth
“
Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was.
He said, 'spiral jetty.'
She said, ''In sand?'
He smiled and said, 'That's its beauty.'
A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers.
Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow
”
”
Lauren Groff (Fates and Furies)
“
More sports for everyone, group spirit, fun, and you don’t have to think, eh? Organize and organize and super organize super-super sports. More cartoons in books. More pictures. The mind drinks less and less. Impatience. Highways full of crowds going somewhere, somewhere, somewhere, nowhere. The gasoline refugee. Towns turn into motels, people in nomadic surges from place to place, following the moon tides, living tonight in the room where you slept this noon and I the night before.
”
”
Ray Bradbury (Fahrenheit 451)
“
For me, the lessons were irrefutable. Iran illustrated beyond any doubt that the United States was a nation laboring to deny the truth of its role in the world. It seemed incomprehensible that we could have been so misinformed about the shah and the tide of hatred that had surged against him.
”
”
John Perkins (The New Confessions of an Economic Hit Man)
“
Look back over the last hundred years and you’ll see the pattern. During periods when the very rich took home a much smaller proportion of total income—as in the Great Prosperity between 1947 and 1977—the nation as a whole grew faster, and median wages surged. The basic bargain ensured that the pay of American workers coincided with their output. In effect, the vast middle class received an increasing share of the benefits of economic growth. We created that virtuous cycle in which an ever-growing middle class had the ability to consume more goods and services, which created more and better jobs, thereby stoking demand. The rising tide did in fact lift all boats. On the other hand, during periods when the very rich took home a larger proportion—as between 1918 and 1933, and in the Great Regression from 1981 to the present day—growth slowed, median wages stagnated, and we suffered giant downturns.
”
”
Robert B. Reich (Beyond Outrage)
“
It ended a few feet from where he sat. The sea, broad and vast, with all its mighty force, ended right there before his eyes. Be it the edge of time or space, there is nothing so awe-inspiring as a border. To be here at this place with his three companions, at this marvellous border between land and sea, struck him as being very similar to being alive as one age ending and another beginning, like being part of a great moment in history. And then too the tide of their own era, in which he and Kiyoaki lived, also had to have an appointed time and ebb, a shore on which to break, a limit beyond which it could not go.
The sea ended right there before his eyes. As he watched the final surge of each wave as it drained into the sand, the final thrust of mighty power that had come down the countless centuries, he was struck by the pathos of it all. At that very point, a grand pan-oceanic enterprise that spanned the world went awry and ended in annihilation.
”
”
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
“
Between two worlds life hovers like a star,
’Twixt night and morn, upon the horizon’s verge:
How little do we know that which we are!
How less what we may be! The eternal surge
Of time and tide rolls on, and bears afar
Our bubbles; as the old burst, new emerge,
Lash’d from the foam of ages; while the graves
Of Empires heave but like some passing waves.
”
”
Lord Byron
“
And do you care for me?”
He kissed her without answering.
“Tha mun goo, let me dust thee,” he said. His hand passed over the curves of her body, firmly, without desire, but with soft, intimate knowledge.
As she ran home in the twilight the world seemed a dream; the trees in the park seemed bulging and surging at anchor on a tide, and the heave of the slope to the house was alive.
”
”
D.H. Lawrence
“
Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.
”
”
H.P. Lovecraft (H.P. Lovecraft: The Ultimate Collection)
“
Kostas Papaioannou"
the wave of your laughter surged over the chatting and the rattle of
the cups and spoons,
it was the sound of spotted goats clambering in a rush over a land of
burnt hills,
the couple at the next table stopped talking and froze with blank
stares,
as if reality had become naked and nothing remained except the silent
spinning of atoms and molecules,
it was a flapping of wings over blue and white waves, a sparkle of
sun on the rocks,
we heard the sound of the footsteps of the nomadic waters on slabs
the color of embers,
we saw a butterfly land on the cashier’s head, open its wings of flame
and shatter into reflections,
we touched the thoughts we thought and saw the words we said, and
then the clatter of the spoons returned, the tide swelled, the people came
and went,
but you were on the edge of the cliff, the bay was a broad smile, and
above, the light and the wind conspired : Psyche blew across your forehead.
”
”
Octavio Paz (A Tree Within)
“
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a
very condensed version of it.
“Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as
fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted
countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a
hunger of the soul that could not be denied.”
Bryony trembled somewhere inside. This was not their story, but her story, the determined
spinster felled by the magnificence and charm of the gorgeous young thing.
He glanced at her. “You were the moon of my existence; your moods dictated the tides of
my heart.”
The tides of her own heart surged at his words, even though his words were nothing but
lies.
“I don’t believe I had moods,” she said severely.
“No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart
only rose ever higher to crash against the levee of my self-possession. For I loved you most
intemperately, my dear Mrs. Marsden.”
Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his
facile words, and even more so at herself, for the painful pleasure that trickled into her drop
by drop.
“Our wedding was the happiest hour of my life, that we would belong to each other always.
The church was filled with hyacinths and camellias, and the crowd overflowed to the steps,
for the whole world wanted to see who had at last captured your lofty heart.
“But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And
soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a
sign I must wander far and away. Find me then, if you can. Then and only then will I be yours
again.’”
Her heart pounded again. How did he know that she had indeed taken her hair turning white
as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of
whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten
how hypnotic Leo could be, when he wished to beguile a crowd.
“And so I have searched. From the poles to the tropics, from the shores of China to the
shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red,
brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’”
He looked into her eyes, and she could not look away, as mesmerized as the hapless
Braeburns.
“And now I have found you at last.” He raised his glass. “To the beginning of the rest of
our lives.
”
”
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
“
I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
I have been speaking to you all of your life. In the gurgle of a tide pool, I breathed myself into you. I drew you down from the trees and I lifted you onto your feet. I freed your hands to become your tools so that you would cradle me in my old age, but you have turned on me. My strongest warrior for life, you have been transformed into an insatiable messenger of death. Only a few of my children are still listening when I howl to them, crying in the night, sending the oceans in great surges to cleanse my land -- to cleanse, and to warn you who no longer listen. I WILL BE HEARD.
”
”
Sarah Warden (Immortal Earth)
“
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you.
From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf.
But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down.
You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
”
”
C.G. Jung (The Red Book: Liber Novus)
“
I shall continue to reshuffle, as well as reject and replace tomes from my own library as my memories of reading reconstitute themselves and settle down into the rhythms of constant re-classification which my life prescribes – like pebbles on a beach being shaped by the surge and pull of the tide. As time permeates and accrues through all the thoughts and feelings which I’ve derived from (or invested in) all those many pages which have so quietly accumulated in my left hand, so too my library is both the mirror of me and the world I have travelled. Indeed, this is why – for me at least – a life without books would be no life at all.
”
”
Tim Chamberlain, Waymarks
“
...he never so much as looks at me. He just sits there reading his old history books, that really gets me. I ought to go up to him, I really feel this, I should say, Martin, it's so stupid reading all those books. Don't fool yourself, how many of these wretched books do you think you know? Go on, you've got plenty of intelligence, so let's say you read two books a week, for fifty years. In your lifetime, you'll have read how many? Five thousand? That's nothing. Nothing at all, compared to what we have here: two hundred and fifty thousand, seven hundred different books. And in the National Library, they've got fourteen million. We're just cockroaches. So we'd do better to have a bit of fun, look at each other, talk and reproduce, don't you think? If you like, we can go to Versailles, together, any time at all, we can go wherever you want to go, to some beach somewhere, I'll be your Pompadour and we'll love each other until the end of love, hand in hand, we'll gaze at the sea, the sea that begins and ceases and then again begins, the pounding of the surf, the flow of water, the flow of light coming in new every day, fresh surges from the deep, the tide will carry us off, and the flow of paper, every year fifty thousand new titles, fifty thousand books fighting for the chance to come swell our groaning bookshelves, and every year they make me more aware of my limited span, my old age and my insignificance.
”
”
Sophie Divry (The Library of Unrequited Love)
“
Moon. Big white moon. White as milk moon. You’re all I can see from my window, here in the dark. Your light falls silver and white across the walls of my cell. The night-tide surges strong in me. So strong I can feel the grip of their drugs loosen. They fancy themselves high priests. Their gods have names like Thorazine and Lithium and Shock Therapy. But their gods are new and weak and cannot hope to contain me much longer. For I am the handiwork of far more powerful, far more ancient deities. Very soon my blood will learn the secret of the inhibiting factors the white-coated shamans pump into my veins. And then things will be very different, my beautiful moon. My white big moon. White as milk moon. Red as blood
”
”
Nancy A. Collins (Sunglasses After Dark (Sonja Blue, #1))
“
Recently, Roy Wilkins and I appeared on the television program "Meet the Press." There were the usual questions about how much more the Negro wants, but there seemed to be a new undercurrent of implications related to the sturdy new strength of our movement. Without the courtly complexities, we were, in effect, being asked if we could be trusted to hold back the surging tides of discontent so that those on the shore would not be made too uncomfortable by the buffeting and onrushing waves. Some of the questions implied that our leadership would be judged in accordance with our capacity to "keep the Negro from going too far." The quotes are mine, but I think the phrase mirrors the thinking of the panelists as well as of many other white Americans.
”
”
Martin Luther King Jr. (Why We Can't Wait)
“
So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce.
Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground.
I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)
”
”
Stendhal (Rome, Naples et Florence)
“
Darkness:
I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress—he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shriek'd, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them—She was the Universe.
”
”
Lord Byron
“
To his surprise, Sorasa moved with him. She looked straight ahead, refusing to meet his eye. Instead, she fussed with the chain mail beneath her jacket, trying to adjust the metal rings. Clearly she despised it, her usually fluid motions slower and more stilted.
He opened his mouth to taunt her, to say anything, to grasp one more second at her side.
“Thank you for wearing armor,” he growled. It was the only thing left to say.
He expected a quick, poisonous retort. Instead, Sorasa looked up at him. Her copper eyes wavered, filled with all the emotion she no longer cared to hide.
“Iron and steel won’t save us from dragon fire,” she said, all regret, her mouth barely moving.
Again, Dom wanted to stay, lingering one last moment, his eyes locked on her own.
“I know you don't believe in ghosts,” Sorasa murmured, holding her ground. She did not move closer, or move at all, letting the crowd of Elders break around her.
A Vedera who falls in this realm falls forever, Dom thought, the old belief a sudden curse.
Sorasa’s eyes shimmered, swimming with tears she would never allow herself to shed. She looked like she did on the beach after the shipwreck, torn apart by grief.
“But I do,” she said.
His chest filled with an unfamiliar feeling, an ache he could not name.
“Sorasa,” he began, but the crowd surged around them, his Vederan soldiers too many to ignore. Every part of him wanted to stay rooted, though he knew he could not.
She would not reach chin, her hands pressed to her sides, her chin raised and jaw set. Whatever tears she carried faded, pushed down into the unfeeling well of an Amhara heart.
“Haunt me, Domacridhan.”
The tide of the army swelled before he could muster an answer. While Sorasa stood against it, Dom let himself be carried. While his body marched, his heart stayed behind, broken as it was, already burning.
Her last words followed him all the way down to the city gates.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
At times of great upheaval when the wind blows and the tide of history surges, cool heads are needed to navigate a path to calmer waters.
”
”
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
“
Leading by example through "Servant Leadership" used to be a badge of honor that distinguished you from the Corps of the Blue Falcon. Present day I see the ranks of the Blue Falcon surging in a flagless flotilla of blurred morals, a low tide of integrity, and selfish ethics adrift with no anchorage. The pulse of the led is directly influenced by the organizational heart rate of the leader.
”
”
Donavan Nelson Butler
“
The tide surged, carving a crescent in the sand. Water collapsed
”
”
Laekan Zea Kemp (The Girl In Between (The Girl in Between, #1))
“
There's nothing like love. It's worth all the storm surges and slack tides that go with it.
”
”
Margot Datz (A Survival Guide for Landlocked Mermaids)
“
THE HEALING PRESENCE OF GOD Oh, beloved child of God, long have I listened to thy heart cries of longing, yearning, hoping, praying. Long have I beheld thy earnest strivings and been a witness to thy suffering, thy disillusionment, thy disappointments and thy despair. Long have I, thy indwelling spirit, sustained thee, binding thy wounds with the healing essence of my love. Come unto me now, and accept the comfort of my ever–abiding presence within thy heart. Let the heavenly music of my heartbeat replace the noisy din of thy worldly consciousness. Permit now, the boundless love within my presence to heal thy wounds once more, and this time, forever. Yield now, thy tired body and its ills, to me, thy divine physician. Surrender now, thy mortal self and permit me, the Master Builder, to set the capstone upon my divine creation. I am thy eternal Presence, thy Everlasting Self, thy pulsing life–essence coursing through thy mortal form. I am thy breath, thy life, thy very consciousness. I am here, within. Thou has thought to fashion, for thyself, a world apart from me. This could not be, for I am the Master Builder and I must abide within all creation. Again and again, thinking that thou were alone, heart–sick, afraid, despairing, thou has longed for me, called for me, watched and waited for my return. Yet, never have I left thee, for, indeed, thou couldst not even have searched for me without my presence in thy heart. 'Tis I who knelt beside thee at thy prayers. 'Tis I who dried thy tears. 'Tis I who gave thee courage, pointing ever to the better day, yet ever whispering softly as I comforted thee, “I AM HERE, I AM HERE, I AM HERE.” Turn now within and behold me, thy heavenly Comforter. I am the ever–glowing presence of God within thy being. Come away now from the ever–shifting, ever–changing tide of mortal thought and feeling and desire. Come unto me now and claim the freedom which the love of my heart contains. Accept now, at long last, the healing presence of my peace and know it for thine own. Let my breath be thy breath. Let my love be thy love. Let my all–knowing mind be thy directing intelligence. Come! Let me be thee! The God–presence, I AM, within me, is my instant and ever–ready help, and there is no other power that can act! “I AM” the presence of the Sacred Fire within my heart, blazing, surging, expanding, purifying, harmonizing, healing, and freeing me forever from the shadows of human creation! “I AM” the expanding God–consciousness of perfection within my heart, my mind, my feeling world and within every organ and all the cellular structure of my body.
”
”
Ascended Masters (The Bridge to Freedom Journal, Book 1)
“
Through sorrow's maze, I journey slow,
Emotions swirl, tide's ebb and flow.
Denial whispers, "This can't be real,"
Anger surges, a storm I feel.
Bargaining seeks a way to bend,
Acceptance whispers, "Time to mend.
”
”
Amogh Swamy (On My Way To Infinity: A Seeker's Poetic Pilgrimage)
“
The rocks are craggy/unmanageable
without sufficiently lacerating my Self ~ scarcely
solid ground, but more accurately a foothold. Yet in smoothness, the rocks are even less effective against the sweep of the tides than the sands of the shore. I sit here, not terribly concerned about the bruises and scrapes the jagged rocks lend in the moment, but concerned nevertheless by the waves that sweep back so effortlessly over the catchstones and eternally beyond reach—evading capture, leaving only a dissipating froth upon the black ridges to signal, at the very least, that 'it' happened: for whatever 'it' is worth.
There is a distinctive tenor to this declaration of presence, this collapsing flow—Something that reminds me of...?—the reverberations of which remain beyond the span of cognition. Reverberations: there exists a memory of a memory of a dream I had once, but
never an authentic rendering of the essential
Moment. Still I can hear it in dreams of memories of memories of dreams.
In dreams: a faint voice.
A persona, a belief system distinctly its
own, yet for now, the roar of the tides are a
whisper ears strain to grasp. Seemingly a clue to a memory locked within. Or it’s all imagination:
perhaps the sound of the ocean causes me to
assume I’m remembering something. Gives the
memory a sentience of its own and a vessel
allowing it to surge in and ebb out. Yes, I’ve heard such things mentioned before: the stimulus that reverse engineers the very memory it is presumed to trigger.
Still, it bothers me: this evasive, timeless
notion.
”
”
Ashim Shanker (trenches parallax leapfrog)
“
2. In one of our visits, I met a fourth-year high school student, who was three months shy from graduation. Before Yolanda hit, he was studying for his exams with his girlfriend. It was supposed to be the last Christmas they would be dependent on their allowances.
They dreamed of traveling together after college. It was going to be their first time. They never had money to spare before. But in three months, they thought, everything would be all right. They only had to wait a few more months. After all, they had already waited for four years.
What he didn’t expect was the fact that the storm [Typhoon Haiyan] would be so strong he would have to choose between saving his girlfriend and her one-year-old niece. For months, he would stare longingly at the sea, at the exact same spot he found his girlfriend, with a piece of galvanized iron that was used for roofing pierced through her stomach.
It was a relief that one of the first projects we started under DPWH Secretary Mark Villar was the Leyte Tide Embankment, a storm surge protection structure that would serve as the first line of defense for residents of Tacloban, Palo, and Tanauan in Leyte should another typhoon hit the region.” - Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual 2nd Edition (p. 226, Build, Build, Build Projects Eastern Visayas)
”
”
Anna Mae Yu Lamentillo
“
In one of our visits, I met a fourth-year high school student, who was three months shy from graduation. Before Yolanda hit, he was studying for his exams with his girlfriend. It was supposed to be the last Christmas they would be dependent on their allowances.
They dreamed of traveling together after college. It was going to be their first time. They never had money to spare before. But in three months, they thought, everything would be all right. They only had to wait a few more months. After all, they had already waited for four years.
What he didn’t expect was the fact that the storm [Typhoon Haiyan] would be so strong he would have to choose between saving his girlfriend and her one-year-old niece. For months, he would stare longingly at the sea, at the exact same spot he found his girlfriend, with a piece of galvanized iron that was used for roofing pierced through her stomach.
It was a relief that one of the first projects we started under DPWH Secretary Mark Villar was the Leyte Tide Embankment, a storm surge protection structure that would serve as the first line of defense for residents of Tacloban, Palo, and Tanauan in Leyte should another typhoon hit the region.” - Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual 2nd Edition (p. 226, Build, Build, Build Projects Eastern Visayas)
”
”
Anna Mae Yu Lamentillo
“
But what is this thing we call experience? Beyond science is a personal experience shared by the ancients and all humans today, a sense of the awe and mystery of existence. For me this experience must count as an observation even if it si considered incommensurate with our rhetorical vision of the objective tests of science. That power to inspire awe is magically expressed in Carruth’s moving lines,
Like tide on a crescent sea-beach,
When the moon is new and thin,
Into our hearts high yearnings
Come welling and surging in:
Come from the mystic ocean
Whose rim no foot has trod,—
Some of us call it Longing,
And others call it God.
Materialism ignores any references to experiences of awe and mystery as evidence of the nonmaterial.
”
”
Vernon L. Smith (The Evidence of Things Not Seen: Reflections on Faith, Science, and Economics)
“
Creativity is like the tides of the ocean, surging at times and receding at others—ride the waves when they come, and take time to reflect during the lows
”
”
Lucas D. Shallua
“
And so the invasion had begun, but no one could say that it had begun well. The air force and navy seemed not to have affected the enemy at all. Most outfits had come ashore late and in the wrong place. With shocking ease, the enemy’s nearly invisible resistance nests were cutting down Americans all across the beach—men with names like Wilczek, Hoback, Sullivan, Di Paola, Schenk, and Stevens, who spun onto the sand to die. If fate spared them scant moments for final reflection, they surely thought of home: Canarsie, or Bedford, or Farmville, or Hell’s Kitchen, or anyplace where someone would grieve. They must have thought what a waste it was—they could have done anything, anything at all . . . if only . . . And then the surging tide enveloped their bodies in the frothy surf, and the relentless breakers lifted them and tumbled them forward, ever forward, to deposit them ultimately in neat lines at the high-water mark—a place they were not able to reach in life, but where they would soon answer final roll call.
”
”
Joseph Balkoski (Omaha Beach: D-Day, June 6, 1944)
“
In the midst of his euphoria, Sharko suddenly felt a surge of nausea and squinted his eyes. Over there, standing apart from the crowd, was a man plunged in darkness, wearing a mustache and a hat that looked like a beret. Hassan Noureddine. The man stepped to the side and disappeared down a street. The Frenchman tried to open a path toward him, but the human flow jostled him. He forced his way through the crowd, the tide of arms, and began running. When he arrived at the square, the police chief had vanished. Sharko moved forward into the deserted alleyways, turned in every direction, then finally stopped, alone in the middle of the silent houses. They were following him. Even here. What did that mean?
”
”
Franck Thilliez (Syndrome E)
“
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
”
”
Tim Dorsey (Electric Barracuda (Serge Storms #13))
“
The tide surged, carving a crescent in the sand. Water collapsed against my knees, tearing the beach out from under my legs. But when the wave receded, the foam clung to something dark. Something long and still. I saw his face, lashes tangled over blue lids, his lips parted against the sand. The breeze rippled off his clothes, ocean peeling from his face and dripping onto my hands. I was steeled there, not sure if he was real, until I saw his eyes, a flash of his dark pupils. My
”
”
Laekan Zea Kemp (The Girl In Between (The Girl in Between, #1))
“
back over the last hundred years and you’ll see the pattern. During periods when the very rich took home a much smaller proportion of total income—as in the Great Prosperity between 1947 and 1977—the nation as a whole grew faster, and median wages surged. The basic bargain ensured that the pay of American workers coincided with their output. In effect, the vast middle class received an increasing share of the benefits of economic growth. America created that virtuous cycle in which an ever-growing middle class had the ability to consume more goods and services, which created more and better jobs, thereby stoking demand. The rising tide did in fact lift all boats. On the other hand, during periods when the very rich took home a larger proportion—as between 1918 and 1933, and in the Great Regression from 1981 to the present day—growth slowed, median wages stagnated, and the nation suffered giant downturns.
”
”
Robert B. Reich (Beyond Outrage (Expanded Edition): What has gone wrong with our economy and our democracy, and how to fix it)
“
A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields,
And the wild geese sailing high;
And all over upland and lowland The charm of the goldenrod.
Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin,
Into our hearts high yearnings Come welling and surging in;
Come from the mystic ocean, Whose rim no foot has trod.
Some of us call it Longing, And others call it God
”
”
William Herbert Carruth (Each in his own tongue: and other poems,)
“
A haze on the far horizon,
The infinite, tender sky,
The ripe, rich tint of the cornfields,
And the wild geese sailing high;
And all over upland and lowland
The charm of the goldenrod.
Some of us call it Autumn,
And others call it God.
Like tides on a crescent sea beach,
When the moon is new and thin,
Into our hearts high yearnings
Come welling and surging in;
Come from the mystic ocean,
Whose rim no foot has trod.
Some of us call it Longing,
And others call it God.
”
”
William Herbert Carruth (Each in his own tongue: and other poems,)
“
You're rather good at this, aren't you?" And she didn't just mean his reading of Gerrard.
Vane's grin converted to a rakish smile. "I'm rather good at lots of things."
His voice had lowered to a rumbling purr. He leaned closer.
Patience tried, very hard, to ignore the vise slowly closing about her chest. She kept her eyes on his, drawing ever nearer, determined that she wouldn't- absolutely would not- allow her gaze to drop to his lips. As her heartbeat deepened, she raised one brow challengingly. "Such as?"
By the time Patience reached that conclusion, she was utterly breathless- and utterly enthralled by the heady feelings slowly spiraling through her. Vane's confident possession of her lips, her mouth, left her giddy- pleasurably so. His hard lips moved on hers, and she softened, not just her lips, but every muscle, every limb. Slow heat washed through her, a tide of simple delight that seemed to have no greater meaning, no deeper import. It was all pleasure, simple pleasure.
With a mental sigh, she lifted her arms and draped them over his shoulders. He shifted closer. Patience thrilled to the slow surge of his tongue against hers. Boldly, she returned the caress, the muscles beneath her hands tensed. Emboldened, she let her lips firm against his, and reveled in his immediate response. Hard transmuted to harder; lips, muscles, all became more definite, more sharply defined.
It was fascinating- she became softer- he became harder.
And behind his hardness came heat- a heat they both shared. It rose like a fever, turning the swirling pleasure hot. Beyond the caress of his lips, he hadn't touched her, yet every nerve in her body was heating, simmering with sensation. The warm tide spread, swelled; the temperature increased.
And she was flushed, restless- wanting.
”
”
Stephanie Laurens (A Rake's Vow (Cynster, #2))
“
That kiss was a revelation- Patience had never imagined a simple kiss could be so bold, so heavily invested with meaning. His lips were hard; they moved over hers, parting them further, confidently managing her, ruthlessly teaching her all she was so eager to learn.
His tongue invaded her mouth with the arrogance of a conquerer claiming victory's spoils. Unhurriedly, he visited every corner of his domain, claiming every inch, branding it as his- knowing it. After a lengthy, devastatingly thorough inspection, he settled to sample her in a different way. The slow, languid thrusting seduced her willing senses.
She'd yielded, yet her passive surrender satisfied neither of them. Patience found herself drawn into the game- the slide of lips against lips, the sensual glide of hot tongue against tongue. She was more than willing. The promise in the heat rising, steadily building between them, and even more the tension- excitement and something more- that surged like a slow tide behind the warm glow, drew her on. The kiss stretched and time slowed- the drugging effect of shared breaths sent her wits to a slow spin.
”
”
Stephanie Laurens (A Rake's Vow (Cynster, #2))
“
I will use the memory of Pipe to remind myself that I have been damaged as much as I have damaged others, and this is not a special thing. It's just the way my world works. It's been easy to believe, in this room for three months, that I have been at the centre of amazing events. But I'm a tiny part of the intricacies and engineerings of Earth. And I'm not half as clever as I once thought I was. Just as Pipe might be one of so many, I am a drop in the ocean of humanity. We move, we surge, we dash and we flow, and we think that our furious beating upon the far shores of the universe means we are powerful. But we are only the crest of an uncontrollable surge in the tide. Those who rush up from behind to replace me will be just as guilty, and as innocent, as I am. We all have no real idea of where we go, and what we do.
”
”
Aliya Whiteley (Peace, Pipe)
“
The starfield grew dense like a surging tide. The universe contracted and collapsed, until at last everything was annihilated in the creative light of love.
”
”
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
“
Art comes with a splash of colors ...as you get torn between depression and elation...agony and ecstasy ...and with the surging and slowing of tides.. there arises the gentle and fierce brush strokes....ultimately creating a mix of emotions on the cloth and there comes the colors on a blank canvas ...an art....so virgin, raw and pure....
”
”
Jayita Bhattacharjee
“
Here was where this Nought truly lived. Quath had sensed its raw, sticky pull in a jolting instant of profound surprise. The mind’s upper layers were mild and obliging, like cool, smooth corridors beneath the linear engagements of the conscious—while far below, in chambers walled and ramified with bony purpose, lurked a complex, ropy labyrinth of strange power. Or minds. Quath was not even sure the Nought was a single intelligence. Its highest echelons had seemed to be more like a passive stage than a directing entity. There, on a broad, level area above the syrupy seethe, factions of the undermind warred. An abyss yawned. Instincts spoke quietly, effectively, never falling silent. Emotions flared prickly hot—heckling, yearning, always calling the higher intelligence away from its deliberations. Zesty hormones surged—not to carry wedges of information or holistic images, as in Quath, but to flood the bloodstream with urgent demands. Organs far from the brain answered these chemical heralds, pumping other hormones into the thumping flow, adding alkaline voices to the babble. Ideas rose like crystalline towers from this swamp, glimmering coolly—but soon were spattered with the aromatic chemical murk, blood on glass. These elements merged and wrestled, struggling armies rushing together in flurries, fermenting, spinning away into wild skirmishes. Lurid splashes festooned the brittle ramparts of analytical thought. A churning mire lapped hungrily at the stern bulwarks of reason, eroding worn salients even as fresh ones were built. Yet somehow this interior battle did not yield mere confusion and scattered indecision. Somehow a single coherent view emerged, holding the vital, fervent factions in check. Its actions sampled of all the myriad influences, letting none dominate for long. Quath marveled at the sheer energy behind the incessant clashings, and at the same time felt a mixture of recognition laced by repulsion. This Nought’s inner landscape was far more complex than it should be. No wonder it had not attained the technological sophistication of the podia!—it labored forward in a howling storm, its every sharp perception blunted by fraying winds of passion.
”
”
Gregory Benford (Tides of Light (Galactic Center, #4))
“
Zesty hormones surged—not to carry wedges of information or holistic images, as in Quath, but to flood the bloodstream with urgent demands. Organs far from the brain answered these chemical heralds, pumping other hormones into the thumping flow, adding alkaline voices to the babble. Ideas rose like crystalline towers from this swamp, glimmering coolly—but soon were spattered with the aromatic chemical murk, blood on glass. These elements merged and wrestled, struggling armies rushing together in flurries, fermenting, spinning away into wild skirmishes. Lurid splashes festooned the brittle ramparts of analytical thought. A churning mire lapped hungrily at the stern bulwarks of reason, eroding worn salients even as fresh ones were built. Yet somehow this interior battle did not yield mere confusion and scattered indecision. Somehow a single coherent view emerged, holding the vital, fervent factions in check. Its actions sampled of all the myriad influences, letting none dominate for long. Quath marveled at the sheer energy behind the incessant clashings, and at the same time felt a mixture of recognition laced by repulsion. This Nought’s inner landscape was far more complex than it should be. No wonder it had not attained the technological sophistication of the podia!—it labored forward in a howling storm, its every sharp perception blunted by fraying winds of passion. But by the same stroke, it had a curious way of skating on the surface of these choppy, alchemical crosscurrents. Some balance and uncanny steadiness came from that. It was much like the way they walked—falling forward, then rescuing themselves by catching the plunge with the other leg. This yielded a rocking cadence that echoed the precarious nature of the being itself. Not a single mind… and not multiple, interlocking intelligences, such as Quath.
”
”
Gregory Benford (Tides of Light (Galactic Center, #4))
“
In one of our visits, I met a fourth-year high school student, who was three months shy from graduation. Before Yolanda hit, he was studying for his exams with his girlfriend. It was supposed to be the last Christmas they would be dependent on their allowances.
They dreamed of traveling together after college. It was going to be their first time. They never had money to spare before. But in three months, they thought, everything would be all right. They only had to wait a few more months. After all, they had already waited for four years.
What he didn’t expect was the fact that the storm would be so strong he would have to choose between saving his girlfriend and her one-year-old niece. For months, he would stare longingly at the sea, at the exact same spot he found his girlfriend, with a piece of galvanized iron that was used for roofing pierced through her stomach.
It was a relief that one of the first projects we started under DPWH Secretary Mark Villar was the Leyte Tide Embankment, a storm surge protection structure that would serve as the first line of defense for residents of Tacloban, Palo, and Tanauan in Leyte should another typhoon hit the region.
”
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Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual
“
Art comes with a splash of colors ...as you get torn between depression and elation...agony and ecstasy ...and with the surging and slowing of tides.. there arises the gentle and fierce brush strokes....ultimately creating a mix of emotions on the canvas and there comes the colors on a blank canvas...an art....so virgin, raw and pure...
”
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Jayita Bhattacharjee
“
Art comes with a splash of colors ...as you get torn between depression and elation...agony and ecstasy ...and with the surging and slowing of tides.. there arises the gentle and fierce brush strokes....ultimately creating a mix of emotions on the cloth and there comes the colors on a blank ...an art....so virgin, raw and pure....
”
”
Jayita Bhattacharjee
“
Later, when questioned, he would struggle to articulate how he'd felt with the dog-headed thing within his hands. But he did offer, to anyone to whom he told his story, that he'd never felt as insignificant. Tiny, an irrelevant witness and a mere speck upon a great tide of time that surged ever forward. A tide upon which he too would be extinguished: the spark of all he was doused in less than a cosmic moment, just as the mind that had occupied the skull in his bag had been extinguished so many years before.
”
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Adam L.G. Nevill
“
A thought nudged at Hugo, like the first large wave of an incoming tide, and it almost shocked him with its cold touch, with the sense that there was another surge coming. Not of salty water, of course, but a second revelation that was inevitable and devastating, another blow to this noble if horribly flawed family.
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Mark Pryor (The French Widow (Hugo Marston Book 9))
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In the Devonian the moon was 10,000 miles closer, and summoned surging tides that flung fish onto tidal flats, daring them to walk.
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Sy Montgomery (The Best American Science And Nature Writing 2019)
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Never forget the gender of mother earth. This planet is a body through which arterial tides pulse and surge, and within this fluid murk stir serpents, inchoate monstrosities of the amniotic id.
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Robert Dunbar (Vortex)
“
Stop talking,” she whispered. “I don’t want to stop talking. I want to tell you a thousand more ways of how I love you. I only said it once so far, Ace. There are many more ways I could tell you. For example—” She kissed him, and all the thoughts fled out of his head. Those lips against his were the softest things he’d ever touched. He loved it when she did this. He loved kissing her and feeling her little inhalations when he surged forward so their chests were pressed against each other. He loved holding her, feeling her tiny hands pressing against both of his hearts that beat only for her. He loved it even more when she made those little noises in the back of her throat. The little moans that filled the entire cave with the sound of her pleasure. The sounds that made him see stars and want to feast upon every part of her body. All of it and more was what he loved about her. She was a fantasy come to life. Better than any dream he could have dreamt up with his own mind. “I meant every word,” he said against her lips, urging her backward until she was leaning against a stone. “I do love you.” “I know you do, Maketes. Because I love you, too.” “Fuck,” he groaned, tilting his head back slightly before looking back at her.
”
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Emma Hamm (Echoes of the Tide (Deep Waters, #3))
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The full length of my first almost-lover was laid out before me: the dark hair sweeping upwards from his groin to his throat as though a tide had surged in and out, leaving behind his cock, a piece of soft flotsam marooned on a mat of seaweed.
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Claire Fuller (The Memory of Animals)
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At the end of most streets of Edinburgh's Old Town rises the crimson wall of Salisbury Craigs, a lesson in the unimaginable forces and lapses of time which have gone to shape the world. The Craigs are a basalt intrusion, a fossil tide of volcanic rock which surged through the foundations of a dead volcano some 200 million years ago. Geology and paleontology, with their revelations of deep time and alien life-forms, towered up wherever 19th century Scots turned their eyes. the 'testimony of the rocks' threatened their moral universe, its narrative incompatible with a creation myth or even a creator... Old Edinburgh is shaped like a gigantic lecture theatre with the end wall covered by a chart of the earth's origins.
”
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Neal Ascherson (Stone Voices: The Search for Scotland)
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For a moment it was as if I stood high up on the middle cowling of the Thames Barrier looking east over the mouth of the river. I could feel the towers of Canary Wharf rising triumphantly at my back and beyond them the docks, the White Tower and all the bridges, bells and houses of London town. But ahead of me over the horizon I could feel the storm surge, the fatal combination of high tides, global warming and poor planning, waiting. Ready to drive a wall of water ten meters high up the river and bring down the bridges, towers and Uncle Tom Cobley and all. “Just so you understand,” said Mama Thames. “Where the real power lies.
”
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Ben Aaronovitch (Midnight Riot (Rivers of London #1))