Dance Education Quotes

We've searched our database for all the quotes and captions related to Dance Education. Here they are! All 100 of them:

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I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
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Martha Graham
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Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?
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Friedrich Nietzsche
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Wylan drew himself up. β€œI may not have had your … education, but I’m sure I know plenty of words that you don’t.” β€œAlso the proper way to fold a napkin and dance a minuet. Oh, and you can play the flute. Marketable skills, merchling. Marketable skills.” β€œNo one dances the minuet any more,” grumbled Wylan.
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
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Because some stories end, but old stories go on, and you gotta dance to the music if you want to stay ahead
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Terry Pratchett (The Amazing Maurice and His Educated Rodents (Discworld, #28))
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For truth to tell, dancing in all its forms cannot be excluded from the curriculum of all noble education: dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with pen- that one must learn how to write
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Friedrich Nietzsche (Twilight of the Idols)
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Your education or your life, Claire. I'd rather you be alive and a little bit dumber.
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Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
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You think I'm playing at some game? You think iron will keep you safe? Hear my words, manling. Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath. Listen. You cannot hurt me. You cannot run or hide. In this I will not be defied. I swear by all the salt in me: if you run counter to my desire, the remainder of your brief mortal span will be an orchestra of misery. I swear by stone and oak and elm: I'll make a game of you. I'll follow you unseen and smother any spark of joy you find. You'll never know a woman's touch, a breath of rest, a moment's peace of mind. And I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I'll string a fiddle with your guts and make you play it while I dance. You are an educated man. You know there are no such things as demons. There is only my kind. You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me. -Bast
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Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
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Her spirited blue eyes danced like elves in the night and her chestnut hair shone like the sun on autumn leaves.
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Rowena Kinread (The Missionary)
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You can think and you can fight, but the world's always movin', and if you wanna stay ahead you gotta dance.
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Terry Pratchett (The Amazing Maurice and His Educated Rodents (Discworld, #28))
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Be like a peacock and dance with all of your beauty.
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Debasish Mridha
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I prayed that our growth would be as strong and determined as the seeds of coconut palms, boldly reaching skyward toward the sun diligently boring deeper into the earth to secure a firm foundation for the beautiful, durable, fruit-bearing trees they would become. For me, Mhonda was the place to continue the growth of the still young but strong roots of my tree planted in Kifungilo. This was my life now, the life I’d prayed for, the life that would provide me with an education and would open doors. I wanted this life very much. I told my wavering spirit to bear with me because, just like the coconut palm, I would sway and bend and bruise, but I would survive. I would have to become the tree in the African saying: β€˜The tree that bends with the wind does not break.
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Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
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But when they began handing out doctorates for comparative folk dancing and advanced fly-fishing, I became too stink in’ proud to use the title. I won’t touch watered whiskey and I take no pride in watered-down degrees.
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Robert A. Heinlein (Stranger in a Strange Land)
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This is a beautiful morning; the sun is rising with a smiling face. Everything around me is alive and smiling. Everything is whispering in my ear to enjoy every moment and enjoy the morning. My heart is dancing with you, with morning light.
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Debasish Mridha
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Our leaders strain every nerve and with success, to get the next war going, while the rest of us, meanwhile, dance the fox trot, earn money and eat chocolates...And perhaps...it has always been the same and always will be, and what is called history at school, and all we learn by heart there about heroes and geniuses and great deeds and fine emotions, is all nothing but a swindle invented by the schoolmasters for educational reasons to keep children occupied for a given number of years. It has always been so and always will be. Time and the world, money and power belong to the small people and shallow people. To the rest, to the real men belongs nothing...eternity...it isn't fame. Fame exists in that sense only for the schoolmasters. No, it isn't fame. It is what I call eternity...The music of Mozart belongs there and the poetry of your great poets. The saints, too, belong there, who have worked wonders and suffered martyrdom and given a great example to men. But the image of every true act, the strength of every true feeling, belongs to eternity just as much, even though no one knows of it or sees it or records it or hands it down to posterity. In eternity there is no posterity...It is the kingdom on the other side of time and appearances. It is there we belong. There is our home. It is that which our heart strives for...And we have no one to guide us. Our only guide is our homesickness.
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Hermann Hesse (Steppenwolf)
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I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I’ll string a fiddle with your guts and make you play it while I dance.” Bast leaned closer until their faces were mere inches apart, his eyes gone white as opal, white as a full-bellied moon. β€œYou are an educated man. You know there are no such things as demons.” Bast smiled a terrible smile. β€œThere is only my kind.” Bast leaned closer still, Chronicler smelled flowers on his breath. β€œYou are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me.
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Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
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If someone who wanted to learn to dance were to say: For centuries, one generation after the other has learned the positions, and it is high time that I take advantage of this and promptly begin with the quadrille--people would presumably laugh a little at him, but in the world of spirit this is very plausible. What, then, is education? I believed it is the course the individual goes through in order to catch up with himself, and the person who will not go through this course is not much helped by being born in the most enlightened age.
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SΓΈren Kierkegaard
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Youth was the time for happiness, its only season; young people, leading a lazy, carefree life, partially occupied by scarcely absorbing studies, were able to devote themselves unlimitedly to the liberated exultation of their bodies. They could play, dance, love, and multiply their pleasures. They could leave a party, in the early hours of the morning, in the company of sexual partners they had chosen, and contemplate the dreary line of employees going to work. They were the salt of the earth, and everything was given to them, everything was permitted for them, everything was possible. Later on, having started a family, having entered the adult world, they would be introduced to worry, work, responsibility, and the difficulties of existence; they would have to pay taxes, submit themselves to administrative formalities while ceaselessly bearing witness--powerless and shame-filled--to the irreversible degradation of their own bodies, which would be slow at first, then increasingly rapid; above all, they would have to look after children, mortal enemies, in their own homes, they would have to pamper them, feed them, worry about their illnesses, provide the means for their education and their pleasure, and unlike in the world of animals, this would last not just for a season, they would remain slaves of their offspring always, the time of joy was well and truly over for them, they would have to continue to suffer until the end, in pain and with increasing health problems, until they were no longer good for anything and were definitively thrown into the rubbish heap, cumbersome and useless. In return, their children would not be at all grateful, on the contrary their efforts, however strenuous, would never be considered enough, they would, until the bitter end, be considered guilty because of the simple fact of being parents. From this sad life, marked by shame, all joy would be pitilessly banished. When they wanted to draw near to young people's bodies, they would be chased away, rejected, ridiculed, insulted, and, more and more often nowadays, imprisoned. The physical bodies of young people, the only desirable possession the world has ever produced, were reserved for the exclusive use of the young, and the fate of the old was to work and to suffer. This was the true meaning of solidarity between generations; it was a pure and simple holocaust of each generation in favor of the one that replaced it, a cruel, prolonged holocaust that brought with it no consolation, no comfort, nor any material or emotional compensation.
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Michel Houellebecq (The Possibility of an Island)
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When I see a dancing butterfly, When I see a half blooming flower, Their eager wish to make this world happy, My mind dances with joy, My soul emerges in happiness.
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Debasish Mridha
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Whenever you smile, whenever you care, whenever you love, whenever you share, your spirit will dance with joy because happiness is there.
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Debasish Mridha
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Dancing is a expression of desire, thoughts, and emotion in a distinctive way.
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Debasish Mridha
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No guinea of earned money should go to rebuilding the college on the old plan just as certainly none could be spent upon building a college upon a new plan: therefore the guinea should be earmarked "Rags. Petrol. Matches." And this note should be attached to it. "Take this guinea and with it burn the college to the ground. Set fire to the old hypocrisies. Let the light of the burning building scare the nightingales and incarnadine the willows. And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, "Let it blaze! Let it blaze! For we have done with this 'education!
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Virginia Woolf (Three Guineas)
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The heart dances with joy when you're sharing.
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Debasish Mridha
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There isn't an education system on the planet that teaches dance everyday to children the way we teach them mathematics. Why? Why not?
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Ken Robinson
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What were you thinking,sending that rabid monkey child to my school?" I shouted into my communicator. "Beg pardon?" Raquel asked. "Jack.My school.The girls' locker room. Ring any bells? If Carlee hadn't sworn to my ogre of a gym teacher that Jack was neither my boyfriend nor my brother, I probably would have been suspended!" "Your gym teacher is an ogre?" "Focus!If I get suspended,my grades take a hit. If my grades take a hit, I might not get into Georgetown. And I will get into Georgetown." "I'm pleased to see you finally taking ownership of your education. And I'm sorry about Jack;I asked him to contact you discreetly." "That boy wouldn't know discreet if it tap--danced on his stupid blond head." "Still,if this discreet were tap dancing,it wouldn't be very discreet,now, would it?
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Kiersten White (Supernaturally (Paranormalcy, #2))
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We followed the bondage Bobbsey Twins across the crowded dance floor. Those leather shorts were an adventure from behind, let me tell you. And the pictures of Elvis decorating the walls were an education, too. It wasn’t often you ran into a bondage/Elvis/ whorehouse-themed vampire club.
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Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
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Open your heart! Dance with joy and love.
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Debasish Mridha
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It was my teacher's genius, her quick sympathy, her loving tact which made the first years of my education so beautiful. It was because she seized the right moment to impart knowledge that made it so pleasant and acceptable to me. She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs, until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower. Any teacher can take a child to the classroom, but not every teacher can make him learn. He will not work joyously unless he feels that liberty is his, whether he is busy or at rest; he must feel the flush of victory and the heart-sinking of disappointment before he takes with a will the tasks distasteful to him and resolves to dance his way bravely through a dull routine of textbooks. My teacher is so near to me that I scarcely think of myself apart from her. How much of my delight in all beautiful things is innate, and how much is due to her influence, I can never tell. I feel that her being is inseparable from my own, and that the footsteps of my life are in hers. All the best of me belongs to her--there is not a talent, or an aspiration or a joy in me that has not been awakened by her loving touch.
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Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
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Take a deep breath and feel the joy of life. Open your eyes and see the beauty of a dancing leaf.
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Debasish Mridha
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Let the spirit dance with joy.
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Debasish Mridha
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A friend is he who can feel your heart's beating and dance with it when it is joyful, cry with it when it is torn, and inspire when it is in need.
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Debasish Mridha
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I dance with hopes and sing along with possibilities.
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Debasish Mridha
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Learning to dance felt like learning to belong.
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Tara Westover (Educated)
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What were you to do when you didn't know anyone who could help you, no one who could explain the way to the things you wanted- what could you do- you couldn't just take a spade, a few bricks, and a gerenium and see what happened. You had to be rich, you had to be educated; you had to be powerful to stop contagious ugliness from spreading.
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Dawn Powell (Dance Night)
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It’s not just the Taliban killing children. Sometimes it’s drone attacks, sometimes it’s wars, sometimes it’s hunger. And sometimes it’s their own family. In June two girls my age were murdered in Gilgit, which is a little north of Swat, for posting a video online showing themselves dancing in the rain wearing traditional dress and headscarves. Apparently their own stepbrother shot them.
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Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
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The meanest girl who dances and dresses becomes something higher when her children look up into her face and ask her questions. It is the only education we have and which they cannot take from us
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Olive Schreiner (The Story of an African Farm)
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Always hit where the mark isn't looking." "Who's Mark?" asked Wylan Jesper burst out laughing. "Oh, Saints,you are something. The mark, the pigeon,the cosy, the fool you're looking to fleece." Wylan drew himself up. "I may have not had your... education, but I'm sure I know plenty of words you don't." "Also the proper way to fold a napkin and dance a minuet. Oh, and you can play the flute. Mareketable skills, merchling. Marketable skills. "No one dances the minuet anymore." Grumbled Wylan,
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
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You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
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Hermann Hesse (Steppenwolf)
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Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much. But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
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Mohsin Hamid (Moth Smoke)
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You can begin to dream, to love, to dance, to read, to sing, to study, to paint, to teach, to draw, to swim, to exercise, to write….!
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Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
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Music is the language of the heart; it makes our soul dance with joy.
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Debasish Mridha
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I am not a human being but the song of the soul and dance of the spirit.
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Debasish Mridha
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Dance with your own way with your own tune no matter who watches it.
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Debasish Mridha
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Life is the most beautiful dance on the most beautiful stage we call Earth.
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Debasish Mridha
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Let the blossoms of love beautify your heart. Let the spirit dance with joy.
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Debasish Mridha
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Focus on joy, not on hurt or fear. The earth will dance, peace to share.
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Debasish Mridha
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Every flower is a love of a dancing sun, ready to kindle your heart.
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Debasish Mridha
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Love is still alive in my heart. Dreams are still alive at the dead of night. Hopes are still dancing in my mind.
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Debasish Mridha
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The other girls rarely spoke to me, but I loved being there with them. I loved the sensation of conformity. Learning to dance felt like learning to belong.
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Tara Westover (Educated)
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Oh! Happiness I am looking for you In the wilderness, In and around the palaces, In my possessions, in my wealth and splendor, I can see you far away, Like an illusion, I try to touch feel and smell but, Like a morichica you dance far away.
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Debasish Mridha
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Communication is not only about words and numbers. Some thoughts can’t be properly expressed in these ways at all. We also think in sounds and images, in movement and gesture, which gives rise to our capacities for music, visual arts, dance, and theater in all their variations.
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Ken Robinson (Creative Schools: The Grassroots Revolution That's Transforming Education)
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It seems that in our twenty-first century modern world, many women have become estranged from their primal brain and the knowledge that lies within it. Women too often hand their power over to the medical world long before they enter labour and have the idea someone else will do it for them.
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Maha Al Musa (Dance of the Womb - The Essential Guide to Belly Dance for Pregnancy and Birth)
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Real education happens only by failing, changing, challenging, and adjusting. All of those gerunds apply to teachers as well as students. No person is an β€œeducator,” because education is not something one person does to another. Education is an imprecise process, a dance, and a collaborative experience.
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Siva Vaidhyanathan
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Because I want to go to the dance," I said. "But why can't you go as a boy? Won't it be risky going as a girl?" Of course it would be risky. But everything I'd done for the past four months had been risky. I took a deep breath before speaking. "I want to go as a girl, because I want to dance with a particular boy." Mrs. Smithers rolled her eyes at this. "There's always a boy, isn't there?
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Lauren Baratz-Logsted (The Education of Bet)
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Well," he said with equanimity, "you see, in my opinion there is no point at all in talking about music. I never talk about music. What reply, then, was I to make to your very able and just remarks? You were perfectly right in all you said. But, you see, I am a musician, not a professor, and I don't believe that, as regards music, there is the least point in being right. Music does not depend on being right, on having good taste and education and all that." "Indeed. Then what does it depend on?" "On making music, Herr Haller, on making music as well and as much as possible and with all the intensity of which one is capable. That is the point, Monsieur. Though I carried the complete works of Bach and Haydn in my head and could say the cleverest things about them, not a soul would be the better for it. But when I take hold of my mouthpiece and play a lively shimmy, whether the shimmy be good or bad, it will give people pleasure. It gets into their legs and into their blood. That's the point and that alone. Look at the faces in a dance hall at the moment when the music strikes up after a longish pause, how eyes sparkle, legs twitch and faces begin to laugh. That is why one makes music.
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Hermann Hesse (Steppenwolf)
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Soft moonlight touches my lips and cheeks, I feel your soul dance in my heart. Breeze of the Southern sea blows my hair, I feel your love touch my flowers of desire, In my garden roses dance with the kindness of air. I feel my soul wanting her bliss to share.
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Debasish Mridha
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Such as the sun, let us love everyone, now feel and behold, the dance of your spirit and joy of your soul.
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Debasish Mridha
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Love is the dance of the spirit on a stage called heart with the songs of mind to satisfy our eternal desires to belong.
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Debasish Mridha
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Love dances with joy in your smile.
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Debasish Mridha
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Oh beloved, I want to live in your love, to feel the joy of life, to see the beauty of desires, to enjoy the song of heart, to dance with you, my love.
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Debasish Mridha
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Smiles are the dance of our soul, with the music of love, to express the beauty of mind, for the happiness of spirit, and for the joy of the world.
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Debasish Mridha
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A smile is the prettiest dance of your soul.
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Debasish Mridha
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It is spring again, my heart is dancing with flowers with love and joy.
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Debasish Mridha
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Let your feelings of gratitude dance in your heart and be expressed through your love and kindness.
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Debasish Mridha
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A smile is the dance of your soul.
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Debasish Mridha
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In early spring, every petal of tulips sing a song of love and life, dance with joy and happiness to enjoy her short life of dazzling beauty.
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Debasish Mridha
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If you can create a bright future, the past will dance with joy in your mind for the experience and to let you suffer.
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Debasish Mridha
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Life is exciting. It's more exciting if you can dance with joy alone.
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Debasish Mridha
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Dance as if life is a work of art. Dance as if life is a stage for a dance drama.
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Debasish Mridha
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Feel the joy of life and dance with joy.
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Debasish Mridha
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Accepting and appreciating heart brings abundance in life but gratitude acknowledge and dance with joy of receiving.
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Debasish Mridha
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Luck is a dance of possibilities and opportunities.
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Debasish Mridha
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I am more than the moments that locked my essence in trauma. Using every ounce of pain, never forgetting my worth, moving away from the drama.
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Maria Teresa Pratico (My Soul's Dance, Accepting the Shadows while Embracing the Light: Poems about Death and Rebirth)
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My little heart, my little girl. Dance with Daddy; dance, my pearl. Hold my hand; dance with your feet. Sing a little song; dance with the beat. Dance with a smile; sing with joy. Dance like a peacock; sing like a toy. Dance with love; sing with kindness. Life will be blissful, full with happiness. Dance with Daddy; dance, my pearl. My little heart, my little girl.
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Debasish Mridha
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The only road to freedom is self-education in art. Art is not a luxury for any advanced civilization; it is a necessity, without which creative intelligence will wither and die. Even in economically troubled times, support for the arts should be a national imperative. Dance, for example, requires funding not only to secure safe, roomy rehearsal space but to preserve the indispensible continuity of the teacher-student link. American culture has become unbalanced by its obsession with the blood sport of politics, a voracious vortex consuming everything in its path. History shows that, for both individuals and nations, political power is transient. America's true legacy is its ideal of liberty, which has inspired insurgencies around the world. Politicians and partisans of both the Right and the Left must recognize that art too is a voice of liberty, requiring nurture without intrusion. Art unites the spiritual and material realms. In an age of alluring, magical machines, the society that forgets art risks losing its soul.
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Camille Paglia
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Come, come everyone, come with love, come with joy, come to my heart, there is always spring, roses always smiling, soul is always singing with joy in the light of love. I am waiting, are you coming. My heart is always ready to dance, always ready to love, always ready with a song.
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Debasish Mridha
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Focus on peace not on war. Love, live, share and care. Focus on kindness not on hate. Bliss will flow to open the gate. Focus on joy, not on hurt or fear. The earth will dance, peace to share.
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Debasish Mridha
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And as you grow up, please know that whenever you hear thunder, that will be me. Whenever the Red Sox win in the ninth, that will be me. Whenever you and daddy dance together, know that I am there too. I will always be watching my boys. My boys, whom I love so much that I feel my heart will burst. Love, Mum
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Samantha Power (The Education of an Idealist: A Memoir)
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Lord I thank you for the gift of breath, eyes to see, ears to hear, tongue to taste, nose to smell; mouth to speak, face to smile, voice to sing, body to dance, legs to walk, mind to think and hands to write.
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Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
β€œ
Enthusiasm is the first step," she said. "Artfulness comes later." "I hope I didn't disappoint you." "I'm not displeased, Jovanno. Hells, having a lover that's new to the dance means you can train him properly. Give me a few nights and I'll have you whipped into proper form." "The Asino brothers ... they always, well, they always invited me to go with them when they went out. To buy it, you know." "There's no shame in doing that. And there's no shame in not having done it. But those two are hounds, Jovanno. Any woman could smell it a mile away. Sometimes a run with the hounds is just what you're in the mood for, but in the end they'll always roll around in muck and shit on your floor." "Oh, they've got an endearing side," said Jean. "It comes out once a month, when the first moon is full. They're like backwards werewolves.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
It felt like we were reliving the first day of the school year, when students and teachers do the get-to-know-you danceβ€”teachers tell students something about who they are, students pretend to care, and then vice-versa.
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Tucker Elliot (The Day Before 9/11)
β€œ
I am in love, I became an angel; flowers bloom with my touch, birds comes to me and sing love song, air touches my cheeks to feel my love, leaves are dancing around me with the melody of love. Oh love, I am in love, I am the love.
”
”
Debasish Mridha
β€œ
With Yeltsin, the Soviet Union broke apart, the country was totally mismanaged, the constitution was not respected by the regions of Russia. The army, education and health systems collapsed. People in the West quietly applauded, dancing with and around Yeltsin. I conclude therefore that we should not pay too much attention to what the West is saying.
”
”
Mikhail Gorbachev
β€œ
Peace is a beautiful flower of love, harmony and joy Peace is a dancing bird, a joyful smile of a poor boy Peace is a little child's innocent smile and loving kiss For a war torn mother, peace is a divine bliss. Peace starts with a heart that is caring Peace starts with a smile that is loving Peace starts with power of love not with love of power Peace starts with a desire to bloom like a flower.
”
”
Debasish Mridha
β€œ
Let us find the way to the peace Le us make peace, the way of life Let us sing the song of peace Let us dance together with joy of life Let us feel and love each other Let us share and bloom together Let us dare to care for who suffer Let us dream a peaceful earth forever.
”
”
Debasish Mridha
β€œ
Peace is in selfless caring Peace is in true understanding Peace is in undeserved kindness Peace is in joyful forgiveness Peace is in innocent trust Peace is in becoming just Peace is in a dancing butterfly Peace is in a clear starry sky Peace is a child's loving kiss Peace is a life's pure bliss
”
”
Debasish Mridha
β€œ
People used to talk about Shabana's bad character, but our men both wished to see her dance and also despised her because she was a dancer. A khan's daughter can't marry a Kahn's son. We Pashtuns love shoes but don't love the cobbler; we love our scarves and blankets but do not respect the weaver. Manual workers made a great contribution to our society but received no recognition, and this is the reason so many of them joined the Taliban - to finally achieve status and power.
”
”
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
β€œ
Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.
”
”
Julia de Burgos Jack AgΓΌero Translator
β€œ
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.
”
”
Don DeLillo
β€œ
I believe finally, that education must be conceived as a continuing reconstruction of experience; that the process and the goal of education are one and the same thing. β€”JOHN DEWEY I’m standing on the red railway car that sits abandoned next to the barn. The wind soars, whipping my hair across my face and pushing a chill down the open neck of my shirt. The gales are strong this close to the mountain, as if the peak itself is exhaling. Down below, the valley is peaceful, undisturbed. Meanwhile our farm dances: the heavy conifer trees sway slowly, while the sagebrush and thistles quiver,
”
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Tara Westover (Educated)
β€œ
I mean-- no offense, Leonard, but you really don't like to climb ropes, and get into the Marine Corps, and kill your countriy's enemies, do you?" I said that it wasn't one of the big goals of my life. "Well, maybe you'd like me to get you into this corrective gym class, where you can study toe dancing, and grow up to be a little Commie, sissy boy," Mr. Jerris said. I told him I would like that just fine…
”
”
Daniel Pinkwater
β€œ
about her in a long conversation with Professor Stumph, the learned geologist. Rose did not care, for one dance proved to her that that branch of Mac's education had been sadly neglected, and she was glad to glide smoothly about with Steve, though he was only an inch or two taller than herself. She had plenty of partners, however, and plenty of chaperons, for all the young men were her most devoted, and all the matrons beamed upon her with
”
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Louisa May Alcott (Rose in Bloom (Eight Cousins #2))
β€œ
In the car inching its way down Fifth Avenue, toward Bergdorf Goodman and this glamorous party, I looked back on my past with a new understanding. This sickness, the β€œendo-whatever,” had stained so muchβ€”my sense of self, my womanhood, my marriage, my ability to be present. I had effectively missed one week of each month every year of my life since I was thirteen, because of the chronic pain and hormonal fluctuations I suffered during my period. I had lain in bed, with heating pads and hot-water bottles, using acupuncture, drinking teas, taking various pain medications and suffering the collateral effects of them. I thought of all the many tests I missed in various classes throughout my education, the school dances, the jobs I knew I couldn’t take as a model, because of the bleeding and bloating as well as the pain (especially the bathing suit and lingerie shoots, which paid the most). How many family occasions was I absent from? How many second or third dates did I not go on? How many times had I not been able to be there for others or for myself? How many of my reactions to stress or emotional strife had been colored through the lens of chronic pain? My sense of self was defined by this handicap. The impediment of expected pain would shackle my days and any plans I made. I did not see my own womanhood as something positive or to be celebrated, but as a curse that I had to constantly make room for and muddle through. Like the scar on my arm, my reproductive system was a liability. The disease, developing part and parcel with my womanhood starting at puberty with my menses, affected my own self-esteem and the way I felt about my body. No one likes to get her period, but when your femininity carries with it such pain and consistent physical and emotional strife, it’s hard not to feel that your body is betraying you. The very relationship you have with yourself and your person is tainted by these ever-present problems. I now finally knew my struggles were due to this condition. I wasn’t high-strung or fickle and I wasn’t overreacting.
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
β€œ
Well?” He thought about it now. β€œI think a woman’s sphere can be taxing, and perhaps for you, as you indicate, boring. I would hate to think of you being bored! Iβ€” I am rather afraid I would bore you. I am not a wealthy or an educated man.” β€œBut you are a brave one. You fought, and I suppose you will again.” Catherine stared intently into his eyes. β€œCaptain Schuyler, if you would let me be me, you would never bore me. I truly do want to ride, dance, laugh, and
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Rita Mae Brown (Tail Gait (Mrs. Murphy, #24))
β€œ
Take this guinea then and use it, not to burn the house down, but to make its windows blaze. And let the daughters of uneducated women dance round the new house, the poor house, the house that stands in a narrow street where omnibuses pass and the street hawkers cry their wares, and let them sing, β€˜We have done with war! We have done with tyranny!’ And their mothers will laugh from their graves, β€˜It was for this that we suffered obloquy and contempt! Light up the windows of the new house, daughters! Let them blaze!
”
”
Virginia Woolf (Three Guineas)
β€œ
She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower.
”
”
Helen Keller (The Story of My Life)
β€œ
West couldn't stop staring at Lady Clare. He had the feeling if he reached out to touch her, he would come away with his fingers scorched. That hair, blazing from beneath a simple gray traveling bonnet... he'd never seen anything like it. Bird-of-paradise red, with glimmers of crimson dancing amid the pinned-up locks. Her skin was flawless ivory except for a tender spray of freckles sprinkled across her nose, like a finishing spice on some luxurious dessert. She had the look of someone who had been nurtured: educated and well dressed. Someone who had always been lovingly sheltered. But there was a shadow in her gaze... the knowledge that there were some things no human being could be protected from. God, those eyes... light gray, with striations like the rays of tiny stars.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
β€œ
In the opening essay of his 2005 book, Black Rednecks and White Liberals, Thomas Sowell neatly summarized some of these findings: The cultural values and social patterns prevalent among Southern whites included an aversion to work, proneness to violence, neglect of education, sexual promiscuity, improvidence, drunkenness, lack of entrepreneurship, reckless searches for excitement, lively music and dance, and a style of religious oratory marked by strident rhetoric, unbridled emotions, and flamboyant imagery. This oratorical style carried over into the political oratory of the region in both the Jim Crow era and the civil rights era, and has continued on into our own times among black politicians, preachers, and activists.26 Most whites have of course abandoned this behavior, and have risen socioeconomically as a result. How ironic that so many blacks cling to these practices in an effort to avoid β€œacting white.” And how tragic that so many liberals choose to put an intellectual gloss on black cultural traits that deserve disdain. The civil rights movement, properly understood, was about equal opportunity. But a group must be culturally equipped to seize it. Blacks today on balance remain ill equipped, and the problem isn’t white people.
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Jason L. Riley (Please Stop Helping Us: How Liberals Make It Harder for Blacks to Succeed)
β€œ
We cannot feel badly for those who intentionally harm us. If we do, we will not be free from their heavy chains. Pity gives way to excuses and excuses will soften the heart of anyone. It’s a part of the human condition. It is the double-edged sword of compassion. Those who have been targeted are often very empathetic people. They may identify with being sensitive spirited. In the recovery community, it is called being an Empath. The dance between an empath and an abuser is one of control, mind games, and mockery. This is why education is such a critical step in the healing process. Tenderness from empaths will be used against them time and time again by psychological abusers. In Healing from Hidden Abuse, we have a lot of material to cover. My desire is that you will not feel rushed to quickly get through it from cover to cover. I enjoy reading books slowly, and reflecting on the words I have read. I will often sit down with a pen in hand and underline key phrases or sentences that jump out at me. That way, I can later go back and quickly remind myself of the nuggets that originally were meaningful. I would encourage you to do the same here. If you do push through this material, maybe consider coming back around for a second read and taking time to reflect a little
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Shannon Thomas (Healing from Hidden Abuse: A Journey Through the Stages of Recovery from Psychological Abuse)
β€œ
Young man,” he went on, raising his head again, β€œin your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was soldβ€”long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
”
”
Fyodor Dostoevsky (Crime and Punishment)
β€œ
Thus I learned from life itself. At the beginning I was only a little mass of possibilities. It was my teacher who unfolded and developed them. When she came, everything about me breathed of love and joy and was full of meaning. She has never since let pass an opportunity to point out the beauty that is in everything, nor has she ceased trying in thought and action and example to make my life sweet and useful. It was my teacher’s genius, her quick sympathy, her loving tact which made the first years of my education so beautiful. It was because she seized the right moment to impart knowledge that made it so pleasant and acceptable to me. She realized that a child’s mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs, until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower. Any teacher can take a child to the classroom, but not every teacher can make him learn. He will not work joyously unless he feels that liberty is his, whether he is busy or at rest; he must feel the flush of victory and the heart-sinking of disappointment before he takes with a will the tasks distasteful to him and resolves to dance his way bravely through a dull routine of textbooks.
”
”
Helen Keller (The Story of My Life)