Surfing Is Like Life Quotes

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Tell me what it's like. The race." "What it's like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It's the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It's speed, if you're lucky. It's life and it's death or it's both, and there's nothing like it.
Maggie Stiefvater (The Scorpio Races)
Life is a lot like surfing… When you get caught in the impact zone, you’ve got to just get back up. Because you never know what may be over the next wave.
Bethany Hamilton (Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board)
I've learned life is a lot like surfing. When you get caught in the impact zone, you need to get right back up, because you never know what's over the next wave......and if you have faith, anything is possible, anything at all.
Soul Surfer
I am not jealous of what came before me. Come with a man on your shoulders, come with a hundred men in your hair, come with a thousand men between your breasts and your feet, come like a river full of drowned men which flows down to the wild sea, to the eternal surf, to Time! Bring them all to where I am waiting for you; we shall always be alone, we shall always be you and I alone on earth, to start our life!
Pablo Neruda
Be like a rocky promontory against which the restless surf continually pounds; it stands fast while the churning sea is lulled to sleep at its feet. I hear you say, "How unlucky that this should happen to me!" Not at all! Say instead, "How lucky that I am not broken by what has happened and am not afraid of what is about to happen. The same blow might have struck anyone, but not many would have absorbed it without capitulation or complaint.
Marcus Aurelius (Meditations)
The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely, dawns. The world was incomprehensibly large, and there was still so much to see. Yes, I got sick sometimes of being an expatriate, always ignorant, on the outside of things, but I didn't feel ready for domestic life, for seeing the same people, the same places, thinking more or less the same thoughts, each day. I liked surrendering to the onrush, the uncertainty, the serendipity of the road.
William Finnegan (Barbarian Days: A Surfing Life)
By thirteen, I'd mostly stopped believing in God, but that was a new development and it left a hole in my world, a feeling that I'd been abandoned. The ocean was like an uncaring god, endlessly dangerous, power beyond measure.
William Finnegan (Barbarian Days: A Surfing Life)
Having autism is like having too many tabs open on a computer. Or more accurately, it’s like trying to surf the web without an ad blocker. Every time you click on something, another window pops up.
Michael McCreary (Funny, You Don't Look Autistic: A Comedian's Guide to Life on the Spectrum)
It was, once again, a glorious wave, with hues in its depths so intense they felt like first editions—ocean colors never seen before, made solely for this wave, this moment, perhaps never to be seen again.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
I've learned life is a lot like surfing. When you get caught in the impact zone,you need to get right back up, because you never know what's over the next wave... and if you have faith, anything is possible, anything at all.
Bethany Hamilton
I could not have climbed any mountains while looking from the ground... I would not have flown... or dived... or surfed... or swum... I am not a tourist nor a spectator... this is the life I have left, and I will not waste it like some rubber-neck
Kem (Tales Of A Chocolate Smuggler)
The silences here are retreats of sound, like the retreat of the surf before a tidal wave: sound draining away, down slopes of acoustic passage, to gather, someplace else, to a great surge of noise.
Thomas Pynchon (Gravity’s Rainbow)
That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.
Antoine Laurain (The Red Notebook)
He was tired of having to move so carefully, of having to be so careful. He wanted to be able to skip, for God’s sake. He wanted to be Ichigo. He wanted to surf, and ski, and parasail, and fly, and scale mountains and buildings. He wanted to die a million deaths like Ichigo, and no matter what damage was inflicted on his body during the day, he’d wake up tomorrow, new and whole. He wanted Ichigo’s life, a lifetime of endless, immaculate tomorrows, free of mistakes and the evidence of having lived.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
So I'm biding my time, like a surfer waiting for a wave. I'm pretty good at surfing, as it happens, and I know the wave will come. When the moment is right, I'll get Demeter's attention. She'll look at my stuff, everything will click, and I'll start riding my life. Not paddling, paddling, paddling, like I am right now.
Sophie Kinsella (My Not So Perfect Life)
Like the body craves oxygen, the mind is desperate for certainty. It believes that without a safe foothold on reality, it will die. But the fascinating thing is that the illusion of certainty is exactly the opposite of safety because it hardens and narrows the vision to make everything fit its own scope. Then when new information arrives which would be its ally, the mind pushes it away in favor of the leaky life raft to which it clings, sinking all the while beneath the waves of change. In fact, the only antidote for this is to embrace 'I don’t know' so deeply that a powerful, dynamic safety emerges. This is like learning to surf so well that a tsunami wave shows up as a challenge to test our mastery.
Jacob Nordby
There comes a time in the life of a sailor when he no longer belongs ashore. It's then that he surrenders to the Pacific, where no land blocks the eye, where sky and ocean mirror each other until above and below have lost their meaning, and the Milky Way looks like the spume of a breaking wave and the globe itself rolls like a boat in the midst of the sinking and heaving surf of that starry sky, and even the sun is nothing but a tiny glowing dot of phosphorescence on the sea of the night.
Carsten Jensen (We, the Drowned)
Life is like surfing. Challenges, like tidal waves, must surely come. It takes balanced life and a firm trust in God to ride the waves of life.
Martin Uzochukwu Ugwu
I copied out a passage from Lord Jim: “We wander in our thousands over the face of the earth, the illustrious and the obscure, earning beyond the seas our fame, our money, or only a crust of bread; but it seems to me that for each of us going home must be like going to render an account.
William Finnegan (Barbarian Days: A Surfing Life)
everything was good, or good enough, and yet I had the sensation at that moment that I was atop a large piece of white plastic tubing, and the tube was rolling down a dirt path, and I was surfing it, almost, my feet constantly moving, trying to stay upright. That was what life felt like.
Hanya Yanagihara (To Paradise)
alone, and start to think. There are the rushing waves . . . mountains of molecules, each stupidly minding its own business . . . trillions apart . . . yet forming white surf in unison. Ages on ages . . . before any eyes could see . . . year after year . . . thunderously pounding the shore as now. For whom, for what? . . . on a dead planet, with no life to entertain. Never at rest . . . tortured by energy . . . wasted prodigiously by the sun . . . poured into space. A mite makes the sea roar. Deep in the sea, all molecules repeat the patterns of one another till complex new ones are formed. They make others like themselves . . . and a new dance starts. Growing in size and complexity . . . living things, masses of atoms, DNA, protein . . . dancing a pattern ever more intricate. Out of the cradle onto the dry land . . . here it is standing . . . atoms with consciousness . . . matter with curiosity. Stands at the sea . . . wonders at wondering . . . I . . . a universe
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman)
I felt myself floating between two worlds. There was the ocean, effectively infinite, falling away forever to the horizon. This morning it was placid, its grip on me loose and languorous. But I was lashed to its moods now. The attachment felt limitless, irresistible. I no longer thought of waves being carved in celestial workshops. I was getting more hardheaded. Now I knew they originated in distant storms, which moved, as it were, upon the face of the deep. But my utter absorption in surfing had no rational content. It simply compelled me; there was a deep mine of beauty and wonder in it. Beyond that, I could not have explained why I did it. I knew vaguely that it filled a psychic cavity of some kind—connected, perhaps, with leaving the church, or with, more likely, the slow drift away from my family—and that it had replaced many things that came before it. I was a sunburnt pagan now. I felt privy to mysteries.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
We are the last generation that can experience true wilderness. Already the world has shrunk dramatically. To a Frenchman, the Pyrenees are “wild.” To a kid living in a New York City ghetto, Central Park is “wilderness,” the way Griffith Park in Burbank was to me when I was a kid. Even travelers in Patagonia forget that its giant, wild-looking estancias are really just overgrazed sheep farms. New Zealand and Scotland were once forested and populated with long-forgotten animals. The place in the lower forty-eight states that is farthest away from a road or habitation is at the headwaters of the Snake River in Wyoming, and it’s still only twenty-five miles. So if you define wilderness as a place that is more than a day’s walk from civilization, there is no true wilderness left in North America, except in parts of Alaska and Canada. In a true Earth-radical group, concern for wilderness preservation must be the keystone. The idea of wilderness, after all, is the most radical in human thought—more radical than Paine, than Marx, than Mao. Wilderness says: Human beings are not paramount, Earth is not for Homo sapiens alone, human life is but one life form on the planet and has no right to take exclusive possession. Yes, wilderness for its own sake, without any need to justify it for human benefit. Wilderness for wilderness. For bears and whales and titmice and rattlesnakes and stink bugs. And…wilderness for human beings…. Because it is home. —Dave Foreman, Confessions of an Eco-Warrior We need to protect these areas of unaltered wildness and diversity to have a baseline, so we never forget what the real world is like—in perfect balance, the way nature intended the earth to be. This is the model we need to keep in mind on our way toward sustainability.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
Peace out, L.A.! Goodbye, wheatgrass and early-morning mountain hikes and hideous highway traffic and surfing culture and most of all people who either didn’t understand or didn’t like sarcasm. Hello, dirt and bagels and taxis and self-deprecation and edge. It was good to be home.
Lauren Weisberger (When Life Gives You Lululemons)
Tell me what it's like. The race." What it's like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It's the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It's speed, if you're lucky. It's life and it's death or it's both and there's nothing like it. Once upon a time, this moment - this last light of evening the day before the race - was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life.
Maggie Stiefvater (The Scorpio Races)
My work is awfully labored just now. Sometimes it has the most wondrous life of its own, it fairly pulls me along—rather like wind surfing! At other times, it drags and mopes, so that I despair of ever writing another word or drawing another picture. I’ve found that if one keeps pushing along during the mopes, out will flash the most exhilarating thought or idea—a way of doing something that I had never seen before—and then, one is off again, and hold on to your hat!
Jan Karon (A Light in the Window (Mitford Book 2))
The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely dawns. The world was incomprehensibly large, and there was still so much to see.... I liked surrendering to the onrush, the uncertainty, the serendipity of the road. And I generally liked being a stranger, an observer, often surprised.
William Finnegan (Barbarian Days: A Surfing Life)
The only thing we can depend on in life is that everything changes. The seasons, our partners, what we want and need. We hold hands with our high school friends and swear to never lose touch, and then we do. We scrape ice off our cars and feel like winter will never end, and it does. We stand in the bathroom and look at our face and say, “Stop getting old, face. I command you!” and it doesn’t listen. Change is the only constant. Your ability to navigate and tolerate change and its painful uncomfortableness directly correlates to your happiness and general well-being. See what I just did there? I saved you thousands of dollars on self-help books. If you can surf your life rather than plant your feet, you will be happier.
Amy Poehler (Yes Please)
Surfers have a perfection fetish. The perfect wave, etcetera. There is no such thing. Waves are not stationary objects in nature like roses or diamonds. They’re quick, violent events at the end of a long chain of storm action and ocean reaction. Even the most symmetrical breaks have quirks and a totally specific, local character, changing with every shift in tide and wind and swell.
William Finnegan (Barbarian Days: A Surfing Life)
That was exactly what Tabucchi was suggesting in his title – that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. ‘Pass by’ and at the same time be ‘so close’ that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you’ve never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affair with her had crossed your mind. Perhaps she would have liked that – probably in fact – but nothing ever happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimetres towards the face of the other for the first kiss. We passed by, we passed so close that something of the experience remains.
Antoine Laurain (The Red Notebook)
Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.
Paulo Coelho (The Devil and Miss Prym)
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
Annie Dillard (Pilgrim at Tinker Creek)
She tried to recall the cold, the silence, and that precious feeling of owning the world, of being twenty years old and having her whole life ahead of her, of making love slowly and calmly, drunk with the scent of the forest and their love, without a past, without suspecting the future, with just the incredible richness of that present moment in which they stared at each other, smelled each other, kissed each other, and explored each other's bodies, wrapped in the whisper of the wind among the trees and the sound of the nearby waves breaking against the rocks at the foot of the cliff, exploding in a crash of pungent surf, and the two of them embracing underneath a single poncho like Siamese twins, laughing and swearing this night would last forever, that they were the only ones in the whole world who had discovered love.
Isabel Allende (The House of the Spirits)
Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.
D. Denise Dianaty (My Life In Poetry)
Though this list is not exhaustive, it offers a straightforward way for you to begin to put words to what lies below the surface of your life: • Attention—I long for people to like me. I long for your embrace. • Affection—I long to be enjoyed. I long to be delighted in. I long for you to take pleasure in who I am. • Affirmation—I long to know I have what it takes. I long for your blessing. • Acceptance—I long to belong. I long to be desired. • Satisfaction—I long for fullness. I long for well-being. • Significance—I long for impact. I long for meaning. I long to be powerful. • Security—I long to know I will be okay.
Michael John Cusick (Surfing for God: Discovering the Divine Desire Beneath Sexual Struggle)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
[“... ] Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere. "We gave her her letters (I heard the men in that lonely ship were dying of fever at the rate of three a day) and went on. We called at some more places with farcical names, where the merry dance of death and trade goes on in a still and earthy atmosphere as of an overheated catacomb; all along the formless coast bordered by dangerous surf, as if Nature herself had tried to ward off intruders; in and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares. [..."]
Joseph Conrad (Heart of Darkness)
By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which we had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her psonality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath. I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep,on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole lanscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the stand, one could listen for hours on end to the surf breaking and receding. On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
Always, during both the low points and high points in our lives, if we needed to escape, we went bush. We were so lucky to share a passion for wildlife experiences. Tasmania, the beautiful island state off the southern coast of Australia, became one of our favorite wildlife hot spots. We so loved Tassie’s unique wildlife and spectacular wilderness areas that we resolved to establish a conservation property there. Wes and Steve scouted the whole island (in between checking out the top secret Tasmanian surf spots), looking for just the right land for us to purchse. Part of our motivation was that we did not want to see the Tasmanian devil go the way of the thylacine, the extinct Tasmanian tiger. A bizarre-looking animal, it was shaped like a large log, with a tail and a pouch like a kangaroo. It had been pushed off of the Australian mainland (probably by the dingo) thousands of years ago, but it was still surviving in Tasmania into the 1930s. There exists some heartbreaking black-and-white film footage of the only remaining known Tassie tiger in 1936, as the last of the thylacines paces its enclosure. Watching the film is enough to make you rededicate your life to saving wildlife.
Terri Irwin (Steve & Me)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.
H.P. Lovecraft (H.P. Lovecraft: The Ultimate Collection)
He wanted to be Ichigo. He wanted to surf, and ski, and parasail, and fly, and scale mountains and buildings. He wanted to die a million deaths like Ichigo, and no matter what damage was inflicted on his body during the day, he’d wake up tomorrow, new and whole. He wanted Ichigo’s life, a lifetime of endless, immaculate tomorrows, free of mistakes and the evidence of having lived. Or if he couldn’t be Ichigo, at least he could be back at the apartment, with Sadie and Marx, making Ichigo.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
He was tired of his body, of his unreliable foot, which couldn’t even handle the slightest expression of joy. He was tired of having to move so carefully, of having to be so careful. He wanted to be able to skip, for God’s sake. He wanted to be Ichigo. He wanted to surf, and ski, and parasail, and fly, and scale mountains and buildings. He wanted to die a million deaths like Ichigo, and no matter what damage was inflicted on his body during the day, he’d wake up tomorrow, new and whole. He wanted Ichigo’s life, a lifetime of endless, immaculate tomorrows, free of mistakes and the evidence of having lived.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
Thich Nhat Hanh. a venerated Vietnamese Buddhist, speaks of a solution that is so utterly simple it seems profane. Be, body and mind, exactly where you are. That is, practice a mindfulness that makes you aware of each moment. Think to yourself, "I am breathing" when you're breathing; "I am anxious" when you're anxious; even, "I am washing the dishes" when you're washing the dishes. To be totally into this moment is the goal of mindfulness. Right now is precious and shall never pass this way again. A wave is a precious moment, amplified: a dynamic natural sculpture that shall never pass this way again. Out interaction with waves - to be fully in the moment, without relationship troubles, bills, or worries - is what frees us. Each moment that we are fully with waves is evidence of our ability to live in the here and now. There is nothing else in the universe when you're making that elegant bottom turn. Here. Now. Simple, but so elusive. A wave demands your attention. It is very difficult to be somewhere else, in your mind, when there is such a gorgeous creation of nature moving your way. Just being close to a wave brings us closer to being mindful. To surf them is the training ground for mindfulness. The ocean can seem chaotic, like the world we live in. But somehow we're forced to slice through the noise - to paddle around and through the adversities of life and get directly to the joy. This is what we need for liberation.
Kia Afcari (Sister Surfer: A Woman's Guide To Surfing With Bliss And Courage)
Embrace your multiple personalities. As a kid, I went back and forth between being a metalhead and a Latin dancer. A strange combination? Yes, but it showed me that I should never let one single thing define who I am. I am many things, many voices, many personalities. I try to embrace them rather than suppress them. There’s a time to be disciplined and there’s a time to let go. There’s a time to crowd-surf and a time to practice. The more variety in your life, the more color. Sometimes I think we give ourselves a label: “I’m an accountant.” Or “I’m a mom.” Or “I’m a schoolteacher.” That isn’t all of you, just like dancing wasn’t--and still isn’t--all of me. Give yourself permission to embrace all the facets of you; it’s what makes you unique and special. We are who we tell ourselves we are.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The big problem here is that getting any young person with a short attention span to spend ten thousand hours doing something can be an uphill battle. That’s never been more true than these days when whatever kids do has to compete with so many attractive options. It can be surfing the Web, playing video games, tweeting, or Facebook. Back in my day, I confess that I played my fair share of Donkey Kong, but even than there was no Web for me to surf and I didn’t have a status. Well, yes I did, it just wasn’t posted anywhere yet. Whatever you want to do in this life, I’m here to encourage you not to lose hope or give up during the first hundred or so of those ten thousand hours that it takes to get good. You should know that in my case it took me a while to “get the bug” for guitar, as my grandpa used to call it. He always said it would happen, almost like a slow sickness. And he knew it would take time.
Brad Paisley
TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.
Pattiann Rogers (Quickening Fields (Penguin Poets))
Look for a wave shaped like an A. An A. Hmm. I saw Zs and H's and Vs. I saw the Hindi alphabet and the Thai alphabet. I saw Arabic script. I saw no As. Finally I gave up, and chose the next wave that would have me, which turned out to be a poor move. There is a moment, shortly after one accepts the imminence of one's demise, when it occurs that you could be elsewhere: that if you simply left the house a little later, or lingered over a Mai Tai, you would not be here now confronting your mortality. This moment occurred just as I encountered a very large (from my perspective), rare and surprising wave. A wave that was pitching and howling, and it really had no business being where it was - underneath me. The demon wave picked me up, and after that I have only a a vague recollection of spinning limbs, a weaponized surf board, and chaotic white water, churning together over a reef. I decided surfing was not for me. I generally no longer engage in adrenaline rush activities that carry with them a strong likely hood of life-altering injury. (p. 138)
J. Maarten Troost (The Sex Lives of Cannibals: Adrift in the Equatorial Pacific)
He carefully poured the juice into a bowl and rinsed the scallops to remove any sand caught between the tender white meat and the firmer coral-colored roe, wrapped around it like a socialite's fur stole. Mayur is the kind of cook (my kind), who thinks the chef should always have a drink in hand. He was making the scallops with champagne custard, so naturally the rest of the bottle would have to disappear before dinner. He poured a cup of champagne into a small pot and set it to reduce on the stove. Then he put a sugar cube in the bottom of a wide champagne coupe (Lalique, service for sixteen, direct from the attic on my mother's last visit). After a bit of a search, he found the crème de violette in one of his shopping bags and poured in just a dash. He topped it up with champagne and gave it a swift stir. "To dinner in Paris," he said, glass aloft. 'To the chef," I answered, dodging swiftly out of the way as he poured the reduced champagne over some egg yolks and began whisking like his life depended on it. "Do you have fish stock?" "Nope." "Chicken?" "Just cubes. Are you sure that will work?" "Sure. This is the Mr. Potato Head School of Cooking," he said. "Interchangeable parts. If you don't have something, think of what that ingredient does, and attach another one." I counted, in addition to the champagne, three other bottles of alcohol open in the kitchen. The boar, rubbed lovingly with a paste of cider vinegar, garlic, thyme, and rosemary, was marinating in olive oil and red wine. It was then to be seared, deglazed with hard cider, roasted with whole apples, and finished with Calvados and a bit of cream. Mayur had his nose in a small glass of the apple liqueur, inhaling like a fugitive breathing the air of the open road. As soon as we were all assembled at the table, Mayur put the raw scallops back in their shells, spooned over some custard, and put them ever so briefly under the broiler- no more than a minute or two. The custard formed a very thin skin with one or two peaks of caramel. It was, quite simply, heaven. The pork was presented neatly sliced, restaurant style, surrounded with the whole apples, baked to juicy, sagging perfection.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
morning to pour out the sugar and substitute salt, thinking it so hilarious until our father lost his temper and spanked us both. The two of us dancing on the Eden patio in my mother’s cast-off nightgowns. Playing mermaid on the beach or fairies on the bluffs. Later, all three of us moving like a school of fish, Josie and Dylan and me, swimming in the cove or making a bonfire or practicing calligraphy with fountain pens my mother brought back from some trip she took with my father during one of their happy stints, an interest bolstered by Dylan’s passion for all things Chinese. Like so many boys of the era, he’d fallen hard for Kwai Chang Caine in the Kung Fu television series. I adored them both, but my sister was first. Worshipped the very air she breathed. I would have done anything she told me—chased down bandits, built a ladder to the moon. In turn, she brought me sand dollars to examine and Pop-Tarts she stole from the pantry in the house kitchen, and she kept her arms around me all night. It was Dylan who introduced surfing. He taught us when I was seven and Josie nine. It gave us both a sense of power and relief, a way to escape our crumbling family life and explore the sea—and, of course, it was our bond with Dylan himself. Josie. Thinking of her in the times before she turned into the later version of herself, the aloof, promiscuous addict, makes me ache with longing. I miss my sister with every molecule
Barbara O'Neal (When We Believed in Mermaids)
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.
Edgar Allan Poe (The Complete Works Of Edgar Allen Poe: Miscellany)
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
When you live in Jersey a beach isn’t enough. People have energy in Jersey. They need things to do. They need a beach with a boardwalk. And the boardwalk has to be filled with rides and games and crappy food. Add some miniature golf. Throw in a bunch of stores selling T-shirts with offensive pictures. Life doesn’t get much better than this. And the best part is the smell. I’ve been told there are places where the ocean smells wild and briny. In Jersey the ocean smells of coconut-scented suntan lotion and Italian sausage smothered in fried onions and peppers. It smells like deep-fried zeppoles and chili hot dogs. The scent is intoxicating and exotic as it expands in the heat rising from crowds of sun-baked bodies strolling the boardwalk. Surf surges onto the beach and the sound is mingled with the rhythmic tick, tick, tick of the spinning game wheels and the highpitched Eeeeeeee of thrill seekers being hurtled down the log flume. Rock stars, pickpockets, homies, pimps, pushers, pregnant women in bikinis, future astronauts, politicians, geeks, ghouls, and droves of families who buy American and eat Italian all come to the Jersey shore.
Janet Evanovich (Plum Boxed Set 2 (Stephanie Plum, #4-6))
March 7 Undaunted Radiance Nay, in all these things we are more than conquerors through Him that loved us. Romans 8:37 Paul is speaking of the things that might seem likely to separate or wedge in between the saint and the love of God; but the remarkable thing is that nothing can wedge in between the love of God and the saint. These things can and do come in between the devotional exercises of the soul and God and separate individual life from God; but none of them is able to wedge in between the love of God and the soul of the saint. The bedrock of our Christian faith is the unmerited, fathomless marvel of the love of God exhibited on the Cross of Calvary, a love we never can and never shall merit. Paul says this is the reason we are more than conquerors in all these things, super-victors, with a joy we would not have but for the very things which look as if they are going to overwhelm us. The surf that distresses the ordinary swimmer produces in the surf-rider the super joy of going clean through it. Apply that to our own circumstances, these very things—tribulation, distress, persecution, produce in us the super joy; they are not things to fight. We are more than conquerors through Him in all these things, not in spite of them, but in the midst of them. The saint never knows the joy of the Lord in spite of tribulation, but because of it. “I am exceeding joyful in all our tribulation,” says Paul. Undaunted radiance is not built on anything passing, but on the love of God that nothing can alter. The experiences of life, terrible or monotonous, are impotent to touch the love of God, which is in Christ Jesus our Lord.
Oswald Chambers (My Utmost for His Highest)
Age: 10 Height: 5’3 Favourite animal: Osprey   Clara once had a dream that she was a bird, flying high over hills, cliffs and the ocean. She dreamt she flew down towards the waves with her powerful wings and used her sharp talons to snatch a fish out of the water to eat. When Clara woke up, she looked on the internet to find out if there were any real birds that ate fish. She realised that she had dreamed of being an osprey, which is a rare ‘eagle of the sea’, and ever since then Clara has wondered whether there is such a thing as the supernatural: dreams that have special meanings, spirits walking the world, and magical creatures that may or may not have existed many centuries ago, like dragons, fairies and unicorns.   Because of this interest, she can often be found surfing the internet whilst she researches interesting animals and the habitats they live in. Like Benjamin, she loves nature and likes to spend as much time as possible outdoors. Also like Ben, her goals for the future include travelling around the world. She would like to visit the countries of India and South-East Asia. She would especially like to see wild orang-utans in the forests of Indonesia.   She also hopes to one day be a real life detective, so that she can help people. She says, “Helping people is the most important thing in the world. Without that desire, there would be no Cluefinders Club to help the people who need it!” She loves to read books, especially mystery stories. Clara is considered the founder of the Cluefinders Club, and her bedroom is the place they like to meet most evenings to talk about detective stories and mysteries they might be able to solve.  
Ken T. Seth (The Case of the Vanishing Bully (The Cluefinder Club #1))
Life is like surfing. I have to be brave and full of courage to be the best I can be on this adventure of life. It takes courage to paddle out to backline. Sometimes we have to fight for life. An illness may strike. Like me with chronic fatigue syndrome. We have to fight back. We cannot give up. Surfing is an adventure, each time I go out into the ocean. Let us be brave and full of courage and achieve great things.
Marguerite de Savoye Vujcich
She was the brown-eyed girl. I didn’t really know what had happened between them, but I idolized them both, and I liked to think that they had once been happy “standing in the sunlight laughing / hiding behind a rainbow’s wall.” But it was typical of me, somehow, to put all this into other people, to romanticize their affairs. And it was typical, too, of the perversity of pop culture to start recycling “Brown-Eyed Girl” decades later as elevator music, supermarket music, until I couldn’t stand to hear
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
CONTIMENT’S END At the equinox when the earth was veiled in a late rain, wreathed with wet poppies, waiting spring, The ocean swelled for a far storm and beat its boundary, the ground-swell shook the beds of granite. I gazing at the boundaries of granite and spray, the established sea-marks, felt behind me Mountain and plain, the immense breadth of the continent, before me the mass and doubled stretch of water. I said: You yoke the Aleutian seal-rocks with the lava and coral sowings that flower the south, Over your flood the life that sought the sunrise faces ours that has followed the evening star. The long migrations meet across you and it is nothing to you, you have forgotten us, mother. You were much younger when we crawled out of the womb and lay in the sun’s eye on the tideline. It was long and long ago; we have grown proud since then and you have grown bitter; life retains Your mobile soft unquiet strength; and envies hardness, the insolent quietness of stone. The tides are in our veins, we still mirror the stars, life is your child, but there is in me Older and harder than life and more impartial, the eye that watched before there was an ocean. That watched you fill your beds out of the condensation of thin vapor and watched you change them, That saw you soft and violent wear your boundaries down, eat rock, shift places with the continents. Mother, though my song’s measure is like your surf-beat’s ancient rhythm I never learned it of you. Before there was any water there were tides of fire, both our tones flow from the older fountain.
Robinson Jeffers (The Selected Poetry of Robinson Jeffers)
This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.
Terri Irwin (Steve & Me)
THE CLOSE, PAINSTAKING STUDY of a tiny patch of coast, every eddy and angle, even down to individual rocks, and in every combination of tide and wind and swell—a longitudinal study, through season after season—is the basic occupation of surfers at their local break. Getting a spot wired—truly understanding it—can take years. At very complex breaks, it’s a lifetime’s work, never completed. This is probably not what most people see, glancing seaward, noting surfers in the water, but it’s the first-order problem that we’re out there trying to solve: what are these waves doing, exactly, and what are they likely to do next? Before we can ride them, we have to read them, or at least make a credible start on the job. Nearly
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
The hardest thing about combat is the noise. War sounds like nothing you’re used to in civilian life. The landing craft’s engines had shielded some of the shrieks and the awful explosions. Now I heard them fully, and felt the reverberations in my spine. Bullets and shells rained across the deep surf. The water percolated, as if the earth were furious with us—not just us, but all of mankind. The noise of war does more than deafen you. It’s worse than shock, more physical than something thumping against your chest. It pounds your bones, rumbling through your organs, counter-beating your heart. Your skull vibrates. You feel the noise as if it’s inside you, a demonic parasite pushing at every inch of skin to get out.
Ray Lambert (Every Man a Hero: A Memoir of D-Day, the First Wave at Omaha Beach, and a World at War)
. He couldn’t keep the paddle ruddering, and the raft immediately turned sideways, sending sailors away from the wave and digging the front tube low into the water. The crashing whitewater lifted the other side and threw it over the top, capsizing them. Everyone on the lead raft saw the second raft go over. Winkleman cranked on the paddle, turning his raft sideways on the now-benign wave. He yelled, “Paddle forward!” The men were dazed, watching for bobbing heads, but snapped into action, digging their paddles in and pulling themselves from the wave that was giving them a free ride into the beach. The second raft was still upside down and was surfing in on the now-broken wave. Heads popped up behind the raft. Men who’d been thrown and were still in the impact zone of oncoming waves were thrashing their arms, struggling to stay on the surface. The next wave crashed over them, driving them deeper into the sharp reef. The capsized raft tumbled toward the first and Tarkington yelled, “Grab it!” Two men jumped onto the bottom and tried to turn it right-side up while it was surfing in. Winkleman steered, and the exhausted men paddled back toward the breakers. More heads were popping up, some bleeding from fresh wounds. They stood in the shallows and struggled forward, but the incessant breakers knocked them down and they’d come up spluttering, sporting more wounds. Some weren’t able to stand, their life-jackets floating them, and they tumbled with the broken waves, like so much driftwood. The men on the raft hauled them in and soon were too full, forcing the uninjured back into the water to help whomever they could find toward the beach. Finally, both boats, and everyone who’d been on them, sprawled on the beach. One sailor, who’d been unconscious from the initial air attack, was dead. They found him washed up on the beach, facedown and unresponsive. Everyone from the capsized raft was banged up to some degree. The cuts on their arms, legs, torsos and faces looked as though they’d been attacked by razor blades. The capsized raft had one sizable hole which had deflated one of the four compartmentalized chambers, leaving that segment flat and floppy. They found all the wooden paddles, but two were broken. The sun beat down upon them like an angry god. None of them wanted to move. Tarkington sat up after catching his breath. His tongue was thick with thirst and he was sure he wouldn’t
Chris Glatte (Tark's Ticks Gauntlet (Tark's Ticks, #3))
This rule allows time to do what some behavioral psychologists call “surfing the urge.” When an urge takes hold, noticing the sensations and riding them like a wave—neither pushing them away nor acting on them—helps us cope until the feelings subside.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
The key to surfing Kiera was entering the wild section at full speed...I had waves that teased me two, even three times, with the daylight hole speeding ahead, outrunning me, and then pausing and miraculously rewinding back toward me, the spilling lip seemingly twisting like the Iris of a camera lens opening until I was almost out of the hole, and then reversing and doing it again, receding in beautiful hopelessness and returning in even more beautiful hope. These were the longest tube rides of my life.
William Finnegan (Barbarian Days: A Surfing Life)
THE DREAM OF back-to-nature surfing solitude had a predictable by-product: rank nostalgia. A high percentage of the stories I wrote in my journals involved time travel, most often back to an earlier California. Imagine going back to the days of the Chumash Indians, or the Spanish missions, if you could just take a modern surfboard with you. Malibu had been breaking exactly like this, unridden, for centuries, eons. You would probably be worshipped as a god by the locals once they saw you surf, and they would feed you, and you could ride great waves with perfect concentration—uncontested ownership, accumulating mastery—for the rest of your days. There were a couple of photos in Surfing Guide to Southern California that illustrated, to my mind, just how narrow a margin in time we had all missed paradise by. One was of Rincon, taken in 1947 from the mountain behind the point on a sheet-glass, ten-foot day. The caption, unnecessarily, invited the reader to note “a tantalizing absence of people.” The other was of Malibu in 1950. It showed a lone surfer streaking across an eight-foot wall, with members of the public playing obliviously on the sand in the foreground. The surfer was Bob Simmons, a brilliant recluse who essentially invented the modern finned surfboard. He drowned while surfing alone in 1954.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
BUT SURFING ALWAYS HAD this horizon, this fear line, that made it different from other things, certainly from other sports I knew. You could do it with friends, but when the waves got big, or you got into trouble, there never seemed to be anyone around. Everything out there was disturbingly interlaced with everything else. Waves were the playing field. They were the goal. They were the object of your deepest desire and adoration. At the same time, they were your adversary, your nemesis, even your mortal enemy. The surf was your refuge, your happy hiding place, but it was also a hostile wilderness—a dynamic, indifferent world. At thirteen, I had mostly stopped believing in God, but that was a new development, and it had left a hole in my world, a feeling that I’d been abandoned. The ocean was like an uncaring God, endlessly dangerous, power beyond measure.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
She and I had survived long separations, and we had never been especially monogamous—she liked to quote Janis Joplin: Honey, get it while you can.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
I know I saw nothing wrong with insurance fraud, just as I saw nothing wrong with drug smuggling, or with anything else I considered a victimless crime. Draft dodging, still well in the future for me but already upending the lives of the older brothers of friends, I vehemently endorsed. The Vietnam War was wrong, rotten to the core. But the military, the government, the police, big business were all congealing in my view into a single oppressive mass—the System, the Man. These were standard-issue youth politics at the time, of course, and I was soon folding school authorities into the enemy force. And my casual, even contemptuous attitude toward the law was mostly a holdover from childhood, when a large part of glory was defiance and what you could get away with. But a more conscious, analytic, loosely Marxist disaffection was also taking root in my politics in my midteens. (And disaggregating, intellectually and emotionally, the mass of institutional power—sorting out how things actually worked, beyond how they felt as a whole—would turn out to be the work of many years.) In the meantime, surfing became an excellent refuge from the conflict—a consuming, physically exhausting, joy-drenched reason to live. It also, in its vaguely outlaw uselessness, its disengagement from productive labor, neatly expressed one’s disaffection. Where was my sense of social responsibility? Not much in evidence. I marched in peace marches. I was still a good student, which really proved nothing except that I liked to read and was hedging my bets.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
My mother, who somehow managed to stay politically active while raising four children, roped me into canvassing door-to-door for Tom Bradley, Sam Yorty’s opponent for mayor, in our precinct in Woodland Hills. Bradley would be, if he won, the first black mayor of L.A., so it felt like a historic election. Bradley polled well in our precinct, and we were optimistic. Then Yorty won the election, and the precinct breakdowns showed that our neighbors had evidently been lying when they told us canvassers that they would vote for Bradley. It was a well-known phenomenon, apparently, among white voters, these voting-booth reversals. Still, I was outraged, and my cynicism about organized politics and the broad mass of what I was learning to call the bourgeoisie deepened. Robert Kennedy was assassinated, as everyone knows, on the night of the 1968 California primary. I watched the news on a small black-and-white TV, sitting cross-legged on the foot of my girlfriend’s bed. Her name was Charlene. We were fifteen. She was asleep, believing I had left after our evening’s usual heated, inconclusive cuddle. I had stopped, however, to watch the TV after I saw that Kennedy had been shot. It was after midnight and Charlene’s parents were out watching the voting results with friends. They were Republican Party activists. I heard them pull in the driveway and come in the house. I knew that Charlene’s father, who was an older man, always came in to kiss her good night, and I knew, well, the way out her window and how to catfoot it down to the street. Still, I sat there, unthinking yet cruelly resolved, until the bedroom door opened. Her father did not have a heart attack at the sight of me, calmly watching TV in my underwear, though he could have. I snatched up my clothes and dived out the window before he said a word. Charlene’s mother called my mother, and my mother gave me a serious talk about different types of girls, emphasizing the sanctity of “good girls,” such as Charlene, who belonged to some debutante club. I was embarrassed but unrepentant. Charlene and I had never had much to talk about.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
Our lives, Domenic’s and mine, had been like an unraveling braid for the past couple of years. The proximate cause of our disengagement was a girl: Caryn, my first serious girlfriend. She and I had found each other as high school seniors. My plans to bum around Europe with Domenic after high school became plans to bum around Europe with Caryn. We all ended up going, but we didn’t see each other over there as much as we had planned. Then I went back to start college, at the University of California, Santa Cruz, and Caryn came with me. Domenic stayed on in Italy, living with relatives in the village where his father was born, in the eastern Appenines, working in a vineyard, learning Italian. (Domenic liked his own kind fine. I envied that.)
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
I was on my freshman spring break, and my family was living in Honolulu again, so Domenic and I had reconvened there. Both of us had, like everyone who grew up on surf mags, dreamed since childhood of surfing Honolua Bay. But it was odd, in a way, that we were here, waiting on waves, since we had both quit surfing years before. It happened when I turned sixteen. It wasn’t a clean break, or even a conscious decision. I just let other things get in the way: car, money to keep car running, jobs to make money to keep car running. The same thing happened with Domenic. I got a job pumping gas at a Gulf station on Ventura Boulevard, in Woodland Hills, for an irascible Iranian named Nasir. It was the first job I had that wasn’t devoted exclusively to the purpose of paying for a surfboard. Domenic also worked for Nasir. We both got old Ford Econoline vans, surf vehicles par excellence, but we rarely had time to surf. Then we both fell under the spell of Jack Kerouac and decided we needed to see America coast-to-coast. I got a job working graveyard shifts—more hours, more money—at a grubby little twenty-four-hour station on a rough corner out in the flatlands of the San Fernando Valley. It was a place where Chicano low riders would try to steal gas at 5 a.m.—Hey, let’s rip off the little gringo. I got a second job parking cars at a restaurant, taking “whites” (some kind of speed—ten pills for a dollar) to stay awake. The restaurant’s patrons were suburban mobsters, good tippers, but my boss was a Chinese guy who thought we should stand at attention between customers. He badgered and finally fired me for reading and slouching. Domenic was also stacking up money. When the school year ended, we pooled our savings, quit our gas station jobs, said good-bye (I assume) to our parents, and set off, zigzagging east, in Domenic’s van. We were sixteen, and we didn’t even take our boards.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
From the perspective of utter love for surfing, paddling was always okay, no matter how difficult, no matter how hopeless. Sure, it wasn’t always as fun as riding a wave. But it was part of it. They were the same - interdependent. No paddle, no surf. No samsara, no nirvana. And if paddling on a day like this could be enjoyable, i figured maybe all of life’s challenges could be - maybe even a real job. Maybe there was no rat race to escape...
Jaimal Yogis (Saltwater Buddha: A Surfer's Quest to Find Zen on the Sea)
She seemed sad and wise beyond her years. All the giddy experimentation with sex, recreational drugs, and revolutionary politics that was still approaching its zenith in countercultural America was ancient, unhappy history to her. Actually, her mother was still in the midst of it—her main boyfriend at the time was a Black Panther on the run from the law—but Caryn, at sixteen, was over it. She was living in West Los Angeles with her mother and little sister, in modest circumstances, going to a public high school. She collected ceramic pigs and loved Laura Nyro, the rapturous singer-songwriter. She was deeply interested in literature and art, but couldn’t be bothered with bullshit like school exams. Unlike me, she wasn’t hedging her bets, wasn’t keeping up her grades to keep her college options open. She was the smartest person I knew—worldly, funny, unspeakably beautiful. She didn’t seem to have any plans. So I picked her up and took her with me, very much on my headstrong terms. I overheard, early on, a remark by one of her old Free School friends. They still considered themselves the hippest, most wised-up kids in L.A., and the question was what had become of their foxy, foulmouthed comrade Caryn Davidson. She had run off, it was reported, “with some surfer.” To them, this was a fate so unlikely and inane, there was nothing else to say. Caryn did have one motive that was her own for agreeing to come to Maui. Her father was reportedly there. Sam had been an aerospace engineer before LSD came into his life. He had left his job and family and, with no explanation beyond his own spiritual search, stopped calling or writing. But the word on the coconut wireless was that he was dividing his time between a Zen Buddhist monastery on the north coast of Maui and a state mental hospital nearby. I was not above mentioning the possibility that Caryn might find him if we moved to the island.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
Surfers have a perfection fetish. The perfect wave, etcetera. There is no such thing. Waves are not stationary objects in nature like roses or diamonds. They're quick, violent events at the end of a long chain of storm action and ocean reactions.
William Finnegan (Barbarian Days: A Surfing Life)
I mean – I don’t know. This whole thing is just so weird and confusing. I already,” I looked at them quickly, my cheeks heating with shame, “um, I already think about him playing Dad for Gummy Bear. He’s so sweet with him and I find myself thinking how good of a father he would be. I’m afraid if I were to be with him again, I would just assume he would want to play that part and that isn’t fair to Brandon. Or what if he didn’t want that role at all? I can’t pressure him into even having to make that kind of a decision.” “Kid,” Konrad snorted, “I’m sorry, but really? You really think all that?” “No. But I feel like I’m taking advantage of him or something.” “Okay, it’s painfully obvious to us that he would be there for you and GB in a heartbeat. But hearing you say that, it’s just so frustrating knowing that you two are doing this to each other. You sound just like Brandon.” “What do you mean?” “I love you Kid, but God you’re so dense sometimes. He freaking loves you. And I know you know that. But he’s terrified that he’s going to push you away with his feelings for you and GB. It doesn’t help that you keep telling him you guys can’t be together.” He momentarily took a hand off Bree’s thigh to stop me when my mouth opened, “I know why you say that, and he gets it too. But all of us are just waiting for the day when you guys finally acknowledge the fact that you can’t live without each other. So you’re sitting here telling us you’re afraid of pushing him into something you think he might not want to go into, or you think he shouldn’t have to. And when we go work out or surf, all he can talk about is wanting to take care of you and GB for the rest of your lives, but he’s worried that if he says anything you’ll shut him out for good. You know he told me he’d rather be your friend for the rest of his life than risk not being able to make sure you guys are happy and okay?” “Oh Brandon.” I whispered. “God I’ve been so selfish, he needs to go live his life. I need to make him leave.” “No, you’ve been stupid. I’m sorry,” his hands went back in surrender as he looked at Mom, “but someone needs to say it to her. Harper,” he waited until I was looking in his eyes, “you love him, and you want to be with him. He loves you and GB and would give anything to be with you. So stop fighting it, this is like ten times worse than you not telling Chase you were pregnant. And yeah, I knew then too.” Bree, Mom and I all stared at him in shock, “I was with you and Bree all the time, it was obvious right away what was going on.” There
Molly McAdams (Taking Chances (Taking Chances, #1))
Writing felt like it justified, barely, my existence -- this extremity of obscurity I had chosen.
William Finnegan (Barbarian Days: A Surfing Life)
Okay, it’s painfully obvious to us that he would be there for you and GB in a heartbeat. But hearing you say that, it’s just so frustrating knowing that you two are doing this to each other. You sound just like Brandon.” “What do you mean?” “I love you Kid, but God you’re so dense sometimes. He freaking loves you. And I know you know that. But he’s terrified that he’s going to push you away with his feelings for you and GB. It doesn’t help that you keep telling him you guys can’t be together.” He momentarily took a hand off Bree’s thigh to stop me when my mouth opened, “I know why you say that, and he gets it too. But all of us are just waiting for the day when you guys finally acknowledge the fact that you can’t live without each other. So you’re sitting here telling us you’re afraid of pushing him into something you think he might not want to go into, or you think he shouldn’t have to. And when we go work out or surf, all he can talk about is wanting to take care of you and GB for the rest of your lives, but he’s worried that if he says anything you’ll shut him out for good. You know he told me he’d rather be your friend for the rest of his life than risk not being able to make sure you guys are happy and okay?” “Oh Brandon.” I whispered. “God I’ve been so selfish, he needs to go live his life. I need to make him leave.” “No, you’ve been stupid. I’m sorry,” his hands went back in surrender as he looked at Mom, “but someone needs to say it to her. Harper,” he waited until I was looking in his eyes, “you love him, and you want to be with him. He loves you and GB and would give anything to be with you. So stop fighting it, this is like ten times worse than you not telling Chase you were pregnant. And yeah, I knew then too.” Bree, Mom and I all stared at him in shock, “I was with you and Bree all the time, it was obvious right away what was going on.” There
Molly McAdams (Taking Chances (Taking Chances, #1))
Harper, wait up!” He caught my arm and spun me around so I was facing him. “You’re not even going to say hi now?” “Hi.” My voice cracked and I kept my eyes to the ground. Chase gently placed his hand under my chin and lifted until I was staring at him through unshed tears. “Baby what’s wrong?” God I didn’t want to hear him call me that. Memories of our times together flashed through my mind and my cheeks instantly filled with heat. “Nothing,” I cleared my throat and blinked back the tears, “it’s just allergies or something.” His look told me he wasn’t buying that, but didn’t push that subject further. Stepping back he hung his head and sighed roughly, shifting his weight a few times, “I haven’t seen you around my house much. I know you don’t want to be with me, but don’t feel like you can’t be there, I won’t bother you and Brandon.” “That’s not why I haven’t been there. I um, I broke up with him.” Chase’s head snapped up, “You did? When, why didn’t you tell me?” He was failing miserably at trying to hide his elated smile. “A little over a week ago. But it hurt me more than I could ever explain to do it, and I need time to get over that. I can’t just rush back to you because Brandon and I aren’t together anymore.” He cupped my cheeks and hunched down so he was almost eye level, “I love you, I’ll give you all the time you need. Unless. Unless you don’t want me anymore?” I pressed my face harder into his left hand and closed my eyes, inhaling his clean masculine scent. “I’ve told you, I will always love you Chase, but I’m still not sure you won’t eventually leave me. Because of that fear, I don’t know if I can be with you. And some things have changed since we talked last, you might change your mind about me altogether.” “That’s not possible.” I pulled his hands off my face and wrapped his tattooed arms around my shoulders. After placing a kiss on his throat I buried my head in his chest, “I wish that were true.” My life had drastically changed in such a short amount of time. For obvious reasons, I’d had to break up with Brandon and now Chase and I were going to have a baby. Because of the turn of events, I found myself wanting a life with Chase more and more, I wanted him to be there for me and his baby. Here, wrapped up in his strong arms, I could almost let myself believe it might happen. But Chase was about to graduate college, he was a tattoo artist and spent most of his mornings surfing. I couldn’t see him settling down with me and our baby. “It is Harper,” his voice cracked when he said my name, and tears started falling down his face, “I love you so damn much, why can’t you see that?” Oh
Molly McAdams (Taking Chances (Taking Chances, #1))
She had since grown used to some of the insular codes and cryptic slang of surfers, even the grunts and roars and horrible snarls, but she still didn’t understand why, after spending hours studying the waves from shore, we often announced our intention to paddle out by saying things like, “Let’s get it over with.” She could see the reluctance—clammy wetsuit, icy water, rough, lousy surf. She just couldn’t see the grim compunction. Once,
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
There’s one thing I’ve been striving for all my life: with sex, with writing, with surfing, with partying, with anything and everything. And that is to be free. It’s the one feeling I never had growing up. When I open my eyes, I feel free like I never have before. I see the guys sitting against the wall, their cheeks shining with tears, and I can tell they’ve been on this ride with me. Then I see Lorraine, beaming at me like an angel. And I tell her, “You’re doing God’s work.” The words come out of my mouth before I have a chance to think about them. I’ve never used the word God in my life in a spiritual context. In fact, the week before, I even had an hour-long debate with the spiritual counselor here, trying to dissuade him from the belief that there’s a higher power who cares about the fate of every individual.
Neil Strauss (The Truth: An Uncomfortable Book about Relationships)
Writing is like surfing on a wild sea, in the middle of a moonless night, in a hailstorm, on a deserted island. Yeah... that about sums it up.
Heena Rathore-Pardeshi
Some say life is a roller coaster. I see it as riding a wave. You're out there on your board and everything is calm—” “Excuse me,” she broke in. “You never surfed.” “I did,” he insisted, all innocence. “Well, I tried. I was never particularly good at it, but I did get the drift. You're out there in a huge ocean, straddling that board. The water is smooth, but deceptive. You know the waves are moving, and you watch and wait, and suddenly you feel that little shift underneath. You stand up. You totter, but regain your balance, then give yourself to something far bigger than you are. You have no control . You're just along for the ride, swept downwater so fast it takes your breath. Then it's done. Smooth water again.” Molly still wasn't sure he had ever surfed, but the analogy cleared her mind. The ocean, like the earth, was soothing.
Barbara Delinsky (While My Sister Sleeps)
What was consistent was a certain serenity that followed a rigorous session. It was physical, this postsurf mood, but it had a distinct emotionality too. Sometimes it was mild elation. Often it was a pleasant melancholy. After particularly intense tubes or wipeouts, I felt a charged and wild inclination to weep, which could last for hours. It was like the gamut of powerful feelings that can follow heartfelt sex.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
It's a funny thing, the way childhood friendships exist, like deep water below the rolling waves, steady, constant, cool. When you're a kid, you surf with people, maybe play a sport, go to a dance, you think you don't know each other very well until you get out into the world and realise there were things you shared with your hometown friends that no one outside that town, that life, will ever understand in the same way. You share something profound, know the measure of people, without even realising it.
Lilly Mirren (Cottage on Oceanview Lane (Emerald Cove, #1))
Peter announced that Paul do Mar was not a surf spot, that it was just a picturesque, kamikaze close-out. I disagreed. I found it a mesmerizing wave. But absurdly dangerous. Besides the raw power, there was the shoreline. The rocks were round, mostly, but the shorebreak borderland you had to cross to enter the water was simply too wide, particularly when the surf was big. Even after timing it carefully, waiting for a lull, letting a shorebreak wave expend itself, then running recklessly with your board over wet boulders, you sometimes didn’t make it to water deep enough to paddle on before the next wave slammed you, banging you backward across the rocks—board, body, dignity all battered, sometimes severely. This was not a normal ocean problem. It felt like bad arithmetic—the time and distance did not, for some Madeira-only reason, compute. I had never seen a surf spot with an entrance so daunting. And the exit, getting back onto dry land, could be even worse. The wave we were there to ride was at most only thirty yards offshore, but I sometimes resorted to a very long paddle, around a seawall at the far east end of the village, rather than face that shorebreak.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
The waves tossed Vortigern around like a rag doll. Seaweed entangled his legs and salt water blurred his vision. Weighed down by his sodden clothes, he waded the last few yards to the beach. The waves kept pulling him back but with a huge effort he broke free of their grip and collapsed onto the damp sand. There he lay, fighting for breath as the foamy surf lapped around his legs. The sound of the sea’s constant wash and drag filled his ears.
Steven Smith (The Map of the Known World (The Tree of Life Book 1))
Life is a road of uncertainty. Like standing on the edge of your board, the unknowing can be treacherous. But if you stay focused and centered along the journey, your spirit is ready to handle anything that comes your way.
Andrew Pacholyk (Barefoot ~ A Surfer's View of the Universe)
STEP 4: BEWARE OF LIMINAL MOMENTS Liminal moments are transitions from one thing to another throughout our days. Have you ever picked up your phone while waiting for a traffic light to change, then found yourself still looking at your phone while driving? Or opened a tab in your web browser, got annoyed by how long it’s taking to load, and opened up another page while you waited? Or looked at a social media app while walking from one meeting to the next, only to keep scrolling when you got back to your desk? There’s nothing wrong with any of these actions per se. Rather, what’s dangerous is that by doing them “for just a second,” we’re likely to do things we later regret, like getting off track for half an hour or getting into a car accident. A technique I’ve found particularly helpful for dealing with this distraction trap is the “ten-minute rule.” If I find myself wanting to check my phone as a pacification device when I can’t think of anything better to do, I tell myself it’s fine to give in, but not right now. I have to wait just ten minutes. This technique is effective at helping me deal with all sorts of potential distractions, like googling something rather than writing, eating something unhealthy when I’m bored, or watching another episode on Netflix when I’m “too tired to go to bed.” This rule allows time to do what some behavioral psychologists call “surfing the urge.” When an urge takes hold, noticing the sensations and riding them like a wave—neither pushing them away nor acting on them—helps us cope until the feelings subside.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
A technique I’ve found particularly helpful for dealing with this distraction trap is the “ten-minute rule.” If I find myself wanting to check my phone as a pacification device when I can’t think of anything better to do, I tell myself it’s fine to give in, but not right now. I have to wait just ten minutes. This technique is effective at helping me deal with all sorts of potential distractions, like googling something rather than writing, eating something unhealthy when I’m bored, or watching another episode on Netflix when I’m “too tired to go to bed.” This rule allows time to do what some behavioral psychologists call “surfing the urge.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
Why is something always coming to get us?” sighed Carl. “No one’s ever chasing us to give us a hug or to give us free baked potatoes. For once in my life, I’d like to see fewer killer monsters and more baked potatoes. Is that too much to ask?” Chapter 4 Jimmy startled awake. At first, he drifted in a dream fog, but then he began to recall the details of his peculiar dream and the strange magical old man who had appeared in it. As his dream fog continued to clear, he realized he was no longer on the beach at the Surf ‘n Snack. He lurched up to a sitting position. He was sitting on a bed in a small room with no windows and only a single door. The walls of the room were made out of wood blocks,
Dave Villager (Dave the Villager and Surfer Villager: Crossover Crisis, Book One: An Unofficial Minecraft Adventure (Dave Villager and Dr. Block Crossover, #1))
How was it possible to love someone more after being boyfriends for so long? Our love was like our superpower. Whenever anything went wrong, we lifted each other up and held on tight until the pain went away. And we were so much stronger together. Two strong waves merged into one for a more powerful wave that could prove disastrous or become the ride of your life.
Courtney W. Dixon (Double Up (Ohana Surfing Club, #3))
You know how life is. Like surfing, you need to roll with the swells until that perfect moment lifts you away onto a new adventure, hopefully, a better one than before. I love you guys.
Courtney W. Dixon (Double Up (Ohana Surfing Club, #3))
Honestly, I never dreamed of loving someone like this. I imagined having someone in my life, marrying them, making love to them… but not to this extent. It was like our romance was written in a book. Life hadn’t been easy for either of us, but it made all that pain and suffering worth it if it brought us together like this.
Courtney W. Dixon (Double Up (Ohana Surfing Club, #3))
Sometimes the journey of life can be hard to comprehend. It is like surfing; the best way to enjoy the waves is to study them, know them and experience them.
Gift Gugu Mona (The Extensive Philosophy of Life: Daily Quotes)