Classic Rock Quotes

We've searched our database for all the quotes and captions related to Classic Rock. Here they are! All 100 of them:

If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.
Vera Nazarian
Most people write me off when they see me. They do not know my story. They say I am just an African. They judge me before they get to know me. What they do not know is The pride I have in the blood that runs through my veins; The pride I have in my rich culture and the history of my people; The pride I have in my strong family ties and the deep connection to my community; The pride I have in the African music, African art, and African dance; The pride I have in my name and the meaning behind it. Just as my name has meaning, I too will live my life with meaning. So you think I am nothing? Don’t worry about what I am now, For what I will be, I am gradually becoming. I will raise my head high wherever I go Because of my African pride, And nobody will take that away from me.
Idowu Koyenikan (Wealth for all Africans: How Every African Can Live the Life of Their Dreams)
I apologize. Hi, I’m Agent Sloane Brodie, your Team Leader. I enjoy reading, cozy nights in, and the soothing sounds of classic rock. I also like to browse the Internet for funny cat videos, but deep down, I think I’m more of a dog person.
Charlie Cochet (Hell & High Water (THIRDS, #1))
BILLY: ...Sometimes I’m surprised people still care. I’m surprised they still play us on the radio. Sometimes I listen. The other day, they were playing “Turn It Off” on the classic rock station. I sat in the car in the driveway and listened. [Laughs]We were pretty good. DAISY: We were great. We were really great.
Taylor Jenkins Reid (Daisy Jones & The Six)
Be men, or be more than men. Be steady to your purposes and firm as a rock. This ice is not made of such stuff as your hearts may be; it is mutable and cannot withstand you if you say that it shall not.
Mary Wollstonecraft Shelley (Frankenstein (Classics Illustrated Study Guides Series))
Love is mysterious and rad, like Steve Perry from Journey
Diablo Cody (Candy Girl: A Year in the Life of an Unlikely Stripper)
If I could describe myself, I'd say that I am a poetic gerd. (A geek and nerd combo) I love Shakespeare and romance, but sci-fi and action have a big slice of my heart. When I meet a man who can quote some Hitchcock out of thin air, do a perfect ''Timey Whimey'' impression, play me some classic rock when I'm sad and can give a 'Gone with the Wind' kiss, I will have my soul mate.
Melanie Kay Taylor
Now that rock is turning 50, it's become classical itself. It's interesting to see that development.
Björk
Well, I’ve been a musician my whole life. When I was two, I would sing the theme from Star Wars in my crib; my mom taped it for proof. Then, when I was five, I asked for a violin. No one knew why I would want one, but my wish was granted and I ended up a classically trained fiddler by age 12. The only problem with that was, when you’re a classical violinist, everybody expects you to be satisfied with playing Tchaikovsky for the rest of your life, and saying you want to play jazz, rock, write songs, sing your songs, hook up your fiddle to a guitar amp, sleep with your 4-track recorder, mess around with synths, dress like Tinkerbell in combat boots, AND play Tchaikovsky is equivalent to spitting on the Pope.
Emilie Autumn
Simon looks over at me. “What?” “Nothing,” I say. “What?!” he shouts. He can’t hear a thing I’m saying over the wind and the engine and the classic rock. “I hate this fucking car!” I shout back. “The sun is burning me! I might actually catch fire, at any moment!” The wind is blowing Simon’s hair straight, and he’s squinting—from the sun and from all the smiling. “What!” he shouts at me again. “You’re so beautiful!” I shout back. He turns the radio down, so now there’s just the wind and the engine noise to shout over. “What’d you say?!” “Nothing!
Wayward Son, Rainbow Rowell
Love me, Love me, I cried to the rocks and the trees, And Love me, they cried again, but it was only to tease. Once I cried Love me to the people, but they fled like a dream, And when I cried Love to my friend, she began to scream. Oh why do they leave me, the beautiful people, and only the rocks remain, To cry Love me, as I cry Love me, and Love me again.
Stevie Smith (Modern Classics Selected Poems Of Stevie Smith (Penguin Modern Classics))
If a rock falls on your head, that is bad; but shame, infamy, opprobrium, and curses hurt only so far as they are felt.
Erasmus (The Praise of Folly: Updated Edition (Princeton Classics Book 16))
What would you rather have?" "Cheeseburger and a small fry. Coke classic. Better yet, dope classic." "Sure. I'll take a milkshake. What's the special flavor this week, chocolate Jack Daniels?" "Strawberry scotch." "Stick one of those paper umbrellas in mine." "Shove a syringe in mine. And a plastic tombstone. RIP, baby. He was born a rock star. He died a junkie." "Rock in peace." [...] "He wanted the world and lost his soul. [...] Sold it all for rock and roll. Lost his heart in a needle. Found his life in the grave. The road to hell is paved in marijuana leaves. Now he rocks in peace.
L.F. Blake (The Far Away Years)
You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.
Paul Auster (Invisible (Rough Cut))
Being like a rock wall" is when a master of martial arts suddenly becomes like a rock wall, inaccessible to anything at all, immovable.
Miyamoto Musashi (A Book of Five Rings: The Classic Guide to Strategy)
What are you doing tonight?" he asked, as soon as I was sitting down. "Nothing," I said. I had what most people would call a boring social life, a classical holdout in a punk rock world.
E.K. Johnston (Dragon Slayer of Trondheim (The Story of Owen, #1))
Declan, fortunately, was a forgiving guy and proved pretty accommodating as we figured things out together. He was patient as Sydney and I painstakingly read the instructions on the can of formula Lana sent. He made little complaint when I initially put his diaper on backward. When he grew tired again and started crying, I had no instructions to follow. Sydney gave a helpless shrug when I looked at her. So I just walked him around the living room, crooning classic rock songs until he dozed off and could be set down. Rose, who’d stayed with us off and on but looked more terrified of the baby than a Strigoi, watched me with amazement. “You’re kind of good at that,” she remarked. “Adrian Ivashkov, baby whisperer.” I looked down at the sleeping baby. “I’m making it up as I go along.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
It was around this time that I’d begun trying to perfect the art of fucking with people’s minds. I’d figured out that when someone else was hogging the limelight, you could cut him down to size by bringing up a subject he didn’t know anything about. If the other person knew a lot about literature, I’d talk about the Velvet Underground; if he knew a lot about rock, I’d talk about Messiaen; if he knew a lot about classical music, I’d talk about Roy Lichtenstein; if he knew a lot about pop art, I’d talk about Jean Genet; and so on. Do that in a small provincial city and you never lose an argument.
Ryū Murakami (69)
even Saddam Hussein rocked a pocket square when he was on trial—a man should never defend his war crimes without one.
Brett McKay (The Art of Manliness: Classic Skills and Manners for the Modern Man)
Of what a strange nature is knowledge! It clings to the mind, when it has once seized on it, like a lichen on the rock.
Mary Wollstonecraft Shelley (Frankenstein (The Complete Uncensored 1818 Edition): A Gothic Classic - considered to be one of the earliest examples of Science Fiction)
[she] might have been a shell, and his words water rubbing against her ears, as water rubs a shell on the edge of a rock.
Virginia Woolf (The voyage out virginia woolf: Classic Virginia Woolf novels)
The Greeks made Space the subject-matter of a science of supreme simplicity and certainty. Out of it grew, in the mind of classical antiquity, the idea of pure science. Geometry became one of the most powerful expressions of that sovereignty of the intellect that inspired the thought of those times. At a later epoch, when the intellectual despotism of the Church, which had been maintained through the Middle Ages, had crumbled, and a wave of scepticism threatened to sweep away all that had seemed most fixed, those who believed in Truth clung to Geometry as to a rock, and it was the highest ideal of every scientist to carry on his science 'more geometrico.
Hermann Weyl
Octopuses are tough--and not just in the sense that they can take out sharks (both real and computer generated, as in Mega Shark versus Giant Octopus). They're almost pure muscle. With tridirectional muscles in the arms, they're a tad less supple than a well-marbled sirloin, to say the least (though certainly a lot more healthful). So over the centuries, people have been finding ways to make them a little easier on the jaw. The classic tactic is beating the bejesus out of them on rocks.
Katherine Harmon Courage (Octopus!: The Most Mysterious Creature in the Sea)
There's no easier pastime than bad-mouthing the church. Much like bad-mouthing Dostoyevsky: it's true, of course, all true, but it also misses the point. The church is a thing of wonder, Dostoyevsky is a thing of wonder, and the fact that we Russians are still here—that, too, is a thing of wonder.
Maxim Osipov (Rock, Paper, Scissors: And Other Stories (New York Review Books Classics))
I’m the lady by day, and I’m Gaga by night. And I’m always going to be that way, because it’s a testament to your discipline as a musician. I do like to drink, I like to get crazy, I like to go out with my friends, and I like to sing rock and roll. I used to go-go dance! And I like to be inspired by young artists, people like Millie who are outrageously hard, disciplined individuals. But at the end of the day I’m a classically trained pianist and I’m a singer, and that’s what allows the girl that goes out at night to also go on stage with Tony Bennett at Lincoln Center. Because I know how to do it.
Lady Gaga
In the hierarchy of eighties heartland rock, Bruce Springsteen was president, Tom Petty was vice president, John Mellencamp was speaker of the house, Bob Seger was president pro tempore, and Bryan Adams was (I guess?) secretary of leather jackets.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
Perhaps there would have been something in rocking up to the First House with an octogenarian in tow: a sort of wild and confident fuck-you–Oh, your cavaliers are young? And they fight? How classic! So jejune!--but that would not have been the wild and confident fuck-you of the Ninth House. The Ninth House character, she was forced to admit, had always been low on wild and confident fucks.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
I’m surprised they still play us on the radio. Sometimes I listen. The other day, they were playing “Turn It Off” on the classic rock station. I sat in the car in the driveway and listened. [Laughs] We were pretty good. Daisy: We were great. We were really great.
Taylor Jenkins Reid (Daisy Jones & The Six)
It's classical mythology, Cohen," said the minstrel. "I thought everyone knew. He was chained to a rock for eternity and every day an eagle comes and pecks out his liver." "Is that true?" "It's mentioned in many of the classic texts." "I'm not much of a reader," said Cohen. "Chained to a rock? For a first offence? He's still there?" "Eternity isn't finished yet, Cohen." "He must've had a big liver!" "It grows again every night, according to the legend," said the minstrel. "I wish my kidneys did," said Cohen.
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
And as they sat there more quietly now, swarming pity rose in them—not for themselves, but for each other, and for the waste, the confusion, the groping accident of life.
Thomas Wolfe (Thomas Wolfe: Complete Works: Look Homeward, Angel, Of Time and the River, The Web and the Rock, You Can’t Go Home Again... (Bauer Classics) (All Time Best Writers Book 26))
It is a most blessed thing to have no props and no buttresses, but to stand upright on the Rock of Ages, upheld by the Lord alone.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you—and you may mark my words—you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current—as I am now.
Charlotte Brontë
Feel free to put on some music you like." I didn't have the faintest clue how to work the radio or satellite thing or whatever the hell it was. Fortunately, it was already playing what appeared to be classic rock at a volume that still allowed conversation. "This is fine," I said. If it had been opera or jazz or anything weird, I'd have had to figure the damn thing out for my own sanity.
Diana Rowland (White Trash Zombie Apocalypse (White Trash Zombie, #3))
Walter Benjamin, in his prescient 1923 essay “One Way Street,” said a book was an outdated means of communication between two boxes of index cards. One professor goes through books, looking for tasty bits he can copy onto index cards. Then he types his index cards up into a book, so other professors can go through it and copy tasty bits onto their own index cards. Benjamin’s joke was: Why not just sell the index cards? I guess that’s why we trade mix tapes. We music fans love our classic albums, our seamless masterpieces, our Blonde on Blondes and our Talking Books. But we love to pluck songs off those albums and mix them up with other songs, plunging them back into the rest of the manic slipstream of rock and roll. I’d rather hear the Beatles’ “Getting Better” on a mix tape than on Sgt. Pepper any day. I’d rather hear a Frank Sinatra song between Run-DMC and Bananarama than between two other Frank Sinatra songs. When you stick a song on a tape, you set it free.
Rob Sheffield (Love is a Mix Tape)
Now for me, music is indeed a spiritual experience. It may be hypnotizing or violently stimulating. I listen to and appreciate all kinds of music, from folk, to jazz, to classical, to hard core rock.
Robert M. Price (The New Lovecraft Circle: Stories)
That was true, Iris would sometimes think, about marriage: it was only a boat, too. A wooden boat, difficult to build, even more difficult to maintain, whose beauty derived at least in part from its unlikelihood. Long ago the pragmatic justifications for both marriage and wooden-boat building had been lost or superseded. Why invest countless hours, years, and dollars in planing and carving, gluing and fastening, caulking and fairing, when a fiberglass boat can be had at a fraction of the cost? Why struggle to maintain love and commitment over decades when there were far easier ways to live, ones that required no effort or attention to prevent corrosion and rot? Why continue to pour your heart into these obsolete arts? Because their beauty, the way they connect you to your history and to the living world, justifies your efforts. A long marriage, like a classic wooden boat, could be a thing of grace, but only if great effort was devoted to its maintenance. At first your notions of your life with another were no more substantial than a pattern laid down in plywood. Then year by year you constructed the frame around the form, and began layering memories, griefs, and small triumphs like strips of veneer planking bent around the hull of everyday routine. You sanded down the rough edges, patched the misunderstandings, faired the petty betrayals. Sometimes you sprung a leak. You fell apart in rough weather or were smashed on devouring rocks. But then, as now, in the teeth of a storm, when it seemed like all was lost, the timber swelled, the leak sealed up, and you found that your craft was, after all, sea-kindly.
Ayelet Waldman (Red Hook Road)
My visions were of shipwreck and famine; of death or captivity among barbarian hordes; of a lifetime dragged out in sorrow and tears, upon some gray and desolate rock, in an ocean unapproachable and unknown.
Edgar Allan Poe (The Narrative of Arthur Gordon Pym of Nantucket: Edgar Allan Poe's Classic Thrilling Tale by Edgar Allan Poe (Best Classic Horror Novels of All Time))
we still have a long way to go in terms of creating a rock-solid science that could match the certainty of, say, physics and biology. In the meantime, we all need a personal theory of what makes people tick.
Tom Butler-Bowdon (50 Psychology Classics: Who We Are, How We Think, What We Do: Insight and Inspiration from 50 Key Books (50 Classics))
To most people, the sheer wall of El Capitan in Yosemite valley is just a huge chunk of featureless rock. But to the climber it is an arena offering an endlessly complex symphony of mental and physical challenges.
Mihály Csíkszentmihályi (Flow: The Classic Work On How To Achieve Happiness: The Psychology of Happiness)
I started thinking more about music. I thought I'd accepted the fact that, as part of "Being Gretchen," I didn't really like music, but in fact, the truth was slightly different: I thought I didn't like music, but in fact, I didn't approve of my own taste--I wished I liked sophisticated music, like jazz or classical or esoteric rock. Instead, my taste ran mostly to what might play on a lite FM station. Oh, well. Be Gretchen.
Gretchen Rubin (The Happiness Project)
Rock and roll is music," said Vanya. "Prokofiev is music, Stravinski is music, Tchaikovski and Borodin and Rimski-Korsakov and even Rachmaninov, THEY are music. Rock and roll is smart boys with no respect, YOU are rock and roll.
Orson Scott Card (Enchantment: A Classic Fantasy with a Modern Twist)
My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
The mythology is what hooked me. Some kids read comic books; others glamorize athletes. My superheroes were rock stars who either had been deceased for decades or were well ensconced in the throes of middle age by the time I discovered them.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
Time collapsed into a delicate dark pencil brushed against our eyebrows, the emergent rumble of crowds gathering above our heads. We slid into our costumes. Pirate, outlaw, futuristic rebels. Red, purple, gold. Chains hanging from our belts, tight black trousers. We were moved upstairs, closer to the stage. Finally, we heard the cannon's roar: Ladies and gentlemen, please welcome... Tanzar recording artists... THE MASTER PLANETS!" The world shot forward. We stepped into the spotlight.
Donald Gallinger
On Persephone," informed Harrison, "a long-shanked Milik offered me a twenty-karat, blue-tinted, first-water diamond for my bike." "Jeepers, didn't you take it?" "What was the good? I'd have had to go back sixteen light-years for another bike." "But, man, you could exist without a bike for a while." "I can exist without a diamond. I can't ride around on a diamond." "Neither can you sell a bicycle for the price of a sportster Moonboat." "Yes, I can. I just told you this Milik offered me a rock like an egg.
Eric Frank Russell (The Great Explosion: The comedy scifi libertarian classic)
Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
Norman Maclean (A River Runs through It)
Sleeping in her still room, she gave Him the sleep of the child in the cradle, the sleep of the young man rocked in the storm-tossed boat. Breaking and eating the bread, drinking the wine of the country, she gave Him His flesh and blood; she prepared the Host for the Mass.
Caryll Houselander (The Reed of God: A New Edition of a Spiritual Classic)
We fine-tune our moods with pharmaceuticals and classic rock. Craft our meals around our allergies and ideologies. Customize our bodies with cross training, with ink and metal, with surgery and wearable technologies. We can choose a vehicle to express our hipness or hostility. We can move to a neighborhood that matches our social values, find a news outlet that mirrors our politics, create a social network that “likes” everything we say or post. With each transaction and upgrade, each choice and click, life moves closer to us, and the world becomes our world.
Paul Roberts (The Impulse Society: America in the Age of Instant Gratification)
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all time are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all time. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics, instead, are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers.
Piero Scaruffi
The novel's trick involved re-telling a classic Faery story —young women abducted into another world— using the conventions of realism. One of these conventions was giving the event a precise date. According to the novel, the three women disappeared on February 14th 1900... But Picnic at Hanging Rock is not set in our 1900, in which February 14th fell on a Wednesday, not a Saturday.
Mark Fisher (The Weird and the Eerie)
He lay very high, on the back of the world. The earth thrilled beneath him. Red flowers grew through his flesh; their stiff leaves rustled by his head. Music began clanging against the rocks up here. It is a motor horn down in the street, he muttered; but up here it cannoned from rock to rock, divided, met in shocks of sound which rose in smooth columns (that music should be visible was a discovery) and became an anthem
Virginia Woolf (Mrs. Dalloway)
Then there is my current reality, the smells that are constants in my life: lemon slices and fresh ginger, the sharp tannin and milky contrast of builder's tea, and the slightly sickly green scent of freshly cut flower stems. And not forgetting the classic ingredients of the chypre base of so many of my favorite perfumes- bergamot, oakmoss, patchouli and labdanum (rock rose)- which I'm finding so reassuring in this time of transition.
Maggie Alderson (The Scent of You)
I couldn’t go on saying, “Let’s get a couple of grams of blow (cocaine) and write a song. Let’s get stoned before the gig. Let’s get stoned after the gig. I’m in town, where are the girls?” I was living the classic wild style, and that was no longer working for me. I’m not AA or anything. My ethic is that I work hard, do what I do under my own power, and at the end of the day, like everybody else in the world, I do what I can get away with. —Iggy Pop, rock singer
Stanton Peele (Diseasing of America: How We Allowed Recovery Zealots and the Treatment Industry to Convince Us We Are Out of Control)
Are you a chamber-music aficionado? Or do you like rock so raucous it makes your ears bleed? Whatever your pleasure, Finland has a music festival to suit. Savonlinna’s castle is the dramatic setting for a month-long opera festival; fiddlers gather at Kaustinen for full-scale folk; Pori, Espoo and Tampere attract thousands of jazz fans; Seinäjoki flashes sequins and high heels during its five-day tango festival; Turku's Ruisrock is one of several kicking rock festivals; and the Sibelius Festival in Lahti ushers in autumn with classical grace.
Lonely Planet Finland
The suspicion that something is structurally wrong with the vision of homo faber is common to a growing minority in capitalist, communist, and "underdeveloped" countries alike. This suspicion is the shared characteristic of a new elite. To it belong people of all classes, incomes, faiths, and civilizations. They have become wary of the myths of the majority: of scientific utopias, of ideological diabolism, and of the expectation of the distribution of goods and services with some degree of equality. They share with the majority the awareness that most new policies adopted by broad consensus consistently lead to results which are glaringly opposed to their stated aims. Yet whereas the Promethean majority of would-be spacemen still evades the structural issue, the emergent minority is critical of the scientific deus ex machina, the ideological panacea, and the hunt for devils and witches. This minority begins to formulate its suspicion that our constant deceptions tie us to contemporary institutions as the chains bound Prometheus to his rock. Hopeful trust and classical irony must conspire to expose the Promethean fallacy.
Ivan Illich (Deschooling Society)
Here’s a valuable lesson I’ve learned from working as a music journalist for nearly twenty years: if given the choice between interviewing a hip, up-and-coming musician and interviewing a past-his-prime has-been, take the has-been every single time. Some of my favorite interviews ever are with artists whose music I don’t even like. I’m talking about the time that Poison guitarist C. C. DeVille told me about how he used to drink paint thinner when he ran out of booze. Or when Kip Winger told me he still hates Lars Ulrich for throwing a dart at a Winger poster in Metallica’s “Nothing Else Matters” video. Has-beens have nothing to lose, whereas younger, hipper artists must think politically, as being candid can hurt you in the long run.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
Furber had come in the late fall following that enormous summer, now famous, in which the temperature had hung in the high nineties along the river for weeks, parching the fields, drying and destroying; weeks which had, unmindful of the calendar, fallen undiminished into October so that the leaves shriveled before they fell and fell while green, the river level fell, exposing flat stretches of mud and bottom weed, the Siren Rocks were seen for the first time in twenty years, quite round and disappointingly small, and an unmoving cover of dust lay thickly everywhere, on fields, trees, buildings, on the river itself which crawled beneath it blindly like a mole. -- William H. Gass, Omensetter's Luck, p. 97, Penguin Twentieth Century Classics, 1997 (first published by The New American Library 1966).
William H. Gass (Omensetter's Luck)
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
horizontal division between clearness and opacity, but were imbedded in an elastic body of a monotonous pallor throughout. There was no perceptible motion in the air, not a visible drop of water fell upon a leaf of the beeches, birches, and firs composing the wood on either side. The trees stood in an attitude of intentness, as if they waited longingly for a wind to come and rock them. A startling quiet overhung all surrounding things—so completely, that the crunching of the waggon-wheels was as a great noise, and small rustles, which had never obtained a hearing except by night, were distinctly individualized. Joseph Poorgrass looked round upon his sad burden as it loomed faintly through the flowering laurustinus, then at the unfathomable gloom amid the high trees on each hand, indistinct, shadowless, and spectre-like in their monochrome of grey. He felt anything but cheerful, and wished he had the company even of a child or dog. Stopping the horse, he listened. Not a footstep or wheel was audible anywhere around, and the dead silence was broken only by a heavy particle falling from a tree through the evergreens and alighting with a smart rap upon the coffin of poor Fanny. The fog had by this time saturated the trees, and this was the first dropping of water from the overbrimming leaves. The hollow echo of its fall reminded the waggoner painfully of the grim Leveller. Then hard by came down another drop, then two or three. Presently there was a continual tapping of these heavy drops upon the dead leaves, the road, and the travellers. The nearer boughs were beaded with the mist to the greyness of aged men, and the rusty-red leaves of the beeches were
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Perhaps the main basis for the claim that quantum mechanics is weird is the existence of what Einstein called ‘spooky action at a distance’. These effects are not only ‘spooky’ but are also absolutely impossible to achieve within the framework of classical physics. However, if the conception of the physical world is changed from one made out of tiny rock-like entities to a holistic global informational structure that represents tendencies to real events to occur, and in which the choice of which potentiality will be actualized in various places is in the hands of human agents, there is no spookiness about the occurring transfers of information. The postulated global informational structure called the quantum state of the universe is the ‘spook’ that does the job. But it does so in a completely specified and understandable way, and this renders it basically non-spooky.
Paul C.W. Davies (Information and the Nature of Reality: From Physics to Metaphysics (Canto Classics))
I’ve repeated this process with virtually every major classic-rock artist and band that I love. I am now fully versed in the postsixties work of the Kinks, even the double-album rock operas that go on for forty-two hours. I enjoy at least one Doors album, An American Prayer, that was completed and released seven years after Jim Morrison died. I will defend not only both Page & Plant albums, but also the Page & Coverdale record. I own albums by every iteration of Crosby, Stills, Nash and Young, and will argue that Crosby & Nash is in fact better than CSNY (though not CSN). I’m still not crazy about nineties Springsteen, but I will listen to Human Touch and Lucky Town when I don’t feel like playing Darkness on the Edge of Town or The River for the ten thousandth time. Come to think of it, Lucky Town is in fact much better than most people (even myself) give it credit for.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
March 10 MORNING “In my prosperity I said I shall never be moved.” — Psalm 30:6 “MOAB is settled on his lees, he hath not been emptied from vessel to vessel.” Give a man wealth; let his ships bring home continually rich freights; let the winds and waves appear to be his servants to bear his vessels across the bosom of the mighty deep; let his lands yield abundantly: let the weather be propitious to his crops; let uninterrupted success attend him; let him stand among men as a successful merchant; let him enjoy continued health; allow him with braced nerve and brilliant eye to march through the world, and live happily; give him the buoyant spirit; let him have the song perpetually on his lips; let his eye be ever sparkling with joy — and the natural consequence of such an easy state to any man, let him be the best Christian who ever breathed, will be presumption; even David said, “I shall never be moved;” and we are not better than David, nor half so good. Brother, beware of the smooth places of the way; if you are treading them, or if the way be rough, thank God for it. If God should always rock us in the cradle of prosperity; if we were always dandled on the knees of fortune; if we had not some stain on the alabaster pillar; if there were not a few clouds in the sky; if we had not some bitter drops in the wine of this life, we should become intoxicated with pleasure, we should dream “we stand;” and stand we should, but it would be upon a pinnacle; like the man asleep upon the mast, each moment we should be in jeopardy. We bless God, then, for our afflictions; we thank Him for our changes; we extol His name for losses of property; for we feel that had He not chastened us thus, we might have become too secure. Continued worldly prosperity is a fiery trial. “Afflictions, though they seem severe, In mercy oft are sent.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
He woke each dawn at 5:30, without need for an alarm, though he set one anyway just to be sure. On Mondays, Wednesdays, and Fridays, he lifted. On Tuesdays and Thursdays, he jogged. Down along the Charles. Beneath the sagging boughs of honey locusts fat with fruit. Following his workout, he prepared a shake. After, he showered beneath the rainwater showerhead in the third-story bath-room, water beating down his back, the radio blaring classical music from its place on the marble vanity. Classical, not rock or country or top forty, because he'd been raised on Handel and Tchaikovsky and because sometimes, when he was very tightly wound, the instrumentals were the only things that eased the tension in his chest. When that was done, he dressed, made his bed--tucking his corners in with the militaristic precision his nanny had demanded of him when he was still small and belligerent and went downstairs to make eggs. Over easy, paired with whole-grain toast and a glass of orange juice. He had his routine down to a science, and he did the same thing every morning.
Kelly Andrew (The Whispering Dark)
I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan. Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.
Stacey Ballis (Off the Menu)
It is rather like arguing with an Irishman,” wrote Michael Hadow of his many conversations with Dayan. “He enjoys knocking down ideas just for the sake of argument and one will find him arguing in completely opposite directions on consecutive days.” Indeed, Dayan was a classic man of contradictions: famed as a warrior, he professed deep respect for the Arabs, including those who attacked his village, Nahalal, in the early 1930s, and who once beat him and left him for dead. A poet, a writer of children’s stories, he admitted publicly that he regretted having children, and was a renowned philanderer as well. A lover of the land who made a hobby of plundering it, he had amassed a huge personal collection of antiquities. A stickler for military discipline, he was prone to show contempt for the law. As one former classmate remembered, “He was a liar, a braggart, a schemer, and a prima donna—and in spite of that, the object of deep admiration.” Equally contrasting were the opinions about him. Devotees such as Meir Amit found him “original, daring, substantive, focused,” a commander who “radiated authority and leadership [with] … outstanding instincts that always hit the mark.” But many others, among them Gideon Rafael, saw another side of him: “Rocking the boat is his favorite tactic, not to overturn it, but to sway it sufficiently for the helmsman to lose his grip or for some of its unwanted passengers to fall overboard.” In private, Eshkol referred to Dayan as Abu Jildi, a scurrilous one-eyed Arab bandit.
Michael B. Oren (Six Days of War: June 1967 and the Making of the Modern Middle East)
BEYOND THE GAME In 2007 some of the Colorado Rockies’ best action took place off the field. The Rocks certainly boasted some game-related highlights in ’07: There was rookie shortstop Troy Tulowitzki turning the major league’s thirteenth unassisted triple play on April 29, and the team as a whole made an amazing late-season push to reach the playoffs. Colorado won 13 of its final 14 games to force a one-game wild card tiebreaker with San Diego, winning that game 9–8 after scoring three runs in the bottom of the thirteenth inning. Marching into the postseason, the Rockies won their first-ever playoff series, steamrolling the Phillies three games to none. But away from the cheering crowds and television cameras, Rockies players turned in a classic performance just ahead of their National League Division Series sweep. They voted to include Amanda Coolbaugh and her two young sons in Colorado’s postseason financial take. Who was Amanda Coolbaugh? She was the widow of former big-leaguer Mike Coolbaugh, a coach in the Rockies’ minor league organization who was killed by a screaming line drive while coaching first base on July 22. Colorado players voted a full playoff share—potentially worth hundreds of thousands of dollars—to the grieving young family. Widows and orphans hold a special place in God’s heart, too. Several times in the Old Testament, God reminded the ancient Jews of His concern for the powerless—and urged His people to follow suit: “Learn to do right; seek justice. Defend the oppressed. Take up the cause of the fatherless; plead the case of the widow” (Isaiah 1:17). Some things go way beyond the game of baseball. Will you?
Paul Kent (Playing with Purpose: Baseball Devotions: 180 Spiritual Truths Drawn from the Great Game of Baseball)
The Lord will perfect that which concerneth me." Psalm 138:8 Most manifestly the confidence which the Psalmist here expressed was a divine confidence. He did not say, "I have grace enough to perfect that which concerneth me--my faith is so steady that it will not stagger--my love is so warm that it will never grow cold--my resolution is so firm that nothing can move it"; no, his dependence was on the Lord alone. If we indulge in any confidence which is not grounded on the Rock of Ages, our confidence is worse than a dream, it will fall upon us, and cover us with its ruins, to our sorrow and confusion. All that Nature spins time will unravel, to the eternal confusion of all who are clothed therein. The Psalmist was wise, he rested upon nothing short of the Lord's work. It is the Lord who has begun the good work within us; it is he who has carried it on; and if he does not finish it, it never will be complete. If there be one stitch in the celestial garment of our righteousness which we are to insert ourselves, then we are lost; but this is our confidence, the Lord who began will perfect. He has done it all, must do it all, and will do it all. Our confidence must not be in what we have done, nor in what we have resolved to do, but entirely in what the Lord will do. Unbelief insinuates--"You will never be able to stand. Look at the evil of your heart, you can never conquer sin; remember the sinful pleasures and temptations of the world that beset you, you will be certainly allured by them and led astray." Ah! yes, we should indeed perish if left to our own strength. If we had alone to navigate our frail vessels over so rough a sea, we might well give up the voyage in despair; but, thanks be to God, he will perfect that which concerneth us, and bring us to the desired haven. We can never be too confident when we confide in him alone, and never too much concerned to have such a trust.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
February 9 MORNING “And David enquired of the Lord.” — 2 Samuel 5:23 WHEN David made this enquiry he had just fought the Philistines, and gained a signal victory. The Philistines came up in great hosts, but, by the help of God, David had easily put them to flight. Note, however, that when they came a second time, David did not go up to fight them without enquiring of the Lord. Once he had been victorious, and he might have said, as many have in other cases, “I shall be victorious again; I may rest quite sure that if I have conquered once I shall triumph yet again. Wherefore should I tarry to seek at the Lord’s hands?” Not so, David. He had gained one battle by the strength of the Lord; he would not venture upon another until he had ensured the same. He enquired, “Shall I go up against them?” He waited until God’s sign was given. Learn from David to take no step without God. Christian, if thou wouldst know the path of duty, take God for thy compass; if thou wouldst steer thy ship through the dark billows, put the tiller into the hand of the Almighty. Many a rock might be escaped, if we would let our Father take the helm; many a shoal or quicksand we might well avoid, if we would leave to His sovereign will to choose and to command. The Puritan said, “As sure as ever a Christian carves for himself, he’ll cut his own fingers;” this is a great truth. Said another old divine, “He that goes before the cloud of God’s providence goes on a fool’s errand;” and so he does. We must mark God’s providence leading us; and if providence tarries, tarry till providence comes. He who goes before providence, will be very glad to run back again. “I will instruct thee and teach thee in the way which thou shalt go,” is God’s promise to His people. Let us, then, take all our perplexities to Him, and say, “Lord, what wilt thou have me to do?” Leave not thy chamber this morning without enquiring of the Lord.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
March 11 MORNING “Sin . . . exceeding sinful.” — Romans 7:13 BEWARE of light thoughts of sin. At the time of conversion, the conscience is so tender, that we are afraid of the slightest sin. Young converts have a holy timidity, a godly fear lest they should offend against God. But alas! very soon the fine bloom upon these first ripe fruits is removed by the rough handling of the surrounding world: the sensitive plant of young piety turns into a willow in after life, too pliant, too easily yielding. It is sadly true, that even a Christian may grow by degrees so callous, that the sin which once startled him does not alarm him in the least. By degrees men get familiar with sin. The ear in which the cannon has been booming will not notice slight sounds. At first a little sin startles us; but soon we say, “Is it not a little one?” Then there comes another, larger, and then another, until by degrees we begin to regard sin as but a little ill; and then follows an unholy presumption: “We have not fallen into open sin. True, we tripped a little, but we stood upright in the main. We may have uttered one unholy word, but as for the most of our conversation, it has been consistent.” So we palliate sin; we throw a cloak over it; we call it by dainty names. Christian, beware how thou thinkest lightly of sin. Take heed lest thou fall by little and little. Sin, a little thing? Is it not a poison? Who knows its deadliness? Sin, a little thing? Do not the little foxes spoil the grapes? Doth not the tiny coral insect build a rock which wrecks a navy? Do not little strokes fell lofty oaks? Will not continual droppings wear away stones? Sin, a little thing? It girded the Redeemer’s head with thorns, and pierced His heart! It made Him suffer anguish, bitterness, and woe. Could you weigh the least sin in the scales of eternity, you would fly from it as from a serpent, and abhor the least appearance of evil. Look upon all sin as that which crucified the Saviour, and you will see it to be “exceeding
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
For Dylan, this electric assault threatened to suck the air out of everything else, only there was too much radio oxygen to suck. “Like a Rolling Stone” was the giant, all-consuming anthem of the new “generation gap” disguised as a dandy’s riddle, a dealer’s come-on. As a two-sided single, it dwarfed all comers, disarmed and rejuvenated listeners at each hearing, and created vast new imaginative spaces for groups to explore both sonically and conceptually. It came out just after Dylan’s final acoustic tour of Britain, where his lyrical profusion made him a bard, whose tabloid accolade took the form of political epithet: “anarchist.” As caught on film by D. A. Pennebaker’s documentary Don’t Look Back, the young folkie had already graduated to rock star in everything but instrumentation. “Satisfaction” held Dylan back at number two during its four-week July hold on Billboard’s summit, giving way to Herman’s Hermits’ “I’m Henry the Eighth, I Am” and Sonny and Cher’s “I Got You Babe” come August, novelty capstones to Dylan’s unending riddle. (In Britain, Dylan stalled at number four.) The ratio of classics to typical pop schlock, like Freddie and the Dreamers’ “I’m Telling You Now” or Tom Jones’s “It’s Not Unusual,” suddenly got inverted. For cosmic perspective, yesterday’s fireball, Elvis Presley, sang “Do the Clam.” Most critics have noted the Dylan influence on Lennon’s narratives. Less space gets devoted to Lennon’s effect on Dylan, which was overt: think of how Dylan rewires Chuck Berry (“Subterranean Homesick Blues”) or revels in inanity (“Rainy Day Women #12 & 35”). Even more telling, Lennon’s keening vocal harmonies in “Nowhere Man,” “And Your Bird Can Sing,” and “Dr. Robert” owed as much to the Byrds and the Beach Boys, high-production turf Dylan simply abjured. Lennon also had more stylistic stretch, both in his Beatle context and within his own sensibility, as in the pagan balalaikas in “Girl” or the deliberate amplifier feedback tripping “I Feel Fine.” Where Dylan skewed R&B to suit his psychological bent, Lennon pursued radical feats of integration wearing a hipster’s arty façade, the moptop teaching the quiet con. Building up toward Rubber Soul throughout 1965, Beatle gravity exerted subtle yet inexorable force in all directions.
Tim Riley (Lennon: The Man, the Myth, the Music - The Definitive Life)
We are foolish, and without excuse foolish, in speaking of the "superiority" of one sex to the other, as if they could be compared in similar things. Each has what the other has not: each completes the other, and is completed by the other: they are in nothing alike, and the happiness and perfection of both depends on each asking and receiving from the other what the other only can give. 68. Now their separate characters are briefly these: The man's power is active, progressive, defensive. He is eminently the doer, the creator, the discoverer, the defender. His intellect is for speculation and invention; his energy for adventure, for war, and for conquest, wherever war is just, wherever conquest necessary. But the woman's power is for rule, not for battle,—and her intellect is not for invention or creation, but for sweet ordering, arrangement, and decision. She sees the qualities of things, their claims, and their places. Her great function is Praise: she enters into no contest, but infallibly judges the crown of contest. By her office, and place, she is protected from all danger and temptation. The man, in his rough work in open world, must encounter all peril and trial: to him, therefore, must be the failure, the offense, the inevitable error: often he must be wounded, or subdued; often misled; and always hardened. But he guards the woman from all this; within his house, as ruled by her, unless she herself has sought it, need enter no danger, no temptation, no cause of error or offense. This is the true nature of home—it is the place of Peace; the shelter, not only from all injury, but from all terror, doubt, and division. In so far as it is not this, it is not home: so far as the anxieties of the outer life penetrate into it, and the inconsistently-minded, unknown, unloved, or hostile society of the outer world is allowed by either husband or wife to cross the threshold, it ceases to be home; it is then only a part of that outer world which you have roofed over, and lighted fire in. But so far as it is a sacred place, a vestal temple, a temple of the hearth watched over by Household Gods, before whose faces none may come but those whom they can receive with love,—so far as it is this, and roof and fire are types only of a nobler shade and light,—shade as of the rock in a weary land, and light as of the Pharos in the stormy sea,—so far it vindicates the name, and fulfills the praise, of home. And wherever a true wife comes, this home is always round her.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.
Robert Penn Warren
America. The enemy. The rival. The land of jeans and rock and roll, of crime and capitalism, of poverty and oppression. Of home and freedom.
Orson Scott Card (Enchantment: A Classic Fantasy with a Modern Twist)
the Zombeatles have made a name for themselves over the past several years by performing garage-rock parodies of classic Beatles tunes with new zombiefied lyrics.
Matt Mogk (Everything You Ever Wanted to Know About Zombies)
We really feel very humbled that we are a part of so many lives around the globe and that we can help connect people from everywhere with and through our music. My experiences with fans are mostly wonderful and I am always so grateful when I see what kind of positive effect our music has on people. All of our fan experiences are memorable in different way, but it is especially powerful and meaningful when you can feel that someone is really inspired with what you are doing. This is especially true for the young generation. It feels good to know that we can get these kids to pick up classical instruments and see them as instruments they can rock on.
Luka Šulic
February 6 MORNING “Praying always.” — Ephesians 6:18 WHAT multitudes of prayers we have put up from the first moment when we learned to pray. Our first prayer was a prayer for ourselves; we asked that God would have mercy upon us, and blot out our sin. He heard us. But when He had blotted out our sins like a cloud, then we had more prayers for ourselves. We have had to pray for sanctifying grace, for constraining and restraining grace; we have been led to crave for a fresh assurance of faith, for the comfortable application of the promise, for deliverance in the hour of temptation, for help in the time of duty, and for succour in the day of trial. We have been compelled to go to God for our souls, as constant beggars asking for everything. Bear witness, children of God, you have never been able to get anything for your souls elsewhere. All the bread your soul has eaten has come down from heaven, and all the water of which it has drank has flowed from the living rock — Christ Jesus the Lord. Your soul has never grown rich in itself; it has always been a pensioner upon the daily bounty of God; and hence your prayers have ascended to heaven for a range of spiritual mercies all but infinite. Your wants were innumerable, and therefore the supplies have been infinitely great, and your prayers have been as varied as the mercies have been countless. Then have you not cause to say, “I love the Lord, because He hath heard the voice of my supplication”? For as your prayers have been many, so also have been God’s answers to them. He has heard you in the day of trouble, has strengthened you, and helped you, even when you dishonoured Him by trembling and doubting at the mercyseat. Remember this, and let it fill your heart with gratitude to God, who has thus graciously heard your poor weak prayers. “Bless the Lord, O my soul, and forget not all His benefits.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
SALVATION BELONGS TO THE LORD! — JONAH 2:9 Salvation is the work of God. It is He alone who quickens the soul “dead in . . . trespasses and sins,”1 and He it is who maintains the soul in its spiritual life. He is both “Alpha and Omega.” “Salvation belongs to the LORD!” If I am prayerful, God makes me prayerful; if I have graces, they are God’s gifts to me; if I hold on in a consistent life, it is because He upholds me with His hand. I do nothing whatever toward my own preservation, except what God Himself first does in me. Whatever I have, all my goodness is of the Lord alone. Whenever I sin, that is my own doing; but when I act correctly, that is wholly and completely of God. If I have resisted a spiritual enemy, the Lord’s strength nerved my arm. Do I live before men a consecrated life? It is not I, but Christ who lives in me. Am I sanctified? I did not cleanse myself: God’s Holy Spirit sanctifies me. Am I separated from the world? I am separated by God’s chastisements sanctified to my good. Do I grow in knowledge? The great Instructor teaches me. All my jewels were fashioned by heavenly art. I find in God all that I want; but I find in myself nothing but sin and misery. “He only is my rock and my salvation.”2 Do I feed on the Word? That Word would be no food for me unless the Lord made it food for my soul and helped me to feed upon it. Do I live on the bread that comes down from heaven? What is that bread but Jesus Christ Himself incarnate, whose body and whose blood I eat and drink? Am I continually receiving fresh supplies of strength? Where do I gather my might? My help comes from heaven’s hills: Without Jesus I can do nothing. As a branch cannot bring forth fruit except it abide in the vine, no more can I, except I abide in Him. What Jonah learned in the ocean, let me learn this morning in my room: “Salvation belongs to the LORD.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
Kim was twenty-three, single, on her own, and at a job making $27,000 per year. She had recently started her Total Money Makeover. She was behind on credit cards, not on a budget, and barely making her rent because her spending was out of control. She let her car insurance drop because she “couldn’t afford it.” She did her first budget and two days later was in a car wreck. Since it wasn’t bad, the damage to the other guy’s car was only about $550. As Kim looked at me through panicked tears, that $550 might as well have been $55,000. She hadn’t even started Baby Step One. She was trying to get current, and now she had one more hurdle to clear before she even started. This was a huge emergency. Seven years ago George and Sally were in the same place. They were broke with new babies, and George’s career was sputtering. George and Sally fought and scraped through a Total Money Makeover. Today they are debt-free, even their $85,000 home. They have a $12,000 emergency fund, retirement in Roth IRAs, and even the kids’ college is funded. George has grown personally, his career has blossomed, and he now makes $75,000 per year while Sally stays home with the kids. One day a piece of trash flew out of the back of George’s pickup and hit a car behind him on the interstate. The damage was about $550. I think you can see that George and Sally probably adjusted one month’s budget and paid the repairs, while Kim dealt with her wreck for months. The point is that as you get in better shape, it takes a lot more to rock your world. When the accidents occurred, George’s heart rate didn’t even change, but Kim needed a Valium sandwich to calm down. Those true stories illustrate the fact that as you progress through your Total Money Makeover, the definition of an emergency that is worthy to be covered by the emergency fund changes. As you have better health insurance, disability insurance, more room in your budget, and better cars, you will have fewer things that qualify as emergency-fund emergencies. What used to be a huge, life-altering event will become a mere inconvenience.
Dave Ramsey (The Total Money Makeover: Classic Edition: A Proven Plan for Financial Fitness)
THE WRATH TO COME. — MATTHEW 3:7 I t is pleasant to pass over a country after a storm has spent itself—to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Savior’s head, and if there be a few drops of sorrow falling, they distill from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest—to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it grows black, and to find the sun obscured, and the heavens angry and frowning! How terrible to await the dread advance of a hurricane, to wait in terrible apprehension till the wind rushes forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have fallen as yet, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. So far the water-floods are dammed up by mercy, but the floodgates will soon be opened: The thunderbolts of God are still in His storehouse, the tempest is coming, and how awful will that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, will you hide your head, or where will you run to? May the hand of mercy lead you now to Christ! He is freely set before you in the Gospel: His pierced side is the place of shelter. You know your need of Him; believe in Him, cast yourself upon Him, and then the fury shall be past forever.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
day, the trigger was an older woman with deep wrinkles. To this day, I cannot be certain about what caused her to react so strongly. Perhaps she had used up her patience simmering in the sun for hours at the back of the line. Perhaps she had some desperately hungry grandchildren who she needed to get back to. It is impossible to know exactly what happened. But after she received her allocation of wheat, she broke the established rules of the feeding site and moved toward Bubba. She looked up at him and unleashed a verbal attack. Bubba, as gentle as ever, simply smiled at her. The more he smiled, the angrier she got. I noticed the commotion when our Somali guards suddenly tensed and turned toward the disturbance. All I could see was Bubba, head and shoulders above a gathering crowd, seemingly unperturbed, and smiling down at someone. His patient response only fueled the woman’s rage. I heard her sound of fury long before I spotted the source when she launched a long stream of vile curses at Bubba. Thankfully, he didn’t understand a word that she was saying. It was now possible to understand her complaint. She was upset about the quality of the “animal feed” that was being distributed for human consumption. She was probably right in her assessment of the food. These were surplus agricultural products that United Nations contributing members didn’t want, couldn’t sell, and had no other use for. As this hulking American continued to smile, the woman realized that she was not communicating. Now, furious and frustrated, she bent down, set her plastic bag on the ground, grabbed two fistfuls of dirty, broken wheat, grain dust, dirt and chaff. She straightened to her full height and flung the filthy mixture as hard as she could into Bubba’s face. The crowd was deathly silent as I heard a series of loud metallic clicks that indicated that an entire squad of American soldiers had instinctively locked and loaded all weapons in readiness for whatever might happen next. Everything felt frozen in time as everyone waited and watched for Bubba’s reaction. A Somali man might have beaten the woman for such a public insult—and he would have considered his action and his anger entirely justified. I knew that Bubba had traveled half-way around the world at his own expense to spend three months of personal vacation time to help hurting people. And this was the thanks that he received? He was hot, sweaty, and drained beyond exhaustion—and he had just been publicly embarrassed. He had every reason to be absolutely livid. Instead, he raised one hand to rub the grit out of his eyes, and then he gave the woman one more big smile. At that point, he began to sing. And what he sang wasn’t just any song. She didn’t understand the words, of course. But she, and the entire crowd, stood in silent amazement as Bubba belted out the words to the 1950’s Elvis Presley rock-n-roll classic: You ain’t nothin’ but a hound dog Cryin’ all the time You ain’t nothin’ but a hound dog Cryin’ all the time Well, you ain’t never caught a rabbit And you ain’t no friend of mine. By the time he started singing the next verse, the old woman had turned and stomped off in frustration, angrily plowing a path through the now-smiling crowd of Somalis to make her escape. Watching her go, Bubba raised his voice to send her off with rousing rendition of the final verse: Well they said you was high-classed Well, that was just a lie Ya know they said you was high-classed Well, that was just a lie Well, you ain’t never caught a rabbit And you ain’t no friend of mine.
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
February 25 MORNING “The wrath to come.” — Matthew 3:7 IT is pleasant to pass over a country after a storm has spent itself; to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Saviour’s head, and if there be a few drops of sorrow falling, they distil from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest: to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it groweth black, and look to the sun which shineth not, and the heavens which are angry and frowning! How terrible to await the dread advance of a hurricane — such as occurs, sometimes, in the tropics — to wait in terrible apprehension till the wind shall rush forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have as yet fallen, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. As yet the water-floods are dammed up by mercy, but the flood-gates shall soon be opened: the thunderbolts of God are yet in His storehouse, but lo! the tempest hastens, and how awful shall that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, wilt thou hide thy head, or whither wilt thou flee? O that the hand of mercy may now lead you to Christ! He is freely set before you in the gospel: His riven side is the rock of shelter. Thou knowest thy need of Him; believe in Him, cast thyself upon Him, and then the fury shall be overpast for ever.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
February 26 MORNING “Salvation is of the Lord.” — Jonah 2:9 SALVATION is the work of God. It is He alone who quickens the soul “dead in trespasses and sins,” and it is He also who maintains the soul in its spiritual life. He is both “Alpha and Omega.” “Salvation is of the Lord.” If I am prayerful, God makes me prayerful; if I have graces, they are God’s gifts to me; if I hold on in a consistent life, it is because He upholds me with His hand. I do nothing whatever towards my own preservation, except what God Himself first does in me. Whatever I have, all my goodness is of the Lord alone. Wherein I sin, that is my own; but wherein I act rightly, that is of God, wholly and completely. If I have repulsed a spiritual enemy, the Lord’s strength nerved my arm. Do I live before men a consecrated life? It is not I, but Christ who liveth in me. Am I sanctified? I did not cleanse myself: God’s Holy Spirit sanctifies me. Am I weaned from the world? I am weaned by God’s chastisements sanctified to my good. Do I grow in knowledge? The great Instructor teaches me. All my jewels were fashioned by heavenly art. I find in God all that I want; but I find in myself nothing but sin and misery. “He only is my rock and my salvation.” Do I feed on the Word? That Word would be no food for me unless the Lord made it food for my soul, and helped me to feed upon it. Do I live on the manna which comes down from heaven? What is that manna but Jesus Christ himself incarnate, whose body and whose blood I eat and drink? Am I continually receiving fresh increase of strength? Where do I gather my might? My help cometh from heaven’s hills: without Jesus I can do nothing. As a branch cannot bring forth fruit except it abide in the vine, no more can I, except I abide in Him. What Jonah learned in the great deep, let me learn this morning in my closet: “Salvation is of the Lord.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
February 4 MORNING “The love of the Lord.” — Hosea 3:1 BELIEVER, look back through all thine experience, and think of the way whereby the Lord thy God has led thee in the wilderness, and how He hath fed and clothed thee every day — how He hath borne with thine ill manners — how He hath put up with all thy murmurings, and all thy longings after the flesh-pots of Egypt — how He has opened the rock to supply thee, and fed thee with manna that came down from heaven. Think of how His grace has been sufficient for thee in all thy troubles — how His blood has been a pardon to thee in all thy sins — how His rod and His staff have comforted thee. When thou hast thus looked back upon the love of the Lord, then let faith survey His love in the future, for remember that Christ’s covenant and blood have something more in them than the past. He who has loved thee and pardoned thee, shall never cease to love and pardon. He is Alpha, and He shall be Omega also: He is first, and He shall be last. Therefore, bethink thee, when thou shalt pass through the valley of the shadow of death, thou needest fear no evil, for He is with thee. When thou shalt stand in the cold floods of Jordan, thou needest not fear, for death cannot separate thee from His love; and when thou shalt come into the mysteries of eternity thou needest not tremble, “For I am persuaded, that neither death; nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come, nor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord.” Now, soul, is not thy love refreshed? Does not this make thee love Jesus? Doth not a flight through illimitable plains of the ether of love inflame thy heart and compel thee to delight thyself in the Lord thy God? Surely as we meditate on “the love of the Lord,” our hearts burn within us, and we long to love Him more.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
understand what it says? If not, the Bible may never be anything more to us than a bag of tricks. God's Word isn't magic, but it is alive (Hebrews 4:12) and a solid rock upon which to build our lives. Spending time getting to know the God who wrote it is the difference between it just being a classic book, and a book having the power to radically change our lives.
Brooke McGlothlin (How to Control Your Emotions, So They Don't Control You: A Mom's Guide to Overcoming)
Rock and roll was my favorite, but before long I grew to enjoy Shinamoto's brand of classical music. This was music from another world, which had its appeal, but more than that I loved it because she was a part of that world.
Haruki Murakami
A key point in my work: Randomness has more than one "state," or form, and each, if allowed to play out on a financial market, would have a radically different effect on the way prices behave. One is the most familiar and manageable form of chance, which I call "mild." It is the randomness of a coin toss, the static of a badly tuned radio. Its classic mathematical expression is the bell curve, or "normal" probability distribution-so-called because it was long viewed as the norm in nature. Temperature, pressure, or other features of nature under study are assumed to vary only so much, and not an iota more, from the average value. At the opposite extreme is what I call "wild" randomness. This is far more irregular, more unpredictable. It is the variation of the Cornish coastline-savage promontories, craggy rocks, and unexpectedly calm bays. The fluctuation from one value to the next is limitless and frightening. In between the two extremes is a third state, which I call "slow" randomness.
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
Although in 2005 compact discs still represented over 98 percent of the market for legal album sales, Morris had no loyalty to the format. In May of that year, Vivendi Universal announced it was spinning off its CD manufacturing and distribution business into a calcified corporate shell called the Entertainment Distribution Company. Included in EDC’s assets were several massive warehouses and two large-scale compact disc manufacturing plants: one in Hanover, Germany, and one in Kings Mountain, North Carolina. Universal would still manufacture all its CDs at the plants, but now this would be an arms-length transaction that allowed them to watch the superannuation of optical media from a comfortable distance. It was one of the oldest moves in the corporate finance playbook: divest yourself of underperforming assets while holding on to the good stuff. EDC was a classic “stub company,” a dogshit collection of low-growth, capital-intensive factory equipment that was rapidly going obsolete. In other words, EDC was a drag on A that added little to B. Let the investment bankers figure out who wanted it—Universal had gone digital, and the death rattle of the compact disc had grown loud enough for even Doug Morris to hear. The CD was the past; the iPod was the future. People loved these stupid things. You could hardly go outside without getting run over by some dumb jogger rocking white headphones and a clip-on Shuffle. Apple stores were generating more sales per square foot than any business in the history of retail. The wrapped-up box with a sleek wafer-sized Nano inside was the most popular gift in the history of Christmas. Apple had created the most ubiquitous gadget in the history of stuff.
Stephen Witt (How Music Got Free: A Story of Obsession and Invention)
One of the best descriptions of the actual psychological experiences that come with deep meditation is the Visuddhimagga (Path of purification), a fourth-century meditation manual composed on the island of Sri Lanka by an Indian Buddhist named Buddhaghosa. In the Visuddhimagga he laid out the early Buddhist vision of what can be achieved psychologically through the cultivation of certain critical factors of mind that are developed through meditation practice. As a cross section of the meditative mind, this manual is unparalleled. Through the relentless development of both concentration (the ability to rest the mind in a single object of awareness) and mindfulness (the ability to shift attention to a succession of objects of awareness), the meditator eventually enters into states that are variously described as ones of either terror or delight. These are states that do not often unfold in psychotherapy: they may be glimpsed or remembered, but they do not come forward inexorably, as they do in meditation practice. Their emergence is predicated on the development of certain ego functions beyond the normal operating range of everyday life. Listen, for example, to the classic descriptions of some of these states. The experiences of delight, for instance, are characterized by varying degrees of rapture or happiness, of which there are said to be five grades: Minor happiness is only able to raise the hairs on the body. Momentary happiness is like flashes of lightning at different moments. Showering happiness breaks over the body again and again like waves on the seashore. Uplifting happiness can be powerful enough to levitate the body and make it spring up in the air. . . . But when pervading (rapturous) happiness arises, the whole body is completely pervaded, like a filled bladder, like a rock cavern invaded by a huge inundation.1
Mark Epstein (Thoughts Without A Thinker: Psychotherapy from a Buddhist Perspective)
Emily liked the classical music Jim listened to; he told her all about the history of the Rock of Music when she was a little girl. As she remembered it, it was discovered by a teenager from Lubbock, Texas named Buddy and he ruled the Rock until his airplane was shot down by his evil rival, King Elvis. King Elvis was then ousted by several tribes from England and California who unified and fought against him under their leaders, John-Paul George and Jimi Clapton. One
Nicole Antonia Carro (Yum: A Horror Story)
Can you by humble faith look to Jesus, and say, "My substitute, thou art my rock, my trust"? Then, beloved, be not afraid of God's power; for by faith you have fled to Christ for refuge, the power of God need no more terrify you, than the shield and sword of the warrior need terrify those whom he loves. Rather
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
April 10 MORNING “The place which is called Calvary.” — Luke 23:33 THE hill of comfort is the hill of Calvary; the house of consolation is built with the wood of the cross; the temple of heavenly blessing is founded upon the riven rock — riven by the spear which pierced His side. No scene in sacred history ever gladdens the soul like Calvary’s tragedy. “Is it not strange, the darkest hour That ever dawned on sinful earth, Should touch the heart with softer power, For comfort, than an angel’s mirth? That to the Cross the mourner’s eye should turn, Sooner than where the stars of Bethlehem burn?” Light springs from the midday-midnight of Golgotha, and every herb of the field blooms sweetly beneath the shadow of the once accursed tree. In that place of thirst, grace hath dug a fountain which ever gusheth with waters pure as crystal, each drop capable of alleviating the woes of mankind. You who have had your seasons of conflict, will confess that it was not at Olivet that you ever found comfort, not on the hill of Sinai, nor on Tabor; but Gethsemane, Gabbatha, and Golgotha have been a means of comfort to you. The bitter herbs of Gethsemane have often taken away the bitters of your life; the scourge of Gabbatha has often scourged away your cares, and the groans of Calvary yields us comfort rare and rich. We never should have known Christ’s love in all its heights and depths if He had not died; nor could we guess the Father’s deep affection if He had not given His Son to die. The common mercies we enjoy all sing of love, just as the sea-shell, when we put it to our ears, whispers of the deep sea whence it came; but if we desire to hear the ocean itself, we must not look at every-day blessings, but at the transactions of the crucifixion. He who would know love, let him retire to Calvary and see the Man of sorrows die.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
am with you always." Matthew 28:20 It is well there is One who is ever the same, and who is ever with us. It is well there is one stable rock amidst the billows of the sea of life. O my soul, set not thine affections upon rusting, moth-eaten, decaying treasures, but set thine heart upon him who abides forever faithful to thee. Build not thine house upon the moving quicksands of a deceitful world, but found thy hopes upon this rock, which, amid descending rain and roaring floods, shall stand immovably secure. My soul, I charge thee, lay up thy treasure in the only secure cabinet; store thy jewels where thou canst never lose them. Put thine all in Christ; set all thine affections on his person, all thy hope in his merit, all thy trust in his efficacious blood, all thy joy in his presence, and so thou mayest laugh at loss, and defy destruction. Remember that all the flowers in the world's garden fade by turns, and the day cometh when nothing will be left but the black, cold earth. Death's black extinguisher must soon put out thy candle. Oh! how sweet to have sunlight when the candle is gone! The dark flood must soon roll between thee and all thou hast; then wed thine heart to him who will never leave thee; trust thyself with him who will go with thee through the black and surging current of death's stream, and who will land thee safely on the celestial shore, and make thee sit with him in heavenly places forever. Go, sorrowing son of affliction, tell thy secrets to the Friend who sticketh closer than a brother. Trust all thy concerns with him who never can be taken from thee, who will never leave thee, and who will never let thee leave him, even "Jesus Christ, the same yesterday, and today, and forever." "Lo, I am with you alway," is enough for my soul to live upon, let who will forsake me.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
I am with you always." Matthew 28:20 It is well there is One who is ever the same, and who is ever with us. It is well there is one stable rock amidst the billows of the sea of life. O my soul, set not thine affections upon rusting, moth-eaten, decaying treasures, but set thine heart upon him who abides forever faithful to thee. Build not thine house upon the moving quicksands of a deceitful world, but found thy hopes upon this rock, which, amid descending rain and roaring floods, shall stand immovably secure. My soul, I charge thee, lay up thy treasure in the only secure cabinet; store thy jewels where thou canst never lose them. Put thine all in Christ; set all thine affections on his person, all thy hope in his merit, all thy trust in his efficacious blood, all thy joy in his presence, and so thou mayest laugh at loss, and defy destruction. Remember that all the flowers in the world's garden fade by turns, and the day cometh when nothing will be left but the black, cold earth. Death's black extinguisher must soon put out thy candle. Oh! how sweet to have sunlight when the candle is gone! The dark flood must soon roll between thee and all thou hast; then wed thine heart to him who will never leave thee; trust thyself with him who will go with thee through the black and surging current of death's stream, and who will land thee safely on the celestial shore, and make thee sit with him in heavenly places forever. Go, sorrowing son of affliction, tell thy secrets to the Friend who sticketh closer than a brother. Trust all thy concerns with him who never can be taken from thee, who will never leave thee, and who will never let thee leave him, even "Jesus Christ, the same yesterday, and today, and forever." "Lo, I am with you alway," is enough for my soul to live upon, let who will forsake me.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
If we indulge in any confidence which is not grounded on the Rock of ages, our confidence is worse than a dream, it will fall upon us, and cover us with its ruins, to our sorrow and confusion.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Year after year, bill after bill, Wilberforce spent his entire career introducing an endless series of legislative proposals to his colleagues in the British Parliament in his efforts to end slavery, only to have them defeated, one after the other. From 1788 to 1806, he introduced a new anti-slavery motion and watched it fail every single year, for eighteen years in a row. Finally the water wore down the rock: three days before Wilberforce’s death in 1833, Parliament passed a bill to abolish slavery not only in England but also throughout its colonies. Three decades later, a similar bill passed in the United States, spearheaded by another man of conscience who had also spent much of his life failing, a patient Illinois lawyer named Abraham. Deus ex machina? Far from it. These weren’t solutions that dropped out of the blue sky. They were the “sudden” result of long patient years of tireless repeated effort. There was no fictional deus ex machina happening here; these were human problems, and they had human solutions. But the only access to them was through the slight edge. Of course Wilberforce and Lincoln were not the sole figures in this heroic struggle, and even after their bills were passed into law on both sides of the Atlantic, the evils of slavery and racism were far from over. Rome wasn’t rehabilitated in a day, or even a century. But their efforts—like Mother Teresa’s efforts to end poverty, Gandhi’s to end colonial oppression, or Martin Luther King’s and Nelson Mandela’s to end racism—are classic examples of what “breakthrough” looks like in the real world. All of these real-life heroes understood the slight edge. None of them were hypnotized by the allure of the “big break.” If they had been, they would never have continued taking the actions they took—and what would the world look like today?
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
For many years, the Democratic Party followed the populist model; that’s what many of its leaders thought democracy was all about. But beginning in the 1970s, liberalism began to change. Over the course of countless intra-party debates, the Democrats came to think of themselves not as the voice of working-class people at all but as a sort of coming together of the learned and the virtuous. They came to this understanding, ironically, at the historical moment when populism, as a generalized hostility to the establishment, was sweeping the country. From Madison Avenue to the classic rock radio station in your sad hometown, Americans were imagining themselves to be rebels against rules and tradition and authority. Even conservatives were posturing as insurgents. The only group that seemed to have trouble embracing this new mood was the Democratic Party. And so we come at last to the shabby synthesis to which this book’s many competing strands have been leading us all along: As conservatives trumpeted their uprising, liberals turned against it all. They became anti-populists.
Thomas Frank (The People, No: The War on Populism and the Fight for Democracy)
Brian May's Red Special guitar is as big a Queen icon as the crest Freddie Mercury designed for the band. It is the Stradivarius of Rock, and Brian is a virtuoso in the classical mold.
Stewart Stafford