Surface Pressure Quotes

Always behave like a duck- keep calm and unruffled on the surface, but paddle like the devil underneath.

There's somthing inside me that pulls beneath the surface. Consuming. Confusing. This lack of self-control I fear is never ending. Controlling. I can't seem To find myself again, My walls are closing in (Without a sense of confidence, I'm convinced that there's just too much pressure to take) I felt this way before... So insecure..

Calmly, slowly, she reached behind with her left hand and came up against — yes, fabric. Fine linen, to be precise. So far, so good: she was inside a wardrobe, after all. The only problem was that this linen was oddly warm. Body warm. Beneath the tentative pressure of her palm, it seemed to be moving... With terrifying suddenness, an ungloved hand clamped roughly over her nose and mouth. A long arm pinned her arms against her sides. She was held tightly against a hard, warm surface. "Hush," whispered a pair of lips pressed to her left ear. "If you scream, we are both lost.

When you read a manuscript that has been damaged by water, fire, light or just the passing of the years, your eye needs to study not just the shape of the letters but other marks of production. The speed of the pen. The pressure of the hand on the page. Breaks and releases in the flow. You must relax. Think of nothing. Until you wake into a dream where you are at once a pen flying of vellum and the vellum itself with the touch of ink tickling your surface. Then you can read it. The intention of the writer, his thoughts, his hesitations, his longings and his meaning. You can read as clearly as if you were the very candlelight illuminating the page as the pen speeds over it.

The key to faking deaths is a fine appreciation of arterial spray patterns. I have found that blood bags work very well at simulating spray with a strategically poked hole; apply pressure to the bottom of the bag, practice a bit, and before long you will be able to write stories of carnage and odes to gore. A small fan brush-the sort that one dude used to paint happy little trees-can paint a picture of blunt force spatters if you flick the surface properly. You could even talk to yourself, as that painter did, while you flick blood around: "And maybe over here we have a nice stab wound. And, I don't know, maybe there's a few more back over here. Multiple stab wounds. It doesn't matter, whatever you feel like.

Many families are managed on the basis of crises, moods, quick fixes, and instant gratification—not on sound principles. Symptoms surface whenever stress and pressure mount: people become cynical, critical, or silent or they start yelling and overreacting. Children who observe these kinds of behavior grow up thinking the only way to solve problems is flight or fight.

Japan Today I pass the time reading a favorite haiku, saying the few words over and over. It feels like eating the same small, perfect grape again and again. I walk through the house reciting it and leave its letters falling through the air of every room. I stand by the big silence of the piano and say it. I say it in front of a painting of the sea. I tap out its rhythm on an empty shelf. I listen to myself saying it, then I say it without listening, then I hear it without saying it. And when the dog looks up at me, I kneel down on the floor and whisper it into each of his long white ears. It’s the one about the one-ton temple bell with the moth sleeping on its surface, and every time I say it, I feel the excruciating pressure of the moth on the surface of the iron bell. When I say it at the window, the bell is the world and I am the moth resting there. When I say it into the mirror, I am the heavy bell and the moth is life with its papery wings. And later, when I say it to you in the dark, you are the bell, and I am the tongue of the bell, ringing you, and the moth has flown from its line and moves like a hinge in the air above our bed.

You blind me, my dear, with your fire. Carefully controlled, directed only into the outlets you allow, but otherwise left to boil beneath the surface. You're like a bottle of fine champagne, yearning to be opened. Year after year, the pressure building slowly, with no release. And ever since I met you, all I could think was what it would take to make... you... pop.

Professor Winthrop delivered an influential lecture at Harvard proposing the earthquake might have been caused by heat and pressure below the surface of the earth. With God’s help, of course, but God comes off as an engineer instead of a hothead vigilante.)

There is a moment of surface tension when a knife blade presents its demand and the flesh honors it. An instant of pressure before the puncture, the rip before the slide, a small eternity easy to miss but impossible to ignore if you’ve felt it before. I lived in that moment a great while for the small sliver of time it was there.

On matters of style, swim with the current,” Thomas Jefferson allegedly advised, but “on matters of principle, stand like a rock.” The pressure to achieve leads us to do the opposite. We find surface ways of appearing original—donning a bow tie, wearing bright red shoes—without taking the risk of actually being original. When it comes to the powerful ideas in our heads and the core values in our hearts, we censor ourselves.

Evie touched the surface of Cam’s coat sleeve. “Is my father awake now?” she asked anxiously. “May I go up to see him?” “Of course.” The Gypsy took both her hands in a light grip, the gold rings warmed by the liberal heat of his fingers. “I will see to it that no one interferes.” “Thank you.” Suddenly Sebastian reached between them and plucked one of Evie’s hands away, pulling it decisively to his own arm. Though his manner was casual, the firm pressure of his fingers ensured that she would not try to pull away. Puzzled by the display of possessiveness, Evie frowned. “I have known Cam since childhood,” she said pointedly. “He has always been quite kind to me.” “A husband always likes to hear of kindnesses done for his wife,” Sebastian replied coolly. “Within limits, of course.” “Of course,” Cam said softly.

There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.

One simple but powerful consequence of the fractal geometry of surfaces is that surfaces in contact do not touch everywhere. The bumpiness at all scales prevents that. Even in rock under enormous pressure, at some sufficiently small scale it becomes clear that gaps remain, allowing fluid to flow.

The Sun contains about a thousand times more mass than Jupiter. If it were cold, gravity would squeeze it a million times denser than an ordinary solid: it would be a 'white dwarf' about the size of the Earth but 330,000 times more massive. But the Sun's core actually has a temperature of fifteen million degrees-thousands of time hotter than its glowing surface, and the pressure of this immensely hot gas 'puffs up' the Sun and holds it in equilibrium.

It is impossible to express the experiences you have below the surface with words, when water gently caresses your face and body, the pulse decreases and your brain relaxes. You are immediately cut off from the stress and hustle of everyday life when you are below the surface – there are no noisy telephones or SMS messages, no inboxes full of mail, no electrical bills, or other trivialities of everyday life taking up time and energy. There is nothing connecting you to the surface but the same withheld breath that connects you to life. There is only you and a growing pressure on your chest that feels like a loving hug and the vibrations from the deep quiet tone of the sea. It is quite possible that this deep quiet tone is none other than the mantra Om, the sound of the universe, trickling life into every cell of your body.

His lack of sympathy occasionally surfaced in other ways. Under pressure from victims of asbestos-related diseases for compensation, Abbott contended that the near-death campaigner Bernie Banton was not necessarily ‘pure of heart’. His words came in reply to a robust insult from Banton but were rightly interpreted as victim blaming.

We live in the deep sea, surrounded by pressure that could kill us in an instant, with no access to the surface world, that is our natural home.

The idea of being weighed down made me uneasy, as if I lived on the surface of a frozen lake and each new trapping of domestic life - a pot, a chair, a lamp - threatened to be the thing that sent me through the ice. The only exception was books, which I acquired freely, because I never really felt they belonged to me. Because of this, I never felt compelled to finish those I didn't like, or even a pressure to like them at all. But a certain lack of responsibility also left me free to be affected. When at last I came across the right book the feeling was violent: it blew open a hole in me that made life more dangerous because I couldn't control what came through it.

I began my mindfulness exercises and focused on how the water felt against my skin, how my toes felt as I raised my feet and they came into contact with the bubbles on the surface, and the pressure of the tub against my back. I focused on my breathing and allowed it to become slower and deeper, letting my tummy rise and fall instead of my back and shoulders. Then, as I was at my most relaxed, I pushed my bum forward, opened my mouth, slipped my head underwater and took the biggest gulp of water I could until it flooded my lungs. My brain’s immediate reaction was to force myself to the surface and cough the water out, but I fought hard against it and remained underneath, thrashing about like a fish caught in a net.

But a Kate could never give Luke what I give him, and that’s the edge. Rusted and bacteria ridden, I’m the blade that nicks at the perfectly hemmed seams of Luke’s star quarterback life, threatening to shred it apart. And he likes that threat, the possibility of my danger. But he doesn’t really want to see what I can do, the ragged holes I can open. I’ve spent most of our relationship scratching the surface, experimenting with the pressure, how much is too much before I draw blood? I’m getting tired.

His love of music, unlike his other loves, owned to vaguenesses, but while, on his comparatively shaded sofa, and smoking, smoking, always smoking, in the great Fawns drawing-room as everywhere, the cigars of his youth, rank with associations – while, I say, he so listened to Charlotte’s piano, where the score was ever absent but, between the lighted candles, the picture distinct, the vagueness spread itself about him like some boundless carpet, a surface delightfully soft to the pressure of his interest.

Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow? Quick, said the bird, find them, find them, Round the corner. Through the first gate, Into our first world, shall we follow The deception of the thrush? Into our first world. There they were, dignified, invisible, Moving without pressure, over the dead leaves, In the autumn heat, through the vibrant air, And the bird called, in response to The unheard music hidden in the shrubbery, And the unseen eyebeam crossed, for the roses Had the look of flowers that are looked at. There they were as our guests, accepted and accepting. So we moved, and they, in a formal pattern, Along the empty alley, into the box circle, To look down into the drained pool. Dry the pool, dry concrete, brown edged, And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.

In order to become, to be, to move, Imagine leaving here, going to a cliff above the sea. Watch the sea Dive into the air, down into the sea. Dive deep toward the bottom. Feel the entities in the sea, in the cool darkness, the pressure. Listen and communicate with them. They know the secret way of escape from here. Escape into other places far from this planet. Move up from the sea's depths. Slant up through the dark clod, up to the warmth. Move out of the sea's surface, into light. Travel through the earth's air space, out. Accelerate toward our star, the sun. Feel its radiance increase, its energy. This energy started, maintains us, is us. Enter the sun's flaming self, be its light, Be its energy, share the star as you. Be the sun, shining into space. Move away on its energy, become greater that this star. Spread as its light in all directions. Fill the universe with thee, be the universe. Be all the stars, the galaxies are your body. Be empty space spread self to infinity. Be the creative potential in the empty spaces. BE the potential, infinite in the absolute zero of nothing.

I know grief,” she interrupted, her eyes narrowed. “Gods, do I know grief. You think it wears you down, but no, it turns you into a fortified version of yourself. Although that fortification is often surface level. With the right amount of pressure, at the perfect angle, it can be shattered like a rock.

There seemed to be no end to the imaginative damage people could do to each other when the influences of societal pressures were removed. It tended to bring out one’s true character, and as he had discovered during his thirty-eight years of life, some people had true darkness lurking just below the surface.

Dazzling ice stars bombarded the world with rays, which splintered and penetrated the earth, filling earth’s core with their deadly coldness, reinforcing the cold of the advancing ice. And always, on the surface, the indestructible ice-mass was moving forward, implacably destroying all life. I felt a fearful sense of pressure and urgency, there was no time to lose, I was wasting time; it was a race between me and the ice. Her albino hair illuminated my dreams, shining brighter than moonlight. I saw the dead moon dance over the icebergs, as it would at the end of the world, while she watched from the tent of her glittering hair.

At three hundred feet, we are profoundly changed. The pressure at these depths is nine times that of the surface. The organs collapse. The heart beats at a quarter of its normal rate, slower than the rate of a person in a coma. Senses disappear. The brain enters a dream state. At six hundred feet down, the ocean’s pressure—some eighteen times that of the surface—is too extreme for most human bodies to withstand. Few freedivers have ever attempted dives to this depth; fewer have survived. Where humans can’t go, other animals can. Sharks, which can dive below six hundred and fifty feet, and much deeper, rely on senses beyond the ones we know. Among them is magnetoreception, an attunement to the magnetic pulses of the Earth’s molten core. Research suggests that humans have this ability and likely used it to navigate across the oceans and trackless deserts for thousands of years. Eight hundred feet down appears to be the absolute limit of the human body.

On matters of style, swim with the current,” Thomas Jefferson allegedly advised, but “on matters of principle, stand like a rock.” The pressure to achieve leads us to do the opposite. We find surface ways of appearing original—donning a bow tie, wearing bright red shoes—without taking the risk of actually being original. When

On another night, in a different dream I was asking a question. “How is it that you say all are equal, yet the obvious contradictions smack us in the face: inequalities in virtues, temperances, finances, rights, abilities and talents, intelligence, mathematical aptitude, ad infinitum?” The answer was a metaphor. “It is as if a large diamond were to be found inside each person. Picture a diamond a foot long. The diamond has a thousand facets, but the facets are covered with dirt and tar. It is the job of the soul to clean each facet until the surface is brilliant and can reflect a rainbow of colors. “Now, some have cleaned many facets and gleam brightly. Others have only managed to clean a few; they do not sparkle so. Yet, underneath the dirt, each person possesses within his or her breast a brilliant diamond with a thousand gleaming facets. The diamond is perfect, not one flaw. The only differences among people are the number of facets cleaned. But each diamond is the same, and each is perfect. “When all the facets are cleaned and shining forth in a spectrum of lights, the diamond returns to the pure energy that it was originally. The lights remain. It is as if the process that goes into making the diamond is reversed, all that pressure released. The pure energy exists in the rainbow of lights, and the lights possess consciousness and knowledge. “And all of the diamonds are perfect.” Sometimes

Steam pressure inside the sealed reactor space rose exponentially—eight atmospheres in a second—heaving Elena, the two-thousand-tonne concrete-and-steel upper biological shield, clear of its mountings and shearing the remaining pressure tubes at their welds. The temperature inside the reactor rose to 4,650 degrees centigrade—not quite as hot as the surface of the sun.

Another, more fluid metaphor for the world of thought gradually suggested itself to him, derived from his former voyages at sea. A philosopher who was trying to consider human understanding in all its aspects would behold beneath him a mass molded in calculable curves, streaked by currents which could be charted, and deeply furrowed by the pressure of winds and the heavy, inert weight of water. It seemed to him that the shapes which the mind assumes are like those great forms, born of undifferentiated water, which assail or replace each other on the surface of the deep; each concept collapses, eventually, to merge with its very opposite, like two waves breaking against each other only to subside into the same single line of white foam.

they get stuck. This shuts off the blood supply to various parts of the body, causing dead spots to appear in the brain, liver, kidneys, lungs, intestines, testicles, breast tissue (of men as well as women), and all through the skin. The skin develops red spots, called petechiae, which are hemorrhages under the skin. Ebola attacks connective tissue with particular ferocity; it multiplies in collagen, the chief constituent protein of the tissue that holds the organs together. (The seven Ebola proteins somehow chew up the body’s structural proteins.) In this way, collagen in the body turns to mush, and the underlayers of the skin die and liquefy. The skin bubbles up into a sea of tiny white blisters mixed with red spots known as a maculopapular rash. This rash has been likened to tapioca pudding. Spontaneous rips appear in the skin, and hemorrhagic blood pours from the rips. The red spots on the skin grow and spread and merge to become huge, spontaneous bruises, and the skin goes soft and pulpy, and can tear off if it is touched with any kind of pressure. Your mouth bleeds, and you bleed around your teeth, and you may have hemorrhages from the salivary glands—literally every opening in the body bleeds, no matter how small. The surface of the tongue turns brilliant red and then sloughs off, and is swallowed or spat out. It is said to be extraordinarily painful to lose the surface of one’s tongue. The tongue’s skin may be torn off during rushes of the black vomit. The back of the throat and the lining of the windpipe may also slough off, and the dead tissue slides down the windpipe into the lungs or is coughed up with sputum. Your

Words exist. What are they made of? Air under pressure? Ink? Some instances of the word "cat" are made of ink, and some are made of bursts of acoustic energy in the atmosphere, and some are made of patterns of glowing dots on computer screens, and some occur silently in thoughts, and what they have in common is just that they count as "the same" (tokens of the same type, as philosophers say) say in a system of symbols known as a language. Words are such familiar items in our language-drenched world that we tend to think of them as if they were unproblematically tangible things - as real as teacups and raindrops - but they are in fact quite abstract, even more abstract than voices or songs or haircuts or opportunities (and what are they made off?). What are words? Words are basically information packets of some sort, recipes for using one's vocal apparatus and ears (or hands or eyes) - and brains - in quite specific ways. A world is more than a sound or a spelling. For instance, fast sounds the same and is spelled the same in English and German, but has completely different meanings and roles in the two languages. Two different worlds, sharing only some of their surface properties. Words exist. Do memes exist? Yes, because words exist, and words are memes that can be pronounced.

That mental strength under pressure is absolutely critical for the long, deep dives that Rick and John tackle. When you are hundreds of yards into a sump, you are so isolated from the basic needs of survival that you may as well be on the surface of the moon. It’s no wonder, then, that sump divers seem to possess the same qualities as astronauts: the ability to prepare thoroughly, solve problems quickly, and keep cool in an emergency.

Notice in Acts 4 that there were “no needy persons among them.” Why? Because they shared with “anyone one who had need.” The expression of neediness in the community allowed the economy of love to flow. But in churches in America and other places where affluence poses special problems, the situation is very different. These cultures are enslaved to the fear of death and death avoidance holds serious sway. In these cultures the expression of need is taboo and pornographic. What results is neurotic image-management, the pressure to be “fine.” The perversity here is that on the surface American churches do look like the church in Acts 4 - there are “no needy persons” among us. We all appear to be doing just fine, thank you very much. But we know this to be a sham, a collective delusion driven by the fear of death. I’m really not fine and neither are you. But you are afraid of me and I’m afraid of you. We are neurotic about being vulnerable with each other. We fear exposing our need and failure to each other. And because of this fear - the fear of being needy within a community of neediness - the witness of the church is compromised. A collection of self-sustaining and self-reliant people - people who are all pretending to be fine - is not the Kingdom of God. It’s a church built upon the delusional anthropology we described earlier. Specifically, a church where everyone is “fine” is a group of humans refusing to be human beings and pretending to be gods. Such a “church” is comprised of fearful people working hard to keep up appearances and unable to trust each other to the point of loving self-sacrifice. In such a “church” each member is expected to be self-sufficient and self-sustaining, thus making no demands upon others. Unfortunately, where there is no need and no vulnerability, there can be no love.

Taking the ring from her, Sebastian slid it onto his own hand. His hands were so much larger that the circlet would only fit the tip of his smallest finger. Grasping her chin in an intractable hold, he glared into her eyes. “I’ll take your bet,” he said grimly. “I’m going to win it. And in three months, I’m going to put this back on your finger, and take you to bed, and do things to you that are outlawed in the civilized world.” Evie’s resolve did not shield her from the heart-thumping alarm that any rational woman would feel upon hearing such an ominous statement. Nor did it prevent her knees from turning to jelly as he jerked her against his body and fitted his mouth to hers. Her hands, suspended in mid-air, went to his head in a trembling butterfly descent. The texture of his hair, the locks so cool and thick on the surface, so warm and damp at the roots, was too alluring to resist. She slid her fingers into the gleaming golden layers and pulled him even closer, helplessly reveling in the urgent pressure of his mouth. Their tongues mated, slid, stroked, and with each slippery-sweet caress inside the joined cavern of their mouths, she felt a hot coiling deep in her belly… no, deeper than that… in the tightening, liquefying core where she had once taken his invading flesh. It shocked her to realize how much she wanted him there again. She whimpered as he pulled away from her, while frustration washed over them both. “You didn’t say that I couldn’t kiss you,” Sebastian said, his eyes bright with devil-fire. “I’m going to kiss you as long and as often as I like, and you’re not to utter a word of protest. That’s the concession you’ll give in return for my celibacy. Damn you.” Giving her no time either to agree or to object, he released her and strode to the door. “And now, if you’ll excuse me… I’m going to go kill Joss Bullard.

His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.

There is an object blocking my view of the Petrova line. It’s right next to my ship. Maybe a few hundred meters away. It’s roughly triangle-shaped and it has gable-like protrusions along its hull. Yes. I said hull. It's not an asteroid- the lines are too smooth; too straight. This object was made. Fabricated. Constructed. Shapes like that don't occur in nature. It's a ship. Another ship. There's another ship in this system with me. Those flashes of light- those were its engines. It's Astrophage-powered. Just like the Hail Mary. But the design, the shape- it's nothing like any spacecraft I've ever seen. The whole thing is made of huge, flat surfaces- the worst possible way to make a pressure vessel. No one in their right mind would make a ship that shape. No one on Earth would, anyway. I blink a few times at what I'm seeing. I gulp. This... this is an alien spacecraft. Made by aliens. Aliens intelligent enough to make a spacecraft. Humanity isn't alone in the universe. And I've just met our neighbours. 'Holy fucking shit!

In the past few years, more and more passionate debates about the nature of SFF and YA have bubbled to the surface. Conversations about race, imperialism, gender, sexuality, romance, bias, originality, feminism and cultural appropriation are getting louder and louder and, consequently, harder to ignore. Similarly, this current tension about negative reviews is just another fissure in the same bedrock: the consequence of built-up pressure beneath. Literary authors feud with each other, and famously; yet genre authors do not, because we fear being cast as turncoats. For decades, literary writers have also worked publicly as literary reviewers; yet SFF and YA authors fear to do the same, lest it be seen as backstabbing when they dislike a book. (Small wonder, then, that so few SFF and YA titles are reviewed by mainstream journals.) Just as a culture of sexual repression leads to feelings of guilt and outbursts of sexual moralising by those most afflicted, so have we, by denying and decrying all criticism that doesn’t suit our purposes, turned those selfsame critical impulses towards censorship. Blog post: Criticism in SFF and YA

The arches themselves, strange, impressive, grotesque, form but a small and inessential part of the general beauty of this country. When we think of rock we usually think of stones, broken rock, buried under soil and plant life, but here all is exposed and naked, dominated by the monolithic formations of sandstone which stand above the surface of the ground and extend for miles, sometimes level, sometimes tilted or warped by pressures from below, carved by erosion and weathering into an intricate maze of glens, grottoes, fissures, passageways, and deep narrow canyons.

Strong emotional feelings don't just go away overnight. In fact, they may never go away. The fears of feeling disliked, or that I wasn't going to fit in, all quickly bubbled up to the surface. but it was the choices I made when I was faced with challenges that really mattered. I had to continually tell myself that I was always in control. If someone was pressuring me to do something that I knew was not good for me, I had the power to simply say no. No one can ever take that power away from me. If someone was upset or didn't like me for saying no, that was someone that I really didn't need in my life.

Guilt and shame and anger: Shame at saying yes, anger at not knowing you didn’t have to say yes, shame at not standing your ground and saying no, anger at partners for not telling you to say no, guilt at being angry because no one knew better. And in so many cases, the same conclusion, one that ace blogger StarchyThoughts summed up beautifully: I blamed my ex for a while—why did he push it when I said no so many times before? why did he enjoy it when I was clearly disinterested?—but that didn’t feel quite right. I said yes multiple times, and people can’t read minds. So then I was back to blaming myself. Perhaps if I truly felt so strongly that I didn’t want to have sex, I would have said no every time. But that doesn’t encapsulate the pressure and feeling of brokenness that I felt—the unspoken social norm that because I didn’t have a “good” reason to “deny” him, saying yes was a given. The problem is that I was left with no way to explain my hurt. On the surface, it shouldn’t have been a big deal: he said yes, I said yes, therefore everything was consensual. The problem is, had I known about asexuality, I would have said no. It felt like a wrong had occurred, even though there was no one to blame. And that is hermeneutical injustice.

Mermaid queens didn't often have a reason to move quickly. There were no wars to direct, no assassination attempts to evade, no crowds of clamoring admirers to avoid among the merfolk. In fact, slowness and calm were expected of royalty. So Ariel found herself thoroughly enjoying the exercise as she beat her tail against the water- even as it winded her a little. She missed dashing through shipwrecks with Flounder, fleeing sharks, trying to scoot back home before curfew. She loved the feel of her powerful muscles, the way the current cut around her when she twisted her shoulders to go faster. She hadn't been this far up in years and gulped as the pressure of the deep faded. She clicked her ears, readying them for the change of environment. Colors faded and transformed around her from the dark, heady slate of the ocean bottom to the soothing azure of the middle depths and finally lightening to the electric, magical periwinkle that heralded the burst into daylight. She hadn't planned to break through the surface triumphantly. She wouldn't give it that power. Her plan was to take it slow and rise like a whale. Casually, unperturbed, like Ooh, here I am. But somehow her tail kicked in twice as hard the last few feet, and she exploded into the warm sunlit air like she had been drowning. She gulped again and tasted the breeze- dry in her mouth; salt and pine and far-distant fires and a thousand alien scents.

The cross-section of a helicopter blade, according to Sarah, is more or less the same as the wing of an aeroplane. Its shape creates a pressure differential in the air passing over its upper and lower surfaces, producing a consequent lift. It differs from an aeroplane wing, however, in that when a helicopter moves forward, air starts passing over the blade that’s coming forward faster than it passes over the blade that’s going backwards. This produces unequal lift on the two sides of the helicopter, and the faster it goes, the more unequal the lift becomes. Eventually the ‘retreating’ blade stops producing any lift at all, and the helicopter flips on to its back and drops out of the sky. This, according to Sarah, was a negative aspect.

In the sea, perhaps, time itself is slowed by the water's weight and viscosity. Even with just my hands in Kali's or Octavia's tank, time proceeds at a different pace. Perhaps, I muse, this is the pace at which the Creator thinks, in this weighty, graceful, liquid manner-like blood flows, not like synapses fire. Above the surface, we move and think like wiggly children, or like teens who twitch away at their computer-phones, multitasking but never focusing. But the ocean forces you to move more slowly, more purposefully, and yet more pliantly. By entering it, you are bathed in a grace and power you don't experience in air. To dive beneath the surface feels like entering the Earth's vast, dreaming subconscious. Submitting to its depth, its currents, its pressure, is both humbling and freeing.

I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.” “Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” “I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’” “Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.” “I don’t want to be apart from you for even one of them.” Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?” “Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.” Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.” Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—” “I love you, too.” “— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.

The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape. And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.

About 6,500; and as in reality the atmospheric pressure is about 15 lb. to the square inch, your 6,500 square inches bear at this moment a pressure of 97,500 lb.” “Without my perceiving it?” “Without your perceiving it. And if you are not crushed by such a pressure, it is because the air penetrates the interior of your body with equal pressure. Hence perfect equilibrium between the interior and exterior pressure, which thus neutralise each other, and which allows you to bear it without inconvenience. But in the water it is another thing.” “Yes, I understand,” replied Ned, becoming more attentive; “because the water surrounds me, but does not penetrate.” “Precisely, Ned: so that at 32 feet beneath the surface of the sea you would undergo a pressure of 97,500 lb.; at 320 feet, ten times that pressure; at 3,200 feet, a hundred times that pressure; lastly, at 32,000 feet, a thousand times that pressure would be 97,500,000 lb.—that is to say, that you would be flattened as if you had been drawn from the plates of a hydraulic machine!” “The devil!” exclaimed Ned.

The white liberal must rid himself of the notion that there can be a tensionless transition from the old order of injustice to the new order of justice. Two things are clear to me, and I hope they are clear to white liberals. One is that the Negro cannot achieve emancipation through violent rebellion. The other is that the Negro cannot achieve emancipation by passively waiting for the white race voluntarily to grant it to him. The Negro has not gained a single right in America without persistent pressure and agitation. However lamentable it may seem, the Negro is now convinced that white America will never admit him to equal rights unless it is coerced into doing it. Nonviolent coercion always brings tension to the surface. This tension, however, must not be seen as destructive. There is a kind of tension that is both healthy and necessary for growth. Society needs nonviolent gadflies to bring its tensions into the open and force its citizens to confront the ugliness of their prejudices and the tragedy of their racism. It is important for the liberal to see that the oppressed person who agitates for his rights is not the creator of tension. He merely brings out the hidden tension that is already alive.

The crust [of the earth] is very thin. Estimates of its thickness range from a minimum of about twenty to a maximum of about forty miles. The crust is made of comparatively rigid, crystalline rock, but it is fractured in many places, and does not have great strength. Immediately under the crust is a layer that is thought to be extremely weak, because it is, presumably, too hot to crystallize. Moreover, it is thought that pressure at that depth renders the rock extremely plastic, so that it will yield easily to pressures. The rock at that depth is supposed to have high viscosity; that is, it is fluid but very stiff, as tar may be. It is known that a viscous material will yield easily to a comparatively slight pressure exerted over a long period of time, even though it may act as a solid when subjected to a sudden pressure, such as an earthquake wave. If a gentle push is exerted horizontally on the earth's crust, to shove it in a given direction, and if the push is maintained steadily for a long time, it is highly probable that the crust willl be displaced over this plastic and viscous lower layer. The crust, in this case, will move as a single unit, the whole crust at the same time. This idea has nothing whatever to do with the much discussed theory of drifting continents, according to which the continents drifted separately, in different directions. [...] Let us visualize briefly the consequences of a displacement of the whole crustal shell of the earth. First, there will be the changes in latitude. Places on the earth's surface will change their distances from the equator. Some will be shifted nearer the equator, and others farther away. Points on opposite sides of the earth will move in opposite directions. For example, if New York should be moved 2,000 miles south, the Indian Ocean, diametrically opposite, would have to be shifted 2,000 miles north. [...] Naturally, climatic changes will be more or less proportionate to changes in latitude, and, because areas on opposite sides of the globe will be moving in opposite directions, some areas will be getting colder while others get hotter; some will be undergoing radical changes of climate, some mild changes of climate, and some no changes at all. Along with the climatic changes, there will be many other consequences of a displacement of the crust. Because of the slight flattening of the earth, there will be stretching and compressional effects to crack and fold the crust, possibly contributing to the formation of mountain ranges. there will be changes in sea level, and many other consequences.

It appears that during the early years of the solar system Venus was only slightly warmer than Earth and probably had oceans. But those few degrees of extra warmth meant that Venus could not hold on to its surface water, with disastrous consequences for its climate. As its water evaporated, the hydrogen atoms escaped into space, and the oxygen atoms combined with carbon to form a dense atmosphere of the greenhouse gas CO2. Venus became stifling. Although people of my age will recall a time when astronomers hoped that Venus might harbor life beneath its padded clouds, possibly even a kind of tropical verdure, we now know that it is much too fierce an environment for any kind of life that we can reasonably conceive of. Its surface temperature is a roasting 470 degrees centigrade (roughly 900 degrees Fahrenheit), which is hot enough to melt lead, and the atmospheric pressure at the surface is ninety times that of Earth, or more than any human body could withstand. We lack the technology to make suits or even spaceships that would allow us to visit. Our knowledge of Venus’s surface is based on distant radar imagery and some startled squawks from an unmanned Soviet probe that was dropped hopefully into the clouds in 1972 and functioned for barely an hour before permanently shutting down.

When he finally pulled his mouth from hers an eternity later, their breaths were coming in mingled gasps. Feeling almost bereft, Elizabeth surfaced slightly from the sensual Eden where he had sent her, and forced her heavy eyelids to open so that she could look at him. Stretched out beside her on the sofa, he was leaning over her, his tanned face hard and dark with passion, his amber eyes smoldering. Lifting his hand, he tenderly brushed a golden lock of hair off her cheek, and he tried to smile, but his breathing was as ragged as hers. Unaware of the effort he was making to keep their passion under control, Elizabeth let her gaze drop to his finely chiseled mouth, and she watched him draw an unsteady breath. “Don’t,” he warned her in a husky, tender voice, “look at my mouth unless you want it on yours again.” Too naïve to know how to hide her feelings, Elizabeth lifted her green eyes to his, and her longing for his kiss was in their soft depths. Ian drew a steadying breath, and yielded to temptation again, gently telling her how to show him what she wanted. “Put your hand around my neck,” he whispered tenderly. Her long fingers lifted to his nape, and he lowered his mouth to hers, so close their breaths mingled. Understanding finally dawned, and Elizabeth put firmer pressure on his nape. And even though she was braced for it, the shock of his parted lips on hers again was wild, indescribable sweetness. This time it was Elizabeth who touched her tongue to his lips, and when she felt him shudder, instinct told her she was doing something right. I told him the same thing, and he jerked his mouth from hers. “Don’t do this, Elizabeth,” he warned. In answer, she tightened her hand at his nape and at the same time turned into his arms. His mouth came down hard on hers, but instead of struggling, her body arched against him and she drew his tongue into her mouth. Against her breasts, she felt his heart slam into his ribs, and he began kissing her with unleashed passion, his tongue tangling with hers, then plunging and slowly retreating in some wildly exciting, forbidden rhythm that made the blood roar in Elizabeth’s ears. His hand slid up her side to her breast, covering it possessively, and Elizabeth jumped in shocked protest. “Don’t,” he whispered against her lips. “God, don’t. Not yet…” Stunned into stillness by the harsh need in his voice, Elizabeth gazed up into his face as he lifted his head, his eyes moving restlessly over the bodice of her dress. Despite his protest, his hand was still, and in her befuddled senses, she finally realized he was honoring his promise to stop whenever she asked him to stop. Helpless to stop or encourage him, she looked at the masculine fingers, still and tanned against her white shirt, then she dragged her eyes to his. Heat was beating behind them, and with a silent moan, Elizabeth curled her hand behind his head and turned into his body.

The doctor gave him a look of sympathy. “We won’t have a choice. If left untreated, both mother and child could die. The only cure for eclampsia is delivery of the baby. We’re doing tests to determine the lung maturity of the baby. At thirty-four weeks’ gestation, the child has a very good chance of survival without complications.” Ryan dug a hand into his hair and closed his eyes. He’d done this to her. She should have been cherished and pampered during her entire pregnancy. She should have been waited on hand and foot. Instead she’d been forced to work a physically demanding job under unimaginable stress. And once he’d brought her back, she’d been subjected to scorn and hostility and endless emotional distress. Was it any wonder she wanted to wash her hands of him and his family? “Will…will Kelly be all right? Will she recover from this?” He didn’t realize he held his breath until his chest began to burn. He let it out slowly and forced himself to relax his hands. “She’s gravely ill. Her blood pressure is extremely high. She could seize again or suffer a stroke. Neither is good for her or the baby. We’re doing everything we can to bring her blood pressure down and we’re monitoring the baby for signs of stress. We’re prepared to take the baby if the condition of either mother or child deteriorates. It’s important she remain calm and not be stressed in any way. Even if we’re able to bring down her blood pressure and put off the delivery until closer to her due date, she’ll be on strict bed rest for the remainder of her pregnancy.” “I understand,” Ryan said quietly. “Can I see her now?” “You can go in but she must remain calm. Don’t do or say anything to upset her.” Ryan nodded and turned to walk the few steps to Kelly’s room. He paused at the door, afraid to go in. What if his mere presence upset her? His hand rested on the handle and he leaned forward, pressing his forehead to the surface. He closed his eyes as grief and regret—so much regret—swamped him.

Broaching is a precise machining process in metalworking domain which uses a toothed tool called broach to cut materials into a predetermined shape. Broaching works best for odd shapes where precision machining is needed and hence finds wide application in a number of industry in India and worldwide. Broach resembles a saw to certain extent but unlike a saw, its teeth become larger in size across its length. A broach gives shapes by roughing or removing the material, semi finishing and then by imparting the ultimate finishing. Round or odd shapes, for both internal and external surfaces, can be conveniently formed by broaching. This multi edge tool can shape any metal or metallic alloy but works best on softer materials like plastic, wood, bronze, aluminum, etc. Resharpening of the tool The broach that imparts shape to many work pieces can work properly only when the size and shape of its teeth are perfect. With time and usage, the teeth tend to lose its sharpness and become blunt. Using a dull broach may lead to permanent damage of its teeth. To enhance the broach life and minimize the tooling expense, it needs to be re-sharpened on time. When to opt for resharpening When broaching produce roughly shaped work pieces, it is definitely time for re-sharpening. However, with a little bit of watchfulness, one can even get it sharpened before it delivers poor finish or tearing. Some of the other conditions when this toothed tool will require re-sharpening are: • Excessive hydraulic press pressure required to run the broach • Nicks and scratches on the teeth making it dull • Broach starts drifting • Cutting edges show signs of wear • Chattering occurs while broaching Re-sharpening requires high precision. Removing excessive material from the teeth will adversely affect its longevity. Only proper sharpening will ensure time efficiency and high quality output. Teeth welding, grinding of gullets and teeth crest, reshaping teeth to proper taper are some of the methods used in re-sharpening. Broaching, once used for machining only internal keyways, is now used for machining a plethora of shapes and surfaces for high quantity of work pieces. Broaching requires less tools than most of the other machining process and saves considerable amount of output time and hence favoured for high volume production irrespective of its high cost. In India, broaching finds wide application in the automobile industry. Therefore, a large number of players are foraying into the broach manufacturing industry on a regular basis.

He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.

Liberal democracy and capitalism remain the essential, indeed the only, framework for the political and economic organization of modern societies. Rapid economic modernization is closing the gap between many former Third World countries and the industrialized North. With European integration and North American free trade, the web of economic ties within each region will thicken, and sharp cultural boundaries will become increasingly fuzzy. Implementation of the free trade regime of the Uruguay Round of the General Agreement on Tariffs and Trade (GATT) will further erode interregional boundaries. Increased global competition has forced companies across cultural boundaries to try to adopt “best-practice” techniques like lean manufacturing from whatever source they come from. The worldwide recession of the 1990s has put great pressure on Japanese and German companies to scale back their culturally distinctive and paternalistic labor policies in favor of a more purely liberal model. The modern communications revolution abets this convergence by facilitating economic globalization and by propagating the spread of ideas at enormous speed. But in our age, there can be substantial pressures for cultural differentiation even as the world homogenizes in other respects. Modern liberal political and economic institutions not only coexist with religion and other traditional elements of culture but many actually work better in conjunction with them. If many of the most important remaining social problems are essentially cultural in nature and if the chief differences among societies are not political, ideological, or even institutional but rather cultural, it stands to reason that societies will hang on to these areas of cultural distinctiveness and that the latter will become all the more salient and important in the years to come. Awareness of cultural difference will be abetted, paradoxically, by the same communications technology that has made the global village possible. There is a strong liberal faith that people around the world are basically similar under the surface and that greater communications will bring deeper understanding and cooperation. In many instances, unfortunately, that familiarity breeds contempt rather than sympathy. Something like this process has been going on between the United States and Asia in the past decade. Americans have come to realize that Japan is not simply a fellow capitalist democracy but has rather different ways of practicing both capitalism and democracy. One result, among others, is sthe emergence of the revisionist school among specialists on Japan, who are less sympathetic to Tokyo and argue for tougher trade policies. And Asians are made vividly aware through the media of crime, drugs, family breakdown, and other American social problems, and many have decided that the United States is not such an attractive model after all. Lee Kwan Yew, former prime minister of Singapore, has emerged as a spokesman for a kind of Asian revisionism on the United States, which argues that liberal democracy is not an appropriate political model for the Confucian societies.10 The very convergence of major institutions makes peoples all the more intent on preserving those elements of distinctiveness they continue to possess.

What is true of physics at its best may pertain as well to papers about physics. It is only on the surface, suggests Gerald Holton, that Einstein's papers of 1905 appear disparate. Three epochal papers, written but eight weeks apart, seem to occupy entirely different fields of physics: an interpretation of light as composed of quanta of energy; an explanation of Brownian motion that supports the notion of the atomic nature of matter; and the introduction of the "principle of relativity," which reconfigured our understanding of physical space and time. However, Holton idicates that all three papers arise from the same general problem-fluctuations in the pressure of radiation. Holton also notes a striking parallel in the style of the papers. Einstein begins each with a statement of a formal asymmetry, eliminates redundancy, and leads to one or more empirical predictions.

It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet. As we traveled downstream in the boat, he spotted a large carpet python on an overhanging limb. We filmed as Steve held on to the python’s tree limb, keeping the boat steady. He talked about the snake, and how it might have been in that tree to hunt fruit bats. Suddenly the tree lamb snapped, and both the branch and snake crashed down into the boat. Everyone reacted, startled. I had been standing up, and I fell backward into the river. Splashing to the surface would only catch a crocodile’s attention, so I let myself sink and then gradually drift up to the surface again. As my head broke the surface, I could see the boat had drifted off. I can remember looking up from the murky water and seeing the spotlight get smaller and smaller. Don’t panic, I told myself, knowing we were right in front of a baited croc trap. I was trying to tread water without making any splashing or “hurt animal”--type movements that would attract a crocodile. I could feel my heart pounding. It was hard to breathe. I was absolutely fighting the panic. Steve and the film crew were wrangling branch and snake. The boat motor had quit. Steve frantically attempted to start it. I could hear him swearing in the darkness. The crew member holding the spotlight divided his attention between making sure I was okay and helping Steve see what he was doing. The boat continued to drift farther and farther down the river. Just be as motionless as possible, I told myself. I had my teeth clenched in anticipation of feeling a croc’s immense jaw pressure close around my leg. Suddenly I heard the engine roar back to life. Steve swung the boat around and gunned it. As soon as he got to me, he dragged me back in. I felt a little sick. I lay there for a moment, but the drama was not over. Our cameraman was deathly afraid of snakes, and the carpet python was still in the bottom of the boat. Steve scooped it up. The snake decided it didn’t appreciate the whole ordeal. It swung around and proceeded to grab Steve repeatedly on the forearm, bite after bite after bite. Looking back at the footage now, the whole ordeal seems a bit amusing. “Ah! Ah! Ah!” a male voice yells. You think it might be Steve, as he is the one being bitten, but actually it was John Stainton. He cries out in sympathy each time the python sinks its teeth into Steve’s arm. It sounds as though Steve himself is being terribly injured, when in fact the little tiny pinpricks form the carpet python’s hundreds of teeth were only minor wounds. Although the teeth go deep into the flesh and it bleeds quite readily, there was no permanent scarring, no venom, and no infection. “Are you okay, babe?” Steve asked. I told him I was. Shaken, but in one piece. Steve was okay, the python was okay, and even the cameraman seemed to have recovered. We returned the snake to its tree. “We might as well go back to camp,” Steve said, mock-sternly. “Thanks to you, we probably won’t catch that croc tonight. You probably scared the living daylights out of him, landing in the water like that.

For me, the flow of information was an apt metaphor. As surfing became my obsession at a young age, my innovation had been to remap my tactile sense into the water around me. Sitting on my surfboard, bobbing up and down between the swells, I could feel the pressure, shape, and temperature of the water’s surface around me through my skin. The thousands of neurons attached to each hair follicle could sense even tiny subsurface eddies and water currents. After nearly twenty years of dedicated practice, my brain had neuroplastically reformatted to devote a large part of itself to my water-sense, and I now had the most highly attuned tactile array of any pssi-kid, or for that matter anyone else in the world. Sitting with my eyes closed, I could feel the water moving and undulating around me as a perfectly natural and integral part of my body. I was one with the water, and it was one with me.

Like the pear tree, our whole body is sonified. Hearing is not only an aural sensation. In my ear canals bundles floats enclosed in a few drops of ocean water. Rooted in a cell surface, each bundle turns flickers of high and low pressure into nerve signals. The bundles translate fibrillating fluid into electric charge, thence to the brain. Cranium is a dish and a drum, mouth is a wet horn, throat and spine are passageways from the lower body. Torso is pumpkin, half seedy gut, half hollow lung gourd…hearing is modulated by tongue taste, emotion, foot soles, hairs on a skin. What we perceive is the conclusion of our body conversing within a purring, stridulating world.

An infection or inflammation of the larynx is known as laryngitis (lar-in-JI .-tis). It commonly affects the vibrational qualities of the vocal folds. Hoarseness is the most familiar result. Mild cases are temporary and seldom serious. However, bacterial or viral infections of the epiglottis can be very dangerous. The resulting swelling may close the glottis and cause suffocation. This condition, acute epiglottitis (ep-ih-glot-TI .-tis), can develop rapidly after a bacterial infection of the throat. Young children are most likely to be affected. The Trachea The trachea (TRA .-ke.-uh), or windpipe, is a tough, flexible tube with a diameter of about 2.5 cm (1 in.) and a length of about 11 cm (4.33 in.) (Figure 23–6). The trachea begins anterior to vertebra C6 in a ligamentous attachment to the cricoid cartilage. It ends in the mediastinum, at the level of vertebra T5, where it branches to form the right and left main bronchi. The epithelium of the trachea is continuous with that of the larynx. The mucosa of the trachea resembles that of the nasal cavity and nasopharynx (look back at Figure 23–2a). The submucosa (sub-mu.-KO .-suh), a thick layer of connective tissue, surrounds the mucosa. The submucosa contains tracheal glands whose mucous secretions reach the tracheal lumen through a number of short ducts. The trachea contains 15–20 tracheal cartilages that stiffen the tracheal walls and protect the airway (see Figure 23–6a). They also prevent it from collapsing or overexpanding as pressure changes in the respiratory system. Each tracheal cartilage is C-shaped. The closed portion of the C protects the anterior and lateral surfaces of the trachea. The open portion of the C faces posteriorly, toward the esophagus (see Figure 23–6b). Because these cartilages are not continuous, the posterior tracheal wall can easily distort when you swallow, allowing large masses of food to pass through the esophagus. An elastic anular ligament and the trachealis, a band of smooth muscle, connect the ends of each tracheal cartilage (see Figure 23–6b). Contraction of the trachealis reduces the diameter of the trachea. This narrowing increases the tube’s resistance to airflow. The normal diameter of the trachea changes from moment to moment, primarily under the control of the sympathetic division of the ANS. Sympathetic stimulation increases the diameter of the trachea and makes it easier to move large volumes of air along the respiratory passageways.

The art world will be hard hit. After harassment allegations surfaced against a publisher of the contemporary-art magazine Artforum, the Los Angeles Times published a gender tally of art museum directorships. Females hold 48 percent of them—not a promising start for a diversity crusader. There is a silver lining, however: Only three women run museums with annual budgets of more than $15 million, and they’re paid less than their male counterparts. It doesn’t matter if director salaries are commensurate with experience and credentials; sexism is assumed, and impossible to rebut. Two months before the explosion of #MeToo, New York mayor Bill de Blasio anticipated the coming pressures on museum management. The city’s culture funding would henceforth be contingent on the diversity of an arts organization’s employees and board members, he announced.

Air is the clear gas that surrounds the Earth. It is a mix of many other gases, dust particles, and water molecules. Most of air is nitrogen (78%), oxygen (21%), and other trace gases, including carbon dioxide and helium, which make up less than a tenth of 1%. We call the air around Earth the atmosphere. Gravity pulls the atmosphere toward the center of the Earth. (That’s why it doesn’t just fly off into space.) Atmospheric pressure is the force of the air pushing against objects. Atmospheric pressure is highest at the Earth’s surface because gravity is pulling all the air above it toward the center of the planet. (That’s a lot of air!) There is less and less air as you travel from the planet’s surface toward space. So there is less pressure! It’s like being in an ocean. When you float near the top of the ocean, there is only a small amount of water pushing down on you. When you swim at the bottom of the ocean, all the weight of the water between you and the ocean’s surface is pushing down on you. That is much heavier!

However, strong blows, inflicted in specific areas on the body, can cause a knockout. The most sensitive areas of the body include; lower jaw (l), lateral surface of the neck (carotid area - 2), upper abdomen (near the solar plexus - 3). ). A strong blow, set in the lower jaw, causes the shock of otoliths - the auditory debris in the vestibular apparatus of the ear; this leads to irritation of the vagus nerve and to changes in the cardiovascular system. A boxer who has received such a blow usually falls into a state of inertia for a short time. When the blow is applied to the side of the neck, the cervical sinus irritates. In response to this irritation, cardiac function decreases, blood pressure decreases, breathing becomes slower. With a blow to the upper abdomen (solar plexus), there is a reflex-inhibition of the heart. The main concern of each boxer in a fight should be to protect the most sensitive areas of the body.

Like the original concept, the stormrider had rectangular blades, sixteen of them radiating out from the hub, each one a flat lattice of struts twenty-five kilometers long, made from the toughest steelsilicon fibers the Commonwealth knew how to manufacture. Twenty-three kilometers of them were covered by an ultra-thin silvered foil, giving a total surface area of over one thousand eight hundred square kilometers for the solar wind to impact on. Even in an ordinary solar system environment that would have produced a considerable torque. In the Half Way system the stormrider was positioned at the Lagrange point between the red star and its neutron companion, right in the middle of the plasma current, where the ion density was orders of magnitude thicker than any normal solar wind. The power the stormrider produced when it was in the thick of the flow was enough to operate the wormhole generator. But it couldn’t simply sit at the Lagrange point producing electricity continuously; that would have been too much like perpetual motion. As the waves of plasma pushed against it, they exerted an unremitting pressure on the blades that blew the stormrider away from the Lagrange point out toward the neutron star. So for five hours the two sets of blades would turn in opposite directions, generating electricity for the Port Evergreen wormhole that was delivered via a zero-width wormhole. The stormrider also stored some of the power, so that at the end of the five hours when it was out of alignment, it had enough of a reserve to fire its onboard thrusters, moving itself even farther out of the main plasma stream where the pressure was reduced. From there it chased a simple fifteen-hour loop back around through open space to the Lagrange point, where the cycle would begin again.

Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask. “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals, and--” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all--” She broke off and frowned. “Why are you laughing at me?” Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m…I’m not laughing at you.” “You are!” “No I’m not. It’s just…” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels…” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.” That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking. “What is so amusing about fornicating squirrels?” Beatrix asked irritably. By this time he had gone into near apoplexy. “No more,” he gasped. “Please.” “I gather it’s not the same for people,” Beatrix said with great dignity, inwardly mortified. “They don’t go about it the same way that animals do?” Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. “Yes. No. That is, they do, but…” “But you don’t prefer it that way?” Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. “I do. I’m quite enthusiastic about it, actually. But it’s not right for your first time.” “Why not?” Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, “Shall I show you?” Beatrix was transfixed. Taking her stillness as assent, he pressed her back and moved over her slowly. He touched her with care, arranging her limbs, spreading them to receive him. A gasp escaped her as she felt his hips settle on hers. He was aroused, a thick pressure fitting against her intimately. Bracing some of his weight on his arms, he looked down into her reddening face. “This way,” he said, with the slightest nudge, “…is usually more pleasing to the lady.” The gentle movement sent a jolt of pleasure through her. Beatrix couldn’t speak, her senses filled with him, her hips catching a helpless arch. She looked up at the powerful surface of his chest, covered with a tantalizing fleece of bronze-gold hair. Christopher lowered further, his mouth hovering just over hers. “Front to front…I could kiss you the entire time. And the shape of you would cushion me so sweetly…like this…” His lips took hers and coaxed them open, wringing heat and delight from her yielding flesh. Beatrix shivered, her arms lifting around his neck. She felt him all along her body, his warmth and weight anchoring her.

Fractal descriptions found immediate application in a series of problems connected to the properties of surfaces in contact with one another. The contact between tire treads and concrete is such a problem. So is contact in machine joints, or electrical contact. Contacts between surfaces have properties quite independent of the materials involved. They are properties that turn out to depend on the fractal quality of the bumps upon bumps upon bumps. One simple but powerful consequence of the fractal geometry of surfaces is that surfaces in contact do not touch everywhere. The bumpiness at all scales prevents that. Even in rock under enormous pressure, at some sufficiently small scale it becomes clear that gaps remain, allowing fluid to flow. To Scholz, it is the Humpty-Dumpty effect. It is why two pieces of a broken teacup can never be rejoined, even though they appear to fit together at some gross scale. At a smaller scale, irregular bumps are failing to coincide.

Adam: Of course, the pressure Adam was feeling was not just related to the math test. The roots of his anxiety went much deeper. Still, the physical symptoms of anxiety became so debilitating that he eventually quit going to school altogether. Naturally, his parents were extremely concerned but also uncertain what to do. It took almost a year before Adam was sufficiently in control of his symptoms to return to school. Clearly, he was working to avoid the pain of any kind of interaction, because he was so afraid of rejection or humiliation. His social anxiety became so extreme that he feared the symptoms as much as the stressor itself; in fact, his fear of interaction developed into a full-blown phobia. Adam’s anxiety profile obviously featured all the physical symptoms on the list (especially shortness of breath, accelerated heartbeat, dizziness, and depersonalization). They surfaced almost daily and were extremely incapacitating, affecting him to a high degree whenever he was actually in the situation that caused them. Of course, when Adam avoided these situations, their frequency and severity diminished, but their degree of interactive interference increased until it was at level 5. The symptoms were so bad that they were preventing him from interacting, all the way to the point of incapacity. Obsessive thought patterns were a contributing factor as well: “Am I good enough?” “Will they like me?” Adam even had these recurring thoughts when he was alone in his room, looking out on the street at the neighborhood kids playing below.

Salmon's crew was extremely lucky to be alive. A very heavy depth charging had dished in the pressure hull, knocked one engine off the base plate, severely damaged all radio and radar equipment, and caused major structural damage throughout the ship. Exhausted and forced to the surface by three escort vessels, she took them on with the deck gun, picking her way in and out of rain squalls. At the peak of the gunfight, a box of galley stores was inadvertently passed topside as ammunition. Dick claimed that on a close pass by one of the escorts, the gun crew threw potatoes at the enemy, using oranges for tracers. I doubt this. We never had oranges that late in the patrol.

Making a frustrated noise, Ryan tapped James’s neck, another silent order to look at him, and James did. Ryan said, “You know I hate that Arthur is pressuring you into this—it’s none of his business when and who you marry—but you sure as hell don’t need my approval, either. You shouldn’t give a shit about it as long as you want her. Arthur ’s opinion doesn’t matter, but neither does mine, you tosser.” “Of course your opinion matters,” James said with a laugh. “It would be awkward if you hate her, because you’ll be around all the time.” He hated how the last part of the sentence sounded more like a question. Ryan, who knew him better than anyone, didn’t miss it, of course. Ryan’s eyes narrowed. Shit. Sloppy. He was getting sloppy. “Jamie—” “Here you two are!” a familiar voice interrupted whatever Ryan was going to say. Partly relieved, partly annoyed by the interruption— intrusion, his inner voice couldn’t help but whisper—James turned to Ryan’s girlfriend. Ryan let go of his neck. Hannah was smiling as she took the seat on the other side of Ryan. She really was a lovely girl: blond, pale and pretty serene—not the type Ryan usually went for. “Hey, babe,” she said, leaning in to kiss the corner of Ryan’s mouth. “Miss me?” “I dropped you off half an hour ago,” Ryan said, but he was pulling her close to kiss her properly. It was a public place, but that never stopped Ryan. James wrapped his hands around his cup of tea and stared down at the dark surface of the liquid.

A star is a body that is massive enough for the gravitational comptession at its centre to produce a temperature great enough for nuclear reactions to occur spontaneously. When this ignition temperature is achieved, nuclear reactions in the central region will produce an energy outflow that is eventually radiated away from its surface in the form of heat and light. The star is kept in equilibrium by the balance between its internal pressure and gravity. This is a stable balance because if the gravitational force were made slightly greater then the star's centre would be squeezed a little more, so producing faster nuclear reactions and hence a corresponding extra pressure pushing outwards. Thus a balance is quickly restored.

I asked Mom about our early years, about what it was like to have three small children and be so busy with work. I tried to empathize with the pressure she must have felt in juggling family and career, but to no avail. Mom said, “I didn’t neglect my children!” She couldn’t even imagine that there was any issue that could have affected her children. In another conversation, I pointed out that there were no close relationships between the siblings. Some of us barely speak. We avoid each other, and when there is contact, the hostility is so close to the surface that it flares up at the slightest provocation. She denied every example. She only felt criticized and incredulous that I would make things up. In her mind, the family was fine in the past and is still fine. The next day she avoided me. After that, when I indicated that we were not finished, she smiled her dismissal, kissed me, and said that we should look forward to good things in the future. Slam. End of story.

Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.

Reverse brands create a kind of tilt in the surface—of progress, of evolution, of expectation. They draw us down a divergent path by applying pressure in exactly the place where we least anticipate it.

Now known as Bernoulli’s principle, the idea can be extended beyond liquids to gases. You can see it in action every time you fly in an airplane. Look carefully at the wing and you will see its upper surface is curved and its lower one is flat. This shape forces the air flowing below the wing to move more slowly than the air above it, so that the upward pressure on the wing exceeds the downward pressure and the plane feels an upward “lift.

Pressure Washing Pros of Myrtle Beach is the company for you when it comes to power washing. We use only environmentally friendly products and offer services that will satisfy your needs, no matter what they are! From house siding cleaning to deck or patio cleaning, our service includes hard surface roof cleaning as well so be sure not to miss out on this opportunity today! When it comes time for a power wash job at home there's one obvious choice: Pressure Washing Pros of Myrtle Beach.

I peep through her ocean telescope and look up through the atmospheres. All this modern underwater architecture, lit up with bioluminescence. Condos, aqua resorts, plazas, lighted vac tubes connecting them all. Like a twenty-first century skyline flipped upside down and dropped into the ocean. Refuse drones designed to look like yeti crabs claw out of septic cubes and scurry to the surface, flexing their mechanical limbs. Everything is hydropowered, motion-powered, geo-powered. Sewage, heated and pressurized into biodiesel. Holographic ads circle their gilded prey, telling people they can somehow live forever while looking like a million bucks. The underwater city is always on, data-scavenging all our habits and using the info to create a more efficient place. An underwater panoramic, lubricated by the grease of America.

GB-3 This vital point is located near the lower aspects of the temple area of skull, along the Zygomatic Arch, and is directly forward of the ear. It is bilateral, meaning it is found on both sides of the head, which is unlike any of the centerline points that only occur once. It is not directly associated with any of the Extraordinary Vessels, but is an Intersection Point for the Gall Bladder Meridian, Triple Warmer Meridian, and the Stomach Meridian. This makes it valuable to martial artists, since Intersection Points provide the ability to disrupt multiple meridians with a single strike. It makes attacking them economic from a time and motion standpoint. In a standard defense of being grabbed at the waist, with your arms free, slapping the ears forcefully will allow activation of this point with the meaty part of your hand. It is one of several points in this region of the skull and other would likely be activated while striking it given their proximity and size of the surface you are striking with. EYES If you asked a non-martial artist what are vital points on the human body, most of them would include the eyes. This is just basic common sense, as the eyes allow us to see our environment and determine any possible threats. If you happen to be struck in the eye it would inhibit your ability to effectively defend yourself. This is as true today as it was at the time that the author(s) were putting together what became the Bubishi. Though the eyes are not pressure point per se, these organs are extremely sensitive to attack. Flicking, poking, or thrusting into the eyes directly will greatly inhibit your opponent’s ability to see you in a combative situation. In fact, many of the old school Western hand-to-hand instructors of the World War II area were adamant in attacking the eyes. Likewise, it is common place in many martial arts systems, especially the ones that are truly combative and not sport oriented. Quick flicks of the wrist, with the fingertips striking the eyes, is a method that most opponents aren’t expecting. Thrusting your fingers into the eyes, either all or singularly, is another effective technique. More extreme is thrusting one finger into the inner corner of the opponent’s eye and then jerking forward and to the outside. This technique will dislodge the eye from its socket and should only be used in extreme circumstances. Defending against eye attacks is built into each of us, as we instinctually know their importance. If you recognize an eye attack from your opponent, dropping, raising and/or turning the head will many times save you from eye injury.

Yin/Yang is used to describe the various qualities of paired items in relation to one another and that nothing in nature can exist without its counterpart.3 This is expressed in the following examples. Without day there can be no night, without right there can be no left, without hard there can be no soft, without East there can be no West, without expansion there can be no contraction, without rest there can be no activity. This list can go on forever. Just take a minute and think of the numerous like comparisons that you can make on your own. The complementary opposite characteristics of Yin/Yang should quickly become apparent. This comparison is even extended to like items, which means that there is no absolute in the concept. Take daytime for example. It is associated with Yang. The counterpart of daytime is nighttime, which is associated with Yin. As the sun moves through the sky during the course of the day it produces shadows. The shadows are associated with Yin, which is in comparison with areas that are receiving full sunshine. The shadows are the Yin within the Yang of the day. At night the moon will sometimes cast light on to the surface of the Earth. That occurrence is considered as Yang, which is in comparison to dark, shadowy areas. It is the Yang within the Yin of night. As the sun and moon move through the sky the positions of the corresponding light and shadow areas will merge and alternate. This represents the cyclic qualities of Yin/Yang. All events in nature, including the interactions of the human body, are cyclic and contain a complementary opposite according in Eastern thought.4 Yin/Yang, at the most basic level, is a simple comparison. Taoist philosophy does not separate cause from effect. In their view, everything is in a constant state of metamorphosis. Day is not caused by night, but simple precedes it. Winter is not caused by summer, but the two are linked in the cycle of the seasons.

The Governing Vessel is the sea of the yang channels.” Su When The Governing Vessel is the Yang aspect of the “Human Battery.” It starts at the intersection of CV-1 and runs posteriorly to Governing Vessel 1 (GV-1) at the tip of the coccyx bone at the end of the spine. From GV-1 the Governing Vessel ascends the centerline of the body running over the spine to GV-15, which is the point that the head and the spine connect. From GV-15 the Governing Vessel follows the centerline of the head up and over onto the face. It then descends down the centerline of the face until it connects with Conception Vessel at GV-28. Given the yang characteristics of the Governing Vessel it is harder and more resilient to strikes than the softer Conception Vessel. Consider how the body is designed according to Traditional Chinese Medicine and Western Science. The Yang surfaces of the body are the natural shock absorbers of the body. Let us say that someone is going to strike you with a whip. Will you just stand there and take the strike across the front of your body? I doubt it. Your natural defenses will cause you to turn your back to the strike. The strike would fall on the Yang surfaces of the body. Thus allowing you to protect the more vulnerable yin surfaces. This description illustrates the difference between a Yang surface and a Yin surface. The Yang surfaces of the body can take more physical abuse than the Yin surfaces. This should be a major clue to the martial artist. The fact that the body is designed to protect the Yin over the Yang illustrates that attacks to Yin are more traumatic to the body.

GV-3 Chinese Point name: Yao Yang Guan;6 English translation: “Yang Pass;” Location: Just below the fourth lumbar vertebra on the centerline of the body; Western Anatomy: The posterior branch of the lumbar artery and the medial branch of the posterior ramus of the lumbar nerve are both present; Comments: Martial attacks to this point, and the majority of the Governing Vessel points on the back, are limited to situations when you are at your opponents back. Strikes to these areas will have to be forceful given the protective nature of the Yang surface of the back. If an opponent is prone on their stomach, after they have been dropped by another technique, then utilize heel stomps to the Governing Vessel to disable them. The hard stomping action will not only shock the energy core of the body, but might also cause structural damage to the spine.

HT-1 This point is difficult to access, as it is well protected by the structure of the human body. HT-1is a bilateral Vital Point that is located in the armpit at the junction of the inner arm with the torso. It is associated with the Heart Meridian and is the point that the internal aspects of that meridian leaves the inner torso and emerges close to the surface of the skin. It does not have a direct connection to any Extraordinary Vessels, but is highly sensitive to attack. Traditional Chinese Medicine state that this is a no-needle point in many related textbooks. On the surface, this point would appear to be a difficult one to access during an altercation, but it is accessible. HT-1 becomes easily accessible if the opponent’s arm is raised, which occurs in the short instances that they are throwing a punch. A quick finger thrust or one-knuckle fist strike can easily activate it, but it requires a fair amount of precision to land. Combat science teaches us that precision generally diminishes during an altercation, but I add the above variant for those that would be willing to put in the training time for achieve such a strike. Just remember that the likelihood of landing such a technique during an actual altercation is remote, even with copious amounts of practice. A more realistic attack to HT-1 is when you have used your opponent’s arm to take them to the ground. Once established, as a generally rule of thumb, it is advised that if you have established control over an opponent’s arm that you should maintain that control until you deliver a blow that ends the fight. So, with that in mind, one of my favorite attacks to HT-1 after driving an opponent to ground while having established and maintained arm control, that you jerk the arm towards yourself as you throw a kick into this Vital Point. The type of kick will be dependent on the positioning of your opponent. If he is bladed on the ground (laying on one side with the arm you control in the air) a hard side kick or stomp works well. If the opponent starts turning, or squaring his shoulders towards you as he hits the ground in an attempt to regain his feet, then a forceful forward, or straight kick, can work. I would suggest working with a training partner to determine the various configurations that a downed opponent would react when you maintain control of one of their arms. Notice that I did not advise that you kick your training partner in HT-1, which is ill advised since it theoretically can cause disruptions to the heart and according to Traditional Chinese Medicine theory even death. Again, this technique is not for demonstration or sport-oriented martial arts, but mature and thoughtful training practice can provide a wealth of knowledge on how best to attack a Vital Point, even if it is not actually struck.

You know you’re living in the future when you can board a hundred-ton pressurized aluminum tube with wings, fly smoothly in a cushioned chair at 500 miles per hour, 31,000 feet above Earth’s surface, and while crossing the continent, get served a pasta dinner and a mixed drink by someone whose job, in part, is to make you comfortable. And for most of the trip you surf the internet, watch any one of a hundred movies, only to land safely and smoothly a few hours later and complain that the marinara sauce was not to your liking.

As I watch [the world],’ wrote Nan Shepherd in 1945, ‘it arches its back, and each layer of landscape bristles.’ It is a brilliant observation about observation. Shepherd knew that ‘landscape’ is not something to be viewed and appraised from a distance, as if it were a panel in a frieze or a canvas in a frame. It is not the passive object of our gaze, but rather a volatile participant – a fellow subject which arches and bristles at us, bristles into us. Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum.* I prefer to think of the word as a noun containing a hidden verb: landscape scapes, it is dynamic and commotion causing, it sculpts and shapes us not only over the courses of our lives but also instant by instant, incident by incident. I prefer to take ‘landscape’ as a collective term for the temperature and pressure of the air, the fall of light and its rebounds, the textures and surfaces of rock, soil and building, the sounds (cricket screech, bird cry, wind through trees), the scents (pine resin, hot stone, crushed thyme) and the uncountable other transitory phenomena and atmospheres that together comprise the bristling presence of a particular place at a particular moment.

Hitec Welding, founded in 1995, is a privately owned and operated Australian company providing design, engineering, manufacture, pressure testing, non-destructive testing, surface treatment, site installation and commissioning of high-pressure piping, vessels and structural steelwork. Our services also include electrical design, engineering, installation, programming, FAT/IFAT of instrumentation, RTU, VSD, pumps, generators etc.

Bodies that drown in deep water may never surface.

to Aoife, this was just another rock. Her home, yes, but if there was a weight on this place, she was accustomed to it and did not feel it, like how the strange fish in the ocean’s depths could not feel the pressure and weight of the sea. She heard tell from fishermen that these deep-sea fish would explode before they reached the pressure-free shallows near the surface. Aoife wondered if there really was a heaviness to Inis Aer. If she ever left for good, would she suffer a fate similar to the fish?

Plunkett gave Pitt a dry look. "Even death would be a treat if I didn't have to hear that blasted tune again." "You don't care for 'Minnie the Mermaid'?" Pitt asked in mock surprise. "After hearing the chorus for the twentieth time, no." "With the telephone housing smashed, our only contact with the surface is the acoustic radio transmitter. Not nearly enough range for conversation, but it's all we've got. I can offer you Strauss waltzes or the big band sounds of the forties, but they wouldn't be appropriate." "I don't think much of your musical inventory," Plunkett grunted. Then he looked at Pitt. "What's wrong with Strauss?" "Instrumental," Pitt answered. "Distorted violin music can sound like whales or several other aquatic mammals through water. Minnie is a vocal. If anyone on the surface is listening, they'll know someone down here is still sucking air. No matter how garbled, there's no mistaking good old human babble." "For all the good that will do," said Plunkett. "If a rescue mission is launched, there's no way we can transfer from this vehicle to a submersible without a pressure lock. A commodity totally lacking on your otherwise remarkable tractor. If I may speak realistically, I fail to see anything in the near future but our inevitable demise." "I wish you wouldn't use the word 'demise.

Respectability requires a form of restrained, emotionally neutral politeness that is completely at odds with any concept of normal human emotions. The emotional labor required to be respectable, to never ruffle anyone’s feathers, to not get angry enough to challenge much less confront those who might have harmed you, is incredibly onerous precisely because it is so dehumanizing. Respectability requires not just a stiff upper lip, but a burying of yourself inside your own flesh in order to be able to maintain the necessary facade. It requires erasing your memory of how it felt to be hungry, cold, scared, and so on until all that is left is a placid surface to mask the raging maelstrom underneath. We talk about stress and illness, but the stress of respectability is unparalleled. You muffle yourself over and over, until the screaming is in your veins, in your high blood pressure and lower life expectancy. And then as you look around, you realize that you didn’t even get the respect, the validation, or the comfort that you thought was waiting on the other side. You’ve pulled away from the messy, loud, emotional spaces that represent the less respectable side of you and your culture, but at what cost?

An Ode to The Occupants of The Titan Sub In the depths where everything is dark, Nothing exists and one tends to lose every mark, Of the reality that lies above, And the memories of the ones you love, Appear to float by like voluptuous sirens, And you think of the benevolent Titans, Then as the pressure mounts you hear a creaking sound, Slowly building up inside the hollow chamber where now only fear does abound, Then as your heart races and it does frantically pound, You feel you are to an unknown and impending doom bound, And you summon all your Gods in the form of your fears, And you gauge the ferocity of all the snares, Building from above, bottom, left and right, It is then you hold your equally fearful companion’s hand tight, And you remember all that you loved and those you still love, But they are far up and above, and you are here in the abyss now, Where darkness spreads endlessly and the creaking sound becomes louder, And all of a sudden you feel you are hit by a titanic sized aqueous boulder, Everything implodes, but only your heart and your memories explode, As they surface on the horizon of perception and your loved ones rush to the abode, Of the Gods where castles of prayers are erected, Prayers rising from the heart that gods have not defected, There they rush, and implore, But the Titans become quieter and they think Gods too ignore, The cries of the lamenting and remorseful heart, But little do they know praying is not an art, It is a feeling sublime and serene that arises from within, And when expressed with sincerity in the universe its resonance does deepen, And then Gods respond with care, And they always say, “darling, there is nothing to fear.” This sounds assuaging for many reasons, known and unknown, And your kin and kith experience the familiarity in these consolations offered by the unknown, And to the five departed adventurers of the deep sea, I hope in their Heavenward journey, now they shall new wonders see, And be the part of a greater adventure, That I call the God’s enterprising venture, As for the wonder of the abyss, There shall always be someone who for its thrill would miss, Anything and everything else, Because if he/she doesn't, then he/she will be someone else, That is why they dare to take on the Gods of the dark and deep, Because human passion is something that into the soul does seep, And unless tasted and confronted, this adventurer residing within the soul does not let him/her to sleep, So let me wish the 5 adventurers all the best on their new journey, Where there is no need for submersibles for in that world one attains natural buoyancy, and this too is one hell of a journey! As for those woe struck loved ones still residing in the realm of gravity, I hope they find assuaging moments in their thoughtful proclivity, Where they notice the universe flowing through their departed and loved one, Because every adventure is an expression of belief in love for someone, That someone who does not fear the abyss, That someone who dares to be the one, and never miss, The adventures that await him/her in those unknown realms, Where even the Titans sometimes bear signs of qualms, There let us go and seek the knowledge that awaits to reveal itself, Only if the adventurer believes in himself/herself, And I think that is where all 5 adventurers can always be found, In the realm of the Titans where knowledge does abound, where knowledge does abound!

. . . psychological distress is often associated with rashes, hives, psoriasis, acne, impotence, coughing, as well as diarrhea, constipation, stomach pain, and low and high blood pressure. Gastrointestinal symptoms are so common in mental illnesses that some doctors call the intestines a 'second brain.' Stress can also lead to non-epileptic seizures, tremor, visual impairment, back pain, and gait abnormalities. In fact, the majority of people in the United States and the UK with common mental illnesses, such as anxiety disorder and depression, do not present with psychological complaints. They go to their primary care physicians who attempt to treat bodily symptoms and likely never find out if the patient is anxious or depressed unless the patient describes his problems as at least partially psychological. All symptoms, including psychological ones, have a biological component, even if they originate from environmental stressors; and, conversely, many biological phenomena have a psychological component. We need only think about something as simple as blushing, which most people will agree is caused by an uncomfortable social interaction, or sometimes just the fantasy about such an interaction. Embarrassment triggers a reaction in which chemicals and hormones come into play to dilate our veins, bring blood to the surface of the skin, and cool the body. Our heart rate increases too. Moreover, scientists have repeatedly demonstrated that psychiatric conditions, and stressors in general, are a significant risk factor for a variety of different medical illnesses.

Another marvel: some one has me fast Within his ample palm; 'tis not a grasp Such as they use on earth, but all around Over the surface of my subtle being, As though I were a sphere, and capable To be accosted thus, a uniform And gentle pressure tells me I am not Self-moving, but borne forward on my way. And hark! I hear a singing; yet in sooth I cannot of that music rightly say Whether I hear, or touch, or taste the tones. Oh, what a heart-subduing melody!

Too soon the cab was drawing up outside her parents' house. She paid the driver and let herself in quietly with her own key. Before stepping into the sitting room, she stood in the hallway for a moment like a diver slowly surfacing, carefully acclimatizing herself to a different atmospheric pressure.

Wanting to check off every box on her list, Hudson took control. Gentle at first, building from a slow burn to surface-of-the-sun. They moved together, faster and more frantic, their momentum catching fire. Desperate for leverage, he leaned her back against the table, and they quickly became a sweaty tangle of arms and legs. Touching, sliding, exploring. He knew when it happened, when she forgot about tallies and checkmarks and gave herself over to the possibilities. Gave herself over to him. Her hands slid up and down his spine, her eyes shining up as she started to tighten around him. The air burned his lungs, so he gave up on breathing. His chest felt too big for his skin, his knees began to buckle, and he wanted to run away and come home all at the same time. Her legs pulled him down until there wasn't even a breath between them. She buried her face into the curve of his shoulder, holding him as though he was one of the good ones. For the first time in his life, he was determined to be that guy--- to erase any hesitation she'd had about them. "I'm almost there," she moaned, clenching and drawing him all the way in, which drove him right over the edge. The pressure built, hotter and higher, and he fought to keep himself in check, but her thighs tightened around his waist until he thought he'd pass out and then, hallelujah, she began to shake. She pushed up as he came down, sinking so deep he knew he never wanted to leave.

The most visible feature of self-oriented perfectionism is this hypercompetitive streak fused to a sense of never being good enough. Hypercompetitiveness reflects a paradox because people high in self-oriented perfectionism can recoil from competition due to fear of failure and fear of losing other people's approval. Socially-prescribed perfectionism makes for a hugely pressured life, spent at the whim of everyone else's opinions, trying desperately to be somebody else, somebody perfect. Perfectionism lurks beneath the surface of mental distress. Someone who scores high on perfectionism also scores high on anxiety. The ill-effects of self-oriented perfectionism correlate with anxiety and it predicts increases in depression over time. There are links between other-oriented perfectionism and higher vindictiveness, a grandiose desire for admiration and hostility toward others, as well as lower altruism, compliance with social norms and trust. People with high levels of socially-prescribed perfectionism typically report elevated loneliness, worry about the future, need for approval, poor-quality relationships, rumination and brooding, fears of revealing imperfections to others, self-harm, worse physical health, lower life satisfaction and chronically low self-esteem. Perfectionism makes people extremely insecure, self-conscious and vulnerable to even the smallest hassles. Perfection is man's ultimate illusion. It simply doesn't exist in the universe. If you are a perfectionist, you are guaranteed to be a loser in whatever you do. Socially-prescribed perfectionism has an astonishingly strong link with burnout. What I don't have - or how perfectionism grows in the soil of our manufactured discontent. No matter what the advertisement says, you will go on with your imperfect existence whether you make that purchase or not. And that existence is - can only ever be - enough. Make a promise to be kind to yourself, taking ownership of your imperfections, recognizing your shared humanity and understanding that no matter how hard your culture works to teach you otherwise, no one is perfect and everyone has an imperfect life. Socially-prescribed perfectionism is the emblem of consumer culture. Research shows that roaming outside, especially in new places, contributes to enhanced well-being. Other benefits of getting out there in nature include improved attention, lower stress, better mood, reduced risk of psychiatric disorders and even upticks in empathy and cooperation. Perfection is not necessary to live an active and fulfilling life.

(20) About “Crushing” （一、ひしぐと云事） To “crush” is to see your opponent as weak and yourself as strong and smashing him to bits. In large-scale strategy, irrespective of their number, the enemy will show their vulnerability if they hesitate or are disoriented. At this point, crush the enemy from the top down. Overwhelm them with a burst of energy as if to push them back and obliterate them. If the crushing blows are insufficient, the enemy may recover. Crush them as if they were in the palm of your hand. Study this well. In the case of individual combat, if your adversary is not skilled or he backs off because his rhythm is disrupted, he must be crushed immediately and given no chance to breathe or look you in the eye. It is crucial that he is not afforded the slightest opportunity to get back on his feet. Learn this well. (21) About “The Mountain-Sea Alternation” （一、さんかいのかわりと云事） The mind of “mountain-sea”14 means that it is perilous to execute the same move three times in a fight. It may be unavoidable to employ a tactic twice but never do it three times. If an attack is unsuccessful, keep applying pressure and try again. If it still has no effect, quickly adapt and change your approach. If your next move doesn’t work, then try another. The mindset underlying this is when the enemy is thinking of “mountain,” attack him as the “sea.” If he is thinking “sea,” take him down as the “mountain.” This is the Way of strategy. Study it exhaustively. (22) About “Knocking the Bottom Out” （一、そこをぬくと云事） What I call “knocking the bottom out” is as follows. You may feel you have succeeded through application of the principles of the Way in battle when, in fact, in his heart the enemy has not yet yielded. On the surface that he is defeated but deep down his spirit is still very much in the fight. When this occurs, replenish your mind and raze the enemy’s spirit by ripping it apart so that he is defeated beyond doubt. Take care to confirm this. “Knocking the bottom out” [of his fighting spirit] can be accomplished by the use of a sword, with the body or with your mind. There is not only one way to achieve this. Once the stuffing has been knocked out of the enemy, there is no need to keep fixed on him. If this is not the case, continue to maintain vigilance. It is difficult to destroy an enemy who still harbors a residual spirit to fight.

These are places close to the surface, such as the temporoparietal junction and dorsolateral prefrontal cortex, in which meditation produces increases in brain tissue. As it grows, pushing against the skull to produce increased folding, you, too, may feel this pressure. THE SELFING CONTROL NETWORK In Chapter 2, we learned about “selfing,” the tendency of the DMN to focus on the self, with its bias to suffering and negativity. The brain also has a Selfing Control Network that suppresses this activity. Once we’ve learned to tame our emotions and focus our attention, we abandon our petty self-absorption and surrender into ecstatic states. When the Selfing Control Network is engaged, our obsession with selfing diminishes as we are drawn into unity consciousness with nonlocal mind.

The surface of love was a feeling, but beyond this thin layer, there was a fathomless, winding maze of caverns offering many places to see and explore. Wren used to think romantic passion only grew more intense in the depths. But this belief was naive and impractical, a by-product of a certainty-obsessed culture that equates love with longing and views ambivalence as a fatal flaw. Wren saw now how passion was delicate and temporary, a visitor, a feeling that would come and go. Feelings fled under pressure; feelings did not light the darkness. What remained strong in the deep, the hard times, was love as an effort, a doing, a conscious act of will. Soulmates, like her and Lewis, were not theoretical and found. They were tangible, built.

The lightly regulated system lasted for many years, but eventually abuses began to surface. The municipal bond market was the first to suffer from the effects. In 1975, after the SEC brought several cases against municipal bond firms for excessive mark-ups, misrepresentations, high-pressure sales techniques, and churning customer accounts, the industry set up the Municipal Securities Rule Making Board (MSRB) as a solution through self-regulation. The municipal bond market was finally under rules, albeit rules they made for themselves.