Supposed To Be Together Quotes

He didn't think much of fates and prophecies, but he did believe in one thing: Annabeth and he were supposed to be together.

The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black in America and you fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable. It’s true. I speak from experience.

Hey, which one of them is supposed to be your boyfriend?” Stark asked me. Even in the terrible shape he was in, he caught my glance with his. His voice was scratchy, and he sounded scarily weak, but his eyes sparkled with humor. I am!” Heath and Erik said together.

At least he had Annabeth. They would find a way out of Tartarus. They had to. He didn't think much of fates and prophecies, but he did believe in one thing: Annabeth and he were supposed to be together. They hadn't survived so much just to get killed now.

Maybe that's it, [...] [w]ith what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." [...] "Maybe [...] what we're supposed to do is come together. That's how we stop the breaking.

Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?

Nothing in this world happens without a reason. That we are all exactly where we are supposed to be, and that the pieces of the puzzle have a tendency to come together when you least expect it.

Kitty's always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The short story is, we grew up together. But that's more Josh's and my story. High school sweet-hearts? That's Peter and Gen's story. So what's ours, then? I suppose I'll say it all started with a love letter.

Well, it was a million tiny little things that, when you added them all up, they meant we were supposed to be together... and I knew it. I knew it the very first time I touched her. It was like coming home... only to no home I'd ever known... I was just taking her hand to help her out of a car and I knew. It was like... magic. - Sleepless in Seattle

Honey, I've watched a lot of 90210. The parents weren't even on the show once Brandon and Brenda went to college. This is your time - you're supposed to going to frat parties and getting back together with Dylan." "Why does everybody want me to go to frat parties?" "Who wants you to go to frat parties? I was just kidding. Don't hang out with frat guys, Cath, they're terrible. All they do is get drunk and watch 90210.

Maybe we were together in another life...in a parallel universe, maybe our paths are not supposed to cross twice, maybe your arms are not supposed to go around me. I hear about you now & then, I wonder where you are & how you feel. Sometimes I walk by & I look up to your balcony, just to make sure you were real-just to make sure that I can still feel you...it appears to me that Destiny Rules...

Yeah, and so Max and Dylan are supposed to, like, go to Germany and have kids together," I heard Gazzy say. My eyes popped open and I bolted upright. "What?" Fang said, his voice icy. "Gazzy!" I yelled. Wide blue eyes looked at me in surprise, then back at Fang's stoic face. "Oh. Was I not supposed to say anything?" Gazzy asked.

I'm not supposed to live without you. And you're not supposed to live without me. We're in this life together. Without each other, we're not really living.

This planet is a broken bone that didn’t set right, a hundred pieces of crystal glued together. We’ve been shattered and reconstructed, told to make an effort every single day to pretend we still function the way we’re supposed to. But it’s a lie, it’s all a lie.

One might have supposed that the true act of love was to lie together and talk.

Summer and Winter were supposed to be enemies. We were not supposed to cooperate, we were not supposed to go on quests together and, most important, we were not supposed to fall in love.

You're to be my wife." Catching up to her in two strides, I reached out to grab her arm, but stopped short of touching her. "That means you'll obey me." "Does it?" She raised her brows, still grinning. " I suppose that means you'll honor and protect me, then? If we're adhering to the dusty old roles of your patriarchy?" I shortened my pace to match hers. "Yes." She clapped her hands together. "Excellent. At least this will be entertaining. I have many enemies.

Around us the night creatures have their say. We are surrounded by a symphony of crickets and frogs. Neither of us feels the need to speak, and I suppose that is one of the qualities I find comforting in Kartik. We can be alone together.

Even though we were never supposed to be together…I can’t be with anyone else, no matter the consequences.

Man and wife were supposed to stay together because they'd made their vows in front of God and family.

I will give you this, my love, and I will not bargain or barter any longer. I will love you, as sure as He has loved me. I will discover what I can discover and though you remain a mystery, save God's own knowledge, what I disclose of you I will keep in the warmest chamber of my heart, the very chamber where God has stowed Himself in me. And I will do this to my death, and to death it may bring me. I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding you love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.

He loved me. He really loved me. And I loved him. In spite of everything that should have kept us apart - our castes, our mistakes, the world around us - we were supposed to be together.

It's the child who's supposed to cry, and the mom who makes it all better, not the other way around, which is why mothers will move heaven and earth to hold it together in front of their own kids.

I’m not sure if sex is supposed to make you feel like you’ve just lost a part of yourself to the person inside you, but that’s exactly what it felt like. It felt as if the second we joined together, a tiny piece of our souls got confused and a piece of his fell into me and a piece of mine fell into him. It was by far the single most intense moment I’ve ever shared with another person.

My wandering has led me to the beginning of our journey together. I suppose it's only fitting for me to be here at that journey's end.

I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?

Everyone is supposed to be a combination of nature and nurture, their true selves shaped by years of friends and fights and parents and dreams and things you did too young and things you overheard that you shouldn’t have and secrets you kept or couldn’t and regrets and victories and quiet prides, all the packed-together detritus that becomes what you call your life.

You are Jean Moreau. Your place is here with me, with us. I’m your captain. You’re my partner. We’re supposed to be doing this together, aren’t we? Stop leaving me behind. Look at me.

That's impossible," I replied. Diane Monroe and Ryan Bauer had been together for four years. They were supposed to get married, have 2.4 kids, and have a 50 percent chance of living happily ever after.

That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion. You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world. You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue. That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.

Ella, when are you going to realize that you two belong together? Everyone who lays eyes on you can see it and is envious of it because that kind of love isn't supposed to exist." "What kind of love are you talking about?" "The kind of love that owns you. The kind where you know the other person inside and out. Where you can go through hell and back and still make it out ok.

Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.

We were supposed to grow old together, Dolores. Have kids. Take walks under old trees. I wanted to watch the lines etch themselves into your flesh and know when each and every one of them appeared. Die together.

Well, here goes," said Harry, and he raised the little bottle and took a carefully measured gulp. "What does it feel like?" whispered Hermione. Harry did not answer for a moment. Then, slowly but surely, an exhilarating sense of infinite opportunity stole through him; he felt as though he could have done anything, anything at all...and getting the memory from Slughorn seemed suddenly not only possible, but positively easy.... He got to his feet, smiling, brimming with confidence. "Excellent," he said. "Really excellent. Right...I'm going down to Hagrid's." "What?" said Ron and Hermione together, looking aghast. "No, Harry - you've got to go and see Slughorn, remember?" said Hermione. "No," said Harry confidently. "I'm going to Hagrid's, I've got a good feeling about going to Hagrid's." "You've got a good feeling about burying a giant spider?" asked Ron, looking stunned. "Yeah," said Harry, pulling his Invisibility Cloak out of his bag. "I feel like it's the place to be tonight, you know what I mean?" "No," said Ron and Hermione together, both looking positively alarmed now. "This is Felix Felicis, I suppose?" said Hermione anxiously, holding up the bottle to the light. "You haven't got another little bottle full - I don't know -" "Essence of Insanity?" suggested Ron, as Harry swung his cloak over his shoulders.

The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures--solitude, books and imagination--outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.

For me, marriage should be about partnership. How can you love someone you have to take care of like a child all the time? A wife is supposed to be a partner, and yes partners help each other when they need it, but they are supposed to be together because they want to in my book, not because one needs the other.

Well, Daddy, I used to believe that artists went crazy in the process of creating the beautiful works of art that kept society sane. Nowadays, though, artists make intentionally ugly art that’s only supposed to reflect society rather than inspire it. So I guess we’re all loony together now, loony rats in the shithouse of commercialism.

It was the same Dimitri from long ago, the fierce one who was willing to risk his life for what was right. I almost wished he'd go back to being annoying, distant Dimitri, the one who told me to stay away. Seeing him now brought back too many memories -not to mention the attraction I thought I'd smashed. Now, with that passion all over him, he seemed sexier than ever. He'd worn that same intensity when we'd fought together. Even when we'd had sex. This was the way Dimitri was supposed to be: powerful and in charge.

Start by pulling him out of the fire and hoping that he will forget the smell. He was supposed to be an angel but they took him from that light and turned him into something hungry, something that forgets what his hands are for when they aren’t shaking. He will lose so much, and you will watch it all happen because you had him first, and you would let the world break its own neck if it means keeping him. Start by wiping the blood off of his chin and pretending to understand. Repeat to yourself “I won’t leave you, I won’t leave you” until you fall asleep and dream of the place where nothing is red. When is a monster not a monster? Oh, when you love it. Oh, when you used to sing it to sleep. Here are your upturned hands. Give them to him and watch how he prays like he is learning his first words. Start by pulling him out of another fire, and putting him back together with the pieces you find on the floor. There is so much to forgive, but you do not know how to forget. When is a monster not a monster? Oh, when you are the reason it has become so mangled. Here is your humble offering, obliterated and broken in the mouth of this abandoned church. He has come back to stop the world from turning itself inside out, and you love him, you do, so you won’t let him. Tell him that you will never know any better.

One of the major problems encountered in time travel is not that of becoming your own father or mother. There is no problem in becoming your own father or mother that a broad-minded and well-adjusted family can't cope with. There is no problem with changing the course of history—the course of history does not change because it all fits together like a jigsaw. All the important changes have happened before the things they were supposed to change and it all sorts itself out in the end. The major problem is simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner's Time Traveler's Handbook of 1001 Tense Formations. It will tell you, for instance, how to describe something that was about to happen to you in the past before you avoided it by time-jumping forward two days in order to avoid it. The event will be descibed differently according to whether you are talking about it from the standpoint of your own natural time, from a time in the further future, or a time in the further past and is futher complicated by the possibility of conducting conversations while you are actually traveling from one time to another with the intention of becoming your own mother or father. Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later aditions of the book all pages beyond this point have been left blank to save on printing costs. The Hitchhiker's Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term "Future Perfect" has been abandoned since it was discovered not to be.

Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.

They were in love with him because he was a prince and a faerie and magical and you were supposed to love princes and faeries and magic people. They loved him the way they’d loved Beast the first time he swept Belle around the dance floor in her yellow dress. They loved him as they loved the Eleventh Doctor with his bow tie and his flippy hair and the Tenth Doctor with his mad laugh. They loved him as they loved lead singers of bands and actors in movies, loved him in such a way that their shared love brought them closer together.

Mike Hawk!” Bennett practically yelled at me, dropping his hand. His eyes were red from laughing. “How am I supposed to keep it together over that? That’s like meeting a fucking unicorn.

We're the ones who arent normal. People are supposed to be like that: obedient, calm, working together. It's us-who can't focus, who can't work together, who can't do the Feeder or Shipper jobs-we're the ones who aren't normal. We're the ones who have to take the mental meds just so we don't go loons.

Inej cleared her throat. “You do look a bit …” “Enchanting,” said Matthias. Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies. “You could be a maiden on the first day of Roennigsdjel.” “What is Roennigsdjel?” asked Kuwei. “Some festival,” replied Nina. “I can’t remember. But I’m pretty sure it involves eating a lot of elk. Let’s go, you big goon—and I’m supposed to be your sister, stop looking at me like that.” “Like what?” “Like I’m made of ice cream.” “I don’t care for ice cream.” “Matthias,” Nina said, “I’m not sure we can continue to spend time together.” But she couldn’t quite keep the satisfaction from her voice. Apparently she was going to have to stock up on ugly knitwear.

I don’t know how long i tis before we get cold again, and huddle under the blanket together. -It’s getting more difficult to be wise. – He says,laughing into my ear. I smile at him. – I think that’s how it’s supposed to be.

She was supposed to be putting her life together right now, and all she could seem to do was throw grenades at it.

It was the sibling thing, I suppose. I was fascinated by the intricate tangle of love and duty and resentment that tied them together. The glances they exchanged; the complicated balance of power established over decades; the games I would never play with rules I would never fully understand. And perhaps that was key: they were such a natural group that they made me feel remarkably singular by comparison. To watch them together was to know strongly, painfully, all that I'd been missing.

Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.

Spending time with you just feels...right,somehow. Easy, like the way it's supposed to be. Like it is with my parents. They're just comfortable together, and I remember growing up thinking that one day I wanted to have that, too.

If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past's fugitive movements of compassion rather than in its solid centuries of warfare.

We always look for the signs we missed when something goes wrong. We become like detectives trying to solve a murder, because maybe if we uncover the clues, it gives us some control. Sure, we can’t change what happened, but if we can string together enough clues, we can prove that whatever nightmare has befallen us, we could have stopped it, if only we had been smart enough. I suppose it’s better to believe in our own stupidity than it is to believe that all the clues in the world wouldn’t have changed a thing.

With what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." Nick says. "Maybe," Nick says, "what we're supposed to do is come together. That's how we stop the breaking.

Entirely in accordance with what education is supposed to be. Education is the sum of what students teach each other in between lectures and seminars. You sit in each other's rooms and drink coffee - I suppose it would be vodka and Red Bull now - you share enthusiasms, you talk a lot of wank about politics, religion, art and the cosmos and then you go to bed, alone or together according to taste. I mean, how else do you learn anything, how else do you take your mind for a walk?

I will tell you what we shall do: if ever you need to rescue Catherine, or you Berkley, Maximus, I will help you, and you will do as much for me. Then we do not need to worry, I do not suppose anyone could stop all three of us, at least not before we can escape

Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked. “No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?

Tikkun olam.” Exactly. Basically, it says that the world has been broken into pieces. All this chaos, all this discord. And our job - everyone’s job - is to try to put the pieces back together. To make things whole again.” And you believe that?” I guess I do. I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you feel we’re becoming more and more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.” Do you really think it’s getting worse? I mean, aren’t we better off than we were twenty years ago? Or a hundred?” We’re better off. But I don’t know if the world’s better off. I don’t know if the two are the same thing.” You’re right.” Excuse me?” I said, ‘You’re right.’” But nobody ever says, ‘You’re right.’ Just like that.” Really?” Really.” …Then it hits me. Maybe we’re the pieces,” What?” Maybe that’s it. With what you were talking about before. The world being broken. Maybe it isn’t that we’re supposed to find the pieces and put them back together. Maybe we’re the pieces. Maybe, what we’re supposed to do is come together. That’s how we stop the breaking.” Tikkun olam.

I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.

Kiss me,” she said urgently. Sam’s eyes flickered with mild surprise. “Right now?” “Yes.” “What kind of kiss?” “What do you mean, what kind of kiss? Just a regular kiss.” “A friendly kiss, or a romantic kiss? Are we supposed to be going out together, or—“ “Oh, for heaven’s sake,” she exclaimed, and pulled his head down to hers.

I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding your love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.

When we entered the first chamber of the dungeon, the stench made me recoil. It smelled like someone had mixed together kerosene, rotten fruit, stale blood, urine, and dog shit, then blown it up. How had I not noticed this before? I wasn't even breathing, but the rancid odor found its way into my nose anyway. "This place stink." "Did the guards forget to spray Febreze?" Vlad asked in mock indignation. Then he gave me a jaded look. "It s a dungeon, Leila. They re supposed to smell." Mission accomplished. The stench might have actually killed my new appetite. If Hell could fart, it would smell like this.

A little present from my run-in with a sword. Or should I say from when the sword had a run-in with me?” His eyes lit up. “Want to see the scar? It’s cool.” He started pulling his shirt out of his pants. “Janco,” Ari warned. “We’re not supposed to be fraternizing with the Sitians.” “But she’s not Sitian. Right, Yelena? You haven’t gone south on us, have you?” Janco’s voice held mock horror. “Because if you have I can’t give you your present.” I took my switchblade out, showing the inscription to Janco. “What about ‘Sieges weathered, fight together, friends forever’? Does that change if I become an official southerner?” Janco rubbed the hair on his chin, considering. “No,” Ari said. “You could change into a goat and it would still apply.

The fact that I wanted to be around Celia all the time, the fact that I cared about her enough that I valued her happiness over my own, the fact that I liked to think about that moment when she stood in front of me without her shirt on—now, you put those pieces together, and you say, one plus one equals I’m in love with a woman. But back then, at least for me, I didn’t have that equation. And if you don’t even realize that there's a formula to be working with, how the hell are you supposed to find the answer?

And right then it felt like I finally understood where everything was, eternity, the heart , the soul. It was like I was sharing every experience I'd ever had in my past 13 years. And then, the next moment, I became unbearably sad. I didn't know what to do with these feeling. Her warmth, her soul. How was I supposed to treat them? That, I did not know. Then right then, I clearly understood that we would never be together. Our lives not yet fully realized, the vast expanse of time. They lay before us and there was nothing we could do. But then, all my worries, all my doubt, started melting away. All that was left were Akari's soft lips on mine.

They slow dance when it rains. I have no idea why, but every time the sky turns gray, you’ll find them together.” I smiled. “I remember once Dad barged into the Women’s Room, which is completely improper. You’re supposed to be invited in. But it was raining, and he wasn’t going to wait to sweep her away. And one time he dipped her in the hallway, and she just laughed and laughed. She was still wearing her hair down then, and I’ll never forget how it looked like a waterfall of red. It’s like no matter what happens, they can find themselves again there.

Marriage is not easy, I thought to myself. It’s not supposed to be easy. It’s two different people, from two different backgrounds, trying to build a life together for better or worse. It’s something you have to work at every single day. There are going to be hard times and those are the times you are supposed to fight like hell.

I've even got one for you, too, Ellie." "Wow, thank you, Marcus." "The second one was supposed to be mine," he admitted with a shrug. "But since I don't want to look like a jackass, I'll give it to you. See what a nice guy I am?" I rolled my eyes at him. "God, Marcus, you're the sweetest guy ever." He grinned stupidly. "Actually, that's not true. I got it for you to begin with, because you two are attached at the hip and I figured you'd show up together. You're so predictable.

I supposed this was one reason why people got married, to make a fiction that was tellable. It wasn’t just movies that couldn’t contain the full cast of characters — it was us. We had to winnow life down so we knew where to put our tenderness and attention; and that was a good, sweet thing. But together or alone, we were still embedded in a kaleidoscope, ruthlessly varied and continuous, until the end of the end.

Then as to churches, they are good, I suppose, else wouldn't good men uphold' em. But they are not altogether necessary. They call 'em the temples of the Lord; but, Judith, the whole 'arth is a temple of the Lord to such as have the right mind. Neither forts nor churches make people happier of themselves. Moreover, all is contradiction in the settlements, while all is concord in the woods. Forts and churches almost always go together, and yet they're downright contradictions; churches being for peace, and forts for war. No, no--give me the strong places of the wilderness, which is the trees, and the churches, too, which are arbors raised by the hand of nature.

Kaz settled his hands over his cane, his back to the city. “We all want different things from this day. Freedom, redemption—” “Cold hard cash?” suggested Jesper. “Plenty of that. There are lots of people looking to stand in our way. Van Eck. The Merchant Council. Pekka Rollins and his goons, a few different countries, and most of this Saintsforsaken town.” “Is this supposed to be encouraging?” asked Nina. “They don’t know who we are. Not really. They don’t know what we’ve done, what we’ve managed together.” Kaz rapped his cane on the ground. “So let’s go show them they picked the wrong damn fight.

Faeries are fallen angels," said Dorothea, "cast down out of heaven for their pride." "That's the legend," Jace said. "It's also said that they're the offspring of demons and angels, which always seemed more likely to me. Good and evil, mixing together. Faeries are as beautiful as angels are supposed to be, but they have a lot of mischief and cruelty in them. And you'll notice most of them avoid midday sunlight—" "For the devil has no power," said Dorothea softly, as if she were reciting an old rhyme, "except in the dark.

Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam

I did everything. Everything I could possibly do," Zafira gasped out. "Why? Why wasn't it enough?" Lana pulled her to her chest, and somehow, the tears fell faster, harder. She was supposed to be the stronger one. The one to hold them together. "The world has no right sitting on your shoulders, yet you've given it more than you will ever owe," Lana whispered. "You've done for it what a sultan would require a throne, a crown, and a thousand men to accomplish.

What?" he asked. "I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection." His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions." "Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs.

What is that?” The question is inane. But, honestly, what the fuck am I supposed to do with this? Alex chuckles nervously. As is appropriate since I’m holding his dick and I’m clearly not sane. “I mean, I know what it is. Obviously. Do you have some kind of . . . disorder? Like elephantiasis of the penis or something?” I did not say that out loud. “It’s not that big.” His erection slides in my grip. I can’t stop staring. My thumb and middle finger must have a good inch or more before they can meet. I squeeze to see if it helps bring them closer together. It doesn’t. What it does is make Alex groan, and that, oh holy monster of cock, is one hot noise.

Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.

Malcolm Fade smiled. “Welcome, little Shadowhunters. Few of your kind ever see the inner chambers of Hypatia Vex.” “Is she welcome, I wonder?” asked Hypatia, with a catlike smile. “Let her approach.” Cordelia and Matthew advanced together, Cordelia moving cautiously around the rococo chairs and tables, gleaming with gilt and pearls. Close up, the pupils of Hypatia Vex’s eyes were the shape of stars: her warlock mark. “I cannot say I care for the idea of so many Nephilim infesting my salon. Are you interesting, Cordelia Carstairs?” Cordelia hesitated. “If you have to think about it,” said Hypatia, “then you’re not.” “That hardly makes sense,” said Cordelia. “Surely if you do not think, you cannot be interesting.” Hypatia blinked, creating the effect of stars turning off and on like lamps. Then she smiled. “I suppose you may stay a moment.

I’m every girl who’s ever run from a man with a weapon, every girl who ever ran for her life across spaces where she was supposed to be safe. I crash into the next studio and I’m Julia running through her dorm, I’m Heather running down her high school halls, I’m Marilyn running through the Texas afternoon, I’m Dani running through a hospital, I’m Adrienne running through this camp, this camp where there will always be a girl running and screaming and screaming, and I’m Lynnette, running at last, and he can’t catch me, I’m as fast as all of us put together, I’m faster than Billy Walker, I’m faster than the Ghost, I’m faster than the entire Volker family, I’m the fastest girl in the world.

Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?' I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book. The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.' I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.

And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.” She nodded. “So as much as I love my present, and as nice as it is to get a thank you, I don’t need either of ’em. Nothing’s too much to ask when it comes to brothers.

When trees grow together, nutrients and water can be optimally divided among them all so that each tree can grow into the best tree it can be. If you "help" individual trees by getting rid of their supposed competition, the remaining trees are bereft. They send messages out to their neighbors in vain, because nothing remains but stumps. Every tree now muddles along on its own, giving rise to great differences in productivity. Some individuals photosynthesize like mad until sugar positively bubbles along their trunk. As a result, they are fit and grow better, but they aren't particularly long-lived. This is because a tree can be only as strong as the forest that surrounds it. And there are now a lot of losers in the forest. Weaker members, who would once have been supported by the stronger ones, suddenly fall behind. Whether the reason for their decline is their location and lack of nutrients, a passing malaise, or genetic makeup, they now fall prey to insects and fungi. But isn't that how evolution works? you ask. The survival of the fittest? Their well-being depends on their community, and when the supposedly feeble trees disappear, the others lose as well. When that happens, the forest is no longer a single closed unit. Hot sun and swirling winds can now penetrate to the forest floor and disrupt the moist, cool climate. Even strong trees get sick a lot over the course of their lives. When this happens, they depend on their weaker neighbors for support. If they are no longer there, then all it takes is what would once have been a harmless insect attack to seal the fate even of giants.

In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961

You're cute when you're worried," she muttered. "Your eyebrows get all scrunched together." "You are not going to die while I owe you a favor," I said. "Why did you take that knife?" "You would've done the same for me." It was true. I guess we both knew it. Still, I felt like somebody was poking my heart with a cold metal rod. "How did you know?" "Know what?" I looked around to make sure we were alone. Then I leaned in close and whispered: "My Achilles spot. If you hadn't taken that knife, I would've died." She got a faraway look in her eyes. Her breath smelled like grapes, maybe from the nectar. "I don't know, Percy. I just had this feeling you were in danger. Where... where is the spot?" I wasn't supposed to tell anyone. But this was Annabeth. If I couldn't trust her, I couldn't trust anyone. "The small of my back." She lifted her hand. "Where? Here?" She put her hand on my spine, and my skin tingled. I moved her fingers to the one spot that grounded me to my mortal life. A thousand volts of electricity seemed to arc through my body. "You saved me." I said. "Thanks." She removed her hand, but I kept holding it. "So you owe me," she said weakly. "What else is new?

It has been a week since Ami died and this morning I woke suddenly hours before dawn, indeed the same hour as when my mother died. It was not a dream that woke me, but a thought. And with that thought I could swear I heard Ami's voice. But I am not frightened. I am joyous. Joyous with realization. For I cannot help but think what a lucky person I am. Imagine that in all the eons of time, in all the possible universes of which Dara speaks, of all the stars in the heavens, Ami and I came together for one brief and shining sliver of time. I stop. I think. Supposing in the grand infinity of this universe two particles of life, Ami and me, swirl endlessly like grains of sand in the oceans of the world -- how much of a chance is there for these two particles, these two grains of sand, to collide, to rest briefly together... at the same moment in time? That is what happened with Ami and me... this miracle of chance.

She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close." I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine." "This isn't going to work. It never would have." "Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us." "God Noah..." Her voice broke. "I'm a mess." A mess? "You 're beautiful." "I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability." "Not true. My brothers will love you and you 'll love them. You are not a liability." "But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?" Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open. "Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked. I forced my head straight and narrowed my eyes. "I love you." She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours." To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together." Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose." She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me. I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair. She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

You make concessions when you're married a long time that you don't believe you'll ever make when you're beginning. You say to yourself when you're young, oh, I wouldn't tolerate this or that or the other thing, you say love is the most important thing in the world and there's only one kind of love and it makes you feel different than you feel the rest of the time, like you're all lit up. But time goes by and you've slept together a thousand nights and smelled like spit-up when babies are sick and seen your body droop and get soft. And some nights you say to yourself, it's not enough, I won't put up with another minute. And then the next morning you wake up and the kitchen smells like coffee and the children have their hair all brushed and the birds are eating out of the feeder and you look at your husband and he's not the person you used to think he was but he's your life. The house and the children and so much more of what you do is built around him and your life, too, your history. If you take him out it's like cutting his face out of all the pictures, there's a big hole and it's ugly. It would ruin everything. It's more than love, it's more important than love... It's hard. And it's hard to understand unless you're in it. And it's hard for you to understand now because of where you are and what you're feeling. But I wanted to say it...because I won't be able to say it when I need to, when it's one of those nights and you're locking the front door because of foolishness about romance, about how things are supposed to be. You can be hard, and you can be judgmental, and with those two things alone you can make a mess of your life the likes of which you won't believe. It's so much easier...the being happy. It's so much easier, to learn to love what you have instead of yearning always for what you're missing, or what you imagine you're missing. It's so much more peaceful.

Oh,” Jace said carelessly, as if he hadn’t been waiting out here for the express purpose of seeing Simon off. He looked up, golden gaze casual, then looked away. “You.” Being too cool for school was Jace’s thing. Simon supposed he must have understood and been fond of it, once. “Hey, I figured I wasn’t going to get the chance to ask this again. You and me,” Simon said. “We’re pretty tight, aren’t we?” Jace looked at him for a moment, face very still, and then bounded to his feet and said: “Absolutely. We’re like this.” He crossed two of his fingers together. “Actually, we’re more like this.” He tried to cross them again. “We had a little bit of initial tension, as you may later recall, but that was all cleared up when you came to me and confessed that you were struggling with your feelings of intense jealousy over my—these were your words—stunning good looks and irresistible charm.” “Did I,” said Simon. Jace clapped him on the shoulder. “Yeah, buddy. I remember it clearly.” “Okay, whatever. The thing is … Alec’s always really quiet around me,” Simon said. “Is he just shy, or did I tick him off and I don’t remember it? I wouldn’t like to go away without trying to make things right.” Jace’s expression took on that peculiar stillness again. “I’m glad you asked me that,” he said finally. “There is something more going on. The girls didn’t want me to tell you, but the truth is—

It's just incredible. It just does not explain. Or perhaps that's it: they don't explain and we are not supposed to know. We have a few old mouth-to-mouth tales, we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable - Yes, Judith, Bon, Henry, Sutpen: all of them. They are there, yet something is missing; they are like a chemical formula exhumed along with the letters from that forgotten chest, carefully, the paper old and faded and falling to pieces, the writing faded, almost indecipherable, yet meaningful, familiar in shape and sense, the name and presence of volatile and sentient forces; you bring them together in the proportions called for, but nothing happens; you re-read, tedious and intent, poring, making sure that you have forgotten nothing, made no miscalculation; you bring them together again and again nothing happens: just the words, the symbols, the shapes themselves, shadowy inscrutable and serene, against that turgid background of a horrible and bloody mischancing of human affairs.

Suppose [a person] had a basket full of apples and, being worried that some of the apples were rotten, wanted to take out the rotten ones to prevent the rot spreading. How would he proceed? Would he not begin by tipping the whole lot out of the basket? And would not the next step be to cast his eye over each apple in turn, and pick up and put back in the basket only those he saw to be sound, leaving the others? In just the same way, those who have never philosophized correctly have various opinions in their minds which they have begun to store up since childhood, and which they therefore have reason to believe may in many cases be false. They then attempt to separate the false beliefs from the others, so as to prevent their contaminating the rest and making the whole lot uncertain. Now the best way they can accomplish this is to reject all their beliefs together in one go, as if they were all uncertain and false. They can then go over each belief in turn and re-adopt only those which they recognize to be true and indubitable.

I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. Its a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning. ¨I didnt mean to hurt you.¨ He grabs my hand,possibly to keep me from hitting him again. Our fingers lace together. ¨No, it not that, not exactly. I didnt think I could hurt you. And i never thought you would be afraid of me.¨ ¨And did you like it?¨"I ask. He looks away from me then, and I have my answer. Maybe he doesnt want to admit to that impulse, but he has it. ¨Well, I was hurt, and yes, you scare me.¨ Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. ¨You´ve always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the court of shadows. I was afraid of you when i had a knife to your throat. And i am scared of you now.¨ Cardan looks more suprised then he did when I slapped him. He was always a symbol of everything about Elfhame that I couldnt have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armor, and without it, I am afraid I am going to be entirely exposed. But i keep talking anyway, as though I no longer have control of my tongue. ¨You despised me. When you said you wanted me, it felt like the world has turned upside down. Page 160-161

The bond between husband and wife is a strong one. Suppose the man had hunted her out and brought her back. The memory of her acts would still be there, and inevitably, sooner or later, it would be cause for rancor. When there are crises, incidents, a woman should try to overlook them, for better or for worse, and make the bond into something durable. The wounds will remain, with the woman and with the man, when there are crises such as I have described. It is very foolish for a woman to let a little dalliance upset her so much that she shows her resentment openly. He has his adventures--but if he has fond memories of their early days together, his and hers, she may be sure that she matters. A commotion means the end of everything. She should be quiet and generous, and when something comes up that quite properly arouses her resentment she should make it known by delicate hints. The man will feel guilty and with tactful guidance he will mend his ways. Too much lenience can make a woman seem charmingly docile and trusting, but it can also make her seem somewhat wanting in substance. We have had instances enough of boats abandoned to the winds and waves. It may be difficult when someone you are especially fond of, someone beautiful and charming, has been guilty of an indiscretion, but magnanimity produces wonders. They may not always work, but generosity and reasonableness and patience do on the whole seem best.

The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black and fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable.

...she wanted him to feel like she did, like he'd done something forbidden, wanted to give him something he'd like and really wasn't supposed to have, something that would feel wrong, something he wanted. "Kiss me again," she whispered, reaching up, her fingers sliding through his hair. She almost didn't know herself as she moved against him. He bent helplessly toward her. She bit her tongue. Bit it hard, the pain chasing through her nerve endings and alchemizing into something close to pleasure. When her mouth opened under his, it was flooded with welling blood. He groaned at the taste of it, red eyes going wide with surprise and something like fear. His hand gripped her arms as he pushed her body back against the brick of the wall, holding her in place. He'd been careful before, but he wasn't being careful now as he licked her mouth; and it amazed her as much as it terrified her. He kissed her ferociously, savagely, their lips sliding together with bruising fervor. The pain in her tongue became a distant throbbing. Her fingers dug into the muscles of his back, their bodies pressed so close that he must have felt every hitch in her breath, every shuddering beat or her heart. And as scared of him as she had been, right then she was more frightened of herself. Gavriel reeled back from her, lips ruddy. He wiped his mouth against the back of his hand, her blood smearing over his skin. Gazing at her for a long moment with something like horror, as though he was seeing her for the first time, he spoke. "You are more dangerous than daybreak.

We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.

I just think of people," she continued, "whether they seem right where they are and fit into the picture. I don't mind if they don't do anything. I don't see why they should; in fact it always astonishes me when anybody does anything." "You don't want to do anything?" "I want to sleep." -Gloria Gilbert "Once upon a time all the men of mind and genius in the world became of one belief--that is to say, of no belief. But it wearied them to think that within a few years after their death many cults and systems and prognostications would be ascribed to them which they had never meditated nor intended. So they said to one another: "'Let's join together and make a great book that will last forever to mock the credulity of man. Let's persuade our more erotic poets to write about the delights of the flesh, and induce some of our robust journalists to contribute stories of famous amours. We'll include all the most preposterous old wives' tales now current. We'll choose the keenest satirist alive to compile a deity from all the deities worshipped by mankind, a deity who will be more magnificent than any of them, and yet so weakly human that he'll become a byword for laughter the world over--and we'll ascribe to him all sorts of jokes and vanities and rages, in which he'll be supposed to indulge for his own diversion, so that the people will read our book and ponder it, and there'll be no more nonsense in the world. "'Finally, let us take care that the book possesses all the virtues of style, so that it may last forever as a witness to our profound scepticism and our universal irony.' "So the men did, and they died. "But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible." -Maury Noble

So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’ “Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.” He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes. He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’ ‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’ Oh, Jesus Christ. He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’ ‘Nothing,’ I said quickly. ‘I didn’t say anything.’ ‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’ ‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’ ‘I think you were trying to tell me I was special.’ ‘Icy,’ I said. ‘I meant you were icy.’ I could practically taste his glee. I was floundering, and he was relishing it. ‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.

To the extent that propaganda is based on current news, it cannot permit time for thought or reflection. A man caught up in the news must remain on the surface of the event; he is carried along in the current, and can at no time take a respite to judge and appreciate; he can never stop to reflect. There is never any awareness -- of himself, of his condition, of his society -- for the man who lives by current events. Such a man never stops to investigate any one point, any more than he will tie together a series of news events. We already have mentioned man's inability to consider several facts or events simultaneously and to make a synthesis of them in order to face or to oppose them. One thought drives away another; old facts are chased by new ones. Under these conditions there can be no thought. And, in fact, modern man does not think about current problems; he feels them. He reacts, but be does not understand them any more than he takes responsibility for them. He is even less capable of spotting any inconsistency between successive facts; man's capacity to forget is unlimited. This is one of the most important and useful points for the propagandist, who can always be sure that a particular propaganda theme, statement, or event will be forgotten within a few weeks. Moreover, there is a spontaneous defensive reaction in the individual against an excess of information and -- to the extent that he clings (unconsciously) to the unity of his own person -- against inconsistencies. The best defense here is to forget the preceding event. In so doing, man denies his own continuity; to the same extent that he lives on the surface of events and makes today's events his life by obliterating yesterday's news, he refuses to see the contradictions in his own life and condemns himself to a life of successive moments, discontinuous and fragmented. This situation makes the "current-events man" a ready target for propaganda. Indeed, such a man is highly sensitive to the influence of present-day currents; lacking landmarks, he follows all currents. He is unstable because he runs after what happened today; he relates to the event, and therefore cannot resist any impulse coming from that event. Because he is immersed in current affairs, this man has a psychological weakness that puts him at the mercy of the propagandist. No confrontation ever occurs between the event and the truth; no relationship ever exists between the event and the person. Real information never concerns such a person. What could be more striking, more distressing, more decisive than the splitting of the atom, apart from the bomb itself? And yet this great development is kept in the background, behind the fleeting and spectacular result of some catastrophe or sports event because that is the superficial news the average man wants. Propaganda addresses itself to that man; like him, it can relate only to the most superficial aspect of a spectacular event, which alone can interest man and lead him to make a certain decision or adopt a certain attitude. But here we must make an important qualification. The news event may be a real fact, existing objectively, or it may be only an item of information, the dissemination of a supposed fact. What makes it news is its dissemination, not its objective reality.

As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.

Her partner now drew near, and said, "That gentleman would have put me out of patience, had he stayed with you half a minute longer. He has no business to withdraw the attention of my partner from me. We have entered into a contract of mutual agreeableness for the space of an evening, and all our agreeableness belongs solely to each other for that time. Nobody can fasten themselves on the notice of one, without injuring the rights of the other. I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principal duties of both; and those men who do not choose to dance or marry themselves, have no business with the partners or wives of their neighbours." But they are such very different things!" -- That you think they cannot be compared together." To be sure not. People that marry can never part, but must go and keep house together. People that dance only stand opposite each other in a long room for half an hour." And such is your definition of matrimony and dancing. Taken in that light certainly, their resemblance is not striking; but I think I could place them in such a view. You will allow, that in both, man has the advantage of choice, woman only the power of refusal; that in both, it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty, each to endeavour to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbours, or fancying that they should have been better off with anyone else. You will allow all this?" Yes, to be sure, as you state it, all this sounds very well; but still they are so very different. I cannot look upon them at all in the same light, nor think the same duties belong to them." In one respect, there certainly is a difference. In marriage, the man is supposed to provide for the support of the woman, the woman to make the home agreeable to the man; he is to purvey, and she is to smile. But in dancing, their duties are exactly changed; the agreeableness, the compliance are expected from him, while she furnishes the fan and the lavender water. That, I suppose, was the difference of duties which struck you, as rendering the conditions incapable of comparison." No, indeed, I never thought of that." Then I am quite at a loss. One thing, however, I must observe. This disposition on your side is rather alarming. You totally disallow any similarity in the obligations; and may I not thence infer that your notions of the duties of the dancing state are not so strict as your partner might wish? Have I not reason to fear that if the gentleman who spoke to you just now were to return, or if any other gentleman were to address you, there would be nothing to restrain you from conversing with him as long as you chose?" Mr. Thorpe is such a very particular friend of my brother's, that if he talks to me, I must talk to him again; but there are hardly three young men in the room besides him that I have any acquaintance with." And is that to be my only security? Alas, alas!" Nay, I am sure you cannot have a better; for if I do not know anybody, it is impossible for me to talk to them; and, besides, I do not want to talk to anybody." Now you have given me a security worth having; and I shall proceed with courage.