Superannuation Day Quotes

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

like some of these blatant tropical flowers. He had been in the house for six weeks, and had not as yet attempted to slap him on the back, or address him as "old boy," or try to make him feel a superannuated fossil. He had nothing of the exasperating young man's chatter. He was good-tempered, had not much to say for himself, was not clever by any means, thank goodness—wrote my friend. It appeared, however, that Jim was clever enough to be quietly appreciative of his wit, while, on the other hand, he amused him by his naiveness. "The dew is yet on him, and since I had the bright idea of giving him a room in the house and having him at meals I feel less withered myself. The other day he took it into his head to cross the room with no other purpose but to open a door for me; and I felt more in touch with mankind than I had been for years. Ridiculous, isn't it? Of course I guess there is something—some awful

Betrayed and abandoned, cut adrift or superannuated, coerced or manipulated, speeded up, cheated, living in the shadows—this is a recipe for acquiescence. Yet conditions of life and labor as bad as or even far worse than these once were instigators to social upheaval. Alongside the massing of enemies on the outside—employers, insulated and self-protective union leaders, government policy makers, the globalized sweatshop, and the globalized megabank—something in the tissue of working-class life had proved profoundly disempowering and also accounted for the silence. Work itself had lost its cultural gravitas. What in part qualified the American Revolution as a legitimate overturning of an ancien régime was its political emancipation of labor. Until that time, work was considered a disqualifying disability for participating in public life. It entailed a degree of deference to patrons and a narrow-minded preoccupation with day-to-day affairs that undermined the possibility of disinterested public service. By opening up the possibility of democracy, the Revolution removed, in theory, that crippling impairment and erased an immemorial chasm between those who worked and those who didn’t need to. And by inference this bestowed honor on laboring mankind, a recognition that was to infuse American political culture for generations. But in our new era, the nature of work, the abuse of work, exploitation at work, and all the prophecies and jeremiads, the condemnations and glorifications embedded in laboring humanity no longer occupied center stage in the theater of public life. The eclipse of the work ethic as a spiritual justification for labor may be liberating. But the spiritless work regimen left behind carries with it no higher justification. This disenchantment is also a disempowerment. The modern work ethic becomes, to cite one trenchant observation, “an ideology propagated by the middle class for the working classes with enough plausibility and truth to make it credible.

The superannuated General Ivan Ivanovich Drozdov, a former friend and colleague of the late General Stavrogin, a most honourable man (but in his own way), and known to all of us here, a man who was extremely obstinate and short-tempered, who ate an awful lot and was awfully afraid of atheism, began to quarrel at one of Varvara Petrovna’s soirees with a certain celebrated young man. The latter promptly retorted: ‘You must be a general if you talk like that’, meaning, in other words, that he could come up with no greater term of abuse than ‘general’. Ivan Ivanovich rose to the bait at once: ‘Yes, sir, I am a general, and a lieutenant general, and I have served my Sovereign, and you, sir, are an impudent boy and an atheist!’ A dreadful scene ensued. The next day the incident was reported in the press, and people began collecting signatures for a petition against the ‘outrageous conduct’ of Varvara Petrovna, who had refused to banish the general instantly from her house. A cartoon appeared in an illustrated magazine,32 where Varvara Petrovna, the general and Stepan Trofimovich were caricatured all together as three reactionary friends; the cartoon was also accompanied by some verses, written by the people’s poet exclusively for this occasion.

You mentioned that Palermo, the part of Buenos Aires where you were brought up, had been a violent place full of bohemians and bandits. There they had two names for the knife, ‘the blade’ and ‘the slicer’. The two names described the same object, but ‘the blade’ was the thing itself, and ‘the slicer’ described its function. ‘The blade’ could fit in the hand even of a sickly child shut up in his father’s library, ‘the blade’ could be any of the superannuated daggers and swords belonging to his warrior grandfather or great-grandfather and displayed on the walls of his house, but ‘the slicer’, the knife in the hand slicing back and forth, in and out, existed only in his imagination, in a fascinating world of rapid settlings of accounts and duels over honor, an insult or a woman, in dark street where you never went, where no writer went, except in the literature he wrote. ‘I’ve always felt that in order to be a great writer, one should have the experience of life at sea, which is why Conrad and Melville and, in a way, Stevenson, who ended his days in the South Seas, were better than all of us, Vogelstein. At sea, a writer flees from the minor demons and faces only the definitive ones. A character in Conrad says that he has a horror of ports because, in port, ships rot and men go to the devil. He meant the devils of domesticity and incoherence, the small devils of terra firma. But I think that having experience of “the slicer” would give a writer the same sensation as going to sea, of spectacularly breaking the bounds of his own passivity and of his remoteness from the fundamental matters of the world.’ ‘You mean that if the writer were to stab someone three times, he could allege that he was merely doing so in order to improve his style.’ ‘Something like that. Soaking up experience and atmosphere.’ ‘It’s said that the artist Turner used to have himself lashed to the ship’s mast during storms at sea so that he could make sure he was getting the colours and details of his painted vortices right.’ ‘And it worked. But neither you nor I will ever experience “the slicer”, Vogelstein. We are condemned to “the blade”, to the knife purely as theory. Even if we used “the slicer” against someone, we would still be ourselves, watching, analyzing the scene, and, therefore, inevitably, holding “the blade” in our hand. I don’t think I could kill anyone, apart from my own characters. And I don’t think I would feel comfortable at sea either. There aren’t any libraries at sea. The sea replaces the library.

He had brought her to this house, “and,” continued the priest, while genuine tears rose to his eyes, “here, too, he shelters me, his old tutor, and Agnes, a superannuated servant of his father’s family. To our sustenance, and to other charities, I know he devotes three-parts of his income, keeping only the fourth to provide himself with bread and the most modest accommodations. By this arrangement he has rendered it impossible to himself ever to marry: he has given himself to God and to his angel-bride as much as if he were a priest, like me.” The father had wiped away his tears before he uttered these last words, and in pronouncing them, he for one instant raised his eyes to mine. I caught this glance, despite its veiled character; the momentary gleam shot a meaning which struck me. These Romanists are strange beings. Such a one among them—whom you know no more than the last Inca of Peru, or the first Emperor of China—knows you and all your concerns; and has his reasons for saying to you so and so, when you simply thought the communication sprang impromptu from the instant’s impulse: his plan in bringing it about that you shall come on such a day, to such a place, under such and such circumstances, when the whole arrangement seems to your crude apprehension the ordinance of chance, or the sequel of exigency. Madame Beck’s suddenly-recollected message and present, my artless embassy to the Place of the Magi, the old priest accidentally descending the steps and crossing the square, his interposition on my behalf with the bonne who would have sent me away, his reappearance on the staircase, my introduction to this room, the portrait, the narrative so affably volunteered—all these little incidents, taken as they fell out, seemed each independent of its successor; a handful of loose beads: but threaded through by that quick-shot and crafty glance of a Jesuit-eye, they dropped pendent in a long string, like that rosary on the prie-dieu. Where lay the link of junction, where the little clasp of this monastic necklace? I saw or felt union, but could not yet find the spot, or detect the means of connection.

Every single Australian benefits from superannuation, Medicare, the weekend and the minimum wage - these were all won by our parents, grandparents and great-grandparents taking non-violent, so-called illegal industrial action. Working people only take these measures when the issue is one of justice, like ensuring workers' safety on a worksite, a fair day's pay for a fair day's work or to uphold or improve the rights of working people. Without the Australian trade union movement our country would look like the US where these rights are inadequate or do not exist.