Sunset Romantic Quotes

You are enough to drive a saint to madness or a king to his knees.

I can't give you the sunset, but I can give you the night.

She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.

Tea is just an excuse. i am drinking this sunset, this evening. and you.

I think it's helpful to know how sunsets work. I don't buy the romantic notion that scientific understanding somehow robs the universe of its beauty, but I still can't find language to describe how breathtakingly beautiful sunsets are--not breathtakingly, actually, but breath-givingly beautiful. All I can say is that sometimes when the world is between day and night, I'm stopped cold by its splendor, and I feel my absurd smallness. You'd think that would be sad, but it isn't. It only makes me grateful.

Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride

Romantic haste in drama brings tears and sighs when the hero dies but the curtain fall is final when in life we take the tragic way The sunset too is a glorious thing but with it ends the day.

It had been dark at the beach for hours, he hadn't been smoking much and it wasn't headlights – but before she turned away, he could swear he saw light falling on her face, the orange light just after sunset that catches a face turned to the west, watching the ocean for someone to come in on the last wave of the day, in to shore and safety.

Did you know I dream about your hair? I use to say it was the color of the sun at sunset, but I'm wrong. It's brighter than the sun, just as you are.

You are enough to drive a saint to madness or a king to his knees Excerpt from To Kiss a King by Grace Willows Coming this summer to Amazon Kindle and paperback.

The moon is too old, the flower is too old;even the sunset is not enough. The only relevant metaphor for you is your mirror image.

Sunsets and mirrors are great for looking back, but our love belongs to the sunrise. Let the orange glow over The Ozarks fade into the deep blue mystery that is our romance.

while the long history of religious oppression and hypocrisy is profoundly sobering, the earnest seeker must look beyond the behavior of flawed humans in order to find the truth. Would you condemn an oak tree because its timbers had been used to build battering rams? Would you blame the air for allowing lies to be transmitted through it? Would you judge Mozart’s The Magic Flute on the basis of a poorly rehearsed performance by fifth-graders? If you had never seen a real sunset over the Pacific, would you allow a tourist brochure as a substitute? Would you evaluate the power of romantic love solely in the light of an abusive marriage next door? No. A real evaluation of the truth of faith depends upon looking at the clean, pure water, not at the rusty containers.

FROM ECSTASY TO AGONY Romantic Love sticks around long enough to bind two people together. Then it rides off into the sunset. And seemingly overnight, your dream marriage can turn into your biggest nightmare.

I have admired the romantic elegance of the Place de la Concorde in Paris, have felt the mystic message from a thousand glittering windows at sunset in New York, but to me the view of the London Thames from our hotel window transcends them all for utilitarian grandeur - something deeply human.

She got herself a cup of coffee and watched the setting sun from the corner of her eyes leaning against his back. The diamond ring shone in her navel like a chandelier of hope.

Every sunset is the flirtation between the day and the night. Their romance is the original love story.

companies trying to misrepresent the product they sell by playing with our cognitive biases, our unconscious associations, and that’s sneaky. The latter is done by, say, showing a poetic picture of a sunset with a cowboy smoking and forcing an association between great romantic moments and some given product that, logically, has no possible connection to it. You seek a romantic moment and what you get is cancer.

From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.

That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.

She wanted summer; fields of daisies; seas misty with moonrise or purple with sunset; companionship; Teddy. In such moments she always knew she wanted Teddy.

There is nothing amiss with a little romance. In fact the romantic eye beholds its presence in all things; in a sunset, sun-shower, a child’s laughter, or tears. Everywhere one looks, romance abounds.

*I don't want the body,* she whimpered. *It hurts.* *Not always, sweetheart. Not always. Without the body, how will you hear a bird's song? How will you feel a warm summer rain on your skin? How will you taste nutcakes? How will you walk on a beach at sunset and feel the sand and surf under your... hooves?*

The existentialists' view of love is not romantic, because they do not believe in love as an abstract force or amorous sunset walks along the beach. However, Cox also said, "if your idea of romance is somewhat more gothic and stormy, full of heartache, yearning and the thwarted desire to possess breaking up, making up and breaking up again, tears before bedtime and tears in the rain, then maybe it is romantic".

You are the opposite of romantic. Did anyone ever tell you that?" "I am full of romance. I like sunsets and the ocean and beaches and flowers and love songs and Shakespeare in the park and all that kind of shit." Eli's cheeks flushed. It was adorable on him. "I don't get what any of that has to do with sex." "I'm not talking about sex, Eli. I'm talking about a kiss." "Fine. I'll kiss the romantic fuck out of you.

All love is alike, knowing no season, sun, or clime, but that damn sun does represent lovers’ ever-changing time. Why does it rise to show lovers nothing lasts? Does it not see those lovers and think, ‘I can eclipse and darken them with a wink. I could kill all love by rising and sending them to their forlorn pasts. I can make them for each other pine, and wait and wait as I rise and set. HA! Buffoons, they are all mine. And every time I shine they owe me a debt.

... the glow of a sunset more lasting, more roseate. more human - filling, perhaps, with romantic wonder the thoughts of some solitary lover, wandering in the street below and brought to a standstill before the mystery of the human presence which those lighted windows at once revealed and screened from sight...

They say you never forget your first glimpse of Gehenna. Over the tall buildings the sky swirls with orange and red, true titian, a feature of the unique atmosphere. Of course that same air would kill human beings; hence they built the entire city inside a dome. Eternal sunset, that’s why the place is so wild. You know the feeling you get, just before full dark? Sundown makes you feel like the world burgeons with possibility, and that’s Gehenna for you. Like any other romantic notion, it’s based on bullshit, of course. Gehenna isn’t the land of eternal sunset and infinite potential. The gas in the atmosphere just makes it impossible to see the sun.

Between your legs I press my tongue and watch your leaves change color

Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish. Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine. A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills. I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.

He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.

The stars grow tired, shrug their shoulders, and fall out of the sky, wearing nothing but robes of comet-white. Is she not one of the stars? She casts off her robes—steps into my room—and composes constellations.

This is..." I couldn't come up with the words. "My favorite place in town," he replied, and carefully we walked over to the edge of the bell tower. The sun was slowly sinking down between the rolling hills of the Catskills, purples and blues and pinks. "I've never been up here with anyone else." My heart fluttered. "No one?" He shook his head. "But I thought you'd appreciate it." I glanced up at him as the setting sun made the harsh lines of his face softer, the blond of his hair more gold. This was a special place--- meant for a grand romantic gesture. It was a place wasted on me. I was stealing all his heroine's moments, wasn't I? It was a sobering thought.

I shall be faithful," he said quietly. "I shall be faithful," he repeated, without looking at me, but for the first time letting his eyes wander upon the waters, whose blueness had changed to a gloomy purple under the fires of sunset. Ah! he was romantic, romantic. I recalled some words of Stein's. . . . "In the destructive element immerse! . . . To follow the dream, and again to follow the dream—and so—always—usque ad finem . . ." He was romantic, but none the less true.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

The sun descended slowly, casting a warm golden hue upon the landscape. Shadows danced along the coastline, creating a magnificent contrast between the gilded and the obsidian. We reveled in the sights, taking in the breathtaking vistas that surrounded us. The remaining daylight illuminated the sea, gifting it with a transcendent shimmer.

The art of sensuality encompassing the exploration and experiencing of all our senses... Those images are being born from and through living the moments of eating favorite chocolate cake with ice-cream, tranquil meditating, walking the beach and feeling the warm breeze on your face and the soothing sand beneath your feet, watching a never repeating its symphony sunset, dancing and feeling your body move through space, smelling flowers in a garden, painting or working with clay, with your fingertips gently touching piano keys or pulling the tense strings of guitar, caressing your ears with the whispers of one's soul, diving into the depth of loving you eyes, and, joining in a passionate kiss of life...the life of the artist...

I think it’s helpful to know how sunsets work. I don’t buy the romantic notion that scientific understanding somehow robs the universe of its beauty, but I still can’t find language to describe how breathtakingly beautiful sunsets are—not breathtakingly, actually, but breath-givingly beautiful. All I can say is that sometimes when the world is between day and night, I’m stopped cold by its splendor, and I feel my absurd smallness. You’d think that would be sad, but it isn’t. It only makes me grateful.

The country about here, though not romantic like Lucca, is very pretty, and our windows command sunsets and night winds. I have not stirred out yet after three weeks of it; you may suppose how reduced I must be. I could scarcely stand at one time. The active evil, however, is ended, and strength comes somehow or other. Robert has had the perfect goodness not only to nurse me, but to teach Peni, who is good too, and rides a pony just the colour of his curls, to his pure delight. Then we have books and newspapers, English and Italian — the books from Florence — so we do beautifully.

emotion. It was all absurd—she had been a silly, romantic, inexperienced goose. Well, she would be wiser in the future—very wise—and very discreet—and very contemptuous of men and their ways. "I suppose I'd better go with Una and take up Household Science too," she thought, as she stood by her window and looked down through a delicate emerald tangle of young vines on Rainbow Valley, lying in a wonderful lilac light of sunset. There did not seem anything very attractive just then about Household Science, but, with a whole new world waiting to be built, a girl must do something. The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—"Rilla-my-Rilla," he said. "Ken," gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a school girl, and he found a woman—a