Sunset Romantic Quotes

You are enough to drive a saint to madness or a king to his knees.

I can't give you the sunset, but I can give you the night.

She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.

Tea is just an excuse. i am drinking this sunset, this evening. and you.

I think it's helpful to know how sunsets work. I don't buy the romantic notion that scientific understanding somehow robs the universe of its beauty, but I still can't find language to describe how breathtakingly beautiful sunsets are--not breathtakingly, actually, but breath-givingly beautiful. All I can say is that sometimes when the world is between day and night, I'm stopped cold by its splendor, and I feel my absurd smallness. You'd think that would be sad, but it isn't. It only makes me grateful.

Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride

Romantic haste in drama brings tears and sighs when the hero dies but the curtain fall is final when in life we take the tragic way The sunset too is a glorious thing but with it ends the day.

It had been dark at the beach for hours, he hadn't been smoking much and it wasn't headlights – but before she turned away, he could swear he saw light falling on her face, the orange light just after sunset that catches a face turned to the west, watching the ocean for someone to come in on the last wave of the day, in to shore and safety.

Did you know I dream about your hair? I use to say it was the color of the sun at sunset, but I'm wrong. It's brighter than the sun, just as you are.

You are enough to drive a saint to madness or a king to his knees Excerpt from To Kiss a King by Grace Willows Coming this summer to Amazon Kindle and paperback.

Sunsets and mirrors are great for looking back, but our love belongs to the sunrise. Let the orange glow over The Ozarks fade into the deep blue mystery that is our romance.

The moon is too old, the flower is too old;even the sunset is not enough. The only relevant metaphor for you is your mirror image.

while the long history of religious oppression and hypocrisy is profoundly sobering, the earnest seeker must look beyond the behavior of flawed humans in order to find the truth. Would you condemn an oak tree because its timbers had been used to build battering rams? Would you blame the air for allowing lies to be transmitted through it? Would you judge Mozart’s The Magic Flute on the basis of a poorly rehearsed performance by fifth-graders? If you had never seen a real sunset over the Pacific, would you allow a tourist brochure as a substitute? Would you evaluate the power of romantic love solely in the light of an abusive marriage next door? No. A real evaluation of the truth of faith depends upon looking at the clean, pure water, not at the rusty containers.

FROM ECSTASY TO AGONY Romantic Love sticks around long enough to bind two people together. Then it rides off into the sunset. And seemingly overnight, your dream marriage can turn into your biggest nightmare.

I have admired the romantic elegance of the Place de la Concorde in Paris, have felt the mystic message from a thousand glittering windows at sunset in New York, but to me the view of the London Thames from our hotel window transcends them all for utilitarian grandeur - something deeply human.

She got herself a cup of coffee and watched the setting sun from the corner of her eyes leaning against his back. The diamond ring shone in her navel like a chandelier of hope.

companies trying to misrepresent the product they sell by playing with our cognitive biases, our unconscious associations, and that’s sneaky. The latter is done by, say, showing a poetic picture of a sunset with a cowboy smoking and forcing an association between great romantic moments and some given product that, logically, has no possible connection to it. You seek a romantic moment and what you get is cancer.

From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.

That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.

Every sunset is the flirtation between the day and the night. Their romance is the original love story.

There is nothing amiss with a little romance. In fact the romantic eye beholds its presence in all things; in a sunset, sun-shower, a child’s laughter, or tears. Everywhere one looks, romance abounds.

*I don't want the body,* she whimpered. *It hurts.* *Not always, sweetheart. Not always. Without the body, how will you hear a bird's song? How will you feel a warm summer rain on your skin? How will you taste nutcakes? How will you walk on a beach at sunset and feel the sand and surf under your... hooves?*

The existentialists' view of love is not romantic, because they do not believe in love as an abstract force or amorous sunset walks along the beach. However, Cox also said, "if your idea of romance is somewhat more gothic and stormy, full of heartache, yearning and the thwarted desire to possess breaking up, making up and breaking up again, tears before bedtime and tears in the rain, then maybe it is romantic".

You are the opposite of romantic. Did anyone ever tell you that?" "I am full of romance. I like sunsets and the ocean and beaches and flowers and love songs and Shakespeare in the park and all that kind of shit." Eli's cheeks flushed. It was adorable on him. "I don't get what any of that has to do with sex." "I'm not talking about sex, Eli. I'm talking about a kiss." "Fine. I'll kiss the romantic fuck out of you.

All love is alike, knowing no season, sun, or clime, but that damn sun does represent lovers’ ever-changing time. Why does it rise to show lovers nothing lasts? Does it not see those lovers and think, ‘I can eclipse and darken them with a wink. I could kill all love by rising and sending them to their forlorn pasts. I can make them for each other pine, and wait and wait as I rise and set. HA! Buffoons, they are all mine. And every time I shine they owe me a debt.

... the glow of a sunset more lasting, more roseate. more human - filling, perhaps, with romantic wonder the thoughts of some solitary lover, wandering in the street below and brought to a standstill before the mystery of the human presence which those lighted windows at once revealed and screened from sight...

They say you never forget your first glimpse of Gehenna. Over the tall buildings the sky swirls with orange and red, true titian, a feature of the unique atmosphere. Of course that same air would kill human beings; hence they built the entire city inside a dome. Eternal sunset, that’s why the place is so wild. You know the feeling you get, just before full dark? Sundown makes you feel like the world burgeons with possibility, and that’s Gehenna for you. Like any other romantic notion, it’s based on bullshit, of course. Gehenna isn’t the land of eternal sunset and infinite potential. The gas in the atmosphere just makes it impossible to see the sun.

She wanted summer; fields of daisies; seas misty with moonrise or purple with sunset; companionship; Teddy. In such moments she always knew she wanted Teddy.

LOVE IS A SUNSET Love is a feeling Best expressed through fleeting dust Across the night sky

Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish. Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine. A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills. I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.

He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.

He smiled, which was not at all what she'd expected. It wasn't just a polite smile, either. It was the kind that made her want to sit on the front-porch swing, if she'd had a swing, and hum romantic songs from the thirties, those terrific old songs that talked about red sails in the sunset and the glory of love.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

The art of sensuality encompassing the exploration and experiencing of all our senses... Those images are being born from and through living the moments of eating favorite chocolate cake with ice-cream, tranquil meditating, walking the beach and feeling the warm breeze on your face and the soothing sand beneath your feet, watching a never repeating its symphony sunset, dancing and feeling your body move through space, smelling flowers in a garden, painting or working with clay, with your fingertips gently touching piano keys or pulling the tense strings of guitar, caressing your ears with the whispers of one's soul, diving into the depth of loving you eyes, and, joining in a passionate kiss of life...the life of the artist...

I think it’s helpful to know how sunsets work. I don’t buy the romantic notion that scientific understanding somehow robs the universe of its beauty, but I still can’t find language to describe how breathtakingly beautiful sunsets are—not breathtakingly, actually, but breath-givingly beautiful. All I can say is that sometimes when the world is between day and night, I’m stopped cold by its splendor, and I feel my absurd smallness. You’d think that would be sad, but it isn’t. It only makes me grateful.

The garden shimmered with candlelight from dozens of sweetly scented beeswax tapers set around to illuminate the space. In the center stood her painting table, now neatly draped in a crisp, white linen tablecloth and laid with her best china, crystal and silver. More lighted candles were arranged on the table, a small vase of flowers set in the middle, tender petals of red, pink and ivory adding a pleasing burst of color. More color glowed in the sky, sunset turning the horizon a glorious golden apricot.

The country about here, though not romantic like Lucca, is very pretty, and our windows command sunsets and night winds. I have not stirred out yet after three weeks of it; you may suppose how reduced I must be. I could scarcely stand at one time. The active evil, however, is ended, and strength comes somehow or other. Robert has had the perfect goodness not only to nurse me, but to teach Peni, who is good too, and rides a pony just the colour of his curls, to his pure delight. Then we have books and newspapers, English and Italian — the books from Florence — so we do beautifully.

We perceive our circumstances as good or bad. The circumstances in themselves are powerless unless we attach our emotions to them. A boyfriend and girlfriend witnessing the sunset together find it so very romantic. But if they are forced to stay separately, the same sunset causes pain since they are apart. A man dying of terminal illness finds it as a signal of death. A depressed man finds it as "one more day gone". A poet finds poetry in the sunset. A painter finds beautiful shades in it. It's the same sunset but the perceptions are different. Learn to see a situation as just a situation. Neither good nor bad. Then there is no pain. No ecstasy. Learn to just BE. Don't try to BE. Love and Peace to All!!!

emotion. It was all absurd—she had been a silly, romantic, inexperienced goose. Well, she would be wiser in the future—very wise—and very discreet—and very contemptuous of men and their ways. "I suppose I'd better go with Una and take up Household Science too," she thought, as she stood by her window and looked down through a delicate emerald tangle of young vines on Rainbow Valley, lying in a wonderful lilac light of sunset. There did not seem anything very attractive just then about Household Science, but, with a whole new world waiting to be built, a girl must do something. The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—"Rilla-my-Rilla," he said. "Ken," gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a school girl, and he found a woman—a

sunsets are for the romantics, for the idealists and the believers. for those fond of the calm, those who've been sheltered, who've never had to weather a storm. but sunrises, sunrises are for the survivors, for the ones who've weathered storms, the ones left standing after a hell of a night in the er, the ones holding your hand through darkness, because they've learned to only need the light inside them. sunsets are for first dates, for exchanging names and hobbies and talking about dreams. sunrises are for the few who will survive nightmares with you, who will help you fight monsters and slay dragons. sunsets are for promises, but sunrises are for reality, for the grittiness of it, for the bags under your eyes, messy hair and spotty skin. sunrises are where life begins. so, i guess what i'm saying is - fall asleep only next to the ones you want to see the first thing in the morning.

Helen was bewildered to find herself surrounded by air as warm as the breath of summer. Slowly she walked into a large gallery, constructed of thousands of flashing, glittering glass panes in a network of wrought-iron ribs. It was a glasshouse, she realized in bewilderment. On a rooftop. The ethereal construction, as pretty as a wedding cake, had been built on a sturdy brickwork base, with iron pillars and girders welded to vertical struts and diagonal tiers. "This is for my orchids," she said faintly. Rhys came up behind her, his hands settling at her waist. He nuzzled gently at her ear. "I told you I'd find a place for them." A glass palace in the sky. It was magical, an inspired stroke of romantic imagination, and he had built it for her. Dazzled, she took in the view of London at sunset, a red glow westering across the leaden sky. The clouds were torn in places, gold light spilling through the fire-colored fleece.

My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.

A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard. The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol. ...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.

Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.

We got back on the road, heading west. I remember my thoughts as we ventured into the Simpson Desert. There’s nothing out here. The landscape was flat and lifeless. Except for the occasional jump-up--a small mesa that rose twenty or thirty feet above the desert floor-it just looked like dirt, sticks, and dead trees. The Simpson Desert is one of the hottest places on earth. But Steve brought the desert to life, pointing out lizards, echidnas, and all kinds of wildlife. He made it into a fantastic journey. In the middle of this vast landscape were the two of us, the only people for miles. Steve had become adept at eluding the film crew from time to time so we could be alone. There was a local cattle station about an hour-and-a-half drive from where we were filming, a small homestead in the middle of nowhere. The owners invited the whole crew over for a home-cooked meal. Steve and I stayed in the bush, and Bob and Lyn headed to one of their favorite camping spots. After having dinner, the crew couldn’t locate us. They searched in the desert for a while before deciding to sleep in the car. What was an uncomfortable night for them turned out to be a brilliant night for us! Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.

Why would you call for me to save you?" He led her out of the coffee shop. "Saving you would be Faroz's job." "I don't know." She looked out over the bay, taking in the soft glow of the golden hour, that magical, romantic, fleeting moment between daylight and dusk when the sun began to dip below the horizon, enveloping everything in shimmering gold. "I think it's maybe because you made me feel safe when Faroz was flashing his gun and telling us stories about being tortured. My subconscious must have figured you were my best bet for a happy Bollywood ending." "You think I could protect you?" He looked so bewildered that Layla had to laugh. "Of course I do. It's who you are. You might be trying to kick me out of the office, but you've been protecting me since the day we met.

There is another extreme to be wary of, I remind myself. Behind my desk I have a good library and a philosophy degree on the wall. I appreciate solid research and reasoned conclusions, but I get impatient when academicians limit the boundaries of truth within the five senses and the bicameral brain. At that point I put aside the book and step outside. There, with the warm colors of a sunset or the pastels of a rainbow, I breathe in the clear air and sense again my own Self. A bird chirps, a squirrel scurries up a tree. This divine Essence is greater than my body and utilizes more senses than my physical limitations. Scientists know that colors vibrate at a particular frequency, but there is much more going on; sentient beings delight in the pulsating rhythmic waves and lovers swoon in romantic locales. My own inner barometer senses a higher Order. A hawk or eagle catches my eye. It majestically circles above me, high in the blue sky, then it shoots off towards the west, where rain clouds gather. The sun is setting, light beams through, and a rainbow forms. Thank you Hawk. I get a thrill, my hair stands on end. Something else is here. Signs in the sky. Auspicious. Yes. The mysteries are still here, and we are being called.

Every girl wants to be kissed at sunset or at least the hopeless romantics ~ Kelsey Jewel

And He was the one who invented marriage so that the blazing fire of romantic love could become something even more beautiful - a pulsing, red-hot ember of covenant love in marriage. Why did He do it? For the same reason that He made sunsets and mountain ranges and fireflies! Because He's good. Because He wants to give us a million different opportunities to see just how wonderful He is.

Between your legs I press my tongue and watch your leaves change color

Our love has wrinkles as old as the Earth.

How I wish to feel your history brush up against the skin of my future.

Loving you was a miracle. Holding you, a miracle. Everything else wasn't.

The stars grow tired, shrug their shoulders, and fall out of the sky, wearing nothing but robes of comet-white. Is she not one of the stars? She casts off her robes—steps into my room—and composes constellations.

So, while the long history of religious oppression and hypocrisy is profoundly sobering, the earnest seeker must look beyond the behavior of flawed humans in order to find the truth. Would you condemn an oak tree because its timbers had been used to build battering rams? Would you blame the air for allowing lies to be transmitted through it? Would you judge Mozart’s The Magic Flute on the basis of a poorly rehearsed performance by fifth-graders? If you had never seen a real sunset over the Pacific, would you allow a tourist brochure as a substitute? Would you evaluate the power of romantic love solely in the light of an abusive marriage next door? No. A real evaluation of the truth of faith depends upon looking at the clean, pure water, not at the rusty containers.

The sun starts to sink lower over the ocean, and Zach somehow magics up a fire from driftwood and kindling. And then he brings out the marshmallows. Not a bag of mass-produced, uniform white cylinders of sugar. But two not-quite-square, hand-made, artisanal marshmallows. I look up at him. “Are you kidding me right now?” The right side of his mouth kicks up in a smirk that says I gave him exactly the reaction he was looking for. “Nope,” he says. “I asked the baker and she made these special for us. After all, I did promise you.” He grabs a forked stick and roasts them for us. When they’re perfectly golden brown and sagging off the stick, he slides it onto a graham cracker, and adds a square of chocolate. I put the entire thing in my mouth. “Ohmigod!” I murmur. “This is amazing!” “Transcendent?” he teases. “Absolutely.” I agree, licking some of the sugar off my fingers. He grabs my wrist and the next thing I know, he’s licking the sugar off my fingers. Oh God, and now I’m thinking of last night and what else he licked. As I watch, his eyes get intense; he’s thinking the same. “We can’t have sex on the beach,” I say breathlessly. “Too sandy.” “You have a one-track mind, don’t you?” he teases. “I only brought you here for the sunset.” Aaaand now I feel like an idiot. “Right,” I cough, blushing. “Well, thank you.” “But …” He adds, his mouth curving into that sexy smile that kills me. “That doesn’t mean we can’t … kiss.” His hand comes up to push a stray lock of hair behind my ear. I nod because resistance is futile. The best I can do is make light of it so he can’t see the emotion coursing through me. “I’m pretty sure it’s the law that when you drink wine and eat artisanal marshmallows on the beach, you have to kiss.” I wave vaguely toward where we left the car. “I saw it on the sign by the parking lot.” “Well, if it’s a law,” he grins. A second later, his lips find mine. He tastes like wine and sugar, and pure Zach. I sigh in pleasure. This picnic, the marshmallows—everything—just might be the most romantic thing anyone’s ever done for me. But that perfect sunset? We totally miss it. After all, there are better things to do.

As the artist Tacita Dean put it, “Color is a fiction of light.” I think it’s helpful to know how sunsets work. I don’t buy the romantic notion that scientific understanding somehow robs the universe of its beauty, but I still can’t find language to describe how breathtakingly beautiful sunsets are—not breathtakingly, actually, but breath-givingly beautiful. All I can say is that sometimes when the world is between day and night, I’m stopped cold by its splendor, and I feel my absurd smallness. You’d think that would be sad, but it isn’t. It only makes me grateful. Toni Morrison once wrote, “At some point in life, the world’s beauty becomes enough. You don’t need to photograph, paint, or even remember it. It is enough.

What I need is someone to eat off the same plate with me. Someone who makes me comfortable enough to be silly, someone I can dance poorly around, someone who gets it when I cry at commercials. I also need someone honest enough to tell me I have food in my teeth or too much product in my hair. I want someone who kisses me as if it’s the last scene of a romantic movie and we’re on a bridge with a perfect sunset behind us, even though we’re just in line at the grocery store. After all those years of teen magazines asking some form of the question “What Does John Stamos Want in a Girl?” I think it’s simpler than anyone could have imagined.