Limits Of Patience Quotes

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As anyone who has ever been around a cat for any length of time well knows cats have enormous patience with the limitations of the human kind.
Cleveland Amory (The Cat Who Came for Christmas (Compleat Cat #1))
This love of which I speak is slow to lose patience - it looks for a way of being constructive. Love is not possessive. Love is not anxious to impress nor does it cherish inflated ideas of its own ideas. Love has good manners and does not pursue selfish advantage. Love is not touchy. Love does not keep account of evil or gloat over the wickedness of other people. On the contrary, it is glad with all good men when truth prevails. Love knows no limits to its endurance, no end to its trust, no fading of its hope; it can outlast anything. It is, in fact, the one thing that stands when all else has fallen.
Elisabeth Elliot (Let Me Be a Woman)
I've been patient, but where I'm concerned patience has its limits. Take it too far, and it's cowardice.
George L. Jackson (Soledad Brother: The Prison Letters of George Jackson)
I am a genius of infinite potential and highly limited patience. People shouldn’t try me so.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
God’s grace is not infinite. God is infinite, and God is gracious. We experience the grace of an infinite God, but grace is not infinite. God sets limits to His patience and forbearance. He warns us over and over again that someday the ax will fall and His judgment will be poured out.
R.C. Sproul (The Holiness of God)
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
Stefan Zweig (Beware of Pity)
There's a limit to my patience with anything that smacks of metaphysics. I squirm at the mention of "mind expansion" or "warm healing energy." I don't like drum circles, public nudity or strangers touching my feet.
Koren Zailckas (Fury: A Memoir)
I tell you this: Compassion never ends, love never stops, patience never runs out in God’s World. Only in the world of man is goodness limited. In My World, goodness is endless.
Neale Donald Walsch (The Complete Conversations with God)
I despise my own past and that of others. I despise resignation, patience, professional heroism and all the obligatory sentiments. I also despise the decorative arts, folklore, advertising, radio announcers' voices, aerodynamics, the Boy Scouts, the smell of naphtha, the news, and drunks. I like subversive humor, freckles, women's knees and long hair, the laughter of playing children, and a girl running down the street. I hope for vibrant love, the impossible, the chimerical. I dread knowing precisely my own limitations.
René Magritte
Woe to him who offends a patient man who has just reached his limit.
Joyce Rachelle
Experience has taught me this, that we undo ourselves by impatience. Misfortunes have their life and their limits, their sickness and their health.
Michel de Montaigne
It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience.
H.P. Lovecraft (The Tomb)
This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them
Colleen Hoover (This Girl (Slammed, #3))
Ï'm a genius of infinite potential and highly limited patience. People shouldn't try me so.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
I've always been rather very one-sided about the science, and when I was younger, I concentrated almost all my effort on it. I didn't have time to learn, and I didn't have much patience for what's called the humanities; even though in the university there were humanities that you had to take, I tried my best to avoid somehow to learn anything and to work on it. It's only afterwards, when I've gotten older and more relaxed that I've spread out a little bit — I've learned to draw, and I read a little bit, but I'm really still a very one-sided person and don't know a great deal. I have a limited intelligence and I've used it in a particular direction.
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman)
A huge pet peeve of mine: being asked to arrive for a specific time, then being made to wait. Fifteen minutes was just about my limit of my patience.
Wildbow (Worm (Parahumans, #1))
As sure as this Earth is turnin, souls burnin / In search of higher learnin, turnin in every direction seeking direction / My moms cryin cause her insides are dyin / Her son tryin her patience, keep her heart racin / A million beats a minute, I know I push you to your limit / But it's this game, love—I'm caught up all in it / They make it so you can't prevent it, never give it / You gotta take it, can't fake it, I keep it authentic
Jay-Z
They lived in this fashion for most of the year before the credit line of her patience finally reached its limit.
Viet Thanh Nguyen (The Sympathizer)
Patience is a virtue but it has its limits.
Don Santo
Pain will humble ones soul,my pain was necessary as it humbled me beyond my limitations,I do not rush what is meant to be slow,patience".
Patience Kudzu
Tenacity, or willpower, is a limited resource.
Rich Karlgaard (Late Bloomers: The Power of Patience in a World Obsessed with Early Achievement)
How have you seen pictures from before she went traveling?” asked Kade. “I have the Internet, and her Facebook password is the name of her cat, which she has a picture of above her bed.” Jack snorted. “I am a genius of infinite potential and highly limited patience. People shouldn’t try me so.” “I’ll keep that in mind the next time I’m trying to keep a secret,” said Kade.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
and all the ministers of the various types of local Baptists had declined to participate in retribution for Monroe’s failure to believe in a God with severe limitations on His patience and mercy.
Charles Frazier (Cold Mountain)
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart’s impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another’s unhappiness ...; and the other, the only kind that counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
Don't respect or trust any one out of your limit. Because if u cross the bridge of your patience and emotions for any one. Then you will find yourself as a broken mirror
Agha Kousar
No sound is more ominous than the silence of a patient man.
Joyce Rachelle
Throughout the movie, we moved to eat popcorn, shifted to get comfortable, only to end up uncomfortable; an awkward dance of keeping my hands and parts from familiar and unfamiliar areas of Echo’s divine body. I was capable of being a gentleman for the length of one movie, at least. The credits roled and my left hand, which I’d placed behind my head to avoid her tempting tummy, tingled with numbness. My patience finaly snapped. “This is ridiculous.” I swept her up and swung her over my shoulder, her bare feet dangling in front of me. Tinkling laughter filed the room. “What are you doing?” I tossed her onto the bed. Her fire-red hair sprawled over the pilow. My siren smiled up at me. “Getting comfortable,” I said. " -Noah's POV
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
No one had Ramsey's patience, Brodick thought to himself. Gideon obviously didn't know his laird well, for if he did, he would have known that under that thin layer of civility and diplomacy beat the heart of a savage warrior whose temper put Brodick's to shame. Unlike Brodick, Ramsey was slow to ignite, but once he had reached his limit or had been prodded too far, his reaction was explosive and most impressive. He could be far more brutal than Brodick, and perhaps that was one of the reasons they had become such good friends. They trusted each other. Aye, Brodick trusted and admired Ramsey as much as he trusted and admired the man who had trained them to be leaders, Iain Maitland.
Julie Garwood (Ransom (Highlands' Lairds, #2))
Do not waste the limited resource of your patience on those who think misery a competition. Spendthrifts of self-pity are always miserly the moment empathy is due. —Everyman’s Guide to the Tower of Babel, VI. V
Josiah Bancroft (The Fall of Babel (The Books of Babel #4))
The only thing worse than a perilous adventure is a boring one, and the limits of the duo's patience were tried more than once as they slalomed between squalls, broke through blizzards, and drifted across doldrums.
Jonathan Auxier (Peter Nimble and His Fantastic Eyes (Peter Nimble, #1))
These interreflecting themes, the prerequisites of creation, are playfulness, love, concentration, practice, skill, using the power of limits, using the power of mistakes, risk, surrender, patience, courage, and trust. Creativity is a harmony of opposite tensions, as encapsulated in our opening idea of lila, or divine play.
Stephen Nachmanovitch (Free Play: Improvisation in Life and Art)
Tak did not expect the stone to have life, but when it did, he smiled upon it, saying "All Things Strive". Time and time again the last testament of Tak has been stolen in a pathetic attempt to kill the nascent future at birth and this is not only an untruth, it is a blasphemy! Tak even finds it in his heart to suffer the Nac Mac Feegles, possibly for their entertainment value, but I wonder if he will continue to tolerate us... He must look at us now with sorrow, which I hope will not turn into rage. Surely the patience of Tak must find some limitations elsewhere...
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
Of all the schools of patience and lucidity, creation is the most effective. It is also the staggering evidence of man's sole dignity: the dogged revolt against his condition, perseverance in an effort considered sterile. It calls for a daily effort, self-mastery, a precise estimate of the limits of truth, measure, and strength. It constitutes an ascesis. All that 'for nothing,' in order to repeat and mark time. But perhaps the great work of art has less importance in itself than in the ordeal it demands of a man and the opportunity it provides him of overcoming his phantoms and approaching a little closer to his naked reality.
Albert Camus (The Myth of Sisyphus)
America is learning an ironic truth of empire: You endure by not fighting every battle. In the first century A.D., Tiberius preserved Rome by not interfering in bloody internecine conflicts beyond its northern frontier. Instead, he practiced strategic patience as he watched the carnage. He understood the limits of Roman power.
Robert D. Kaplan (The Return of Marco Polo's World: War, Strategy, and American Interests in the Twenty-first Century)
As sure as this Earth is turnin, souls burnin / In search of higher learnin, turnin in every direction seeking direction / My moms cryin cause her insides are dyin / Her son tryin her patience, keep her heart racin / A million beats a minute, I know I push you to your limit / But it's this game, love—I'm caught up all in it / They make it so you can't prevent it, never give it / You gotta take it, can't fake it, I keep it authentic / My hand got this pistol shakin, cause I sense danger / Like Camp Crystal Lake, and / Don't wanna shoot him, but I got him, trapped / Within this infrared dot, bout to hot him and hit rock bottom / No answers to these trick questions, no time shit stressin / My life found I got ta live for the right now / Time waits for no man, can't turn back the hands / Once it's too late, gotta learn to live with regrets
Jay-Z
Patience says to your empty hands, “God is here.” Patience looks the worst in the face and says, “God will not leave you.
Zack Eswine (The Imperfect Pastor: Discovering Joy in Our Limitations through a Daily Apprenticeship with Jesus)
Our mistake is to confuse our limitations with the bounds of possibility . . .
William Golding (Free Fall)
After knowing that the sun neither sets nor rises except for our imaginations and the limitations of our planet Earth, there can be no more mood swings in the heart and mind.
Mwanandeke Kindembo
You may tease me because I want to measure my limit of patience and courage.
Ehsan Sehgal
As anyone who has ever been around a cat for any length of time well knows, cats have enormous patience with the limitations of the human kind. -Cleveland Amory
Toby Burns (Quotes for Cats: And the Humans Who Love Them)
People who suffer from mental illness are the lepers of this age! Not all who suffer are limited. Many are very bright. They just need patience and kindness, which is rare in this world!
June Stoyer
Mathematics is not a book confined within a cover and bound between brazen clasps, whose contents it need only patience to ransack; it is not a mine, whose treasures may take long to reduce to possessions, but which fill only a limited number of veins and lodes; it is not a soil, whose fertility can be exhausted by the yield of successive harvests; it is not a continent or an ocean, whose area can be mapped out and its contour defined: it is limitless as the space which it finds too narrow for its aspirations; its possibilities are as infinite as the worlds which are forever crowding in and multiplying upon the astronomer's gaze; it is as incapable of being restricted within assigned boundaries or being reduced to definitions of permanent validity, as the consciousness, the life, which seems to slumber in each monad, in every atom of matter, in each leaf and bud and cell, and is forever ready to burst forth into new forms of vegetable and animal existence.
James Joseph Sylvester
Courtesy is the manner the strong adopt toward the weak. It is the recognition of their dominance." "Sometimes I am meek," I said. "Sometimes I'm quite shy." She gave me an exasperated look, as though I were a child who had strained the limits of her patience. "You are a man, and men are outcasts. You are outcasts from the very world you made. The world you built on the bodies of other species. Of women." I did not want to argue with her. In a way she was right. Men have tamed the world. (15)
Michael Blumlein (The Brains of Rats)
Ever since I was young I enjoyed solving puzzles and having the pleasure to see the bigger picture afterwards. But even after all that, I found that life could be the most challenging puzzle we have to face. It's one of those things that even if you have all the pieces and could see the whole picture, it still takes time and patience to solve it. At times, we feel more at ease not knowing the whole picture, not knowing the whole level of difficulty or number of pieces that we're missing, but just building up one piece at a time. The problem with this approach is that the only clues that we have for matching two pieces are the shape and a small glimpse of the image. We so often find comfort in building up the corners and the borders but very rarely do we adventure in the middle of the puzzle. We'd rather work little by little holding on to our safe border and only move towards the center when the pieces are still in touch with our borders or roots. On the other hand, you could be one of those people that just jumps in the middle and builds up on every piece you have in order to get small portions of the truth of the bigger picture every now and then. Not having your borders or corners in place might mean that you don't need to know your limits in order to realize that the puzzle will one day come to an end. Nevertheless, every piece is equally important and it gets handed to you at a time where you have at least some matching piece. That doesn't mean you should only focus on one point or piece and limit your possible connections. Spread out and you will find even more connections. The truth of the puzzle information comes in different shapes and colors but in the end it's all connected. Information might be divided, spread out in different areas, different people, different experiences. What's important to remember is that every piece is meant for you. You might throw it on the side now and use it later, but it will forever remain a part of your bigger picture. Work on your puzzle, with patience and care in moving forward and with a hopeful spirit that it will all work out in the end for your highest good!
Virgil Kalyana Mittata Iordache
You give up ‘demanding instant resolution, instant relief from discomfort and pain, and magical fixes’. You breathe a sigh of relief, and as you dive into life as it really is, in clear-eyed awareness of your limitations, you begin to acquire what has become the least fashionable but perhaps most consequential of superpowers: patience.
Oliver Burkeman (Four Thousand Weeks: Time and How to Use It)
In every interview I’m asked what’s the most important quality a novelist has to have. It’s pretty obvious: talent. Now matter how much enthusiasm and effort you put into writing, if you totally lack literary talent you can forget about being a novelist. This is more of a prerequisite than a necessary quality. If you don’t have any fuel, even the best car won’t run.The problem with talent, though, is that in most cases the person involved can’t control its amount or quality. You might find the amount isn’t enough and you want to increase it, or you might try to be frugal and make it last longer, but in neither case do things work out that easily. Talent has a mind of its own and wells up when it wants to, and once it dries up, that’s it. Of course, certain poets and rock singers whose genius went out in a blaze of glory—people like Schubert and Mozart, whose dramatic early deaths turned them into legends—have a certain appeal, but for the vast majority of us this isn’t the model we follow. If I’m asked what the next most important quality is for a novelist, that’s easy too: focus—the ability to concentrate all your limited talents on whatever’s critical at the moment. Without that you can’t accomplish anything of value, while, if you can focus effectively, you’ll be able to compensate for an erratic talent or even a shortage of it. I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else. … After focus, the next most important thing for a novelist is, hands down, endurance. If you concentrate on writing three or four hours a day and feel tired after a week of this, you’re not going to be able to write a long work. What’s needed of the writer of fiction—at least one who hopes to write a novel—is the energy to focus every day for half a year, or a year, or two years. … Fortunately, these two disciplines—focus and endurance—are different from talent, since they can be acquired and sharpened through training. You’ll naturally learn both concentration and endurance when you sit down every day at your desk and train yourself to focus on one point. This is a lot like the training of muscles I wrote of a moment ago. You have to continually transmit the object of your focus to your entire body, and make sure it thoroughly assimilates the information necessary for you to write every single day and concentrate on the work at hand. And gradually you’ll expand the limits of what you’re able to do. Almost imperceptibly you’ll make the bar rise. This involves the same process as jogging every day to strengthen your muscles and develop a runner’s physique. Add a stimulus and keep it up. And repeat. Patience is a must in this process, but I guarantee results will come. In private correspondence the great mystery writer Raymond Chandler once confessed that even if he didn’t write anything, he made sure he sat down at his desk every single day and concentrated. I understand the purpose behind his doing this. This is the way Chandler gave himself the physical stamina a professional writer needs, quietly strengthening his willpower. This sort of daily training was indispensable to him. … Most of what I know about writing I’ve learned through running every day. These are practical, physical lessons. How much can I push myself? How much rest is appropriate—and how much is too much? How far can I take something and still keep it decent and consistent? When does it become narrow-minded and inflexible? How much should I be aware of the world outside, and how much should I focus on my inner world? To what extent should I be confident in my abilities, and when should I start doubting myself? I know that if I hadn’t become a long-distance runner when I became a novelist, my work would have been vastly different. How different? Hard to say. But something would definitely have been different.
Haruki Murakami (What I Talk About When I Talk About Running)
This is what I think so many of us who work in the arts and the humanities hope to receive from our universities, from our government, from sometimes skeptical students and their parents: patience and faith in us as we test the limits of our ignorance, as we pursue what may very well be useless, as we go in search of that mystery and intuition that exist within all of us.
Viet Thanh Nguyen (The Refugees)
They that see how they can rise beyond the horizon never exert their total energy on things that are breathtaking on the ground! They think, they act and they see what we all see differently. Though their bodies live on the ground, their mind, spirit and energy journey purposefully towards higher heights each moment of time. They understand doing the small things that can result in great things and they reason from the ignorance, absurdity and the heralds of ordinariness of the masses. They know and understand the real reasons why they must dare, relax and ponder in patience, and also take steps with fortitude and tenacity for a noble accomplishment so as to leave great, distinctive and indelible footprints regardless of the hurdles they might face.
Ernest Agyemang Yeboah
Abel, get away from him." "No, I—" Pacer took a step toward them. "Get up, now." He pointed a finger at the ground. "And come here." Abel opened and closed his mouth several times, paralyzed. "Pacer, we were just—" "I won't say it again, Abel." He hated to admit it, but Pacer's demanding tone had sent a flash of anticipation through his system. Half- wanting to keep going, to test the limits of Pacer's patience, Abel paused for just another second before standing up and walking over to Pacer. "You don't have to sound so scary," he said. Pacer snorted, grabbing hold of Abel's wrist. "Please. You should be happy I didn't just pull you over my knee." "Pacer!" Abel's eyes widening as he looked over at Eric. He was watching them avidly. "Pacer, don't be so rough. He and I were just chatting." "Are you deaf?" Pacer replied. "Why was he whispering in your ear?" Grinning, Eric shook his head. "My bad. Maybe I just wanted to see what all the fuss was about.” He stood up and walked over to them. "Abel, I just wanted you to know: I'm not a homophobe." Abel stared at him. "What?" Then, after a moment, he looked at Pacer, who was studiously observing the twig he had snapped on the ground. "I see.
R.D. Hero (Stalker)
Jackson asked, “Where’d the water come from in your house?” “A pipe.” Then he explained to Jackson, “Water travels in pipes.” Jackson pushed up from his spot against the wall, clearly reaching his limit of patience. “You hit your head or something, boy?” “Jackson, please.” Another scowl from the Cajun. Then he muttered to Selena, “He’s slower than Christmas.” “Christmas,” Matthew began grandly, “is . . . slow.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
Someone once said that the challenge of living is to develop a long obedience in the same direction. When it's demanded, we can rise on occasion and be patient . . . as long as there are limits. But we balk when patience is required over a long haul. We don't much like endurance. It's painful to persevere through a marriage that's forever struggling. A church that never crest 100 members. Housekeeping routines that never vary from week-to-week. Even caring for an elderly parent or a handicapped child can feel like a long obedience in the same direction. If only we could open our spiritual eyes to see the fields of grain we're planting, growing, and reaping along the way. That's what happens when we endure... Right now you may be in the middle of a long stretch of the same old routine.... You don't hear any cheers or applause. The days run together―and so do the weeks. Your commitment to keep putting one foot in front of the other is starting to falter. Take a moment and look at the fruit. Perseverance. Determination. Fortitude. Patience. Your life is not a boring stretch of highway. It's a straight line to heaven. And just look at the fields ripening along the way. Look at the tenacity and endurance. Look at the grains of righteousness. You'll have quite a crop at harvest . . . so don't give up!
Joni Eareckson Tada (Holiness in Hidden Places)
And are we not guilty of offensive disparagement in calling chess a game? Is it not also a science and an art, hovering between those categories as Muhammad’s coffin hovered between heaven and earth, a unique link between pairs of opposites: ancient yet eternally new; mechanical in structure, yet made effective only by the imagination; limited to a geometrically fixed space, yet with unlimited combinations; constantly developing, yet sterile; thought that leads nowhere; mathematics calculating nothing; art without works of art; architecture without substance – but nonetheless shown to be more durable in its entity and existence than all books and works of art; the only game that belongs to all nations and all eras, although no one knows what god brought it down to earth to vanquish boredom, sharpen the senses and stretch the mind. Where does it begin and where does it end? Every child can learn its basic rules, every bungler can try his luck at it, yet within that immutable little square it is able to bring forth a particular species of masters who cannot be compared to anyone else, people with a gift solely designed for chess, geniuses in their specific field who unite vision, patience and technique in just the same proportions as do mathematicians, poets, musicians, but in different stratifications and combinations. In the old days of the enthusiasm for physiognomy, a physician like Gall might perhaps have dissected a chess champion’s brain to find out whether some particular twist or turn in the grey matter, a kind of chess muscle or chess bump, is more developed in such chess geniuses than in the skulls of other mortals. And how intrigued such a physiognomist would have been by the case of Czentovic, where that specific genius appeared in a setting of absolute intellectual lethargy, like a single vein of gold in a hundredweight of dull stone. In principle, I had always realized that such a unique, brilliant game must create its own matadors, but how difficult and indeed impossible it is to imagine the life of an intellectually active human being whose world is reduced entirely to the narrow one-way traffic between black and white, who seeks the triumphs of his life in the mere movement to and fro, forward and back of thirty-two chessmen, someone to whom a new opening, moving knight rather than pawn, is a great deed, and his little corner of immortality is tucked away in a book about chess – a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!
Stefan Zweig (Chess)
To rise in the light, is to challenge our weaknesses daily and to focus our whole life, 24 hours a day, on struggling to attain holiness. We must seek perfection in every act; in every intention of our heart, in every emotion, sentiment, passion, thought or plan. A life lived like this, with perseverance, patience and humbleness, where we acknowledge our limitations and sinfulness, will lead us to great heights at the end of our earthly life.
Marino Restrepo (Purgatory: Divine Mercy)
Fifield’s connection to his congregation extended to their views on religion and politics too. In the apt words of one observer, Fifield was “one of the most theologically liberal and at the same time politically conservative ministers” of his era. He had no patience for fundamentalists who insisted upon a literal reading of Scripture. “The men who chronicled and canonized the Bible were subject to human error and limitation,” he believed, and therefore the text needed to be sifted and interpreted. Reading the holy book should be “like eating fish—we take the bones out to enjoy the meat. All parts are not of equal value.” Accordingly, Fifield dismissed the many passages in the New Testament about wealth and poverty and instead worked tirelessly to reconcile Christianity and capitalism. In his view, both systems rested on a basic belief that individuals would succeed or fail on their own merit.
Kevin M. Kruse (One Nation Under God: How Corporate America Invented Christian America)
Not only does a good army commander not need any special qualities, on the contrary he needs the absence of the highest and best human attributes—love, poetry, tenderness, and philosophic inquiring doubt. He should be limited, firmly convinced that what he is doing is very important (otherwise he will not have sufficient patience), and only then will he be a brave leader. God forbid that he should be humane, should love, or pity, or think of what is just and unjust.
Leo Tolstoy (War and Peace)
There is no exclusivity in the comparison of emotions attached to opposites " This means that we can not appreciate feeling good when we have never felt bad. We can never appreciate comfort without being exposed to discomfort. let's make a determined effort every day to do uncomfortable things; because it's only when we push ourselves beyond our comfort limits that we get to uncover the abundant wealth of endurance within us, and get to tap into the true essence of comfort.
Jacinta Mpalyenkana
To tugboat was to try Minna's patience. Any time you pushed your luck, said too much, overstayed a welcome, or overestimated the usefulness of a given method or approach, you were guilty of having tugged the boat. Tugboating was most of all a dysfunction of wits and storytellers, and a universal one. Anybody who thought himself funny would likely tug a boat here or there. Knowing when a joke or verbal gambit was right at its limit, quitting before the boat had been tugged, that was art.
Jonathan Lethem (Motherless Brooklyn)
Not so long ago a psychiatrist told me that one of the marks of an adult who has never properly grown up is an inability to wait, and a whole therapeutic movement has been built on that one insight alone. Because music takes or demands our time and depends on carefully timed relations between notes, it cannot be rushed. It schools us in the art of patience. Certainly we can play or sing a piece of music faster. But we can do this only to a very limited degree before the piece becomes incoherent. Given today’s technology we can cut and paste, we can hop from track to track on the MP3 player, flip from one song to another, and download highlights of a three-hour opera. But few would claim they hear a piece of music in its integrity that way. Music says to us: “There are things you will learn only by passing through this process, by being caught up in this series of relations and transformations.”34 Music requires my time, my flesh, and my blood for its performance and enjoyment, and this means going at its speed. Simone Weil described music as “time that one wants neither to arrest nor hasten.”35 In an interview, speaking of the tendency of our culture to think that music is there simply to “wash over” us, the composer James MacMillan remarked: “[Music] needs us to sacrifice something of ourselves to meet it, and it’s very difficult sometimes to do that, especially [in] the whole culture we’re in. Sacrifice and self-sacrifice—certainly sacrificing your time—is not valued any more.”36
Jeremy S. Begbie (Resounding Truth: Christian Wisdom in the World of Music (Engaging Culture))
You know, of course, that as prophesied by Moroni, there are those whose research relating to Joseph Smith is not for the purpose of gaining added light and knowledge but to undermine his character, magnify his flaws, and if possible destroy his influence. Their work product can sometimes be jarring, and so can issues raised at times by honest historians and researchers with no “axe to grind.” But I would offer you this advice in your own study: Be patient, don’t be superficial, and don’t ignore the Spirit. In counseling patience, I simply mean that while some answers come quickly or with little effort, others are simply not available for the moment because information or evidence is lacking. Don’t suppose, however, that a lack of evidence about something today means that evidence doesn’t exist or that it will not be forthcoming in the future. The absence of evidence is not proof. . . . When I say don’t be superficial, I mean don’t form conclusions based on unexamined assertions or incomplete research, and don’t be influenced by insincere seekers. I would offer you the advice of our Assistant Church Historian, Rick Turley, an intellectually gifted researcher and author whose recent works include the definitive history of the Mountain Meadows Massacre. He says simply, “Don’t study Church history too little.” While some honestly pursue truth and real understanding, others are intent on finding or creating doubts. Their interpretations may come from projecting 21st Century concepts and culture backward onto 19th Century people. If there are differing interpretations possible, they will pick the most negative. They sometimes accuse the Church of hiding something because they only recently found or heard about it—an interesting accusation for a Church that’s publishing 24 volumes of all it can find of Joseph Smith’s papers. They may share their assumptions and speculations with some glee, but either can’t or won’t search further to find contradictory information. . . . A complete understanding can never be attained by scholarly research alone, especially since much of what is needed is either lost or never existed. There is no benefit in imposing artificial limits on ourselves that cut off the light of Christ and the revelations of the Holy Spirit. Remember, “By the power of the Holy Ghost, ye may know the truth of all things.” . . . If you determine to sit still, paralyzed until every question is answered and every whisper of doubt resolved, you will never move because in this life there will always be some issue pending or something yet unexplained.
D. Todd Christofferson
You have to continually transmit the object of your focus to your entire body, and make sure it thoroughly assimilates the information necessary for you to write every single day and concentrate on the work at hand. And gradually you'll expand the limits of what you're able to do. Almost imperceptibly you'll make the bar rise. This involves the same process as jogging every day to strengthen your muscles and develop a runner's physique. Add a stimulus and keep it up. And repeat. Patience is a must in this process, but I guarantee the results will come.
Haruki Murakami (What I Talk About When I Talk About Running)
We are living in an age, I believe, where preaching has fallen on hard times. There are many reasons for this, but one reason is that pastors have a limited vocabulary and ability to express God’s attributes to his people. As a result, they do not paint vivid pictures of God’s goodness, love, patience, wrath, and so forth, in order to move congregants to respond to these glorious truths. God is good. Fine! But how is God good? The preacher must creatively and convincingly unfold these perfections so Christians can understand, love, and believe God’s goodness to them.
Mark Jones (God Is: A Devotional Guide to the Attributes of God)
An acquiescence in the Lord's will, founded in a persuasion of his wisdom, holiness, sovereignty, and goodness.--This is one of the greatest privileges and brightest ornaments of our profession. So far as we attain to this, we are secure from disappointment. Our own limited views and short-sighted purposes and desires, may be, and will be, often over-ruled; but then our main and leading desire, that the will of the Lord may be done, must be accomplished. How highly does it become us, both as creatures and as sinners, to submit to the appointments of our Maker! And how necessary it is to our peace! This great attainment is too often unthought of, and overlooked: we are prone to fix our attention upon the second causes and immediate instruments of events; forgetting that whatever befalls us is according to his purpose, and therefore must be right and seasonable in itself, and shall in the issue be productive of good. From hence rise impatience, resentment, and secret repinings, which are not only sinful, but tormenting: whereas, if all things are in his hand; if the very hairs of our head are numbered; if every event great and small, is under the direction of his providence and purpose; and if he has a wise, holy, and gracious end in view, to which every thing that happens is subordinate and subservient; then we have nothing to do, but with patience and humility to follow as he leads, and cheerfully to expect a happy issue. The path of present duty is marked out; and the concerns of the next and every succeeding hour are in his hands. How happy are they who can resign all to him, see his hand in every dispensation, and believe that he chooses better for them than they possibly could for themselves!
John Newton (Jewels from John Newton: Daily)
What, then, can Shakespearean tragedy, on this brief view, tell us about human time in an eternal world? It offers imagery of crisis, of futures equivocally offered, by prediction and by action, as actualities; as a confrontation of human time with other orders, and the disastrous attempt to impose limited designs upon the time of the world. What emerges from Hamlet is--after much futile, illusory action--the need of patience and readiness. The 'bloody period' of Othello is the end of a life ruined by unseasonable curiosity. The millennial ending of Macbeth, the broken apocalypse of Lear, are false endings, human periods in an eternal world. They are researches into death in an age too late for apocalypse, too critical for prophecy; an age more aware that its fictions are themselves models of the human design on the world. But it was still an age which felt the human need for ends consonant with the past, the kind of end Othello tries to achieve by his final speech; complete, concordant. As usual, Shakespeare allows him his tock; but he will not pretend that the clock does not go forward. The human perpetuity which Spenser set against our imagery of the end is represented here also by the kingly announcements of Malcolm, the election of Fortinbras, the bleak resolution of Edgar. In apocalypse there are two orders of time, and the earthly runs to a stop; the cry of woe to the inhabitants of the earth means the end of their time; henceforth 'time shall be no more.' In tragedy the cry of woe does not end succession; the great crises and ends of human life do not stop time. And if we want them to serve our needs as we stand in the middest we must give them patterns, understood relations as Macbeth calls them, that defy time. The concords of past, present, and future towards which the soul extends itself are out of time, and belong to the duration which was invented for angels when it seemed difficult to deny that the world in which men suffer their ends is dissonant in being eternal. To close that great gap we use fictions of complementarity. They may now be novels or philosophical poems, as they once were tragedies, and before that, angels. What the gap looked like in more modern times, and how more modern men have closed it, is the preoccupation of the second half of this series.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.” “I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.” “Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’” “Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts. But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’” Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.” “Isn’t there anyone who meets your standards?” “At least I have standards.” He raised an eyebrow. “Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.” For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry. “Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?” “I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.” Good-bye, poetry, Ash thought. “Sounds lovely.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
These are some of the comments Lucio made in his interview: “When I became paraplegic, it was like being born again. I had to learn from scratch everything I used to know, but in a different way. I had to learn to dress myself, to use my head better. I had to become part of the environment, and use it without trying to control it…. it took commitment, willpower, and patience. As far as the future is concerned, I hope to keep improving, to keep breaking through the limitations of my handicap…. Everybody must have a purpose. After becoming a paraplegic, these improvements have become my life goal.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
My patience finally snapped. “This is ridiculous.” I swept her up and swung her over my shoulder, her bare feet dangling in front of me. Tinkling laughter filled the room. “What are you doing?” I tossed her onto the bed. Her fire-red hair sprawled over the pillow. My siren smiled up at me. “Getting comfortable,” I said. Echo blinked and raw hunger replaced the laughter that danced in her eyes moments before. Her delicate fingers glided up my arm, exciting every cell. “You don’t look very comfortable.” The sultry tone caused something deep within me to stir. I swallowed, attempting to push away the unexpected flutter of nerves in my stomach. “Echo …” My heart swelled, causing my chest to ache and breathing to become nearly impossible. Paralyzed by her beauty, I hovered over her. She was no nymph, but a goddess. Her hands continued their burning climb up my arm and onto my chest. Bold moves for her. Echo’s breasts rose and fell at a faster rate. “I want to stay with you tonight.” I sucked in a breath as her fingers trailed down the indentations of my chest muscles and willed her to continue as they made their slow descent. Caressing the warm redness forming on her cheek, I sank onto the bed beside her. “Are you sure?” “Yes.”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of supersight which penetrate the common veil of obvious empricism.
H.P. Lovecraft (The Collected Stories 1)
I’ve always been very one-sided about science and when I was younger I concentrated almost all my effort on it. I didn’t have time to learn and I didn’t have much patience with what’s called the humanities, even though in the university there were humanities that you had to take. I tried my best to avoid somehow learning anything and working at it. It was only afterwards, when I got older, that I got more relaxed, that I’ve spread out a little bit. I’ve learned to draw and I read a little bit, but I’m really still a very one-sided person and I don’t know a great deal. I have a limited intelligence and I use it in a particular direction.
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman (Helix Books))
The conscious mind is occupied with the immediate, the limited present, whereas the unconscious is under the weight of centuries, and cannot be stemmed or turned aside by an immediate necessity. The unconscious has the quality of deep time, and the conscious mind, with its recent culture, cannot deal with it according to its passing urgencies. To eradicate self-contradiction, the superficial mind must understand this fact and be quiescent, which does not mean giving scope to the innumerable urges of the hidden. When there is no resistance between the open and the hidden, then the hidden, because it has the patience of time, will not violate the immediate.
J. Krishnamurti (Total Freedom: The Essential Krishnamurti)
Not only does a good army commander not need any special qualities, on the contrary he needs the absence of the highest and best human attributes—love, poetry, tenderness, and philosophic inquiring doubt. He should be limited, firmly convinced that what he is doing is very important (otherwise he will not have sufficient patience), and only then will he be a brave leader. God forbid that he should be humane, should love, or pity, or think of what is just and unjust. It is understandable that a theory of their ‘genius’ was invented for them long ago because they have power! The success of a military action depends not on them, but on the man in the ranks who shouts ‘We are lost!’ or who shouts ‘Hurrah!’ And only in the ranks can one serve with assurance of being useful.
Leo Tolstoy (War and Peace)
But there are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart’s impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another’s unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one’s own soul against the sufferings of another; and the other, the only kind that counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond. It is only when one goes on to the end, to the extreme, bitter end, only when one has an inexhaustible fund of patience, that one can help one’s fellows. Only when one is prepared to sacrifice oneself in doing so — and then only!
Stefan Zweig (Beware of Pity (Woolf Haus Classics))
In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative. It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.
H.P. Lovecraft (H.P. Lovecraft: The Ultimate Collection)
Reading Mrs Gaskell's Life of Charlotte Brontë after Jane Eyre is a curious experience. The subject of the biography is recognisably the same person who wrote the novel, but the effect of the two books is utterly different. The biography is indeed depressing and painful reading. It captures better, I believe, than any any subsequent biography the introverted and puritan pessimist side of Charlotte Brontë, and conveys the real dreariness of the world of privation, critical discouragement and limited opportunity that so often made her complain in her letters that she felt marked out for suffering. Jane Eyre, on the other hand, is exhilarating reading, partly because the reader, far from simply pitying the heroine, is struck by her resilience, and partly because the novel achieves such an imaginative transmutation of the drab. Unlike that of Jane Austen's Fanny Price or Dickens's Arthur Clennam or John Harmon, Jane Eyre's response to suffering is never less than energetic. The reader is torn between exasperation at the way she mistakes her resentments and prejudices for fair moral judgements, and admiration at the way she fights back. Matthew Arnold, seeking 'sweetness and light' was repelled by the 'hunger, rebellion and rage' that he identified as the keynotes of the novel. One can see why, and yet feel that these have a more positive effect than his phrase allows. The heroine is trying to hold on to her sense of self in a world that gives it little encouragement, and the novel does put up a persuasive case for her arrogance and pugnacity as the healthier alternatives to patience and resignation. That the book has created a world in which the golden mean seems such a feeble solution is both its eccentricity and its strength.
Ian Gregor (Reading the Victorian novel: Detail into form (Vision critical studies))
As she pondered how to reply, she thought of a conversation she'd once had with her father, the most sensible man who'd ever existed. They'd been talking about various problems she'd faced after taking the reins at Sterling Enterprises, and she'd asked how he knew whether a risk was worth taking. Her father had said, "Before taking a risk, begin by asking yourself what's important to you." Time, Merritt thought. Life is full of wasted time. She hadn't realized it until now, but her awareness of squandered time had been growing during the past year, eroding her usual patience. So many rules had been invented to keep people apart and wall off every natural instinct. She was tired of them. She had started to resent all the invisible barriers between herself and what she wanted. It occurred to her this must be how her mother often felt. As a strong-willed young heiress, Mama had come to England with her younger sister, Aunt Daisy, when no gentlemen in New York had been willing to offer for either of them. Wallflowers, both of them, chafing at the limitations of polite behavior. Even now, Mama spoke and acted a little too freely at times, but Papa seemed to enjoy it.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
It is only because military men are invested with pomp and power and crowds of sychophants flatter power, attributing to it qualities of genius it does not possess. The best generals I have known were, on the contrary, stupid or absent-minded men. Bagratión was the best, Napoleon himself admitted that. And Bonaparte himself! I remember his limited, self-satisfied face on the field of Austerlitz. Not only does a good army commander not need any special qualities, on the contrary he needs the absence of the highest and best human attributes—love, poetry, tenderness, and philosophic inquiring doubt. He should be limited, firmly convinced that what he is doing is very important (otherwise he will not have sufficient patience), and only then will he be a brave leader. God forbid that he should be humane, should love, or pity, or think of what is just and unjust. It is understandable that a theory of their ‘genius’ was invented for them long ago because they have power! The success of a military action depends not on them, but on the man in the ranks who shouts, ‘We are lost!’ or who shouts, ‘Hurrah!’ And only in the ranks can one serve with assurance of being useful.
Leo Tolstoy (War and Peace)
Isn't it also a science, an art form, floating between those categories as the coffin of Mohammed betwixt heaven and earth, a one-off union of all opposing forces: ancient and yet forever new, technical in its layout and yet only operable through imagination, limited by a geometrically rigid space yet unlimited in its combinations, constantly evolving and yet lifeless, cogitation that leads to nothing, art without display, architecture without bricks and despite this, proven in its very being and existence to be more durable than all books and academic works; it is the only game that belongs to all races and all time, and nobody may know which heavenly power gave it to the world to slay boredom, sharpen the senses and capture the soul. Where is its beginning and where its end? Every child can grasp its basic principles, every dilettante can dabble at it, and yet it is capable within its fixed, tight square of producing a special species of master, bearing no comparison to others, people with a talent solely directed to chess, idiosyncratic geniuses in whom just as precise a proportion of vision, patience and technique is required as in a mathematician, a poet or a musician, merely in a different formula and combination.
Stefan Zweig (Chess Story)
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching. “Are you going to claim that it’s not?” “St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.” Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.” St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?” Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…” Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—” “You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—” “The goings-on in my bedroom are not open for discussion,” Hunt said firmly. “But you lie with her more than once a week?” St. Vincent pressed. “Hell, yes,” Hunt muttered. “And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.” Marcus frowned. “There are more important things.” “Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?” “I never answer hypothetical questions.” St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
-1 PETER 5:3 Over and over I have attempted to be an example by doing rather than telling. I feel that God's great truths are "caught" and not always "taught." In the book of Deuteronomy, Moses (the author) says the following about God's commandments, statutes, and judgments: "You shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up" (6:7). In other words, at all times we are to be examples. It is amazing how much we can teach by example in every situation: at home, at the beach, while jogging, when resting, when eating-in every part of the day. It's amazing how often I catch our children and grandchildren imitating the values we exhibited in our home-something as little as a lighted candle to warm the heart, to a thank you when food is being served in a restaurant. Little eyes are peering around to see how we behave when we think no one is looking. Are we consistent with what we say we believe? If we talk calmness and patience, how do we respond when standing in a slow line at the market? How does our conversation go when there is a slowdown on Friday evening's freeway drive? Do we go by the rules on the freeway (having two people or more in the car while driving in the carpool lane, going the speed limit, and obeying all traffic signs)? How can we show God's love? By helping people out when they are in need of assistance, even when it is not convenient. We can be good neighbors. Sending out thank you cards after receiving a gift shows our appreciation for the gift and the person. Being kind to animals and the environment when we go to the park for a campout or picnic shows good stewardship. We are continually setting some kind of example whether we know it or not. PRAYER Father God, let my life be an example to those around me, especially the little ones who are learning the ways of faith. May I exhibit proper conduct even when no one is around. I want to be obedient to Your guiding principles. Thank You for Your example. Amen.
Emilie Barnes (The Tea Lover's Devotional)
merciful and kind, forgiving and gentle. If anything, He wants a relationship with me and so He would not ignore me. “For the eyes of the Lord are on the righteous and his ears are attentive to their prayer” (1 Peter 3:12).   c) He heard my prayer and answered, Yes later   I know that God hears my prayers. I know by His very nature He would not ignore my prayers. (2 Chronicles 7 NIV) So He may be saying, Yes later. God knows the past, the present and the future. He lives in eternity. He knows what is best for me and when. His timing is perfect and I must learn to accept this. I must lift my prayer to Him and then settle back knowing that He is in full control.   It’s just a matter of patience. “We do not want you to become lazy, but to imitate those who through faith and patience inherit what has been promised” (Hebrews 6:12). Like the time I had to wait for my house to sell. I knew God heard my prayer to sell. I knew He was not ignoring me. I just had to wait in His perfect timing. And lo and behold, it was perfect as it allowed us time to find the home in which to settle.   But what if God’s answer is No?   d) He heard my prayer and answered, No   This has been my experience in the past. I prayed for a specific outcome, yet when the decision was made, my request was denied. I felt crushed and betrayed. Little did I know at the time that God had a much better plan. God is not a malicious, vengeful God. No, He is loving and kind. “The LORD is faithful to all His promises and loving toward all He has made” (Psalm 145:13).   What ended up happening in that situation was a very different, much better outcome. Something that had not entered my mind. I had limited my prayer to my own finite wisdom and understanding of the situation at that moment in time. God has infinite wisdom. He knows the hearts of people. And although He said No to my prayer, it was only because He had something better in mind.   I am reminded that there are many ways God enriches our lives through trials and suffering; things we could not have learned without going through those troubles.   My prayer for my daughter’s health has been heard. I can rest in the knowledge that God is not ignoring my pleas. I also find peace knowing that God will answer my prayer within His perfect timing, and if He has a better way or more favorable outcome, He will respond accordingly. I can relax knowing that I have laid my prayer at His feet; I can rest knowing that He loves me and is taking care of me.       Prayer is communing with God. ~ Emma Tcheau
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
This is the way it is with all people, I’ve learned. A person’s strengths almost always have a flip side. Obama’s strengths are prodigious, but he’s not perfect or exempt from blame for some of the disappointments I hear expressed about him ever more frequently these days. The day after the Affordable Care Act passed, a slightly hungover but very happy president walked into my office to reflect on the momentous events of the night before. “Not used to martinis on work nights,” he said with a smile, as he flopped down on the couch across from my desk, still bearing the effects of the late-night celebration he hosted for the staff after the law was passed. “I honestly was more excited last night than I was the night I was elected. Elections are like winning the semifinals. They just give you the opportunity to make a difference. What we did last night? That’s what really matters.” That attitude and approach is what I admire most about Obama, the thing that makes him stand apart. For him, politics and elections are only vehicles, not destinations. They give you the chance to serve. To Obama’s way of thinking, far worse than losing an election is squandering the opportunity to make the biggest possible difference once you get the chance to govern. That’s what allowed him to say “damn the torpedoes” and dive fearlessly into health care reform, despite the obvious political risks. It is why he was able to make many other tough calls when the prevailing political wisdom would have had him punt and wait for another chance with the ball. Yet there is the flip side to that courage and commitment. Obama has limited patience or understanding for officeholders whose concerns are more parochial—which would include most of Congress and many world leaders. “What are they so afraid of?” he asked after addressing the Senate Democrats on health reform, though the answer seemed readily apparent: losing their jobs in the next election! He has aggravated more than one experienced politician by telling them why acting boldly not only was their duty but also served their political needs. Whether it’s John Boehner or Bibi Netanyahu, few practiced politicians appreciate being lectured on where their political self-interest lies. That hint of moral superiority and disdain for politicians who put elections first has hurt Obama as negotiator, and it’s why Biden, a politician’s politician, has often had better luck.
David Axelrod (Believer: My Forty Years in Politics)
We can't be expected to understand more until we are enlightened. The most we can hope for is to have the patience and compassion for ourselves to get there through work, effort, and learning. Many people cut themselves short thinking, falsely, they've got it all. Limited by their own ego, and also by their lack of vision for how vast the Universe really is. They get to a pivotal point and believe that's it. They are seeing universes; their whole body is humming and vibrating this love of God. They don't believe it can be greater than that. Even at that level they become self-consumed.
Eric Pepin (Meditation within Eternity: The Modern Mystics Guide to Gaining Unlimited Spiritual Energy, Accessing Higher Consciousness and Meditation Techniques for Spiritual Growth)
When Mercury’s transit squares a major planet in one’s natal chart, watch for communication difficulties. If the planet squared is Mars or Venus, one’s patience is pushed to the limit. It can also, however, be a period of great creativity and social energy.
Anonymous
The limitation on patience applies here because deferred spousal benefits rise in value between age 62 and FRA but they do not rise beyond that point. So holding out any longer won’t hike your spousal benefits one red cent, save for the annual inflation adjustment. As for survivor benefits, which are available as early as age 60 (age 50 for widow[er]s of disabled workers), the reward for patience also ends at FRA.
Laurence J. Kotlikoff (Get What's Yours: The Secrets to Maxing Out Your Social Security (The Get What's Yours Series))
Poetry vs. Patience [10w] Poetry's limits are beyond the limits of some people's patience.
Beryl Dov
The Limits of Poetry A poet set upon pushing the limits of poetry is condemned to push the limits of some people's patience. Fuck 'em.
Beryl Dov
Maybe,” Clove hedged. Realization washed over me. “I’m guessing you’re interested in seeing the Dandridge but you don’t want to see me.” “That’s not exactly it,” Clove said. “Clove, I had a really long night,” I said, tugging on my limited patience. “If you don’t want to tell me why you’re here, then … you can help me clean up.” I handed her the garbage bag. “Hold that open.” Clove wordlessly took the bag and watched as I picked my way around the clearing and gathered the trash. Her face was hard to read, and finally I couldn’t take the silence one second longer. “What are you thinking?” I asked. “I’m thinking that you’re a little old to be partying in the woods,” Clove replied, not missing a beat. “I’m not judging you, but once you hit twenty-five you’re officially too old to be drinking Milwaukee’s Best around a bonfire …
Amanda M. Lee (Bewitched (Wicked Witches of the Midwest Shorts, #6))
g to give you a reason not to go.” When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.” “I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.” “Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’” “Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts. But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’” Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.” “Isn’t there anyone who meets your standards?” “At least I have standards.” He raised an eyebrow. “Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.” For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry. “Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?” “I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.” Good-bye, poetry, Ash thought. “Sounds lovely.
Cinda Chima
Here I am,” I said, all impertinence. “I’m watching the time.” Knowing my mother’s voice as well as I did, I could already hear her say, “Oh, you are a bold piece.” Knowing the limits of my mother’s patience, I could already feel the slap on my cheek. But my mother merely stood beside me with her hands on her hips, studying her stubborn daughter once more, even as that daughter kept her exaggerated, myopic stare on the clock. “I suppose this is how it’s going to be,” she said softly, more to herself than to me. “You’re growing up.” And then, for a moment, she put a gentle hand to my head. She said, “God help us both,” and left the kitchen.
Alice McDermott (Someone)
Helen, who was wild to be doing, and who had no patience for the limitation of words, or of thoughts, or even of the body, though she trusted the body most.
Walter Van Tilburg Clark
Regardless of what stage you’re at, there is always more to learn. Push past your limits, welcome challenge, and pursue every step with patience and modesty. Don’t be disheartened. Use setbacks as a springboard to keep you moving forward. If you remember that, you cannot fail.
Bella Forrest (Persie Merlin and the Door to Nowhere (Harley Merlin, #19))
better customer experience, like trade show booths, big teams, and splashy marketing campaigns. Amazon Music and Prime Video are examples of how we kept our investment manageable for many years by being frugal: keeping the team small, staying focused on improving the customer experience, limiting our marketing spend, and managing the P&L carefully. Once we had a clear product plan and vision for how these products could become billion-dollar businesses that would delight tens, even hundreds of millions of consumers, we invested big. Patience and carefully managed investment over many years can pay off greatly. Invention
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
The Phlegmatic-Melancholic Person (PHLEG-MEL) The Phlegmatic-Melancholy persons are seen as extreme introverts. They are the quietest persons who rarely voice out their views. The phleg-mel types are the quietest persons among all the groups. Hardly will they offer threats to people or flatter them with words. Often, they are seen walking alone without friends. Strengths of the PHLEG-MEL person They are people who scarcely exchange words with others. They even live at peace with their enemies. Hardly will they be ruthlessly, even in situations that demand severe action, they are gentle. They may only flare up occasionally when they have been criticized and stirred up beyond their limits. At meetings where people argue and insult one another, they will act gently, as if they were not present. They have the natural ability of showing mercy and being helpful to others. They forgive freely and are not often offended by others. They do not verbalize their criticisms nor create hatred for themselves like the San-Mels. They do not criticize their superior officers in their absence to destroy unity, as do the Mel-Chol types. They do not spend precious time to socialize and also, they scarcely come out of themselves to do things. This behavior traits in them make them good in job fields or occupations that demand patience and detail, such as radio mechanics, computer engineering, watch repairing, taking of inventory and costing. When books are misplaced in a library, they are the persons to search for them; they have the patience for it. Weaknesses of the PHLEG-MEL person They are too shy and slothful. They allow the brightest opportunities in their lives to slip by. With the combination of the phlegmatic and the melancholic traits, both of whom refuse leadership, if they are not careful, they will miss all the golden opportunities in their lives
Emmanuel Koranteng (TEMPERAMENTS: WHY PEOPLE BEHAVE THE WAY THEY DO)
The vultures came in shifts, sentinels to the requiem. The topmost ridges were first to welcome the daylight. A falcon swooped through the valley, scattering its benediction. I was mesmerized by the sentry duty of the carrion birds. They watched to see that all was well on earth: that death took its allotted share of animals and in return left provisions. Below, on the steep slopes that chamfered the gorge, the yaks grazed. Lying in the long grasses, cold, calm and watchful, Léo studied every crag through his binoculars. I was less conscientious. Patience has its limits, and I had come to the end of mine when we reached the canyon. I was busy assigning each animal a rung on the social ladder of the kingdom. The snow leopard was the regent; her status reinforced by her invisibility. She reigned, and therefore had no need to show herself. The prowling wolves were knavish princes; the yaks, richer burghers, warmly attired; the lynxes were musketeers; the foxes country squires; the blue sheep and the wild donkeys were the general populace. The raptors represented the priests, hieratic masters of the heavens and of death. These clerics in plumed livery were not against the idea that things might bode ill for us.
Sylvain Tesson (The Art of Patience: Seeking the Snow Leopard in Tibet)
Except perhaps his way was wrong. Wyrn’s patience seemed only slightly greater than Dilaf’s—the three-month time limit proved that much. Suddenly Hrathen felt an extreme sense of urgency. Wyrn meant his words: Unless Hrathen converted Arelon, the country would be destroyed. “Great Jaddeth Below…” Hrathen whispered, invoking his deity’s name. Right or wrong, he didn’t want the blood of an entire kingdom—even a heretical one—on his hands. He must succeed.
Brandon Sanderson (Elantris (Elantris, #1))
Intelligence begins with principles that must be accepted and not explained; and in applying those principles to the phenomena of existence, apparent contradictions constantly emerge that require patience and further knowledge to resolve them. But the mind, anxious to know all and restless under doubts and uncertainty, is tempted to renounce the first principles of reason and to contradict the facts which it daily observes. It seeks consistency of thought, and rather than any gaps should be left unfilled it plunges everything into hopeless confusion. Instead of accepting the laws of intelligence and patiently following the light of reason, and submitting to ignorance where ignorance is the lot of his nature as limited and finite, and joyfully receiving the partial knowledge which is his earthly inheritance, man under the impulse of curiosity, had rather make a world that he does understand than admit one which he cannot comprehend. When he cannot stretch himself to the infinite dimensions of truth, he contracts truth to his own little measure. This is what the apostle means by vanity of mind.
Arthur W. Pink (The Total Depravity of Man (The Pink Collection Book 55))
Car dans toute création il y a, à l'origine, un défi lancé à soi-même : sans rien laisser au hasard, il convient de s'aventurer hors des limites circonscrites pour donner asile à cet "hôte plus ou moins indésirable" qui invite à "se réinventer" en sachant que, dans cette bataille, fureur et patience se trouvent mêlées. Le danger est moins de se perdre au milieu des ombres que de refuser toute connivence avec l'inquiétante part enfantée par la nuit. (p. 45)
Linda Lê (Chercheurs d’ombres)
The small town of Gunnison, Colorado, lies at the bottom of the valley carved by the Gunnison River into the Rocky Mountains. It is now crossed by the Colorado stretch of U.S. Highway 50, but in 1918, the town was mainly supplied by train and two at best mediocre roads. When the 1918–19 influenza pandemic reached Colorado as an unwelcome stowaway on a train carrying servicemen from Montana to Boulder, the town of Gunnison took decisive action. As the November 1, 1918, edition of the Gunnison News-Champion documents, a Dr. Rockefeller from the nearby town of Crested Butte was "given entire charge of both towns and county to enforce a quarantine against all the world". He instituted a strict reverse quarantine regime that almost entirely isolated Gunnison from the rest of the world. Gunnison became one of the few communities that largely escaped the ravages of the influenza pandemic, at least in the beginning – in an instructive example of the limited human patience for the social, psychological and economic disruption of quarantine, adherence eventually waned and the front page of the Gunnison News-Champion's March 14, 1919, issue reports that the influenza pandemic got to Gunnison, too. Nevertheless, Gunnison had a very lucky escape – of a population of over 6,900 (including the county), there were only a few cases and a single death.
Chris von Csefalvay (Computational Modeling of Infectious Disease: With Applications in Python)
many of us have no patience for pastoral care. Broken bones and minds are not hurry prone.
Zack Eswine (The Imperfect Pastor: Discovering Joy in Our Limitations through a Daily Apprenticeship with Jesus)