β
Let us dance in the sun, wearing wild flowers in our hair...
β
β
Susan Polis Schutz
β
I sit beside the fire and think
Of all that I have seen
Of meadow flowers and butterflies
In summers that have been
Of yellow leaves and gossamer
In autumns that there were
With morning mist and silver sun
And wind upon my hair
I sit beside the fire and think
Of how the world will be
When winter comes without a spring
That I shall ever see
For still there are so many things
That I have never seen
In every wood in every spring
There is a different green
I sit beside the fire and think
Of people long ago
And people that will see a world
That I shall never know
But all the while I sit and think
Of times there were before
I listen for returning feet
And voices at the door
β
β
J.R.R. Tolkien
β
I will be the gladdest thing under the sun! I will touch a hundred flowers and not pick one.
β
β
Edna St. Vincent Millay
β
Art is unquestionably one of the purest and highest elements in human happiness. It trains the mind through the eye, and the eye through the mind. As the sun colors flowers, so does art color life.
β
β
John Lubbock (The Pleasures of Life)
β
why is it
that when the story ends
we begin to feel all of it
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Because horror on Earth is real and it is every day. It is like a flower or like the sun; it cannot be contained.
β
β
Alice Sebold (The Lovely Bones)
β
Each time I told my story, I lost a bit, the smallest drop of pain. It was that day that I knew I wanted to tell the story of my family. Because horror on Earth is real and it is every day. It is like a flower or like the sun; it cannot be contained.
β
β
Alice Sebold (The Lovely Bones)
β
a lot of times
we are angry at other people
for not doing what
we should have done for ourselves
- responsibility
β
β
Rupi Kaur (The Sun and Her Flowers)
β
despite knowing
they wonβt be here for long
they still choose to live
their brightest lives
- sunflowers
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again)
β
You do not just wake up and become the butterfly"
-Growth is a process.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
All around me darkness gathers,
Fading is the sun that shone,
We must speak of other matters,
You can be me when I'm gone
Flowers gathered in the morning,
Afternoon they blossom on,
Still are withered in the evening,
You can be me when I'm gone.
β
β
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
β
And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.
β
β
Khaled Hosseini (A Thousand Splendid Suns)
β
Roads Go Ever On
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.
Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way,
Where many paths and errands meet.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.
The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.
β
β
J.R.R. Tolkien (The Lord of the Rings)
β
A painting is more than the sum of its parts,' he would tell me, and then go on to explain how the cow by itself is just a cow, and the meadow by itself is just grass and flowers, and the sun peeking through the trees is just a beam of light, but put them all together and you've got magic.
β
β
Wendelin Van Draanen (Flipped)
β
you left
and i wanted you still
yet i deserved someone
who was willing to stay
β
β
Rupi Kaur (The Sun and Her Flowers)
β
and here you are living
despite it all
β
β
Rupi Kaur (The Sun and Her Flowers)
β
i stand
on the sacrifices
of a million women before me
thinking
what can i do
to make this mountain taller
so the women after me
can see farther
- legacy
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Sheβs the sun. Iβm the dark.
If sheβs gone, I can kiss that fucking light away.
Without her, I know Iβll never see it again.
β
β
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
β
I believe that God is in me as the sun is in the colour and fragrance of a flower - the Light in my darkness, the Voice in my silence.
β
β
Helen Keller
β
There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.
β
β
Shel Silverstein (Where the Sidewalk Ends)
β
The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice.
β
β
Virginia Woolf (Orlando)
β
Love is not selective, just as the light of the sun is not selective. It does not make one person special. It is not exclusive. Exclusivity is not the love of God but the "love" of
ego. However, the intensity with which true love is felt can vary. There may be one person who reflects your love back to you more clearly and more intensely than others, and if that person feels the same toward you, it can be said that you are in a love relationship with him or her. The bond that connects you with that person is the same bond that connects you with the person sitting next to you on a bus, or with a bird, a tree, a flower. Only the degree of intensity with which it is felt differs.
β
β
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
β
it isn't what we left behind
that breaks me
it's whatever we could've built
had we stayed
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Whenever she turned her steep focus to me, I felt the warmth that flowers must feel when they bloom through the snow, under the first concentrated rays of the sun.
β
β
Janet Fitch (White Oleander)
β
If I'm not the love of your life
I'll be the greatest loss instead
β
β
Rupi Kaur (The Sun and Her Flowers)
β
what is the greatest lesson a woman should learn
that since day one
she's already had everything she needs within herself
it's the world that convinced her she did not
β
β
Rupi Kaur (The Sun and Her Flowers)
β
I am not the first person you loved.
You are not the first person I looked at
with a mouthful of forevers. We
have both known loss like the sharp edges
of a knife. We have both lived with lips
more scar tissue than skin. Our love came
unannounced in the middle of the night.
Our love came when weβd given up
on asking love to come. I think
that has to be part
of its miracle.
This is how we heal.
I will kiss you like forgiveness. You
will hold me like Iβm hope. Our arms
will bandage and we will press promises
between us like flowers in a book.
I will write sonnets to the salt of sweat
on your skin. I will write novels to the scar
of your nose. I will write a dictionary
of all the words I have used trying
to describe the way it feels to have finally,
finally found you.
And I will not be afraid
of your scars.
I know sometimes
itβs still hard to let me see you
in all your cracked perfection,
but please know:
whether itβs the days you burn
more brilliant than the sun
or the nights you collapse into my lap
your body broken into a thousand questions,
you are the most beautiful thing Iβve ever seen.
I will love you when you are a still day.
I will love you when you are a hurricane.
β
β
Clementine von Radics
β
you're everywhere
except right here
and it hurts
β
β
Rupi Kaur (The Sun and Her Flowers)
β
we have been dying
since we got here
and forgot to enjoy the view
- live fully
β
β
Rupi Kaur (The Sun and Her Flowers)
β
THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. βThank God,β he says, pressing his forehead to the door. βI was beginning to think it would never wear off and I would have to leave you here to β¦ smell flowers, or whatever you wanted to do while you were on that stuff.
β
β
Veronica Roth (Insurgent (Divergent, #2))
β
Not forever does the bulbul sing
In balmy shades of bowers,
Not forever lasts the spring
Nor ever blossom the flowers.
Not forever reigneth joy,
Sets the sun on days of bliss,
Friendships not forever last,
They know not life, who know not this.
β
β
Khushwant Singh (Train to Pakistan)
β
when death
takes my hand
i will hold you with the other
and promise to find you
in every lifetime
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Octavia was the only person in the world who truly knew him. There was no one else he really cared about ever seeing again. But then he glanced over Clarke, who was leaning over to breathe in the scent of a bright pink flower, the sun catching the gold strands in her hair, and suddenly he wasn't so sure.
β
β
Kass Morgan (The 100 (The 100, #1))
β
the right one does not
stand in your way
they make space for you
to step forward
β
β
Rupi Kaur (The Sun and Her Flowers)
β
We need to find God, and he cannot be found in noise and restlessness. God is the friend of silence. See how nature - trees, flowers, grass- grows in silence; see the stars, the moon and the sun, how they move in silence... We need silence to be able to touch souls.
β
β
Mother Teresa
β
As little flowers, which the chill of night has bent and huddled, when the white sun strikes, grow straight and open fully on their stems, so did I, too, with my exhausted force.
β
β
Dante Alighieri (Inferno)
β
i will wade out
till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness
in the sleeping curves of my body
β
β
E.E. Cummings
β
never feel guilty for starting again
β
β
Rupi Kaur (The Sun and Her Flowers)
β
you ask
if we can still be friends
i explain how a honeybee
does not dream kissing
the mouth of a flower
and then settle for its leaves
β
β
Rupi Kaur (The Sun and Her Flowers)
β
The sun shines not on us but in us. The rivers flow not past, but through us. Thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, making them glide and sing. The trees wave and the flowers bloom in our bodies as well as our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountains is our song, our very own, and sings our love.
β
β
John Muir
β
i could be anything in the world but i wanted to be his
β
β
Rupi Kaur (The Sun and Her Flowers)
β
i am
made of water
of course i am emotional
β
β
Rupi Kaur (The Sun and Her Flowers)
β
HEARTWORK
Each day is born with a sunrise
and ends in a sunset, the same way we
open our eyes to see the light,
and close them to hear the dark.
You have no control over
how your story begins or ends.
But by now, you should know that
all things have an ending.
Every spark returns to darkness.
Every sound returns to silence.
And every flower returns to sleep
with the earth.
The journey of the sun
and moon is predictable.
But yours,
is your ultimate
ART.
β
β
Suzy Kassem
β
Shrinking in a corner,
pressed into the wall;
do they know I'm present,
am I here at all?
Is there a written rule book,
that tells you how to beβ
all the right things to talk aboutβ
that everyone has but me?
Slowly I am witheringβ
a flowered deprived of sun;
longing to belong toβ
somewhere or someone.
β
β
Lang Leav (Love & Misadventure)
β
I will no longer
compare my path to others
-I refuse to do a disservice to my life
β
β
Rupi Kaur (The Sun and Her Flowers)
β
this morning
I told the flowers
what I'd do for you
and they blossomed
β
β
Rupi Kaur (The Sun and Her Flowers)
β
i have survived far too much to go quietly
let a meteor take me
call the thunder for backup
my death will be grand
the land will crack
the sun will eat itself
- the day I leave
β
β
Rupi Kaur (The Sun and Her Flowers)
β
if I am the longest relationship
of my life
isn't it time to
nurture intimacy
and love
with the person
I lie in bed with each night
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water! A mere quantum-mechanistic tunnel effect, that'd happen anyway if you were prepared to wait zillions of years. As if the turning of sunlight into wine, by means of vines and grapes and time and enzymes, wasn't a thousand times more impressive and happened all the time...
β
β
Terry Pratchett (Small Gods (Discworld, #13))
β
Journeyβs end
In western lands beneath the Sun
The flowers may rise in Spring,
The trees may bud, the waters run,
The merry finches sing.
Or there maybe 'tis cloudless night,
And swaying branches bear
The Elven-stars as jewels white
Amid their branching hair.
Though here at journey's end I lie
In darkness buried deep,
Beyond all towers strong and high,
Beyond all mountains steep,
Above all shadows rides the Sun
And Stars for ever dwell:
I will not say the Day is done,
Nor bid the Stars farewell.J.
β
β
J.R.R. Tolkien
β
The trees, the flowers, the plants grow in silence. The stars, the sun, the moon move in silence. Silence gives us a new perspective.
β
β
Mother Teresa
β
trust your body it reacts to right and wrong better than your mind does
β
β
Rupi Kaur (The Sun and Her Flowers)
β
it isn't blood that makes you my sister
it's how you understand my heart
as though you carry it
in your body
β
β
Rupi Kaur (The Sun and Her Flowers)
β
the irony of loneliness
is we all feel it
at the same time
- together
β
β
Rupi Kaur (The Sun and Her Flowers)
β
this place makes me the kind of exhausted that has nothing to do with sleep and everything to do with the people around me - introvert
β
β
Rupi Kaur (The Sun and Her Flowers)
β
They leaned towards him, like flowers to the sun, drinking in his luster. It was as Odysseus had said: he had light enough to make heroes of them all.
β
β
Madeline Miller (The Song of Achilles)
β
Flowers are made to bloom in the sun and not to be shut up in an apron.
β
β
Johanna Spyri (Heidi)
β
what is stronger
than the human heart
which shatters over and over
and still lives
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Breathe in, breathe out. All the blessings of the universe that we may overlook are contained in the entirety of a breath. Breathe in, breathe out. Each breath is the sun flowering our earth, fresh water filling our oceans, and the blue skies clearing our minds. Infinite emotions are contained within every breath, and by the breath we can always realize the beauty within it all. Breathe in, breathe out.
β
β
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
β
I want you to learn the lesson of the lotus. This flower springs forth from muddy waters. It raises its delicate petals to the sun and perfumes the world while, at the same time, its roots cling to the elemental muck, the very essence of the mortal experience. Without that soil, the flower would wither and die.
β
β
Colleen Houck
β
She wished she could visit Mariam's grave, to sit with her awhile, leave a flower or two. But she sees now that it doesn't matter. Mariam is never very far.... Mariam is in her own heart, where she shines with the bursting radiance of a thousand suns.
β
β
Khaled Hosseini (A Thousand Splendid Suns)
β
on the last day of love my heart cracked inside my body
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruitβand the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.
β
β
Jeff Vandermeer (Annihilation (Southern Reach, #1))
β
I hear a thousand kind words about me
and it makes no difference
yet i hear one insult
and all confidence shatters
- focusing on the negative
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud, it does not allow the dirt that surrounds it to affect its growth or beauty.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
The foundation of irreligious criticism is: Man makes religion, religion does not make man. Religion is, indeed, the self-consciousness and self-esteem of man who has either not yet won through to himself, or has already lost himself again. But man is no abstract being squatting outside the world. Man is the world of man β state, society. This state and this society produce religion, which is an inverted consciousness of the world, because they are an inverted world...
Religious suffering is, at one and the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people.
The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions. The criticism of religion is, therefore, in embryo, the criticism of that vale of tears of which religion is the halo.
Criticism has plucked the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or consolation, but so that he shall throw off the chain and pluck the living flower. The criticism of religion disillusions man, so that he will think, act, and fashion his reality like a man who has discarded his illusions and regained his senses, so that he will move around himself as his own true Sun. Religion is only the illusory Sun which revolves around man as long as he does not revolve around himself.
β
β
Karl Marx (Critique of Hegel's Philosophy of Right)
β
borders
are man-made
they only divide us physically
donβt let them make us
turn on each other
- we are not enemies
β
β
Rupi Kaur (The Sun and Her Flowers)
β
i spent the entire night casting spells to bring you back
β
β
Rupi Kaur (The Sun and Her Flowers)
β
With him, I am forever a night-blooming flower, attracted and repelled by the heat of the sun.
β
β
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
β
A painting is more than the sum of the parts,β he would tell me, and then go on to explain how the cow itself is just a cow, and the meadow by itself is just grass and flowers, and the sun peeking through the trees is just a beam of light, but put them all together and youβve got magic.
β
β
Wendelin Van Draanen
β
To hate
Is an easy lazy thing
But to love
Takes strength
Everyone has
But not all are
Willing to practice
β
β
Rupi Kaur (The Sun and Her Flowers)
β
βPleasure is wild and sweet. She likes purple flowers. She loves the sun and the wind and the night sky. She carries a silver bowl full of liquid moonlight. She has a cat named Midnight with stars on his paws. Many people mistrust Pleasure, and even more misunderstand her. For a long time I could barely stand to be in ...the same room with her...
β
β
J. Ruth Gendler (The Book of Qualities)
β
Outside his office my father had a framed copy of a letter written by Abraham Lincoln to his sonβs teacher, translated into Pashto. It is a very beautiful letter, full of good advice. βTeach him, if you can, the wonder of booksβ¦But also give him quiet time to ponder the eternal mystery of birds in the sky, bees in the sun, and the flowers on a green hillside,β it says. βTeach him it is far more honorable to fail than to cheat.
β
β
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
β
Let us dance in the sun, wearing wild flowers in our hair and let us huddle together as darkness takes over. We are at home amidst the birds and the trees, for we are children of nature.
β
β
Susan Polis Schutz
β
A moral character is attached to autumnal scenes; the leaves falling like our years, the flowers fading like our hours, the clouds fleeting like our illusions, the light diminishing like our intelligence, the sun growing colder like our affections, the rivers becoming frozen like our lives--all bear secret relations to our destinies.
β
β
FranΓ§ois-RenΓ© de Chateaubriand (MΓ©moires d'Outre-Tombe)
β
Every flower blooms at a different pace.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains of the moon.
Roads go ever ever on
Under cloud and under star,
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen
And horror in the halls of stone
Look at last on meadows green
And trees and hills they long have known
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again)
β
The regular choreography, entrances and exits of blooms in stages such that the garden looked like an ever-evolving carousel of swirling rainbows and radiant butterflies, seemed condensed. All of the flowers still obeyed some silent urgent command to make their debut. But this year, it definitely unfolded more quickly, as if racing to meet a new compelling deadline.
β
β
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
β
Together we are an endless conversation
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Whatever your passion is, keep doing it. Don't waste time chasing after success or comparing yourself to others. Every flower blooms at a different pace. Excel at doing what your passion is and only focus on perfecting it. Eventually people will see what you are great at doing, and if you are truly great, success will come chasing after you.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
But at night, that light starts to slowly wane. Itβs like Daisy Calloway is powered by the sun.
β
β
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
β
i hardened under the last loss. it took something human out of me. i used to be so deeply emotional iβd crumble on demand. but now the water has made its exit. of course i care about the ones around me. iβm just struggling to show it. a wall is getting in the way. i used to dream of being so strong nothing could shake me. now. i am. so strong. that nothing shakes me. and all i dream is to soften.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
my god
is not as unreachable as
they'd like you to think
my god is beating inside us infinitely
β
β
Rupi Kaur (The Sun and Her Flowers)
β
I was waiting for the sun to chase me,β he breathes, drawing me to his chest. In one swift movement, my lips are on his. The world is spinning. He kisses me like this is the moment heβs envisioned all his life. Like this is heaven on Earth.
For me, it is. A blissful moment before something that could be the end. The rush before the fear. He whispers, βI fucking love you.β
I smile, my lips tingling. βGuess what?β
βWhat?β
βI love you more than chocolate cake.
β
β
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
β
It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
even though we were both under the same roof of that coffee shop. i was still solar systems away from you.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Itβs easy to plant a seed and sprinkle it with water, but once the sun scorches the ground, and the earth soaks up all the moisture, youβre left with nothing but a thirsty little flower trying desperately to make it out of the dirt.
β
β
Tiffanie DeBartolo (God-Shaped Hole)
β
i am sorry this world
could not keep you safe
may your journey home
be a soft and peaceful one
- rest in peace
β
β
Rupi Kaur (The Sun and Her Flowers)
β
yes
it is possible
to hate and love someone
at the same time
i do it to myself
every day
β
β
Rupi Kaur (The Sun and Her Flowers)
β
what is it with you and sunflowers he asks
i point to the field of yellow outside
sunflowers worship the sun i tell him
only when it arrives do they rise
when the sun leaves
they bow their heads in mourning
that is what the sun does to those flowers
it's what you do to me
- the sun and her flowers
β
β
Rupi Kaur (The Sun and Her Flowers)
β
If a little flower could speak, it seems to me that it would tell us quite simply all that God has done for it, without hiding any of its gifts. It would not, under the pretext of humility, say that it was not pretty, or that it had not a sweet scent, that the sun had withered its petals,or the storm bruised its stem, if it knew that such were not the case.
β
β
Thérèse of Lisieux (Story of a Soul: The Autobiography of St. Thérèse of Lisieux)
β
to heal
you have to
get to the root
of the wound
and kiss it all the way up
β
β
Rupi Kaur (The Sun and Her Flowers)
β
I wished for nothing beyond her smile, and to walk with her thus, hand in hand, along a sun warmed, flower bordered path.
β
β
AndrΓ© Gide
β
MOTHER IS WATER
I wish I could
Shower your head with flowers
And anoint your feet with my tears,
For I know I have caused you
So much heartache, frustration and despair β
Throughout my youthful years.
I wish I could give you
The remainder of my life
To add to yours,
Or simply erase
The lines on your face,
And mend all that has been torn.
For next to God,
You are the fire
That has given light
To the flame in each of my eyes.
You are the fountain
That nourished my growth,
And from your chalice β
Gave me life.
Without the wetness of your love,
The fragrance of your water,
Or the trickling sounds of
Your voice,
I shall always feel
thirsty.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
even if this is a mistake. it could only be right to be this wrong with you.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
i do not weep
becasuse I'm unhappy
i weep because I have everything
yet I'm unhappy
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Every flower blooms at its own pace.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
THE WEATHER OF LOVE
Love
Has a way of wilting
Or blossoming
At the strangest,
Most unpredictable hour.
This is how love is,
An uncontrollable beast
In the form of a flower.
The sun does not always shine on it.
Nor does the rain always pour on it
Nor should it always get beaten by a storm.
Love does not always emit the sweetest scents,
And sometimes it can sting with its thorns.
Water it.
Give it plenty of sunlight.
Nurture it,
And the flower of love will
Outlive you.
Neglect it or keep dissecting it,
And its petals will quickly curl up and die.
This is how love is,
Perfection is a delusional vision.
So love the person who loves you
Unconditionally,
And abandon the one
Who only loves you
Under favorable
Conditions.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
what if
there isn't enough time
to give her what she deserves
do you think
if i begged the sky hard enough
my mother's soul would
return to me as my daughter
so i can give her
the comfort she gave me
my whole life
β
β
Rupi Kaur (The Sun and Her Flowers)
β
you are waiting for someone
Who is not coming back
meaning
you are living your life
hoping that someone will realize
they can't live theirs without you
Realizations don't work like that
β
β
Rupi Kaur (The Sun and Her Flowers)
β
We cannot know the consequences of suppressing a child's spontaneity when he is just beginning to be active. We may even suffocate life itself. That humanity which is revealed in all its intellectual splendor during the sweet and tender age of childhood should be respected with a kind of religious veneration. It is like the sun which appears at dawn or a flower just beginning to bloom. Education cannot be effective unless it helps a child to open up himself to life.
β
β
Maria Montessori
β
Flowers of sin, like some black sun,
Bloom in my dreams
Their perfume-sodden fragrance
Spreading through each heartbeat.
β
β
Shiv Kumar Batalvi
β
Then, Γowyn of Rohan, I say to you that you are beautiful. In the valleys of our hills there are flowers fair and bright, and maidens fairer still; but neither flower nor lady have I seen till now in Gondor so lovely, and so sorrowful. It may be that only a few days are left ere darkness falls upon our world, and when it comes I hope to face it steadily; but it would ease my heart, if while the Sun yet shines, I could see you still. For you and I have both passed under the wings of the Shadow, and the same hand drew us back.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
The universe took its time on you
Crafted you to offer the world
Something different from everyone else
When you doubt
How you were created
You doubt an energy greater than us both
--irreplaceable
β
β
Rupi Kaur (The Sun and Her Flowers)
β
learning to not envy
someone else's blessings
is what grace looks like
β
β
Rupi Kaur (The Sun and Her Flowers)
β
wish pure love and soft peace
upon the ones
who've been unkind to you
and keep moving forward
- this will free you both
β
β
Rupi Kaur (The Sun and Her Flowers)
β
i learned love is about giving. everything. and letting it hurt. i learned vulnerability is always the right choice because it is easy to be cold in a world that makes it so very difficult to remain soft.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Collaboration has no hierarchy. The Sun collaborates with soil to bring flowers on the earth.
β
β
Amit Ray (Enlightenment Step by Step)
β
I think the sun is a flower,
That blooms for just one hour.
β
β
Ray Bradbury (A Medicine for Melancholy and Other Stories)
β
my twenties are the warm-up for what iβm really about to do wait till you see me in my thirties now that will be a proper introduction to the nasty. wild. woman in me.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
I long
for you
but you long
for someone else
I deny the one
who wants me
cause I want someone else
β
β
Rupi Kaur (The Sun and Her Flowers)
β
they leave
and act like it never happend
they come back
and act like they never left
- ghost
β
β
Rupi Kaur (The Sun and Her Flowers)
β
I will use a flower petal for paper,
And write you the sweetest letter,
You are the sultan of my heart,
Sultan of my heart.
β
β
Khaled Hosseini (A Thousand Splendid Suns)
β
And there, row upon row, with the soft gleam of flowers opened at morning, with the light of this June sun glowing through a faint skin of dust, would stand the dandelion wine. Peer through it at the wintry day - the snow melted to grass, the trees were reinhabitated with bird, leaf, and blossoms like a continent of butterflies breathing on the wind. And peering through, color sky from iron to blue.
Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in
β
β
Ray Bradbury (Dandelion Wine)
β
the hummingbirds tell me
you've changed your hair
i tell them i don't care
while listening to them
describe every detail
hunger - rupi kaur
β
β
Rupi Kaur (The Sun and Her Flowers)
β
you are a mirror
if you continue to starve yourself of love
you'll only meet people who'll starve you too
if you soak yourself in love
the universe will hand you those
who'll love you too
- a simple math
β
β
Rupi Kaur (The Sun and Her Flowers)
β
representation
is vital
otherwise the butterfly
surrounded by a group of moths
unable to see itself
will keep trying to become the moth
- representation
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Like the rainbow
after the rain
joy will reveal itself
after sorrow
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Be different. Be original. Nobody will remember a specific flower in a garden filled with thousands of the same yellow flower, but they will remember the one that managed to change its color to purple.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire --
clearly I'm not needed,
yet I feel myself turning
into something of inexplicable value.
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
Loneliness clarifies. Here silence stands
Like heat. Here leaves unnoticed thicken,
Hidden weeds flower, neglected waters quicken,
Luminously-peopled air ascends;
And past the poppies bluish neutral distance
Ends the land suddenly beyond a beach
Of shapes and shingle. Here is unfenced existence:
Facing the sun, untalkative, out of reach.
β
β
Philip Larkin (The Whitsun Weddings)
β
People give flowers as presents because flowers contain the true meaning of love. Anyone tries to possess a flower will have to watch its beauty fading. But if you simply look at a flower on a field, you will keep it forever, because the flower is part of the evening and the sunset and the smell of damp earth and the clouds on the horizon.
β
β
Paulo Coelho (Brida)
β
Learning
After some time, you learn the subtle difference between
holding a hand
and imprisoning a soul;
You learn that love does not equal sex,
and that company does not equal security,
and you start to learnβ¦.
That kisses are not contracts and gifts are not promises,
and you start to accept defeat with the head up high
and open eyes,
and you learn to build all roads on today,
because the terrain of tomorrow is too insecure for plansβ¦
and the future has its own way of falling apart in half.
And you learn that if itβs too much
even the warmth of the sun can burn.
So you plant your own garden and embellish your own soul,
instead of waiting for someone to bring flowers to you.
And you learn that you can actually bear hardship,
that you are actually strong,
and you are actually worthy,
and you learn and learnβ¦and so every day.
Over time you learn that being with someone
because they offer you a good future,
means that sooner or later youβll want to return to your past.
Over time you comprehend that only who is capable
of loving you with your flaws, with no intention of changing you
can bring you all happiness.
Over time you learn that if you are with a person
only to accompany your own solitude,
irremediably youβll end up wishing not to see them again.
Over time you learn that real friends are few
and whoever doesnβt fight for them, sooner or later,
will find himself surrounded only with false friendships.
Over time you learn that words spoken in moments of anger
continue hurting throughout a lifetime.
Over time you learn that everyone can apologize,
but forgiveness is an attribute solely of great souls.
Over time you comprehend that if you have hurt a friend harshly
it is very likely that your friendship will never be the same.
Over time you realize that despite being happy with your friends,
you cry for those you let go.
Over time you realize that every experience lived,
with each person, is unrepeatable.
Over time you realize that whoever humiliates
or scorns another human being, sooner or later
will suffer the same humiliations or scorn in tenfold.
Over time you learn to build your roads on today,
because the path of tomorrow doesnβt exist.
Over time you comprehend that rushing things or forcing them to happen
causes the finale to be different form expected.
Over time you realize that in fact the best was not the future,
but the moment you were living just that instant.
Over time you will see that even when you are happy with those around you,
youβll yearn for those who walked away.
Over time you will learn to forgive or ask for forgiveness,
say you love, say you miss, say you need,
say you want to be friends, since before
a grave, it will no longer make sense.
But unfortunately, only over timeβ¦
β
β
Jorge Luis Borges
β
I liked it when my mother tried to teach me things, when she paid attention. So often when I was with her, she was unreachable. Whenever she turned her steep focus to me, I felt the warmth that flowers must feel when they bloom through the snow, under the first concentrated rays of the sun.
β
β
Janet Fitch (White Oleander)
β
Great people will always be mocked by those who feel smaller than them. A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey.
A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker. Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud,
it does not allow the dirt that surrounds it to affect its growth or beauty.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
love does not look like a person
love is our actions
love is giving all we can
even if it's just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power to make sure we don't
love is fighting out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing whom to choose
β
β
Rupi Kaur (The Sun and Her Flowers)
β
When he pressed his lips to hers, she was not surprised. It happened the way the sun rose, the way a flower blossomed, the way fain fell from the sky, the way the dead stopped breathing. Naturally. Inevitably.
β
β
Lauren Kate (Teardrop (Teardrop, #1))
β
Be the celebrators, celebrate! Already there is too muchβthe flowers have bloomed, the birds are singing, the sun is there in the skyβcelebrate it! You are breathing and you are alive and you have consciousness, celebrate it!
β
β
Osho (Creativity: Unleashing the Forces Within (Osho Insights for a New Way of Living))
β
you call me to tell me you miss me
i turn to face the front door of the house
waiting for a knock
days later you call to say you need me
but still aren't here
the dandelions on the lawn
are rolling their eyes in disappointment
the grass has declared you yesterday's news
what do i care
if you love me
or miss me
or need me
when you aren't doing anything about it
if i'm not the love of your life
i'll be the greatest loss instead
β
β
Rupi Kaur (The Sun and Her Flowers)
β
In love, treat your relationship as if you are growing the most beautiful flower. Keep watering it, tend to its roots, give it lots of sunlight, and always make sure the petals are full of color and are never curling. Once you neglect your plant, it will die, as will your relationship.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
Do not allow any negativity or ugliness in your surroundings, or anybody at all, destroy your confidence or affect your growth as a blooming flower. It is very normal for one ugly weed to not want to stand alone.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
The little poets sing of little things:
Hope, cheer, and faith, small queens and puppet kings;
Lovers who kissed and then were made as one,
And modest flowers waving in the sun.
The mighty poets write in blood and tears
And agony that, flame-like, bites and sears.
They reach their mad blind hands into the night,
To plumb abysses dead to human sight;
To drag from gulfs where lunacy lies curled,
Mad, monstrous nightmare shapes to blast the world.
MUSINGS
[click on the thumbnail by Jack "King" Kirby]
β
β
Robert E. Howard
β
TO what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.
β
β
Edna St. Vincent Millay
β
I have seen clouds part for the sun. I have seen rainbows. I have seen flowers in the morning, covered in dew, and I have seen sunsets so brilliant with fire they made me want to weep. And I have seen Dan smile at me, his lips still wet from my kiss, and if I had to choose which sight moved me the most I would say it was that one.
β
β
Megan Hart (Dirty (Dan and Elle, #1))
β
When the weather's nice, my parents go out quite frequently and stick a bunch of flowers on old Allie's grave. I went with them a couple of times, but I cut it out. In the first place, I don't enjoy seeing him in that crazy cemetery. Surrounded by dead guys and tombstones and all. It wasn't too bad when the sun was out, but twiceβtwiceβwe were there when it started to rain. It was awful. It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place. All the visitors that were visiting the cemetery started running like hell over to their cars. That's what nearly drove me crazy. All the visitors could get in their cars and turn on their radios and all and then go someplace nice for dinnerβeverybody except Allie. I couldn't stand it. I know it's only his body and all that's in the cemetery, and his soul's in Heaven and all that crap, but I couldn't stand it anyway. I just wished he wasn't there.
β
β
J.D. Salinger (The Catcher in the Rye)
β
LOVE IS A FLOWER
Treat your relationship
As if you are growing
The most beautiful sacred flower.
Keep watering it,
Tend to the roots,
And always make sure
The petals are full of color
And are never curling.
Once you neglect your plant,
It will die,
As will your relationship.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
A poor old Widow in her weeds
Sowed her garden with wild-flower seeds;
Not too shallow, and not too deep,
And down came April -- drip -- drip -- drip.
Up shone May, like gold, and soon
Green as an arbour grew leafy June.
And now all summer she sits and sews
Where willow herb, comfrey, bugloss blows,
Teasle and pansy, meadowsweet,
Campion, toadflax, and rough hawksbit;
Brown bee orchis, and Peals of Bells;
Clover, burnet, and thyme she smells;
Like Oberon's meadows her garden is
Drowsy from dawn to dusk with bees.
Weeps she never, but sometimes sighs,
And peeps at her garden with bright brown eyes;
And all she has is all she needs --
A poor Old Widow in her weeds.
β
β
Walter de la Mare (Peacock Pie)
β
That the sun still rose the next morning was incredibly unjust. Someone good had died. People still woke up, had breakfast, went to work, and it was wrong. Flower petals still opened in the sunβs early light, and animals still grazed the day away, their minds untroubled. Someone good had died and the world had the audacity to move on.
β
β
Jay Bell (Something Like Summer (Something Like, #1))
β
Variation on the Word Sleep
I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head.
and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear
I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center. I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and you enter
it as easily as breathing in
I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.
β
β
Margaret Atwood (Selected Poems 2: 1976 - 1986)
β
Hana yori dango. Dumplings over flowers. It basically means that someone should value needs over wants, substance over appearance. As in, make sure you have food and shelter before you burn money on something extravagant. And, you know, choose genuine friends who will be there for you over pretty, shallow ones. Don't get carried away by beauty if it leaves you empty.
β
β
Amanda Sun (Ink (Paper Gods, #1))
β
Gather ye rose-buds while ye may,
Old Time is still a-flying;
And this same flower that smiles today,
Tomorrow will be dying.
The glorious lamp of heaven, the sun,
The higher heβs a-getting,
The sooner will his race be run,
And nearer he is to setting.
That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time,
And while you may, go marry;
For having lost but once your prime,
You may for ever tarry.
- To the Virgins, To Make much of Time
β
β
Robert Herrick (Hesperides, Or, the Works Both Humane and Divine of Robert Herrick [Followed By] His Noble Numbers)
β
. . . God is too busy making the sun come up and go down and watching so the moon floats just right in the sky to be concerned with color . . . only man wants always God should be there to condemn this one and save that one. Always it is man who wants to make heaven and hell. God is too busy training the bees to make honey and every morning opening up all the new flowers for business.
β
β
Bryce Courtenay (The Power of One (The Power of One, #1))
β
Everything turns in circles and spirals with the cosmic heart until infinity. Everything has a vibration that spirals inward or outward β and everything turns together in the same direction at the same time. This vibration keeps going: it becomes born and expands or closes and destructs β only to repeat the cycle again in opposite current. Like a lotus, it opens or closes, dies and is born again. Such is also the story of the sun and moon, of me and you. Nothing truly dies. All energy simply transforms.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one.
I will look at cliffs and clouds
With quiet eyes,
Watch the wind bow down the grass,
And the grass rise.
And when lights begin to show
Up from the town,
I will mark which must be mine,
And then start down!
β
β
Edna St. Vincent Millay (Renascence and Other Poems (Dover Thrift Editions))
β
To sing, to laugh, to dream, to walk in my own way and be alone, free, with an eye to see things as they are, a voice that means manhoodβto cock my hat where I chooseβ
At a word, a Yes, a No, to fightβor write. To travel any road under the sun, under the stars, nor doubt if fame or fortune lie beyond the bourneβ
Never to make a line I have not heard in my own heart; yet, with all modesty to say: "My soul, be satisfied with flowers, with fruit, with weeds even; but gather them in the one garden you may call your own.
β
β
Edmond Rostand (Cyrano de Bergerac)
β
The cactus thrives in the desert while the fern thrives in the wetland.
The fool will try to plant them in the same flowerbox.
The florist will sigh and add a wall divider and proper soil to both sides.
The grandparent will move the flowerbox halfway out of the sun.
The child will turn it around properly so that the fern is in the shade, and not the cactus.
The moral of the story?
Kids are smart.
β
β
Vera Nazarian (The Perpetual Calendar of Inspiration)
β
my god
is not waiting inside a church
or sitting above the temple's steps
my god
is the refugee's breath as she's running
is living in the starving child's belly
is the heartbeat of the protest
my god
does not rest between pages
written by holy men
my god
lives between the sweaty thighs
of women's bodies sold for money
was last seen washing the homeless man's feet
my god
is not as unreachable as
they'd like you to think
my god is beating inside us infinitely
β
β
Rupi Kaur (The Sun and Her Flowers)
β
That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with their dams and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.
β
β
Cormac McCarthy (All the Pretty Horses)
β
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the mossβd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has oβer-brimmβd their clammy cells.
β
β
John Keats (Complete Poems and Selected Letters)
β
when it came to listening
my mother taught me silence
if you are drowning their voice with yours
how will you hear them she asked
when it came to speaking
she said do it with commitment
every word you say
is your own responsibility
when it came to being
she said be tender and tough at once
you need to be vulnerable to live fully
but rough enough to survive it all
when it came to choosing
she asked me to be thankful
for the choices i had that
she never had the privilege of making
- lessons from mumma
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Now suzanne takes you hand
And she leads you to the river
She is wearing rags and feathers
From salvation army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For shes touched your perfect body with her mind.
β
β
Leonard Cohen (Songs of Leonard Cohen, Herewith: Music, Words and Photographs)
β
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
β
β
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
β
what love looks like
what does love look like the therapist asks
one week after the breakup
and iβm not sure how to answer her question
except for the fact that i thought love
looked so much like you
thatβs when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point iβm about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when youβre about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i donβt think love is him anymore
if love was him
he would be here wouldnβt he
if he was the one for me
wouldnβt he be the one sitting across from me
if love was him it would have been simple
i donβt think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe weβre looking at it wrong
we think itβs something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didnβt turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if itβs just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we donβt
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
β
β
Luke Davies (Candy)
β
Rain falls and the flowers bloom. No rain, they wither up. Bugs are eaten by lizards, lizards are eaten by birds. But in the end, every one of them dies. They die and dry up. One generation dies, and the next one takes over. Thatβs how it goes. Lots of different ways to live. And lots of different ways to die. But in the end that doesnβt make a bit of difference. All that remains is a desert.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
Be different. Be original. Nobody will remember a specific flower in garden loaded with thousands of the same yellow flower, but they will remember the one that managed to change its color to purple.
Being different and thinking differently make a person unforgettable. History does not remember the forgettable. It honors the unique minority the majority cannot forget.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
Who owns Cross Creek? The red-birds, I think, more than I, for they will have their nests even in the face of delinquent mortgages..It seems to me that the earth may be borrowed, but not bought. It may be used, but not owned. It gives itself in response to love and tending, offers its sesonal flowering and fruiting. But we are tenants and not possessors, lovers, and not masters. Cross Creek belongs to the wind and the rain, to the sun and the seasons, to the cosmic secrecy of seed, and beyond all, to time..."
β
β
Marjorie Kinnan Rawlings (Cross Creek)
β
Some changes occur suddenly like a brilliant flash of lightning striking across a dark sky. These changes are stunning, exciting but can be quickly forgotten. Other changes happen slowly, gradually, like a flower blooming in early spring, each day unfurling its petals another fraction of an inch towards the warm, nurturing sun. These changes are as inevitable as nature running its course; theyβre meant to be.
β
β
Suzi Davis
β
And I got a strong feeling of the passage of time. Not the time of clouds and sun and rain and the moving stars that adorn the night, not spring when its time comes or fall, not the time that makes leaves bud on branches and then tears them off or folds and unfolds and colors the flowers, but the time inside me, the time you can't see but it molds us. The time that rolls on and on in people's hearts and makes them roll along with it and gradually changes us inside and out and makes us what we'll be on our dying day.
β
β
Mercè Rodoreda (The Time of the Doves)
β
Upon the hearth the fire is red,
Beneath the roof there is a bed;
But not yet weary are our feet,
Still round the corner we may meet
A sudden tree or standing stone
That none have seen but we alone.
Tree and flower, leaf and grass,
Let them pass! Let them pass!
Hill and water under sky,
Pass them by! Pass them by!
Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.
Apple, thorn, and nut and sloe,
Let them go! Let them go!
Sand and stone and pool and dell,
Fare you well! Fare you well!
Home is behind, the world ahead,
And there are many paths to tread
Through shadows to the edge of night,
Until the stars are all alight.
Then world behind and home ahead,
We'll wander back to home and bed.
Mist and twilight, cloud and shade,
Away shall fade! Away shall fade!
Fire and lamp and meat and bread,
And then to bed! And then to bed!
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.
β
β
Victor Hugo (Les MisΓ©rables)
β
All things bright and beautiful,
All creatures great and small,
All things wise and wonderful,
The Lord God made them all.
Each little flower that opens,
Each little bird that sings,
He made their glowing colours,
He made their tiny wings.
The purple headed mountain,
The river running by,
The sunset, and the morning,
That brightens up the sky.
The cold wind in the winter,
The pleasent summer sun,
The ripe fruit in the garden,
He made them every one.
He gave us eyes to see them,
And lips that we might tell,
How great is God Almighty,
Who has made all things well.
β
β
Cecil Frances Alexander
β
I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
β
β
Daphne Gottlieb (Final Girl)
β
No tree tries to become a certain kind of tree. No flower tries to become a certain kind of flower. The tree and the flower open up to the sun and soak up water. Thus, they grow into themselves. No judgment. No expectations. No commentary. Your task is the same. If you can stop trying so hard to become who you think you should be, and instead commit to understanding and nourishing yourself, you will bloom into whatever kind of person you are.
β
β
Vironika Tugaleva (The Art of Talking to Yourself)
β
What a strange thing it is to wake up to a milk-white overcast June morning! The sun is hidden by a thick cotton blanket of clouds, and the air is vapor-filled and hazy with a concentration of blooming scent.
The world is somnolent and cool, in a temporary reprieve from the normal heat and radiance.
But the sensation of illusion is strong. Because the sun can break through the clouds at any moment . . .
What a soft thoughtful time.
In this illusory gloom, like a night-blooming flower, let your imagination bloom in a riot of color.
β
β
Vera Nazarian (The Perpetual Calendar of Inspiration)
β
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them.
I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rushβI could walk with him foreverβbut Noah was. He pulled me alongside him, strong and determined and not smiling. Not today.
We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them.
Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken.
They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmotherβs. The one we burned.
β
β
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
β
it has been one of the greatest and most difficult years of my life. i learned everything is temporary. moments. feelings. people. flowers. i learned love is about giving. everything. and letting it hurt. i learned vulnerability is always the right choice because it is easy to be cold in a world that makes it so very difficult to remain soft. i learned all things come in twos. life and death. pain and joy. salt and sugar. me and you. it is the balance of the universe. it has been the year of hurting so bad but living so good. making friends out of strangers. making strangers out of friends. learning mint chocolate chip ice cream will fix just about everything. and for the pains it canβt there will always be my motherβs arms. we must learn to focus on warm energy. always. soak our limbs in it and become better lovers to the world. for if we canβt learn to be kind to each other how will we ever learn to be kind to the most desperate parts of ourselves.
β
β
Rupi Kaur (The Sun and Her Flowers)
β
Can you really ask what reason Pythagoras had for abstaining from flesh? For my part I rather wonder both by what accident and in what state of soul or mind the first man did so, touched his mouth to gore and brought his lips to the flesh of a dead creature, he who set forth tables of dead, stale bodies and ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds? β¦ It is certainly not lions and wolves that we eat out of self-defense; on the contrary, we ignore these and slaughter harmless, tame creatures without stings or teeth to harm us, creatures that, I swear, Nature appears to have produced for the sake of their beauty and grace. But nothing abashed us, not the flower-like tinting of the flesh, not the persuasiveness of the harmonious voice, not the cleanliness of their habits or the unusual intelligence that may be found in the poor wretches. No, for the sake of a little flesh we deprive them of sun, of light, of the duration of life to which they are entitled by birth and being.
β
β
Plutarch (Moralia)
β
Either peace or happiness,
let it enfold you
when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.
I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.
I changed jobs and
cities, I hated holidays,
babies, history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.
β
β
Charles Bukowski
β
All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in color, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colors of the mountains and the sea like a great black sword.
She stared. Such beauty; and she there to see it. Such beauty; and she alive to feel it. Her face was bathed in light.
β
β
Elizabeth von Arnim (The Enchanted April)
β
There came a time near dawn on the eve of spring, and Luthien danced upon a green hill; and suddenly she began to sing. Keen, heart-piercing was her song as the song of the lark that rises from the gates of night and pours its voice among the dying stars, seeing the sun behind the walls of the world; and the song of Luthien released the bonds of winter, and the frozen waters spoke, and flowers sprang from the cold earth where he feet had passed. Then the spell of silence fell from Beren, and he called to her, crying Tinuviel; and the woods echoed the name.
β
β
J.R.R. Tolkien (The Silmarillion)
β
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: βI have come to you, you who seek me. Let us give thanks for this happy day.β But I replied: βGo! I did not summon you. I do not need your friendshipβ¦ .β It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: βCome closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.β Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: βI perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust β with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.β What then did I need, I who rejected with disgust what was most beautiful in humanity!
β
β
Comte de LautrΓ©amont (Maldoror and the Complete Works)
β
She's locked up with a spinning wheel
She can't recall what it was like to feel
She says, "This room's gonna be my grave
And there's no one who can save me,"
She sits down to her colored thread
She knows lovers waking up in their beds
She says, "How long can I live this way
Is there someone I can pay to let me go
'Cause I'm half sick of shadows
I want to see the sky
Everyone else can watch as the sun goes down
So why can't I
And it's raining
And the stars are falling from the sky
And the wind
And the wind I know it's cold
I've been waiting
For the day I will surely die
And it's here
And it's here for I've been told
That I'll die before I'm old
And the wind I know it's cold...
She looks up to the mirrored glass
She sees a horse and rider pass
She says, "This man's gonna be my death
'Cause he's all I ever wanted in my life
And I know he doesn't know my name
And that all the girls are all the same to him
But still I've got to get out of this place
'Cause I don't think I can face another night
Where I'm half sick of shadows
And I can't see the sky
Everyone else can watch as the tide comes in
So why can't I
But there's willow trees
And little breezes, waves, and walls, and flowers
And there's moonlight every single night
As I'm locked in these towers
So I'll meet my death
But with my last breath I'll sing to him I love
And he'll see my face in another place,"
And with that the glass above
Her cracked into a million bits
And she cried out, "So the story fits
But then I could have guessed it all along
'Cause now some drama queen is gonna write a song for me,"
She went down to her little boat
And she broke the chains and began to float away
And as the blood froze in her veins she said,
"Well then that explains a thing or two
'Cause I know I'm the cursed one
I know I'm meant to die
Everyone else can watch as their dreams untie
So why can't I
β
β
Emilie Autumn
β
I love tulips better than any other spring flower; they are the embodiment of alert cheerfulness and tidy grace, and next to a hyacinth look like a wholesome, freshly tubbed young girl beside a stout lady whose every movement weighs down the air with patchouli. Their faint, delicate scent is refinement itself; and is there anything in the world more charming than the sprightly way they hold up their little faces to the sun. I have heard them called bold and flaunting, but to me they seem modest grace itself, only always on the alert to enjoy life as much as they can and not be afraid of looking the sun or anything else above them in the face.
β
β
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
β
The grass whispered under his body. He put his arm down, feeling the sheath of fuzz on it, and, far away, below, his toes creaking in his shoes. The wind sighed over his shelled ears. The world slipped bright over the glassy round of his eyeballs like images sparked in a crystal sphere. Flowers were sun and fiery spots of sky strewn through the woodland. Birds flickered like skipped stones across the vast inverted pond of heaven. His breath raked over his teeth, going in ice, coming out fire. Insects shocked the air with electric clearness. Ten thousand individual hairs grew a millionth of an inch on his head. He heard the twin hearts beating in each ear, the third heart beating in his throat, the two hearts throbbing his wrists, the real heart pounding his chest. The million pores on his body opened.
I'm really alive! he thought. I never knew it before, or if I did I don't remember!
β
β
Ray Bradbury (Dandelion Wine)
β
Be praised, my Lord, through all your creatures, especially through my lord Brother Sun, who brings the day; and you give light through him. And he is beautiful and radiant in all his splendor! Of you, Most High, he bears the likeness.
Be praised, my Lord, through Sister Moon and the stars; in the heavens you have made them, precious and beautiful.
Be praised, my Lord, through Brothers Wind and Air, and clouds and storms, and all the weather, through which you give your creatures sustenance.
Be praised, My Lord, through Sister Water; she is very useful, and humble, and precious, and pure.
Be praised, my Lord, through Brother Fire, through whom you brighten the night. He is beautiful and cheerful, and powerful and strong.
Be praised, my Lord, through our sister Mother Earth, who feeds us and rules us, and produces various fruits with colored flowers and herbs.
Be praised, my Lord, through those who forgive for love of you; through those who endure sickness and trial. Happy those who endure in peace, for they will be crowned.
β
β
Francis of Assisi
β
What man most passionately wants is his living wholeness and his living unison, not his own isolate salvation of his "soul." Man wants his physical fulfillment first and foremost, since now, once and once only, he is in the flesh and potent. For man, the vast marvel is to be alive. For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive. Whatever the unborn and the dead may know, they cannot know the beauty, the marvel of being alive in the flesh. The dead may look after the afterwards. But the magnificent here and now of life in the flesh is ours, and ours alone, and ours only for a time. We ought to dance with rapture that we should be alive and in the flesh, and part of the living, incarnate cosmos. I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human soul, as my spirit is part of my nation. In my own very self, I am part of my family. There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the waters.
β
β
D.H. Lawrence
β
While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend oneβs childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
β
β
Willa Cather (My Γntonia)
β
She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time.
'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.'
Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her.
'Okay,' she says. 'Trees, stars, oceans. Fine.'
'And the sun, Jude.'
'Oh, all right," she says, totally surprising me. 'I'll give you the sun.
β
β
Jandy Nelson (I'll Give You the Sun)
β
In Vienna there are shadows. The city is black and everything is done by rote. I want to be alone. I want to go to the Bohemian Forest. May, June, July, August, September, October. I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds. I want to gaze with astonishment at moldy garden fences, I want to experience them all, to hear young birch plantations and trembling leaves, to see light and sun, enjoy wet, green-blue valleys in the evening, sense goldfish glinting, see white clouds building up in the sky, to speak to flowers. I want to look intently at grasses and pink people, old venerable churches, to know what little cathedrals say, to run without stopping along curving meadowy slopes across vast plains, kiss the earth and smell soft warm marshland flowers. And then I shall shape things so beautifully: fields of colourβ¦
β
β
Egon Schiele
β
With thee conversing I forget all time,
All seasons and their change, all please alike.
Sweet is the breath of morn, her rising sweet,
With charm of earliest birds; pleasant the sun
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit, and flower,
Glistering with dew; fragrant the fertile earth
After soft showers; and sweet the coming on
Of grateful evening mild, then silent night
With this her solemn bird and this fair moon,
And these the gems of heav'n, her starry train:
But neither breath of morn when she ascends
With charm of earliest birds, nor rising sun
On this delightful land, nor herb, fruit, flower,
Glistring with dew, nor fragrance after showers,
Nor grateful evening mild, nor silent night
With this her solemn bird, nor walk by moon,
Or glittering starlight without thee is sweet.
β
β
John Milton (Paradise Lost)
β
What would you have me do?
Seek for the patronage of some great man,
And like a creeping vine on a tall tree
Crawl upward, where I cannot stand alone?
No thank you! Dedicate, as others do,
Poems to pawnbrokers? Be a buffoon
In the vile hope of teasing out a smile
On some cold face? No thank you! Eat a toad
For breakfast every morning? Make my knees
Callous, and cultivate a supple spine,-
Wear out my belly grovelling in the dust?
No thank you! Scratch the back of any swine
That roots up gold for me? Tickle the horns
Of Mammon with my left hand, while my right
Too proud to know his partner's business,
Takes in the fee? No thank you! Use the fire
God gave me to burn incense all day long
Under the nose of wood and stone? No thank you!
Shall I go leaping into ladies' laps
And licking fingers?-or-to change the form-
Navigating with madrigals for oars,
My sails full of the sighs of dowagers?
No thank you! Publish verses at my own
Expense? No thank you! Be the patron saint
Of a small group of literary souls
Who dine together every Tuesday? No
I thank you! Shall I labor night and day
To build a reputation on one song,
And never write another? Shall I find
True genius only among Geniuses,
Palpitate over little paragraphs,
And struggle to insinuate my name
In the columns of the Mercury?
No thank you! Calculate, scheme, be afraid,
Love more to make a visit than a poem,
Seek introductions, favors, influences?-
No thank you! No, I thank you! And again
I thank you!-But...
To sing, to laugh, to dream
To walk in my own way and be alone,
Free, with a voice that means manhood-to cock my hat
Where I choose-At a word, a Yes, a No,
To fight-or write.To travel any road
Under the sun, under the stars, nor doubt
If fame or fortune lie beyond the bourne-
Never to make a line I have not heard
In my own heart; yet, with all modesty
To say:"My soul, be satisfied with flowers,
With fruit, with weeds even; but gather them
In the one garden you may call your own."
So, when I win some triumph, by some chance,
Render no share to Caesar-in a word,
I am too proud to be a parasite,
And if my nature wants the germ that grows
Towering to heaven like the mountain pine,
Or like the oak, sheltering multitudes-
I stand, not high it may be-but alone!
β
β
Edmond Rostand (Cyrano de Bergerac)
β
Mouthful of Forevers I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. We have both known loss like the sharp edges of a knife. We have both lived with lips more scar tissue than skin. Our love came unannounced in the middle of the night. Our love came when weβd given up on asking love to come. I think that has to be part of its miracle. Β This is how we heal. I will kiss you like forgiveness. You will hold me like Iβm hope. Our arms will bandage and we will press promises between us like flowers in a book. I will write sonnets to the salt of sweat on your skin. I will write novels to the scar on your nose. I will write a dictionary of all the words I have used trying to describe the way it feels to have finally, finally found you. Β And I will not be afraid of your scars. Β I know sometimes itβs still hard to let me see you in all your cracked perfection, but please know: Whether itβs the days you burn more brilliant than the sun or the nights you collapse into my lap, your body broken into a thousand questions, you are the most beautiful thing Iβve ever seen. I will love you when you are a still day. I will love you when you are a hurricane.
β
β
Clementine von Radics (Mouthful of Forevers)
β
Nancy waded out to her own rocks and searched her own pools and let that couple look after themselves. She crouched low down and touched the smooth rubber-like sea anemones, who were stuck like lumps of jelly to the side of the rock. Brooding, she changed the pool into the sea, and made the minnows into sharks and whales, and cast vast clouds over this tiny world by holding her hand against the sun, and so brought darkness and desolation, like God himself, to millions of ignorant and innocent creatures, and then took her hand away suddenly and let the sun stream down.
Out on the pale criss-crossed sand, high-stepping, fringed, gauntleted, stalked some fantastic leviathan (she was still enlarging the pool), and slipped into the vast fissures of the mountain side. And then, letting her eyes slide imperceptibly above the pool and rest on that wavering line of sea and sky, on the tree trunks which the smoke of steamers made waver on the horizon, she became with all that power sweeping savagely in and inevitably withdrawing, hypnotised, and the two senses of that vastness and this tininess (the pool had diminished again) flowering within it made her feel that she was bound hand and foot and unable to move by the intensity of feelings which reduced her own body, her own life, and the lives of all the people in the world, for ever, to nothingness. So listening to the waves, crouching over the pool, she brooded.
β
β
Virginia Woolf (To the Lighthouse)
β
This is the one thing I hope: that she never stopped. I hope when her body couldnβt run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chadβs mother crying, sun-wrinkles and gallops through wild red brush, a babyβs first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Danielβs hair turning gray under high ceilings and candle flames and the sweet cadences of Abbyβs singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
β
β
Tana French (The Likeness)
β
If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight, and suddenly, in less time than it takes to cry out, to plunge into an abyss, to fall, to roll, to crush, to be crushed, to see the heads of grain, the flowers, the leaves, the branches, unable to catch hold of anything, to feel your sword useless, men under you, horses over you, to struggle in vain, your bones broken by some kick in the darkness, to feel a heel gouging your eyes out of their sockets, raging at the horseshoe between your teeth, to stifle, to howl, to twist, to be under all this, and to say, βJust then I was a living man!
β
β
Victor Hugo
β
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
β
β
Edgar Allan Poe (The Raven and Other Poems)
β
The Trial By Existence
Even the bravest that are slain
Shall not dissemble their surprise
On waking to find valor reign,
Even as on earth, in paradise;
And where they sought without the sword
Wide fields of asphodel foreβer,
To find that the utmost reward
Of daring should be still to dare.
The light of heaven falls whole and white
And is not shattered into dyes,
The light for ever is morning light;
The hills are verdured pasture-wise;
The angel hosts with freshness go,
And seek with laughter what to brave;β
And binding all is the hushed snow
Of the far-distant breaking wave.
And from a cliff-top is proclaimed
The gathering of the souls for birth,
The trial by existence named,
The obscuration upon earth.
And the slant spirits trooping by
In streams and cross- and counter-streams
Can but give ear to that sweet cry
For its suggestion of what dreams!
And the more loitering are turned
To view once more the sacrifice
Of those who for some good discerned
Will gladly give up paradise.
And a white shimmering concourse rolls
Toward the throne to witness there
The speeding of devoted souls
Which God makes his especial care.
And none are taken but who will,
Having first heard the life read out
That opens earthward, good and ill,
Beyond the shadow of a doubt;
And very beautifully God limns,
And tenderly, lifeβs little dream,
But naught extenuates or dims,
Setting the thing that is supreme.
Nor is there wanting in the press
Some spirit to stand simply forth,
Heroic in its nakedness,
Against the uttermost of earth.
The tale of earthβs unhonored things
Sounds nobler there than βneath the sun;
And the mind whirls and the heart sings,
And a shout greets the daring one.
But always God speaks at the end:
βOne thought in agony of strife
The bravest would have by for friend,
The memory that he chose the life;
But the pure fate to which you go
Admits no memory of choice,
Or the woe were not earthly woe
To which you give the assenting voice.β
And so the choice must be again,
But the last choice is still the same;
And the awe passes wonder then,
And a hush falls for all acclaim.
And God has taken a flower of gold
And broken it, and used therefrom
The mystic link to bind and hold
Spirit to matter till death come.
βTis of the essence of life here,
Though we choose greatly, still to lack
The lasting memory at all clear,
That life has for us on the wrack
Nothing but what we somehow chose;
Thus are we wholly stripped of pride
In the pain that has but one close,
Bearing it crushed and mystified.
β
β
Robert Frost
β
RAINBOW VOICES
I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
β
β
Edgar Allan Poe
β
there is a list of questions
i want to ask but never will
there is a list of questions
i go through in my head
every time i'm alone
and my mind can't stop itself from searching for you
there is a list of questions i want to ask
so if you're listening somewhere
here i am asking them
what do you think happens
to the love that's left behind
when two lovers leave
how blue do you think it gets
before it passes away
does it pass away
or does it still exist somewhere
waiting for us to come back
when we lied to ourselves by
calling this unconditional and left
which one of us hurt more
i shattered into a million little pieces
and those pieces shattered into a million more
crumbled into dust till
there was nothing left of me but the silence
tell me how love
how did the grieving feel for you
how did the mourning hurt
how did you peel your eyes open after every blink
knowing i'd never be there staring back
it must be hard to live with what ifs
there must always be this constant dull aching
in the pit of your stomach
trust me
i feel it too
how in the world did we get here
how did we live through it
and how are we still living
how many months did it take
before you stopped thinking of me
or are you still thinking of me
cause if you are
then maybe i am too
thinking of you
thinking of me
with me
in me
around me
everywhere
you and me and us
do you still touch yourself to the thoughts of me
do you still imagine my naked naked tiny tiny body
pressed into yours
do you still imagine the curve of my spine and
how you wanted to rip it out of me
cause the way it dipped into my
perfectly rounded bottom
drove you crazy
baby
sugar baby
sweet baby
ever since we left
how many times did you pretend
it was my hand stroking you
how many times did you search for me in your fantasies
and end up crying instead of coming
don't you lie to me
i can tell when you're lying
cause there's always that little bit of
arrogance in your response
are you angry with me
are you okay
and would you tell me if you're not
and if we ever see each other again
do you think you'd reach out and hold me
like you said you would
the last time we spoke and
you talked of the next time we would
or do you think we'd just look
shake in our skin as we pine to
absorb as much as we can of each other
cause by this time we've probably got
someone else waiting at home
we were good together weren't we
and is it wrong that i'm asking you these questions
tell me love
that you have been
looking for these answers too
β
β
Rupi Kaur (The Sun and Her Flowers)
β
The Ballad of Lucy Jordan
The morning sun touched lightly on the eyes of Lucy Jordan
In a white suburban bedroom in a white suburban town
As she lay there 'neath the covers dreaming of a thousand lovers
Till the world turned to orange and the room went spinning round.
At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair.
So she let the phone keep ringing and she sat there softly singing
Little nursery rhymes she'd memorised in her daddy's easy chair.
Her husband, he's off to work and the kids are off to school,
And there are, oh, so many ways for her to spend the day.
She could clean the house for hours or rearrange the flowers
Or run naked through the shady street screaming all the way.
At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair
So she let the phone keep ringing as she sat there softly singing
Pretty nursery rhymes she'd memorised in her daddy's easy chair.
The evening sun touched gently on the eyes of Lucy Jordan
On the roof top where she climbed when all the laughter grew too loud
And she bowed and curtsied to the man who reached and offered her his hand,
And he led her down to the long white car that waited past the crowd.
At the age of thirty-seven she knew she'd found forever
As she rode along through Paris with the warm wind in her hair
β
β
Marianne Faithfull
β
His thought turned to the Ring, but there was no comfort there, only dread and danger. No sooner had he come in sight of Mount Doom, burning far away, than he was aware of a change in his burden. As it drew near the great furnaces where, in the deeps of time, it had been shaped and forged, the Ring's power grew, and it became more fell, untameable except by some mighty will. As Sam stood there, even though the Ring was not on him but hanging by its chain about his neck, he felt himself enlarged, as if he were robed in a huge distorted shadow of himself, a vast and ominous threat halted upon the walls of Mordor. He felt that he had from now on only two choices: to forbear the Ring, though it would torment him; or to claim it, and challenge the Power that sat in its dark hold beyond the valley of shadows. Already the Ring tempted him, gnawing at his will and reason. Wild fantasies arose in his mind; and he saw Samwise the Strong, Hero of the Age, striding with a flaming sword across the darkened land, and armies flocking to his call as he marched to the overthrow of Barad-dur. And then all the clouds rolled away, and the white sun shone, and at his command the vale of Gorgoroth became a garden of flowers and trees and brought forth fruit. He had only to put on the Ring and claim it for his own, and all this could be. In that hour of trial it was his love of his master that helped most to hold him firm; but also deep down in him lived still unconquered his plain hobbit-sense: he knew in the core of his heart that he was not large enough to bear such a burden, even if such visions were not a mere cheat to betray him. The one small garden of a free gardener was all his need and due, not a garden swollen to a realm; his own hands to use, not the hands of others to command. 'And anyway all these notions are only a trick, he said to himself.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Stay."
The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son."
Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need."
Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen moreβ"
"I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning."
Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed.
"I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happyβ"
Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love youβso much. Dallas, I want you to have your dream, I want you to have your son."
Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm.
"I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on toβ¦"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day."
-Dallas and Dee
β
β
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
β
When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes β respiration, the metabolism, the circulation β continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out.
The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone's consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.
β
β
Vasily Grossman (Life and Fate)
β
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud,
but I walked numbly through the park, round and round,
40 times for 4 hours
just wanting to make it through the day.
There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through
and the sky was so blue I couldnβt look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories,
but the panic kept growing, exploding in my chest. Tears falling on the desk
tick tick tick
me not making a sound
and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind,
but anxiety eats you up and I just want to be fine.
This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways
but you can not let it.
I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use.
the smoking and the starving, the running, the madness,
thinking it will help but it only feeds the fire
and I don't want to hurt myself anymore.
I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Meβlittle me. From nowhere at all.
And I have people around that I like and can laugh with, and it's spring again.
It will always be spring again.
And there will always be a new day.
β
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Charlotte Eriksson
β
Season late, day late, sun just down, and the sky
Cold gunmetal but with a wash of live rose, and she,
From water the color of sky except where
Her motion has fractured it to shivering splinters of silver,
Rises. Stands on the raw grass. Against
The new-curdling night of spruces, nakedness
Glimmers and, at bosom and flank, drips
With fluent silver. The man,
Some ten strokes out, but now hanging
Motionless in the gunmetal water, feet
Cold with the coldness of depth, all
History dissolving from him, is
Nothing but an eye. Is an eye only. Sees
The body that is marked by his use, and Time's,
Rise, and in the abrupt and unsustaining element of air,
Sway, lean, grapple the pond-bank. Sees
How, with that posture of female awkwardness that is,
And is the stab of, suddenly perceived grace, breasts bulge down in
The pure curve of their weight and buttocks
Moon up and, in swelling unity,
Are silver and glimmer. Then
The body is erect, she is herself, whatever
Self she may be, and with an end of the towel grasped in each hand,
Slowly draws it back and forth across back and buttocks, but
With face lifted toward the high sky, where
The over-wash of rose color now fails. Fails, though no star
Yet throbs there. The towel, forgotten,
Does not move now. The gaze
Remains fixed on the sky. The body,
Profiled against the darkness of spruces, seems
To draw to itself, and condense in its whiteness, what light
In the sky yet lingers or, from
The metallic and abstract severity of water, lifts. The body,
With the towel now trailing loose from one hand, is
A white stalk from which the face flowers gravely toward the high sky.
This moment is non-sequential and absolute, and admits
Of no definition, for it
Subsumes all other, and sequential, moments, by which
Definition might be possible. The woman,
Face yet raised, wraps,
With a motion as though standing in sleep,
The towel about her body, under her breasts, and,
Holding it there hieratic as lost Egypt and erect,
Moves up the path that, stair-steep, winds
Into the clamber and tangle of growth. Beyond
The lattice of dusk-dripping leaves, whiteness
Dimly glimmers, goes. Glimmers and is gone, and the man,
Suspended in his darkling medium, stares
Upward where, though not visible, he knows
She moves, and in his heart he cries out that, if only
He had such strength, he would put his hand forth
And maintain it over her to guard, in all
Her out-goings and in-comings, from whatever
Inclemency of sky or slur of the world's weather
Might ever be. In his heart he cries out. Above
Height of the spruce-night and heave of the far mountain, he sees
The first star pulse into being. It gleams there.
I do not know what promise it makes him.
β
β
Robert Penn Warren
β
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near
lost my breath yes he said I was a flower of the mountain yes so we are
flowers all a womans body yes that was one true thing he said in his life
and the sun shines for you today yes that was why I liked him because I
saw he understood or felt what a woman is and I knew I could always get
round him and I gave him all the pleasure I could leading him on till he
asked me to say yes and I wouldnt answer first only looked out over the
sea and the sky I was thinking of so many things he didnt know of Mulvey
and Mr Stanhope and Hester and father and old captain Groves and the
sailors playing all birds fly and I say stoop and washing up dishes they
called it on the pier and the sentry in front of the governors house with
the thing round his white helmet poor devil half roasted and the Spanish
girls laughing in their shawls and their tall combs and the auctions in
the morning the Greeks and the jews and the Arabs and the devil knows who
else from all the ends of Europe and Duke street and the fowl market all
clucking outside Larby Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the shade on the steps and
the big wheels of the carts of the bulls and the old castle thousands of
years old yes and those handsome Moors all in white and turbans like
kings asking you to sit down in their little bit of a shop and Ronda with
the old windows of the posadas glancing eyes a lattice hid for her
lover to kiss the iron and the wineshops half open at night and the
castanets and the night we missed the boat at Algeciras the watchman
going about serene with his lamp and O that awful deepdown torrent O and
the sea the sea crimson sometimes like fire and the glorious sunsets and
the figtrees in the Alameda gardens yes and all the queer little streets
and the pink and blue and yellow houses and the rosegardens and the
jessamine and geraniums and cactuses and Gibraltar as a girl where I was
a Flower of the mountain yes when I put the rose in my hair like the
Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then
I asked him with my eyes to ask again yes and then he asked me would I
yes to say yes my mountain flower and first I put my arms around him yes
and drew him down to me so he could feel my breasts all perfume yes and
his heart was going like mad and yes I said yes I will Yes.
β
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James Joyce (Ulysses)