Summer Fever Quotes

As I moved deeper into the room, his gaze dropped to my feet, and worked its way back to my face. I was wearing faded jeans, boots, and a snug pink Juicy T-shirt I got on sale at TJ Maxx last summer that said I’m a Juicy girl. “I bet you are,” he murmured.

If he was winter, I was summer. If I was sunshine, he was night. A dark and stormy one.

So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.

Ghosts can haunt damned near anything. I have heard them in the breathy voice of a song and seen them between the covers of a book. They have hidden in trees so that their faces peer out of the bark, and hovered beneath the silver surface of water. They disguise themselves as cracks in concrete or come calling in a delirium of fever. On summer days they keep pace like the shadow of our shadow. They lurk in the breath of young girls who give us our first kiss. I've seen men who were haunted to the point of madness by things that never were and things that should have been. I've seen ghosts in the lines on a woman's face and heard them in the jangling of keys. The ghosts in fire freeze and the ghosts in ice burn. Some died long ago; some were never born. Some ride the blood in my veins until it reaches my brain. Sometimes I even mistake myself for one. Sometimes I am one.

That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows. At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar." "Titanic City" was born. It's the song, they said. No, the sea. The luxury. The ship. It's the sex, they whispered. Leo, said Aziza sheepishly. It's all about Leo. "Everybody wants Jack," Laila said to Mariam. "That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead.

Love is hysteria, and summer makes it worse. Heat spreads the fever. Madness.

Winter Liar" by Liam Doyle the Incubus What come once here will never come again, no matter monument nor memory; all sunwarmed green succumbs to winter's wind. And you, my love, were also my best friend, and had your life to live. The tragedy was not just my youth's recklessness, although I trusted much to impulse, whim, freedom, a destiny excluding doom. Frankly, youth can be our insanity. But now I'm cured of that fever, although the price was high; and chilly April wind can only sigh at my regrets, yet sun will brighten wind so, one knows that soon green stirs, and wild bees hum. And summer once more will make winter liar, but I won't warm. You're all I'll ever desire.

The willow is full plumage and is no help, with its insinuating whispers. Rendevous, it says. Terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire... Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I'm a melon on a stem, this liquid ripeness.

But the fevers are on me now, the virus mad to ravage my last fifty T cells. It's hard to keep the memory at full dazzle, with so much loss to mock it. Roger gone, Craig gone, Cesar gone, Stevie gone. And this feeling that I'm the last one left, in a world where only the ghosts still laugh. But at least they're the ghosts of full-grown men, proof that all of us got that far, free of the traps and the lies. And from that moment on the brink of summer's end, no one would ever tell me again that men like me couldn't love.

Goddamnit, in your Love Fever I am suffering from Heart Tumor You must be adept …you Pretty Charmer I am falling for you…in this Indian Summer

Evening was deepening, and the fever of early summer, like the temperature of a dead giant, had dropped completely from the covering air.

every day.  Two weeks ago the Boones came down with a summer flu.  They had fevers, were lethargic, and had no appetite.  

Dancy can hear rain beginning to fall on the tar-paper roof of the cabin. Fat summer raindrops, and it’s the sweetest sound, almost, sweet as the end of a fever, as ripe as red apples.

Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.

Summer" Be of this brightness dyed Whose unrecking fever Flings gold before it goes Into voids finally That have no measure. Bird-sleep moonset, Island after island, Be of their hush On this tide that balance A time, for a time. Islands are not forever, Nor this light again, Tide-set, brief summer, Be of their secret That fears no other.

And in that gaze I see it all—birthdays and dinners and shopping trips. Mornings spent watching soap operas in her bed. Nights on the phone. Care packages mailed to New York City. Scraped elbows and fevers and her voice, always her voice. Everything is going to be all right. You’re okay. I’ve got you.

The model for South America was Broadway actress Maxine Elliot. North America, a pretty blonde, was modeled on Maud Coleman Woods of Charlottesville, Virginia. (Sadly, she would die of typhoid fever that summer, ten days before McKinley arrived in Buffalo, thereby never living to see herself on a coaster, every southern belle’s dream.)

In the early summer of 1846 he moved his family to a cottage in Fordham, which was then far out in the country. He was ill and Virginia was dying, so that he was in no condition to do much work. As a result, their meagre income vanished; when winter game they even lacked money to buy fuel. A friend who visited the cottage wrote a description of Virginia's plight: There was no clothing on the bed... but a snow white spread and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed, wrapped in her husband's great-coat, with a large tortoise-shell cat on her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth... A public appeal for funds was made in the newspapers -- an act which Poe, of course, resented. But Virginia was beyond all human aid. She died on January 30, 1847, and her death marked the end of the sanest period in her husband's life. He plunged into the writing of a book-length mystical and pseudo-scientific work entitled Eureka, in which he set forth his theories of the universe. He intended it as a prose poem, and as such is should be judged, rather than as a scientific explanation of matters beyond it's author's ken.

Honorius Hatchard had been old Miss Hatchard's great-uncle; though she would undoubtedly have reversed the phrase, and put forward, as her only claim to distinction, the fact that she was his great-niece. For Honorius Hatchard, in the early years of the nineteenth century, had enjoyed a modest celebrity. As the marble tablet in the interior of the library informed its infrequent visitors, he had possessed marked literary gifts, written a series of papers called "The Recluse of Eagle Range," enjoyed the acquaintance of Washington Irving and Fitz-Greene Halleck, and been cut off in his flower by a fever contracted in Italy. Such had been the sole link between North Dormer and literature, a link piously commemorated by the erection of the monument where Charity Royall, every Tuesday and Thursday afternoon, sat at her desk under a freckled steel engraving of the deceased author, and wondered if he felt any deader in his grave than she did in his library.

To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy. To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp. To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower. To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.

... my aunt Neva was the guardian and gardener of the metaphors that became me. She saw to it that I was fed all the best fairy tales, poetry, cinema, and theater, so that I was continually in a fever about life and eager to write it all down.

And at that very moment, when the kiss was laid on the boy's head, and the mother's arm were firmly wrapped around her child as they'd been when she'd first held him, when she'd first cradled him as a baby, when she'd held him as a child crying over some lost bauble, when she'd held him as a boy when a fever had come on strong, when she'd held him as a young man in the full throat of summer, and when the horse had thrown him and he lay motionless on the flagstones and she'd held him then- at that very moment, the ivy ceased its endless writhings and lapsed into immobility and fell quiet.

As a child I read hoping to learn everything, so I could be like my father. I hoped to combine my father's grasp of information and reasoning with my mother's will and vitality. But the books were leading me away. They would propel me right out of Pittsburgh altogether, so I could fashion a life among books somewhere else. So the Midwest nourishes us . . . and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters, and the forested river valleys, with the blue Appalachian Mountains to the east of us and the broad great plains to the west. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities.

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale

I'm about to wake Brianna up to see if she knows anything when Carolyn comes in. Her hair is pulled back into a ponytail and she's wearing workout clothes - sports bra, cropped leggins, running shoes. For a moment, I'm speechless. She's sweaty, her face is bright red from exertion, and she's slightly out of breath. Her ab muscles pulse as she takes a swig from her water bottle. She smiles at me, her lips wet from the water or sweat or both, and something strange happen-I feel like a hand has clenched around my insides and is tugging, urging me toward her, and I suddenly feel very warm. Hot, even. Like I've been hit with a fever. I have to remind myself to breathe. She's even more beautiful now than she was yesterday. And here I am, in this ridiculous pink sack, probably with major bedhead.

And I, who derived from the names Guermantes, Bavière, and Condé my notions of the life and thoughts of the two cousins (something I could no longer do from their faces, now that I had seen them), would rather have had their opinion of Phèdre than that of the greatest critic in the world. For in the critic’s opinion I would have found merely intelligence, intelligence superior to my own but of the same kind. But the opinion of the Duchesse and Princesse de Guermantes, which would have furnished me with invaluable facts about the nature of these two poetic creatures, was something I imagined through the power of their names and credited with an irrational charm, and, with the thirst and longing of a man in a fever, what I demanded that their opinion of Phèdre should restore to me was the charm of the summer afternoons I had spent on walks along the Guermantes way.

Now algae bloomed as never before, causing snail populations to explode. The snails hosted tiny parasitic worms that harbored schistosomiasis, a horrible disease that leaves its victims chronically prostrate with abdominal pain, high fever, fatigue, and diarrhea. Schistosomiasis had been unknown in the region before Ford came along; after Fordlandia, it was endemic. Malaria, yellow fever, elephantiasis, and hookworm were rife as well. Agonizing discomfort could come from almost anywhere. The river teemed with a little fish, the candiru, or toothpick fish, which would swim into any available human orifice (most notoriously the penis), then extend prickly, backward-facing spines, making it impossible to dislodge. On land, maggots from the botfly Dermatobia hominis burrowed into the skin and hatched eggs; victims knew of an infestation when they could see wriggling just under their skin or when sores erupted and newborn maggots spilled out. Beyond the camp boundaries, vipers and jaguars

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.

I’d like to see some identification,” growled the inspector. I fully expected Barrons to toss O’Duffy from the shop on his ear. He had no legal compulsion to comply and Barrons doesn’t suffer fools lightly. In fact, he doesn’t suffer them at all, except me, and that’s only because he needs me to help him find the Sinsar Dubh. Not that I’m a fool. If I’ve been guilty of anything, it’s having the blithely sunny disposition of someone who enjoyed a happy childhood, loving parents, and long summers of lazy-paddling ceiling fans and small-town drama in the Deep South which-while it’s great—doesn’t do a thing to prepare you for live beyond that. Barrons gave the inspector a wolfish smile. “Certainly.” He removed a wallet from the inner pocket of his suit. He held it out but didn’t let go. “And yours, Inspector.” O’Duffy’s jaw tightened but he complied. As the men swapped identifications, I sidled closer to O’Duffy so I could peer into Barrons’ wallet. Would wonders never cease? Just like a real person, he had a driver’s license. Hair: black. Eyes: brown. Height: 6’3”. Weight: 245. His birthday—was he kidding?—Halloween. He was thirty-one years old and his middle initial was Z. I doubted he was an organ donor. “You’ve a box in Galway as your address, Mr. Barrons. Is that where you were born?” I’d once asked Barrons about his lineage, he’d told me Pict and Basque. Galway was in Ireland, a few hours west of Dublin. “No.” “Where?” “Scotland.” “You don’t sound Scottish.” “You don’t sound Irish. Yet here you are, policing Ireland. But then the English have been trying to cram their laws down their neighbors’ throats for centuries, haven’t they, Inspector?” O’Duffy had an eye tic. I hadn’t noticed it before. “How long have you been in Dublin?” “A few years. You?” “I’m the one asking the questions.” “Only because I’m standing here letting you.” “I can take you down to the station. Would you prefer that?” “Try.” The one word dared the Garda to try, by fair means or foul. The accompanying smile guaranteed failure. I wondered what he’d do if the inspector attempted it. My inscrutable host seems to possess a bottomless bag of tricks. O’Duffy held Barrons’ gaze longer than I expected him to. I wanted to tell him there was no shame in looking away. Barrons has something the rest of us don’t have. I don’t know what it is, but I feel it all the time, especially when we’re standing close. Beneath the expensive clothes, unplaceable accent, and cultural veneer, there’s something that never crawled all the way out of the swamp. It didn’t want to. It likes it there.

It was late September in the Ohio River Valley, the dying days of summer when soaring temperatures fought autumn’s grasp. Here the sweat and sunshine lingered, a mocking presence as school began. Sullen waves of heat thickened under the claustrophobic press of low-lying clouds, while humidity amplified the temperatures into a fever dream of shimmering sidewalks and sunburnt noses.

Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An

Uncle Jarrod groaned. “What are you doing here?” “I came to have a word. Good thing I did, too, I see you’re up to your usual tyranny. Do me a favor and get that blade away from her throat.” “Gerda!” the duke barked. “Go home at once! This is not your concern!” “Not my concern, eh?” Miss Gerda approached Uncle Jarrod, her arms folded. “I assure you, what I have to say concerns every one of us. Jarrod, do you not recognize this child?” “Nothing you say is going to spare her. She is arrested for treason.” Miss Gerda watched him. Being much shorter, she had to look up to meet his eyes. Her plain dress and apron looked very drab beside the king, but she regarded him without embarrassment. “You’ve been friendly with the duke a long time, Jarrod. Came an awful lot in your younger days. And you liked me then, remember? Especially that summer when you came for a long stay. You like me… quite often. And I was stupid enough to think it would last.” “Silence, woman, your words are meaningless. Nobody wants to hear this.” A trace of dread lurked behind Uncle Jarrod’s eyes. “That fall, I left the duke’s manor and returned to my home kingdom of Clerlione. I had told the duke my mother was ill, but that wasn’t it. You see, Jarrod, something came of the time you and I spent together.” She raised a hand to the duke and his prisoner. “Briette.” Briette, still pinned against the duke, suffered a jolt so hard it nearly stopped her heart. She could not have moved even if the duke had let her. Uncle Jarrod’s face was pinched with contempt. “Don’t be a fool.” “Think about it, Jarrod. That summer. It was eighteen years ago. Briette is seventeen. Look at her face, you’ll see.” Uncle Jarrod cleared his throat and stared at the floor. He raised a hand and stroked his beard. It seemed a long time before he spoke. “Let the child come here.” The duke lowered his hands. Briette started walking, though she felt separated from herself, as if watching this happen to somebody else. She made the mistake of letting her eyes drift to her sisters. They stared at her with a mixture of wide-eyed horror and pale disbelief. Arialain had covered her face and was shaking. It seemed a very long walk though in truth it was only six or seven paces. Uncle Jarrod gripped her chin and lifted her face. Briette stared into his clear blue eyes and tried not to think. He looked deeply troubled. Shaken. He released her chin. “It is hard to say. There are little things…. But I’m not sure.” “Then you must take my word,” said Miss Gerda. “If she is what you say, then why didn’t you raise her? She came here as an orphan.” Miss Gerda grew somber. “I wasn’t ready to have a child. Without a husband to support me, how could I care for it? I had to work. I left the baby with my sister in Clerlione. She was married but had no children, and was happy to take Briette. I returned to work for the duke and for two years, all was well. And then came the Red Fever plague.” Briette hugged her sides, her eyes shut. This was too much to bear. She wanted Miss Gerda to stop talking. “By the time I reached Clerlione, my sister and her husband were dead. I was frantic, thinking Briette had died too. But I found a neighbor who told me that my sister had given the baby to the king of Runa Realm. I was shocked. And for a while, quite miserable. But in time, I came to be glad of it. As a princess, she would never know poverty or hardship. So I stayed at the duke’s and kept my silence. But occasionally, at a festival or in the market square, I’d see her. And I was proud.” She smiled at Briette. A short silence followed. Then Heidel spoke up. “Let me be quite clear on this. Briette is Uncle Jarrod’s daughter?” “And

Their owners returned to Philadelphia each fall, leaving the resort a ghost town. Samuel Richards realized that mass-oriented facilities had to be developed before Atlantic City could become a major resort and a permanent community. From Richards’ perspective, more working-class visitors from Philadelphia were needed to spur growth. These visitors would only come if railroad fares cost less. For several years Samuel Richards tried, without success, to sell his ideas to the other shareholders of the Camden-Atlantic Railroad. He believed that greater profits could be made by reducing fares, which would increase the volume of patrons. A majority of the board of directors disagreed. Finally in 1875, Richards lost patience with his fellow directors. Together with three allies, Richards resigned from the board of directors of the Camden-Atlantic Railroad and formed a second railway company of his own. Richards’ railroad was to be an efficient and cheaper narrow gauge line. The roadbed for the narrow gauge was easier to build than that of the first railroad. It had a 3½-foot gauge instead of the standard 4 feet 8½ inches, so labor and material would cost less. The prospect of a second railroad into Atlantic City divided the town. Jonathan Pitney had died six years earlier, but his dream of an exclusive watering hole persisted. Many didn’t want to see the type of development that Samuel Richards was encouraging, nor did they want to rub elbows with the working class of Philadelphia. A heated debate raged for months. Most of the residents were content with their island remaining a sleepy little beach village and wanted nothing to do with Philadelphia’s blue-collar tourists. But their opinions were irrelevant to Samuel Richards. As he had done 24 years earlier, Richards went to the state legislature and obtained another railroad charter. The Philadelphia-Atlantic City Railway Company was chartered in March 1876. The directors of the Camden-Atlantic were bitter at the loss of their monopoly and put every possible obstacle in Richards’ path. When he began construction in April 1877—simultaneously from both ends—the Camden-Atlantic directors refused to allow the construction machinery to be transported over its tracks or its cars to be used for shipment of supplies. The Baldwin Locomotive Works was forced to send its construction engine by water, around Cape May and up the seacoast; railroad ties were brought in by ships from Baltimore. Richards permitted nothing to stand in his way. He was determined to have his train running that summer. Construction was at a fever pitch, with crews of laborers working double shifts seven days a week. Fifty-four miles of railroad were completed in just 90 days. With the exception of rail lines built during a war, there had never been a railroad constructed at such speed. The first train of the Philadelphia-Atlantic City Railway Company arrived in the resort on July 7, 1877. Prior to Richards’ railroad,

After dangling in a summer breeze for eight hours, the bodies were cut down by a deputy at dawn. The woman at the roadside robbery scene later said there had been no rape; she had made the story up.

The other goal was to prohibit teaching of evolution. The Klan backed a new law in Tennessee that made it a crime for a public school teacher to explain “any theory that denies the story of Divine Creation of man as taught in the Bible.” The fear was that if evolution were accepted, it would imply that all people had a common origin. For the Klan, that meant there was “no fundamental difference between themselves and the race they pretend to despise,” as the Defender, a Black newspaper in Chicago, put it. A part-time science teacher and high school football coach, John T. Scopes, challenged the new law. William Jennings Bryan, the aging populist and former Democratic presidential nominee, was enlisted to take up the creationist cause in what became known as the Scopes Monkey Trial. Bryan withered in the summer heat of the outdoor courtroom in 1925, and melted under questioning about biblical literalism from his opponent, Clarence Darrow. The trial ended with a $100 fine of the high school science teacher. Bryan died five days later.

Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.

The heat made people crazy. They woke from their damp bedsheets and went in search of a glass of water, surprised to find that when their vision cleared, they were holding instead the gun they kept hidden in the bookcase. Children cried out in their sleep, and even doses of liquid Tylenol couldn’t cool their fevered skin. All over town, birds fell from phone wires and landed in pathetic, crumpled heaps on the thirsty lawns.

Clip This Article on Location 1397 | Added on Monday, September 1, 2014 4:10:39 PM REVIEW & OUTLOOK An $8.3 Billion Rebuke to the FDA Roche buys a drug approved in Europe but not in America. 359 words Amid this summer's M&A fever, Roche's agreement Monday to buy the San Francisco biotech InterMune deserves special notice. The tie-up is an $8.3 billion guided missile into the fortified bunker that is the Food and Drug Administration. InterMune has never turned a profit in 16 years of existence and other than its clinical expertise the company holds a single asset: an idea for treating a lethal lung disorder called idiopathic pulmonary fibrosis with no known cause, cure or approved therapy—at least in the U.S. An InterMune drug called pirfenidone that slows the progression of irreversible lung scarring is on the market in Europe, Japan, Canada and even China. Bloomberg News But the FDA refused to approve pirfenidone in 2010, despite the 40,000 Americans who are killed annually by lung fibrosis and a positive recommendation from its outside scientific advisory committee. The agency brass claimed the evidence was statistically unsatisfactory, when one clinical trial was inconclusive but another showed strong benefits such as improved lung function. The results of the third trial the FDA ordered were reported earlier this year and confirmed that pirfenidone is even more of a treatment advance than it seemed in 2010, and may prolong life. The agency is expected, finally, to approve the medicine in November. Roche is paying a 38% premium over Friday's closing share price, and 63% over trading before the news of InterMune's corporate suitors broke a few weeks ago. The deal is a big vote of confidence in pirfenidone, not least because a rival lung fibrosis drug is awaiting U.S. approval. Then again, maybe that drug's maker, the German pharmaceutical consortium Boehringer Ingelheim, will have the same FDA experience as InterMune. The Roche deal is a tacit reprimand to the FDA's unscientific and uncompassionate—and wrong—2010 defenestration. Amid medical ambiguity about effectiveness, the humane option is to allow a drug to come to patients and follow on with more research, in particular for a drug with few side effects. Pulmonary fibrosis is a protracted death sentence of three to five years. The FDA denied tens of thousands of dying people better and possibly longer lives in the time they had left. ==========

String Fever was hanging by a thread anyway in the uncertain economy.

And at that very moment, when the kiss was laid on the boy's head, and the mother's arms were firmly wrapped around her child as they'd been when she'd first held him, when she'd first cradled him as a baby, when she'd held him as a child crying over some lost bauble, when she'd held him as a boy when a fever had come on strong, when she'd held him as a young man in the full throat of summer, and when the horse had thrown him and he lay motionless on the flagstones and she'd held him then- at that very moment, the ivy ceased its endless writhings and lapsed into immobility and fell quiet.

summer of 42. Those deported were sent to the area along the river Bug, further east of Transnistria, an area administered by the Germans. Out of a few thousand deportees, a handful returned to tell the story of that utter tragedy. Friends and neighbors of ours found their bitter end there. Selma Meerbaum-Eisinger and her parents, two young girls, students of mine, granddaughters of the Gottliebs and their parents, all met a most horrible death there. Some were shot as they were too weak to work; others weakened from starvation, died of typhoid fever, others who almost survived, were mauled and killed by dogs let out by the Germans, so that nobody should survive to tell of these horrors. My friend, who had asked me to take care of his parents, could not foresee, nor could anybody envision the horror that would take place. His family died there, too.

The reliable functioning of any mechanism depends on the same result always being produced by a particular cause or set of causes. Many of the body's activities can be classified as chemical, and a salient feature of most chemical reactions is that their rate is affected strongly by the temperature. The hotter, the quicker; even a few degrees sometimes doubling the rate. Since proper working of our nervous system relies largely on the relative speeds of reaction in its various parts, the reliability of our responses is completely at the mercy of our body temperature. Were this not stabilised, we should behave more like insects or reptiles - zipping around feverishly in the summer and scarcely moving, breathing or even thinking, in the winter.(Using summer and winter in their classic senses, of course). We get occasional glimpses of the possibilities when we are either chilled or fevered - and surely there is no need to elaborate the miseries, physical, mental and emotional, which these conditions entail6

I know exactly where the decrepit, fallen-to-ruin castle of Winter is, as well as Spring, Summer, and Autumn, the High Court, and the queen’s bower.

They are each other’s opposite, although, I suppose, not antithesis. That would be summer to winter, autumn to spring. Yet as they stand near each other, Winter, so icy and pale, Autumn so dusky and warm, it drives home to me how elemental the Fae are, the embodiment of the seasons themselves.

He would be forty-five now, a grown man, if he had not died that fall. His final pneumonia took him quickly: a fever that rocketed skyward, the tiny, bottlelike lungs filling, coma, death within hours. After all he’d been through, it seemed a mercy, though of course that was an illusion, something to say to fill the silence of his missing life: the bicycle he would not ride, the books he would not read, the friends he would not have and the girl he would not kiss. The thousand pains and pleasures of his life, shelved in a tomb that the door of early death had sealed. No, there was no mercy in what happened to my boy at all. When he died, he weighed just eleven pounds. It’s said that many marriages do not survive the loss of a child, that such grief is a room parents enter together but depart alone. I have no cause to argue the point, having sat in just that room. From that day forward we loved each other, Meredith and I, but we loved with broken hearts. And when, on a morning not long after we had buried Sam, I came into the kitchen to find Meredith standing at the window, cupping the curve of her stomach in a secret way that I alone understood, I knew we would go on.

It was August, Indian summer hot, morning but not morning, a sunrise without any sunrise colors. The sky was gray-dark above and gray-light below, no pink or orange or real color at all--just lightness pushing back darkness through air hot-cold as fever chills.

There is something subversive about this garden of Serena’s, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamour to be heard, though silently. A Tennyson garden, heavy with scent, languid; the return of the word swoon. Light pours down upon it from the sun, true, but also heat rises, from the flowers themselves, you can feel it: like holding your hand an inch above an arm, a shoulder. It breathes, in the warmth, breathing itself in. To walk through it in these days, of peonies, of pinks and carnations, makes my head swim. The willow is in full plumage and is no help, with its insinuating whispers. Rendezvous, it says, terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grown underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire. Even the bricks of the house are softening, becoming tactile; if I leaned against them they’d be warm and yielding.

But in the summer of that year, a tragic epidemic spread throughout Philadelphia. Yellow fever struck, and thousands of people died from the disease. Betsy’s parents died early in the epidemic. Betsy’s sister Deborah died, too. Her sister Mary died soon after, also possibly from the fever.

THE ECONOMIC barometer at Harvard University had consistently pointed to bad weather. But even its precise readings could not have predicted such a swift deepening of the crisis. Wars and the elements had turned the earth into a waster of its own energies. Oil wells were running dry. Black, white, and brown coals were producing less and less power every year. An unprecedented drought had swaddled the sere earth in what felt like a dozen equators. Crops burned to their roots. Forests caught fire in the infernal heat. The selvas of South America and the jungles of India blazed with smoky flames. Agrarian countries were ravaged first. True, forests reduced to ashes had given place to ashy boles of factory smoke. But their days too were numbered. Fuellessness was threatening machines with motionlessness. Even glacier snowcaps melted by the perennial summer could not provide an adequate supply of waterpower; the beds of shrinking rivers lay exposed, and soon the turbine generators would stop. The earth had a fever. Flogged mercilessly by the sun’s yellow whips, it whirled around like a dervish dancing his last delirious dance.

In his book Mosquito Empires: Ecology and War in the Greater Caribbean, 1620–1914, John R. McNeill estimates that Napoleon dispatched sixty-five thousand troops in successive waves to suppress the revolt in Saint-Domingue. Of these, fifty thousand to fifty-five thousand died, with thirty-five thousand to forty-five thousand of those deaths caused by yellow fever. Thus in the late summer of 1802 Leclerc reported that he had under his command only ten thousand men, of whom eight thousand were convalescing in hospital, leaving only two thousand fit for active duty. Two-thirds of the staff officers had also succumbed.

Although the French also understood that the hills and mountains were far healthier in the summer than the lowlands and the towns, they underestimated the danger of yellow fever and never anticipated an epidemic as violent as that of 1802–1803.