“
So you think that you're a failure, do you? Well, you probably are. What's wrong with that? In the first place, if you've any sense at all you must have learned by now that we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail. But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success. Embrace failure! Seek it out. Learn to love it. That may be the only way any of us will ever be free.
”
”
Tom Robbins
“
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages
1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree.
2) Mozart was already competent on keyboard and violin; he composed from the age of 5.
3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.”
4) Anne Frank was 12 when she wrote the diary of Anne Frank.
5) Magnus Carlsen became a chess Grandmaster at the age of 13.
6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14.
7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15.
8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil.
9) Elvis was a superstar by age 19.
10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961.
11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936.
12) Beethoven was a piano virtuoso by age 23
13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24
14) Roger Bannister was 25 when he broke the 4 minute mile record
15) Albert Einstein was 26 when he wrote the theory of relativity
16) Lance E. Armstrong was 27 when he won the tour de France
17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28
18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world
19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter
20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean
21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind
22) Edmund Hillary was 33 when he became the first man to reach Mount Everest
23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream."
24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics
25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight
26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions.
27) Neil Armstrong was 38 when he became the first man to set foot on the moon.
28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn"
29) Christopher Columbus was 41 when he discovered the Americas
30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger
31) John F. Kennedy was 43 years old when he became President of the United States
32) Henry Ford Was 45 when the Ford T came out.
33) Suzanne Collins was 46 when she wrote "The Hunger Games"
34) Charles Darwin was 50 years old when his book On the Origin of Species came out.
35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa.
36) Abraham Lincoln was 52 when he became president.
37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels.
38) Dr. Seuss was 54 when he wrote "The Cat in the Hat".
40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived
41) Colonel Harland Sanders was 61 when he started the KFC Franchise
42) J.R.R Tolkien was 62 when the Lord of the Ring books came out
43) Ronald Reagan was 69 when he became President of the US
44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats
45) Nelson Mandela was 76 when he became President
”
”
Pablo
“
Success is a finished book, a stack of pages each of which is filled with words. If you reach that point, you have won a victory over yourself no less impressive than sailing single-handed around the world.
”
”
Tom Clancy
“
Plans are one thing and fate another. When they coincide, success results. Yet success mustn't be considered the absolute. It is questionable, for that matter, whether success is an adequate resposne to life. Success can eliminate as many options as failure.
”
”
Tom Robbins (Even Cowgirls Get the Blues)
“
An overnight success is ten years in the making.
”
”
Tom Clancy (Dead or Alive (Jack Ryan Jr, #2; Jack Ryan Universe, #13))
“
Success in life is to maintain this ecstasy, to burn always with this hard gemlike flame.
”
”
Tom Stoppard (The Invention of Love)
“
People say that celebrities stop developing emotionally at the age of their success—which for Tom had been with Risky Business at twenty-one.
”
”
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
“
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.
The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:
I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us."
And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real.
Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
I am never forget the day I first meet the great Lobachevsky.
In one word he told me secret of success in mathematics:
Plagiarize!
Plagiarize!
Let no one else's work evade your eyes!
Remember why the good Lord made your eyes!
So don't shade your eyes,
But plagiarize, plagiarize, plagiarize -
Only be sure always to call it please 'research'."
[Lobachevsky]
”
”
Tom Lehrer
“
We live in a world where we seem increasingly in need of ways to unify ourselves, ways to build bridges and feel as one. It strikes me that very few things have achieved these aims as successfully as the brilliant world of Harry Potter.
”
”
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
“
PATH TO SUCCESS: DREAM. PLAN. DO. FAIL. NEVER GIVE UP. FAIL. NEVER GIVE UP. FAIL. NEVER GIVE UP. ACHIEVE! IT'S A MESSY JOURNEY.
”
”
Tom Giaquinto (Be A Good Human)
“
The most successful people start with dominant talent—and then add skills, knowledge, and practice to the mix. When they do this, the raw talent actually serves as a multiplier.
”
”
Tom Rath (Strengths Finder 2.0)
“
There’s nothing more embarrassing than a person who tries to guess what the great American public would like, makes a compromise for the first time, and falls flat on his face… I would rather be a failure on my own terms than a success on someone else’s. That’s a difficult statement to live up to, but then I’ve always believed that the way you affect your audience is more important than how many of them are there.
”
”
Tom Waits
“
He wasn’t being arrogant. It wasn’t self-confidence that a human would have because they had been successful in the past. GERI was simply certain he would be successful because he was what he was—a superlative intellect, perhaps the only one of his caliber.
”
”
C.A. Knutsen (Tom and G.E.R.I.)
“
You have just placed yourself in an untenable position, Mr. Mathews. You have made a threat that you cannot carry out. I’m not intimidated by your gun, so I won’t be going anywhere with you. I think you should re-read the book on successful information gathering techniques.
”
”
C.A. Knutsen (Tom and G.E.R.I.)
“
It is questionable, for that matter, whether success is an adequate response to life. Success can eliminate as many options as failure.
”
”
Tom Robbins
“
The way you do anything is the way you do everything. TOM WAITS
”
”
Phil Jackson (Eleven Rings: The Soul of Success)
“
A mask has but one expression, frozen and eternal, yet it is always and ever the essential expression, and to hide one’s telltale flesh behind the external skeleton of the mask is to display the universal identity of the inner being in place of the outer identity that is transitory and corrupt. The freedom of the masked is not the vulgar political freedom of the successful revolutionary, but the magical freedom of the Divine, beyond politics and beyond success. A mask, any mask, whether horned like a beast or feathered like an angel, is the face of immortality. Meet me in Cognito, baby. In Cognito, we’ll have nothing to hide.
”
”
Tom Robbins (Jitterbug Perfume)
“
Be always good and do always good, rewards will follow you even if you don't need them.
”
”
Derin J Tom
“
Get on top of the obstacles
and they become vantage points.
”
”
Tom Althouse
“
Only those who constantly retool themselves stand a chance of staying employed in the years ahead.
”
”
Tom Peters
“
When we build on our strengths and daily successes — instead of focusing on failures — we simply learn more.
”
”
Tom Rath (Wellbeing: The Five Essential Elements)
“
So you think that you're a failure, do ya? Well, you probably are. What's wrong with that? In the first place, if you have any sense at all, we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail! But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success. Embrace failure! Seek it out. Learn to love it. That may be the only way any of us will ever be free.
”
”
Tom Robbins (Even Cowgirls Get the Blues)
“
The problem here, Gwen, is that the more desperate you are to achieve financial success and the tighter you hold on to what you've got, the greater your chances of losing it. Money's like love in that respect.
”
”
Tom Robbins (Half Asleep in Frog Pajamas)
“
Across the board, having the opportunity to develop our strengths is more important to our success than our role, our title, or even our pay.
”
”
Tom Rath
“
How many no’s am I willing to accept on my way to success?
”
”
Tom Hopkins (How to Master the Art of Selling)
“
Looking back at those early days in the band house, we can all see how important they were in helping us bond as a band. It could have gone so wrong. Danny and I had picked Harry and Dougie after, literally, two days of knowing them. We could have all hated each other. We could have found that we had nothing in common, or that we resented the time we spent with each other. In fact, we had such a lot of fun. We weren’t yet famous or successful, but already we were having the time of our lives. Even when we hit the big time, we didn’t want to go out to clubs or celebrity haunts. Not our scene. For us, the best thing about being in a band was being in a band, doing band stuff - not all the trappings that went with it. We liked working on our music, and we liked hanging out together. All this meant we gelled more than most bands ever have the opportunity or inclination to do. Within a couple of months of moving into the band house, I had three new best friends. Their names were Danny, Harry and Dougie. No matter what the future held for us, our friendship was something we now know we could always rely on.
”
”
Tom Fletcher (McFly: Unsaid Things... Our Story)
“
At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career.
During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer.
I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole.
p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).
”
”
Suzie Burke (Wholeness: My Healing Journey from Ritual Abuse)
“
The number of times I succeed is in direct proportion to the number of times I can fail and keep on trying.
”
”
Tom Hopkins
“
Success can eliminate as many options as failure.
”
”
Tom Robbins
“
Do something you really like, and hopefully it pays the rent. As far as I'm concerned, that's success.
”
”
Tom Petty
“
If one advances confidently in the direction of his dreams, he will meet with a success unexpected in common hours
”
”
Tom Schulman (Dead Poets Society)
“
One of the few freedoms that we have as human beings that cannot be taken away from us is the freedom to assent to what is true and to deny what is false. Nothing you can give me is worth surrendering that freedom for. At this moment I'm a man with complete tranquillity...I've been a real estate developer for most of my life, and I can tell you that a developer lives with the opposite of tranquillity, which is perturbation. You're perturbed about something all the time. You build your first development, and right away you want to build a bigger one, and you want a bigger house to live in, and if it ain't in Buckhead, you might as well cut your wrists. Soon's you got that, you want a plantation, tens of thousands of acres devoted solely to shooting quail, because you know of four or five developers who've already got that. And soon's you get that, you want a place on Sea Island and a Hatteras cruiser and a spread northwest of Buckhead, near the Chattahoochee, where you can ride a horse during the week, when you're not down at the plantation, plus a ranch in Wyoming, Colorado, or Montana, because truly successful men in Atlanta and New York all got their ranches, and of course now you need a private plane, a big one, too, a jet, a Gulfstream Five, because who's got the patience and the time and the humility to fly commercially, even to the plantation, much less out to a ranch? What is it you're looking for in this endless quest? Tranquillity. You think if only you can acquire enough worldly goods, enough recognition, enough eminence, you will be free, there'll be nothing more to worry about, and instead you become a bigger and bigger slave to how you think others are judging you.
”
”
Tom Wolfe (A Man in Full)
“
My dear, I could hardly keep still in my chair. I wanted to dash out of the house and leap in a taxi and say, "Take me to Charles's unhealthy pictures." Well, I went, but the gallery after luncheon was so full of absurd women in the sort of hats they should be made to eat, that I rested a little--I rested here with Cyril and Tom and these saucy boys. Then I came back at the unfashionable time of five o'clock, all agog, my dear; and what did I find? I found, my dear, a very naughty and very successful practical joke. It reminded me of dear Sebastian when he liked so much to dress up in false whiskers. It was charm again, my dear, simple, creamy English charm, playing tigers.
”
”
Evelyn Waugh (Brideshead Revisited)
“
Unfortunately, we don't have all that many good examples to follow. The people that our cultures label as "successful" are the ones who have become wealthy or famous or celebrities, but the truly successful people--those who have become happy and who are living happy, loving, giving lives--aren't often featured in our newspapers or newscasts. We see the politicians and the criminals and the athletes and the entertainment "stars," but we don't see the people who can truly inspire us to be happy by being just who we are.
”
”
Tom Walsh
“
A growing body of evidence suggests that the single greatest driver of both achievement and well-being is understanding how your daily efforts enhance the life of others…the defining of a meaningful life are ‘connecting and contributing to something beyond the self'.
”
”
Tom Rath (Life's Great Question: Discover How You Contribute To The World)
“
It is a testament to the success of cartels in laundering their images that millions of consumers buy drugs each year without giving a moment’s thought to the fact that they are funding unimaginable suffering
”
”
Tom Wainwright (Narconomics: How to Run a Drug Cartel)
“
Great groups ship. “They are places of action, not think tanks or retreat centers devoted solely to the generation of ideas.” Warren characterized the successful collaborations he studied as “dreams with deadlines.
”
”
Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
“
Not all who demand your attention desire your happiness, many merely seeking a conveyance to their own. It is entirely easy when wrapped up with the petty to miss what is possible and what rows your ship to worthwhile dreams. But when two or more fall together to share the oars of what might be, dreams may find them in equal measure and as fast as the wake made.
”
”
Tom Althouse
“
In our experience, one of the scariest snakes in the room is the fear of failure, which manifests itself in such ways as fear of being judged, fear of getting started, fear of the unknown. And while much has been said about fear of failure, it still is the single biggest obstacle people face to creative success.
”
”
Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
“
The purpose of clothing, as best he could tell, was to keep one unembarrassed and at the right temperature. If an outfit served that purpose for a respectable period—twenty years, say—and at the lowest price available, then it was successful.
”
”
Tom Rachman (The Rise & Fall of Great Powers)
“
43. Don’t let past failures determine what your future success will be. Walt Disney went bankrupt — twice — before finally gaining lasting momentum. The Beatles were rejected from numerous record labels, as was Tom Petty. Thomas Edison failed at creating the light bulb ten thousand times before getting it right! If he used failure as an indicator of his true path, you might be reading this by candlelight.
”
”
Derek Rydall (Emergence: The End of Self Improvement)
“
The great Baseball Hall-of-Famer Tom Seaver put it perfectly: In baseball, my theory is to strive for consistency, not to worry about the numbers. If you dwell on statistics you get shortsighted; if you aim for consistency, the numbers will be there at the end.
”
”
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
“
The best time management tool is a clearly defined and definite purpose for your life.
”
”
Tom Cunningham
“
Great groups believe they are on a mission from God. Beyond mere financial success, they genuinely believe they will make the world a better place.
”
”
Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
“
hadn’t had any real success but every one of those high school girls knew about my life, and as much as they may have had the story wrong, they wished they were me. In their place, I would have wished I were me, because this unremarkable room with the remarkable view in Middle-of-Nowhere, Michigan, was everything that had ever been written about freedom and possibility.
”
”
Ann Patchett (Tom Lake)
“
Opportunity is another word for moving on. And it is a word choice, which is often the wiser. If the well gets poisoned, move to a meadow of merriment, where your hearts will echo the more.
”
”
Tom Althouse
“
Victor waited until Ozols had passed out of the light before squeezing the trigger with smooth, even pressure. Suppressed gunshots interrupted the early morning stillness. Ozols was hit in the sternum, twice in rapid succession. The bullets were low powered, subsonic 5.7 mm, but larger rounds could have been no more fatal. Copper-encased lead tore through skin, bone, and heart before lodging side by side between vertebrae. Ozols collapsed backward, hitting the ground with a dull thud, arms outstretched, head rolling to one side. Victor melted out of the darkness and took a measured step forward. He angled the FN Five-seveN and put a bullet through Ozols’s temple. He was already dead, but in Victor’s opinion there was no such thing as overkill.
”
”
Tom Wood (The Hunter (Victor the Assassin Book 1))
“
Moreover the present abundance3 of private cars is nothing other than the result of the non-stop propaganda through which capitalist production persuades the mob--and in this case is one of its most confounding successes--that the possession of a car is specifically one of the privileges our society reserves for its privileged members.
”
”
Tom McDonough (The Situationists and the City: A Reader)
“
Whether you call it a “team” or an “ensemble” or a “harmonious work group” is not what matters; what matters is helping all parties understand that the success of the individual is tied irrevocably to the success of the whole.
”
”
Tom DeMarco (Peopleware: Productive Projects and Teams)
“
He well knew the futility of trying to contend against witches, so he gave up discouraged. But it occurred to him that he might as well have the marble he had just thrown away, and therefore he went and made a patient search for it. But he could not find it. Now he went back to his treasure-house and carefully placed himself just as he had been standing when he tossed the marble away; then he took another marble from his pocket and tossed it in the same way, saying:
"Brother, go find your brother!"
He watched where it stopped, and went there and looked. But it must have fallen short or gone too far; so he tried twice more. The last repetition was successful. The two marbles lay within a foot of each other.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
Without a target to shoot at, our lives are literally aimless. Without something productive to do, without positive goals and a purpose, a human being languishes. And then one of two things happens. Aimlessness begins to shut a person down in spiritual lethargy and emptiness, or the individual lashes out and turns to destructive goals just to make something happen.
”
”
Tom Morris (Art of Achievement: Mastering the 7 C's of Success in Business and Life)
“
The Wizard of Oz teaches us a valuable lesson about what makes a journey meaningful. It is not mere possession, but also awareness of our unique gifts that enables us to put them to use. We learn that conquering trepidation and taking that first step is the only way to come to self-awareness, master our talents, and seize opportunities to support each other to success.
”
”
Tom Hayes
“
Doing what you love, with those you love, is an adventurous type of success. The kind that can not be taken away, often discovered by those who have had much taken away, and saw it as an opportunity to re-access their path, and reset from the crucible of shared and beneficial dreams.
”
”
Tom Althouse (The Frowny Face Cow)
“
Victor stepped away from the spy hole of the door opposite and raised his gun. He fired, squeezing the trigger ten times in rapid succession, emptying the magazine of exactly half its ammunition. The hotel door was thick, solid pine, but the bullets in the FiveseveN were shaped like rifle rounds and cut through it with barely any loss in velocity. Two heavy objects hit the carpet, one thud after the other. The door creaked in front of him.
”
”
Tom Wood (The Hunter (Victor the Assassin, #1))
“
This is one of the most suspect things about the game form: A game with an involving story and poor gameplay cannot be considered a successful game, whereas a game with superb gameplay and a laughable story can see its spine bend from the weight of many accolades—and those who praise the latter game will not be wrong.
”
”
Tom Bissell (Extra Lives: Why Video Games Matter)
“
When you focus on other people’s shortcomings, they lose confidence in their abilities. But if you focus on their hard work and successes, you produce a sustainable increase in their self-confidence. What’s more, researchers have discovered that the earlier in life you focus on a person’s daily successes, the greater the gains over time.
”
”
Tom Rath (Are You Fully Charged?: The 3 Keys to Energizing Your Work and Life)
“
...the video-game form is incompatible with traditional concepts of narrative progression. Stories are about time passing and narrative progression. Games are about challenge, which frustrates the passing of time and impedes narrative progression. The story force wants to go forward and the "friction force" of challenge tries to hold story back. This is the conflict at the heart of the narrative game, one that game designers have thus far imperfectly addressed by making story the reward of a successfully met challenge.
”
”
Tom Bissell (Extra Lives: Why Video Games Matter)
“
You know what writing is? Writing is sitting on a chair staring into space. Writing is two hours surfing the internet and five minutes typing. Writing is skim-reading ‘writing advice’ on websites and muttering ‘fuck off’ under your breath. Writing is looking at your friends’ success and muttering ‘fuck off’ under your breath. Writing is reading over what you’ve written and thinking you’re a genius. Writing is reading over what you’ve written and shouting ‘fuck you’ at the screen. Writing is £3500 college courses after which you pursue a career in telemarketing. Writing is something you either fucking do or you fucking don’t. Writing is listening to Tom Waits and wanting to be the literary equivalent. Writing is ending up as the literary equivalent of Bananarama. Writing is forty publishers saying you do not meet our needs at this time. Writing is meeting no one’s needs at any time. Writing is completing 2000 words one morning and weeping about never being able to write again the next. Writing is losing a whole day’s work to a decrepit Dell laptop. Writing is never having the time to write and never writing when you have the time. Writing is having one idea and coasting on that for months until another one comes along. Writing is never having any ideas. Writing is sitting at a bus stop and having four million ideas and not having a notebook to hand. Writing is laughing at the sort of people who keep notebooks on them at all times as if they are proper writers. Writing is reading. Writing is reading. Writing is reading. Writin’ is fightin’. Writing is writing.
”
”
M.J. Nicholls (The 1002nd Book to Read Before You Die)
“
One of the greatest weaknesses in most of us is our lack of faith in ourselves.”—L. Tom Perry
”
”
Mark Bacera (The Latter-day Morning: Create a Happier, More Successful, Spiritual Life Before Breakfast)
“
The shoe that fits one person pinches another; there is no recipe for living that suits all cases. Carl
”
”
Tom Morris (The Art of Achievement: Mastering The 7 Cs of Success in Business and Life)
“
Some people suffer quietly, while others suffer loudly. Who do you prefer to be around? Which are you?
”
”
Tom Cunningham
“
Mr. Prospect, you’ve spent 16 years and $120,000 to learn how to be a good employee. Won’t you invest $100 and two months to see if you can be as successful as your own boss?
”
”
Tom Schreiter (Big Al’s MLM Sponsoring Magic How To Build A Network Marketing Team Quickly)
“
Perseverance is the steady pathway toward prevailing.
”
”
Tom Althouse (The Frowny Face Cow)
“
The surprising, compelling mathematics of innovation: if you want more success, you have to be prepared to shrug off more failure.
”
”
Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
“
Thomas rather thought Foley might ask what purpose was served by an economy whose success and protection depended on people living in ugly, sterile, unhealthy environments-he'd met that argument before and admittedly had had some difficulty refuting it-but the ex-pilot merely shrugged and said, "There's more to trees than you think. I've run across some trees I'd sooner hug than a woman.
”
”
Tom Robbins (Villa Incognito)
“
[On his success] It’s mad and bananas and amazing, but I can handle it for the simple reason that it genuinely feels like it’s not real. You know when you go to a fancy dress party and everyone looks incredible and there are crazy things hanging from the ceiling? For about five hours or so, you enter into another world and then, when you come out of it, you are sitting at home with a cup of tea and a biscuit and you’re thinking to yourself, “Well, that was weird. Fun, but weird.” That’s exactly what it feels like… Truly, everything that has happened to me has been beyond any reasonable expectations that I may have had.
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Tom Hiddleston
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If everything is smooth sailing right from the beginning, we cannot become people of substance and character. By surmounting paining setbacks and obstacles, we can create a brilliant history of triumph that will shine forever. That is what makes life so exciting and enjoyable. In any field of endeavour, those who overcome hardships and grow as human beings are advancing towards success and victory in life.” – Daisaku Ikeda
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Tom Corson-Knowles (20 Life-Changing Books Box Set: 20 Bestselling Authors Share Their Secrets to Health, Wealth and Success)
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[F]or who ever heard of a Gold-finder that had the Impudence or Folly to assert, from the ill Success of his Search, that there was no such thing as Gold in the World? Whereas the Truth-finder, having raked out that Jakes his own mind, and being there capable of tracing no Ray of Divinity, nor any thing virtuous, or good, or lovely, very fairly, honestly, and logically concludes, that no such things exist in the whole creation.
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Henry Fielding (The History of Tom Jones, a Foundling)
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Lack of power is a great excuse for failure, but sufficient power is never a necessary condition of leadership. There is never sufficient power. In fact, it is success in the absence of sufficient power that defines leadership.
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Tom DeMarco (Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency)
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And are you married, sir?" Mrs Winstanley asked Tom. "Oh no, madam!" said Tom.
"Yes," David reminded him. "You are, you know."
Tom made a motion with his hand to suggest that it was a situation susceptible to different interpretations.
The truth was that he had a Christian wife. At fifteen she had had a wicked little face, almond-shaped eyes and a most capricious nature. Tom had constantly compared her to a kitten. In her twenties she had been a swan; in her thirties a vixen; and then in rapid succession a bitch, a viper, a cockatrice and, finally, a pig. What animals he might have compared her to now no one knew. She was well past ninety now and for forty years or more she had been confined to a set of apartments in a distant part of the Castel des Tours saunz Nowmbre under strict instructions not to shew herself, while her husband waited impatiently for someone to come and tell him she was dead.
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Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
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[On Love After Love by Derek Walcott]
I read this poem often, once a month at least. In the madness and mayhem of modern life, where every man seems committed to an endless search for the approval and esteem of his fellows and peers, no matter what the cost, this poem reminds me of a basic truth: that we are, as we are, "enough". Most of us are motivated deep down by a sense of insufficiency, a need to be better stronger, faster; to work harder; to be more committed, more kind, more self-sufficient, more successful. But this short poem by Derek Walcott is like a declaration of unconditional love. It's like the embrace of an old friend. He brings us to an awareness of the present moment, calm and peaceful, and to a feeling of gratitude for everything we have. I have read it to my dearest friends after dinner once, and to my family at Christmas, and they started crying, which always, unfailingly, makes me cry.
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Tom Hiddleston
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You know, we’re a victim of our own success,” the former senator said quietly. “We’ve managed to handle every nation-state that ever crossed us, but these invisible bastards who work for their vision of God are harder to identify and track.
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Tom Clancy (The Teeth of the Tiger (Jack Ryan, Jr., #1))
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The extortion industry flourishes because the cost of making the threat is so low that the response rate doesn’t have to be very high for the business to remain viable. Sending a Facebook message is free, and making phone calls is cheap, often done by banks of prisoners who are employed to make the calls from prison using smuggled cell phones. Meanwhile, the risk of prosecution is minimal (Ricardo reported the extortionists’ bank details to the Mexico City police, who still failed to catch the culprits). Even a low response rate therefore makes the business successful.
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Tom Wainwright (Narconomics: How to Run a Drug Cartel)
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But what finally undid me was when Ariana came whistle-toning in with excitement because she had spent the previous evening playing charades at Tom Hanks’s house. That was the moment I broke. I couldn’t take it anymore. Music performances and magazine covers…whatever, I’ll get over it. But playing a family game at National Treasure, two-time Academy Award-winner and six-time nominee Tom Hanks’s house? I’m done.
From that moment on, I didn’t like her. I couldn’t like her. Pop star success I could handle, but hanging out with Sheriff Woody, with fucking Forrest Gump? This has gone too far.
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Jennette McCurdy (I'm Glad My Mom Died)
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I want you to know never have a bad day. there's never bad things that happen there is merely changes in direction on the road of live. You never come to a dead end just turn left or right you know and it's gonna be good. You'll still get where you want. You're going down the hallway, you're just gonna bounce of the walls a little bit.
The law of attraction, just like the law of gravity. You can't out-will the law of gravity and you cannot out-will the law of attraction. it's a real physical law, it?
Science has determent really exists the more you think about beautiful amazing things the reality is those things are gonna come right to you. The more you think about the things you fear, the more you start to think about things you don't want to happen, or you're scared of or whatever those things are gonna come to you.because you're dwelling on them, even if you're dwelling on the fact that you're scared of them, it's just putting those images out those frequencies from your brain,
Whenever you start to feel scared or fucked up, or it's a bad day , instantly think about great things, successful things, beautiful things, helping people,going out there and living the life that you want to. if it's snowing go outside and think about sun, if you're out of money go outside and think of being a billionaire, if you're horny go out there and think about..me, on top of you, completely naked, sweating just a little bit, and doing all the things to your body that you want me to do. i must sign out, because now, you have to go take a cold shower.
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Tom DeLonge
“
I did this to myself back then, compared my accomplishments at twenty-three to those of spectacularly successful people (Picasso at twenty-three was finishing his Blue Period; Mick Jagger was writing "19th Nervous Breakdown"; Joan of Arc had rescued France, been burned at the stake, and been dead for four years).
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Tom Barbash (The Dakota Winters)
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Here… our failures are known to every Tom Dick and Harry while our successes fall only on deaf ears. It’s death, hostile civilians, greedy politicians, and more death, and forget about love. You could be here now and across the world in 11 minutes. If you're lucky you’ll be blown to the next world in much less than 11 seconds.
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Bruce Crown (Forlorn Passions)
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Always remember this: whenever you have thought long and hard about a new idea or plan of action, working out lots of details and preparing for all sorts of contingencies, and you first tell someone else about it, they are hearing it for the first time. It will be nearly impossible for any newly informed person to be as enthusiastic or as confident as you are. And it’s natural for your own confidence level, like water running downhill, to settle at the lowest point nearby. That’s why it is so important to be very careful about how you share your plans with others, and limit your exposure to the negative thinking and negative comments casual disbelievers can produce.
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Tom Morris (True Success: A New Philosophy of Excellence)
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But I won’t ring. I don’t want to see him. I won’t ring the bell. This was a firm decision, at last! The decision that opened the gate to a full and useful lifetime of firm decisions! She walked down the path! Back to downtown! Up to the Derry Town House! Packed! Cabbed! Flew! Told Tom to bug out! Lived successfully! Died happily! Rang the bell.
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Stephen King (It)
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he commonly gave them a hint that he knew much more than he thought proper to disclose. This last circumstance alone may, indeed, very well account for his character of wisdom; since men are strangely inclined to worship what they do not understand. A grand secret, upon which several imposers on mankind have totally relied for the success of their frauds.
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Henry Fielding (The History of Tom Jones, a Foundling)
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Maltoni concludes her thoughts on the success of TOMS with an insightful nod to the power of this principle: “People remember. And when a message is a mission, they will tell your story to anyone who will hear it—even a stranger at an airport. And by doing that, they become your strongest advocates in marketing your product. . . . The lesson: influence is given.”5
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Dale Carnegie (How to Win Friends and Influence People in the Digital Age (Dale Carnegie Books))
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Sentimentality about Lee's story grew even as the harder truths of the book took no root. The story of an innocent black man bravely defended by a white lawyer in the 1930s fascinated millions of readers, despite its uncomfortable exploration of false accusations of rape involving a white woman. Lee's endearing characters, Atticus Finch and his precocious daughter, Scout, captivated readers while confronting them with some of the realities of race and justice in the South. A generation of future lawyers grew up hoping to become the courageous Atticus, who at one point arms himself to protect the defenseless black suspect from an angry mob of white men looking to lynch him.
Today, dozens of legal organizations hand out awards in the fictional lawyer's name to celebrate the model of advocacy described in Lee's novel. What is often overlooked is that the black man falsely accused in the story was not successfully defended by Atticus. Tom Robinson, the wrongly accused black defendant, is found guilty. Later he dies when, full of despair, he makes a desperate attempt to escape from prison. He is shot seventeen times in the back by his captors, dying ingloriously but not unlawfully.
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Bryan Stevenson (Just Mercy)
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New research shows that tackling multiple elements at the same time increases your odds of success, compared to initiating a new diet or exercise program in isolation. Eating, moving, and sleeping well are even easier if you work on all three simultaneously. These three ingredients for a good day build on one another. When these elements are working together, they create an upward spiral and progressively better days.
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Tom Rath (Eat Move Sleep: How Small Choices Lead to Big Changes)
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If you need to visualize the soul, think of it as a cross between a wolf howl, a photon, and a dribble of dark molasses. But what it really is, as near as I can tell, is a packet of information. It’s a program, a piece of hyperspatial software designed explicitly to interface with the Mystery. Not a mystery, mind you, the Mystery. The one that can never be solved.
To one degree or another, everybody is connected to the Mystery, and everybody secretly yearns to expand the connection. That requires expanding the soul. These things can enlarge the soul: laughter, danger, imagination, meditation, wild nature, passion, compassion, psychedelics, beauty, iconoclasm, and driving around in the rain with the top down. These things can diminish it: fear, bitterness, blandness, trendiness, egotism, violence, corruption, ignorance, grasping, shining, and eating ketchup on cottage cheese.
Data in our psychic program is often nonlinear, nonhierarchical, archaic, alive, and teeming with paradox. Simply booting up is a challenge, if not for no other reason than that most of us find acknowledging the unknowable and monitoring its intrusions upon the familiar and mundane more than a little embarrassing.
But say you’ve inflated your soul to the size of a beach ball and it’s soaking into the Mystery like wine into a mattress. What have you accomplished? Well, long term, you may have prepared yourself for a successful metamorphosis, an almost inconceivable transformation to be precipitated by your death or by some great worldwide eschatological whoopjamboreehoo. You may have. No one can say for sure.
More immediately, by waxing soulful you will have granted yourself the possibility of ecstatic participation in what the ancients considered a divinely animated universe. And on a day to day basis, folks, it doesn’t get any better than that.
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–Tom Robbins, from “You gotta have soul”, Esquire, October 1993
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The phrase "too smart for his own good" was far too often applied to people who weren't in the least deserving of it. In Rhys's opinion, Tom Severin was the only person he'd ever met who actually was too smart for his own good. Severin often appeared relaxed and inattentive during a conversation or meeting, but later could recall every detail with almost perfect accuracy. He was bright, articulate, confident in his razor-edged intellect, and frequently self-mocking.
Rhys, who had been raised by stern and joyless parents, had always liked people with Severin's quality of irreverence. They were of the same generation, with the same humble beginnings, the same appetite for success. The main difference between them was that Severin was highly educated. However, Rhys had never envied him for that. In business, instinct was equally as valuable as intelligence, sometimes even more so. Whereas Severin could sometimes talk himself into the wrong side of an issue, Rhys trusted the promptings of his own nature.
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Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
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Henry Fielding, a highly successful satiric dramatist until the introduction of censorship in 1737, began his novel-writing career with Shamela, a pastiche of Pamela, which humorously attacked the hypocritical morality which that novel displayed. Joseph Andrews (1742) was also intended as a kind of parody of Richardson; but Fielding found that his novels were taking on a moral life of their own, and he developed his own highly personal narrative style - humorous and ironic, with an omniscient narrative presence controlling the lives and destinies of his characters.
Fielding focuses more on male characters and manners than Richardson. In doing so, he creates a new kind of hero in his novels. Joseph Andrews is chaste, while Tom Jones in Tom Jones (1749) is quite the opposite. Tom is the model of the young foundling enjoying his freedom (to travel, to have relationships with women, to enjoy sensual experience) until his true origins are discovered. When he matures, he assumes his social responsibilities and marries the woman he has 'always' loved, who has, of course, like a mediaeval crusader's beloved, been waiting faithfully for him. Both of these heroes are types, representatives of their sex.
There is a picaresque journey from innocence to experience, from freedom to responsibility. It is a rewriting of male roles to suit the society of the time. The hero no longer makes a crusade to the Holy Land, but the crusade is a personal one, with chivalry learned on the way, and adventure replacing self-sacrifice and battle.
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Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
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Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart. Alexander P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
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Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
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It Is a Pyramid! “Before I answer your question, is it okay if I ask you a quick question? "When you were getting your formal education at school, if your teachers would have received a small percentage of your earnings for the rest of your life, do you think your formal education would have been better?" The prospect answers, “Of course.” Robert continues, “Well, that is how network marketing works. Your sponsor wants to teach and train you to be as successful as possible, because the only way your sponsor can earn money is by making you successful.” ***
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Tom Schreiter (How To Prospect, Sell and Build Your Network Marketing Business With Stories)
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Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening?
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Tom Stoppard (The Invention of Love)
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This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
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Geraldine Brooks (The Best American Short Stories 2011)
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Eventually each of us comes to the point where we realize that how we were taught to live is not the way we were born to live. Mega-successful British playwright Tom Stoppard wrote, “It’s the best possible time to be alive, when almost everything you thought you knew is wrong!” At a crucial instant each of us starts trusting our inner guidance more than others’ opinions or directives. Facing this crossroad can be frightening, as it may call us to make changes in our life that others might not approve of. You may even have to reinvent yourself. Yet it is liberating to recognize that you have more choices and freedom than you realized. Such a moment marks the beginning of your true spiritual path.
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Alan Cohen (The Tao Made Easy: Timeless Wisdom to Navigate a Changing World (Made Easy series))
“
Maybe the affecting aspect was that Madame Ko's tanukis sparked in an onlooker's muscles a kinetic memory of the innocent freedom of early childhood, when one could let one's body go all akimbo on the slightest whim, could bounce, flop, and skip about in pure corporeal joy without embarrassment, judgement, or restraint.
Or maybe there was a more "mature" associations, memories, say, of being falling-down drunk at the company picnic-but now crazy little animals were serving as surrogates, allowing one to vicariously relive those deliciously liberating and rebellious moment while maintaining one's veneer of civilized respectability, protecting in the process, one's marriage, one's standing in the community, one's job.
Or maybe, on a strictly subconscious level, circusgoers recognized in the antics of the tanukis-antics that appeared goofy and bumbling yet, at the same time, brave and successful-an analogy to their own blindly hopeful gyrations in a complex, impermanent universe where every happy dance was danced in the lengthening shadow of death. And maybe they were inspired, if only for a night, to emulate the tanuki capacity for self-enjoyment, a gift that ought to be the birthright of every Homo sapiens.
or maybe not. Maybe all those interpretations are just so much god-fodder (The God-Fodder, The God-Fodder II), the very sort of bullshit responsible, some say, for keeping alive a modicum of divine interest in our discredited race.
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Tom Robbins (Villa Incognito)
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Tom Nichols, author of The Death of Expertise, argues that the world has become so complex that the average person doesn’t understand how things work, feels helpless, and comes to resent experts. And with endless information just a click away, people think they can find out the truth for themselves and dispense with the experts. Never mind that it might take a true expert to successfully “navigate through a blizzard of useless or misleading garbage” that proliferates on the internet. So when it came to vaccines, though most people rejoiced at this marvel of human ingenuity, a significant part of the population rejected the advice of experts. They felt uncomfortable about a vaccine produced so quickly and with such a novel technique.
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Fareed Zakaria (Age of Revolutions: Progress and Backlash from 1600 to the Present)
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As part of the deal, Dylan appeared in a television ad for the iPod, featuring his new album, Modern Times. This was one of the most astonishing cases of flipping the script since Tom Sawyer persuaded his friends to whitewash the fence. In the past, getting celebrities to do an ad required paying them a lot of money. But by 2006 the tables were turned. Major artists wanted to appear in iPod ads; the exposure would guarantee success. James Vincent had predicted this a few years earlier, when Jobs had said he had contacts with many musicians and could pay them to appear in ads. "No, things are going to soon change,' Vincent replied. "Apple is a different kind of brand, and it's cooler than the brand of most artists. We should talk about the opportunity we offer the bands, not pay them.
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Walter Isaacson (Steve Jobs)
“
4. Radicalism of forms. If a new model once created meets with much success on account of its greater efficiency than its predecessor, it lends certain neighbouring forms a formal radicalism, which attempts to borrow from the appearance of the new form: for example, bronze tools that had reached the furthest development of their utility had a disastrous influence on stone tools, warping them toward an elegance that could only be attained in bronze. Today aviation has imposed its aerodynamic forms even on baby strollers and irons. This radicalism of forms is a result of the fact that people become bored when they do not find some unexpected element in the familiar. This radicalism might seem illogical, as the advocates of standardization believe, but we must not forget that discovery is only made possible by this need of humanity.
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Tom McDonough (The Situationists and the City: A Reader)
“
Warren Bennis, one of today’s leading thinkers on the art of leadership, spent years studying groundbreaking groups such as the Walt Disney Studios (while Walt was still alive), Xerox PARC, and Lockheed’s Skunk Works. Here are some of the highlights from his study of groups: • Great groups believe they are on a mission from God. Beyond mere financial success, they genuinely believe they will make the world a better place. • Great groups are more optimistic than realistic. They believe they can do what no one else has done before. “And the optimists, even when their good cheer is unwarranted, accomplish more,” says Warren. • Great groups ship. “They are places of action, not think tanks or retreat centers devoted solely to the generation of ideas.” Warren characterized the successful collaborations he studied as “dreams with deadlines.” Part
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Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
“
Ryan was complex—he was big-hearted and caring but also resolute and direct. He once e-mailed me an audio clip of a television news interview he gave after a group of Navy SEALs rescued the captain of the Maersk Alabama tanker ship. Pirates had taken the ship and the captain hostage off the coast of Somalia, Africa. The story was later made into the film Captain Phillips, starring Tom Hanks. A team of Navy SEAL snipers shot and killed all but one of the hostage takers, who had placed themselves and their hostage in a desperate situation. Ryan told the TV reporter, “Despite what your momma told you, violence does solve problems.”1 I understood exactly what Ryan meant—there was no diplomatic or political solution to the crisis, and allowing pirates to take American vessels and crews hostage would set a bad precedent in other parts of the globe. Weeks before, in fact, the pirates had killed other hostages. Ryan’s statement was in no way meant to be bravado; he was merely conveying the fact that many times violence brings about a successful conclusion to a hostage crisis. The SEALs spoke the only language that the Somali pirates understood: violence. Apparently, the SEALs’ response acted as a deterrent, since the Somali pirates have consequently stayed clear of US flagged vessels. Chris Kyle later turned Ryan’s statement into a patch he wore on his hat.
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Robert Vera (A Warrior's Faith: Navy SEAL Ryan Job, a Life-Changing Firefight, and the Belief That Transformed His Life)
“
The various ways of creating a culture of innovation that we’ve talked about so far are greatly influenced by the leaders at the top. Leaders can’t dictate culture, but they can nurture it. They can generate the right conditions for creativity and innovation. Metaphorically, they can provide the heat and light and moisture and nutrients for a creative culture to blossom and grow. They can focus the best efforts of talented individuals to build innovative, successful groups. In our work at IDEO, we have been lucky enough to meet frequently with CEOs and visionary leaders from both the private and public sectors. Each has his or her own unique style, of course, but the best all have an ability to identify and activate the capabilities of people on their teams. This trait goes far beyond mere charisma or even intelligence. Certain leaders have a knack for nurturing people around them in a way that enables them to be at their best. One way to describe those leaders is to say they are “multipliers,” a term we picked up from talking to author and executive advisor Liz Wiseman. Drawing on a background in organizational behavior and years of experience as a global human resources executive at Oracle Corporation, Liz interviewed more than 150 leaders on four continents to research her book Multipliers: How the Best Leaders Make Everyone Smarter. Liz observes that all leaders lie somewhere on a continuum between diminishers, who exercise tight control in a way that underutilizes their team’s creative talents, and multipliers, who set challenging goals and then help employees achieve the kind of extraordinary results that they themselves may not have known they were capable of.
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Tom Kelley (Creative Confidence: Unleashing the Creative Potential Within Us All)
“
Was this luck, or was it more than that? Proving skill is difficult in venture investing because, as we have seen, it hinges on subjective judgment calls rather than objective or quantifiable metrics. If a distressed-debt hedge fund hires analysts and lawyers to scrutinize a bankrupt firm, it can learn precisely which bond is backed by which piece of collateral, and it can foresee how the bankruptcy judge is likely to rule; its profits are not lucky. Likewise, if an algorithmic hedge fund hires astrophysicists to look for patterns in markets, it may discover statistical signals that are reliably profitable. But when Perkins backed Tandem and Genentech, or when Valentine backed Atari, they could not muster the same certainty. They were investing in human founders with human combinations of brilliance and weakness. They were dealing with products and manufacturing processes that were untested and complex; they faced competitors whose behaviors could not be forecast; they were investing over long horizons. In consequence, quantifiable risks were multiplied by unquantifiable uncertainties; there were known unknowns and unknown unknowns; the bracing unpredictability of life could not be masked by neat financial models. Of course, in this environment, luck played its part. Kleiner Perkins lost money on six of the fourteen investments in its first fund. Its methods were not as fail-safe as Tandem’s computers. But Perkins and Valentine were not merely lucky. Just as Arthur Rock embraced methods and attitudes that put him ahead of ARD and the Small Business Investment Companies in the 1960s, so the leading figures of the 1970s had an edge over their competitors. Perkins and Valentine had been managers at leading Valley companies; they knew how to be hands-on; and their contributions to the success of their portfolio companies were obvious. It was Perkins who brought in the early consultants to eliminate the white-hot risks at Tandem, and Perkins who pressed Swanson to contract Genentech’s research out to existing laboratories. Similarly, it was Valentine who drove Atari to focus on Home Pong and to ally itself with Sears, and Valentine who arranged for Warner Communications to buy the company. Early risk elimination plus stage-by-stage financing worked wonders for all three companies. Skeptical observers have sometimes asked whether venture capitalists create innovation or whether they merely show up for it. In the case of Don Valentine and Tom Perkins, there was not much passive showing up. By force of character and intellect, they stamped their will on their portfolio companies.
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Sebastian Mallaby (The Power Law: Venture Capital and the Making of the New Future)