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[…] Although it’s hard to imagine it now, there was a time when horror was nearly unrivaled in popularity with the general reader. In the 1970s and ’80s, local bookstores had whole shelves devoted to it. You couldn’t miss them: they were the ones stocked between Mystery and Fantasy/Sci-Fi, with all the black and red covers, the raised titles dripping blood, and the leering skeletons. Lots and lots of skeletons. These books had notoriously short shelf lives, but because there was such a demand for them—owing largely to the success of books like The Exorcist and writers like Stephen King, Anne Rice, and Peter Straub—it was possible to hack a living if you could turn them out fast enough.
A lot of folks tried their hand, and a lot of bad books were published. So many that the market eventually collapsed under its own weight. Among those bad books, though, were some truly great ones written by great writers—writers like Ramsey Campbell, Robert R. McCammon, and Chelsea Quinn Yarbro, to name just three—who delivered lasting contributions to the genre. While it would be nice to think that all the deserving books were saved from being swept away in the vast tide, that just wasn’t the case. [...]
Excerpt from ”Introduction” to Michael McDowell’s ”Blackwater: The Complete Saga” (2017, Kindle edition)
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