Era Man Quotes

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How many a man has dated a new era in his life from the reading of a book.
Henry David Thoreau (Walden)
Man cannot do without beauty, and this is what our era pretends to want to disregard.
Albert Camus (The Myth of Sisyphus and Other Essays)
This was not a world of men. It was a world of gods, a time of great powers. It was the era of divinity walking in man, of wind and water and fire. And in warfare, she who held the power asymmetry was the inevitable victor.
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food. In the presence of nature, a wild delight runs through the man, in spite of real sorrows...
Ralph Waldo Emerson (Nature Walking (The Concord Library))
The history of the American Negro is the history of this strife, -- this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost... He simply wishes to make it possible for a man to be both a Negro and an American...
W.E.B. Du Bois (Souls of Black Folk & Era of Franklin D. Roosevelt 1933-1945 & Movements of the New Left 1950-1975)
A man's shortcomings are taken from his epoch; his virtues and greatness belong to himself.
Johann Wolfgang von Goethe
In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. So we don’t. Rather than rely on race, we use our criminal justice system to label people of color “criminals” and then engage in all the practices we supposedly left behind. Today it is perfectly legal to discriminate against criminals in nearly all the ways that it was once legal to discriminate against African Americans. Once you’re labeled a felon, the old forms of discrimination—employment discrimination, housing discrimination, denial of the right to vote, denial of educational opportunity, denial of food stamps and other public benefits, and exclusion from jury service—are suddenly legal. As a criminal, you have scarcely more rights, and arguably less respect, than a black man living in Alabama at the height of Jim Crow. We have not ended racial caste in America; we have merely redesigned it.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Not too long ago thousands spent their lives as recluses to find spiritual vision in the solitude of nature. Modern man need not become a hermit to achieve this goal, for it is neither ecstasy nor world-estranged mysticism his era demands, but a balance between quantitative and qualitative reality. Modern man, with his reduced capacity for intuitive perception, is unlikely to benefit from the contemplative life of a hermit in the wilderness. But what he can do is to give undivided attention, at times, to a natural phenomenon, observing it in detail, and recalling all the scientific facts about it he may remember. Gradually, however, he must silence his thoughts and, for moments at least, forget all his personal cares and desires, until nothing remains in his soul but awe for the miracle before him. Such efforts are like journeys beyond the boundaries of narrow self-love and, although the process of intuitive awakening is laborious and slow, its rewards are noticeable from the very first. If pursued through the course of years, something will begin to stir in the human soul, a sense of kinship with the forces of life consciousness which rule the world of plants and animals, and with the powers which determine the laws of matter. While analytical intellect may well be called the most precious fruit of the Modern Age, it must not be allowed to rule supreme in matters of cognition. If science is to bring happiness and real progress to the world, it needs the warmth of man's heart just as much as the cold inquisitiveness of his brain.
Franz Winkler
But I have to say this in defense of humankind: In no matter what era in history, including the Garden of Eden, everybody just got here. And, except for the Garden of Eden, there were already all these games going on that could make you act crazy, even if you weren't crazy to begin with. Some of the crazymaking games going on today are love and hate, liberalism and conservatism, automobiles and credit cards, golf, and girls' basketball.
Kurt Vonnegut Jr. (A Man Without a Country)
Rome is burning, Jesus says. Drop your fiddle, change your life and come to Me. Let go of the good days that never were - a regimented church you never attended, traditional virtues you never practiced, legalistic obedience you never honored, and a sterile orthodoxy you never accepted. The old era is done. The decisive inbreak of God has happened.
Brennan Manning (The Ragamuffin Gospel)
How many a man has dated a new era in his life from the reading of a book. The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered.
Henry David Thoreau (Walden)
When it is recalled that until the Christian era the underworld was never regardded as a hostile area, that all gods were useful and essentially friendly to man despite occasional lapsesl when we see the steady methodical inculcation into humanity of the idea of man's worthlesseness - until redeemed - the necessity of the Devil may become evident as a weapon, a weapon designed and used time and time again in every age to whip men into a surrender to a particular church or church state.
Arthur Miller (The Crucible)
The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall, nations perish, civilizations grow old and die out, and after an era new races build others. But in the world of books are volumes that have seen this happen again and again and yet live on, still young, still as fresh as the day they were written, still telling men's hearts of the heart of men centuries dead.
Clarence Day Jr.
In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages.
Patrick Süskind (Perfume: The Story of a Murderer)
Fue el descubrimiento más importante de toda su vida. Sabía leer. Era poseedor del antídoto contra el ponzoñoso veneno de la vejez. Sabía leer.
Luis Sepúlveda (The Old Man Who Read Love Stories)
The new era they're talking about is shit! The age where pirates dreams will be over, they say?! Huh?! HA HA HA HA HA HA!! A man's dream... will never die!!
Eiichiro Oda
and while faith based on theological reasoning is today universally engaged in a bitter struggle with doubt and resistance from the prevailing brand of rationalism, it does seem that the naked fundamental experience itself, that primal seizure of mystic insight, stripped of religious concepts, perhaps no longer to be regarded as a religious experience at all, has undergone an immense expansion and now forms the soul of that complex irrationalism that haunts our era like a night bird lost in the dawn.
Robert Musil (The Man Without Qualities)
Every being, created by God and unspoiled by man, is perfect, strictly defined and autonomous, entirely complete and at the same time with a built-in ability to grow and develop. This is the essence of its dignity and holiness. It is not an embodiment of God’s immense Personality, but only one of the realisations of His perfection.
Danail Hristov (The End of the Jesus Era (An Investigation, #1))
Fear of being alone is not a good reason to stay. Leaving this man you’ve been with for six years won’t be easy, but you’ll be okay and so will he. The end of your relationship with him will likely also mark the end of an era of your life. In moving into this next era there are going to be things you lose and things you gain. Trust yourself. It’s Sugar’s golden rule. Trusting yourself means living out what you already know to be true.
Cheryl Strayed
Man fights with his mind. His hands and his weapons are simply extensions of his will, and one of the fallacies of our era is the notion that equipment is the equivalent of force.
Jeff Cooper (To Ride, Shoot Straight, And Speak The Truth)
An epoch which had gilded individual liberty so that if a man had money he was free in law and fact, and if he had not money he was free in law and not in fact. An era which had canonized hypocrisy, so that to seem to be respectable was to be.
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
It is a crime to poison the minds of the meek and the humble, to stoke the passions of reactionism and intolerance, by appealing to that odious anti-Semitism that, unchecked, will destroy the freedom-loving France of the Rights of Man. It is a crime to exploit patriotism in the service of hatred, and it is, finally, a crime to ensconce the sword as the modern god, whereas all science is toiling to achieve the coming era of truth and justice.
Émile Zola (J'accuse!)
A wise man from my home once told me that these mountains have seen far too much suffering and killing, and that each rock and every boulder you see represents a mujahadeen who died fighting either the Russians or the Taliban. Then the man went on to say that now that the fighting is finished, it is time to build a new era of peace-and the first step in that process is to take up the stones and start turning them into schools.
Greg Mortenson (Stones Into Schools: Promoting Peace With Books, Not Bombs, in Afghanistan and Pakistan)
Around the years 20 to 35 of the Current Era, a mystic Hebrew Yogi by the name of Yehōshùa began teaching people about a spiritual dimension, or the Kingdom of Heaven, that can be found within Man, despite the fact that many people are still unaware of this spiritual state. Yehōshùa, better known in our times as Jesus, did not teach The Way directly to the people, but by the use of parables, elucidating their deepest meanings to those who were closest to him...
Anton Sammut (The Secret Gospel of Jesus, AD 0-78)
To speak truly, few adult persons can see nature. Most persons do not see the sun. At least they have a very superficial seeing. The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food. In the presence of nature, a wild delight runs through the man, in spite of real sorrows.
Ralph Waldo Emerson (Nature)
Every revolution was first a thought in one man's mind, and when the same thought occurs to another man, it is the key to that era.
Ralph Waldo Emerson (The Essays of Ralph Waldo Emerson (Belknap Press))
I remember an era when you could get your nose sliced off for sticking it too far into another man's business. Now you can find out anything about anyone with the click of a button. There is no privacy and no consideration, and everyone is prying into things that aren't their affair. You can probably check on the intertube and find out what color underwear I have on today.
Joe Hill (NOS4A2)
In the era of angry and aggressive policing, it is an honorable service to your fellow citizens to video record police officers interactions with the common people.
Steven Magee
anyone who believed she had gotten to where she was by sleeping with her boss “is still living in the era when a woman could only make it to the top by pleasing a man.
Amy Odell (Anna: The Biography)
Nixon’s offences had been so long in the past, so much part of a different era that he now seemed like some lovable but bigoted uncle you tolerated at Christmas and Thanksgiving.
Jacob M. Appel (The Man Who Wouldn't Stand Up)
Let us dedicate this new era to mothers around the world, and also to the mother of all mothers -- Mother Earth. It is up to us to keep building bridges to bring the world closer together, and not destroy them to divide us further apart. We can pave new roads towards peace simply by understanding other cultures. This can be achieved through traveling, learning other languages, and interacting with others from outside our borders. Only then will one truly discover how we are more alike than different. Never allow language or cultural traditions to come between brothers and sisters. The same way one brother may not like his sister's choice of fashion or hairstyle, he will never hate her for her personal style or music preference. If you judge a man, judge only his heart. And if you should do so, make sure you use the truth in your conscience when weighing one's character. Do not measure anybody strictly based on the bad you see in them and ignore all the good.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
There is a famous black-and-white photograph from the era of the Third Reich. It is a picture taken in Hamburg, Germany, in 1936, of shipyard workers, a hundred or more, facing the same direction in the light of the sun. They are heiling in unison, their right arms rigid in outstretched allegiance to the Führer. If you look closely, you can see a man in the upper right who is different from the others. His face is gentle but unyielding. Modern-day displays of the photograph will often add a helpful red circle around the man or an arrow pointing to him. He is surrounded by fellow citizens caught under the spell of the Nazis. He keeps his arms folded to his chest, as the stiff palms of the others hover just inches from him. He alone is refusing to salute. He is the one man standing against the tide. Looking back from our vantage point, he is the only person in the entire scene who is on the right side of history. Everyone around him is tragically, fatefully, categorically wrong. In that moment, only he could see it. His name is believed to have been August Landmesser. At the time, he could not have known the murderous path the hysteria around him would lead to. But he had already seen enough to reject it.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
The meaning of awe is to realize that life takes place under wide horizons, horizons that range beyond the span of an individual life or even the life of a nation, a generation, or an era. Awe enables us to perceive in the world intimations of the divine, to sense in small things the beginning of infinite significance, to sense the ultimate in the common and the simple; to feel in the rush of the passing the stillness of the eternal.
Abraham Joshua Heschel (God in Search of Man: A Philosophy of Judaism)
Mornings are cool like a spy, cool like a rebel, cool like a rhetorical street fighter, cool like an unfilled spot where wit and joy once stood, cool like the man who can make productive use of his demons, cool like the deciphered eccentricities of good friends, cool like the later protest-and-psychedelic era.
Brian D'Ambrosio
I've often thought a blind man could find his way through London simply by gauging the changes in innuendo: mild through Trafalgar Square, less veiled towards the river.
Louis Bayard (Mr. Timothy)
But re-reading Voss also demonstrates again that although White wasn't 'a nice man', and indeed was—perhaps rightly—scathingly dismissive of my and other Australian writers' work and origins unless they were his friends, he was a genius, and Voss one of the finest works of the modernist era and of the past century.
Thomas Keneally
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book.
Henry David Thoreau (Walden)
Sus rostros eran absolutamente similares en un detalle: parecían extremadamente incompletos, como cuadros con agujeros por ojos o como un rompecabezas al que le faltase una pieza nimia. Y eso que echaba en falta, pensó Richards, era el aire de desesperación. En sus estómagos no aullaban los lobos. Sus mentes no estaban llenas de sueños viciados, de esperanzas insensatas.
Richard Bachman (The Running Man)
Man screams from the depths of his soul; the whole era becomes a single, piercing shriek. Art also screams, into the deep darkness, screams for help, screams for the spirit. This is Expressionism.
Hermann Bahr
He said that like every man who comes to the end of something there was nothing to be done but to begin again. No puedo recordar el mundo de luz, he said. Hace muchos años. Ese mundo es un mundo fragil. Ultimamente lo que vine a ver era mas durable. Mas verdadero.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
The world of books is the most remarkable creation of man; nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out. After an era of darkness, new races build others; but in the world of books are volumes that live on still as young and fresh as the day they were written, still telling men’s hearts of the hearts of men centuries dead. — Clarence Day
Ben Carson (Think Big: Unleashing Your Potential for Excellence)
He had that sense, or inward prophecy,-- which a young man had better never have been born than not to have, and a mature man had better die at once than utterly to relinquish,-- that we are not doomed to creep on forever in the old bad way, but that, this very now, there are harbingers abroad of a golden era, to be accomplished in his own lifetime.
Nathaniel Hawthorne (The House of the Seven Gables)
We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.
Malcolm Muggeridge
In this second Randy made an important decision. Yesterday, he would have stopped instantly. There would have been no question about it. When there was an accident, and someone was hurt, a man stopped. But yesterday was a past period in history, with laws and rules as archaic as ancient Rome's. Today the rules had changed, just as Roman law gave way to atavistic barbarism as the empire fell to Hun and Goth. Today a man saved himself and his family and to hell with everyone else. Already millions must be dead and other millions maimed, or doomed by radiation . . . And the war was less than a half hour old. So one stranger on the roadside meant nothing, particularly with a blinded child, his blood kin, depending on his mission. With the use of the hydrogen bomb, the Christian era was dead, and with it must die the tradition of the Good Samaritan.
Pat Frank (Alas, Babylon (Perennial Classics))
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book. The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.
Henry David Thoreau (Walden)
And it shall come to pass that what man made shall be shattered, and the Shadow shall lie across the Pattern of Age, and the Dark One shall once more lay his hand upon the world of man. Women shall weep and men quail as the nations of the earth are rent like rotting cloth. Neither shall anything stand nor abide... Yet one shall be born to face the Shadow, born once more as he was born before and shall be born again, time without end. The Dragon shall be Reborn, and there shall be wailing and gnashing of teeth at his rebirth. In sackcloth and ashes shall he clothe the people, and he shall break the world again by his coming, tearing apart all ties that bind. Like the unfettered dawn shall he blind us, and burns us, yet shall the Dragon Reborn confront the Shadow at the Last battle, and his blood shall give us the Light. Let tears flow, O ye people of the world. Weep for your salvation. -from The Karaethon Cycle: The Prophecies of the Dragon, as translated by Ellaine Marise'idin Alshinn, Chief Librarian at the Court of Arafel, in the Year of Grace 231 of the New Era, the Third Age
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
When it is recalled that until the Christian era the underworld was never regarded as a hostile area, that all gods were useful and essentially friendly to man despite occasional lapses; when we see the steady and methodical inculcation into humanity of the idea of man’s worthlessness—until redeemed—the necessity of the Devil may become evident as a weapon, a weapon designed and used time and time again in every age to whip men into a surrender to a particular church or church-state.
Arthur Miller (The Crucible)
Mis colegas, incluso yo mismo, susurrando con timidez desde nuestros divanes, estábamos de acuerdo en que mi problema era del todo normal: odiaba al mundo y a mí mismo porque había fallado al tratar de afrontar y aceptar mis propias limitaciones y las de la vida. En literatura, este rechazo se llama romanticismo; en psicología, neurosis. La consecuencia de todo esto es que el único e inevitable camino parece ser una vida limitada y aburrida. Empezaba a aceptarlo, después de varios meses de recrearme en la depresión (me había procurado furtivamente un revólver del calibre 38 y nueve balas), cuando llegué a las costas del zen.
Luke Rhinehart (The Dice Man)
Ava reached the highway again. Not a soul was in sight. Not a car, not a bird, and certainly no man. Just one woman walking into a new era of her life, into the hope for a future, another dawn, another day, as the morning sun rose above the mountain crest, painting her face with light.
Jonathan Epps (Until Morning Comes (The American Wrath Trilogy))
I’m talking about the language of flowers. It’s from the Victorian era, like your name. If a man gave a young lady a bouquet of flowers, she would race home and try to decode it like a secret message. Red roses mean love; yellow roses infidelity. So a man would have to choose his flowers carefully.
Vanessa Diffenbaugh (The Language of Flowers)
One of the most ugly aspects of life in Communist China during the Mao Zedong era was the Party’s demand that people inform on each other routinely and denounce each other during political campaigns. This practice had a profoundly destructive effect on human relationships. Husbands and wives became guarded with each other, and parents were alienated from their children. The practice inhibited all forms of human contact, so that people no longer wanted to have friends. It also encouraged secretiveness and hypocrisy. To protect himself, a man had to keep his thoughts to himself. When he was compelled to speak, often lying was the only way to protect himself and his family.
Nien Cheng (Life and Death in Shanghai)
Like an all-devouring conflagration, ‘progress’ scours the Earth, and the place that has fallen to its flames, will flourish nevermore, so long as man still survives. The animal- and plant-species cannot renew themselves, man’s innate warmth of heart has gone, the inner springs that once nurtured the flourishing songs and sacred festivals are blocked, and there remains only a wretched and cold working day and the hollow show of noisy 'entertainment.’ There can be no doubt: we are living in the era of the downfall of the soul.
Ludwig Klages
El otro se alejó para no estorbar, mas era tal la atención que el viejo dispensaba al libro, que no soportó quedar al margen. —¿De qué trata? —Del amor. Ante la respuesta del viejo, el otro se acercó con renovado interés. —No jodas. ¿Con hembras ricas, calentonas? El viejo cerró de sopetón el libro haciendo vacilar la llama de la lámpara. —No. Se trata del otro amor. Del que duele.
Luis Sepúlveda (The Old Man Who Read Love Stories)
The concept of unity, in which positive and negative are attributes of the same force, in which good and evil are relative, ever-changing, and always joined to the same phenomenon—such a concept is still reserved to the physical sciences and to the few who have grasped the history of ideas. When it is recalled that until the Christian era the underworld was never regarded as a hostile area, that all gods were useful and essentially friendly to man despite occasional lapses; when we see the steady and methodical inculcation into humanity of the idea of man’s worthlessness—until redeemed—the necessity of the Devil may become evident as a weapon, a weapon designed and used time and time again in every age to whip men into a surrender to a particular church or church-state.
Arthur Miller (The Crucible)
It is a human characteristic, which has been richly exploited in every era, that while hope of survival is still alive in a man, while he still believes his troubles will have a favorable outcome, and while he still has the chance to unmask treason or to save someone else by sacrificing himself, he continues to cling to the pitiful remnants of comfort and remains silent and submissive. When he has been taken and destroyed, when he has nothing more to lose, and is, in consequence, ready and eager for heroic action, his belated rage can only spend itself against the stone walls of solitary confinement. Or the breath of the death sentence makes him indifferent to earthly affairs.
Aleksandr Solzhenitsyn (The First Circle)
Bor era bello da fare male. Il cuore della ragazza saltò un battito quando il suo profumo le raggiunse le narici e inondò la sua mente come una droga. Un accenno di barba disegnava il contorno appuntito del mento e le labbra si schiusero in un ghigno ferino da animale pronto alla caccia. «Ti voglio attenta e pronta. Ti insegnerò a difenderti. Non sono qui per giocare o rivangare il passato. E ora muoviti, non ho tempo da perdere, anzi, non abbiamo tempo da perdere.» Voltandosi e scendendo le scale tre gradini alla volta aggiunse: «Ti aspetto in strada, sono quello figo sulla moto». Le guance di Asia divennero paonazze, mentre stringeva i pugni con intensità fino a sentire il sudore delle mani appiccicarle la pelle. Con un'espressione degna di un drago sputa fuoco, Asia rimase a guardare Bor che usciva di casa. Vomitò un urlo a dir poco agghiacciante che miscelava rabbia e frustrazione.
Eilan Moon (R.I.P. Requiescat In Pace (The R.I.P. Trilogy, #1))
What it came down to was a search not for the most talent, the greatest brilliance, but for the fewest black marks, the fewest objections. The man who had made the fewest enemies in an era when forceful men espousing good causes had made many enemies: the Kennedys were looking for someone who made very small waves. They were looking for a man to fill the most important Cabinet post, a job requiring infinite qualities of intelligence, wisdom and sophistication, a knowledge of both this country and the world, and they were going at it as presidential candidates had often filled that other most crucial post, the Vice-Presidency, by choosing someone who had offended the fewest people. Everybody’s number-two choice.
David Halberstam (The Best and the Brightest)
There is nothing in which mankind have been more unanimous [founding nations upon superstition]; yet nothing can be inferred from it more than this, that the multitude have always been credulous, and the few artful. The United States of America have exhibited, perhaps, the first example of governments erected on the simple principles of nature: and if men are now sufficiently enlightened to disabuse themselves of artifice, imposture, hypocrisy, and superstition, they will consider this event as an era in their history... [T]he detail of the formation of the American governments... may hereafter become an object of curiosity. It will never be pretended that any persons employed in that service had any interviews with the gods, or were in any degree under the inspiration of heaven... it will for ever be acknowledged that these governments were contrived merely by the use of reason and the senses... Thirteen governments thus founded on the natural authority of the people alone, without a pretence of miracle or mystery, which are destined to spread over the northern part of that whole quarter of the globe, are a great point gained in favour of the rights of mankind. [A Defence of the Constitutions of the United States of America, 1787]
John Adams (The Political Writings of John Adams)
The path that humanity entered upon in the modern era led precisely to liberalism and to the repudiation of God, tradition, community, ethnicity, empires and kingdoms. Such a path is tread entirely logically: having decided to liberate itself from everything that keeps man in check, the man of the modern era reached his logical apogee: before our eyes he is liberated from himself. The logic of world liberalism and globalisation pulls us into the abyss of postmodern dissolution and virtuality. Our youth already have one foot in it: the codes of liberal globalism are effectively introduced on an unconscious level — through habits, commercials, glamour, technology, the media, celebrities. The usual phenomenon now is the loss of identity, and already not simply only national or cultural identity, but even sexual, and soon enough even human identity.
Alexander Dugin (The Fourth Political Theory)
The subject of Communism was class. Fascism’s subject was the state, in Italian Fascism under Mussolini, or race in Hitler’s National Socialism. In liberalism, the subject was represented by the individual, freed from all forms of collective identity and any ‘membership’ (l’appartenance). While the ideological struggle had formal opponents, entire nations and societies, at least theoretically, were able to select their subject of choice — that of class, racism or statism, or individualism. The victory of liberalism resolved this question: the individual became the normative subject within the framework of all mankind. This is when the phenomenon of globalisation entered the stage, the model of a post-industrial society makes itself known, and the postmodern era begins. From now on, the individual subject is no longer the result of choice, but is a kind of mandatory given. Man is freed from his ‘membership’ in a community and from any collective identity,
Alexander Dugin (The Fourth Political Theory)
To articulate the past historically does not mean to recognize it ‘the way it really was’ (Ranke). It means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger. The danger affects both the content of the tradition and its receivers. The same threat hangs over both: that of becoming a tool of the ruling classes. In every era the attempt must be made anew to wrest tradition away from a conformism that is about to overpower it. The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.
Walter Benjamin (Illuminations: Essays and Reflections)
As a child, one has that magical capacity to move among the many eras of the earth; to see the land as an animal does; to experience the sky from the perspective of a flower or a bee; to feel the earth quiver and breathe beneath us; to know a hundred different smells of mud and listen unselfconciously to the soughing of the trees.
Valerie Andrews (A Passion for This Earth: Exploring a New Partnership of Man, Woman, and Nature)
One would like to be loved, recognized, for what one is, and by everyone. But that is an adolescent desire. Sooner or later one must get old, agree to be judged, or sentenced, and to receive gifts of love … as unmerited. Morality is of no help. Only, truth … that is the uninterrupted seeking of it, the decision to tell it when one sees it, on every level, and to live it, gives a meaning, a direction to one’s march. But in an era of bad faith, the man who does not want to renounce separating true from false is condemned to a certain kind of exile - Albert Camus
Robert Zaretsky (A Life Worth Living: Albert Camus and the Quest for Meaning)
If man claims to adapt the liturgy to his era, to transform it to suit the circumstances, divine worship dies. The development of some liturgical symbols is necessary sometimes; however, if man goes so far as to confuse the temporal and the eternal, he turns his back on the essential justification for the liturgy.
Robert Sarah (God or Nothing: A Conversation on Faith)
The old man might have been drunk, but he was right. Outsiders have robbed and exploited the people of the Congo ever since the days of the first European and Arab slavers. The territory that Stanley staked in the name of Leopold witnessed what many regard as the first genocide of the modern era, when millions of Congolese were effectively worked to death trying to meet the colonialists’ almost insatiable demand for resources, most notably rubber. And since independence, foreign powers have toyed with the Congo, stripping its mineral assets and exploiting its strategic position, never mindful of the suffering inflicted on its people. And that really was the point. At every stage of its bloody history, outsiders have tended to treat Congolese as somehow sub-human, not worthy of the consideration they would expect for themselves. For progress to be made, outsiders must treat Congolese as equals and they could do worse than follow the example of an amazing white woman I discovered after we got back to Kalemie.
Tim Butcher (Blood River: A Journey to Africa’s Broken Heart)
Instead of wanting to be like this or that, make yourself into a silent, immovable giant. That’s what the mountain is. Don’t waste your time trying to impress people. If you become the sort of man people can respect, they’ll respect you, without your doing anything.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
Now we will live!” This is what the hungry little boy liked to say, as he toddled along the quiet roadside, or through the empty fields. But the food that he saw was only in his imagination. The wheat had all been taken away, in a heartless campaign of requisitions that began Europe’s era of mass killing. It was 1933, and Joseph Stalin was deliberately starving Soviet Ukraine. The little boy died, as did more than three million other people. “I will meet her,” said a young Soviet man of his wife, “under the ground.” He was right; he was shot after she was, and they were buried among the seven hundred thousand victims of Stalin’s Great Terror of 1937 and 1938. “They asked for my wedding ring, which I….” The Polish officer broke off his diary just before he was executed by the Soviet secret police in 1940. He was one of about two hundred thousand Polish citizens shot by the Soviets or the Germans at the beginning of the Second World War, while Nazi Germany and the Soviet Union jointly occupied his country. Late in 1941, an eleven-year-old Russian girl in Leningrad finished her own humble diary: “Only Tania is left.” Adolf Hitler had betrayed Stalin, her city was under siege by the Germans, and her family were among the four million Soviet citizens the Germans starved to death. The following summer, a twelve-year-old Jewish girl in Belarus wrote a last letter to her father: “I am saying good-bye to you before I die. I am so afraid of this death because they throw small children into the mass graves alive.” She was among the more than five million Jews gassed or shot by the Germans.
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
When our forebears asked - What is a man? - they did not expect a detailed examination of some Saturday morning shopper, Mr. John Q. Public, snatched at random from the crowded agora and forced under a microscope or onto a psychiatrist's couch. Nor did they want a statistical analysis of some cross-section of the demos for an answer. Of what good to sound learning is a man who looks like every man but in whom no man sees himself? The only use for such analyses, as our modern era shows, is in various forms of exploitation. Statistical man makes a useful abstraction for advertisers and propagandists.
David V. Hicks (Norms and Nobility: A Treatise on Education)
IN THE TORRID London summer of 1886, William Gladstone was up against Benjamin Disraeli for the post of prime minister of the United Kingdom. This was the Victorian era, so whoever won was going to rule half the world. In the very last week before the election, both men happened to take the same young woman out to dinner. Naturally, the press asked her what impressions the rivals had made. She said, “After dining with Mr. Gladstone, I thought he was the cleverest person in England. But after dining with Mr. Disraeli, I thought I was the cleverest person in England.” Guess who won the election? It was the man who made others feel intelligent, impressive, and fascinating: Benjamin Disraeli.
Olivia Fox Cabane (The Charisma Myth: How Anyone Can Master the Art and Science of Personal Magnetism)
A man is sufficiently condemned if it can only be shown that either in politics or religion he does not belong to some new school established within the last score of years. He may then regard himself as rubbish and expect to be carted away. A man is nothing now unless he has within him a full appreciation of the new era, an era in which it would seem that neither honesty nor truth is very desirable, but in which success is the only touchstone of merit. We must laugh at everything that is established. Let the joke be ever so bad, ever so untrue to the real principles of joking; nevertheless we must laugh—or else beware the cart.
Anthony Trollope (Barchester Towers (Chronicles of Barsetshire, #2))
Mr. Hargraves who was superintendent of schools made a speech before the flight. He told about how the invention of the airplane was the greatest step forward man had made in a hundred years. The airplane said Mr. Hargraves would cut down the distance between nations and peoples. The airplane would be a great instrument in making people understand one another in making people love one another. The airplane said Mr. Hargraves was ushering in a new era of peace and prosperity and mutual understanding. Everyone would be friends said Mr. Hargraves when the airplane knitted the world together so that the people of the world understood each other.
Dalton Trumbo (Johnny Got His Gun)
The novel was born with the Modern Era, which made man, to quote Heidegger, the "only real subject," the ground for everything. It is largely through the novel that man as an individual was established on the European scene. Away from the novel, in our real lives, we know very little about our parents as they were before our birth; we have only fragmentary knowledge of the people close to us: we see them come and go and scarcely have they vanished than their place is taken over by others: they form a long line of replaceable beings. Only the novel separates out an individual, trains a light on his biography, his ideas, his feelings, makes him irreplaceable: makes him the center of everything.
Milan Kundera (Encounter)
At one point in the story, following a brazen daytime bank robbery, Electro is shown escaping from the authorities by climbing up the side of a building, as easily as Spider-Man . . . we see one observer exclaim, "Look!! That strangely-garbed man is racing up the side of the building!" A second man on the street picks up the narrative: "He's holding on to the iron beams in the building by means of electric rays—using them like a magnet!! Incredible!" There are three feelings inspired by this scene. The first is wonder as to why people rarely use the phrase "strangely-garbed" anymore. The second is nostalgia for the bygone era when pedestrians would routinely narrate events occurring in front of them, providing exposition for any casual bystander. And the third is pleasure at the realization that Electro's climbing this building is actually a physically plausible use of his powers.
James Kakalios (The Physics of Superheroes)
THE DECLARATION of the Rights of Man at the end of the eighteenth century was a turning point in history. It meant nothing more nor less than that from then on Man, and not God's command or the customs of history, should be the source of Law. Independent of the privileges which history had bestowed upon certain strata of society or certain nations, the declaration indicated man's emancipation from all tutelage and announced that he had now come of age. Beyond this, there was another implication of which the framers of the declaration were only half aware. The proclamation of human rights was also meant to be a much-needed protection in the new era where individuals were no longer secure in the estates to which they were born or sure of their equality before God as Christians. In other words, in the new secularized and emancipated society, men were no longer sure of these social and human rights which until then had been outside the political order and guaranteed not by government and constitution, but by social, spiritual, and religious forces. Therefore throughout the nineteenth century, the consensus of opinion was that human rights had to be invoked whenever individuals needed protection against the new sovereignty of the state and the new arbitrariness of society.
Hannah Arendt (The Origins of Totalitarianism)
Si que­da­ba al­gu­na es­pe­ran­za, debía estar en los pro­les, por­que solo en esas masas des­pre­cia­das, que cons­ti­tuían el ochen­ta y cinco por cien­to de la po­bla­ción de Ocea­nía, podía ge­ne­rar­se la fuer­za ne­ce­sa­ria para des­truir al Par­ti­do. Este no podía de­rro­car­se desde den­tro. Sus enemi­gos, si es que los había, no te­nían forma de unir­se o si­quie­ra de re­co­no­cer­se mu­tua­men­te. In­clu­so en caso de que exis­tie­ra la le­gen­da­ria Her­man­dad —lo cual no era del todo im­po­si­ble— re­sul­ta­ba in­con­ce­bi­ble que sus miem­bros pu­die­ran re­unir­se en gru­pos de más de dos o tres. La re­be­lión se li­mi­ta­ba a un cruce de mi­ra­das, una in­fle­xión de la voz o, como mucho, una pa­la­bra su­su­rra­da oca­sio­nal­men­te. En cam­bio los pro­les, si pu­die­ran ser cons­cien­tes de su fuer­za, no ten­drían ne­ce­si­dad de cons­pi­rar. Bas­ta­ría con que se en­ca­bri­ta­ran como un ca­ba­llo que se sa­cu­de las mos­cas. Si qui­sie­ran, po­drían volar el Par­ti­do en pe­da­zos a la ma­ña­na si­guien­te. Tarde o tem­prano tenía que ocu­rrír­se­les. Y sin em­bar­go…
George Orwell (1984)
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
Take a little thought experiment. Imagine all the rampage school shooters in Littleton, Colorado; Pearl, Mississippi; Paducah, Kentucky; Springfield, Oregon; and Jonesboro, Arkansas; now imagine they were black girls from poor families who lived instead in Chicago, New Haven, Newark, Philadelphia, or Providence. Can you picture the national debate, the headlines, the hand-wringing? There is no doubt we’d be having a national debate about inner-city poor black girls. The entire focus would be on race, class, and gender. The media would doubtless invent a new term for their behavior, as with wilding two decades ago. We’d hear about the culture of poverty, about how living in the city breeds crime and violence. We’d hear some pundits proclaim some putative natural tendency among blacks toward violence. Someone would likely even blame feminism for causing girls to become violent in a vain imitation of boys. Yet the obvious fact that virtually all the rampage school shooters were middle-class white boys barely broke a ripple in the torrent of public discussion. This uniformity cut across all other differences among the shooters: some came from intact families, others from single-parent homes; some boys had acted violently in the past, and others were quiet and unassuming; some boys also expressed rage at their parents (two killed their parents the same morning), and others seemed to live in happy families.
Michael S. Kimmel (Angry White Men: American Masculinity at the End of an Era)
Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Man’s own youth is the world’s youth; at least, he feels as if it were, and imagines that the earth’s granite substance is something not yet hardened, and which he can mould into whatever shape he likes. So it was with Holgrave. He could talk sagely about the world’s old age, but never actually believed what he said; he was a young man still, and therefore looked upon the world—that graybearded and wrinkled profligate, decrepit, without being venerable—as a tender stripling, capable of being improved into all that it ought to be, but scarcely yet had shown the remotest promise of becoming. He had that sense, or inward prophecy, —which a young man had better never have been born than not to have, and a mature man had better die at once than utterly to relinquish,—that we are not doomed to creep on forever in the old bad way, but that, this very now, there are the harbingers abroad of a golden era, to be accomplished in his own lifetime.
Nathaniel Hawthorne (The House of the Seven Gables)
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
The songs of Japan take the human heart as their seed and flourish as myriad leaves of words. As long as they are alive to this world, the cares and deeds of men and women are endless, so they speak of things they hear and see, giving words to the feelings in their hearts. Hearing the cries of the warbler among the blossoms or the calls of the frog that lives in the waters, how can we doubt that every living creature sing its song? Not using force, it moves heaven and earth, makes even the unseen spirits and gods feel pity, smoothes the bonds between man and woman, and consoles the hearts of fierce warriors-such a thing is poetry.
Ki no Tsurayuki (Anthology of Japanese Literature: From the Earliest Era to the Mid-Nineteenth Century)
The novel has accompanied man uninterruptedly and faithfully since the beginning of the Modern Era. It was then that the "passion to know," which Husserl considered the essence of European spirituality, seized the novel and led it to scrutinize man's concrete life and protect it against "the forgetting of being"; to hold "the world of life" under a permanent light. That is the sense in which I understand and share Hermann Broch's insistence in repeating: The sole raison d'etre of a novel is to discover what only the novel can discover. A novel that does not discover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality.
Milan Kundera (The Art of the Novel)
He found himself weeping. Not for the future or for the emperor. These were the tears of a man who saw before himself a masterpiece. True art was more than beauty; it was more than technique. It was not just imitation. It was boldness, it was contrast, it was subtlety. In this book, Gaotona found a rare work to rival that of the greatest painters, sculptors, and poets of any era. It was the greatest work of art he had ever witnessed. Gaotona
Brandon Sanderson (The Emperor's Soul)
Aseară m-a vizitat un berbec cu două rânduri de coarne. Era imens, atingea cu coarnele tavanul, stătea în două copite. Nu behăia, era cuminte, şi totuşi nu ştiu de ce silueta lui părea ameninţătoare. Aveam laptopul deschis, lumina era stinsă căci mă culcasem de câteva ore, iar pâlpâitul arunca umbre prin cameră, berbecul apărea şi dispărea. La un moment dat mi-am dat seama că ţine o ţigară, neaprinsă, în colţul gurii. Prima chestie la care m-am gândit a fost că vrea să-mi ceară un foc. Mă pregăteam chiar să bâjbâi după brichetă, pe urmă mi-am dat seama că, dacă ar fi vrut, şi-ar fi aprins şi singur ţigara. Cred că semăna un pic cu iepurele lui donnie darko. Stătea acolo şi mă privea în timp ce încercam să adorm. Părea singuratic, şi îmi era un pic milă de el. Mă enerva doar că nu zice nimic, nu face nimic, doar se uită aşa la mine. Don’t just stand there, for fuck’s sake, man, i-am zis în gând.
Cristina Nemerovschi (Sânge Satanic (Sânge Satanic, #1))
Sull’Atlantico gravava un’area di bassa pressione che, muovendosi verso oriente incontro a quella di alta pressione dislocata sulla Russia, non manifestava ancora alcuna tendenza a spostarsi verso nord per scansarla. Le isotere e le isoterme facevano il loro dovere. La temperatura dell’aria era nella norma rispetto alla temperatura media annua, rispetto a quella del mese più freddo come a quella del mese più caldo e all’oscillazione mensile aperiodica della temperatura. Il sorgere e il tramontare del sole e della luna, le fasi lunari, quelle di Venere, dell’anello di Saturno e molti altri importanti fenomeni rispettavano le previsioni degli annuari di astronomia. Nell’aria il vapor acqueo possedeva la massima elasticità e l’umidità era scarsa. Ovvero, con un’espressione che, quantunque un po’ fuori moda, caratterizza benissimo questo insieme di fatti: era una bella giornata d’agosto dell’anno 1913.
Robert Musil (The Man Without Qualities)
If my presence on earth is providential, I owe it to a superior will. But I owe nothing to the Church that trafficks in the salvation of souls, and I find it really too cruel. I admit that one cannot impose one's will by force, but I have a horror of people who enjoy inflicting sufferings on others' bodies and tyranny upon others' souls. Our epoch will certainly see the end of the disease of Christianity. It will last another hundred years, two hundred years perhaps. My regret will have been that I couldn't, like whoever the prophet was, behold the promised land from afar. We are entering into a conception of the world that will be a sunny era, an era of tolerance. Man must be put in a position to develop freely the talents that God has given him. What is important above all is that we should prevent a greater lie from replacing the lie that is disappearing. The world of Judaeo-Bolshevism must collapse.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
When World War II erupted, colonialism was at its apogee. The courde of the war, however, its symbolic undertones, would sow the seeds of the system's defeat and demise. [...] The central subject, the essence, the core relations between Europeans and Africans during the colonial era, was the difference of race, of skin color. Everything-each eaxchange, connection, conflict-was translated into the language of black and white. [...] Into the African was inculcated the notion that the white man was untouchable, unconquerable, that whites constitute a homogenous, cohesive force. [...] Then, suddenly, Africans recruited into the British and French armies in Europe observed that the white men were fighting one another, shooting one another, destroying one another's cities. It was revelation, a surprise, a shock.
Ryszard Kapuściński (The Shadow of the Sun)
Emerging, as we had, from the dark and gloomy bowels of the earth, the scene before us presented a view of wondrous beauty, and, while doubtless enhanced by contrast, it was nevertheless such an aspect as is seldom given to the eyes, of a Barsoomian of today to view. To me it seemed a little garden spot upon a dying world preserved from an ancient era when Barsoom was young and meteorological conditions were such as to favor the growth of vegetation that has since become extinct over practically the entire area of the planet. In this deep valley, surrounded by lofty cliffs, the atmosphere doubtless was considerably denser than upon the surface of the planet above. The sun's days were reflected by the lofty escarpment, which must also hold the heat during the colder periods of night, and, in addition to this, there was ample water for irrigation which nature might easily have achieved through percolation of the waters of the river through and beneath the top soil of the valley.
Edgar Rice Burroughs (A Fighting Man of Mars (Barsoom, #7))
Fame has taken the place of religion in the 21st century. The Beyoncés and the Brangelinas of our world filling the void left by the gods and heroes of antiquity. But like most cliches, there's an element of truth to it. And the gods of old were merciless. For every Theseus who slays the Minotaur and returns home in triumph, there's an Ariadne abandoned on the isles of Naxos. There's an Aegeus, casting himself into the ocean at the sight of a black sail...In another life, I like to think that Luc O'Donnell and I might've worked out. In the short time I knew him, I saw a man with an endless potential trapped in a maze he couldn't even name. And from time to time, I think how many tens of thousands like him there must be in the world. Insignificant on a planet of billions, but a staggering number when considered as a whole. All stumbling about, blinded by reflected glory, never knowing where to step, or what to trust. Blessed and cursed by the Midas touch of our digital era divinity.
Alexis Hall (Boyfriend Material (London Calling, #1))
mistaken. The Columbian Exchange had such far-reaching effects that some biologists now say that Colón’s voyages marked the beginning of a new biological era: the Homogenocene. The term refers to homogenizing: mixing unlike substances to create a uniform blend. With the Columbian Exchange, places that were once ecologically distinct have become more alike. In this sense the world has become one, exactly as the old admiral hoped. The lighthouse in Santo Domingo should be regarded less as a celebration of the man who began it than a recognition of the world he almost accidentally created, the world of the Homogenocene we live in today.
Charles C. Mann (1493: Uncovering the New World Columbus Created)
[I]t was in the pairs that the prisoners kept alive the semblance of humanity concluded Elmer Luchterhand, a sociologist at Yale who interviewed fifty-two concentration camp survivors shortly after liberation. Pairs stole food and clothing for each other, exchanged small gifts and planned for the future. If one member of a pair fainted from hunger in front of an SS officer, the other would prop him up. Survival . . . could only be a social achievement, not an individual accident, wrote Eugene Weinstock, a Belgian resistance fighter and Hungarian-born Jew who was sent to Buchenwald in 1943. Finally the death of one member of a pair often doomed the other. Women who knew Anne Frank in the Bergen-Belsen camp said that neither hunger nor typhus killed the young girl who would become the most famous diarist of the Nazi era. Rather, they said, she lost the will to live after the death of her sister, Margot.
Blaine Harden (Escape from Camp 14: One Man's Remarkable Odyssey from North Korea to Freedom in the West)
The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman")
Hugh Lamb (Terror by Gaslight: More Victorian Tales of Terror)
His own life on earth was short, limited; the beauty and splendor of Mount Fuji eternal. Annoyed and a little depressed, he asked himself how he could possibly attach any importance to his accomplishments with the sword. There was an inevitability in the way nature rose majestically and sternly above him; it was in the order of things that he was doomed to remain beneath it. He fell on his knees before the mountain, hoping his presumptuousness would be forgiven, and clasped his hands in prayer—for his mother’s eternal rest and for the safety of Otsū and Jōtarō. He expressed his thanks to his country and begged to be allowed to become great, even if he could not share nature’s greatness. But even as he knelt, different thoughts came rushing into his mind. What had made him think man was small? Wasn’t nature itself big only when it was reflected in human eyes? Didn’t the gods themselves come into existence only when they communicated with the hearts of mortals? Men—living spirits, not dead rock—performed the greatest actions of all. “As a man,” he told himself, “I am not so distant from the gods and the universe. I can touch them with the three-foot sword I carry. But not so long as I feel there is a distinction between nature and humankind. Not so long as I remain distant from the realm of the true expert, the fully developed man.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
To narrow natural rights to such neat slogans as "liberty, equality, fraternity" or "life, liberty, property," . . . was to ignore the complexity of public affairs and to leave out of consideration most moral relationships. . . . Burke appealed back beyond Locke to an idea of community far warmer and richer than Locke's or Hobbes's aggregation of individuals. The true compact of society, Burke told his countrymen, is eternal: it joins the dead, the living, and the unborn. We all participate in this spiritual and social partnership, because it is ordained of God. In defense of social harmony, Burke appealed to what Locke had ignored: the love of neighbor and the sense of duty. By the time of the French Revolution, Locke's argument in the Second Treatise already had become insufficient to sustain a social order. . . . The Constitution is not a theoretical document at all, and the influence of Locke upon it is negligible, although Locke's phrases, at least, crept into the Declaration of Independence, despite Jefferson's awkwardness about confessing the source of "life, liberty, and the pursuit of happiness." If we turn to the books read and quoted by American leaders near the end of the eighteenth century, we discover that Locke was but one philosopher and political advocate among the many writers whose influence they acknowledged. . . . Even Jefferson, though he had read Locke, cites in his Commonplace Book such juridical authorities as Coke and Kames much more frequently. As Gilbert Chinard puts it, "The Jeffersonian philosophy was born under the sign of Hengist and Horsa, not of the Goddess Reason"--that is, Jefferson was more strongly influenced by his understanding of British history, the Anglo-Saxon age particularly, than by the eighteenth-century rationalism of which Locke was a principal forerunner. . . . Adams treats Locke merely as one of several commendable English friends to liberty. . . . At bottom, the thinking Americans of the last quarter of the eighteenth century found their principles of order in no single political philosopher, but rather in their religion. When schooled Americans of that era approved a writer, commonly it was because his books confirmed their American experience and justified convictions they held already. So far as Locke served their needs, they employed Locke. But other men of ideas served them more immediately. At the Constitutional Convention, no man was quoted more frequently than Montesquieu. Montesquieu rejects Hobbes's compact formed out of fear; but also, if less explicitly, he rejects Locke's version of the social contract. . . . It is Montesquieu's conviction that . . . laws grow slowly out of people's experiences with one another, out of social customs and habits. "When a people have pure and regular manners, their laws become simple and natural," Montesquieu says. It was from Montesquieu, rather than from Locke, that the Framers obtained a theory of checks and balances and of the division of powers. . . . What Madison and other Americans found convincing in Hume was his freedom from mystification, vulgar error, and fanatic conviction: Hume's powerful practical intellect, which settled for politics as the art of the possible. . . . [I]n the Federalist, there occurs no mention of the name of John Locke. In Madison's Notes of Debates in the Federal Convention there is to be found but one reference to Locke, and that incidental. Do not these omissions seem significant to zealots for a "Lockean interpretation" of the Constitution? . . . John Locke did not make the Glorious Revolution of 1688 or foreordain the Constitution of the United States. . . . And the Constitution of the United States would have been framed by the same sort of men with the same sort of result, and defended by Hamilton, Madison, and Jay, had Locke in 1689 lost the manuscripts of his Two Treatises of Civil Government while crossing the narrow seas with the Princess Mary.
Russell Kirk (Rights and Duties: Reflections on Our Conservative Constitution)
Though small, the shrine has a long history. In 1333—the Third Year of the Genko era—Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory. Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night’s sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers. Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, or at the mountains, or at the smoke still rising from Kumamoto. Such were the men of the League at rest on the slope of Kimpo, some with fingers yellowed from brushing the petals of wild chrysanthemums that they had plucked while staring across the water at Shimabara Peninsula.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
Two blind men waited at the end of an era, contemplating beauty. They sat atop the world’s highest cliff, overlooking the land and seeing nothing.’ ‘Huh?’ She looked to him. ‘“Can beauty be taken from a man?” the first asked the second. ‘“It was taken from me,” the second replied. “For I cannot remember it.” This man was blinded in a childhood accident. “I pray to the God Beyond each night to restore my sight, so that I may find beauty again.” ‘“Is beauty something one must see, then?” the first asked. ‘“Of course. That is its nature. How can you appreciate a work of art without seeing it?” ‘“I can hear a work of music,” the first said. ‘“Very well, you can hear some kinds of beauty – but you cannot know full beauty without sight. You can know only a small portion of beauty.” ‘“A sculpture,” the first said. “Can I not feel its curves and slopes, the touch of the chisel that transformed common rock into uncommon wonder?” ‘“I suppose,” said the second, “that you can know the beauty of a sculpture.” ‘“And what of the beauty of food? Is it not a work of art when a chef crafts a masterpiece to delight the tastes?” ‘“I suppose,” said the second, “that you can know the beauty of a chef’s art.” ‘“And what of the beauty of a woman,” the first said. “Can I not know her beauty in the softness of her caress, the kindness of her voice, the keenness of her mind as she reads philosophy to me? Can I not know this beauty? Can I not know most kinds of beauty, even without my eyes?” ‘“Very well,” said the second. “But what if your ears were removed, your hearing taken away? Your tongue taken out, your mouth forced shut, your sense of smell destroyed? What if your skin were burned so that you could no longer feel? What if all that remained to you was pain? You could not know beauty then. It can be taken from a man.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
We’re in a period right now where nobody asks any questions about psychology. No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized--“Don’t ask any questions!” "No discussion!" “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written--in fiction or plays or movies. Everything is boring because of our failure to ask psychological questions. So I say there is a big parallel between Bill Cosby and Bill Clinton--aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile--they're engaged in a war with female power. It has something to do with their early sense of being smothered by female power--and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy. Now, in order to understand that, people would have to read my first book, "Sexual Personae"--which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven's sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac--a style that was popular in the late Victorian period in the nineteenth-century. It's hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia--this fear and envy of a woman’s power. And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let's be clear--I’m not trying to blame the mother! What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive--but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era. They don’t understand men, and they demonize men.
Camille Paglia
Two centuries ago, the United States settled into a permanent political order, after fourteen years of violence and heated debate. Two centuries ago, France fell into ruinous disorder that ran its course for twenty-four years. In both countries there resounded much ardent talk of rights--rights natural, rights prescriptive. . . . [F]anatic ideology had begun to rage within France, so that not one of the liberties guaranteed by the Declaration of the Rights of Man could be enjoyed by France's citizens. One thinks of the words of Dostoievski: "To begin with unlimited liberty is to end with unlimited despotism." . . . In striking contrast, the twenty-two senators and fifty-nine representatives who during the summer of 1789 debated the proposed seventeen amendments to the Constitution were men of much experience in representative government, experience acquired within the governments of their several states or, before 1776, in colonial assembles and in the practice of the law. Many had served in the army during the Revolution. They decidedly were political realists, aware of how difficult it is to govern men's passions and self-interest. . . . Among most of them, the term democracy was suspect. The War of Independence had sufficed them by way of revolution. . . . The purpose of law, they knew, is to keep the peace. To that end, compromises must be made among interests and among states. Both Federalists and Anti-Federalists ranked historical experience higher than novel theory. They suffered from no itch to alter American society radically; they went for sound security. The amendments constituting what is called the Bill of Rights were not innovations, but rather restatements of principles at law long observed in Britain and in the thirteen colonies. . . . The Americans who approved the first ten amendments to their Constitution were no ideologues. Neither Voltaire nor Rousseau had any substantial following among them. Their political ideas, with few exceptions, were those of English Whigs. The typical textbook in American history used to inform us that Americans of the colonial years and the Revolutionary and Constitutional eras were ardent disciples of John Locke. This notion was the work of Charles A. Beard and Vernon L. Parrington, chiefly. It fitted well enough their liberal convictions, but . . . it has the disadvantage of being erroneous. . . . They had no set of philosophes inflicted upon them. Their morals they took, most of them, from the King James Bible and the Book of Common Prayer. Their Bill of Rights made no reference whatever to political abstractions; the Constitution itself is perfectly innocent of speculative or theoretical political arguments, so far as its text is concerned. John Dickinson, James Madison, James Wilson, Alexander Hamilton, George Mason, and other thoughtful delegates to the Convention in 1787 knew something of political theory, but they did not put political abstractions into the text of the Constitution. . . . Probably most members of the First Congress, being Christian communicants of one persuasion or another, would have been dubious about the doctrine that every man should freely indulge himself in whatever is not specifically prohibited by positive law and that the state should restrain only those actions patently "hurtful to society." Nor did Congress then find it necessary or desirable to justify civil liberties by an appeal to a rather vague concept of natural law . . . . Two centuries later, the provisions of the Bill of Rights endure--if sometimes strangely interpreted. Americans have known liberty under law, ordered liberty, for more than two centuries, while states that have embraced the Declaration of the Rights of Man and of the Citizen, with its pompous abstractions, have paid the penalty in blood.
Russell Kirk (Rights and Duties: Reflections on Our Conservative Constitution)