Subculture Quotes

Arson is a respected profession among certain subcultures in Jersey, and the good ones don't get caught. The good ones channel lightning and mysterious acts of spontaneous combustion.

The importance of Liking Yourself is a notion that fell heavily out of favor during the coptic, anti-ego frenzy of the Acid Era--but nobody guessed back then that the experiment might churn up this kind of hangover: a whole subculture of frightened illiterates with no faith in anything.

Internet porn makes everything more reasonable -- once you've realized there is a massive subculture of upwardly mobile people who think it's erotic to see an Asian woman giving a hand job to a javelina, nothing else in the world seems crazy.

Joining a sub-culture, any sub-culture, for whatever reason, is as I see it never a legitimate self-expression. It is always a result of sheep mentality; a wish to belong somewhere.

Since violence is largely a male pastime, cultures that empower women tend to move away from the glorification of violence and are less likely to breed dangerous subcultures of rootless young men.

We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.

I emerged into the sticky-hot evening to find Ricky smoking on the hood of his battered car. Something about his mud-encrusted boots and the way he let smoke curl from his lips and how the sinking sun lit his green hair reminded me of a punk, redneck James Dean. He was all of those things, a bizarre cross-pollination of subcultures possible only in South Florida.

It's so hard being goth. You have to have a bad time everywhere.

The world is a stage we walk upon. We are all in a way fictional characters who write ourselves with our beliefs.

Fabulous. If you possess it, you don’t need to ask what it is. When you attempt to delineate it, you move away from it. Fabulous is one of those words that provide a measure of the degree to which a person or event manifests a particular oppressed subculture’s most distinctive, invigorating features. What are the salient features of fabulousness? Irony. Tragic History. Defiance. Gender-fuck. Glitter. Drama. It is not butch. It is not hot. The cathexis surrounding fabulousness is not necessarily erotic. The fabulous is not delineated by age or beauty. It is raw materials reworked into illusion. To be truly fabulous, one must completely triumph over tragedy, age, and physical insufficiencies. The fabulous is the rapturous embrace of difference, the discovering of self not in that which has rejected you but in that which makes you unlike, the dislike, the other.

It’s true, though, others won’t understand me. I know that. I’m still an alien in the American Christian subculture. Each evening I retreat from it, and I go straight to the Gospels. It's not out of duty that I read about Jesus; it's a respite.

She didn’t know that my heart was a sandstorm waiting to open her skin in a desert of cuts. She didn’t know the animal that waited in my stomach, silently shredding the walls. For her, my heart wore small white shoes and carried a purse, went to bed early. I wanted to shoot myself into her arms so she understood the need to crash cars with me, to tear up pavement because we were beautiful.

How odd, I thought, that even though I don't believe it still feels nice to be included.

His research led him to one overwhelming conclusion, published in a seminal paper in 1975: big cities nurture subcultures much more effectively than suburbs or small towns.

Nine Inch Nails were the best and most popular industrial band of all time; as a consequence, industrial purists usually assert that Nine Inch Nails aren't an industrial band at all (this is a counterintuitive phenomenon that tends to occur with purists from all subcultures, musical or otherwise).

Feminization is the process in which cultures have increasingly respected the interests and values of women. Since violence is largely a male pastime, cultures that empower women tend to move away from the glorification of violence and are less likely to breed dangerous subcultures of rootless young men.

In any culture, subculture, or family in which belief is valued above thought, and self-surrender is valued above self-expression, and conformity is valued above integrity, those who preserve their self-esteem are likely to be heroic exceptions.

I'm asked a lot what the best thing about cooking for a living is. And it's this: to be a part of a subculture. To be part of a historical continuum, a secret society with its own language and customs. To enjoy the instant gratification of making something good with one's hands--using all one's senses. It can be, at times, the purest and most unselfish way of giving pleasure (thought oral sex has to be a close second).

We need the world to hear more opinions, give glimpses into more diverse subcultures.

Fads swept the youth of the sprawl at the speed of light; entire subcultures could rise overnight, thrive for a dozen weeks, and then vanish utterly.

This crap had been going on for years now. In the absence of any real progress, gunter subculture had become mired in bravado, bullshit, and pointless infighting. It was sad, really.

We have everyday habits—formative practices—that constitute daily liturgies. By reaching for my smartphone every morning, I had developed a ritual that trained me toward a certain end: entertainment and stimulation via technology. Regardless of my professed worldview or particular Christian subculture, my unexamined daily habit was shaping me into a worshiper of glowing screens. Examining my daily liturgy as a liturgy—as something that both revealed and shaped what I love and worship—allowed me to realize that my daily practices were malforming me, making me less alive, less human, less able to give and receive love throughout my day. Changing this ritual allowed me to form a new repetitive and contemplative habit that pointed me toward a different way of being-in-the-world.

We’ve lost the real Jesus—or at least exchanged him for a newer, safer, sanitized, ineffectual one. We’ve created a Christian subculture that comes with its own set of customs, rules, rituals, paradigms, and products that are nowhere near the rugged, revolutionary faith of biblical Christianity. In our subculture Jesus would have never been crucified—he’s too nice.

Ideas about a person's place in society, his role, lifestyle, and ego qualities will lose their hold as the cohesive forces in society disintegrate. Subculture values will proliferate to such a bewildering extent that a whole new class of professionals will arise to control them. Such a Transmutation Technology will deal in fashions, in ways of being. Lifestyle consultants will become the new priests of our civilizations. They will be the new magicians.

The importance of Liking Yourself is a notion that fell heavily out of favor during the coptic, anti-ego frenzy of the Acid Era—but nobody guessed, back then, that the experiment might churn up this kind of hangover: a whole subculture of frightened illiterates with no faith in anything.

I am not ranting. I possess a perspective here that you people, who are locked in the ivory basements of your own sub-cultures, simply do not possess.

In Japan itself it seemed as if theory had been absorbed the same way Japanese media culture absorbed everything else—by turning it into a spectacular subcultural style.

Among the educated young there is therefore a startling and unprecedented interest in the transformation of human consciousness. All over the Western world publishers are selling millions of books dealing with Yoga, Vedanta, Zen Buddhism, and the chemical mysticism of psychedelic drugs, and I have come to believe that the whole “hip” subculture, however misguided in some of its manifestations, is the earnest and responsible effort of young people to correct the self–destroying course of industrial civilization.

When you live in a community of queers, anarchists, & activists, crisis is the baseline and stability an outlier.

Sex and magic are intertwined experiences—sex is one kind of magic (and can be made more magical without being concerned with sex-magic at any point), and magic can be, while erotic and arousing, not necessarily sexual in the way that is often understood. There is a commonly-held belief that those who practice sex-magic are indulging themselves in wild orgiastic rites at every opportunity. This is rarely the case. After all, if you need to go through lots of occult rigmarole just to get laid, then you're a bit sad, aren't you? Then again, the occult subculture is full of SAD people, desperate to finally get laid and attempting to turn to sex-magic as a last resort.

If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already. The heroin helps users deal with the pain of being unable to form normal bonds with other humans. The heroin subculture gives them bonds with other human beings.

It's an industry of lonely people in a crowd, Bill Margold was saying. 'They're scared to get close to each other. You're far better off having someone to sleep next to then having someone to sleep with because you have to trust someone you sleep next to.

In the absence of any real progress, gunter subculture had become mired in bravado, bullshit, and pointless infighting. It was sad, really.

Unix is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic: a living body of narrative that many people know by heart, and tell over and over again—making their own personal embellishments whenever it strikes their fancy. The bad embellishments are shouted down, the good ones picked up by others, polished, improved, and, over time, incorporated into the story. […] Thus Unix has slowly accreted around a simple kernel and acquired a kind of complexity and asymmetry about it that is organic, like the roots of a tree, or the branchings of a coronary artery. Understanding it is more like anatomy than physics.

The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.

The kind of music you listened to could shape the way you dressed, the way you looked out at the world, the way you saw yourself in what came back to you on the bounce. It was a way to plug in to your own subculture.

Now, with no hate group to run, Jerry spent his days playing Mah-jong on his computer

Perhaps it's understandable to be more jaded on one's second exposure to something strange.

Quin stopped halfway across the room, his head cocked to the side. He stared at Mattheus like an explorer who couldn't figure out if he'd discovered a fascinating new subculture or a bunch of locals playing What Can We Get the Foreigner (sic) Eat?

The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!

Hipsters seek refuge in church, Our Lady of Perpetual Subculture. There is some discussion as to whether or not they are still cool but then they are calmed by the obscure location and the arrival of their kind. Keep the address to yourself, let the rabble fund it themselves. Wow, this crappy performance art is really making me feel no so terrible about my various emotional issues.

Once something is no longer illicit, punishable, pathologized, or used as lawful basis for raw discrimination or acts of violence, that phenomenon will no longer be able to represent or deliver on subversion, the subcultural, the underground, the fringe, in the same way

To acquire the full consciousness of self is to know oneself so different from others that no longer feels allied with men except by purely animal contacts: nevertheless, among souls of this degree, there is an ideal fraternity based on differences,--while society fraternity is based on resemblances. The full consciousness of self can be called originality of soul, -and all this is said only to point out the group of rare beings to which Andre Gide belongs. The misfortune of these beings, when they express themselves, is that they do it with such odd gestures that men fear to approach them; their life of social contacts must often revolve in the brief circle of ideal fraternities; or, when the mob consents to admit such souls, it is as curiosities or museum objects. Their glory is, finally, to be loved from afar & almost understood, as parchments are seen & read above sealed cases.

From my adventures in the subculture of addiction recovery, I’d learned that the trajectory of one’s life often boils down to a few identifiable moments—decisions that change everything. I knew all too well that moments like these were not to be squandered. Rather, they were to be respected and seized at all costs, for they just didn’t come around that often, if ever. Even if you experienced only one powerful moment like this one, you were lucky.

It is one thing to create a countercultural community or a Christian subculture, but it is a much more difficult thing to live as an "incarnational-missional communitas" in the midst of a culture and not be bound by its dictates and decrees: to be "in" it, not "of" it, but not "out of it" either. When

A room full of fags gives me the horrors. They jerk around like puppets on invisible strings, galvanized into hideous activity that is the negation of everything living and spontaneous. The live human being has moved out of these bodies long ago. But something moved in when the original tenant moved out.

Rod Steiger is the best connected actor in history because he has managed to move up and down and back and forth among all the different worlds and subcultures and niches and levels that the acting profession has to offer. This is what Connectors are like. They are the Rod Steigers of everyday life. They are people whom all of us can reach in only a few steps because, for one reason or another, they manage to occupy many different worlds and subcultures and niches.

The most effective cross-examination of Linda Kasabian was surprisingly that of Ronald Hughes. Though this was his first trial, and he frequently made procedural mistakes, Hughes was familiar with the hippie subculture, having been a part of it. He knew about drugs, mysticism, karma, auras, vibrations, and when he questioned Linda about these things, he made her look just a little odd, just a wee bit zingy. He had her admitting that she believed in ESP, that there were times at Spahn when she actually felt she was a witch. Q. "Do you feel that you are controlled by Mr. Manson's vibrations?" A. "Possibly." Q. "Did he put off a lot of vibes?" A. "Sure, he's doing it right now." Hughes "May the record reflect, Your Honor, that Mr. Manson is merely sitting here." Kanarek "He doesn't seem to be vibrating.

I suppose there won't be any Mexican food in the whites-only homeland,' I said. Hm, I'd never thought of that possibility' Jerry said. He paused. 'They wouldn't be allowed to vote but they could cook and clean for us. Afterall, we're not extremists.

It’s been suggested that Chavs are the offspring of previous working-class youth subcultures such as Skinheads and in turn Mods, but when you think about it, they’re not at all, are they? Chavs - with their larger bellies, hairless bodies and excessive sweat glands - are evolution in reverse, proof that given time Homo Sapiens can devolve into a more primitive life form. With Chavs, evolution has not only hesitated but is actually in withdrawal. Chavs may well be the ‘missing link’ in the devolution of man into anthropoid.

Since violence is largely a male pastime, cultures that empower women tend to move away from the glorification of violence and are less likely to breed dangerous subcultures of rootless young men. The forces of cosmopolitanism such as literacy, mobility, and mass media can prompt people to take the perspective of people unlike themselves and to expand their circle of sympathy to embrace them. Finally, an intensifying application of knowledge and rationality to human affairs—the escalator of reason—can force people to recognize the futility of cycles of violence, to ramp down the privileging of their own interests over others’, and to reframe violence as a problem to be solved rather than a contest to be won.

It doesn't take long to figure out that in the Christian subculture, the biggest criticism to throw at someone is to question their integrity as a believer.

rock—Jobs rolled together, in an amped-up way, the multiple impulses that were hallmarks of the enlightenment-seeking campus subculture of the era.

The real issue was control: male upper-class healing under the auspices of the Church was acceptable, female healing as part of a peasant subculture was not.

This shalom will not come through Christians establishing parallel subcultural institutions, but through a conviction to bring comprehensive renewal to the city by pursuing its common good.

I gravitate to the world’s outcasts,” he explained in another email. “Prostitutes, thieves, the handicapped, the enormously ugly or deformed … For some reason I have always been fascinated by these subcultures.

The burgeoning of the American welfare state in the second half of the twentieth century and the declining effectiveness of the American criminal justice system at the same time allowed borrowed and counterproductive cultural traits to continue and flourish among those blacks who had not yet moved beyond that culture, thereby prolonging the life of a chaotic, counterproductive, dangerous, and self-destructive subculture in many urban ghettos.

It might be extremely dorky to point out, but who you are is singular. It’s science. No one else in existence has your point of view or exact genome (identical twins and clones, look for inspiration elsewhere, please). That is why we need people to share and help us understand one another better. And on a bigger level than just taking a selfie. (Not hating on selfies, but a few is enough. You look good from that angle; we get it.) We need the world to hear more opinions, give glimpses into more diverse subcultures. Are you REALLY into dressing your cat in handcrafted, historically authentic outfits? No problem, there are people out there who want to see that! Probably in excruciating detail!

For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)

A truly enlightened attitude to language should simply be to let six thousand or more flowers bloom. Subcultures should be allowed to thrive, not just because it is wrong to squash them, because they enrich the wider culture. Just as Black English has left its mark on standard English Culture, South Africans take pride in the marks of Afrikaans and African languages on their vocabulary and syntax. New Zealand's rugby team chants in Maori, dancing a traditional dance, before matches. French kids flirt with rebellion by using verlan, a slang that reverses words' sounds or syllables (so femmes becomes meuf). Argentines glory in lunfardo, an argot developed from the underworld a centyry ago that makes Argentine Spanish unique still today. The nonstandard greeting "Where y'at?" for "How are you?" is so common among certain whites in New Orleans that they bear their difference with pride, calling themselves Yats. And that's how it should be.

But people don't change their beliefs easily. Even when their deepest convictions are challenged - by the failure of the world to end, for example - they continue on their way, sticking to the old routine: they get back on their weird bikes and ride again.

The advent of postmodernism, the enshrinement of Darwinian orthodoxy in the educational systems of Western society, and the rise of blatant humanism as the religion-by-default of large subcultures have brought no end of new challenges to biblical sufficiency.

The Mafia’s involvement with gay bars is ironic on so many levels. Macho guys ruled gangland but supported a subculture for nelly queens. Most mobsters were evil sociopaths motivated only by financial self-interest but nevertheless were doing a good thing in providing social spaces for the gay community. The mob was on the wrong side of the liquor laws by serving gay folk but on the right side of the 14th Amendment in arguing for equal protection. The Mafia exploited an oppressed community but advanced the gay cause.

Chris informs Sylvère that the flirtatious behavior she shared with Dick the previous night amounts to a “Conceptual Fuck” (21). Because Sylvère and Chris are no longer having sex, Kraus tells us, “the two maintain their intimacy via deconstruction: i.e. they tell each other everything” (21). Chris tells Sylvère that Dick’s disappearance invests the flirtation “with a subcultural subtext she and Dick both share: she’s reminded of all the fuzzy one-time fucks she’s had with men who’re out the door before her eyes are open

The situation, therefore, in the colonial countries, is tragic,” Cesaire continued. “Wherever colonization is a fact the indigenous culture begins to rot. And, among these ruins, something begins to be born which is not a culture but a kind of subculture, a subculture which is condemned to exist on the margin allowed it by European culture. This then becomes the province of a few men, the elite, who find themselves placed in the most artificial conditions, deprived of any revivifying contact with the masses of the people.

It’s a lot better to be a junkie than to be nothing at all, and that’s the alternative these guys face—being nothing at all.” So when the heroin was cut off, “They maintained the essence of their heroin addiction—which is a subculture addiction.” When you have been told you are a piece of shit all your life, embracing the identity of being a piece of shit, embracing the other pieces of shit, living openly as a piece of shit—it seems better than being alone. As one addict told Bruce: “This is a life. It’s better than no life.

When our students accept the call of a servant leader to further the cause of Christ, it is time to begin considering how they can escape the strictly Christian subculture in order to shine their lights of truth into the dark places in our world. This will take great care and wisdom.

To all my friends who constantly talk disparagingly about the supposed 'homosexual lifestyle' and stereotype gay people and the community, I'd like to get this straight. There are essentially two worlds – the 'gay scene' and the gay (or LGBTIQ) community. The 'scene' is like the tip of the iceberg; what is seen by others because it is visible on a street, suburb or pride parade. Like the ninety percent of the submerged iceberg, the community is larger and less visible. It consists of organisations, groups, support networks and also gay and lesbian singles and couples living 'normal' lives in the suburbs. Occasionally there is an overlap but not often. Some live, socialise and work in both. Many never enter each others worlds. The values, lifestyles and culture of these two worlds are as different as Asian culture is to western is to African is to Middle Eastern. Dig down even deeper below the surface and you find it is not a single community but diverse communities and subcultures that are separate but not necessarily divided. The common thing that binds them together is their experience of inequality, discrimination and their desire to make a better world for themselves, others and future generations. If you believe that all gays and lesbians are shallow and obsessed with sex, body image, partying, nightclubs and bars then you are obviously an observer from the outside or mixing in the wrong circles.

A Belgian journalist, struggling to describe the scene, had said that it resembled a cross between a permanent mass wake, an ongoing grad night for at least a dozen subcultures unheard of before the disaster, the black market cafes of occupied Paris, and Goya's idea of a dance party (assuming Goya had been Japanese and smoked freebase methamphetamine, which along with endless quantities of alcohol was clearly the Western World's substance of choice). It was, the Belgian said, as though the city, in its convolsion and grief, had spontaneously and necessarily generated this hidden pocket universe of the soul, its few unbroken windows painted over with black rubber aquarium paint. There would be no view of the ruptured city. As the reconstruction began around it, it had already become a benchmark in Tokyo's psychic history, an open secret, an urban legend.

Police throughout the United States have been caught fabricating, planting, and manipulating evidence to obtain convictions where cases would otherwise be very weak. Some authorities regard police perjury as so rampant that it can be considered a "subcultural norm rather than an individual aberration" of police officers. Large-scale investigations of police units in almost every major American city have documented massive evidence of tampering, abuse of the arresting power, and discriminatory enforcement of laws. There also appears to be widespread police perjury in the preparation of reports because police know these reports will be used in plea bargaining. Officers often justify false and embellished reports on the grounds that it metes out a rough justice to defendants who are guilty of wrongdoing but may be exonerated on technicalities. [internal citations omitted]

If you're so miserable,' my daughter said delicately, 'why don't you leave him?' Oh my darling girl, I might have said, what a good question. In her worldview, bad marriages were simply terminated, like unwanted pregnancies. She knew nothing about this subculture of women who stayed, women who couldn't logically explain their allegiances, who held tight because it was the thing they felt most comfortable doing, the thing they actually liked. she didn't understand the luxury of the familiar, the known: the same hump of back poking up under the cover in bed, the hair tufting in the ear. The husband. A figure you never strove toward, never work yourself up over, but simply lived beside season upon season, which started building up like bricks spread thick with sloppy mortar. A marriage wall would rise up between the two of you, a marriage bed, and you would lie in it gratefully.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

Filip was from San Jose, but his painfully good looks excused that. He was tall, six-foot-something-or-other, intensely blue eyes, chiseled features, massive package. Didn't have Prince Albert in a Can, but he did have a thick gauged one through his cock head. His name really wasn’t Filip, it was Brent, an all-American moniker about as dark and mysterious as pastel-colored bobby socks. Initially, I joked about his choice of sobriquet, changing his name to go off to the big city, transform into Mr. Big Stuff, until it dawned on me I’d done the same damn thing with my ‘Catalyst’ surname. So I shut up. He comported himself with rigid shoulders and stiff gestures, as if he had a secret. Turns out he did. Filip was married, had a wife for more than a year now, but they had some kind of crazy arrangement. Days they were a couple; evenings they were free to do as they pleased. Where’d they come up with that idea, Jerry Springer?

 “If you wanted to go back to your place, we could,” Filip suggested. “But only until dawn.” Yeah, right. An affair is an affair, the way I see it. What difference is there between 5 and 7 a.m.? Was their marriage some sort of religious fasting thing, starve until the sun sets then binge and party down? I'd never sunk my teeth into married meat, but figured it was a logical progression from my I'm Not Gay But It's Different With You saga. And if I was going to sin, I was gonna sin good. That means no peeking to see whether it’s still dark outside.

And against whom is this censorship directed? By way of answer, think back to the big subcultural debates of 2011 – debates about how gritty fantasy isn’t really fantasy; how epic fantasy written from the female gaze isn’t really fantasy; how women should stop complaining about sexism in comics because clearly, they just hate comics; how trying to incorporate non-Eurocentric settings into fantasy is just political correctness gone wrong and a betrayal of the genre’s origins; how anyone who finds the portrayal of women and relationships in YA novels problematic really just wants to hate on the choices of female authors and readers; how aspiring authors and bloggers shouldn’t post negative reviews online, because it could hurt their careers; how there’s no homophobia in publishing houses, so the lack of gay YA protagonists can only be because the manuscripts that feature them are bad; how there’s nothing problematic about lots of pretty dead girls on YA covers; how there’s nothing wrong with SF getting called ‘dystopia’ when it’s marketed to teenage girls, because girls don’t read SF. Most these issues relate to fear of change in the genre, and to deeper social problems like sexism and racism; but they are also about criticism, and the freedom of readers, bloggers and authors alike to critique SFF and YA novels without a backlash that declares them heretical for doing so. It’s not enough any more to tiptoe around the issues that matter, refusing to name the works we think are problematic for fear of being ostracized. We need to get over this crushing obsession with niceness – that all fans must act nicely, that all authors must be nice to each other, that everyone must be nice about everything even when it goes against our principles – because it’s not helping us grow, or be taken seriously, or do anything other than throw a series of floral bedspreads over each new room-hogging elephant. We, all of us, need to get critical. Blog post: Criticism in SFF and YA

The Swedish indie scene is a narrow subculture kept alive by a small number of enthusiasts. Fifteen people in a basement in Skövde doesn’t sound particularly glamorous, but if someone in the future decides to track down the roots of the Swedish indie game scene, he or she will probably discover a programmer meet-up just like this one.

For me, therapy is partly translation therapy, the talking cure a second-language cure. My going to a shrink is, among other things, a rite of initiation: initiation into the language of the subculture within which I happen to live, into a way of explaining myself to myself. But gradually, it becomes a project of translating backward. The way to jump over my Great Divine is to crawl backward over it in English. It's only when I retell my whole story, back to the beginning, and from the beginning onward, in one language, that I can reconcile the voices within me with each other; it is only then that the person who judges the voices and tells the stories begins to emerge.

The use of drugs is not an effective means of facilitating real escape. It merely gives that erroneous and illusive impression. Well, illusive with an I and elusive with an E. At best, narcotics do no more than promote bonhomie and give you a temporary taste of what freedom might be like; and drugs take you into another sub-level of, or sub-culture in, the same old game. The same old game, but with additional consequences. And at worst, well ... suffice it to say that you really, really do not want to go there.

Western culture generally, as well as the Christian subculture specifically, has had an unwarranted tendency to think that abstract ideas and facts are the only valid type of knowledge that we possess. Literature challenges that bias, and so does the Bible. The Bible is not a theological outline with proof texts attached. It is an anthology of literature.

However, what stores like Urban Outfitters—and every mall goth’s favorite, Hot Topic—offer is unprecedented access to subcultures often out of reach for young people. Those in rural areas without a local witch shop or knowledge about the occultic side of the internet can be introduced to an entire subculture through these stores. Perhaps they will pick up a tarot deck first as a gag gift, and then look further into the ancient practice of divination, and maybe even learn about the feminist history of Pamela Coleman Smith, a member of British occult society the Hermetic Order of the Golden Dawn, who is responsible for creating the iconic images on the ubiquitous Rider-Waite deck. Where democratic dissemination ends and exploitation begins is tricky territory.

Copying culture. Another, rather different approach to unsatisfactory culture is to imitate it, replacing the offensive bits with more palatable ones. A subculture within American society might decide that the best solution to the desultory state of the film industry is to start their own movie industry, complete with producers, directors, writers, actors and even theaters, and create a kind of parallel film industry that will fix the apparent problems in mainstream cinema. The new movies created and distributed by this system would certainly be cultural goods, of a sort. But if they were never shown in mainstream movie theaters—if, indeed, they were created and consumed entirely by members of a particular subculture—they would have no influence on the culture of mainstream movies at all.

Preserving cultural diversity is considered a supreme virtue today, but the members of the diverse subcultures don't always see it that way. People have wants and needs, and when cultures rub shoulders, people in one culture are bound to notice when their neighbors are satisfying those those desires better than they are. When they do notice, history tells us, they shamelessly borrow wherever works best.

One or two percent of any society is always subcultural. The Trotskyite, the Communist, the arsonist, the homosexual, the assassin--these are obviously dangerous and the courts must dispose their cases. Law has its problems. I shall not underestimate them; but law is not the problem. The enemy I am talking about is the one lurking in the guts of the whole nation like an invisible and deadly virus. It is not an action, but an attitude that says everyone has the right to arson, murder, rape, because doing those things is necessarily included under the rubric of freedom, of doing what one wants--not what I want or you want, but what someone wants. In a word, we have raised the abnormal and aberrant to the condition of a human right. The beast is loose among us, and he is welcome in our universities and homes.

As I’ve said before, “the Mod generation”, contrary to popular belief, was not born in even 1958, but in the 1920s after a steady gestation from about 1917 or so. Now, Mod certainly came of age, fully sure of itself by 1958, completely misunderstood by 1963, and in a perpetual cycle of reinvention and rediscovery of itself by 1967 and 1975, respectively, but it was born in the 1920s, and I will maintain this. I don’t care who disagrees with me, and there are dozens of reasons that I do so —from the Art Deco aesthetic, to flapper fashions (complete with bobbed hair), to androgyny and subtle effeminacy, to jazz.

On the list of qualities necessary to humans trying to make our way through life, truth scores fairly low. Why do people believe and do weird things? Because in the end, feeling alive is more important than telling the truth. We have evolved as living creatures to express ourselves, to be creative, to tell stories. We are instruments for feeling, faith, energy, emotion, significance, belief, but not really truth.

Christ is ubiquitous in this subculture, but more as an adjective (Christian) than as a proper name. While we swim in a sea of “Christian” things, Christ is increasingly reduced to a mascot or symbol of a subculture and the industries that feed it. Just as you don’t really need Jesus Christ in order to have T-shirts and coffee mugs, it is unclear to me why he is necessary for most of the things I hear a lot of pastors and Christians talking about in church these days.

subculture, it was phenomenally refreshing to see the ego depicted with wry wit. “We are constantly murmuring, muttering, scheming, or wondering to ourselves under our breath,” wrote Epstein. “ ‘I like this. I don’t like that. She hurt me. How can I get that? More of this, no more of that.’ Much of our inner dialogue is this constant reaction to experience by a selfish, childish protagonist. None of us has moved very far from the seven-year-old who vigilantly watches to see who got more.” There were also delightful passages about the human tendency to lurch headlong from one pleasurable experience to the next without ever achieving satisfaction. Epstein totally nailed my habit of hunting around my plate for the next bite before I’d tasted what was in my mouth. As he described it, “I do not want to experience the fading of the flavor—the colorless, cottony pulp that succeeds that spectacular burst over my taste buds.” Prior to reading Epstein,

Of course, sheep require a shepherd. Due to the domestication process, sheep can no longer survive on their own. They are optimized for what we want from them and unable to defend themselves or respond to challenges. We have made them that way over a long period of time. In a way, the sheep do flourish—they are born and live and die, they don’t have to worry about predators most of the time, and they are led to the greenest pastures. In a similar way, many Christians are insulated by Christian subculture, so that they only have to listen to Christian music and read Christian books and go to Christian events—and not even broadly Christian, but—in the U.S. at least—very specifically conservative Evangelical Christian. These Christians are also led to the green pastures—megachurches and bestselling “spiritual” books and charming pastors—and, in a very limited way, perhaps, they flourish in this domestication. Over generations, whole communities can forget that they were ever free and wild.

LABOR IS A RESOURCE and TIME IS A RESOURCE are by no means universal. They emerged naturally in our culture because of the way we view work, our passion for quantification, and our obsession with purposeful ends. These metaphors highlight those aspects of labor and time that are centrally important in our culture. In doing this, they also deemphasize or hide certain aspects of labor and time. We can see what both metaphors hide by examining what they focus on. In viewing labor as a kind of activity, the metaphor assumes that labor can be clearly identified and distinguished from things that are not labor. It makes the assumptions that we can tell work from play and productive activity from nonproductive activity. These assumptions obviously fail to fit reality much of the time, except perhaps on assembly lines, chain gangs, etc. The view of labor as merely a kind of activity, independent of who performs it, how he experiences it, and what it means in his life, hides the issues of whether the work is personally meaningful, satisfying, and humane. The quantification of labor in terms of time, together with the view of time as serving a purposeful end, induces a notion of LEISURE TIME, which is parallel to the concept LABOR TIME. In a society like ours, where inactivity is not considered a purposeful end, a whole industry devoted to leisure activity has evolved. As a result, LEISURE TIME becomes a RESOURCE too—to be spent productively, used wisely, saved up, budgeted, wasted, lost, etc. What is hidden by the RESOURCE metaphors for labor and time is the way our concepts of LABOR and TIME affect our concept of LEISURE, turning it into something remarkably like LABOR. The RESOURCE metaphors for labor and time hide all sorts of possible conceptions of labor and time that exist in other cultures and in some subcultures of our own society: the idea that work can be play, that inactivity can be productive, that much of what we classify as LABOR serves either no clear purpose or no worthwhile purpose.

Like many middle-class Americans, especially those who are white and male, I was raised in a subculture that insisted I could do anything I wanted to do, be anything I wanted to be, if I were willing to make the effort. The message was that both the universe and I were without limits, given enough energy and commitment on my part. God made things that way, and all I had to do was to get with the program. My troubles began, of course, when I started to slam into my limitations, especially in the form of failure.

Honest question: If I am a good Christian, and have faith and stuff, will God protect my children? Honest answer: He might. Or He might not. Honest follow-up question: So what good is He? I think the answer is that He’s still good. But our safety, and the safety of our kids, isn’t part of the deal. This is incredibly hard to accept on the American evangelical church scene, because we love families, and we love loving families, and we nearly associate godliness itself with cherishing family beyond any other earthly thing. That someone would challenge this bond, the primacy of the family bond, is offensive. And yet . . . Jesus did it. And it was even more offensive, then, in a culture that wasn’t nearly so individualistic as ours. Everything was based on family: your reputation, your status—everything. And yet He challenges the idea that our attachment to family is so important, so noble, that it is synonymous with our love for Him. Which leads to some other spare thoughts, like this: we can make idols out of our families. Again, in a “Focus on the Family” subculture, it’s hard to imagine how this could be. Families are good. But idols aren’t made of bad things. They used to be fashioned out of trees or stone, and those aren’t bad, either. Idols aren’t bad things; they’re good things, made Ultimate. We make things Ultimate when we see the true God as a route to these things, or a guarantor of them. It sounds like heresy, but it’s not: the very safety of our family can become an idol. God wants us to want Him for Him, not merely for what He can provide. Here’s another thought: As wonderful as “mother love” is, we have to make sure it doesn’t become twisted. And it can. It can become a be-all, end-all, and the very focus of a woman’s existence. C. S. Lewis writes that it’s especially dangerous because it seems so very, very righteous. Who can possibly challenge a mother’s love? God can, and does, when it becomes an Ultimate. And it’s more likely to become a disordered Ultimate than many other things, simply because it does seem so very righteous. Lewis says this happens with patriotism too.

It’s what we do now instead of bohemias,” he says. “Instead of what?” “Bohemias. Alternative subcultures. They were a crucial aspect of industrial civilization in the two previous centuries. They were where industrial civilization went to dream. A sort of unconscious R&D, exploring alternate societal strategies. Each one would have a dress code, characteristic forms of artistic expression, a substance or substances of choice, and a set of sexual values at odds with those of the culture at large. And they did, frequently, have locales with which they became associated. But they became extinct.” “Extinct?” “We started picking them before they could ripen. A certain crucial growing period was lost, as marketing evolved and the mechanisms of recommodification became quicker, more rapacious. Authentic subcultures required backwaters, and time, and there are no more backwaters. They went the way of geography in general. Autonomous zones do offer a certain insulation from the monoculture, but they seem not to lend themselves to recommodification, not in the same way. We don’t know why exactly.

In order to win the femininity game, women and girls must abandon the valued "masculine" characteristics of self-efficacy and self-determination. However, this is the catch: the femininity game ultimately presents girls and women with a "no-win" situation. Although failure to live up to the expectations of femininity can have devastating effects on girls' and women's self-esteem, so can success in attaining them. A "winner" of the femininity game has effectively stripped herself of valued human characteristics in adopting an undervalued identity.

Men like my father, and men like him who attend Trump rallies, join misogynistic subcultures, populate some of the most hateful groups in the world, and are prisoners of toxic masculinity, an artificial construct whose expectancies are unattainable, thus making them exceedingly fragile and injurious to others, not to mention themselves. The illusion convinces them from an early age that men deserve to be privileged and entitled, that women and men who don’t conform to traditional standards are second-class persons, are weak and thus detestable. This creates a tyrannical patriarchal system that tilts the world further in favor of men, and, as a side effect, accounts for a great deal of crimes, including harassment, physical and emotional abuse, rape, and even murder. These men, and the boys following in their footsteps, were socialized in childhood to exhibit the ideal masculine traits, including stoicism, aggressiveness, extreme self-confidence, and an unending competitiveness. Those who do not conform are punished by their fathers in the form of physical and emotional abuse, and then further socialized by the boys in their school and community who have been enduring their own abuse at home. If that isn’t enough, our culture then reflects those expectations in its television shows, movies, music, and especially in advertising, where products like construction-site-quality trucks, power tools, beer, gendered deodorant, and even yogurt promise to bestow masculinity for the right price. The masculinity that’s being sold, that’s being installed via systemic abuse, is fragile because, again, it is unattainable. Humans are not intended to suppress their emotions indefinitely, to always be confident and unflinching. Traditional masculinity, as we know it, is an unnatural state, and, as a consequence, men are constantly at war with themselves and the world around them.

The chain booksellers, like Barnes and Noble, began to dominate the market, and they instituted a “gay and lesbian” section in many of their branch stores. This section was never positioned at the front of the store with the bestsellers. It was usually on the fourth floor hidden behind the potted plants. What this meant in practical terms was that those of us who had the integrity to be out in our work found our books literarily yanked off of the “Fiction” shelves and hidden on the gay shelves, where only “gay” people wanting “gay” books would dare to tread. It was an instant undoing of all the progress we had made to be treated as full citizens and a natural, organic part of American intellectual life. …I felt very strongly, and still do, that authentic lesbian literature should be represented at all levels of publishing, including taking its rightful place as a natural organic part of mainstream American intellectual life. The corporate lockdown went into overdrive just at the moment that this integration was beginning to take place. This positioning is essential for so many reasons, least of which is the right of writers of merit to not be excluded from financial, emotional, and intellectual development simply because they have the integrity to be out in their work. Second is the right of gay people to be in dialogic relationships with straights - where they read and identify with our work as we are asked to with theirs. And finally, that even at the height of the strength of the lesbian subculture, most gay people find out about gay things through the mainstream media.

If you take home one souvenir from this part of the tour, may I suggest that it be a suspicion of moral monists. Beware of anyone who insists that there is one true morality for all people, times, and places—particularly if that morality is founded upon a single moral foundation. Human societies are complex; their needs and challenges are variable. Our minds contain a toolbox of psychological systems, including the six moral foundations, which can be used to meet those challenges and construct effective moral communities. You don’t need to use all six, and there may be certain organizations or subcultures that can thrive with just one. But anyone who tells you that all societies, in all eras, should be using one particular moral matrix, resting on one particular configuration of moral foundations, is a fundamentalist of one sort or another. The philosopher Isaiah Berlin

suffering. I paid attention to my deepest desires and passions. I sought to cast off my fictitious self, and be an authentic and fully-expressed me. I explored the connection between spirituality and sexuality. I expanded my relational world beyond religious sub-culture. I resisted creating a new religion out of my latest discovery. I operated with the assumption that every human being knew something I needed to know. I resisted latching onto the latest guru, and began seeing all people as my teachers. I explored new fields and areas of interest

The people who hitched to Katmandu (and are doubtlessly still doing so, despite the usual reports of official prohibitions) seem to me to be of this sort, displaced persons, aimless couples without papers. They are ill-suited to play the role which they are conventionally given; that of proletarian playboys, outriders of a modern sub-culture, who intend, mainly through will-power, to end injustice and rule the world. For the most part they have chosen to be the sole inhabitants of private worlds, and their aspirations will not be found in the bazaars of the international youth movement, or of the global underground or any other such tentative organizations.

It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?

Not only does it matter politically how we rank the vices, but freedom demands that as a matter of liberal policy we must learn to endure enormous differences in the relative importance that various individuals and groups attach to the vices. There is a vast gulf between the seven deadly sins, with their emphasis on pride and self-indulgence, and putting cruelty first. These choice are not casual or due merely to the variety of our purely personal dispositions and emotional inclinations. These different ranking orders are parts of very dissimilar systems of values. Some may be extremely old, for the structure of beliefs does not alter nearly as quickly as the more tangible conditions of life. In fact, they do not die at all; they just accumulate one on top of the other. Europe has always had a tradition of traditions, as our demographic and religious history makes amply clear. It is no use looking back to some imaginary classical or medieval utopia of moral and political unanimity, not to mention the horror of planning one for the future. Thinking about the vices has, indeed, the effect of showing precisely to what extent ours is a culture of many subcultures, of layer upon layer of ancient religious and class rituals, ethnic inheritance of sensibility and manners, and ideological residues whose original purpose has by now been utterly forgotten. With this in view, liberal democracy becomes more a recipe for survival than a project for the perfectibility of mankind.

I am not saying that you have to be a jazz fan to be a Mod. The Mod scene incorporates a wide variety of music genres, and you don’t have to like all of them to be a Mod. Considering that, you may not have to like every genre generally accepted in the Mod scene, but a basic respect for the genres that helped lay the foundation for the scene (Jazz, Soul, British Rhythm and Blues), especially their place in the scene, is something I feel should be expected of anybody in the Mod scene who wants their opinion taken seriously. That said, let’s be realistic: You may not have to like any one or two or ten specific genres of Mod music, but if you don’t like any of them, yet still fancy yourself to be a “Mod”, don’t be surprised when people in the scene don’t take you seriously at all.