Sturdy Short Quotes

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We need a barn or one of those storage areas for the Broken vehicles." "A garage?" He gave her a short nod. "A private, relatively remote location, with thick walls to dampen the sound and preferably a sturdy door I could bolt from the inside, keeping your grandmother, your brothers, and all other painfully annoying spectators out..." Rose began to laugh. A make-out bunker... "I'm glad you find our dilemma hilarious,
Ilona Andrews (On the Edge (The Edge, #1))
Sail the main course in a simple sturdy craft. Keep her well stocked with short stories and long laughs. Go fast enough to get there but slow enough to see. Moderation seems to be the key.
Jimmy Buffett
fragrance of the short grass and sturdy mountain-plants, for the way is steep and leads directly up to the summits above.
Johanna Spyri (Heidi)
I’ve noticed a paradox in great scientists and superforecasters: the reason they’re so comfortable being wrong is that they’re terrified of being wrong. What sets them apart is the time horizon. They’re determined to reach the correct answer in the long run, and they know that means they have to be open to stumbling, backtracking, and rerouting in the short run. They shun rose-colored glasses in favor of a sturdy mirror. The fear of missing the mark next year is a powerful motivator to get a crystal-clear view of last year’s mistakes. “People who are right a lot listen a lot, and they change their mind a lot,” Jeff Bezos says. “If you don’t change your mind frequently, you’re going to be wrong a lot.
Adam M. Grant (Think Again: The Power of Knowing What You Don't Know)
From the old and pleasantly situated village of Mayenfeld, a footpath winds through green and shady meadows to the foot of the mountains, which on this side look down from their stern and lofty heights upon the valley below. The land grows gradually wilder as the path ascends, and the climber has not gone far before he begins to inhale the fragrance of the short grass and sturdy mountain plants, for the way is steep and leads directly up to the summits above.
Johanna Spyri (Heidi)
She went to her room and curled into a ball of misery and decided that she would die of a broken heart. Minstrels would write songs about how she had turned her face to the wall and died of the false-heartedness of men. She could not quite make up her mind whether she wanted to be a ghost who would haunt the convent or not. It would be very satisfying to be a sad-eyed, beautiful ghost who drifted through the halls, gazing up at the moon and weeping silently, as a warning to other young women. On the other hand, she was still short and round-faced and sturdy, and there were very few ghost stories about short, sturdy women. Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died. Possibly it would be better to just have songs made about her. The Sister Apothecary came to her, the nun who doctored all the residents of the convent for various ailments, and who compounded medicines and salves and treatments for the farmer’s wives who lived nearby. She studied Marra intensely for a few minutes. “It’s a man, is it?” she said finally. Marra grunted. It occurred to her about an hour earlier that she did not know how the minstrels would find out that she existed in order to write the sad songs in the first place, and her mind was somewhat occupied by this problem. Did you write them letters?
T. Kingfisher (Nettle & Bone)
From the old and pleasantly situated village of Mayenfeld, a footpath winds through green and shady meadows to the foot of the mountains, which on this side look down from their stern and lofty heights upon the valley below. The land grows gradually wilder as the path ascends, and the climber has not gone far before he begins to inhale the fragrance of the short grass and sturdy mountain plants, for the way is steep and leads directly up to the summits above. On a clear sunny morning in June two figures might be seen climbing the narrow mountain path; one, a tall strong-looking girl, the other a child whom she was leading by the hand, and whose little checks were so aglow with heat that the crimson color could be seen even through the dark, sunburned skin.
Johanna Spyri (Heidi)
Marlys was a sturdy woman in her fifties, white curls clinging to her scalp like vanilla frosting. She wore rimless glasses, a homemade red-checked gingham dress, and low-topped Nikes. Short-nosed and pale, she had a small pink mouth that habitually pursed in thought, or disapproval.
John Sandford (Extreme Prey (Lucas Davenport, #26))
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on." "So the wife has to be all those things?" "No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said." Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me." "And did you think he would?" Momentarily Meggie was taken aback. "Well, yes." "Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together." Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
From the old and pleasantly situated village of Mayenfeld, a footpath winds through green and shady meadows to the foot of the mountains, which on this side look down from their stern and lofty heights upon the valley below. The land grows gradually wilder as the path ascends, and the climber has not gone far before he begins to inhale the fragrance of the short grass and sturdy mountain-plants, for the way is steep and leads directly up to the summits above. On a clear sunny morning in June two figures might be seen climbing the narrow mountain path; one, a tall strong-looking girl, the other a child whom she was leading by the hand, and whose little checks were so aglow with heat that the crimson color could be seen even through the dark, sunburnt skin.
Johanna Spyri (Heidi)
This is a remarkably sturdy research finding: kids are happiest when raised in a loving environment that holds their behavior to high standards, expects them to contribute meaningfully to the household, and is willing to punish when behavior falls short. And it flies in the face of virtually everything therapists and parenting books now exhort.
Abigail Shrier (Bad Therapy: Why the Kids Aren't Growing Up)
July had come, and haying begun; the little gardens were doing finely and the long summer days were full of pleasant hours. The house stood open from morning till night, and the lads lived out of doors, except at school time. The lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics in house and barn; such adventures in the tramps over hill and dale; and such satisfaction in the hearts of the worthy Bhaers, as they saw their flock prospering in mind and body, I cannot begin to describe.
Louisa May Alcott (Little Men [with Biographical Introduction])
It is a pretty structure, isn’t it? It makes you think of something solid, stable, well linked. In fact it happens in chemistry as in architecture that ‘beautiful’ edifices, that is symmetrical and simple, are also the most sturdy: in short, the same thing happens with molecules as with the cupolas of cathedrals of the arches of bridges. And it is also possible that the explanation is neither remote nor metaphysical: to say ‘beautiful’ is to say ‘desirable’, and ever since man has built he has wanted to build at the smallest expense and in the most durable fashion, and the aesthetic enjoyment he experiences when contemplating his work comes afterward. Certainly, it has not always been this way: there have been centuries in which ‘beauty’ was identified with adornment, the superimposed, the frills; but it is probable that they were deviant epochs and that the true beauty, in which every century recognises itself, is found in upright stones, ships’ hulls, the blade of an axe, the wing of a plane.
Primo Levi (The Periodic Table)
Ma'am," he said, reaching for the door. He held it open, his posture as erect and sturdy as a pole. I eyed the man's uniform, the pins and badges that signified his military rank and position. At that moment I felt opposing forces wash over me, clashing internally like a cold and warm front meeting in the air. At first I was hit by a burning sense of respect and gratitude. How privileged a person I was to have this soldier unbar the way for me, maintaining a clear path that I might advance unhindered. The symbolism marked by his actions did strike me with remarkable intensity. How many virtual doors would be shut in my face if not for dutiful soldiers like him? As I went to step forward, my feet nearly faltered as if they felt unworthy. It was I who ought to be holding open the door for this gentleman—this representative of great heroes present and past who did fight and sacrifice and continue to do so to keep doors open, paths free and clear for all of humanity. I moved through the entrance and thanked him. "Yes, ma'am," he said. How strange that I should feel such pride while passing through his open door.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
DULLARD, n. A member of the reigning dynasty in letters and life. The Dullards came in with Adam, and being both numerous and sturdy have overrun the habitable world. The secret of their power is their insensibility to blows; tickle them with a bludgeon and they laugh with a platitude. The Dullards came originally from Boeotia, whence they were driven by stress of starvation, their dullness having blighted the crops. For some centuries they infested Philistia, and many of them are called Philistines to this day. In the turbulent times of the Crusades they withdrew thence and gradually overspread all Europe, occupying most of the high places in politics, art, literature, science and theology. Since a detachment of Dullards came over with the Pilgrims in the _Mayflower_ and made a favorable report of the country, their increase by birth, immigration, and conversion has been rapid and steady. According to the most trustworthy statistics the number of adult Dullards in the United States is but little short of thirty millions, including the statisticians. The intellectual centre of the race is somewhere about Peoria, Illinois, but the New England Dullard is the most shockingly moral.
Ambrose Bierce (The Unabridged Devil's Dictionary)
Hammer does not think he will make it through this next winter. His breath comes short in his chest, and it takes much effort for him to get up and dressed. My body is still creaky and sound, but with every labor of his breath, I think that my heart will not endure. Enduring were Hammer’s gift, not mine, and I will not endure a life in which he does not laugh by my side and touch my hand, wish for the best things for me, and rejoice when I have them. My sturdy, blessed, stoic Hammer—how can life be, without him?
Amy Lane (Hammer & Air)
Lambiase is recently divorced. He had married his high school sweetheart, so it took him a long time to realize that she was not, in fact, a sweetheart or a very nice person at all. In arguments, she was fond of calling him stupid and fat. He is not stupid, by the way, though he is neither well read nor well traveled. He is not fat, though he is built like a bulldog—thick-muscled neck, short legs, broad, flat nose. A sturdy American bulldog, not an English one. Lambiase does not miss his wife, though he does miss having somewhere to go after work.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Galen slides into his desk, unsettled by the way the sturdy blond boy talking to Emma casually rests his arm on the back of her seat. "Good morning," Galen says, leaning over to wrap his arms around her, nearly pulling her from the chair. He even rests his cheek against hers for good measure. "Good morning...er, Mark, isn't it?" he says, careful to keep his voice pleasant. Still, he glances meaningfully at the masculine arm still lining the back of Emma's seat, almost touching her. To his credit-and safety-Mark eases the offending limb back to his own desk, offering Emma a lazy smile full of strikingly white teeth. "You and Forza, huh? Did you clear that with his groupies?" She laughs and gently pries Galen's arms off her. Out of the corner of his eye, he sees the eruption of pink spreading like spilled paint over her face. She's not used to dating him yet. Until about ten minutes ago, he wasn't used to it either. Now though, with the way Mark eyes her like a tasty shellfish, playing the role of Emma's boyfriend feels all too natural. The bell rings, saving Emma from a reply and saving Mark thousands of dollars in hospital bills. Emma shoots Galen a withering look, which he deflects with that he hopes is an enchanting grin. He measures his success by the way her blush deepens but stops short when he notices the dark circles under her eyes. She didn't sleep last night. Not that he thought she would. She'd been quiet on the flight home from Destin two nights ago. He didn't pressure her to talk about it with him, mostly because he didn't know what to say once the conversation got started. So many times, he's started to assure her that he doesn't see her as an abomination, but it seems wrong to say it out loud. Like he's willfully disagreeing with the law. But how could those delicious-looking lips and those huge violet eyes be considered an abomination? What's even crazier is that not only does he not consider her an abomination, the fact that she could be a Half-Breed ignited a hope in him he's got no right to feel: Grom would never mate with a half human. At least, Galen doesn't think he would. He glances at Emma, whose silky eyelids don't even flutter in her state of light sleep. When he clears his throat, she startles. "Thank you," she mouths to him as she picks her pencil back up, using the eraser to trace the lines in her textbook as she reads. He acknowledges with a nod. He doesn't want to leave her like this, anxious and tense and out of place in her own beautiful skin.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
during his time in the Galápagos Islands, an interesting diversity in the beaks of finches. The story as conventionally told (or at least as frequently remembered by many of us) is that Darwin, while traveling from island to island, noticed that the finches’ beaks on each island were marvelously adapted for exploiting local resources—that on one island beaks were sturdy and short and good for cracking nuts, while on the next island beaks were perhaps long and thin and well suited for winkling food out of crevices—and it was this that set him to thinking that perhaps the birds had not been created this way, but had in a sense created themselves.
Bill Bryson (A Short History of Nearly Everything)
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.
Lee Child (Make Me (Jack Reacher, #20))
Just before noon one sunny summer’s day, three bears were returning home from their morning wander. They lived in a sturdy wooden cabin, unpretentious and rustic. Approaching the house he’d built with his own paws, Daddy Bear felt a sense of satisfaction. The residence blended in with the forest rather than standing out from it. All the construction materials had been ethically sourced. The wood came from trees felled by storms. A thick layer of turf on the roof provided insulation in winter and kept the cabin cool in summer. In addition to being practical, the turf looked pretty. Its grass sprouted straight up like hair jutting from a mythic head. A little too big to be quaint, yet a little too small to be showoffish, the house was just right. And just right was the way Daddy Bear liked things.
Mark Rice (The Cabin Incident)
Maybe, but such cycles are not just a Gallic idiosyncracy. Take an English phrase like ‘up above’, and you’ll discover a no less hyperbolic history. Old English ufan meant ‘on up’ – it was the locative case of the preposition uf ‘up’. But this little ufan was not considered nearly sturdy enough, so it was reinforced by another preposition, be ‘by’, to give a beefier be-ufan ‘by on up’. But before long, be-ufan was assaulted by the forces of erosion, and ended up as a mere bufan. Naturally, the syllabically-challenged bufan had to be pumped up again, this time by the preposition an ‘on’, to give an-bufan ‘on by on up’. Later on, anbufan was ground down by erosion, and – to cut a long story short – ended up as the modest above. But it seems that a mere above doesn’t soar nearly high enough nowadays, so we sometimes feel the need to reinforce it with ‘up’, to give up above – literally ‘up on by on up’.
Guy Deutscher (The Unfolding of Language: An Evolutionary Tour of Mankind's Greatest Invention)
I freeze, my hand resting on the door knob, as the man straightens his jacket, then turns to me. For a moment, I can’t make sense of what I’m seeing. It feels like waking in the middle of the night and trying to convince yourself the shadows at the end of your bed really are just the furniture, not a restless ghost at your window. But this—this must be a ghost. I close my eyes hard, then open them again, but he’s still there. He looks like my father. Younger, and trimmer, and leaner in the face than my father ever was, but he looks like my father. He looks like me. The same coffee-dark hair, and, though his is starting to salt around the temples, it’s still thick and curls handsomely, just like mine. He’s missing his right ear, and one side of his face is webbed with faint red scars, giving his skin the look of porcelain broken and then glued back together, but I can see my father’s jawline. He’s built like my father as well—short, but sturdy. Broad shoulders—I have those too. And the same Grecian nose and veined blue eyes. My mother’s eyes.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
Alecia Whitaker (The Queen of Kentucky)
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.
Lee Child (Make Me (Jack Reacher, #20))
He plunged into the foliage, and was swept into a humid, wet world of towering trees, animal chirps and thick ferns. After a few steps, he turned, and could barely make out the village. He walked a few more steps. He could see nothing now except for the thick trees and long ferns and grasses that surrounded him. He was enveloped into the confined space between trees, surrounded by the jungle heat and staccato chirps. He turned in the direction of the village, but could only see thick, dense trees. Hoping his sense of direction had not been muddled, he turned back around to the direction of the alleged ocean, and kept walking. Now the calls he heard sounded more and more strange. How far had he walked by now? The jungle, or rain forest, whatever it was, did not relent, and he kept on weaving into narrow gaps between the sturdy ferns and towering trees, pressing onwards. This continued for a seemingly oppressive amount of time, and he began to doubt his decision. To come to this place. To take a chance with his life, which was going in the right direction. Why couldn’t he be happy with the normal and mundane, he cursed, scolding his own stubbornness
T.P. Grish (Maldives Malady: A Tropical Adventure)
In his theory of tragedy, Nietzsche captured the delicate balance, in the genuinely tragic, between the creation of forms and the dissolving of forms. Our individual lives, Nietzsche suggests, are transitory and in some sense illusory, ephemeral shapes that emerge from the energy that is the universe and that, in short order, are reabsorbed into the oneness. The enriching tragic in life can be missed in two ways. We can attribute ourselves and our productions an illusory permanence, like a deluded builder of sandcastles who believes his creation is eternal. Or, alternatively, we can be defeated by our transience, unable to build, paralyzed as we wait for the tide to come in. Nietzsche envisions the tragic man or woman, living life to the fullest, as one who builds sandcastles passionately, all the time aware of the coming tide. The ephemeral, illusory nature of all form does not detract from the surrender to the passion of the work; it enhances and enriches it. The genuinely romantic reflects this subtle blend of qualities that Nietzsche discovered in the tragic. The lover builds the castles of romance as if they would last forever, knowing full well they are fragile, transitory structures. And the splitting Freud termed "psychical impotence" is an effort to reduce the risk by segregating permanence from adventure. Those boring, sturdy castles over there will last forever; these other fanciful castles are only one-night stands. But in that splitting, something very important is lost. For authentic romance is tragic in Nietzsche's sense. It ends in death; it is never simply stable; at its best it comes and goes, perpetually lost and rediscovered. "Love dies or else lovers die," notes Harold Bloom in his discussion of Romeo and Juliet, "those are the pragmatic possibilities." Romantic passion requires a surrender to a depth of feeling that should come with guarantees. Unfortunately, there are no guarantees. Life and love are inevitably difficult and risky, and to control the risk we all struggle to locate and protect sources for both safety and adventure, often in different relationships.
Stephen A. Mitchell (Can Love Last?: The Fate of Romance over Time)
Four companies of Ghurka soldiers were encamped at Dehra Dun—a short sturdy race of men closely resembling the Japanese; they were proud of the fact that they were the highest paid of all Native Infantry. In addition to a rifle and bayonet they were also armed with a large curved knife called a Kukri, which many of them could throw accurately at a given target. The Kukri was a symbol of honour for them, and they attached much the same importance to it as what I have read the Greeks of old attached to their shields—they would rather die than lose it in battle. They came from the mountainous country of Nepal, the most truly independent kingdom in India. As a result of a treaty that Lord Curzon made with the King of Nepal, no white man is allowed to settle there except at the King’s personal invitation.
Frank Richards (Old-Soldier Sahib)
Jobs that used to come with some guarantees, even union membership, have been transformed into gigs. Temp workers are not just found driving Ubers; they are in hospitals and universities and insurance companies. The manufacturing sector—still widely mistaken as the fount of good, sturdy, hard-hat jobs—now employs more than a million temp workers. Long-term employment has declined steadily in the private sector, particularly for men, and temp jobs are expected to grow faster than all others over the next several years. Income volatility, the extent to which paychecks grow or shrink over short periods of time, has doubled since 1970. For scores of American workers, wages are now wobbly, fluctuating wildly not only year to year but month to month, even week to week.
Matthew Desmond (Poverty, by America)
D-Day was a short, sturdy man who watched the world from behind thick glasses set in ancient horn rims. Her carried in front of him a belly that had settled like a gunny sack of potatoes. His white, crew cut hair glistened against his dark skin, his weathered hands whispered of years in the woods peeling pulp for logging companies, and his tongue spoke mostly Ojibwe. He preferred the nuance of his own language, and over time, age and amnesia had taken most of the English he knew and returned it to its source, a shelf of yellowing books in a boarding-school library somewhere far away.
Winona LaDuke (Last Standing Woman)
The Zionist chapter proper in the country’s history began in 1882, after the outbreak of large-scale pogroms in the Russian Empire (although the term was only invented a few years later). The first settlers called themselves Hovevei Tzion (Lovers of Zion), a network of groups which aspired to forge a Jewish national life in Palestine and, in a significant novelty, to use the reviving Hebrew language rather than Yiddish. In August that year a two-hundred-strong group from the Romanian town of Galatz landed at Jaffa, where they were locked up for weeks before enough cash could be raised to bribe the Turkish police to release them.6 Their goal was a plot of stony land that had been purchased south of Haifa. Laurence Oliphant, an eccentric British traveller and enthusiastic philo-Semite, described the scene shortly afterwards at Zamarin, a malaria-infested hamlet on the southern spur of Mount Carmel overlooking the Mediterranean. It is a remarkably vivid portrayal of two very different sorts of people who were warily making each other’s acquaintance as future neighbours – and enemies: It would be difficult to imagine anything more utterly incongruous than the spectacle thus presented – the stalwart fellahin [peasants], with their wild, shaggy, black beards, the brass hilts of their pistols projecting from their waistbands, their tasselled kufeihahs [keffiyeh headdresses] drawn tightly over their heads and girdled with coarse black cords, their loose, flowing abbas [cloaks], and sturdy bare legs and feet; and the ringleted, effeminate-looking Jews, in caftans reaching almost to their ankles, as oily as their red or sandy locks, or the expression of their countenances – the former inured to hard labour on the burning hillsides of Palestine, the latter fresh from the Ghetto of some Roumanian town, unaccustomed to any other description of exercise than that of their wits, but already quite convinced that they knew more about agriculture than the people of the country, full of suspicion of all advice tendered to them, and animated by a pleasing self-confidence which I fear the first practical experience will rudely belie. In strange contrast with these Roumanian Jews was the Arab Jew who acted as interpreter – a stout, handsome man, in Oriental garb, as unlike his European coreligionists as the fellahin themselves.
Ian Black (Enemies and Neighbors: Arabs and Jews in Palestine and Israel, 1917-2017)
Cook had seen an avocado before, but not like this---so smooth, so green. The fruit took an express route to the greenhouse, where workers propagated the seeds, first in soil, and then suspended slightly in water. Fairchild had included written instructions that only mature trees would fruit, after several years, not months. He advised that as soon as the seedlings grew reasonable roots, they should be shipped to experiment stations in California to be shared with farmers interested in experimental crops. Cook complied, and then mostly forgot about the avocado. In California, that single shipment helped build an industry. Other avocados turned up as well, from travelers or tourists who packed the oversized seeds as souvenirs. There were one-off stories that avocados had been spotted in America before, in Hollywood in 1886 or near Miami in 1894. But none were as sturdy as Fairchild's Chilean variety, prized for its versatility, color, and flavor---résumé of strong pedigree. Fairchild's avocado would turn out to be a mix of a Guatemalan avocado and a Mexican avocado and to have been only a short-term tenant in Chilean soil before Fairchild picked it up. But as with most popular fruits, the true geographic origin faded into irrelevance. Farmers and early geneticists dissected this sample and ones that came after it to create newer cultivars attuned to more specialized climates or tastes. This work yielded a twentieth-century variety called Fuerte, Spanish for "strong," growable in the coldest conditions ever tested on an avocado. It fell from favor after proving unable to ship even modest distances without bruising.
Daniel Stone (The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats)
We were getting ready to close the store for what we thought might be as long as two months now. I was looking over the day’s reports when Dissatisfaction came into the building. His fingers roamed along the spines of the books, sometimes tracing one, pulling it out to read the first line. Since he’d read The Blue Flower, by Penelope Fitzgerald, he and I had compiled a list of short perfect novels. Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai These are books that knock you sideways in around 200 pages. Between the covers there exists a complete world. The story is unforgettably peopled and nothing is extraneous. Reading one of these books takes only an hour or two but leaves a lifetime imprint. Still, to Dissatisfaction, they are but exquisite appetizers. Now he needs a meal. I knew that he’d read Ferrante’s Neapolitan novels and was lukewarm. He called them soap opera books, which I thought was the point. He did like The Days of Abandonment, which was perhaps a short perfect novel. ‘She walked the edge with that one,’ he said. He liked Knausgaard (not a short perfect). He called the writing better than Novocain. My Struggle had numbed his mind but every so often, he told me, he’d felt the crystal pain of the drill. In desperation, I handed over The Known World. He thrust it back in outrage, his soft voice a hiss, Are you kidding me? I have read this one six times. Now what do you have? In the end, I placated him with Aravind Adiga’s White Tiger, the latest Amitav Ghosh, NW by Zadie Smith, and Jane Gardam’s Old Filth books in a sturdy Europa boxed set, which he hungrily seized. He’d run his prey to earth and now he would feast. Watching him closely after he paid for the books and took the package into his hands, I saw his pupils dilate the way a diner’s do when food is brought to the table.
Louise Erdrich (The Sentence: A Novel)
All humans discount the future. We would rather have a million dollars today than in 30 years from now. We’d rather a flimsy bridge today, rather than a sturdy, durable bridge 5 years from now. We’d rather eat all the fish in the waters tonight, than to go a little hungry and leave fish for others in the future. To delay instant gratification requires cultural training. To be convinced of the value of investing into the future requires a kind of wisdom, knowledge, patience and trust that is gained from history, elders, and system thinking. It requires collective action and collaboration on a large and long scale. It requires civilization. Civilization is a system of trust, both in the goodness of humans today, but also in the ingenuity of humans in the future. It’s a way for humans to trust the future. Civilization is a social machine accumulated over many generations and is constantly being tested by new events. American society over emphasizes the individual's self-interest, and over-relies on the marketplace to solve social problems, and so coddles the short term. Modern Americanism tends to ignore the government which can take the long view because it is inefficient. But the calculus of efficiency is shifted when taking the long view. Storing adequate supplies for a population that are only used in an emergency is inefficient in the short term and this inefficiency is not something companies can afford to do. That short-term inefficiency, however, makes total sense in the long view because it is highly efficient over time. Investing into a communal project that may not pay off until you are long gone is not a natural reflex of modern Americans, whether liberal or conservative. The antidote to this natural focus on the short term is education and a shift in norms. As we continue to civilize ourselves, we can appreciate the gifts of past long-term work, and the need in our fast-moving world today to pay the gifts forward by investing into work that will likely pay off in future generations.
Kevin Kelly
Somehow they were both standing. His arm was round her shoulders and his hand—his hand—was unconsciously massaging the short thick sturdy hairs the seal had once worn in the polar sea to fight back the chill of the world. It was perfect.
T. Coraghessan Boyle (The Women)
Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart. Put your arms around my neck.” She groped for him blindly, feeling sick and weak and disoriented. The flat muscles at the back of his neck shifted as he bent toward her, gathering her up as easily as if she were a child. “There,” he murmured. “I’ve got you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The lovely young lady in the mirror was not a stranger, nor was she Lady Overlooked. Once again, Brierly had found some essential core of her model and designed the whole dress around it. Brierly had gathered Nissa’s brown hair in a loose pile on top of her head, with a curl spilling over here and there. The comb secured a single rose just verging on full bloom. Nissa still looked short and sturdy but—endearingly so. A friendly elf. Youthful, but not childish. The dress flattered and concealed the correct curves. Not even Aunt Perturbance would mistake her for fifteen tonight. Nissa blushed–ith pleasure at her appearance, yes–but mainly that her childhood heroine would think so highly of her as to craft such a masterpiece. That she would know her so well as to reflect the true Nissa, but love her so well as to reflect the best possible Nissa.
Sarah E. Morin (Waking Beauty)
Characteristics: An ancient breed of northern Chinese origin, this all-purpose dog of China was used for hunting, herding, pulling and protection of the home. While primarily a companion today, his working origin must always be remembered when assessing true Chow type. The general outline of a fully-coated Chow. A powerful, sturdy, squarely built, upstanding dog of Arctic type, medium in size with strong muscular development and heavy bone. The body is compact, short coupled, broad and deep, the tail set high and carried closely to the back, the whole supported by four straight, strong, sound legs. Viewed from the side, the hind legs have little apparent angulation and the hock joint and metatarsals are directly beneath the hip joint. It is this structure which produces the characteristic short, stilted gait unique to the breed. The large head with broad, flat skull and short, broad and deep muzzle is proudly carried and accentuated by a ruff. Elegance and substance must be combined into a well balanced whole, never so massive as to outweigh his ability to be active, alert and agile. Clothed in a smooth or an offstanding rough double coat, the Chow is a masterpiece of beauty, dignity and naturalness, unique in his blue-black tongue, scowling expression and stilted gait.
Richard G. Beauchamp (Chow Chow (Comprehensive Owner's Guide Book 108))
The clurichaun wasn’t going to be winning any beauty contests. Not only was he short—four feet at best—but he was rather squat. Not brawny, but of a sturdy build with shorter-than-average legs and overly long arms. His face, which could best be described as having been sculpted by a young child, didn’t improve upon his unusual proportions. His nose was bulbous and lumpy, his ears stuck out from his head, and his short hair shot out from his head in uneven spikes. His clothes were another matter entirely. The stained and ripped jeans were held up by a twine belt, and the faded plaid shirt was half-untucked, missing buttons, and one arm was holding on to the body of the shirt by a thread. “Oh,
N.E. Conneely (A Witch's Trial (A Witch's Path, #3))
A weathered black and silver Dodge pickup towing a small motorboat pulled up behind us, and Alex circled back to greet the driver. I couldn’t see who sat behind the crusted and dirty windshield, but Alex stood at the driver’s window and pointed down the block where the boulevard disappeared into floodwater. The truck pulled ahead, maneuvered a deft U-turn, and backed toward the water. Alex motioned for me to follow. By the time I lurched my way to the truck, he and the pickup driver were sliding the boat down the trailer ramp. Sweat trickled down my neck, and if I hadn’t been afraid of being poisoned by toxic sludge, I’d have made like a pig and wallowed in the mud to cool off. I kicked at a fire hydrant, trying to jolt some of the heaviest sludge off my boots, and heard a soft laugh behind me. With a final kick that sent a spray of brown gunk flying, I turned to see what was so funny. I needed a laugh. A man leaned against the side of the pickup with his arms crossed. He was a few inches shorter than Alex, maybe just shy of six feet, with sun-streaked blond hair that reached his collar and a sleeveless blue T-shirt and khaki shorts. His tanned legs between the bottom of the shorts and the top of sturdy black shrimp boots were scored with scars, bad ones, as if whatever made them meant to do serious damage. He’d been grinning when I turned around, flashing a heart-stopping set of dimples, but when he saw my eyes linger on his legs, the grin eased into something more wary.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
It was a heavier breed than the ones she had seen so far, handsome white mare with a short, muscular neck, wide shoulders, and a hawklike profile that implied strength and nobility. Her mane and tail were golden brown, and wavy, as if they had been braided and then brushed. Her gait was clean and crisp, and she bore her rider, a tall man with long legs, as if he weighted nothing at all. Suddenly England was interesting. This mare would be perfect to cross with Black Satin, if the obstacle of the Atlantic Ocean could be overcome. She was sturdy. She appeared to have a level disposition, paying no attention to the other mounts who passed her or the rattle and bang of the occasional landau. She carried herself beautifully, with a nice balance between the set of her head and the movement of her hindquarters. She held her silken tail high, a sure sign of joy and pride.
Louisa Morgan (The Age of Witches)
It is triste to contemplate the winding down of the Universe into a cold, dark, lonely place, but we are a young species in a young Universe, with vast reaches of time before us. It is certainly true that there are countless worlds out there that could support life as we know it, and probably countless more that could support life as we don’t know it. It may be that the Universe is teeming with life waiting to make our acquaintance. Or, we may well be the first ones in our galaxy to make the leap to sentience. The vast distance between stars poses a severe barrier to individuals or even societies making the journey. Protoplasm is just too fragile and short-lived a medium to be up to the task of such voyaging. However, at a tenth the speed of light, the whole galaxy can be traversed in a million years. That’s a long time for protoplasm, but it is not a stretch to think of the data that makes us what we are—embodied perhaps in silicon or some other sturdy information-bearing material and reconstituted at destination—spreading throughout the galaxy, hopping from planet to planet along the way like Pacific Islanders in their canoes. If life—or complex life—is rare, it may well be our destiny to seed the Universe with an expanding wave of consciousness. But it is to be hoped that we will leave abundant worlds alone to develop their own destinies. There are worlds enough, and time.
Raymond T. Pierrehumbert (Planetary Systems: A Very Short Introduction)
Rose and I have flipped six houses together. She’s a sturdy, busty black-haired millennial who wears her hair very short. Her uniform is T-shirts with ironic sayings, jeans, and vintage Doc Martens. Her boyfriend wears a man bun in his curly hair and a thick beard that obscures what I am not sure is a particularly interesting face, but he’s good to her, and that’s really the only thing that matters
Barbara O'Neal (When We Believed in Mermaids)
As we wind through the graves, I’m reminded of growing up down the road from the town dump to the north and the cemetery to the south, my own house haunting the center, equal radius to either destination: dumping ground or burial. Mama’s ghost skirted the edges; I could feel her presence, but not nearly enough. Girlhood nights I used to sleepwalk, and Alba would find me, wriggling through the slats in the fence, kneeling at the makeshift altar I’d made of debris, all that wreckage, a shrine for the mama I never knew, and my staunch and sturdy saint of a sister would walk me home where I’d claim no memory in the morning. Dreamworld would merge with waking, and I felt it—embryonic, swelling, lucent, what would sprout inside me as I grew older, rasher—the city of the Dead. Where I accidentally sent Karma a few short years later. Where—I can’t shake the clawing feeling now—I’ve sent Cecilia as well, with my vitriol, with my jealousy.
Jennifer Givhan (River Woman, River Demon)
For those born in the twenty-first century, sending a telex was like sending a really slow international text, using a giant, sturdy typewriter-like machine attached to a printer. They were generally abandoned when telefax (fax is short for facsimile) machines were introduced in the early 1980s. My boss installed a fax machine in the early months of my employment. He was enthralled with it: 'See how fast we will get answers to questions now!' But I got a sinking feeling that the times, they were a-changin'. It always took a day or two for letters I typed to be delivered by the Royal Mail, a day or two for a response to be dictated/typed at the other end, and then a day or two for that reply to be received in our office. Consequently, a reply to a missive I had typed on Monday wouldn't arrive in our hands for action until Friday at the earliest. Since I already typed for seven hours straight each day, I could scarcely imagine what would happen if correspondence went back and forth within hours, even minutes, of having been conceived. You would never have time to ponder a subject; you would be forced to react before you'd even formed an opinion. It didn't bear thinking about. In my view, humanity wasn't ready for such a pace. Ha! I thought we were moving too fast thirty years ago. At the rate we're going now, I shall soon be as extinct as the telefax.
Bernadette Nason (Tea in Tripoli)
Item Name: Steel Short Sword Description: Forged by William Moon. A sturdy and serviceable sword. A lot like your first girlfriend—you could do better, you could do worse.
William D. Arand (Monster's Mercy (Monster's Mercy, #1))
Anxious to demonstrate her competence, Amelia strode to the other window and began jerking at the closed draperies. “Thank you, Mr. Rohan, but as you can see, I have the situation well in hand.” “I think I’ll stay. Having stopped you from falling through one window, I’d hate for you to go out the other.” “I won’t. I’ll be fine. I have everything under—” She tugged harder, and the rod clattered to the floor, just as the other had done. But unlike the other curtain, which had been lined with aged velvet, this one was lined with some kind of shimmering rippling fabric, some kind of— Amelia froze in horror. The underside of the curtain was covered with bees. Bees. Hundreds, no, thousands of them, their iridescent wings beating in an angry relentless hum. They lifted in a mass from the crumpled velvet, while more flew from a crevice in the wall, where an enormous hive simmered. They must have found their way into a hollow space from a decayed spot in the outer wall. The insects swarmed like tongues of flame around Amelia’s paralyzed form. She felt the blood drain from her face. “Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Some items from your home that you might consider your child having access to include.   Cheese grater.  A good starting activity for a four or five year-old is grating bars of soap. Real scissors. Children’s safety scissors are often clumsy to handle and can be difficult to maneuver. Teaching a child to cut with pointed scissors allows them to more quickly master fine motor skills. Utensils for cutting soft fruit and a cutting board. Make sure they are not too sharp, but not so dull that they are ineffective. Always supervise your child. Pots and pans, dishes, etc. for pretend play. Cleaning supplies such as a gentle vinegar and water (50/50) cleaning solution, sponges, dish soap, towels, short broom, dust pan, etc. Plants for daily care. Coat hanging racks placed at shoulder level of the child allow them to not only take responsibility for their own outerwear but to offer to take care of others as well. Sturdy, non-skid step stool or a handy learning tower (the one in the picture actually folds for easy storage). Accessible linens, including those that can be used for play. Encourage your child to make their own bed, even if it might be a bit messy by your standards. Always keep a few towels and washcloths where they can reach them as needed. A big basket that holds a few blankets and pillows allows a child to take some responsibility for their own level of comfort.     This list is by no means all-inclusive, nor are you required to use what is on it. The point is to take a look around your home and think about ways to implement many of your own household items into your routine. It is also meant to point out that even the youngest of children are often ready for a bit more responsibility than we give them credit for.
A.M. Sterling (Montessori at Home Guide: A Short Guide to a Practical Montessori Homeschool for Children Ages 2-6)
She was just ordinary. From her horse's-mane hair to her sturdy, practical feet, she'd never turned men's heads. Oh, she wasn't ill-favored- her features were regular enough- but she knew, too, that she wasn't the sort of woman whom men flirted with. Whom men stared at. She'd had a few admirers in the past, but they hadn't been a multitude. She was unremarkable. The Duke of Montgomery was anything but. Perhaps, then, that was what drew him to her- her very normality. Val was just quixotic enough to become fascinated- for a short time- by the prosaic. That was quite a depressing thought, but Bridget faced it practically. She knew that whatever else happened they were not meant to be together for any length of time.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The gluten content of the final wheat dough can be manipulated by the cook in a number of ways depending on the ultimate goal, whether it be sturdy bread or flaky pastry. (...) The first trick is to use exactly the right amount of water, for it is water that activates the gluten in flour. Fat is the second trick, and it helps the texture of pastry in a number of ways. Fat coats little packets of flour, waterproofing them and limiting the amount of water that gets in (less water, so less gluten), and it keeps the gluten strands 'short'. Little smears and gobbets of fat also separate the mini layers of dough, so that they form individual flakes or crumbs, not a solid mass.
Janet Clarkson (Pie: A Global History (The Edible Series))
Serendipitous,” the driver, a sturdy young woman with short blonde hair and a quick smile, repeated the word. “That’s what my papa would call a ten-dollar word.” She laughed. “I guess I’d just say it was lucky I was passing.
J.D. Horn (The King of Bones and Ashes (Witches of New Orleans, #1))
The University of Aberdeen, just for a change, was mostly built out of granite, as if someone wanted to replicate an Oxford college, right down to the ivy-covered walls, only this time make it really sturdy. Granite has a reputation for being a bastard to work, but you have to hand it to those Victorians—they never let practicality get in their way. It also wasn’t short of turrets, crenellations and conical roofs. I’d looked it up on my tablet the night before and found that this was an actual architectural style called Baronial, the Scottish equivalent of the Gothic revival that gave us the Palace of Westminster and the St. Pancras Station Hotel. Into this gray extravaganza, later generations had thrown some of the squared-off blocks that were too nondescript to even be called Brutalist.
Ben Aaronovitch (Stone and Sky (Rivers of London, #10))
This mutual aid work we're doing here--that's the mycelium, the roots of the fungus that spread underground, forming a network through the forest that can spread for miles, unseen, strengthening and feeding the whole organism. Then when conditions are right--the right amount of rain, sun, press exposure, public outrage, whatever--" Shayna made an exploding gesture with her hand. "All of a sudden, little mushrooms pop up all over the forest. All of a sudden, you've got mass protests springing up across the country. And... the thing about mushrooms is, they shoot out spores. Millions of 'em, spreading their fungal secrets everywhere the wind blows. And just like that, each time we have a protest, we're sending out millions of spores that take root in people's minds." "Now, once a spore lands in fertile soil, it takes a while to start growing. It's got to build up its own network of mycelium." "So protest movements always spread the spores for the next protest movement. Like mushrooms, they're only meant to last a short while. Hell, the Free People's Village was a sturdy little mushroom--we were out there for months! And since then, all the zillions of spores we sent into the world? They've been growing. Trust. Now we just got to wait for the next time the conditions are right--and be ready. In the meantime, we grow our network--we spread our mycelium, we strengthen our community.
Sim Kern (The Free People's Village)
Her voice was soft and she made a poem of short declaratives, things not precisely true but so generous to me I cannot write them down. If I say I forget, is that okay? She talked about our children, the girl and boy we never had. How they grew up adventurous, watching the stars like familiar books they longed to read again. They were afraid sometimes and complained or wept but kept on growing and became those sturdy adults getting on the ride. She gave them names, our kids. The names fit exactly the attributes described. I don’t remember what they were.
Leif Enger (I Cheerfully Refuse)
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Anjali
Driving the Future: Agra Etawah Toll Road Project India’s road network is growing faster than ever, and one project that truly stands out in Uttar Pradesh is the Agra Etawah Toll Road Project. Developed by Modern Road Makers, this modern six-lane expressway has redefined the experience of road travel between two major cities — Agra and Etawah. For anyone who loves long drives, beautiful scenery, and smooth highways, this route is a must-experience journey. #agraetawahtollroadproject #modernroadmakers Connecting Two Worlds – Heritage and Nature The Agra Etawah Toll Road Project is a part of National Highway 19 (NH-19) and covers about 124.52 kilometers. It connects Agra, home of the Taj Mahal, to Etawah, a region known for its wildlife and the Etawah Lion Safari. This road doesn’t just shorten distance — it connects people, cultures, and opportunities. Passing through important towns like Firozabad, Shikohabad, and Jaswant Nagar, it has become an essential link for both travellers and local residents. Whether you are driving for work, leisure, or tourism, this highway ensures that your journey is smooth and comfortable. Modern Engineering at Its Best Built and maintained by Modern Road Makers, this toll road is an excellent example of high-quality construction and planning. Designed with long-term durability and safety in mind, it meets international highway standards. Key features include: Six-lane main carriageway with sturdy pavement. Service lanes for local movement. Flyovers and underpasses to keep traffic flowing easily. Toll plazas with FASTag support for quick transactions. Street lighting and signboards for safer night travel. Proper drainage systems for smooth monsoon operation. Everything about the project shows the dedication and engineering skill of Modern Road Makers, who have made sure that this road remains safe, efficient, and easy to maintain. #modernroadmakers My Travel Experience on the Route Driving on the Agra Etawah route is truly enjoyable. As you leave Agra, the smooth blacktop road and open landscape give a sense of calm. You can see fields, small villages, and local life passing by at a steady rhythm. The entire drive feels stress-free thanks to wide lanes and clean road conditions. If you love local food, the roadside dhabas and small restaurants are worth a stop. Many of them serve traditional North Indian meals — hot parathas, tea, and sweets that make your journey even better. Travelling during the early morning or evening also gives you breathtaking sunrise and sunset views. #agraetawahtollroadproject Benefits for Travellers and Locals The Agra Etawah Toll Road Project has brought many positive changes for both travellers and nearby communities. Reduced travel time – The journey that once took over 3 hours now takes just around 1.5 to 2 hours. Better tourism access – Tourists can easily visit the Taj Mahal and Etawah Safari Park in a single day. Boosted local economy – Small traders, transporters, and roadside businesses now earn more. Improved safety – Dividers, lighting, and underpasses make travel secure even at night. Smoother logistics – Truck and freight movement is faster, helping local industries thrive. Tips for an Enjoyable Drive Keep your FASTag active for quick toll payments. Refuel before entering the stretch; fuel pumps are available but spaced apart. Carry essentials like water and snacks. Avoid overspeeding; cameras are active throughout the route. Plan short breaks for food and rest at towns like Shikohabad or Firozabad. #modernroadmakers A Symbol of Modern Connectivity The Agra Etawah Toll Road Project reflects how far India’s infrastructure has come. With Modern Road Makers leading the development, this road is not just a connection between two cities — it’s a connection between tradition and progress. For travellers, it offers a blend of speed, beauty, and safety.
amanblogger
The ship is sturdy, but the captain is a fool, the crew is a fool, the passengers are fools, and you're wondering why the voyage failed! And that's the short story of some countries' failures!
Mehmet Murat ildan
NEOSabers Lightsabers: Are They Worth the Price in 2026? (How to Save 10%) NEOSabers lightsabers are often considered a premium choice, which makes many buyers ask the same question before purchasing: Are NEOSabers lightsabers really worth the price? The short answer is yes—for the right buyer. And if you use the right discount code, they become even more worthwhile. You can currently reduce the price instantly by using NEOSabers discount code 10SAVE for an extra 10% OFF. Check NEOSabers prices & save 10% here Why NEOSabers Lightsabers Are Considered High Quality NEOSabers focuses on build quality and realism rather than mass-produced toy sabers. Their lightsabers are designed for collectors, cosplayers, and duelists who want durability and authentic effects. Key quality factors include solid metal hilts, responsive motion sensors, smooth swing sound effects, and bright LED or Neopixel blades. These features place NEOSabers above entry-level lightsabers commonly found on cheaper websites. Realistic Effects That Justify the Price One major reason buyers choose NEOSabers is the immersive experience. Many models feature multiple sound fonts, motion-reactive audio, and customizable blade effects. These details matter to fans who want a saber that feels realistic during display, cosplay, or dueling. Cheaper alternatives often lack these features or fail after limited use, making NEOSabers a better long-term investment. Are NEOSabers Lightsabers Good for Dueling? Yes. Many NEOSabers lightsabers are designed with dueling in mind. The sturdy hilts and reinforced blades can handle light-to-moderate dueling, depending on the model. For buyers who want both display quality and functionality, NEOSabers offers a strong balance between durability and aesthetics. Who Should Buy NEOSabers Lightsabers? NEOSabers lightsabers are worth it if you: • Want realistic sound and lighting effects • Prefer durable metal hilts over plastic • Plan to use your saber for cosplay or dueling • Value long-term quality over the cheapest price If you’re only looking for a toy or display-only prop, a cheaper brand may be sufficient. For enthusiasts, NEOSabers delivers better value. How to Save Money on NEOSabers Lightsabers Because NEOSabers is a premium brand, using a discount code is the smartest way to buy. Use NEOSabers Discount Code: 10SAVE to get an extra 10% OFF lightsabers and accessories in 2026. This code is verified and active. Apply NEOSabers discount code 10SAVE here Are NEOSabers Lightsabers Worth It After the Discount? With the extra 10% OFF applied, NEOSabers lightsabers become far more competitive compared to similar premium brands. You get better build quality, reliable performance, and strong visual effects—without paying full price. For most buyers, using a verified discount code makes NEOSabers an easy yes. Final Verdict: Is NEOSabers Worth Buying? If you care about realism, durability, and overall experience, NEOSabers lightsabers are worth the price in 2026. And when you apply discount code 10SAVE, you get premium quality while spending less. Shop NEOSabers & save 10% instantly
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