Stunt Double Quotes

My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.

You guys are related to Jonah Wizard?" Jake asked, his lip curled disdainfully. "And the other guy," Dan grumbled. "Vin Diesel's stunt double.

Are you serious? What the hell does a stunt double do in a porno flick?" Jake waved a hand vaguely toward his belt. "Extreme close-ups." "Uh. What?" "Historically speaking, it doesn't happen often. Especially what with Viagra now. But it isn't unknown for a director to bring in a double for the close of a scene, if the actor is having trouble finishing." I blinked. "He thought I was a stunt penis?" Jake laughed at my reaction. "Man. You are new.

The guy who looks like Charlie Hunnam?” My eyes do a double-take. She laughs loudly. “That’s my honey! He actually works as a stunt double for the real-life Charlie Hunnam.

He’s got enough hoses running out of him to be a stunt double for Doc Ock,

Life is not a rerun, we don’t have stunt doubles or understudies, we’re it. The universe doesn’t happen to us, we are the universe happening. It actually matters what we do.

To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy. To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp. To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower. To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.

On the seventh days she underwent repairs. A machine longs to be used, but it hates to be mishandled. The strain of extreme anal fisting, pony shows and nosecocking tested the limits of her robot durability. But Dr. Hugo Sploogeworthy, flush with renewed funding for Project Ultrafuck, addressed her injuries with a series of upgrades: a harder, more sensitive skin; removable and interchangeable modular genitals in both genders and a variety of pubic hairstyles; a breakaway stunt nose. He also tested other new features requested specifically by the NAFTA military: nipple tasers, supersensitive fingercams, an anal jetpack. The NAFTA leaders dreamed of a robot that could do double duty, killing and copulating, simultaneously if possible. They wanted mass-produced Slutbots, giant-breasted and strong, ten feet tall, armed with cannons, able to double as crowd-control systems when not producing porn or fellating members of Congress. They wanted Slutbots that could mint money and mine coal, fulfill erotic fantasies and survive a nuclear winter. As society crumbled in their fists, the leaders grew paranoid. Sex and power were their simple needs, and in the golden age of robotics they expected Slutbot and her kin to take care of all the messy details.

Life is like a stage play and your playing the lead part, its up to you to play it well because there won’t be any repeats or stunt doubles.

I’m a rare fox-human, with the souls of witches inside me. Can you imagine what a certain mindset would like to do with me? I’ll give you a clue; it’s not to re-create a cherished Roald Dahl novel.” I could imagine. It wasn’t a pleasant thought. “And to make matters worse, there was a movie with a talking fucking raccoon in it. Did you know that Camelot has a cinema? That they import movies from Earth? Well, they fucking well do. For months all I heard was how maybe for the sequel they could have me be his stunt double, or that they should paint me brown and make me a star. I began to get angry with the rabid little fucker. And he’s not even real! I was angry at a fucking comic book character.” I didn’t really know what else to say. “Good film though.” Remy stared at me. “You’re sort of missing the point of my anger, here.” “No, I get it. You know, even for my life it’s a little weird that I’m talking to a fox about how unhappy he is that people compared him to a raccoon in a science fiction film about a bunch of comic book characters saving the galaxy.” “When you put it like that, I sound downright silly.” “Yeah, wording, that’s the issue here.” Remy chuckled for a moment,

On a number of occasions, Tamara joined “Che” on his sorties into the Bolivian highlands, without incident. However, on March 24, 1967, a guerrilla fighter who had been captured by the Bolivian army betrayed her by giving away Tamara’s location. Although she escaped, the Bolivian soldiers found an address book in her Jeep and came after her in hot pursuit. With no other place to hide, she made her way back to “Che” Guevara’s forces. It was considered an open secret that Tamara had been intimate with “Che” but now the troops could not help but notice what was going on. The way they looked into each other’s eyes, and whispered sweet nothings, left no doubt in anyone’s mind, but that she was his lover…. The Bolivian highlands are notorious for the infestation of the Chigoe flea parasite, which infected Tamara. Having a leg injury and running a high fever, she and 16 other ailing fighters were ordered out of the region by Guevara. On August 31, 1967, up to her waist in the Rio Grande of Bolivia, and holding her M 1 rifle above her head, she and eight men were shot and killed in a hail of gunfire by Bolivian soldiers. Leaving their bodies in the water, it was several days before they were recovered downstream. Piranhas had attacked the bodies and their decomposing carcasses were polluting the water. Since the water was being used for drinking purposes by the people in a nearby village, the soldiers were ordered to clear the bodies out of the river. As they were preparing to bury Tamara’s remains in an unmarked grave, a local woman protested what was happening, and demanded that a woman should receive a Christian burial. When he received the news of what had happened, Guevara was stunned and refused to accept it, thinking it was just a propaganda stunt to demoralize him. In Havana Fidel Castro declared her a “Heroine of the Revolution.” There is always the possibility that Tamara was a double agent, whose mission it was to play up to “Che” when they met in Leipzig and then report back to the DDR (Democratic German Republic), who would in turn inform the USSR of “Che’s” activities. The spy game is a little like peeling an onion. Peel off one layer and what you find is yet another layer.

Daniel Radcliffe’s stunt double became paralysed after a stunt went horribly wrong.

For me, it would like to really be authentic. And what I mean by that is: you're not authentic when you're being a caricature of yourself. You're not authentic when you see something working for you and you're getting rewarded for it so you start doubling and tripling down on that thing. You're not authentic when you're being a second rate version of somebody else instead of a first rate version of yourself. … You can start to believe your own bullshit. That's the worst, when you get into character and start believing that you really are this dude. So it's like, for me, man, that's what made me like really start like going to therapy and like doing the work, cause I did not like the version of myself that I was becoming. So my advice to anybody would just to just be authentic, always leave yourself open to growth, and don't be afraid of where that growth takes you. I don't give a fuck what people like about you today: if you're growing into something else tomorrow, follow that shit. You know what I mean? Because, if you don't, you're really just stunting your growth, and you really don't know how big you could possibly be. You're putting a cap on you. Like, you're literally putting a limit on how far you could possibly grow, how big you could get, because you're like ‘nope, that's what they like about me, so Imma keep it here.’ As opposed to just leaving yourself open to see what else is out there and how much more you could contribute to grow. So that's what I tell people: be authentic, man, and don't be afraid to grow.

If you use stunt doubles to do your stunts, you don't deserve an ounce of respect as an actor – use stunt doubles to teach you those stunts instead, then do them yourself on camera.

But Chevette hadn’t wanted a career, or not the way Tara-May meant it, and Tara-May just hadn’t been able to get that. Actually there were a lot of people like Tara-May in Hollywood, maybe even most people were; everybody had something they “really” did. Drivers wrote, bartenders acted; she’d had massages from a girl who was really a stunt double for some actress Chevette had never heard of yet, except she hadn’t really ever been called, but they had her number. Somebody had everybody’s number, but it looked to Chevette like the game had all their numbers, every one, and nobody really was winning, but nobody wanted to hear that, or talk to you much if you didn’t buy into what they “really” did.

JJ Jennings looks like he could bust through a wall in an action movie as a stunt double for The Rock.