“
He looks at my face and huffs, exasperated. "Baz, you're actually, literally the only thing I have to lose. So as long as doing gay stuff in public doesn't make you hate me, I don't really care."
"We're just dancing," I say. "That's hardly gay stuff."
"Dancing's well gay," he says. "Even when it isn't two blokes.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Facing this stuff, in real life is not like school, in school, if you make a mistake you can just try again tomorrow, but out there...when your a second away from being murdered or watching a friend die right before your eyes...you don't know what that's like.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Face it, you stupid little cookie maker,” Jenks said, almost sounding fond, “in the last couple of days you’ve seen what it’s like to be in a family, with all the touchy tempers and irritation that goes on. Now you get to see the other side, where we do stupid stuff for each other just because we like you. Rache is the little sister. Ivy’s the big sister. I’m the uncle from out of state, and you’re the rich nephew no one likes but we put up with you anyway because we feel sorry for you. Just let me help, huh? It won’t kill you.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
A voice within me is sobbing, "You see that's what's become of you. You're surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don't listen to the advice of your own better half." Believe me, I'd like to listen, but it doesn't work, because if I'm quiet and serious, everyone thinks I'm putting on a new act and I have to save myself with a joke, and then I'm not even talking about my own family, who assume I must be sick, stuff me with aspirins and setatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can't keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, an finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I'd like to be and what I could be if . . . if only there were no other people in the world.
Yours, Anne M. Frank.
”
”
Anne Frank
“
Gideon cupped my face in his hands and kissed me, our flavors mingling. “Thank you.”
“What are you thanking me for? You did all the work.”
“There’s no work involved in fucking you, angel.” His slow smile was pure satiated male. “I’m grateful for the privilege.”
I sank back onto my heels. “You’re killing me. You can’t be that gorgeous and sexy and say stuff like that. It’s overload. It fries my brain. Sends me into a meltdown.”
His smile widened and he kissed me again. “I know the feeling.
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
Tally sighed, tipping her feet again to follow. "Maybe that's because they have better stuff to do than kid tricks. Maybe partying in town is better than hanging out in a bunch of old ruins."
Shay's eyes flashed. "Or maybe when they do the operation-when they grind and stretch your bones to the right shape, peel off your face and rub all your skin away, and stick in plastic cheekbones so you look like everyone else-maybe after going through all that you just aren't very interesting anymore.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again.
I stood frozen, my back against the door. Even though he was faint, I could see him smirk.
“Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’”
“You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—”
All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.”
My heart was still hammering. “Then what the heck are you?”
Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’”
“Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall.
“No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
But why me?
Because, idiot, you... are funny and smart and you have a giant heart that you can't even pretend to hide. And you love your friends and your mum, and you held my hand and made me sing when I was so scared I thought I was going to die. I knew you understood, right from the beginning, this thing inside, the stuff in your head that you need to make real. You get that.... And you wear stupid Superman pyjamas without any irony, and your face lights up when you talk about the movies you love.... And... you protect my dwarf. You always have her back. And you have a dimple when you smile that's so cute I almost died the first time I saw it.
”
”
Melissa Keil (Life in Outer Space)
“
why is there blue stuff on your face?
i was partying with the smurfs. i wanted to fit in.
”
”
Lesley Livingston (Once Every Never (Never, #1))
“
Stop entertaining two faced people. You know the ones who have split personalities and untrustworthy habits. Nine times out of ten if they telling you stuff about another person, they're going to tell your business to other people. If they say, "You know I heard........." More than likely it's in their character to share false information. Beware of your box, circle, square! Whatever you want to call it.
”
”
Amaka Imani Nkosazana (Sweet Destiny)
“
News flash: The whole thing is a huge mess and a giant nightmare and it’s all about to explode in your face and you have no idea what
you’ve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their
possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help.
That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
Believe me, I should know.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
I like you a lot. Because you’re funny and smart and because you seem to like me. I know that’s not a good reason, but I can’t help it; if a girl likes me I tend to like her back [...] I like you for all this stuff but I also kind of like you for the cuts on your face—
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing.
“Great, thanks, Big Josh. How You Doing?”
“Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug.
I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.”
We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives.
“Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.”
We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?”
Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force.
“Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.”
“It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
”
”
Sally Thorne (The Hating Game)
“
I stuff another handful of Raisinets in my mouth. What gets me is the 'pretty face' bit. 'Cause I won't mind being reminded I'm fat as long as you water it down first. Why not say, Hey I'm going to insult you, but first I will congratulate your fortunate genetics and appropriate appliclation of Bobbi Brown cosmetics to prevent you from hitting me. Sh*t; I kind of prefer being called a 'fat bitch.' At least it doesn't pull any punches.
”
”
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
“
Now go. Hang out with your friends and be immature. Responsible," I added hurriedly, "but immature."
He made a face. "Do those two go hand in hand?"
"If your immaturity can lead to consequences, then it's irresponsible."
Cole grunted. "You should write that shi- stuff down."
"I heard the "shit" in there, baby boy, and I'm stealing the last PopTart as punishment."
"Harsh, Jo." He shook his head, backing off with a smile. "Harsh.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her.
Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically.
Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh.
They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Well, let's face it, you're not stupid. You knew there were a lot of things wrong in the relationship, you just chose to ignore them because there were so many good things you didn't want to give up. Now, you're at the point in your life where you're strong enough to give up the good stuff. You're strong enough to expect more from your life. I'm proud of you for that. Most women aren't that strong. They're so terrified of being alone that they stay with the wrong guy, rather than risk loneliness waiting for the right guy.
”
”
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
“
It's me," a deep voice rumbled.
The hands released me and I turned. There stood Derek, all six foot of him. Maybe it was just the thrill of seeing him, but he looked better than I remembered. His black hair was still lank, and his face was still dotted with acne. But he looked...better.
~~~~~
Tori waited until Derek was gone, then shuddered. "Okay, Derek always weired me out, but the wolf man stuff is seriously creepy. Suits him, I suppose. A creepy power for a creepy guy."
"I thought he looked better."
She stared at me.
"What? He does. Probably because he's starting his wolf changes and he's not stressed out about being in Lyle House. That must help."
"You know what will really help? Shampoo. Deodorant - "
I raised my hand to cut her off. "He smelled fine, so don't start that. I'm sure his wearing deodorant and - for once-it's working. As for showers, they're a little hard to come by on the street, and we won't look much better soon."
"I'm just saying."
"Do you think he doesn't know you're saying? News flash-he's not stupid.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
I took Russian in high school,” Nathan said, climbing out of the pool. He’d decided to swim laps that afternoon instead of going to the gym.
“Did you?” Harrison asked, grinning at him.
“Yeah.” Nathan grabbed his towel from the little patio table and began dabbing at his face. “But the only thing I remember is, Mozhno li kopirovat vashi domashnie zodaneeye?”
“Let me guess,” I said. “You just asked me where the bathroom is, right?”
“No.” He scoffed, flicking his wet towel at me. “I was beyond that basic stuff. I took two years of it. Give me some credit.”
“Then what does it mean?” I asked.
“It means, ‘Can I copy your homework?
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
What if the hard stuff, the amazing stuff, the love, the joy, the hope, the fear, the weird stuff, the funny stuff, the stuff that takes you so low you’re lying on the floor crying and thinking, How did I get here? . . . What if none of it is happening to you? What if all of it is happening for you?
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
This whole thing happened because you wouldn't face up to Gideon dying.' he said, which was a stab as precise as any Nonius had managed. 'I don't blame you. But where would you be, right now, if you'd said: She is dead? You're keeping her things like a lover keeping old notes, but with her death, the stuff that made her Gideon was destroyed. That's how Lyctorhood works, isn't it? She died. She can't come back, even if you keep her stuffed away in a drawer you can't look at. You're not waiting for her resurrection; you've made yourself her mausoleum.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
But I like Alice. And I can tell that she's had to face some tough stuff. You can see it in her face when she thinks you're not looking.
”
”
Mamenosuke Fujimaru (Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 1 (Alice in the Country of Clover: Cheshire Cat Waltz, #1))
“
I am a person who feels guilty for crimes I have not committed, or have not committed in years. The police search the train station for a serial rapist and I cover my face with a newspaper, wondering if maybe I did it in my sleep. The last thing I stole was an eight-track tape, but to this day I'm unable to enter a store without feeling like a shoplifter. It's all the anxiety with none of the free stuff.
”
”
David Sedaris (Dress Your Family in Corduroy and Denim)
“
There's always more than one interpretation," Orion said from the doorway. Everyone turned to look at him as he came back into the library. "Face it. The Fates speak in riddles because they don't know what the hell they're talking about. If they did, they'd say something straightforward like, 'Orion is the Tyrant and he wants to eat your brains for breakfast' or whatever."
Hector's shoulders started bouncing up and down with silent laughter. Lucas turned his head away and tried to stuff down a laugh of his own, but he made the mistake of catching Jason's eye.
"Zombie Tyrant," Jason whispered to Lucas, his face turning red with a repressed laugh.
"Huzzah death," Lucas whispered back, cracking up. Apparently, that was some kind of inside joke between the Delos boys because all three of them busted out laughing.
”
”
Josephine Angelini (Goddess (Starcrossed, #3))
“
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear?
I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own.
I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Maybe it's because we innately know that everything is impermanent that we so desperately cling to it.
But cling we do.
We know that our youth vanishes that we and our loved one will die one day, that whatever we have accumulated can easily be taken away from us, that one day our skills might not be wanted, that a day may come when our love might not be reciprocated. But we go on clinging.
Everywhere we turn we are faced with impermanence. (..)
The more we cling - of course - the more pain we feel as things fade, disappear, die around us.
And sometimes the more we cling, the more these things happen. (..)
The key to being able to let go of all the stuff you're holding on to is knowing that you'll be okay if you don't have it.
And that's the truth.
You can survive with very little. And though the passing of people and things can be painful, you will survive.
”
”
John C. Parkin (F**k It: The Ultimate Spiritual Way)
“
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit.
It? I ast.
Yeah, It. God ain't a he or a she, but a It.
But what do it look like? I ast.
Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It.
Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate
at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh.
Shug! I say.
Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like.
God don't think it dirty? I ast.
Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration.
You saying God vain? I ast.
Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.
What it do when it pissed off? I ast.
Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.
Yeah? I say.
Yeah, she say. It always making little surprises and springing them on us when us least expect.
You mean it want to be loved, just like the bible say.
Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall.
Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere.
Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock.
But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it.
Amen
”
”
Alice Walker (The Color Purple)
“
And then we're at that moment when you both go and get what you want or you both go back. The moment when you say, Stuff being scared; what's on the other side is better. That moment when you inch closer to each other little by little, till your skin starts and ends in the same place. Till your faces get so close your lips start and end in the same place, too. Till you taste milk shake and salt and sugar days and the world spins and the stars sound like harmonicas.
”
”
Cath Crowley (A Little Wanting Song)
“
David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons…
That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion.
Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole.
Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself.
It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.
”
”
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
When Pidge wakes up, let me know, okay?” he said in a soft voice. “I got spaghetti,
and pancakes, and strawberries, and that oatmeal shit with the chocolate packets, and she
likes Fruity Pebbles cereal, right, Mare?” he asked, turning.
When he saw me, he froze. After an awkward pause, his expression melted, and his
voice was smooth and sweet.“Hey, Pigeon.”
I couldn’t have been more confused if I had woken up in a foreign country. Nothing
made sense. At first I thought I had been evicted, and then Travis comes home with bags
full of my favorite foods.
He took a few steps into the living room, nervously shoving his hands in his pockets.
“You hungry, Pidge? I’ll make you some pancakes. Or there’s uh…there’s some oatmeal.
And I got you some of that pink foamy shit that girl’s shave with, and a hairdryer, and a…
a….just a sec, it’s in here,” he said, rushing to the bedroom.
The door opened, shut, and then he rounded the corner, the color gone from his face.
He took a deep breath and his eyebrows pulled in. “Your stuff’s packed.”
“I know,” I said.
“You’re leaving,” he said, defeated.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Being a responsible adult is the most underrated form of self-care. Yes I mean: live within your means, make dentist appointments, save money, plan meals, wash your face before bed, go for walks, cook for people, keep your house clean, go to bed at a decent hour, all that boring stuff. Routines make everything in your life better and this is absolutely the most overlooked and underestimated form of self-care.” - Sarah Bessey
”
”
Anne Bogel (Don't Overthink It: Make Easier Decisions, Stop Second-Guessing, and Bring More Joy to Your Life)
“
I don't ever dream about you and me
I don't ever make up stuff about us
That would be considered insanity
I don't ever drive by your house
To see if you're in
I don't even have an opinion
On that tramp that you are still seeing
I don't know your timetable
I don't know your face off by heart
But I must admit that there's still a part of me
That thinks we might get on
”
”
Kate Nash
“
Confidential matters are not dealt with over the telephone, you'd better come here in person. I cannot leave the house, Do you mean you're ill, Yes, I'm ill, the blind man said after a pause. In that case you ought to call a doctor, a real doctor, quipped the functionary, and, delighted with his own wit, he rang off.
The man's insolence was like a slap in the face. Only after some minutes had passed, had he regained enough composure to tell his wife how rudely he had been treated. Then, as if he had discovered something that he should have known a long time ago, he murmured sadly, This is the stuff we're made of, half indifference and half malice.
”
”
José Saramago (Blindness)
“
You have been reading Byron. You have been marking the passages that seem to approve of your own character. I find marks against all those sentences which seem to express a sardonic yet passionate nature; a moth-like impetuosity dashing itself against hard glass. You thought, as you drew your pencil there, "I too throw off my cloak like that. I too snap my fingers in the face of destiny". Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table - it is running among your books and papers. Now you mop it up, clumsily, with your pocket-handkerchief. You then stuff your handkerchief back into your pocket - that is not Byron; that is you; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep.
”
”
Virginia Woolf (The Waves)
“
Real love isn't ambivalent. I'd swear that's a line from my favorite best-selling paperback novel, "In Love with the Night Mysterious", except I don't think you've ever read it. Well, you ought to, instead of spending the rest of your life, trying to get through "Democracy in America." It's about this white woman whose daddy owns a plantation in the Deep South, in the years before the Civil War. And her name is Margaret, and she's in love with her daddy's number-one slave, and his name is Thaddeus. And she's married, but her white slave-owner husband has AIDS: Antebellum Insufficiently-Developed Sex-organs. And so, there's a lot of hot stuff going down, when Margaret and Thaddeus can catch a spare torrid ten under the cotton-picking moon. And then of course the Yankees come, and they set the slaves free. And the slaves string up old daddy and so on, historical fiction. Somewhere in there I recall, Margaret and Thaddeus find the time to discuss the nature of love. Her face is reflecting the flames of the burning plantation, you know the way white people do, and his black face is dark in the night and she says to him, "Thaddeus, real love isn't ever ambivalent.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
When you live your life doing the things that turn you on, that you’re good at, that bring you joy, that make you shove stuff in people’s faces and scream, “check this out!!!” you walk around so lit up that you shoot sunbeams out of yer eyeballs. Which automatically lights up the world around you. Which is precisely why you are here: to shine your big-ass ball of fire onto this world of ours. A world that literally depends upon light to survive. You
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
You can deny it. But I have been with you, in every way that matters. As you have been with me. We’ve shared our thoughts and our food, bound each other’s wounds, slept close when the warmth of our bodies was all we had left to share. Your tears have fallen on my face, and my blood has been on your hands. You’ve carried me when I was dead, and I carried you when I did not even recognize you. You’ve breathed my breath for me, sheltered me inside your own body. So, yes, Fitz, in every way that matters, I’ve been with you. We’ve shared the stuff of our beings. Just as a captain does with her liveship. Just as a dragon does with his Elderling. We’ve been together in so many ways that we have mingled. So close have we been that when you made love to your Molly, she begat our child. Yours. Mine. Molly’s. A little Buck girl with a wild streak of White in her. “Oh, gods. Such
”
”
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
“
Look it - you start out as an artist, I started out when I was nineteen, and you’re full of defenses. You have all of this stuff to prove. You have all of these shields in front of you. All your weapons are out. It’s like you’re going into battle. You can accomplish a certain amount that way. But then you get to a point where you say, “But there’s this whole other territory I’m leaving out.” And that territory becomes more important as you grow older. You begin to see that you leave out so much when you go to battle with the shield and all the rest of it. You have to start including that other side or die a horrible death as an artist with your shield stuck on the front of your face forever. You can’t grow that way. And I don’t think you can grow as a person that way, either. There just comes a point when you have to relinquish some of that and risk becoming more open to the vulnerable side, which I think is the female side. It’s much more courageous than the male side.
”
”
Sam Shepard
“
If you are lucky enough to have a childhood
friend, try your hardest to grow old with them.
These friends are a unique, irreplaceable breed.
These friends lived through curfews and
Polaroid pictures with you. These friends know
your parents and siblings because they had to call
your house first to speak with you. Your memories
are not frozen in time on social media, but live on
nonetheless.
Most importantly, they remember the person
you were before the world got ahold of you, so
they have this crazy ability to love you no matter
what.
They are the living, breathing reflection of
where you have been. And so, just when you think
you’ve lost yourself for good, they are there to
bring you face-to-face with your true self, simply
by sharing a cup of coffee with them.
As your world grows and becomes larger and
more complicated than your backyard, even if you
establish a life elsewhere, I hope your childhood
friends remain lifelong allies, because mine have
saved my life on more than one occasion.
”
”
Alicia Cook (Stuff I've Been Feeling Lately)
“
You don't need this prep but I'm going to give it to you anyway. I can tell, I don't know any of you that well, but I can see it in your faces that and some of you have faces that remind me of what my face looked like when I was younger. I see some of you young people out there and I remember how hard it is to be young. And I remember how hard it is to be rejected the first time when you're young. And so what I want you to do is close your eyes. And I can see you, so don't cheat me here. Close those eyes of yours. Put 'em, real tight. And I want you to imagine the first person who broke you heart. The first person that didn't like you back, the first person that said shitty stuff about you. The first person that dumped you. The first person that changed their phone number because you called them 62 times in one day. The first person that didn't know how good you were and they missed you, they passed you by. Imagine that person and then I want you to sing at the top of your fucking lungs. I want you to sing. I want to heal that with you right now. (sings): Look me in the eye and tell me you dont find me attractive.
Look me in the heart and tell me that you wont go. Look me in the eye and promise no love is like our love look me in the heart and unbreak broken it wont happen.
”
”
Tegan Quin
“
you can do all sorts of stuff that full-grown wizards can't, Viktor always said --"
Ron looked around at her so fast he appeared to crick his neck; rubbing it, he said, "Yeah? What did Vicky say?"
"Ho ho," said Hermione in a bored voice. "He said Harry knew how to do stuff even he didn't, and he was in the final year at Durmstrang."
Ron was looking at Hermione suspiciously.
"You're not still in contact with him are you?"
"So what if I am?" said Hermione coolly, though her face was a little pink. "I can have a pen pal if I --"
"He didn't only want to be your pen pal," said Ron accusingly.
Hermione shook her head exasperatedly and ignored Ron, who was continuing to watch her.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Face it, you little cookie maker," Janks said, almost sounding fond, "In the last couple of days, you've seen what it's like to be in a family, with all the touchy tempers and irritation that goes on. Now you get to see the other side, where we do stupid stuff for each other just because we like you. Rache is the little sister. Ivy's the big sister. I'm the uncle from out of state, and your the rich nephew no one likes but we put up with you anyway because we feel sorry for you. Just let me help, huh? It won't kill you.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
You reach a certain age when reality grabs you by the scruff of the neck and shouts in your face:"Hey, look, this is what life is." And you have to open your eyes and look at it, listen to it, smell it: people who don't like you, things you don't want to do, things that hurt, things that scare you, questions without answers, feelings you don't understand, feelings you don't want but have no control over.
Reality.
When you gradually come to realise that all that stuff in books, films, television, magazines, newspapers, comics - it's all rubbish. It's got nothing to do with anything. It's all made up. It doesn't happen like that. It's not real. It means nothing. Reality is what you see when you look out of the window of a bus: dour faces, sad and temporary lives, millions of cars, metal, bricks, glass, rain, cruel laughter, ugliness, dirt, bad teeth, crippled pigeons, little kids in pushchairs who've already forgotten how to smile ...
”
”
Kevin Brooks (Martyn Pig)
“
Suddenly, I get this giddy desire to shock these guys a little. I continue, “These baboons really are our relatives. In fact, this baboon is my cousin.” And with that I lean over and give Daniel a loud messy kiss on his big ol’ nose. I get more of a response than I bargained for. The Masai freak and suddenly, they are waving their spears real close to my face, like they mean it. One is yelling, “He is not your cousin, he is not your cousin! A baboon cannot even cook ugali!” (Ugali is the ubiquitous and repulsive maize meal that everyone eats here. I almost respond that I don’t really know how to cook the stuff either, but decide to show some prudence at last.) “He is not your cousin!
”
”
Robert M. Sapolsky (A Primate's Memoir: A Neuroscientist's Unconventional Life Among the Baboons)
“
She thought she loved him. What do you have in your pocket?”
He smiled, drew out the gray button that had fallen off her very ugly suit the first day they’d met.
“See?” She couldn’t say why that stupid button moved her so damn much. “People in love keep things. Sentimental things.”
“What do you have?”
She pulled the chain, and the tear-shaped diamond from under her shirt. “I wouldn’t wear this for anybody but you. It’s embarrassing. And—”
“Ah, something else.”
“Shit. I’m tired. It makes me gabby. I have one of your shirts.”
His brow creased in absolute bafflement. “My shirts?”
“In my drawer, under a bunch of stuff. You lent it to me the morning after our first night together. It still sort of smells like you.”
For a moment, the worry on his face simply dissolved. “I believe that’s the sweetest thing you’ve said to me in all our time together.”
“Well, I owed you. Besides, you have enough shirts to outfit a Broadway troupe. So, help me toss the room?”
“Absolutely.
”
”
J.D. Robb (New York to Dallas (In Death, #33))
“
My joy is that there is no such world at all, but that the substance of life is in everyone! There is no reason to be troubled because we are absurd, is there? For we really are: we are absurd, frivolous, we have bad habits, we're bored, we don't know how to look around ourselves, we don't know how to understand, we are all like this, all of us, you, and I, and everyone! And you aren't offended by my telling you straight to your faces that you are absurd? There is the basic stuff of life in your, isn't there? You know, I believe it's sometimes even good to be ridiculous. Yes, much better. People forgive each other more readily and become more humble, we can't understand everything at once, we can't begin with perfection! To reach perfection there must first be much we do not understand. And if we understand too quickly we will probably not understand very well. I tell this to you who have been able to understand so much and - do not understand.'
p. 577
”
”
Fyodor Dostoevsky (The Idiot)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
He lowered his voice. "You are a true shield-maiden; you do not turn from a scar on a man's face."I looked at him and did not lower my eyes. "My father was an ealdorman, and his brother ealdorman after him. He taught me that a scar is the badge of honour of the warrior, and this I believe."He regarded me for a long moment. "I think I am glad we did not face your father and his brother in battle," he said, "for they were of better stuff than what we have found here."In saying this, he gave my dead kinsmen much praise. I felt that praise came rarely from the Danes, and took a strange pleasure in hearing him say this. I did not speak, but he lifted his cup to me, and I again took up mine. - Sidroc the Dane to Ceridwen
”
”
Octavia Randolph (The Circle of Ceridwen (Circle of Ceridwen Saga #1))
“
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly.
“Don’t bother, Van,” he demanded, pokerfaced.
“I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it.
Those brown eyes blinked. “You just flipped him off, didn’t you?”
Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be.
“I know everything.” He said it like he really believed it.
I groaned and cast him a long look. “You really want to play this game?”
“I play games for a living, Van.”
I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?”
He stared at me.
“See?”
“March third, Muffin.”
What in the hell?
“See?” he mocked me.
Who was this man and where was the Aiden I knew?
“How old am I?” I kept going hesitantly.
“Twenty-six.”
“How do you know this?” I asked him slowly.
“I pay attention,” The Wall of Winnipeg stated.
I was starting to think he was right.
Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?”
Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.”
“I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.”
A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?”
The expression on his face was like he was torn between being okay with the idea and being completely against it.
Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.”
He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me…
And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?”
Aiden Graves, husband of mine, said it, “Me.”
Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.”
What the hell had I just said? What in the ever-loving hell had I just said?
“If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
What if life isn’t happening to you? What if the hard stuff, the amazing stuff, the love, the joy, the hope, the fear, the weird stuff, the funny stuff, the stuff that takes you so low you’re lying on the floor crying and thinking, How did I get here? . . . What if none of it is happening to you? What if all of it is happening for you? It’s all about perception, you guys. Perception means we don’t see things as they are; we see things as we are. Take a burning house. To a fireman, a burning house is a job to do—maybe even his life’s work or mission. For an arsonist? A burning house is something exciting and good. What if it’s your house? What if it’s your family who’s standing outside watching every earthly possession you own burning up? That burning house becomes something else entirely. You don’t see things as they are; you see things through the lens of what you think and feel and believe. Perception is reality, and I’m here to tell you that your reality is colored much more by your past experiences than by what is actually happening to you. If your past tells you that nothing ever works out, that life is against you, and that you’ll never succeed, then how likely are you to keep fighting for something you want? Or, on the flip side, if you quit accepting no as the end of the conversation whenever you run up against opposition, you can shift your perception and fundamentally reshape your entire life.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Remember him, April. Even when you can’t picture his face anymore, you owe each other prayers. And I’m not talking about sappy, sentimental stuff. Or fantasy, either. You pray for the hardest moments in his life, years down the line, when he’s in a foxhole, or his child is sick, or he finds he has cancer. No one escapes calamity, but a kiss like that can last you your whole life. She looks up at April. I’m not saying that you think about it all the time. It just leaves you different than it found you.
”
”
Tess Callahan (April & Oliver)
“
You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.”
“You love me,” Cooper said.
“Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.”
“I can’t believe I’m being slandered in my own vows.”
“Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.”
Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home.
No, not a bad life at all.
”
”
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
“
Some day I'll probably marry a horny-handed son of a toil, and if I do it'll be the horny hands that will win me. If you want to know, I like 'em with their scars on them. There's something about a man who has fought for it - I don't know what it is - a look in his eye - the feel of his hand. He needn't have been successful - thought he probably would be. I don't know. I'm not very good at this analysis stuff. I know he - well, you haven't a mark on you. Not a mark. You quit being an architect, or whatever it was, because architecture was an uphill disheartening job at the time. I don't say that you should have kept on. For all I know you were a bum architect. But if you had kept on - if you had loved it enough to keep on - fighting, and struggling, and sitcking it out - why, that fight would show in your face to-day - in your eyes and your jaw and your hands and in your way of standing and walking and sitting and talking. Listen. I'm not critcizing you. But you're all smooth. I like 'em bumpy.
”
”
Edna Ferber (So Big)
“
Yeah,” Nicole said, her straw noisily hitting the
bottom of her Gut Buster. “Well, I would have
appreciated it if you guys had wrecked a little less
stuff. Because my house smelled like smoke for
months. And construction on the Tarantinos’ new
garage starts at eight on the dot every morning, and
it’s still going on, and you know how I get if I don’t
have my full ten hours of beauty sleep.”
“So that’s what happened to your face,” Cody said.
“I was wondering.
”
”
Meg Cabot (Abandon (Abandon, #1))
“
Oh, it's nothing to be ashamed of. Slaying a villain in the service of your king is the stuff of legends and what heroes are made of." [Fanen told Myron]
"It didn't feel very heroic. It made me sick. I don't even know why I... no, that's a lie. I really have to stop doing that." [Myron said]
"Doing what?"
"Lying. (...) It's evidence of self loathing. You see, when you are so ashamed of your actions, thoughts, or intentions, you lie to hide it rather than accept yourself for who you really are. The idea of how others see you becomes more important than the reality of you.
"It's like when a man would rather die than be thought of a coward. His life is not as important to him as his reputation. In the end, who is the braver? The man who dies rather than be thought of as a coward or the man who lives willing to face who he really is?" [Myron finished]
"I'm sorry, you lost me there" Fanen said with a quizzical look.
”
”
Michael J. Sullivan (The Crown Conspiracy (The Riyria Revelations, #1))
“
To hell with you. You just don't want to admit it. Those people, they're animals. They want to see someone's brains on the road, that's why they turn out. They'd just as soon see yours."
"That isn't the point," McVries said calmly. "Didn't you say you went to see the Long Walk when you were younger?"
"Yes, when I didn't know any better!"
"Well, that makes it okay, doesn't it?" McVries uttered a short, ugly-sounding laugh. "Sure they're animals. You think you just found out a new principle? Sometimes I wonder just how naive you really are. The French lords and ladies used to screw after the guillotinings. The old Romans used to stuff each other during the gladiatorial matches. That's entertainment, Garraty. It's nothing new." He laughed againd. Garraty stared at him, fascinated.
[...]
"Death is great for the appetites," McVries said. [...] "But even that's not the real point of this little expedition, Garraty. The point is, they're the smart ones. They're not getting thrown to the lions. They're not staggering along and hoping they won't have to take a shit with two warnings against them. You're dumb, Garraty. You and me and Pearson and Barkovitch and Stebbins, we're all dumb. Scramm's dumb because he thinks he understands and he doesn't. Olson's dumb because he understood too much too late. They're animals, all right. But why are you so goddam sure that makes us human beings?"
He paused, badly out of breath.
[...]
"Then why are you doing it? Garraty asked him. "If you know that much, and if you're that sure, why are you doing it?"
"The same reason we're all doing it," Stebbins said. He smiled gently, almost lovingly. His lips were a little sun-parched; otherwise, his face was still unlined and seemingly invincible. "We want to die, that's why we're doing it. Why else, Garraty? Why else?
”
”
Richard Bachman (The Long Walk)
“
Now, I would say to myself, you are feeling alienated from people and unlike other people, therefore you are projecting your discomfort onto them. When you look at a face, you see a blob of rubber because you are worried that your face is a blob of rubber.
This clarity made me able to behave normally, which posed some interesting questions. Was everybody seeing this stuff and acting as though they weren’t? Was insanity just a matter of dropping the act? If some people didn’t see these things, what was the matter with them? Were they blind or something? These questions had me unsettled.
”
”
Susanna Kaysen (Girl, Interrupted)
“
It was unearthly, and the men were--No, they were not inhuman. Well, you know, that was the worst of it--this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity--like yours--the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you--you so remote from the night of first ages--could comprehend.
And why not? The mind of man is capable of anything--because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage--who can tell?--but truth--truth stripped of its cloak of time.
Let the fool gape and shudder--the man knows, and can look on without a wink.
But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff--with his own inborn strength.
Principles? Principles won't do. Acquisitions, clothes, pretty rags--rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row--is there? Very well; I hear; I admit, but I have a voice too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe. Who's that grunting? You wonder I didn't go ashore for a howl and a dance?
Well, no--I didn't. Fine sentiments, you say? Fine sentiments, be hanged! I had no time. I had to mess about with white-lead and strips of woolen blanket helping to put bandages on those leaky steam-pipes--I tell you.
”
”
Joseph Conrad (Heart of Darkness)
“
there’s a lot of unnecessary meanness that happens while you’re trying to sort out who you want to be, who your friends are, who your friends are not. Adults spend a lot of time talking about bullying in schools these days, but the real problem isn’t as obvious as one kid throwing a Slurpee in another kid’s face. It’s about social isolation. It’s about cruel jokes. It’s about the way kids treat one another. I’ve seen it with my own eyes, how old friends can turn against each other: it seems, sometimes, that it’s not enough for them to go their separate ways—they literally have to “ice” their old buddies out just to prove to the new friends that they’re no longer still friends. That’s the kind of stuff I don’t find acceptable. Fine, don’t be friends anymore: but stay kind about it. Be respectful. Is that too much to ask?
”
”
R.J. Palacio (365 Days of Wonder: Mr. Browne's Precepts)
“
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
I had to ice my face the rest of the weekend and my bruised nose made it look like I got in a fight. Going back to class on Monday wasn't any better.“Hey, Red, how’s the nose doing?” John plopped down in the seat next to me like he didn't have a care in the world.I glared forward, willing myself not to look at him.
“You’re the one who put it there, so if you don’t mind I would like to focus on the lecture since finals are coming up.”The girls in front of us glanced over their shoulders, looks of disgust on their faces.I smirked. “Don’t get ahead of yourself, ladies. I fell ice skating, he’s not beating me or getting me involved in
some weird sex act.”That got them to turn back around. “Since when does sex involve bruises?What kind of stuff are you into,Red?
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
She inhaled deeply—and sneezed. Stupid allergies. “Gods bless you,” Rishi said.
Dimple arched an eyebrow. “Gods?”
He nodded sagely. “As a Hindu, I’m a polytheist, as you well know.”
Dimple laughed. “Yes, and I also know we still only say ‘God,’ not ‘gods.’ We still believe Brahma is the supreme creator.”
Rishi smiled, a sneaky little thing that darted out before he could stop it. “You got me. It’s my version of microaggressing back on people.”
“Explain.”
“So, okay. This is how it works in the US: In the spring we’re constantly subjected to bunnies and eggs wherever we go, signifying Christ’s resurrection. Then right around October we begin to see pine trees and nativity scenes and laughing fat white men everywhere. Christian iconography is all over the place, constantly in our faces, even in casual conversation. This is the bible of comic book artists . . . He had a come to Jesus moment, all of that stuff. So this is my way of saying, Hey, maybe I believe something a little different. And every time someone asks me why ‘gods,’ I get to explain Hinduism.”
Dimple chewed on this, impressed in spite of herself. He actually had a valid point. Why was Christianity always the default? “Ah.” She nodded, pushing her glasses up on her nose. “So what you’re saying is, you’re like a Jehovah’s Witness for our people.”
Rishi’s mouth twitched, but he nodded seriously. “Yes. I’m Ganesha’s Witness. Has a bit of a ring to it, don’t you think?
”
”
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I think we worship these stories of leaving it all behind and going somewhere new, but I’m beginning to see that every one of those stories has the same truth holding up this romantic idea of leaving: The stuff you’re not facing will follow you. It will get in the car too. It will pack a bag too. Leaving isn’t the key; changing is. I’m learning that life isn’t about the destinations we can boast about getting to; it’s about all the walking in between that feels pointless when you try to take a picture of it because no one will understand it like you do. It’s the in between stuff that fleshes out a story—gives it guts and transformation.
It’s not about the scenery changing or the person you say good night to. The traveler must be the one to change. That’s what makes the story good.
”
”
Hannah Brencher (Come Matter Here: Your Invitation to Be Here in a Getting There World)
“
New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him.
Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways.
This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls.
Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket.
Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent.
A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks.
And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first.
I rest my case.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Do you realize what a beacon you’ve become?”
“A—I beg your pardon?”
“A beacon of hope,” says the woman, smiling. “As soon as we announced we’d be doing this interview, our viewers started calling in, e-mails, text messages, telling us you’re an angel, a talisman of goodness . . .”
Ma makes a face. “All I did was I survived, and I did a pretty good job of raising Jack. A good enough job.”
“You’re very modest.”
“No, what I am is irritated, actually.”
The puffy-hair woman blinks twice.
“All this reverential—I’m not a saint.” Ma’s voice is getting loud again. “I wish people would stop treating us like we’re the only ones who ever lived through something terrible. I’ve been finding stuff on the Internet you wouldn’t believe.”
“Other cases like yours?”
“Yeah, but not just—I mean, of course when I woke up in that shed, I thought nobody’d ever had it as bad as me. But the thing is, slavery’s not a new invention. And solitary confinement—did you know, in America we’ve got more than twenty-five thousand prisoners in isolation cells? Some of them for more than twenty years.” Her hand is pointing at the puffy-hair woman. “As for kids—there’s places where babies lie in orphanages five to a cot with pacifiers taped into their mouths, kids getting raped by Daddy every night, kids in prisons, whatever, making carpets till they go blind—
”
”
Emma Donoghue (Room)
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The people who run our cities don't understand graffiti because they think nothing has the right to exist unless it makes a profit, which makes their opinion worthless.
They say graffiti frightens people and is symbolic of the decline in society, but graffiti is only dangerous in the mind of three types of people; politicians, advertising executives and graffiti writers.
The people who truly deface our neighbourhoods are the companies that scrawl giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff. They expect to be able to shout their message in your face from every available surface but you're never allowed to answer back. Well, they started the fight and the wall is the weapon of choice to hit them back.
”
”
Banksy (Wall and Piece)
“
All the stuff we’re so worried about creating and fixated on becoming is already right here, right now. The money you want already exists; the person you want to meet is already alive; the experience you want to have is available, now; the idea for that brilliant song you want to write is here, now, waiting for you to download the information. The knowledge and insight and joy and connection and love are all wagging their hands in your face, trying to get your attention. The life you want is right here, right now.
What the hell am I talking about? If it’s all here, where is it?
Think of it like electricity. Before the invention of the light bulb, most people weren’t aware of electricity’s existence. It was still here, exactly the same way it is right now, but we hadn’t yet woken up to it. It took the invention of the light bulb to bring it to our attention. We had to understand how to manifest it into our reality.
”
”
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
I have to clean up first. I’m still all sweaty and stuff from the crime scene.” I realized he was wearing a white shirt and I might have dried blood on me. It made me draw back and look at the front of him.
“What is wrong, ma petite?”
“I may have dried blood and things on me, and you’re wearing white.”
He drew me back into his arms. “I would rather hold you close than worry about my clothes. The shirt will wash, or we can throw it away. I do not care.”
I pushed back just enough to turn my face up, resting my chin on his chest so that I gazed up the line of his body, and he looked down so that our eyes met down the line of his chest. “I know you love me, but when you don’t care about your clothes, I know it’s true love for you.” I grinned as I said it.
He laughed, abrupt, surprised, and for a moment I got to see what he must have looked like centuries ago before being a vampire had taught him to control his face and show nothing for fear it would be used against him by those more powerful than him.
I smiled up at him, held as close to him as I could with clothes and weapons still on, and loved him. I loved that I could make him laugh like that, loved that he felt safe enough to show me this part of him, loved that even when we were ass-deep in alligators, being with each other made it better. The alligators would be chewing on our asses either way, but with each other it was more fun, and we were more likely to be able to make a matching set of alligator luggage out of our enemies rather than end up as their dinner.
I gazed up at him as the laughter filled his face, and just loved him. The day had sucked, but Jean-Claude made it suck a lot less, and that was what love was supposed to do. It was supposed to make things better, not worse, which made me wonder if Asher truly loved anyone. I pushed the thought away, and enjoyed the man in my arms, and the fact that I had made him laugh.
”
”
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
“
I poisoned my skin,” Genya said harshly, “my lips. So that every time he touched me—” She shuddered slightly and glanced at David. “Every time he kissed me, he took sickness into his body.” She clenched her fists. “He brought this on himself.”
“But the poison would have affected you too,” Nikolai said.
“I had to purge it from my skin, then heal the burns the lye would leave. Every single time.” Her fists clenched. “It was well worth it.”
Nikolai rubbed a hand over his mouth. "Did he force you?"
Genya nodded once. A muscle in Nikolai's jaw ticked.”
-//-
She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.”
“Genya—” David tried.
“Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.”
I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.”
“What does that have to do with anything?” Genya cried.
David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
She wants lilacs in her wedding bouquet."
"Okay . . ." Nevada had said she wanted carnations, but we could stuff some pretty pink lilacs in there. I didn’t see the problem.
"Blue," Arabella squeezed out. "She wants blue lilacs."
No and also no. "Nevada . . ."
"I had to hide in a bush of French lilacs yesterday and they were very pretty and smelled nice. The card on the tree said, ‘Wonder Blue: prolific in bloom and lush in perfume.’"
I googled French lilac, Wonder Blue. It was blue. Like in your face blue.
"Why were you hiding in a bush?"
"She was being shot at," Arabella said with a sour face.
"So you stopped to smell the lilacs while people were shooting at you?" I couldn’t even.
”
”
Ilona Andrews (Diamond Fire (Hidden Legacy, #3.5))
“
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes.
Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer.
Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp.
But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do.
If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws.
Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
”
”
Caitlin Moran
“
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin.
I have missed him.
I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp.
“Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.”
Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.”
I grimace/smile. “My mom?”
“Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.”
“Galen,” I say.
“Hmmm?”
“How bad am I hurt?”
He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.”
“Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense.
“Your mother says it’s only a flesh wound. She’s been treating it.”
“Mom is here?”
“She’s downstairs. Uh…You should know that Grom is here, too.”
Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.”
He laughs. “I will, I promise. But I want to make you comfortable first.”
“Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things.
He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.”
I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition.
What’s changed?
And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone?
And is it my fault?
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
I will drink wine now, for I must prepare myself for the question which my mother will now ask. She will say: “Do you go to Mass every Sunday, my Jimmy?” I will answer: “Sometimes, Ma. Sometimes.” I will be lying. She will ask: “Do you still read books against God?” I will say, lying again: “Not any more, Ma.” And I will look at the face of my mother, and I will remember a night when we lived in the South, and I came home, and I saw my mother in tears, and sick unto death, and the doctor was called, and he saved my mother, and he came out of the room wherein my mother lay, and he held a book in his hand, and he handed it to me, and he said: “This is the cause. If you must read such stuff as this, do it where your mother can’t see you.” When I looked at the book, I saw that it was the The Anti-Christ. Now I will be home soon, and my mother will ask if I read books against God, and I will answer that I do not.
”
”
John Fante (The Wine of Youth: Selected Stories)
“
I like your hair," he said quietly, "but I think you'd look good whatever you did with it."
Here's the thing.He looked like he meant it, and like it had been the most natural thing in the world to say. I blinked at him.
"Okay," I said. "You want to know something about me that I don't really want to tell you? How about this. I dont get it.This.I hate that I don't. I wish I were the kind of girl who took guys like you as my sovereign right in life. But I don't."
"Yeah,I've sorta figured that out,too." He let go of my hair and put his hand on my waist, so his thumb was against my skin. I shivered. "Here's my first reveal for the night. One day, not so long ago, I'm just sitting in the dining room, digesting, minding my own business-literally. Trying to decide whether the second hamburger had been such a good idea and whether to break up with my girlfriend of a year and a half. Then I try to stand up, and suddenly there's this really pretty girl doubled over and looking at my book like it was covered with crap-"
"I wasn't."
"Yeah.You were. So there you were, with that amazing face and a yard of hair that smelled like flowers, and all this stuff drawn on your jeans. I really liked that."
"You liked my jeans."
"Among other things.But, jeez, Ella. After that, if you weren't making me feel like I had the IQ of a stone, your friends were looking at me like I'd crawled out from under one. I won't even go into what you obviously think of my friends."
"Chase Vere is a reptile.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
The idea that there is are all these people who are going to make all these great and wise decisions with guns. Because you know all the people who can make the best decisions in the world always want to be armed; because they are really smart, really wise, know exactly what should be done in society so naturally they want lots of guns. You get how insane that is right? The only people who want to force you to do stuff are people who know their ideas are shit to begin with.
"It's a basic fact of life that anyone who wants to force you to do something means their ideas are shit to begin with. Not a lot of rapists are very good lovers because they don't have to sell quality; they got violence. Everyone is mad at Barack Obama's website from hell but they [the government] don't care because if you don't pay them they will throw you in jail.
"The people with the best ideas are the most voluntary. The best parents don't beat their children. In fact if you beat your children you are saying 'I'm a shitty parent; I don't know what I'm doing and I'm pretty sadistic.' A rapist is saying I'm not a good boyfriend. Why do we even need to say this? People with guns are saying to your face, 'My ideas suck, I'm a bully, I get a thrill out of power so fucking do what I say or I'll shoot you in the ass.
”
”
Stefan Molyneux
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again.
I stood frozen, my back against the door. Even though he was faint, I could see him smirk.
“Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed-“
“You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think-“
All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.”
My heart was still hammering. “Then what the heck are you?”
Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’”
“Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall.
“No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.”
I rushed across the room and thrust my fist at his solar plexus. It went right through him, but it was still kind of satisfying. “You jerk!” I cried, striking at his head. “You scared me to death! Cal said The Eye probably had you, and I thought they’d found out about you and me working together, and killed you, you arrogant piece of-“
“I’m sorry!” he shouted, waving his translucent hands. “I-I thought the talking would give it away, and I didn’t mean to scare you, but I’m not dead! So would you please stop hitting me?”
I paused. “You can feel it?”
“No, but it’s still kind of unsettling to see your fist coming at my face.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Caddy came home on Friday evening. Perfectly Harmless Patrick brought her in his battered old car...
"Crikey, Caddy!" said Indigo, and he disappeared upstairs to tell Rose.
Eve murmured, "Sweet," rather doubtfully.
Sarah said, not doubtfully at all, "Horrendous! The worst yet. Rock bottom."
"He had a very difficult childhood," said Caddy....
"Who didn't?" asked Saffron unsympathetically. "Gosh, he's ancient, Caddy! Look, he's going bald! All that long trailing stuff is just a disguise!"
"If I was going bald," said Sarah, "I would face the fact and have it all shaved off."
"Well, I thought Mummy would like him," said Caddy defensively. "...Anyway, I can always take him back."
"I think you're going to have to, Caddy darling," said Eve... "Hello, Rose darling! Come in and see what Caddy has brought home to show us!"
She escaped, and Rose, who had already heard the news from Indigo, glanced at Patrick and began laughing.
"See?" said Sarah. "Rose knows! Absolutely rock bottom! You cannot be serious, Caddy!"
"Oh, stop looking at him!" said Caddy, uncomfortably. "I'll find something to cover him up with in a minute!"
"How long are you leaving him there for?" asked Rose.
"Just until Sunday," said Caddy, trying to sound casual.
"Till Sunday!" repeated Saffron. "So is Micheal dumped?"
"Of course he isn't!" said Caddy indignantly. "I've never dumped anyone!"
"Start!" said Saffron. "Otherwise they just pile up, taking up the sofas...
”
”
Hilary McKay (Indigo's Star (Casson Family, #2))
“
What do you know about me, Isabeau?"
He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather.
What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway?
"I..."
"Go on. You won't hurt my feelings."
He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least.
"I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch."
"Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit."
I looked down at my hands, anything not to have to look up at his face so close to me.
"Um. People say... they say that you're scary. And that your assistants don't last long."
He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all.
"What else do they say?"
Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted.
"They say. Um... They say that you're very, uh, good looking... and impossible to please."
"Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?"
My mouth dropped open, and I quickly closed it with a snap.
"Yes. I mean, no! I mean, I don't know..."
He stood, then, and leaned in close, towering over me. "You were right the first time."
Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him...
His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?"
My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call.
"Wh-what about your old assistant?"
Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you."
His touch on my skin was electric. Are we still talking about business?
"Yes, Mr. Drake."
His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.
”
”
Delilah Fawkes (At His Service (The Billionaire's Beck and Call, #1))
“
When I was at the River Styx, turning invulnerable...Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking--"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought--I didn't want things to stay the same for eternity, because things could always get better. And I was thinking..." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body.
I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted.
With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red.
We held hands right up to the moment they dumped us in the water.
Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey--when you're the son of Poseidon, you don't have to hurry.
And it was pretty much the best underwater kiss of all time.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Terence, this is stupid stuff:
You eat your victuals fast enough;
There can’t be much amiss, ’tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, ’tis our turn now
To hear such tunes as killed the cow.
Pretty friendship ’tis to rhyme
Your friends to death before their time
Moping melancholy mad:
Come, pipe a tune to dance to, lad.’
Why, if ’tis dancing you would be,
There’s brisker pipes than poetry.
Say, for what were hop-yards meant,
Or why was Burton built on Trent?
Oh many a peer of England brews
Livelier liquor than the Muse,
And malt does more than Milton can
To justify God’s ways to man.
Ale, man, ale’s the stuff to drink
For fellows whom it hurts to think:
Look into the pewter pot
To see the world as the world’s not.
And faith, ’tis pleasant till ’tis past:
The mischief is that ’twill not last.
Oh I have been to Ludlow fair
And left my necktie God knows where,
And carried half way home, or near,
Pints and quarts of Ludlow beer:
Then the world seemed none so bad,
And I myself a sterling lad;
And down in lovely muck I’ve lain,
Happy till I woke again.
Then I saw the morning sky:
Heigho, the tale was all a lie;
The world, it was the old world yet,
I was I, my things were wet,
And nothing now remained to do
But begin the game anew.
Therefore, since the world has still
Much good, but much less good than ill,
And while the sun and moon endure
Luck’s a chance, but trouble’s sure,
I’d face it as a wise man would,
And train for ill and not for good.
’Tis true, the stuff I bring for sale
Is not so brisk a brew as ale:
Out of a stem that scored the hand
I wrung it in a weary land.
But take it: if the smack is sour,
The better for the embittered hour;
It should do good to heart and head
When your soul is in my soul’s stead;
And I will friend you, if I may,
In the dark and cloudy day.
There was a king reigned in the East:
There, when kings will sit to feast,
They get their fill before they think
With poisoned meat and poisoned drink.
He gathered all that springs to birth
From the many-venomed earth;
First a little, thence to more,
He sampled all her killing store;
And easy, smiling, seasoned sound,
Sate the king when healths went round.
They put arsenic in his meat
And stared aghast to watch him eat;
They poured strychnine in his cup
And shook to see him drink it up:
They shook, they stared as white’s their shirt:
Them it was their poison hurt.
—I tell the tale that I heard told.
Mithridates, he died old.
”
”
A.E. Housman (A Shropshire Lad)
“
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose.
Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here."
"Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man."
Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench."
"I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat."
Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone."
The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya."
"Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet."
...
The one-eyed man said softly, "Think - somebody'd like - me?"
"Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
”
”
John Steinbeck (The Grapes of Wrath)
“
Do you want to hold her?” Qhuinn asked.
Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.”
“She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!”
Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…”
Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.”
Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.”
“That’s right,” Layla whispered with joy.
But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—”
“Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!”
“Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.”
“Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…”
As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests.
“I’m good with a gun,” Xcor said like that was the end of things.
“And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.”
The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.”
“Which is not going to happen,” Xcor countered. “Ever.”
“My man,” Qhuinn said, backing him up. “I knew I liked you—”
“Oh, for the love,” Layla muttered as the debate resumed, and Blay started laughing and Qhuinn and Xcor continued bonding.
-Qhuinn, Xcor, Layla, & Blay
”
”
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
“
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name."
"You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her.
"Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face."
"It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you."
"She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?"
"It wasn't easy but it was fun."
He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first."
"Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested."
"Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.
My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand.
If I pushed her down across my knees, I could spank her ass.
She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?”
“Did you send me a potato?”
Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?”
“Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?”
Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?”
“Yeeeess. The note says to call you before I open it. Why am I afraid?”
Kristen giggled. “Open it now. Is Brandon with you?”
“Yes, he’s with me. He’s shaking his head.”
I could picture his face, that easy smile on his lips.
“Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!”
Kristen rolled forward, putting her forehead to my shoulder in laughter.
“I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!”
Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though.
“Wait, who’s with you?” Sloan asked.
Kristen wiped at her eyes. “Josh is here.”
“Didn’t he have a date tonight? Brandon told me he had a date.”
“He did, but he came back over after.”
“He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting.
Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering.
“And what did you two talk about?” I asked, arching an eyebrow.
I liked that she’d talked about me. Liked it a lot.
“Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.”
A hot fireman like you.I did my best to hide my smirk.
“So do you do this to Sloan a lot?” I asked.
“All the time. I love messing with her. She’s so easily worked up.” She reached for her beer.
I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?”
She took a swig of her beer. “With the fan on medium.”
My laugh came so hard Stuntman Mike looked up and cocked his head at me.
She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?”
“Those candles are a huge fire hazard.” I tipped my beer toward the screen.
“Right? And try getting wax out of the carpet. Good luck with that.”
I looked at the side of her face. “So what do you think is romantic?”
“Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you."
Emma stops chewing. Galen drops his fork.
"Uh, I don't think we need to take it that far-" Emma starts.
"Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot.
"They do, but-"
"No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?"
"Probably not, but-"
"I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand."
"Rachel," he says, shaking his head, "this can wait-"
"Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around."
Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like.
Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing."
Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss."
Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something."
Rachel nods. "That should work."
"What does that mean? Making out?" Galen says between bites.
Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?"
He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him.
"We'll just have to plan it, that's all. Give you time to prepare," Emma tells him.
"Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun."
"Yeah, but this isn't for fun, remember?" Emma says. "This is just for show."
"You don't think kissing Galen would be fun?"
Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes."
Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.”
Harper laughed.
“What’s funny?”
“I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.”
Trent’s mouth twitched, a slight smile making its way to his lips.
“Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?”
Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift.
“Trent,” she squealed, kicking her feet to get free. “What are you doing?”
He slapped her butt playfully and laughed as he carried her down the hallway.
Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others.
“Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.”
Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks.
“Pick one.”
“Pick one what?”
“Sink. Which do you want?”
“You’re giving me a whole sink? Wait … stop…”
Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her.
Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity.
He did the same thing with the vanity drawers and created some space under the sink.
“I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.”
“You like the vanilla?” It never ceased to surprise her, the details he remembered.
Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.”
“Oh my goodness, you are beyond!” Harper blushed furiously.
“I want you for so much more than just sex, Harper.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?”
Still no response.
“Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.”
Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate.
And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood.
That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle.
“You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!”
A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?”
He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . .
His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman.
Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.”
And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink.
“What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?”
Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable.
She grimaced, then said, “I’ll be fine.”
Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?”
She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.”
“Are you faint? Dizzy? Weak?”
She shook her head. “Just in pain. What are you doing here?”
He smiled through his tears. “I came to find you.”
“You did?” she whispered.
He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.”
Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.
”
”
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
“
What did you think when I first told you about the animals I found?”
He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.”
She made a face at him. “Didn’t you think it was creepy? Or that I was weird?”
“Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.”
Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt?
She tried again. “Did you ever tell anyone? Does your mom know?”
He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.”
He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair.
He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could.
It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him.
His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?”
She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first.
“Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation.
He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.”
“I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.”
He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.”
She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing.
But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Where is everybody?”
“Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.”
“Give.”
She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.”
I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat.
“Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.”
That would do him in. “So what did he say?”
“He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.”
I was cracking up.
“He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.”
Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.”
“He sentenced himself?”
“He’s broken Pack law by participating in our silliness, apparently.”
That’s Beast Lord for you. “And Jim?”
“Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.”
“His what?”
“His mate. M-A-T-E.”
I cursed.
Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.”
Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?”
He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.”
He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.”
“I’m the worst fiancé ever, aren’t I?”
Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.”
Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind.
Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.”
“Got room for two more?”
Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say.
Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.”
“You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“
“With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.”
I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.”
“Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand.
“Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared.
“I’m just hoping to be the Not Dead Guy,” Cal muttered.
We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.”
“See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand.
And then, moving almost as one, we stepped into the rock.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
So,” Will begins, “do you play ball as well as you run?”
I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.”
The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here.
She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.”
I shrug. “He’s just a guy.”
Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me.
I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again.
Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall.
“You weren’t kidding,” he teases over the thunder of basketballs.
“Did you make it?” I ask, wishing I had looked while he shot.
“Yeah.”
“Of course,” I mock.
He lets another kid go before him. I do the same. Catherine is several ahead of me now.
His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.”
I move up in line, but when I sneak a look behind me, he’s looking back, too.
“Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.”
I snap my gaze to her. “What?”
“You know. Romeo and Juliet stuff. Love at first sight and all that.”
“It’s not like that,” I say quickly.
“You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop.
When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap.
With a small wave of apology, I head back to the end of the line.
Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.”
I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.”
His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it.
“You want to go out?” he asks suddenly.
I blink. “As in a date?”
“Yes. That’s what a guy usually means when he asks that question.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
But I can cite ten other reasons for not being a father."
"First of all, I don't like motherhood," said Jakub, and he broke off pensively. "Our century has already unmasked all myths. Childhood has long ceased to be an age of innocence. Freud discovered infant sexuality and told us all about Oedipus. Only Jocasta remains untouchable; no one dares tear off her veil. Motherhood is the last and greatest taboo, the one that harbors the most grievous curse. There is no stronger bond than the one that shackles mother to child. This bond cripples the child's soul forever and prepares for the mother, when her son has grown up, the most cruel of all the griefs of love. I say that motherhood is a curse, and I refuse to contribute to it."
"Another reason I don't want to add to the number of mothers," said Jakub with some embarrassment, "is that I love the female body, and I am disgusted by the thought of my beloved's breast becoming a milk-bag."
"The doctor here will certainly confirm that physicians and nurses treat women hospitalized after an aborted pregnancy more harshly than those who have given birth, and show some contempt toward them even though they themselves will, at least once in their lives, need a similar operation. But for them it's a reflex stronger than any kind of thought, because the cult of procreation is an imperative of nature. That's why it's useless to look for the slightest rational argument in natalist propaganda. Do you perhaps think it's the voice of Jesus you're hearing in the natalist morality of the church? Do you think it's the voice of Marx you're hearing in the natalist propaganda of the Communist state? Impelled merely by the desire to perpetuate the species, mankind will end up smothering itself on its small planet. But the natalist propaganda mill grinds on, and the public is moved to tears by pictures of nursing mothers and infants making faces. It disgusts me. It chills me to think that, along with millions of other enthusiasts, I could be bending over a cradle with a silly smile."
"And of course I also have to ask myself what sort of world I'd be sending my child into. School soon takes him away to stuff his head with the falsehoods I've fought in vain against all my life. Should I see my son become a conformist fool? Or should I instill my own ideas into him and see him suffer because he'll be dragged into the same conflicts I was?"
"And of course I also have to think of myself. In this country children pay for their parents' disobedience, and parents for their children's disobedience. How many young people have been denied education because their parents fell into disgrace? And how many parents have chosen permanent cowardice for the sole purpose of preventing harm to their children? Anyone who wants to preserve at least some freedom here shouldn't have children," Jakub said, and fell into silence.
"The last reason carries so much weight that it counts for five," said Jakub. "Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that it merits being duplicated."
"And you have not found life to be good?" asked Bertlef.
Jakub tried to be precise, and said cautiously: "All I know is that I could never say with complete conviction: Man is a wonderful being and I want to reproduce him.
”
”
Milan Kundera (Farewell Waltz)