“
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Don't you ever feel like, what if the world really IS messed up? What if we COULD Do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework.
'm listening.
Annabeth: I mean, the West represents a lot of the best things mankind ever did--that's why the fire is still burning. That's why OlympusIs still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: 'If I could tear this all down, i would do it better.'. Don't you ever feel that way? Like YOU could do a better job I'd you ran the world?
Percy:Um...no. Me running the world would be kind of a nightmare.
Annabeth: then you're lucky. Hubris isn't your fatal flaw.
Percy: what is?
Annabeth: I don't know, Percy, but every hero has one. If you don't find it and learn to control it...well, they don't call it 'fatal' for nothing.
Percy(thinking to himself): I thought about that. It didn't exactly cheer me up.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
Who are you?"
"I'm the stuff of your nightmares... Actually, I'm the stuff your nightmares wake up screaming about
”
”
Justin Somper (Blood Captain (Vampirates, #3))
“
News flash: The whole thing is a huge mess and a giant nightmare and it’s all about to explode in your face and you have no idea what
you’ve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their
possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help.
That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
Believe me, I should know.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
It’s often said that cowards make the best torturers. Cowards have good imaginations, imaginations that torment them with all the worst stuff of nightmare, all the horrors that could befall them. This provides an excellent arsenal when it comes to inflicting misery on others. And their final qualification is that they understand the fears of their victim better than the victim does himself.
”
”
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
“
You're crackers.”
“Marvelous isn't it? I find it's the only way to be.
”
”
Paul Magrs (Doctor Who: Hornets' Nest, Part 1 - The Stuff of Nightmares)
“
I want to cross my arms and say things like, "Don't come back if you're not going to stay!" and "If you think that nothing's changed, you're wrong." But she probably heard all this stuff from Thomas already. I wasn't the boyfriend. I don't know why I feel like I should get the chance to yell at her too.
Jesus. I have become the thing they call the third wheel.
”
”
Kendare Blake (Girl of Nightmares (Anna, #2))
“
You see, in the Czech Republic, on December fifth, St. Nicholas goes around bringing candy and small gifts to children, accompanied by an angel and a devil. In a holiday tradition that is the stuff of nightmares, the devil threatens to scoop bad children into his sack and carry them to hell. (And you thought coal in your stocking was harsh?)
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
I took Russian in high school,” Nathan said, climbing out of the pool. He’d decided to swim laps that afternoon instead of going to the gym.
“Did you?” Harrison asked, grinning at him.
“Yeah.” Nathan grabbed his towel from the little patio table and began dabbing at his face. “But the only thing I remember is, Mozhno li kopirovat vashi domashnie zodaneeye?”
“Let me guess,” I said. “You just asked me where the bathroom is, right?”
“No.” He scoffed, flicking his wet towel at me. “I was beyond that basic stuff. I took two years of it. Give me some credit.”
“Then what does it mean?” I asked.
“It means, ‘Can I copy your homework?
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
For they were the stuff of nightmares; maggoty abominations possessed of incalculable and vile intellect that donned flesh and spines of men and beasts to shield themselves from the sun and enable themselves to walk upright instead of merely slithering.
”
”
Laird Barron (The Croning)
“
Oh man I love that stuff!"
"You hopped up on energy drinks sounds like a literal nightmare.
”
”
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
“
The stuff of nightmare is their plain bread. They butter it with pain.
”
”
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
“
Sex and dominance. It’s what modern humans think vampire relationships are all about,” I said. “Their stories are full of crazed alpha-male vampires throwing women over their shoulders before dragging them off for dinner and a date.” “Dinner and a date?” Matthew was aghast. “Do you mean . . . ?” “Uh-huh. You should see what Sarah’s friends in the Madison coven read. Vampire meets girl, vampire bites girl, girl is shocked to find out there really are vampires. The sex, blood, and overprotective behavior all come quickly thereafter. Some of it is pretty explicit.” I paused. “There’s no time for bundling, that’s for sure. I don’t remember much poetry or dancing either.” Matthew swore. “No wonder your aunt wanted to know if I was hungry.” “You really should read this stuff, if only to see what humans think. It’s a public-relations nightmare. Far worse than what witches have to overcome.
”
”
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
“
I leave her to chemically combust and find Wren in the student council office, filling out extremely interesting paperwork. He’s buried behind piles of the stuff. I can barely see tufts of his blonde hair poking out. I reach into the paperwork pile and shove the two halves aside. Hundreds of them fall off the desk and to the floor. Papers drift through the air like snowflakes. Fat, boring-ass snowflakes. Wren looks up, face slack with shock.
“Whatcha doing?” I ask.
“Dividing up funding for the other clubs,” He whispers, clearly distraught. A paper plops onto his head and slides off dejectedly. I’m respectful for three seconds.
“So anyway, I had this nightmare in which Jack was sexy and Kayla died.
”
”
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
“
One day, while at the drugstore picking up some aspirin for my Mom, dear old Mrs. Burns, our pharmacist, shoved a pack of condoms into my hand with a conspiratorial wink.
"They glow in the dark," she whispered.
This, from a sixty-five year-old granny, I kid you not. Stuff of nightmares.
”
”
Ramona Wray
“
Unfortunately they failed to appreciate the best part of you, preferring to lose themselves in the labyrinth of your grosser illusions. Didn't I show our well-behaved audience an angelized version of you? And you saw their reaction. They were bored and just sat in their seats like a bunch of stiffs. Of course, what can you expect? They wanted the death stuff, the pain stuff. All that flashy junk. They wanted cartwheels of agonized passion; somersaults into fires of doom; nosedives, if you will, into the frenzied pageant of vulnerable flesh. They wanted a tangible thrill.
("Drink To Me Only With Labyrinthine Eyes")
”
”
Thomas Ligotti (The Nightmare Factory)
“
I used to have nightmares about normal stuff – people chasing me or falling. But then about three years ago they started changing and becoming more…um…real? And harder to forget.
”
”
Kristen Day (Forsaken (Daughters of the Sea, #1))
“
Girl magic. What we didn't know yet, was if this magic was the stuff of fairytales or of nightmares.
”
”
Sara Walters (Missing Dead Girls)
“
If we are unfaithful to true self, we will extract a price from others. We will make promises we cannot keep, build houses from flimsy stuff, conjure dreams that devolve into nightmares, and other people will suffer - if we are unfaithful to true self.
”
”
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
“
I would wish this book could take the form of a plea for everlasting peace, a plea from one who knows... Or it would be fine to confirm the odd beliefs about war: it's horrible, but it's a crucible of men and events and, in the end, it makes more of a man out of you.
But, still, none of these notions seems right. Men are killed, dead human beings are heavy and awkward to carry, things smell different in Vietnam, soldiers are afraid and often brave, drill sergeants are boors, some men think the war is proper and just and others don't and most don't care. Is that the stuff for a morality lesson, even for a theme?
Do dreams offer lessons? Do nightmares have themes, do we awaken and analyze them and live our lives and advise others as a result? Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories.
”
”
Tim O'Brien (If I Die in a Combat Zone, Box Me Up and Ship Me Home)
“
I think you can love people and still disapprove of stuff they do.
”
”
Krystal Sutherland (A Semi-Definitive List of Worst Nightmares)
“
She later said that she had only told the police “like ten percent of the bad stuff.” Investigators, however, understood that 10 percent of a nightmare is still a nightmare.
”
”
Gregg Olsen (If You Tell: A True Story of Murder, Family Secrets, and the Unbreakable Bond of Sisterhood)
“
Misplaced passion and misguided dreams are the stuff that nightmares are made of.
”
”
Craig D. Lounsbrough
“
This was not a costume. This was the stuff of nightmares and horror stories told to keep children from misbehaving.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
do. In a normal year, being a mentor to the tributes is the stuff of nightmares. I can’t walk by the school now without wondering what kid I’ll have to coach.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
The stuff of nightmares is not only relegated to unconscious thoughts upon a pillow, safely beneath an eiderdown.
”
”
P.J. Parker (Fire on the Water: A Companion to Mary Shelley's Frankenstein)
“
In a holiday tradition that is the stuff of nightmares, the devil threatens to scoop bad children into his sack and carry them to hell. (And you thought coal in your stocking was harsh?)
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
Dislike pours out of her toward both Marie and the abbess, a spiritual wind. She has a strong-weak walk like a heartbeat, because a horse stepped on her foot when she was a growing girl and crushed the bones and nerves there. I saw the foot when she came to the abbey oh many decades ago and I had to wash it, it is a mangled horror, the abbess says, it is the stuff of nightmares. Hurts to this day like the flames of hell, Wevua says with satisfaction.
”
”
Lauren Groff (Matrix)
“
The real world isn’t ready to handle our reality. How could they accept that the gulags, the drugs, and the Blood Pit are real? It is the stuff of nightmares. How could they believe that males are being raised as killers, for sport and greed?
”
”
Tillie Cole (Riot (Scarred Souls, #4))
“
The other thing that I would say about writer's block is that it can be very, very subjective. By which I mean, you can have one of those days when you sit down and every word is crap. It is awful. You cannot understand how or why you are writing, what gave you the illusion or delusion that you would every have anything to say that anybody would ever want to listen to. You're not quite sure why you're wasting your time. And if there is one thing you're sure of, it's that everything that is being written that day is rubbish. I would also note that on those days (especially if deadlines and things are involved) is that I keep writing. The following day, when I actually come to look at what has been written, I will usually look at what I did the day before, and think, "That's not quite as bad as I remember. All I need to do is delete that line and move that sentence around and its fairly usable. It's not that bad." What is really sad and nightmarish (and I should add, completely unfair, in every way. And I mean it -- utterly, utterly, unfair!) is that two years later, or three years later, although you will remember very well, very clearly, that there was a point in this particular scene when you hit a horrible Writer's Block from Hell, and you will also remember there was point in this particular scene where you were writing and the words dripped like magic diamonds from your fingers -- as if the Gods were speaking through you and every sentence was a thing of beauty and magic and brilliance. You can remember just as clearly that there was a point in the story, in that same scene, when the characters had turned into pathetic cardboard cut-outs and nothing they said mattered at all. You remember this very, very clearly. The problem is you are now doing a reading and you cannot for the life of you remember which bits were the gifts of the Gods and dripped from your fingers like magical words and which bits were the nightmare things you just barely created and got down on paper somehow!! Which I consider most unfair. As a writer, you feel like one or the other should be better. I wouldn't mind which. I'm not somebody who's saying, "I really wish the stuff from the Gods was better." I wouldn't mind which way it went. I would just like one of them to be better. Rather than when it's a few years later, and you're reading the scene out loud and you don't know, and you cannot tell. It's obviously all written by the same person and it all gets the same kind of reaction from an audience. No one leaps up to say, "Oh look, that paragraph was clearly written on an 'off' day."
It is very unfair. I don't think anybody who isn't a writer would ever understand how quite unfair it is.
”
”
Neil Gaiman
“
The gathered merfolk parted to let me pass, their eyes following me with wary distrust. This time, for the first time, they had every reason to be frightened of me. I was the stuff of their childhood nightmares, after all. Those sickly, slimy creatures that lurked in the depths, drunk on their own wickedness.
”
”
Amerie (Because You Love to Hate Me: 13 Tales of Villainy)
“
Blake dug a hand into our popcorn.
Jayden leaned forward. “Aurora, perhaps you can reconcile our debate. Is Hitchcock horror or suspense?”
“Suspense,” Tristan said.
“Horror,” Logan countered.
“You thought Sleepless in Seattle was horror,” Tristan said. “All that lovey-dovey stuff gave you nightmares.”
“Sad but true,” Jayden confirmed.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
Orin's special conscious horror, besides heights and the early morning, is roaches. There'd been parts of metro Boston near the Bay he'd refused to go to, as a child. Roaches give him the howling fantods. The parishes around N.O. had been having a spate or outbreak of a certain Latin-origin breed of sinister tropical flying roaches, that were small and timid but could fucking fly, and that kept being found swarming on New Orleans infants, at night, in their cribs, especially infants in like tenements or squalor, and that reportedly fed on the mucus in the babies' eyes, some special sort of optical-mucus — the stuff of fucking nightmares, mobile flying roaches that wanted to get at your eyes, as an infant — and were reportedly blinding them; parents'd come in in the ghastly A.M.-tenement light and find their infants blind, like a dozen blinded infants that last summer; and it was during this spate or nightmarish outbreak, plus July flooding that sent over a dozen nightmarish dead bodies from a hilltop graveyard sliding all gray-blue down the incline Orin and two teammates had their townhouse on, in suburban Chalmette, shedding limbs and innards all the way down the hillside's mud and one even one morning coming to rest against the post of their roadside mailbox, when Orin came out for the morning paper, that Orin had had his agent put out the trade feelers.
”
”
David Foster Wallace (Infinite Jest)
“
So let me get this straight. She’s doing..something. With some stuff. That’s somewhere.”
“That pretty much covers it, yeah, “Archer replied.
“Yay for vague,” I muttered, shrugging off my blazer. I tossed it on the nearest shelf and grimaced as a puff of dust and grime rose in the air. “Ugh, gross. Would it kill the Casnoffs to do the occasional cleaning spell? I swear to God, everything in here is covered with a least an inch of…” My words trailed off as a thought occurred to me. From Archer’s sudden grin, he’d apparently had the same idea.
“Bet if you’ve been using an artifact at least three times a week, it’s pretty dust-free,” he said.
“So we look for the least disgusting shelf. Easy enough.”
Or at least that’s what I thought. For about twenty minutes, Archer and I walked around each and every case, looking at every slot. I saw a few items I recognized from cellar duty (a red piece of fabric, some vampire fangs in a jar), and some things I was pretty sure I’d only ever seen in nightmares. What I didn’t see was a clean shelf.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Thoughts can creep up on you, or they can hit harder than a wrecking ball.
”
”
Malorie Blackman (The Stuff of Nightmares)
“
Zombies were bad enough. Zombies silently appearing out of the mist were the stuff of acid-infused nightmares.
”
”
Mark Tufo (The End (Zombie Fallout, #3))
“
I don’t mind sharing, but he’s really too small to fit into my stuff, and Valen’s are a little too tight. Maybe now he’ll have some that fit just right. Fucking Goldilocks.
”
”
Rory Miles (Twilight Terrors (To Kill A Nightmare, #2))
“
there’s one thing that’s the stuff of cats’ nightmares, it’s sudden and total immersion in water.
”
”
Gwen Cooper (Homer's Odyssey)
“
We’ll try to be more sympathetic to your hot nemesis problem. Is she a nightmare to work with?”
An image popped into John’s head, of him kissing Jessica against the hotel room wall in Jacksonville. He could still feel the softness of her skin and hear her breathy moan as he slid his hand underneath her dress.
Hardly the stuff of nightmares.
“It’s been… interesting.
”
”
Julie James (The Thing About Love)
“
We must thank fate (and the author’s thirst for universal fame) for his not having turned to the Ukrainian dialect as a medium of expression, because then he would have been lost. When I want a good nightmare I imagine Gogol penning in Little Russian dialect volume after volume of Dikanka and Mirgorod stuff about ghosts haunting the banks of the Dniepr, burlesque Jews and dashing Cossacks.
”
”
Vladimir Nabokov (Nikolai Gogol)
“
I jumped up, my hands in the air. “Yes!”
Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?”
“Get bread with raisins,” I said. “Everyone hates raisins.”
Jack was bouncing, obviously excited. “That’s all we need, right?”
“We need Reth.”
“No,” Lend and Jack whined in unison.
“Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.”
Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.”
Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.”
“Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.”
“You know I could look exactly like him,” Lend said, frowning darkly.
“Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.”
That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry.
“Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.”
“We are going to blow your quote sky high.”
He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
They are very good odds. And I know that my scientific brain believes them, if not my panic-ridden, maternal one. Those odds should have made a difference to my reaction. I should have been able to take the diagnosis calmly, intelligently, reflectively. But that would be to assign rationality to this phenomenon. The trouble with abject fear - with searing, lurid metaphor - is that it is not rational. And the myths that spring out of fear that deep are certainly not. They are the stuff of nightmares. They are tenacious.
”
”
Alanna Mitchell (Malignant Metaphor: Confronting Cancer Myths)
“
You know what I hate about flashlights?” Thomas asks, and I watch his beam move around the room, revealing sudden bird faces and shifting wings, then nothing but cobweb-covered boards.”They always make you think about the stuff you’re not seeing. The stuff that’s still in the dark.
”
”
Kendare Blake (Girl of Nightmares (Anna, #2))
“
The storm was borne on greenish winds. It began as a coppery taste in the back of one's mouth, a metallic ache that amplified as the clouds darkened and advanced, and when it struck, it was with the flat hand of a senseless fury. The seething deck, the strange whip of light and shadows cast by the sails that snapped and strained above it, the palpable fear of the sailors as they fought to hold the barque on her course -- it was the stuff of nightmare, and Moody had the nightmarish sense, as the vessel drew closer and closer to the goldfields, that she had somehow willed the infernal storm upon herself.
”
”
Eleanor Catton
“
Nevertheless, there was something extraordinary about it when a man so young, with so little experience in flight test, was selected to go to Muroc Field in California for the XS–1 project. Muroc was up in the high elevations of the Mojave Desert. It looked like some fossil landscape that had long since been left behind by the rest of terrestrial evolution. It was full of huge dry lake beds, the biggest being Rogers Lake. Other than sagebrush the only vegetation was Joshua trees, twisted freaks of the plant world that looked like a cross between cactus and Japanese bonsai. They had a dark petrified green color and horribly crippled branches. At dusk the Joshua trees stood out in silhouette on the fossil wasteland like some arthritic nightmare. In the summer the temperature went up to 110 degrees as a matter of course, and the dry lake beds were covered in sand, and there would be windstorms and sandstorms right out of a Foreign Legion movie. At night it would drop to near freezing, and in December it would start raining, and the dry lakes would fill up with a few inches of water, and some sort of putrid prehistoric shrimps would work their way up from out of the ooze, and sea gulls would come flying in a hundred miles or more from the ocean, over the mountains, to gobble up these squirming little throwbacks. A person had to see it to believe it: flocks of sea gulls wheeling around in the air out in the middle of the high desert in the dead of winter and grazing on antediluvian crustaceans in the primordial ooze. When
”
”
Tom Wolfe (The Right Stuff)
“
[From Sid Vicious's letter to Nancy Spungen's mother Deborah]
P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone.
The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart.
Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write.
I love you.
I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me.
His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that?
I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength.
I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy.
NANCY
You were my little baby girl
And I shared all your fears.
Such joy to hold you in my arms
And kiss away your tears.
But now you’re gone there’s only pain
And nothing I can do.
And I don’t want to live this life
If I can’t live for you.
To my beautiful baby girl.
Our love will never die.
I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
”
”
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Don't Cry for this biatch, don't cry for this moron. She isn't your type, she doesn't like you and she won't like you she is just a person which is hypocrite and she get's envy when she see your life - How wonderful is it, how is full with loads stuff and then she looks her life. Full of horror, full of days of nightmare, full of days of angry people shouting each other...
It's not in the blame, it's in the cases, the place where the two persons live!
Don't get angry that he have left you, maybe you will find something better than him, it's a fact you give something for something. Everywhere is like this, don't listen this outside biatches which say "The World isn't a business, it's not you must..." Fucking bullshit, you must do this, somebody saves your life you must go and save and his, that's the rules, that's the law of the attraction, that's how it works, liked or not...
”
”
Deyth Banger
“
like a stormy sea at best. 81. Making Cents of It All With over 1,500 projects under my belt as a freelancer and business owner, saying that I’ve experimented with pricing structures may be the understatement of the year. In my early years, nearly everything was based on a fixed bid. As my client list grew, I began landing some hourly gigs, retainers, and some dedicated resource structures. Each of these pricing structures has pros and cons, for you as a designer as well as for your client. Understanding these pricing structures, explaining them clearly to your clients, and choosing the right one for the job can make the difference between a blissful client experience and your worst nightmare. Fixed Bid Fixed-bid pricing is a set scope of work with a fixed price. You tell
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”
Michael Janda (Burn Your Portfolio: Stuff they don't teach you in design school, but should (Voices That Matter))
“
From the days of the Assyrians and the Qin, great empires were usually built through violent conquest. In 1914 too, all the major powers owed their status to successful wars. For instance, Imperial Japan became a regional power thanks to its victories over China and Russia; Germany became Europe’s top dog after its triumphs over Austria-Hungary and France; and Britain created the world’s largest and most prosperous empire through a series of splendid little wars all over the planet. Thus in 1882 Britain invaded and occupied Egypt, losing a mere fifty-seven soldiers in the decisive Battle of Tel el-Kebir. Whereas in our days occupying a Muslim country is the stuff of Western nightmares, following Tel el-Kebir the British faced little armed resistance, and for more than six decades controlled the Nile Valley and the vital Suez Canal. Other European powers emulated the British, and whenever governments in Paris, Rome or Brussels contemplated putting boots on the ground in Vietnam, Libya or Congo, their only fear was that somebody else might get there first.
Even the United States owed its great-power status to military action rather than economic enterprise alone. In 1846 it invaded Mexico, and conquered California, Nevada, Utah, Arizona, New Mexico and parts of Colorado, Kansas, Wyoming and Oklahoma. The peace treaty also confirmed the previous US annexation of Texas. About 13,000 American soldiers died in the war, which added 2.3 million square kilometres to the “United States (more than the combined size of France, Britain, Germany, Spain and Italy). It was the bargain of the millennium.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Many a morning I found myself waking up in America and being surprised to find myself in a bed. I had been having nightmares all night long, and I didn’t know where I was. It would take me awhile to adjust, because I couldn’t believe I was in a bed. What was I doing in a bed? After the war I never slept more than three or four hours a night. In those days you didn’t talk about stuff like that. There was no such thing as war syndrome, but you knew something was different. You tried not to remember anything from over there, but things came back to you. You had done every damn thing overseas, from killing in cold blood to destroying property to stealing whatever you wanted and to drinking as much wine and having as many women as you wanted. You lived every minute of every day in danger of your own life and limb. You couldn’t take chances. Many times you had a split second to decide to be judge, jury, and executioner. You had just two rules you had to obey. You had to be back in your outfit when you went back on the line. You had to obey a direct order in combat. Break one of those rules and you could be executed yourself, right on the spot even. Otherwise, you flaunted authority. You lost the moral skill you had built up in civilian life, and you replaced it with your own rules. You developed a hard covering, like being encased in lead. You were scared more than you’d ever been in your life. You did certain things, maybe against your will sometimes, but you did them, and if you stayed over there long enough you didn’t even think about them anymore. You did them like you might scratch your head if it itched. You
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
I was having a terrible nightmare,” the penis said then, its voice high-pitched, but quite male. The small hole on the round end moved a little bit as it talked—could it possibly be a mouth? Then the head swiveled a little, directing the small hole toward Vesper. “Ooh, a female. Hello there, cute stuff.”
“Oh…hello.” Not attached to a man, it actually wasn’t so intimidating. She leaned closer. How could something like that actually articulate sounds? Could there be a tiny tongue, vocal cords in there?
“Pick me up why don’t you? I can tell you want to.”
Vesper drew back again. She did admit an urge to poke it with her finger, but it was a detached talking penis, and that in itself made it suspect. Then something occurred to her. “Are you under a spell?”
“Not exactly,” it replied. “But you can kiss me if you want.
”
”
Colleen Chen (Dysmorphic Kingdom)
“
I had always felt that trust was the bedrock of any partnership, especially a business one. My associate and I had what I thought was a non-shakeable alliance. We would strategize; we would go to conferences about crypto and toast our wins with a glass of liquor. He was the only person I had trusted with my financial insight. Unfortunately, he was also the last person I should have trusted. WhatsApp info:+12723 328 343
I woke up one morning to the stuff of nightmares: I had absolutely no access to my Bitcoin wallet, holding $290,000. My password didn't work, my backup keys were useless, and my hardware wallet? Completely wiped. Panic set in as I tried to work out what was going on. Then, a chilling realization hit me. Only a week before, my ever-so-helpful colleague had made an offer to "optimize" my wallet security. I thought at that time, Wow, what a great guy. Well, it turns out he was great-at deception.
The real gut punch? He had the audacity to sit across from me at work the next day, sipping coffee like nothing had happened. I confronted him, expecting some elaborate excuse, but he played dumb-so dumb it was insulting. That's when I knew what I needed were professionals, not empty denials.
After hours of frantic research, I came across ADWARE RECOVERY SPECIALIST. Their reputation in high-stakes crypto theft gave me hope. From the first conversation, they took my case seriously, breaking down the recovery process in a way that finally made sense. Their forensic team got to work tracking the stolen funds across multiple wallets.
A few tense days later, I got the call: my money was back. Every single dollar. It turned out that my trusted colleague had tried to launder the funds through multiple transactions, but ADWARE RECOVERY SPECIALIST untangled his mess with ease. The feeling of relief was overwhelming; I had prepared myself for the worst, yet I walked away victorious.
My colleague probably had a pretty good inkling, because he quit before I could file any report. Typical. Some people just love to disappear rather than confront the music. Email info: Adware recovery specialist (@) auctioneer.net
I emerged from that fiasco with my money still in one piece, and more painfully but preciously, with the lesson not to confuse control for kindness: you earn trust; you don't give it away freely-especially where money intervenes.
”
”
TRUSTED CRYPTOCURRENCY RECOVERY EXPERT HIRE ADWARE RECOVERY SPECIALIST
“
What did Kavinsky say about it?” Chris asks me.
“Nothing yet. He’s still at lacrosse practice.”
My phone immediately starts to buzz, and the three of us look at each other, wide-eyed. Margot picks it up and looks at it. “It’s Peter!” She hot-potatoes the phone to me. “Let’s give them some privacy,” she says, nudging Chris. Chris shrugs her off.
I ignore both of them and answer the phone. “Hello.” My voice comes out thin as a reed.
Peter starts talking fast. “Okay, I’ve seen the video, and the first thing I’m going to say to you is don’t freak out.” He’s breathing hard; it sounds like he’s running.
“Don’t freak out? How can I not? This is terrible. Do you know what they’re all saying about me in the comments? That I’m a slut. They think we’re having sex in that video, Peter.”
“Never read the comments, Covey! That’s the first rule of--”
“If you say ‘Fight Club’ to me right now, I will hang up on you.”
“Sorry. Okay, I know it sucks but--”
“It doesn’t ‘suck.’ It’s a literal nightmare. My most private moment, for everybody to see. I’m completely humiliated. The things people are saying--” My voice breaks. Kitty and Margot and Chris are all looking at me with sad eyes, which makes me feel even sadder.
“Don’t cry, Lara Jean. Please don’t cry. I promise you I’m going to fix this. I’m going to get whoever runs Anonybitch to take it down.”
“How? We don’t even know who they are! And besides, I bet our whole school’s seen it by now. Teachers, too. I know for a fact that teachers look at Anonybitch. I was in the faculty lounge once and I overheard Mr. Filipe and Ms. Ryan saying how bad it makes our school look. And what about college admission boards and our future employers?”
Peter guffaws. “Future employers? Covey, I’ve seen much worse. Hell, I’ve seen worse pictures of me on here. Remember that picture of me with my head in a toilet bowl, and I’m naked?”
I shudder. “I never saw that picture. Besides, that’s you; that’s not me. I don’t do that kind of stuff.”
“Just trust me, okay? I promise I’ll take care of it.”
I nod, even though I know he can’t see me. Peter is powerful. If anyone could fix such a thing, it would be him.
“Listen, I’ve gotta go. Coach is gonna kick my ass if he sees me on the phone. I’ll call you tonight, okay? Don’t go to sleep.”
I don’t want to hang up. I wish we could talk longer. “Okay,” I whisper.
When I hang up, Margot, Chris, and Kitty are all three staring at me.
“Well?” Chris says.
“He says he’ll take care of it.”
Smugly Kitty says, “I told you so.”
“What does that even mean, ‘he’ll take care of it’?” Margot asks. “He hasn’t exactly proven himself to be responsible.”
“It’s not his fault,” Kitty and I say at the same time.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
”
”
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
“
As we round the corner for our third lap, I catch Peter Kavinsky looking at me. I thought I was imagining it at first, him staring in my direction, but this is the third time. He’s playing ultimate Frisbee with some of the guys. When we pass them, Peter jogs over to us and says, “Can I talk to you for a minute?”
Chris and I look at each other. “Her or me?” she asks.
“Lara Jean.”
Chris puts her arm around my shoulder protectively. “Go ahead. We’re listening.”
Peter rolls his eyes. “I want to talk to her in private.”
“Fine,” she snaps, and she flounces away. Over her shoulder she looks back at me with wide eyes, like What? I shrug back, like I have no idea!
In a low, quiet voice, Peter says, “Just so you know, I don’t have any STDs.”
What in the world? I stare at him, my mouth open. “I never said you had an STD!”
His voice is still low but actually furious. “I also don’t always take the last piece of pizza.”
“What are you talking about?”
“That’s what you said. In your letter. How I’m an egotistical guy who goes around giving girls STDs. Remember?”
“What letter? I never wrote you any letter!”
Wait. Yes I did. I did write him a letter, about a million years ago. But that’s not the letter he’s talking about. It couldn’t be.
“Yes. You. Did. It was addressed to me, from you.”
Oh, God. No. No. This isn’t happening. This isn’t reality. I’m dreaming. I’m in my room and I’m dreaming and Peter Kavinsky is in my dream, glaring at me. I close my eyes. Am I dreaming? Is this real?
“Lara Jean?”
I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?”
“It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--”
“It came in the mail? To your house?”
“Yeah.”
I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
”
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Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
I’ve heard writers defend some pretty appalling stuff by arguing that they have an obligation to depict the world as it is, but fiction has no such obligation. It’s not a mirror to reality, it’s a prism. It refracts experience. Also, I think some writers are reluctant to admit that part of their aim is to shock the reader, and that’s a downward spiral. We have, as consumers, become increasingly inured to violence. Most of us are pretty hard to shock.
”
”
Clive Barker (Where Nightmares Come From)
“
Korean pizza was, and still is if you look for it, the stuff of Italian nightmares. Bulgogi, wasabi, sweet tomato sauce, gochujang (고추장, Korea’s potent red pepper paste), cream cheese, raisins, nuts, cheap canned pineapple, strawberries, kimchi, and potatoes . . . All these are legitimate Korean pizza toppings.
”
”
Graham Holliday (Eating Korea: Reports on a Culinary Renaissance)
“
Lara Jean?”
I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?”
“It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--”
“It came in the mail? To your house?”
“Yeah.”
I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this.
I can feel myself start to sweat. Rapidly I say, “You should know that I wrote that letter a really long time ago.”
“Okay.”
“Like, years ago. Years and years ago. I don’t even remember what I said.” Up close, your face wasn’t so much handsome as beautiful. “Seriously, that letter’s from middle school. I don’t even know who would have sent it. Can I see it?” I reach for the letter, trying to stay calm and not sound desperate. Just casual cool.
He hesitates and then grins his perfect Peter grin. “Nah, I want to keep it. I never got a letter like this before.”
I leap forward, and quick like a cat I snatch it out of his hand.
Peter laughs and throws up his hands in surrender. “All right, fine, have it. Geez.”
“Thanks.” I start to back away from him. The paper is shaking in my hand.
“Wait.” He hesitates. “Listen, I didn’t mean to steal your first kiss or whatever. I mean, that wasn’t my intention--”
I laugh, a forced and fake laugh that sounds crazy even to my own ears. People turn around and look at us. “Apology accepted! Ancient history!” And then I bolt. I run faster than I’ve ever run. All the way to the girls’ locker room.
How did this even happen?
I sink to the floor. I’ve had the going-to-school-naked dream before. I’ve had the going-to-school-naked-forgot-to-study-for-an-exam-in-a-class-I-never-signed-up-for combo, the naked-exam-somebody-trying-to-kill-me combo. This is all that times infinity.
And then, because there’s nothing left for me to do, I take the letter out of the envelope and I read it.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
leaders.’ Nebe snorted and went back round his desk. ‘You’re going to have to watch your mouth, Bernie,’ he said, half-amused. ‘Get to the funny bit.’ ‘Well, it’s this. A number of recent reports, complaints if you like, made to Kripo by those related to institutionalized people leads me to suspect that some sort of mercy-killing is already being unofficially practised.’ I leant forward and grasped the bridge of my nose. ‘Do you ever get headaches? I get headaches. It’s smell that really sets them off. Paint smells pretty bad. So does formaldehyde in the mortuary. But the worst are those rotten pissing places you get where the dozers and rum-sweats sleep rough. That’s a smell I can recall in my worst nightmares. You know, Arthur, I thought I knew every bad smell there was in this city. But that’s last month’s shit fried with last year’s eggs.’ Nebe pulled open a drawer and took out a bottle and two glasses. He said nothing as he poured a couple of large ones. I threw it back and waited for the fiery spirit to seek out what was left of my heart and stomach. I nodded and let him pour me another. I said: ‘Just when you thought that things couldn’t get any worse, you find out that they’ve always been a lot worse than you thought they were. And then they get worse.’ I drained the second glass and then surveyed its empty shape. ‘Thanks for telling me straight, Arthur.’ I dragged myself to my feet. ‘And thanks for the warmer.’ ‘Please keep me informed about your suspect,’ he said. ‘You might consider letting a couple of your men work a friend-and-foe shift on him. No rough stuff, just a bit of the old-fashioned psychological pressure. You know the sort of thing I mean. Incidentally, how are you getting on with your team? Everything working out there? No resentments, or anything like that?’ I could have sat down again and given him a list of
”
”
Philip Kerr (Berlin Noir: March Violets / The Pale Criminal / A German Requiem)
“
Her voice was the stuff of nightmares, though. That clipped, disapproving tone could shrivel the balls of an elephant. I
”
”
Amanda M. Lee (Buried Leads (Avery Shaw, #3))
“
Perhaps this is what people call the calm after the storm. The stuff of nightmares had come to pass and I was still alive. Now it was time to figure out the next steps.
”
”
Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
“
No task is a long one but the task on which one dare not start. That task becomes a nightmare.
”
”
Don Bruns (The Stuff Series Collection (The Stuff Series, Books 1-7))
“
Synethetic devashare isn’t expensive. You can print it from readily available components, if you are someplace with a permissive substance policy. But the good stuff-the nightmare stuff-that’s not the sort of thing that you can get just anywhere. It’s virulantly illegal everywhere with a government, as you’d hope any intoxicant from a murdered flesh of presumed would be. So it’s the sort of thing you heard rumors about the wealthy and dissolute obtaining, or try to obtain-the same way you hear rumors about certain debauched priveleged types throwing noncon kink parties and similiar nasty things.
”
”
Elizabeth Bear (Ancestral Night (White Space, #1))
“
Communication is important, we remind each other, as we clear a path and stuff our building superintendent into the trunk of my tiny Subaru—it’s the foundation of a healthy relationship.
”
”
David Ly (Queer Little Nightmares)
“
Still, too many I know are hunting down nightmares, pissing away the same time life allots to chase dreams.
”
”
Alicia Cook (Stuff I've Been Feeling Lately)
“
. . . Marie Antoinette's wardrobe was the stuff of dreams, and the space of nightmares.
”
”
Caroline Weber (Queen of Fashion: What Marie Antoinette Wore to the Revolution)
“
The creative process is imagination, memories, nightmares, and dismantling certain aspects of this world and putting them back together in the dark. Songs aren’t necessarily verbatim chronicles or necessarily journal entries, they’re like smoke, it’s like it’s made out of smoke. The stuff that makes a song … well, usually a song will remind you of something, it will take you back somewhere and make you think of somebody or someplace. They’re like touchstones, or a mist.
”
”
Paul Maher Jr. (Tom Waits on Tom Waits: Interviews and Encounters (Musicians in Their Own Words))
“
How I get inspired?? (Good question!)
I just read stuff which make me to get inspired, like horror, like facts, like books which give me the chance to look over the goverment...
However I watch films like The Den, Truth or Die, Unknown 2011, Unknown 2015, You can't kill Stephen King, Dreamscapes and Nightmares, Breaking Bad, Monk and many others this series, films put me in Different situations and I just need to solve them...
My life the whole is just an example what I mustn't do and somehow this make me inspired!
”
”
Deyth Banger
“
This was the stuff nightmares were made of. Going to school in your Spiderman pj’s. Giving a public speech naked. And discovering you’d accidentally slept with your boss.
”
”
Jill Shalvis (Then Came You (Animal Magnetism, #5))
“
Some stuff are kind of nightmarish... or chillish...
This are Reddit Collection #1,2,3 and soona 4!
”
”
Deyth Banger
“
We could talk about it.” “Talk about what?” “Why you look like someone shot your dog. Shelby, I assume.” “Nah,” Luke said, taking a drink. “That’s not serious.” “I guess that has nothing to do with your sleeplessness or your mood then. Trouble with the cabins? The town? Your tenant/helper?” “Aiden, there’s nothing bothering me, except maybe that I’ve been working my ass off for three months getting a house and six cabins rebuilt and furnished.” Aiden took a sip of his drink. “Twenty-five, so Sean and Mom say. And gorgeous.” “Sean’s an idiot who can’t mind his own business. She’s just a girl.” “She’s just a girl who has you looking a little uptight.” “Thanks,” he said, standing. “You don’t look that great yourself—I’m going to bed.” He threw back the rest of his drink. “Nah, don’t,” Aiden said. “Fix another one. Give me ten minutes, huh? I can just ask a couple of questions, right? I’m not like Sean, I’m not going to get up your ass about this. But you haven’t talked about it much and I’m a little curious.” Luke thought about that for a second and against his better judgment, he went into the kitchen and poured himself a short shot. He went back and sat down, leaning his elbows on his knees. “What?” he asked abruptly. Aiden chuckled. “Okay. Relax. Just a girl? Not serious?” “That’s right. A town girl, sort of. She’s visiting her family and she’ll be leaving pretty soon.” “Ah—I didn’t know that. I guess I thought she lived there.” “Long visit,” Luke said. “Her mother died last spring. She’s spending a few months with her uncle until she gets on with things—like where she wants to live. College and travel and stuff. This is temporary, that’s all.” “But—if you felt serious, there isn’t any reason you wouldn’t let it…you know…evolve…?” “I don’t feel serious,” he said, his mouth in a firm line. “Okay, I get that. Does she? Feel serious?” “She has plans. I didn’t trap her, Aiden. I made sure she knew—I’m not interested in being a family man. I told her she could do better, I’m just not built that way. But when I’m with a woman, I know how to treat her right. If she needed something permanent, she was in the wrong place. That’s how it is.” “Never?” “What do you mean, never? No one in this family is interested in that.” “Bullshit. I am. Sean says he’s having too much fun, but the truth is he has the attention span of a cabbage. But me? I’d like a wife, a family.” “Didn’t you already try that once?” Luke asked, sitting back in his chair, relaxing a little bit since the attention had shifted to Aiden’s life. “Oh, yeah—I tried hard. Next time I try, I’m going to see if I can find a woman who’s not certifiable and off her meds.” He grinned. “Really, that’s what happens when you ignore all the symptoms because she’s such a friggin’ miracle in bed, it causes brain damage.” He shrugged. “I’m on the lookout for that.” Luke grinned. “She was hot.” “Oh, yeah.” “She was worse than nuts.” “Nightmare nuts,” Aiden agreed.
”
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Robyn Carr (Temptation Ridge)
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This world inside which sentience has awoken, uninvited, is the stuff of all nightmares, a living daymare, a defiled experiment draped in ethical ugliness, and is it therefore any surprise that a child’s first reaction upon discovering themselves alive inside it is to scream in absolute horror?
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John Zande
“
And we are such stuff as dreams are made. Or nightmares. I
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Mark Henwick (Angel Stakes (Bite Back #5))
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I blinked. “What do you mean awake?”
Bethany grimaced. “Don’t you know the story ordinaries tell about what happened to Merlin?”
“Uh, no.”
“I do,” said Eli. “There’re lots of different versions, but most say he was imprisoned in some kind of magical tomb by a witch named Niviane or some such.”
I gaped at him, surprised by the depth of his knowledge on the subject.
“What?” he said, shrugging. “I have sort of a thing for mythology and folklore.”
Yeah, that might be even cuter than the cop stuff.
”
”
Mindee Arnett (The Nightmare Affair (The Arkwell Academy, #1))
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has a standing invitation for Stump to come for Tuesday night dinner. Those two are a sight to behold.” He paused for a moment, looking down across the yard where Stump and Gristle were still piling the tree logs. “But Tracey . . .” When he paused, both Noah and Tracey looked up at him. Noah could see the moisture in his eyes and the slight tremble of his lips. “Tracey, what that woman has done for that big giant of a man—well, I can hardly find words for it. He came from such an awful background. No daddy. A mom who didn’t want him. Kicked around from one orphanage to another. And you can only imagine how all the other kids treated him, like he was some kind of freak. A horrible life from the day he was born. Stuff I won’t share because I consider it confidential as his friend and pastor, but also because it’s the stuff of nightmares.
”
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Diane Moody (Home to Walnut Ridge (The Teacup Novellas, #3))
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She asks me, "How do you grieve someone you never met?"
With each patient, I hear similar questions. It keeps emerging, this pulse. It presses in every room, leans on every shoulder, demands an answer: How do you grieve future loss? Underneath that, more questions: How do you deal with the viciousness of a broken dream? How do you move on from the picture of life in your head? How do you keep moving through a parallel-universe life?
My patients suffer from good dreams. What I mean is, it's not the nightmares that keep them up. It's the hope. Daydreams of another life. Instead of homesick, they're timesick.
Before becoming a chaplain, I thought grief was about missing the past. About reflecting on all the things before, the stuff we had until mortality crawled through the window. It's true. We grieve the past.
But mostly no one gets a chance to grieve the future. It doesn't seem to read as a real loss.
I need to tell you about this because nobody told me:
The dream that didn't happen is as much of a loss as losing the one that did.
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J.S. Park (As Long as You Need: Permission to Grieve)
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Haiti was the stuff of American nightmare: a nation of black slaves who had killed off their white masters.
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N.K. Jemisin (How Long 'til Black Future Month?)
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I’ve seen stuff, Tanner. You know that. In special ops, I saw all sorts of violence against men, women and children that is the stuff nightmares are made of. But nothing I ever saw there puts me anywhere near the killing rage I feel when I think about Ellis hurting Marilyn.
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Janie Crouch (Risk Everything (A Bree and Tanner Thriller #4))
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I have met and become the stuff of nightmares. And still, no one has disgusted me the way Tommaso does.
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Cora Kent (Ruthless Sinner (The Terlizzis #1))
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throughout my life, using skills or talents or a person’s raw physical power to help them rise to the top of their society came and went. In the beginning, it was the strength in their arms to swing their swords. Then the tongue to sway large groups to accomplish something together. It became those who developed the sciences, and then—to a degree—it was those again who had physical prowess and could run or shoot a ball into a hoop. Yet, it was those who produced the food, built the homes, protected society, or taught the children or young adults who often weren’t supported. They would do their jobs, punch their time cards, and do what needed to get done to keep society going. My suggestion is to consider all work—if done well—equal. Government needs to be in place, but we’ll require some form of service as your debt to society. Perhaps you are a musician but can test into working with an R&D lab in the future. Can that be your service?” “That,” Bethany Anne replied, “could be a nightmare. Just think about the ongoing effort for some of Jean Dukes’ stuff. There’s no way we could place a person into a project for two weeks and then they leave.” Michael tapped a finger on the table. “I understand. However, let me give you a quote from a worker to Jack Welch.” “Who?” Peter interrupted. Stephen answered, “Jack Welch. He was the CEO of General Electric—GE—back on Earth in the twentieth century.” Michael continued, “He was talking to the assembly line workers at one of their businesses and one of the men spoke up, telling Welch that ‘for twenty-five years you paid for my hands when you could have had my brain as well for nothing.’” The table was quiet a moment, thinking about that. Peter was the first to break it. “Makes sense. We use that concept in the Guardians all the time. Everyone has a role to play, but if you have ideas you need to speak up.” “It would,” Addix added, “allow those interacting to bring new ways of thinking to perhaps old and worn-out strategies.” “What about those who truly hated the notion?” Stephen asked. “I can think of a few.” “I’m tempted to say ‘fuck ‘em.’” Bethany Anne snorted. “However, I know people, and they might fuck up the works. What about a ten-percent charge of their annual wealth if they wish to forego service?” “Two weeks,” Michael interjected, “is at best four percent of their time.” “Right,” Bethany Anne agreed, “so I’d suggest they do the two weeks. But if they want to they can lose ten percent of their annual wealth—which is not their annual income, because that shit can be hidden.” The Admiral asked, “So a billionaire who technically made nothing during the year would owe a hundred million to get out of two weeks’ service?” “Right,” Bethany Anne agreed. “And someone with fifty thousand owes five thousand.” “Where does the money go?” Peter asked. Admiral Thomas grinned. “I suggest the military.” “Education?” Peter asked. “It’s just a suggestion, because that is what we are talking about.” Stephen scratched his chin. “I can imagine large corporations putting income packages together for their upper-level executives to pay for this.” “I suggest,” Bethany Anne added, “putting the names of those who opt out on a public list so everyone knows who isn’t working.” “What about sickness, or a family illness they need to deal with?” Stephen countered. “With Pod-docs we shouldn’t have that issue, but there would have to be some sort of schedule. Further, we will always have public projects. There are always roads to be built, gardens to be tended, or military
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Michael Anderle (The Kurtherian Endgame Boxed Set (The Kurtherian Endgame #1-4))
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The nightmare memory slowly fades away, leaving behind an icky residue that sticks to my skin. Breathe, Shane. Inhale. Exhale. The tightness in my chest with each breath I take. With a rueful laugh, I shake my head, sweeping away the creepy cobwebs. Be present, Shane, I tell myself. Let all the bad stuff go. I survived. I made it back.
”
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Daka Hermon (Nightmare King)
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It's merely a matter of seeing them as people. As I've mentioned, they feel the same way about the tiny arthropods on their own worlds. We are each the stuff of the other's nightmares. These are primitive attitudes that both races must fight to overcome. There is no logic to them.
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Alan Dean Foster (Nor Crystal Tears (Humanx Commonwealth, #9))
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Thinking about that stuff too much seems like it could be a nightmare. Good thing it’s not my problem, just a curiosity.
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Jackie Ess (Darryl)
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M-m-master, when I was on the Quasar I had a paracoita, a doll, you see, a genicon, so beautiful with her great pupils as dark as wells, her i-irises purple like asters or pansies blooming in summer, Master, whole beds of them, I thought, had b-been gathered to make those eyes, that flesh that always felt sun-warmed. Wh-wh-where is she now, my own scopolagna, my poppet? Let h-h-hooks be buried in the hands that took her! Crush them, Master, beneath stones. Where has she gone from the lemon-wood box I made for her, where she never slept at all, for she lay with me all night, not in the box, the lemon-wood box where she waited all day, watch-and-watch, Master, smiling when I laid her in so she might smile when I drew her out. How soft her hands were, her little hands. Like d-d-doves. She might have flown with them about the cabin had she not chosen instead to lie with me. W-w-wind their guts about your w-windlass, stuff their eyes into their mouths. Unman them, shave them clean below so their doxies may not know them, their lemans may rebuke them, leave them to the brazen laughter of the brazen mouths of st-st-strumpets. Work your will upon those guilty. Where was their mercy on the innocent? When did they tremble, when weep? What kind of men could do as they have done—thieves, false friends, betrayers, bad shipmates, no shipmates, murderers and kidnappers. W-without you, where are their nightmares, where are their restitutions, so long promised? Where are their chains, fetters, manacles, and cangues? Where are their abacinations, that shall leave them blind? Where are the defenestrations that shall break their bones, where is the estrapade that shall grind their joints? Where is she, the beloved whom I lost?
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Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
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I personally would like a lot more stuff around here to make sense. But when something ghastly happens, it is not helpful to many people if you say that it's all part of God's perfect plan, or that it's for the highest good of every person in the drama, or that more will be revealed, even if that is all true. Because at least for me, if someone's cute position minimizes the crucifixion, it's bullshit. Which I say with love.
To use just one Christian example: Christ really did suffer, as the innocent of the earth really do suffer. It's the ongoing tragedy of humans. Our lives and humanity are untidy: disorganized and careworn. Life on earth is often a raunchy and violent experience. It can be agony just to get through the day.
And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, 'This is a nightmare. I hate everything. I'm going to go hide in the garage.'...
My understanding of incarnation is that we are not served by getting away from the grubbiness of suffering...
It would be great if we could shop, sleep or date our way out of this. Sometimes we think we can, but it feels that way only for a while. To heal, it seems we have to stand in the middle of the horror, at the foot of the cross, and wait out another's suffering where that person can see us.
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Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair by Anne Lamott (2013-10-29))
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Holy Name had been such a big part of my life that sometimes I took the church and school for granted. Not only were my children going to school here, where we attended services every Sunday, but the church was also essentially harboring my grandfather and giving him a strong purpose late in life. The idea of Seamus living with us as a retired bar owner with no purpose in life was the stuff of nightmares.
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James Patterson (Ambush (Michael Bennett, #11))
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His name is Colin Boddie. And yes, I know, that’s not funny. Only it is; of course it is. He’s heard the gags so many times he’s developed his own brand of pathological humour to go with it. It can sound crass, if you don’t know him, but it’s just a form of carapace. A way to keep the horror at bay. And what they’ve got here – despite the daylight and all the busy professional apparatus – is still the stuff of nightmares.
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Cara Hunter (In the Dark (DI Adam Fawley, #2))
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I have nightmares where you are on autorepeat, saying, ‘I need stuff. I need stuff.’ And you know what I say?”
“Anything you want, my queen?”
“I say, ‘Fuck you, Lilah.
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Lisa Renee Jones (Murder Notes (Lilah Love, #1))
“
ALL RIGHTS RESERVED. No part of this book may be used or reproduced in any matter whatsoever without the written and signed permission of the author. All trademarked names are the property of their owner and are acknowledged by the proper use of capitalization throughout. OTHER ‘Game on Boys’ BOOKS Available on Amazon as eBooks or print books Game on Boys 4 can be read separately or part of a series FREE ebook Game on Boys 1:The PlayStation Playoffs(8-12) Game on Boys 2 : Minecraft Madness (8-12) Game on Boys 3 : NO Girls Allowed Game on Boys 5 : House of Horrors Game on Boys 6 : Galactic Zombie Other books by Kate Cullen FREE Diary Of a Wickedly Cool Witch : Bullies and Baddies(8-13) Boyfriend Stealer : Diary of a Wickedly Cool Witch 2 (8-13) Diary of a Wickedly Cool Witch 3 : Perfect Ten (8-13) Diary of a Wickedly Cool Witch 4 : Witch School for Misfits Lucy goes to the Halloween Party (Early readers) Lucy the Easter Dog (Early readers) Lucy's Merry Christmas Sammy McGann and the Secret Soup People (5-10) Follow KATE on TWITTER at Kate Cullen @ katekate5555 Or email gameonboysseries@gmail.com to receive email updates. (Copy and paste) Or visit her website for new books and giveaways Kate Cullen author website Contents 1. Wow 2. BYODD 3. Secrets 4. News 5. Brats 6. Santa 7. Wishing 8. Blocky 9. Monsters 10. Wolverine 11. Creepy. 12. Arachnophobia 13. Fartblaster 14. Superhero 15. Enderman 16. Teleporting 17. Lost 18. Potions 19. Scared 20. Spells 21. Fireworks 22. Homecoming 1. WOW You know how awesome Christmas is, and birthdays are sick as, Easter is just a big fat chocolate splurge, and even Thanksgiving is like pig-out insanity. Weekends are kinda cool too, but holidays are totally far out man. And when a new PS game comes out and they have a midnight release extravaganza at the game store, it’s like crazy time, coolness overload. All these things are the main reason I exist on this earth. Without all this stuff, life would just SUCK big time. But nothing, I repeat NOTHING comes close to the Christmas I just had. WOW! I repeat WOW! Where do I even start? This Christmas was a like a dream come true. Actually it was sort of like a nightmare too, if that makes any sense. A dream and a nightmare mixed up into one. Totally far out man. Totally gobsmacking, totally awesome, but totally freaking scary. So you’re probably thinking like I won a million bucks or something and then got mugged, or the owner of Sony PlayStation company sent me 1000 free PS games, and then the house got robbed at gunpoint. Or even better, the owner made me the new boss of the Sony PlayStation company. Yeah right! Like that will ever happen! In my dreams!! Although, after what happened, I’m thinking that absolutely anything is possible. 2. BYODD The last day at school before Christmas break was awesome. We had a BYOD day in the afternoon. The first part of the day we had to do all the boring Christmassy stuff like making soppy cards for our families, coloring pictures of Santa and doing boring word searches looking for words like (DER) ‘Santa, Christmas, present, jingle, stocking’. Like BORING. Capital ‘B’ Boring. Why can’t Christmas word finds have proper Christmas words like, console, iPhone 6, PlayStation games, Star wars, BMX, Nerf Modulous Blaster, Thunderblast, Star Wars darth vader vehicle, lego Star Wars Death star?
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Kate Cullen (GAME ON BOYS : Minecraft Superhero (Game on Boys Series Book 4))
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The doll had blonde hair and a purple dress and as Monique worked her magic, the doll began to walk. It was the stuff of nightmares and Don Mancini movies.
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L. Starla (Winter's Maiden 1 (Winter's Magic #1))
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She was smiling again, gently teasing him, and Jacques felt surrounded by her light. It seemed to shine through her vivid green eyes and lead him away from the yawning emptiness. She was making perfect sense, and in this moment of lucidity, he could do no other than acquiesce. Still, how was he going to be without her even for a short time? How would he survive as each minute, each second crawled by? Jacques closed his eyes, a fine sheen of sweat coating his skin at the thought of the darkness he would endure. The agony. The isolation.
“Jacques, don’t. You said you could shut down your heart and lungs. If you do that, do you feel or think? Dream?” Have nightmares?
Not, but I dare not sleep in the way of our people. When you are separated from me or you choose the sleep of mortals, I must remain alert.
“I’ll be fine. Put yourself to sleep and escape for just a little while. I’ll take off and get as far as I can tonight.”
You must not allow anything to happen to you, Shea. You cannot comprehend how important it is that you come to no harm. I cannot be without you. You brought me back into this life. I know my mind is not right. You cannot desert me when I need you the most. I would not be able to find my way back from the madness of the beast.
“I have no intention of deserting you, Jacques,” she assured him.
Do not forget that you must merge with me this time. There was a trace of fear in his voice.
“I will check in often, Jacques. And you tell me if anything goes wrong on your end. Understand? No more of this chest-beating macho stuff.
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Christine Feehan (Dark Desire (Dark, #2))
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You’re a legend! The stuff of nightmares! It will be an honor to be eaten by you.
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Diary Wimpy (Minecraft: Diary of a Minecraft Cave Spider)
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rose-colored stuff. The shit was everywhere, from the rug and the drapes, to the wallpaper and the sheets, and Xcor’s scent was all over the place. Clearly, this was his private room—and there was some serious satisfaction that the fucker had had to crash in this estrogen-dominated nightmare. Like sleeping in a goddamn womb. Rhage shuddered as he walked out into the hall. “Wonder if he’s been suffering from a phantom urge to wear high heels.
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J.R. Ward (The Shadows (Black Dagger Brotherhood, #13))
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Why? I had no idea. I loved the stuff and was in a long-term relationship with it, but the moment I’d smelled the fried meat, I’d thought I might vomit all over the table. It was probably also the fact that Ash had woken me from another nightmare this morning.
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Jennifer L. Armentrout (Born of Blood and Ash (Flesh and Fire, #4))
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Another thank-you goes to Commander Bill Sanders of the Navy, who was one of our country’s top experts on nuclear strategy. A darn good friend and advisor who wrote the afterword of my first book on the subject. We would often joke in a macabre way that no one wants our nightmares, they are simply too scary. When you write about this stuff, you do have to learn balance to lead a good and happy life in spite of the concerns. The next acknowledgment is for Linda Franklin. Yes, the model for my Linda Franklin in the novels, along with her husband, Earl “Ernie” Franklin. Linda’s story is a remarkable one. Born into Southern rural poverty, a kindly aunt took care of her tuition in Vanderbilt, where she earned a degree in mathematics. I recall a dinner with her, dated exactly to July 20th, some years ago. It being July 20th, I raised my glass in a toast to Apollo 11. Linda replied, “I helped write the TLI programs for that.” Me: “You mean the Trans-Lunar Injection math.” And she beamed proudly. Linda spent more than a decade in the 1960s doing the math—not the software, but the actual complex mathematical formulas—for the Mercury, Gemini, and Apollo missions that would then be coded. Don’t get it right there, and you don’t have the right software that became the triumphs of those glorious days for NASA. Yes, there was a movie made about it a few years back that featured several African Americans that deserve credit, but Linda was part of that team for ten years as well. Sadly, this is being written in late March of 2023 and by the time it is published, Linda will be gone from this earthly abode. Launch well, Linda, as you head off to the heaven you so richly deserve.
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William R. Forstchen (Five Years After (After #4))
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The school parking lot was a quagmire of potential disaster: student drivers backing out too quickly, little kids running to cars without paying attention, mothers tearing in late. The stuff of nightmares. “How
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Barbara Claypole White (The Perfect Son)
“
I had always felt that trust was the bedrock of any partnership, especially a business one. My associate and I had what I thought was a non-shakeable alliance. We would strategize; we would go to conferences about crypto and toast our wins with a glass of liquor. He was the only person I had trusted with my financial insight. Unfortunately, he was also the last person I should have trusted. WhatsApp info:+12723 328 343
I woke up one morning to the stuff of nightmares: I had absolutely no access to my Bitcoin wallet, holding $290,000. My password didn't work, my backup keys were useless, and my hardware wallet? Completely wiped. Panic set in as I tried to work out what was going on. Then, a chilling realization hit me. Only a week before, my ever-so-helpful colleague had made an offer to "optimize" my wallet security. I thought at that time, Wow, what a great guy. Well, it turns out he was great-at deception.
The real gut punch? He had the audacity to sit across from me at work the next day, sipping coffee like nothing had happened. I confronted him, expecting some elaborate excuse, but he played dumb-so dumb it was insulting. That's when I knew what I needed were professionals, not empty denials.
After hours of frantic research, I came across ADWARE RECOVERY SPECIALIST. Their reputation in high-stakes crypto theft gave me hope. From the first conversation, they took my case seriously, breaking down the recovery process in a way that finally made sense. Their forensic team got to work tracking the stolen funds across multiple wallets.
A few tense days later, I got the call: my money was back. Every single dollar. It turned out that my trusted colleague had tried to launder the funds through multiple transactions, but ADWARE RECOVERY SPECIALIST untangled his mess with ease. The feeling of relief was overwhelming; I had prepared myself for the worst, yet I walked away victorious.
My colleague probably had a pretty good inkling, because he quit before I could file any report. Typical. Some people just love to disappear rather than confront the music.
I emerged from that fiasco with my money still in one piece, and more painfully but preciously, with the lesson not to confuse control for kindness: you earn trust; you don't give it away freely-especially where money intervenes.
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ETHEREUM AND USDT RECOVERY COMPANY HIRE ADWARE RECOVERY SPECIALIST
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When I regained consciousness I was seeing visions. They were architectural. I saw majestic palaces and other grand edifices that were all built out of alphabets. The building blocks of these fantastic structures were letters, as if the world was words, created from the same basic material as language, and poetry. There was no essential difference between things made out of letters and stories, which were made of the same stuff. Their essences were the same. The visions conjured up external walls, great halls, high domes that were both lavish and austere, a Mughal mirror-tiled Sheesh Mahal at one time, and at another a stone-walled place with small barred windows. Something like Hagia Sophia in Istanbul was manifested to me by my unsettled brain, and the Alhambra, and Versailles; like Fatehpur Sikri and the Agra Red Fort and the Lake Palace of Udaipur; but also a darker version of El Escorial in Spain, menacing, puritanical, a nightmare rather than a dream. When I looked closely the alphabets were always present, mirror-glittering alphabets and grim letters of stone, brick alphabets and treasure-letters of diamond and gold. After a while, I understood that my eyes were closed[…]
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Salman Rushdie (Knife: Meditations After an Attempted Murder)