“
He stepped down, trying not to look long at her, as if she were the sun, yet he saw her, like the sun, even without looking.
”
”
Leo Tolstoy (Anna Karenina)
“
Don't order any of the faerie food," said Jace, looking at her over the top of his menu. "It tends to make humans a little crazy. One minute you're munching a faerie plum, the next minute you're running naked down Madison Avenue with antlers on your head. Not," he added hastily, "that this has ever happened to me.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
It's not because I want to make out with her."
Hold on." He grabbed a pencil and scrawled excitedly at the paper as if he'd just made a mathematical breakthrough and then looked back up at me. "I just did some calculations, and I've been able to determine that you're full of shit
”
”
John Green (Looking for Alaska)
“
He looked at her the way all women want to be looked at by a man.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
You guessed? You must have been pretty sure, considering you could have killed me."
"I was ninety percent sure."
"I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put his hands on his cheek, more in surprise than pain.
"What the hell was that for?"
"The other ten percent.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
He needed to tell her...what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn't pull himself together into some semblance of a man for her. That without meaning to, he'd begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Out of the corner of her eye she thought she saw Jace shoot her a look of white rage - but when she glanced at him, he looked as he always did: easy, confident, slightly bored.
"In future, Clarissa," he said, "it might be wise to mention that you already have a man in your bed, to avoid such tedious situations."
"You invited him into bed?" Simon demanded, looking shaken.
"Ridiculous, isn't it?" said Jace. "We would never have all fit."
"I didn't invite him into bed," Clary snapped. "We were just kissing."
"Just kissing?" Jace's tone mocked her with its false hurt. "How swiftly you dismiss our love.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I found myself thinking about President William McKinley, the third American president to be assassinated. He lived for several days after he was shot, and towards the end, his wife started crying and screaming, "I want to go too! I want to go too!" And with his last measure of strength, McKinley turned to her and spoke his last words: "We are all going.
”
”
John Green (Looking for Alaska)
“
She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...
”
”
Markus Zusak (The Book Thief)
“
Don't tell me," Jace said, "Simon's turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you'll have have to wait till tomorrow. I'm out of commission." He pointed at himself - he was wearing blue pajamas with a hole in the sleeve. "Look. Jammies."
"Jace," Clary said, "this is important."
"Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could always ask Hodge," he said as an afterthought. "I hear he'll do anything for a -"
"JACE!" she interrupted him, her voice rising to a scream. "JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU?
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?"
"Traded him for Alec," Clary said.
Isabelle looked mildly alarmed. "Not permanently?"
"No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy."
Isabelle looked dubious. "Mom and Dad won't be pleased if they find out."
"That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Hey, um, I'm sorry to bother you, but I'm looking for a friend of mine," he says. "Have you seen her? She's a tiny little thing, cries a lot, spends too much time with her feelings-"
"Shut up, Kenji!"
"Oh wait!" he says. "It is you.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
She turned back to Jace. "Do you have to be so-," she began, but stopped when she saw his face. It looked stripped down, oddly vulnerable.
"Unpleasant?" he finishes for her. "Only at days when my adoptive mother tosses me out of the house with instructions never to darken her door again. Usually I'm remarkably good-natured. Try me on any day that doesn't end in y.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I’m going to kill you,” he gritted out, little more than a growl. “If you say another word about the woman I love, if you look at her, if you even think about her - I’m going to fucking kill you.
”
”
Ali Hazelwood (The Love Hypothesis)
“
I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”<...>“I will have you without armour, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Good men don't become legends," he said quietly.
"Good men don't need to become legends." She opened her eyes, looking up at him. "They just do what's right anyway.
”
”
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
“
He was gone, and I did not have time to tell him what I had just now realized: that I forgave him, and that she forgave us, and that we had to forgive to survive in the labyrinth. There were so many of us who would have to live with things done and things left undone that day. Things that did not go right, things that seemed okay at the time because we could not see the future. If only we could see the endless string of consequences that result from our smallest actions. But we can’t know better until knowing better is useless. And as I walked back to give Takumi’s note to the Colonel, I saw that I would never know. I would never know her well enough to know her thoughts in those last minutes, would never know if she left us on purpose. But the not-knowing would not keep me from caring, and I would always love Alaska Young, my crooked neighbor, with all my crooked heart.
”
”
John Green (Looking for Alaska)
“
What's wrong, little sis? You look upset."
She could barely catch her breath. "Cracked...my...nail polish slapping your... worthless face. See?" She showed him her finger - just one of them.
"Cute" He snorted.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I believe in good and evil," said Jem. "And I believe the soul is eternal. But I don't believe in the fiery pit, the pitchforks, or endless torment. I do not believe you can threaten people into goodness."
Tessa looked at will. "What about you? What do you believe?
"Pulvis et umbra sumus," said Will, not looking at her as he spoke. "I believe we are dust and shadows. What else is there?
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.
”
”
Robert A. Heinlein
“
In the garden, the Captain of the Guard stared up at the young woman's balcony, watching as she waltzed alone, lost in her dreams. But he knew her thoughts weren't of him.
She stopped and stared upward. Even from a distance, he could see the blush upon her cheeks. She seemed young—no, new. It made his chest ache.
Still, he watched, watched until she sighed and went inside. She never bothered to look below.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?"
His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together."
"Then why did you lie to me?"
We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help.
"Why did you lie?" I murmured again.
Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer.
"Because we can't be together."
"Because of the age thing, right?" I asked. "Because you're my mentor?"
His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her."
I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out.
"No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Looks like someone had a mood swing.” She rolls her eyes. “Like you don’t want to
know what his fears are. He acts so tough that he’s probably afraid of marshmallows
and really bright sunrises or something.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Jace?"
"Yeah?"
"How did you know I had Shadowhunter blood? Was there some way you could tell?"
The elevator arrived with a final groan. Jace unlatched the gate and slid it open. The inside reminded Clary of a birdcage, all black metal and decorative bits of gilt. "I guessed," he said, latching the door behind them. "It seemed like the most likely explanation."
"You guessed? You must have been pretty sure, considering you could have killed me."
He pressed a button in the wall, and the elevator lurched into action with a vibrating groan that she felt all through the bones in her feet. "I was ninety percent sure."
"I see," Clary said.
There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put a hand to his cheek, more in surprise than pain. "What the hell was that for?"
The other ten percent," she said, and they rode the rest of the way down to the street in silence.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
It made her think that it was curious how much nicer a person looked when he smiled. She had not thought of it before.
”
”
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
“
You speak of sacrifice, but it is not my sacrifice I offer. It is yours I ask of you," he went on. "I can offer you my life, but it is a short life; I can offer you my heart, though I have no idea how many more beats it shall sustain. But I love you enough to hope that you wil not care that I am being selfish in trying to make the rest of my life - whatever length - happy, by spending it with you. I want to be married to you, Tessa. I want it more than I have ever wanted anything else in my life." He looked up at her through the veil of silvery hair that fell over his eyes. "That is," he said shyly, "if you love me, too.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Who're you going with, then?" said Ron.
"Angelina," said Fred promptly, without a trace of embarrassment.
"What?" said Ron, taken aback. "You've already asked her?"
"Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!"
Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him.
"What?" She called back.
"Want to come to the ball with me?"
Angelina gave Fred a sort of appraising look.
"All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face.
"There you go," said Fred to Harry and Ron, "piece of cake.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
Percy smiled at her - that sarcastic troublemaker smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago - tanner and taller, leaner and more muscular.
Percy threw his arms around her. They kissed and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, and Annabeth wouldn't have cared.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
An ordinary beginning, something that would have been forgotten had it been anyone but her. But as he shook her hand and met those striking emerald eyes, he knew before he'd taken his next breath that she was the one he could spend the rest of his life looking for but never find again. She seemed that good, that perfect, while a summer wind blew through the trees.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
I wished my mother was here tonight, which is stupid, because it’s an impossible wish.” He shrugs and turns to me, drowning the smile that cracks me every time.
“It’s not stupid to want to see her again.”
“It wasn’t so much that I wanted to see her again,” he says, looking at me with the depth of more than seventeen years in his eyes. “I wanted her to see you.
”
”
Katja Millay (The Sea of Tranquility)
“
He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Looking over the Ethan's bowed head, amidst the tangled forest of Wilderness littered with the bodies of men dead and dying, Victor saw the serene image of his mother. She smiled at her son, her unbound black hair blowing wildly in the breeze. She reached a hand out towards him, and this time, he went with her.
”
”
Barbara Sontheimer (Victor's Blessing)
“
What are you doing?”
“What?”
Emrys didn’t raise his voice as he said, “To that girl. What are you doing that makes her come in here with such emptiness in her eyes?”
“That’s none of your concern.”
Emrys pressed his lips into a tight line. “What do you see when you look at her, Prince?”
He didn’t know. These days, he didn’t know a damn thing. “That’s none of your concern, either.”
Emrys ran a hand over his weathered face. “I see her slipping away, bit by bit, because you shove her down when she so desperately needs someone to help her back up.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
But that quickly faded, and he frowned. "You're bleeding," he said. "What happened?"
Claire sighed and held up her wrist to show him the bandage. "Man, you would be so embarrassed if I said it was something else." Michael looked blank. "I'm a girl, Michael, it could have been all natural, you know. Tampons?
”
”
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
“
You never laugh," she said. "You behave as if everything is funny to you, but you never laugh. Sometimes you smile when you think no one is paying attention."
For a moment he was silent. Then, "You," he said, half reluctantly. "You make me laugh. From the moment you hit me with that bottle."
"It was a jug," she said automatically.
His lips quirked up at the corners. "Not to mention the way you always correct me. With that funny look on your face when you do it. And the way you shouted at Gabriel Lightwood. And even the way you talked back to de Quincey. You make me..." He broke off, looking at her, and she wondered if she looked the way she felt - stunned and breathless.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky."
"She's drunk," Joe Bell informed me.
"Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
She smiled at him. “How did you know just what I’d want to see?”
“How could I not?” he said. “When I think of you, and you are not there, I see you in my mind’s eye always with a book in your hand.” He looked away from her as he said it, but not before she caught the slight flush on his cheekbones. He was so pale, he could never hide even the least blush, she thought — and was surprised how affectionate the thought was.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
She realized that Rowan saw each of those thoughts and more as he reached into his tunic and pulled out a dagger. Her dagger. He extended it to her, it's long blade gleaming as if he'd been secretly polishing and caring for it these months.
And when she grasped the dagger, it's weight lighter than she remembered, Rowan looked into her eyes, into her very core of her, and said, 'Fireheart'.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Something was wrong with Luke," Annabeth muttered, poking at the fire with her knife. "Did you notice the way he was acting?"
"He looked pretty pleased to me," I said. "Like he'd spent a nice day torturing heroes."
"That's not true! There was something wrong with him. He looked...nervous. He told his monsters to spare me. He wanted to tell me something."
"Probably, 'Hi, Annabeth! Sit here with me and watch while I tear your friends apart. It'll be fun!
”
”
Rick Riordan
“
It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army.
Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating . . .
"Aaaaw," squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!"
Scarlet cringed. "He did not--that wasn't--" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?"
"Is she blushing? She sounds like she's blushing."
"She's blushing," Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered--
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Lorcan reached out, grasping her chin and forcing her to look at him. Hopeless, bleak eyes met his. He brushed away a stray tear with his thumb. “I made a promise to protect you. I will not break it, Elide.”
“I will always find you,” he swore to her.
Her throat bobbed.
Lorcan whispered, “I promise.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
What are you really studying?"
He leans back to look at her. "The statistical probability of love at first sight."
"Very funny," she says. "What is it really?"
"I'm serious."
"I don't believe you."
He laughs, then lowers his mouth so that it's close to her ear. "People who meet in airports are seventy-two percent more likely too fall for each other than people who meet anywhere else.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. "She's my alpha," he murmured, with a haunting sadness in his voice.
Alpha.
Cress leaned forward, propping her elbows on her knees, "Like the star?"
"What star?"
She stiffened, instantly embarrassed, and scooted back from him again. "Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she's...like...your brightest star." Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was.
But instead of sneering or laughing, Wolf sighed, "Yes," he said, his gaze climbing up to the full moon that had emerged in the blue evening sky. "Exactly like that.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Look, Simon, Luke thinks you should tell your mom. You can't hide it from her forever."
"I can damn well try."
"Think about Luke," she said desperately. "You can still live a normal life."
"And what about us? Do you want a vampire boyfriend?" He laughed bitterly. "Because I foresee many romantic picnics in our future. You, drinking a virgin pina colada. Me, drinking the blood of a virgin.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The words you can’t find, you borrow.
We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone.
My life is in these books, he wants to tell her. Read these and know my heart.
We are not quite novels.
The analogy he is looking for is almost there.
We are not quite short stories. At this point, his life is seeming closest to that.
In the end, we are collected works.
”
”
Gabrielle Zevin (The Storied Life of A.J. Fikry)
“
Jem seemed to look through her then, as if he were seeing something beyond her, beyond the corridor, beyond the Institute itself. "Whatever you are physically," he said, "male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. All those other things, they are the glass that contains the lamp, but you are the light inside." He smiled them, seeming to have come back to himself, slightly embarrassed. "That's what I believe.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I suppose he could have changed," Neal said dryly. "I myself have noticed my growing resemblance to a daffodil." The other pages snorted.
Kel eyed her friend. "You do look yellow around the edges," she told him, her face quite serious. "I hadn’t wanted to bring it up."
"We daffodils like to have things brought up," Neal said, slinging an arm around her shoulders. "It reminds us of spring.
”
”
Tamora Pierce (Page (Protector of the Small, #2))
“
He shifted his arm so he could brush her hair back. His fingers lingered along her jaw. “You make me want to live, too, Aelin Galathynius,” he said. “Not exist—but live.” He cupped her cheek, and took a steadying breath—as if he’d thought about every word these past three days, over and over again. “I spent centuries wandering the world, from empires to kingdoms to wastelands, never settling, never stopping—not for one moment. I was always looking toward the horizon, always wondering what waited across the next ocean, over the next mountain. But I think … I think that whole time, all those centuries, I was just looking for you.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I love you,” he repeated, shaking her again. “I have for years. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
“You’re a damned idiot,” she breathed grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face. “Because I’d pick you.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
It's not reasonable to love people who are only going to die," she said.
Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
"I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?"
"Yes," she whispered.
He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Knees suddenly weak, she reached for his forearms to stabilize herself. “You came for me.”
He beamed, looking for all the world like a selfless, daring hero.
“Don’t sound so surprised.” Dropping the cane, he pulled her into a crushing embrace that tore her away from Wolf and lifted her clean off the floor. “It turns out you are worth a lot of money on the black market.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!"
Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK!
She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again.
"Don’t you dare call Hagrid pathetic you foul—you evil—"
"Hermione!" said Ron weakly and he tried to grab her hand as she swung it back.
"Get off Ron!"
Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered.
"C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons.
"Hermione!" Ron said again, sounding both stunned and impressed.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
WHY DOES THIS KEEP HAPPENING?" There was a sound of shattering glass, and they both sat up to see Alec glaring at them. He had dropped the empty bottle of wine he had been carrying, and there were bits of sparkly glass all over the cave floor. "WHY CAN'T YOU GO SOMEWHERE ELSE TO DO THESE HORRIBLE THINGS? MY EYES."
"It's a demon realm, Alec," Isabelle said. "There's nowhere for us to go."
"And you said I should look after her-" Simon began, then realized that would not be a productive line of conversation, and shut up.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I don't hate you, Jace."
"I don't hate you, either."
She looked up at him, relieved. "I'm glad to hear that—"
"I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I—"
Her hands had grown numb with their grip on the blanket. "And you what?"
"What do you think?" Jace shook his head. "Why should I tell you everything
about how I feel when you never tell me anything? It's like banging my head on a
wall, except at least if I were banging my head on a wall, I'd be able to make myself stop."
Clary's lips were trembling so violently that she found it hard to speak. "Do you think it's easy for me?" she demanded.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?”
Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on.
“I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Damn, damn, damn," she said. "I never said why I like you, and now I have to go."
"That's okay," he said.
"It's because you're kind," she said. "And because you get all my jokes..."
"Okay." He laughed.
"And you're smarter than I am."
"I am not."
"And you look like a protagonist." She was talking as fast as she could think. "You look like the person who wins in the end. You're so pretty, and so good. You have magic eyes," she whispered. "And you make me feel like a cannibal."
"You're crazy."
"I have to go." She leaned over so the receiver was close to the base.
"Eleanor - wait," Park said. She could hear her dad in the kitchen and her heartbeat everywhere.
"Eleanor - wait - I love you.
”
”
Rainbow Rowell (Eleanor & Park)
“
She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Thanks for looking out for her, Sage. You're okay. For a human."
I almost laughed. "Thanks."
"You can say it too, you know."
I walked over to Latte and paused. "Say what?"
"That I'm okay...for a vampire," he explained.
I shook my head, still smiling. "You'll have a hard time getting any Alchemist to admit that. But I can say you're okay for an irreverent party boy with occasional moments of brilliance."
"Brilliant? You think I'm brilliant?" He threw his hands skyward. "You hear that, world? Sage says I'm brilliant.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Despite the heat in her face, it felt as if cold needles of ice were running up and down her veins. "What are you doing here?"
He drew back slightly, looking disappointed. "That isn't really an answer to my question, you know. I was expecting more of a "Hallelujah Chorus.' I mean, it's not every day your boyfriend comes back from the dead."
"I already knew you weren't dead." She spoke through numb lips. "I saw you in the library. With--"
"Colonel Mustard?"
"Sebastian.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand.
Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed.
Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence.
"You. Do you haf any qualities dat distinguish you in any way?"
Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit.
His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings."
"Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!"
"Hardly a special talent," ter Borcht said witheringly.
Nudge was offended. "Yeah? Let's see YOU do it."
...
"I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing."
Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony."
Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?"
"Only when I'm trying to steal their dessert"
...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica."
"I vill now destroy de Snickuhs bahrs!" Gazzy barked.
”
”
James Patterson
“
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.
At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.
The boy did. By thinking about the girl.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Do you know how far the wall is from the mines?”
He gave her blank look. She closed her eyes and sighed dramatically.
“From my shaft, it was three hundred sixty-three feet. I had someone measure.”
“So?” Dorian repeated.
“Captain Westfall, how far do slaves make it from the mines when they try to escape?”
“Three feet,” he muttered. “Endovier sentries usually shoot a man down before he's moved three feet.”
The Crown Prince's silence was not her desired effect. “You knew it was suicide,” he said at last, the amusement gone.
Perhaps it had been a bad idea to bring up the wall.
“Yes.”
...
“I never intended to escape.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!”
Clary squinted at it. “Is it going to turn me into a rodent?”
“Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass.
“I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.”
“Brown?” Isabelle made a face.
“Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.”
Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.”
“You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.”
“Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.”
“There are worse things,” Magnus observed.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
You're a Shadowhunter," he said. "You know how to deal with injuries." He slid his stele across the table toward her. "Use it."
"No," Clary said, and pushed the stele back across the table at him.
Jace slammed his hand down on the stele. "Clary—"
"She said she doesn't want it," said Simon. "Ha-ha."
"Ha-ha?" Jace looked incredulous. "That's your comeback?"
Alec, folding his phone, approached the table with a puzzled look. "What's going on?"
"We seem to be trapped in an episode of One Life to Waste," Magnus observed. "It's all very dull.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Iz," Alec said tiredly. "It's not like it's one big bad thing. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if that's because I'm young or if it's because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now." He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec's. "It's not like a stab wound you can protect me from. It's a million little paper cuts every day.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Jem gave her a wistful look. “Must you go? I was rather hoping that you’d stay and be a ministering angel, but if you must go, you must.”
“I’ll stay,” Will said a bit crossly, and threw himself down in the armchair Tessa had just vacated. “I can minister angelically.”
“None too convincingly. And you’re not as pretty to look at as Tessa is,” Jem said, closing his eyes as he leaned back against the pillow.
“How rude. Many who have gazed upon me have compared it to gazing at the radiance of the sun.”
Jem still had his eyes closed. “If they mean that it gives you a headache, they aren’t wrong.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as that prick we're going to face today. If I had not met an Illyrian warrior-in-training," he said to Cassian, "I would not have known the true depths of strength, of resilience, of honor and loyalty." Cassian's eyes gleamed bright. Rhys said to Azriel, "If I had not met a shadowsinger, I would not have known that it is the family you make, not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair." Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. "If I had not met my cousin, I would neer have learned that light can be found in even the darkest of hells. That kidness can thrive even amongst cruelty." She wiped away her teas as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. "If I had not met a tiny monster who hoards jewels more fiercely than a firedrake..." A quite laugh from all of us at that. Rhys smiled softly. "My own power would have consumed me long ago."
Rhys squeezed my hand as he looked to me at last. "And if I had not met my mate..." His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. "I believe that everything happened, exactly the way it had to... so I could find you." He kissed another tear away.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.
”
”
Jane Austen (Pride and Prejudice)
“
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would. He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
Clary wasn't sure what she'd expected -exclamations of delight, perhaps a smattering of applause. Instead there was silence, broken only when Jace said, "Somehow, I thought it would be bigger."
Clary looked at the Cup in her hand. It was the size, perhaps, of an ordinary wineglass, only much heavier. Power thrummed through it, like blood through living veins. "It's a perfectly nice size," she said indignantly.
"Oh, it's big enough," he said patronizingly, "but somehow I was expecting something… you know." He gestured with his hands, indicating something roughly the size of a house cat.
"It's the Mortal Cup, Jace, not the Mortal Toilet Bowl," said Isabelle.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Wolf, are you asking me to be ... your alpha female?"
He hesitated.
Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this."
Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere."
His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers.
"Alpha female," he murmured. "I sort of like that."
Beaming, Scarlet gave a mild shrug. "It could grow on me.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
You’ve got a lot of responsibility now,” Jace said to Julian. “You’ll have to make sure Emma winds up with a guy who deserves her.”
Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if he’d been slapped.
“What about me?” Emma said, quickly. “Don’t I have to make sure Jules winds up with someone who deserves him?”
“Absolutely. I did it for Alec, Alec did it for me — well, actually, he hated Clary at first, but he came around.”
“I BET you didn’t like Magnus much, either,” said Julian, still with the same odd, stiff look on his face.
“Maybe not,” said Jace, “but I never would have said so.”
“Because it would have hurt Alec’s feelings?” Emma asked.
“No,” said Jace, “because Magnus would have turned me into a hat rack.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Lex malla, lex nulla,” said Julian with a regretful wave of his hand. It was the Blackthorn family motto: A bad law is no law.
“I wonder what other family mottoes are,” Emma mused. “Do you know any?”
“The Lightwood family motto is ‘We mean well.’ ”
“Very funny.”
Julian looked over at her. “No, really, it actually is.”
“Seriously? So what’s the Herondale family motto? ‘Chiseled but angsty’?”
He shrugged. ‘If you don’t know what your last name is, it’s probably Herondale’?”
Emma burst out laughing. “What about Carstairs?” she asked, tapping Cortana. “ ‘We have a sword’? ‘Blunt instruments are for losers’?”
“Morgenstern,” offered Julian. “ ‘When in doubt, start a war’?
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
What do you want to show me?"
"Nothing, really. I just want to be alone with you for a minute."
He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage.
"Seriously?" she said. "That was so lame."
"I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'"
She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard.
She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'"
She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain.
"I'll just say, 'Eleanor, follow me down this rabbit hole...'"
He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
”
”
Rainbow Rowell (Eleanor & Park)
“
Celaena shuddered. "This conversation's become far too awful to have after eating." she said, slumping against the pillows. "Tell me which one of your little cadre is the handsomest, and if he would fancy me."
Rowan choked. "The thought of you with any of my companions makes my blood run cold."
"They're that awful? Your kitty-cat friend looked decent enough."
Rowan's brows rose high. "I don't think my kitty-cat friend would know what to do with you-nor would any of the others. It would likely end in bloodshed." She kept grinning, and he crossed his arms. "They would likely have very little interest in you, as you'll be old and decrepit soon enough and thus not worth the effort it would take to win you."
She rolled her eyes. "Killjoy.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
How dare you touch my cookies, you bastard!” Jason said in utter disgust before popping the cookie into his mouth and heading back to his house.
“Damn those looked good, too,” Brad grumbled.
Haley sighed. “Don’t worry I have a second plate on my counter.” The words were barely out of her mouth when Jason abruptly changed course and headed towards her house.
“Well, there was,” she said, watching Jason walk into her house like he owned it. A minute later he walked out of her house, carrying both plates and the gallon of milk she had in her fridge. He headed back to his house, but not before he glared at Brad. “You cookie thieving bastard,” they heard him mutter.
Brad rolled his eyes, chuckling. “And people wonder how I lost weight rooming with him in college.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break.
So that was that. We were finally, finally over.
I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.'
I couldn’t even be mad at him, because this was who he was. This was who he’d
always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever.
Maybe this was why I came, so I could really know. So I could say good-bye.
I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.'
I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway.
'I release you. I evict you from my heart. Because if I don't do it now, I never will.'
I was the one to look away first.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick.
'Yeah, don't bother to keep in touch,' said George, mounting his own.
Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!'
'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge.
'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd.
'Give her hell from us, Peeves.'
And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Alec isn’t happy,” said Magnus, as if she hadn’t spoken.
“Of course he isn’t,” Isabelle snapped. “Jace—”
“Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said:
“I thought you were friends.”
“It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.”
Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —”
“I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—”
“Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said.
“How dare you make this worse than it is —”
“Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.”
“There is nothing weak about Alec,” said Isabelle.
“No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.”
“Of course he loves me. I’m his sister.”
“Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else.
… “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.”
I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
There was a girl, and her uncle sold her. Put like that it seems so simple.
No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.
Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?
We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.
A life that is, like any other, unlike any other.
And the simple truth is this: There was a girl, and her uncle sold her.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?
One kiss, and that was all.
Both trembled, and they looked at each other in the darkness with brilliant eyes.
They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.
She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.
From time to time Marius’ knee touched Cosette’s. A touch that thrilled.
At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.
Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.
When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"
My name is Marius," he said. "And yours?"
My name is Cosette.
”
”
Victor Hugo (Les Misérables)
“
Haven't I? - he thought. Haven't I thought of it since the first time I saw you? Haven't I thought of nothing else for two years? ...He sat motionless, looking at her. He heard the words he had never allowed himself to form, the words he had felt, known, yet had not faced, had hoped to destroy by never letting them be said within his own mind. Now it was as sudden and shocking as if he were saying it to her ...Since the first time I saw you ...Nothing but your body, that mouth of yours, and the way your eyes would look at me, if ...Through every sentence I ever said to you, through every conference you thought so safe, through the importance of all the issues we discussed ...You trusted me, didn't you? To recognize your greatness? To think of you as you deserved - as if you were a man? ...Don't you suppose I know how much I've betrayed? The only bright encounter of my life - the only person I respected - the best business man I know - my ally - my partner in a desperate battle ...The lowest of all desires - as my answer to the highest I've met ...Do you know what I am? I thought of it, because it should have been unthinkable. For that degrading need, which would never touch you, I have never wanted anyone but you ...I hadn't known what it was like, to want it, until I saw you for the first time. I had thought : Not I, I couldn't be broken by it ...Since then ...For two years ...With not a moments respite ...Do you know what it's like, to want it? Would you wish to hear what I thought when I looked at you ...When I lay awake at night ...When I hear your voice over a telephone wire ...When I worked, but could not drive it away? ...To bring you down to things you cant conceive - and to know that it's I who have done it. To reduce you to a body, to teach you an animal's pleasure, to see you need it, to see you asking me for it, to see your wonderful spirit dependent on the upon the obscenity of your need. To watch you as you are, as you face the world with your clean, proud strength - then to see you, in my bed, submitting to any infamous whim I may devise, to any act which I'll preform for the sole purpose of watching your dishonor and to which you'll submit for the sake of an unspeakable sensation ...I want you - and may I be damned for it!
”
”
Ayn Rand
“
There was a soft chuckle beside me, and my heart stopped.
"So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing."
I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me.
Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye.
"I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall."
He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here."
"Then what do you want?"
He bowed. "A dance."
"What!" I stared at him in disbelief. "You tried to kill me!"
"Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it."
"Then why the hell would you think I'd dance with you?"
"That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts."
"Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you."
He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time."
Oh, damn. I was stuck.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
”
”
Alan Moore (V for Vendetta)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
”
”
Sarah Kay