Stuff Of Legend Quotes

You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.

I think we both need to work on our communication skills. (Kiara) I tried that once. (Nykyrian) And? (Kiara) Darling told me that I could never hold a job as a suicide counselor or hostage negotiator. He said my failure rate would become the stuff of legends. (Nykyrian)

We’re not making any official statements, especially when James Holden’s in the room. No offense, but your track record for blurting information at inopportune moments is the stuff of legend.

Legend tells of a legendary warrior whose kung fu skills were the stuff of legend.

How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.

Throughout the world what remains of the vast public spaces are now only the stuff of legends: Robin Hood’s forest, the Great Plains of the Amerindians, the steppes of the nomadic tribes, and so forth… Rousseau said that the first person who wanted a piece of nature as his or her own exclusive possession and transformed it into the transcendent form of private property was the one who invented evil. Good, on the contrary, is what is common.

I’m calling you Honey Tits from now on.” “Please don’t.” “Why? Your boobs delivered the nectar of the gods.” “Now you’re making it worse.” “Your bra is the stuff of legends.” “Don’t make me regret my choice.

His ugliness was the stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it.

His vocals are the stuff of legend—strong, clean, and powerful with a rawness that hooks into your soul and gives it a tug. He sings, and you feel he’s doing it just for you, taking your pain, frustration, joy, rage, sorrow, and love and giving it a voice.

All literature, highbrow or low, from the Aeneid onward, is fan fiction....Through parody and pastiche, allusion and homage, retelling and reimagining the stories that were told before us and that we have come of age loving--amateurs--we proceed, seeking out the blank places in the map that our favorite writers, in their greatness and negligence, have left for us, hoping to pass on to our own readers--should we be lucky enough to find any--some of the pleasure that we ourselves have taken in the stuff that we love: to get in on the game. All novels are sequels; influence is bliss.

You don’t pack what you need; you pack what you think you will probably need, taking into account each and every possibility, and then add some more stuff…just in case.

Oh, it's nothing to be ashamed of. Slaying a villain in the service of your king is the stuff of legends and what heroes are made of." [Fanen told Myron] "It didn't feel very heroic. It made me sick. I don't even know why I... no, that's a lie. I really have to stop doing that." [Myron said] "Doing what?" "Lying. (...) It's evidence of self loathing. You see, when you are so ashamed of your actions, thoughts, or intentions, you lie to hide it rather than accept yourself for who you really are. The idea of how others see you becomes more important than the reality of you. "It's like when a man would rather die than be thought of a coward. His life is not as important to him as his reputation. In the end, who is the braver? The man who dies rather than be thought of as a coward or the man who lives willing to face who he really is?" [Myron finished] "I'm sorry, you lost me there" Fanen said with a quizzical look.

But just to make sure, I went down to the library, switched on the computer and typed ‘vampire vs. werewolf fight winner’ into the Google search browser. The machine whirred for zero point twenty-three seconds before it came up with some four million results. Obviously, I wasn’t the only nutter interested in this stuff. I clicked on the first link and groaned. Over sixty per cent thought a werewolf would kick a vamp’s ass any time. Dammit!

But no one wants to listen to our sad stories unless they are smoothed over with a joke or nice melody. And even then, not always. No one wants to hear a woman talking or writing about pain in a way that suggests that it doesn't end. Without a pat solution, silver lining, or happy ending we're just complainers -- downers who don't realize how good we actually have it. Men's pain and existential angst are the stuff of myth and legends and narratives that shape everything we do, but women's pain is a backdrop- a plot development to push the story along for the real protagonists. Disrupting that story means we're needy or shellfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

Yes, I know. It was a foolhardy plan to tie myself to a man known for killing his wives. Oh, but it was a tempting, daredevil of a plan. And I wanted it with everything in me. A man might steal into a castle at night, dodging guards and making off with what he could carry. That was the stuff of legends, after all. But I was a woman, for all I wore the disguise of a man. I could steal everything the Duke owned in broad daylight by merely saying the two little words, "I Do.

You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.” “You love me,” Cooper said. “Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.” “I can’t believe I’m being slandered in my own vows.” “Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.” Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home. No, not a bad life at all.

After visiting these two places (Berchtesgaden and the Eagle's lair on Obersalzberg) you can easily see how that within a few years Hitler will emerge from the hatred that surrounds him now as one of the most significant figures who ever lived. He had boundless ambition for his country, which rendered him a menace to the peace of the world, but he had a mystery about him in the way that he lived and in the manner of his death that will live and grow after him. He had in him the stuff of which legends are made.

Even if most of the urban legends were fictitious, Ellie had a ghost dog companion. When it came to strange stuff, she could not be too open-minded.

Stretch the envelop; losers are not the stuff of legends.

The bartender’s smile widened. His ugliness was the stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it.

An awkward silence followed these bold declarations, because while both parties spoke with passion, one was a dying youth and one a ragged peasant girl with straw in her hair and no shoes. Neither was the stuff of heroes and legends, and both knew it.

For every person who died in the westward migration prior to the Civil War from Native Americans attacking, the stuff of American legends, thousands, maybe tens of thousands died from water holes polluted by cholera and typhoid . . . but that doesn’t make for a good movie.

Hoy shit!” Van yells. “Tom Carter! On tour with us! Man, it’s gonna be wild! Chicks, parties…chicks! It’s gonna be so fucking wild! The man is a fucking legend!” Sonny looks shell-shocked. Then, he springs to life. “Damn straight, he’s a legend! He’s a pussy legend! We are touring with the best there is! Just think of the stuff he can teach us.” He gets this dreamy look in his eyes. Honestly, he’s starting to freak me out.

Keep a list before your mind of those who burned with anger and resentment about something, of even the most renowned for success, misfortune, evil deeds, or any special distinction. Then ask yourself, how did that work out? Smoke and dust, the stuff of simple myth trying to be legend …

Shall not I drive you through seas no other man would dare, shall not we together see lands that are the stuff of legends? Shall not we venture together under skies where the stars have not been named yet? Shall not we, you and I, weave such a tale of our adventures that the whole world will be in awe of us?

His quarry parties were the stuff of legend—trash cans brimming with wapatuli, music that was cool on the coasts but wouldn’t reach Midwest airwaves for another six months, daring leaps from the highest granite cliffs into the inky pools below, some more than a hundred feet straight down. No gradual decline, just a fathomless, aching cavity scooped out of the earth, a wound that cold water seeped in to fill like blood.

Crack some ribs or crush a skull, Stuff down hearts ’til he is full, Rip paws and tails off any poor seabeast, Lock your cabin doors this night, Shake with terror, quake with fright, For the Bogle may invite you to his feast!

Through parody and pastiche, allusion and homage, retelling and reimagining the stories that were told before us and that we have come of age loving—amateurs—we proceed, seeking out the blank places in the map that our favorite writers, in their greatness and negligence, have left for us, hoping to pass on to our own readers—should we be lucky enough to find any—some of the pleasure that we ourselves have taken in the stuff we love: to get in on the game. All novels are sequels; influence is bliss.

Diggory's Dyke was a deep cut between two chalk downs-high, green hills, where a thin layer of green grass and reddish earth covered the chalk, and there was scarcely soil enough for trees. The Dyke looked, from a distance, like a white chalk gash on a green velvet board. Local legend had it that the cut was dug, in a day and a night, by one Diggory, using a spade that had once been a sword blade before Wayland Smith had melted it down and beaten it out, on his journey into Faerie from the Wall. There was those who said the sword had once been Flamberge, and others, that it was one the sword Balmung; but there was none who claimed to know just who Diggory had been, and it might all have been stuff and nonsense. Anyway, the path to Wall went through Diggory's Dyke, and any foot-traveler or any person going by any manner of wheeled vehicle went through the Dyke, where the chalk rose on either side of you like thick white walls, and the Downs rose up above them like green pillows of a giant's bed.

They have forgotten what it means to serve,” Von muttered. “Can we blame them?” Joquil asked. They all turned toward him, varying degrees of surprise on their faces as he continued, “They are not the only ones who have forgotten. The Chosen have known nothing but peace, unless they are familiar with the stories of their ancestors. The kind of war you are describing… it is the stuff of legends, not reality. They do not understand that kind of power as they hold barely a sliver of it themselves.” Joquil shrugged as he concluded, “You are asking them to imagine something they cannot begin to comprehend.

What Claire could do with the edible flowers that grew around the cranky apple tree in the backyard was the stuff of legend. Everyone knew that if you got Claire to cater your anniversary party, she would make aioli sauce with nasturtiums and tulip cups filled with orange salad, and everyone would leave the party feeling both jealous and aroused. And if you got her to cater your child's birthday party, she would serve tiny strawberry cupcakes and candied violets and the children would all be well behaved and would take long afternoon naps. Claire had a true magic to her cooking when she used her flowers.

Jimmy said Starlight was the name given to them that got teachin's from Star People. Long ago. Legend goes that they come outta the stars on a night like this. Clear night. Sat with the people and told'em stuff. Stories mostly, about the way of things." "The wisest ones got taught more. Our people. Starlights. We're meant to be teachers and storytellers.

The tale of America coming out of the Great Depression and not only surviving but actually transforming itself into an economic giant is the stuff of legend. But the part that gives me goose bumps is what we did with all that wealth: over several generations, our country built the greatest middle class the world had ever known. We built it ourselves, using our own hard work and the tools of government to open up more opportunities for millions of people. We used it all—tax policy, investments in public education, new infrastructure, support for research, rules that protected consumers and investors, antitrust laws—to promote and expand our middle class. The spectacular, shoot-off-the-fireworks fact is that we succeeded.

With the whip adequately cracked, the three of them formed an assembly line to fill each mold with dough and sweetened pineapple before pinching the edges together and placing the little cakes onto a cookie sheet that slid promptly into the oven. They crowded around to watch the squares turn golden until Waipo deemed them ready. She let them cool a touch before cutting one into thirds for them to taste. "They're hot," she cautioned. Andie took the smallest of bites. "Holy cow. This is incredible." The filling burned Charlie's tongue, but he had to agree. Waipo's pineapple cakes were the stuff of legend, and this particular batch tasted extra special. The crust was perfectly flaky, and the filling had hit that sweet spot of not too sugary and not too tart.

Men's pain and existential angst are the stuff of myth and legend and narratives that shape everything we do, but women's pain is a backdrop - a plot development to push the story along for the real protagonists. Disrupting that story means we're needy or selfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

Where would tourism be without a little luxury and a taste of night life? There were several cities on Deanna, all moderate in size, but the largest was the capital, Atro City. For the connoisseur of fast-foods, Albrechts’ famous hotdogs and coldcats were sold fresh from his stall (Albrecht’s Takeaways) on Lupini Square. For the sake of his own mental health he had temporarily removed Hot Stuff Blend from the menu. The city was home to Atro City University, which taught everything from algebra and make-up application to advanced stamp collecting; and it was also home to the planet-famous bounty hunter – Beck the Badfeller. Beck was a legend in his own lifetime. If Deanna had any folklore, then Beck the Badfeller was one of its main features. He was the local version of Robin Hood, the Davy Crockett of Deanna. The Local rumor mill had it he was so good he could find the missing day in a leap year. Once, so the story goes, he even found a missing sock.

The actor Tony Curtis once told me that fame is an occupation in itself, that it is a separate thing. And Tony couldn't be more right. The old image slowly faded and in time I found myself no longer under the canopy of some malignant influence. Eventually different anachronisms were thrust upon me — anachronisms of lesser dilemma — though they might seem bigger. Legend, Icon, Enigma (Buddha in European Clothes was my favorite) — stuff like that, but that was all right. These titles were placid and harmless, threadbare, easy to get around with them. Prophet, Messiah, Savior — those are tough ones.

The advertisement that Apple aired during the 1984 Superbowl has become the stuff of legend. In it the company presented itself as a force of liberation, which would counter the Orwellian surveillance state. In lock-step, listless workers – evidently without a will of their own – march into a vast hall and listen to Big Brother’s fanatical declamations on the telescreen. Then the ad shows a woman rushing into the assembly hall, the Thought Police in hot pursuit. Bearing a sledgehammer before her heaving breast, she dashes forward. Full of resolve, she runs straight up to Big Brother and throws the sledgehammer at the telescreen with all the force she can muster; it explodes in a dazzling burst of light. The assembled workers promptly awaken from their torpor. A voice declares: ‘On January 24th, Apple Computer will introduce Macintosh. And you’ll see why 1984 won’t be like 1984.’ But despite Apple’s message, 1984 did not signal the end of the surveillance state so much as the inception of a new kind of control society – one whose operations surpass the Orwellian state by leaps and bounds. Now, communication and control have become one, without remainder. Now, everyone is his or her own panopticon. 9.

Ruth said, “It isn’t right to call me or any ballplayer an ingrate because we ask for more money. Sure I want more, all I’m entitled to. The time of a ballplayer is short. He must get his money in a few years or lose out. Listen, a man who works for another man is not going to be paid any more than he’s worth. You can bet on that. A man ought to get all he can earn. A man who knows he’s making money for other people ought to get some of the profit he brings in. Don’t make any difference if it’s baseball or a bank or a vaudeville show. It’s business, I tell you. There ain’t no sentiment to it. Forget that stuff.

War is a poor word. Is it war when people find an infestation of vermin in some unwanted place and try to burn or poison it clean? Though that, too, is a poor metaphor, because no one hates individual mice or bedbugs. No one singles out for vengeance that one, that one right there, three-legged splotch-backed little bastards don't have much chance of becoming more than an annoyance to people-- whereas you and all your kind have cracked the surface of the planet and lost the Moon. If the mice in your garden, back in Tirimo, had helped Jija kill Uche, you would have shaken the place to pebbles and set fire to the ruins before you left. You destroyed Tirimo anyway, but if it had been personal, you'd have done worse. Yet for all your hatred, you still might not have managed to kill the vermin. The survivors would be greatly changed-- made harder, stronger, more splotch-backed. Perhaps the hardships you inflicted would have fissioned their descendants into many factions, each with different interests. Some of those interests would have nothing to do with you. Some would revere and despise you for your power. Some would be as dedicated to your destruction as you were to theirs, even though by the time they had the strength to actually act on their enmity, you would have forgotten their existence. To them, your enmity would be the stuff of legend. And some might hope to appease you, or talk you around to at least a degree of peaceful tolerance. I am one of these.

...No one wants to listen to our sad stories unless they are smoothed over with a joke or nice melody. And even then, not always. No one wants to hear a woman talking or writing about pain in a way that suggests that it doesn't end. Without a pat solution, silver lining, or happy ending we're just complainers--downers who don't realize how good we actually have it. Men's pain and existential angst are the stuff of myth and legends and narratives that shape everything we do, but women's pain is a backdrop--a plot development to push the story along for the real protagonists. Disrupting that story means we're needy or selfish, or worst of all, man-haters--as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.

The laws that keep us safe, these same laws condemn us to boredom. Without access to true chaos, we’ll never have true peace. Unless everything can get worse, it won’t get any better. This is all stuff the Mommy used to tell him. She used to say, “The only frontier you have left is the world of intangibles. Everything else is sewn up too tight.” Caged inside too many laws. By intangibles, she meant the Internet, movies, music, stories, art, rumors, computer programs, anything that isn’t real. Virtual realities. Make-believe stuff. The culture. The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it’s only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on.

But, taking the affair as it stands at present, how is it that a nation plunged in materialism of the grossest kind has accepted idle rumours and gossip of the supernatural as certain truth? The answer is contained in the question: it is precisely because our whole atmosphere is materialist that we are ready to credit anything—save the truth. Separate a man from good drink, he will swallow methylated spirit with joy. Man is created to be inebriated; to be "nobly wild, not mad." Suffer the Cocoa Prophets and their company to seduce him in body and spirit, and he will get himself stuff that will make him ignobly wild and mad indeed. It took hard, practical men of affairs, business men, advanced thinkers, Freethinkers, to believe in Madame Blavatsky and Mahatmas and the famous message from the Golden Shore: "Judge's plan is right; follow him and stick.

Why is programming fun? What delights may its practitioner expect as his reward? First is the sheer joy of making things. As the child delights in his first mud pie, so the adult enjoys building things, especially things of his own design. I think this delight must be an image of God’s delight in making things, a delight shown in the distinctness and newness of each leaf and each snowflake. Second is the pleasure of making things that are useful to other people. Deep within, we want others to use our work and to find it helpful. In this respect the programming system is not essentially different from the child’s first clay pencil holder “for Daddy’s office.” Third is the fascination of fashioning complex puzzle-like objects of interlocking moving parts and watching them work in subtle cycles, playing out the consequences of principles built in from the beginning. The programmed computer has all the fascination of the pinball machine or the jukebox mechanism, carried to the ultimate. Fourth is the joy of always learning, which springs from the nonrepeating nature of the task. In one way or another the problem is ever new, and its solver learns something; sometimes practical, sometimes theoretical, and sometimes both. Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet’s words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard and a display screen comes to life, showing things that never were nor could be. Programming then is fun because it gratifies creative longings built deep within us and delights sensibilities we have in common with all men.

So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.

The truth is, the vanity of protective parents that I cited to the court goes beyond look-at-us-we’re-such-responsible-guardians. Our prohibitions also bulwark our self-importance. They fortify the construct that we adults are all initiates. By conceit, we have earned access to an unwritten Talmud whose soul-shattering content we are sworn to conceal from “innocents” for their own good. By pandering to this myth of the naïf, we service our own legend. Presumably we have looked the horror in the face, like staring into the naked eye of the sun, blistering into turbulent, corrupted creatures, enigmas even to ourselves. Gross with revelation, we would turn back the clock if we could, but there is no unknowing of this awful canon, no return to the blissfully insipid world of childhood, no choice but to shoulder this weighty black sagacity, whose finest purpose is to shelter our air-headed midgets from a glimpse of the abyss. The sacrifice is flatteringly tragic. The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. To this day, some of my most intense sexual memories date back to before I was ten, as I have confided to you under the sheets in better days. No, they have sex, too. In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its suppression is the true collusion of adulthood, the pact we make, the Talmud we protect.

I asked, “What’s all the green stuff everywhere?”   He laughed and said, “That is grass. You haven’t seen that before?”   “Nope. Only on my laptop.

How strange it was, to be grateful to be welcomed in a place no human even knew existed. How strange it was, to be so suddenly alone, so estranged from the world, she no longer belonged anywhere at all. How strange it was to hold a man's hand who had, just a few moments earlier, been wielding a sword as some fantastical creature, the stuff of legend come to life. How strange it was, to look up at this half-man, half-wolf, and feel things she never had before, things that scared her more deeply than wolves or even the threat of capture or death. How strange it all was. How strange indeed.

The tree didn’t fall, despite missing the portion that basically held it in place on the ground. “Ha, I guess that’s just how stuff works here.

The stuff of legends.

You told us this place was haunted. How haunted is it?" Paul cast a quick glance at the house. "I'm not sure. When they found the bodies twenty years ago, the place became off-limits. That was horror enough. There were whispers of strange stuff going on before then, but no one is alive who could verify a thing. Somehow, an urban legend grew about the whole island. "Don't go near haunted Ormsby Island. They say a reporter went out alone one night just after the mass murder had been discovered and never came back. Since anyone who had committed the murders was either dead or gone at that point, it had to be the island itself that offed the reporter. Mitch, Ormsby Island isn't even on most maps of Charleston Harbor. Locals will turn away the moment you even say its name.

bartender’s smile widened. His ugliness was the stuff of legend. In an age of affordable beauty, there was

The Clintons’ geographic meandering is the stuff of political legend.  Despite both Clintons being high-flyers in Arkansas, Bill Clinton failed to win the state in both of his presidential election wins in 1992 and 1996.  Mrs. Clinton, not being born in, studied in, or lived in New York, was elected U.S. Senator from that state twice.

It was the stuff of legends, the Highland Rising of 1745 in support of Bonnie Prince Charlie. Sebastian had heard the stories, too, from his grandmother, Hendon’s mother, who had been a Grant from Glenmoriston. Stories of unarmed clansmen dragged out of crofts and slaughtered before their screaming children. Of women and children burned alive, or turned out of their villages to die in the snow. What was done to the Highlanders after Culloden would forever be a dark stain on the English soul. Everything from the pipes to the plaids to the Gaelic language itself had been forbidden, obliterating an entire culture.

Bob Crane’s advancement to KNX is the stuff of legend.

I often refer to the great mythologist and American author Joseph Campbell (1904-1987) in this book. He used the designation of „hero“ to describe individuals who embark on the monumental psychological task of expanding and evolving consciousness and famously charted this journey. This hero‘s journey begins in our inherent state of blindness, separation, and suffering and progresses on a circular (as opposed to linear) route made up of stages shared by myths and legends spanning all cultures and epochs. From Buddha to Christ, Arjuna to Alice in Wonderland, the hero‘s journey is one of passing through a set of trials and phases: seeking adventure, encountering mentors, slaying demons, finding treasure, and returning home to heal others. Tibetan Buddhism‘s and Campbell‘s descriptions of the hero both offer a travel-tested road map of a meaningful life, a path of becoming fully human – we don‘t have to wander blindly, like college kids misguidedly hazed by a fraternity, or spiritual seekers abused in the thrall of a cult leader. The hero archetype is relevant to each of us, irrespective of our background, gender, temperament, or challenges, because we each have a hero gene within us capable of following the path, facing trials, and awakening for the benefit of others. Becoming a hero is what the Lam Rim describes as taking full advantage of our precious human embodiment. It‘s what Campbell saw as answering the call to adventure and following our bliss – not the hedonic bliss of chasing a high or acquiring more stuff, but the bliss of the individual soul, which, like a mountain stream, reaches and merges with the ocean of universal reality. (p. 15)

You’re a legend! The stuff of nightmares! It will be an honor to be eaten by you.

The youngest of three children and orphaned as a young boy, Smoke Jensen is considered one of the fastest draws in the West. His quest to tame the lawless West has become the stuff of legend. Smoke owns the Sugarloaf Ranch in Colorado. Married to Sally Jensen, father to Denise (“Denny”) and Louis

Thales signaled a major change in Greek thinking and world thinking. A new, rational way of understanding reality was born, as opposed to one tied to myth or religious ritual—as still prevailed in two much older civilizations, Egypt and Babylon. It was a major shift, and a radical one. Quite suddenly, Greeks of the sixth century BCE lost faith in the ancient legends about the origins of the world told by Homer, Hesiod, and other early poets; about how Uranus had fathered the Titans with Mother Earth and how the Titans fought and lost to Zeus and the other gods for dominance of the world. They no longer seemed believable; they even seemed deliberately misleading (one reason Plato bans poets from his Republic). Instead, the question that every Greek sage before Socrates wanted to answer was: “What is real about reality?” More specifically, what is the stuff from which everything else in the world is made?

had a creeping fear that there was evil in this place. Stephen King stuff—an invisible virus that’d driven the last inhabitants nuts.

Her lashes lifted, and she went cold and still as she saw that someone . . . several someones . . . had come out to the balcony. Lady Norbury, who had dropped a glass of champagne in her surprise. And Lord Norbury, and another elderly couple. And Michael, with a blonde woman on his arm. They all stared at Poppy and Harry in shock. Had the angel of death appeared at that moment, complete with black wings and a gleaming scythe, Poppy would have run to him with open arms. Because being caught on the balcony kissing Harry Rutledge was not just a scandal . . . it would be the stuff of legend. She was ruined. Her life was ruined. Her family was ruined. Everyone in London would know by sunrise.

She has many names and many visages. She has loves and desires. She dares to dream of a future for herself and her people, despite living under the shadow of the gun, the acrid odour of devastation clogging her nostrils. For the most part she is stoic, for the garrison is also her home, her workplace, her field and her playground. Sometimes, she cries out in anguish, but the sound is muted, for there are few who want to hear. Her suffering and courage would be the stuff of legend, if only legend consisted of ordinary women carrying out extraordinary acts, going about the daily business of survival, displaying super-human strength in countering a mighty military juggernaut.

Got your stuff?" Nora's checks flushed. "Um, yeah, but..." "What?" "My hand hurts so much, and I need two hands to do my button. Could you...um..." He furrowed his brow, unsure what she meant as she trailed off, blushing more now. Following her gaze, he glanced down at her pants. Sure enough, her jeans were on but unbuttoned, revealing a peek of the tiny green short-shorts from her uniform. He chuckled and reached forward, buttoning her jeans for her. "I've never put pants on a woman before, but I'll make an exception this time." "I appreciate your sacrifice," she said sarcastically, and Kane decided then and there that he wanted to see her smiling like that all the time.

I can’t wait to get some pleasure out of this,” a man said, his voice slowly drawing near her room. “Did you see her? That tight body is the stuff of legends.” Kiara narrowed her gaze as rage and fear consumed her. No one would ever make her feel powerless again. Ever.

July.” The strawberries in Ursula’s garden at The Pines were the stuff of legend. “Thank you, no. But could you stay a bit longer?” “Until five. Tom is working at home today.” Faith didn’t offer any further explanation. After trying to write his sermon in the shadow of his file cabinets at the church yesterday, he had decided to give the parsonage study, neutral territory, a try today. “As I said, everything hinged on Father’s

Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be.

A wise man once said, don’t revel in how much something sucks, ask yourself how you could make it suck more. That is the key to happiness.” Some of the soldiers scrunched their foreheads in thought. “Don’t you mean, make it suck less?” Marcie laughed again. “How you deal with the suck is what will make the Trans-Pac great. That is the stuff of legends! Do you think normal people would do this?” “Fuck normal!” someone shouted from up front. The

Danny’s affection for and casual familiarity with what some might consider the seamy underbelly of life gave him an outsider’s orientation that accounted in large part for the uniqueness of his genius in front of the camera. Belushi invented his madness from the stuff of legend, but Aykroyd just seemed to be there. Danny had webbed toes, a twist of nature he often pointed to with pride as proof he was a genuine mutant, and many of his friends share the conviction that he always had one ear tuned to frequencies from other planets. “You look at the floor and see the floor,” he said to a friend once. “I look at the floor and see molecules.

person anywhere in Europe would have had a solid grounding in the classics. Certainly the coiner of addict did. Is it an exaggeration to say that Latin and Greek were known quantities in households with more books than a lone family bible? Probably, but if a member of such a household completed any kind of undergraduate or postgraduate work, there would have been significant accumulated exposure to the classical languages, and the cultures they represented, and their stories, their myths and their legends. Obviously old Gabriel Fallopius knew all that stuff. Certainly Friedrich Sertürner knew all about the Greek god of dreams. (And was probably ready to argue for forty-five minutes why it was indeed dreams, not sleep.) In the eighteenth and nineteenth centuries, anyone educated in Germany as a pharmacist would have known that kind of thing. Which meant Felix Hoffmann did, too. So why did he call it heroin? Even before I learned it was so, I always vaguely assumed ‘hero’ was ancient Greek. It just sounded right. I further vaguely assumed even in modern times the word might signify something complicated, central and still marginally relevant in today’s Greek heritage. Naively I assumed I was proved right, the first time I came to New York, in 1974. I ate in Greek diners with grand and legacy-heavy names like Parthenon and Acropolis, and from Greek corner delis, some of which had no name at all, but every single establishment had ‘hero sandwiches’ on the menu. This was partly simple respect for tradition, I thought, like the blue-and-white take-away coffee cups, and also perhaps a cultural imperative, a ritual genuflection, but probably most of all marketing, as if to say, eat this mighty meal and you too could be a legend celebrated for millennia. Like Wheaties, the breakfast of champions. But no. ‘Hero’ was a simple phonetic spelling in English of the Greek word ‘gyro’. It was how New Yorkers said it. A hero sandwich was a gyro sandwich, filled with street-meat thinly carved from a large wad that rotated slowly against a source of heat. Like the kebab shops we got in Britain a few years later. Central to modern culture, perhaps, but not to ancient heritage. Even

And if this were a movie, there would be no more words. There would only be a magical fade-to-black moment where our simultaneous first times were the stuff of legend. There would be no discussion that Ben has done this once before with someone else or that he is worried about hurting me. Or that I am a little worried about that, too. There would be no 10-minute break while he digs through his mom's nightstands (yes, both of them) until he finds the condoms. There would be no giggling about how, after the Great Condom Hunt, I have to pee and abscond to the bathroom momentarily. But this is not a big-screen car chase. This is driving in real life.

Men's pain and existential angst are the stuff of myth and legends and narratives that shape everything that we do, but women's pain is a backdrop - a plot development to push the story along for the real protagonists. Disrupting the story means we're needy or selfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

Hitler’s rise from humble beginnings to ‘seize’ power by ‘triumph of the will’ was the stuff of Nazi legend. In fact, political miscalculation by those with regular access to the corridors of power rather than any actions on the part of the Nazi leader played a larger role in placing him in the Chancellor’s seat.

Ellingham was in the mountains of Vermont. Its story was the stuff of legend, its reputation gold-plated, its illustrious graduates legion. Its story was long but can best be summarized thusly:

she instantly trusted the man in front of her. He was love incarnate. He was like a religion, powerful, alluring, and supportive in the time of stress. He was faith and poetry. Saint Valentine was the stuff of legends.

For every person who died in the westward migration prior to the Civil War from Native Americans attacking, the stuff of American legends, thousands, maybe tens of thousands died from water holes polluted by cholera and typhoid … but that doesn’t make for a good movie.

She used to come for the Folklore Fridays. It was a pet project of Dad’s. People would come to the café and talk about Norfolk myths and legends, read short stories and poems. Sometimes there’d be a singer. Dad loved all that stuff. Black Shuck, the Lantern Men, the Fairy Cow, the Southwood Pond.

Not only is the Bible not literally true—not only is it a book full of what can charitably be described as a hodge-podge of remarkably violent legends, tall tales and tribal history, interspersed with a little lyric poetry, a lot of revenge-filled fantastical rants and some origin myths—but these were all told and then set down in writing to reinforce first, a patriarchal desert agriculture society several thousand years ago, then a slave empire in Rome, and then an oppressive feudal society in Europe. It is filled with codes of behavior that are either hypocritical or openly oppressive. Now this same ancient stuff is being adapted to reinforce the capitalist oppression of today, in a 25-million-dollar, cleverly-promoted, Hollywood film.

Combat had its own infinite series of tests, and one of the greatest sins was “chattering” or “jabbering” on the radio. The combat frequency was to be kept clear of all but strategically essential messages, and all unenlightening comments were regarded as evidence of funk, of the wrong stuff. A Navy pilot (in legend, at any rate) began shouting, “I’ve got a MiG at zero! A MiG at zero!”—meaning that it had maneuvered in behind him and was locked in on his tail. An irritated voice cut in and said, “Shut up and die like an aviator.” One had to be a Navy pilot to appreciate the final nuance. A good Navy pilot was a real aviator; in the Air Force they merely had pilots and not precisely the proper stuff.

Your moods were the stuff of legend, and that day your mood could only be described as dangerous—languorous, facetious, self-absorbed; you were amused by yourself and this was the worst of all possible states, because it was the kind of amusement I imagine Caiaphus felt when he made a deal with the Devil. The amusement is a mask for the wretchedness we feel for striking up an unhappy alliance—in your case this alliance was with yourself, whom you had long thought badly of and were always escaping. But on that day it was as though you had recognised that you owned only yourself, were shipwrecked with yourself, and your mood reflected your disgust at this most desperate, careless misfortune.

You and I are the stuff that dreams are made of, my darling,” he tells me, his voice strong yet there’s a rasp to it, too. “We are what the stars envy, what the moon longs for, and what the legends of old tell tales of. Our love is more than this world, Lilly. More than a piece of paper with a new surname. And it will remain long after we are gone from the earth.

He was a shade-a creature infused with the stuff of shadow.” Entreri shrugged, for that meant nothing to him. “And you killed him with your vampiric dagger, yes?” Entreri shrugged again, starting to get worried, but Jarlaxle merely laughed and produced a small mirror. Looking into it, Entreri could see, even in the dim light, that his normally brown skin had taken on a bit of a grey pallor-nothing too noticeable. “You have infused yourself with a bit of that essence.” Said the drow.

Grit, that's the stuff that makes legends.

I first tried a cheesesteak spring roll ten years ago at my cousin's wedding at the Four Seasons in Philadelphia, and though I wasn't as unconvinced as Shauna, I had my doubts. That Philadelphians could bastardize a menu item didn't surprise me- this is, after all, the city that invented The Schmitter, a sandwich made of sliced beef, cheese, grilled salami, more cheese, tomatoes, fried onions, more cheese, and some sort of Thousand Island sauce- but the fact that the Four Seasons found it worthy of their fancy-pants menu intrigued me. One bite and I knew I'd struck gold. The cheesy meat and onion filling oozed out of the crisp, fried wonton wrapper, enhancing the celebrated cheesesteak flavor with a sophisticated crunch. This weekend, I'm doing a similar riff, but instead of spring rolls, I'm using arancini, the Sicilian fried risotto balls that are usually stuffed with mozzarella and meat ragu. Instead, I will stuff mine with sautéed chopped beef, provolone, and fried onions and mushrooms. The crispy, saffron-scented rice balls will ooze with unctuous cheesesteak flavor, and I will secure my place among the culinary legends.

You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. — Henry Rollins, Solipsist (2.13.61; Sixth Printing edition, August 10, 1998)

The sign in the pan, stuck to the honey, was no handsome stranger, no trip, no money, but a bone-chilling warning of danger ahead, the frightening footprint of a great giant’s tread. “Bigpaw!” breathed Mama. “Good grief and alas! The Thanksgiving Legend is coming to pass!” “Legend?” asked Sister. “What legend is that?” “It says when the Bears of Bear Country grow greedy and fat, and fail to share Nature’s great bounty, that monster of monsters, Bigpaw, will come and gobble up Bear Country county by county!” “Nonsense!” mocked Papa. “Nonsense and stuff! Nonsensical piffle! Pure Bear Country guff!” But Papa Bear couldn’t have been more wrong. The Thanksgiving Legend was coming on strong.

Such a series of hammer blows! Mankind, it seemed, was now suddenly really rather—dare one say it?—insignificant. He may not after all have been, as he had eternally supposed, specially created. The Book of Genesis, believed by so many to be Holy Writ, was perhaps no more than the stuff of myth and ancient legend. And now even the continents themselves, long supposed to be the most reliable and unshifting bedrock of our very existence, had become mobile.

We were a motley crowd. His Majesty’s Life Guards and Royal Horse Guards jostled along in their army trucks beside the Bedouin of the Arab Legion - Glubb’s Desert Patrol, swathed in garish robes, who raced about in light trucks armed with Lewis guns. We even embraced eight Royal Air Force armoured cars. Tough stuff, these boys. They had left Sidi Barrani in the Western Desert on Thursday and were reported in action against the Iraqi guerrillas at Rutbah on Saturday, a thousand miles away. They were all rogues, God bless them, for whom the War had come as an eleventh hour reprieve. They were the sort of men to whom legend clung like the cloak of Mephistopheles.

It may seem anachronistic to refer to these production figures in a discussion of the summer of 1940, but this is precisely the point. Though the mobilization of the American economy after Pearl Harbor is the stuff of legend, it did not start in December 1941. The foundation of the Allies’ overwhelming aerial superiority was laid as early as the summer of 1940, in direct response to Germany’s victory over France. Whether the bombers would be flown by British or American pilots remained to be decided, as did the embarrassing question of finance, but the bombers were coming in any event.

Atlantis People would whisper about us And our fall from grace As our world fell to ruin And our worst fears were realized, We’d be submerged and forgotten The stuff of speculation. Legend at best, We were a lost city, Singing our siren ballads Of heartbreak and woe From the depths below, We were here! We were here. We were here…

Had the angel of death appeared at that moment, complete with black wings and a gleaming scythe, Poppy would have run to him with open arms. Because being caught on the balcony kissing Harry Rutledge was not just a scandal . . . it would be the stuff of legend. She was ruined. Her life was ruined. Her family was ruined. Everyone in London would know by sunrise. Dumbstruck by the sheer awfulness of the situation, Poppy looked helplessly up at Harry. And for one confusing moment, she thought she saw a flicker of predatory satisfaction in his eyes. But then his expression changed.

Clarrie Grimmett is the stuff of legends. We dwell upon him only briefly and know that is sacrilege. Undoubtedly the most accurate of leg spinners, he also worked tremendously hard. He kept adding variations continuously to his bowling to the extent that when batsman started recognizing his flipper because they could hear the snap of his fingers, Grimmett the wily fox, started bowling leg breaks with a snap of the fingers of his left hand! Some double bluff this!

I like things and stuff which make me to think deeper about life.

Like every other resident of Avening, Ana had no idea how old Autumn was. It was the stuff of legend. She didn't look old, and she didn't look young: she was suspended somewhere between the two. Autumn claimed that she was mostly a Celt, but for a Dutch grandfather and a Native American grandmother, a combination that gave her somewhat exotic looks. Her blue-black hair was cut in a pixie style, her eyes were green, and her cheekbones were high and defined. Today, she wore a black turtleneck and straight-legged pants, Audrey Hepburn-style.

Even though JFK fought in World War II, he retained a soft spot for Hitler as late as 1945, when he described him as the “stuff of legends . . . Hitler will emerge from the hate that now surrounds him and come to be regarded as one of the most significant figures to have lived.”36

The deceiver is the source of all these lies. His preoccupation nowadays isn’t with malarkey or urban legends, and maybe not even with slander or perjury. No, as part of the spiritual battle, the evil perpetrator has more important stuff to go after. His obsession is your mind.