“
Work is about a search for daily meaning as well as daily bread, for recognition as well as cash, for astonishment rather than torpor; in short, for a sort of life rather than a Monday through Friday sort of dying.
”
”
Studs Terkel
“
How come you don't work fourteen hours a day? Your great-great-grandparents did. How come you only work the eight-hour day? Four guys got hanged fighting for the eight-hour day for you.
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Studs Terkel (Touch and Go: A Memoir)
“
Most people were raised to think they are not worthy. School is a process of taking beautiful kids who are filled with life and beating them into happy slavery. That's as true of a twenty-five-thousand-dollar-a-year executive as it is for the poorest."
Bill Talcott - Organizer
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
I think most of us are looking for a calling, not a job. Most of us, like the assembly-line worker, have jobs that are too small for our spirit. Jobs are not big enough for people.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Perhaps it is this specter that most haunts working men and women: the planned obsolescence of people that is of a piece with the planned obsolescence of the things they make. Or sell.
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Studs Terkel
“
Because a book is a life, like one man is a life.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Though we labor with our minds, this place we can relax in was built by someone who can work with his hands. And his work is as noble as ours. I think the poet owes something to the guy who builds the cabin for him.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
People who were personally concerned about a better world, came to Washington, were drawn to it. Even though where we were going was still to be worked out. There was an elan, an optimism . . . an evangelism . . . it was an adventure.
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
It is about a search, too, for daily meaning as well as daily bread, for recognition as well as cash, for astonishment rather than torpor; in short, for a sort of life rather than a Monday through Friday sort of dying. Perhaps immortality, too, is part of the quest. To be remembered was the wish, spoken and unspoken, of the heroes and heroines of this book.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
A man? If I need a man, wouldn't you think I'd have one of my own? Must I wait for you?
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
If I had enough money, I would take busloads of people out to the fields and into the labor camps. Then they’d know how that fine salad got on their table.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
It isn't the calendar age that determines a man's restlessness. It is daily circumstance, an *awareness* of being hurt, and an inordinate hunger for "another way".
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
When I get kind of low, I’d think about a verse I learned at one time, when everybody was fighting me. It went something like this: He has no enemies, you say, My friend, the boast is poor. He who hath mingled in the fray Of duty that the brave endure Must have foes. If he has none, Small is the work he has done. He has hit no traitor on the hip, Has cast no cup from perjured lip, Has never turned the wrong to right, He’s been a coward in the fight.
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
Ruby Bates, one of the young white girls, was a remarkable person. She told me she had been driven into prostitution when she was thirteen. She had been working in a textile mill for a pittance. When she asked for a raise, the boss told her to make it up by going with the workers. She told me there was nothing else she could do...Ruby Bates was a remarkable woman. Underneath it all—the poverty, the degradation—she was decent, pure. Here was an illiterate white girl, all of whose training had been clouded by the myths of white supremacy, who, in the struggle for the lives of these nine innocent boys, had come to see the role she was being forced to play. As a murderer. She turned against her oppressors. . .. I shall never forget her.
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
Smug respectability, like the poor, we've had with us always. Today, however, ... such obtuseness is an indulgence we can no longer afford. The computer, nuclear energy for better or worse, and sudden, simultaneous influences upon everyone's TV screen have raised the ante and the risk considerably.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Work is about a search for daily meaning as well as daily bread.
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Studs Terkel
“
Most of us, like the assembly line worker, have jobs that are too small for our spirit. Jobs are not big enough for people.
Nora Watson quoted by Studs Terkel2
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R. Paul Stevens (The Other Six Days: Vocation, Work, and Ministry in Biblical Perspective)
“
Everybody's entitled to that forty acres and a mule. You're going to do the work, but you have to have something to work with. If you don't have a job, where do you go from there? You hear people say Pull yourself up by your bootstraps, and you don't even have shoes. You're barefooted. What are you going to pull yourself up by? Our country owes every citizen of the United States of America a means of livelihood. Not a handout, but a way to make it.
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Studs Terkel
“
I began to see how everything was so wrong. When growers can have an intricate watering system to irrigate their crops but they can’t have running water inside the houses of workers.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
We sent him to school for him to take this heavy equipment. I worked and cooked over at the school, helped send him there. I said, “I’m not sendin’ you to school to come out here and go to work for these strip mines.” I’d rather see him in Vietnam than see him doin’ strip jobs.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
I feel guilty because I think people should do something they really like to do in life. I should do something else, but there is nothing I can do really well. I’m established and make a steady living, so it becomes pretty easy. It’s not very fulfilling . . . but I’m lazy, I admit it. It’s an easier thing to do.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Working in the fields is not in itself a degrading job. It’s hard, but if you’re given regular hours, better pay, decent housing, unemployment and medical compensation, pension plans—we have a very relaxed way of living. But the growers don’t recognize us as persons. That’s the worst thing, the way they treat you. Like we have no brains. Now we see they have no brains. They have only a wallet in their head. The more you squeeze it, the more they cry out.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Work is about a search for daily meaning as well as daily bread, for recognition as well as cash, for astonishment rather than torpor; in short, for a sort of life rather than a Monday through Friday sort of dying.
Studs Terkel
”
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Studs Terkel
“
If they wanted a half-inch, you have to be able to give them a half-inch. I mean, not an inch, not two inches. Those holes must line up exactly or they won’t make their iron. And when you swing, you have to swing real smooth. You can’t have your iron swinging back and forth, oscillating. If you do this, they’ll refuse to work with you, because their life is at stake.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
In the meantime, I would work in the relief office and I began interviewing people . . . and found out how everybody, in order to be eligible for relief, had to have reached absolute bottom. You didn’t have to have a lot of brains to realize that once they reached that stage and you put them on an allowance of a dollar a day for food—how could they ever pull out of it?
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
This book, being about work, is, by its very nature, about violence - to the spirit as well as to the body. It is about ulcers as well as accidents, about shouting matches as well as fistfights, about nervous breakdowns as well as kicking the dog around. It is, above all (or beneath all), about daily humiliations. To survive the day is triumph enough for the walking wounded among the great many of us.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
You try to fill up your time with trying to think about other things: what you’re going to do on the weekend or about your family. You have to use your imagination. If you don’t have a very good one and you bore easily, you’re in trouble. Just to fill in time, I write real bad poetry or letters to myself and to other people and never mail them. The letters are fantasies, sort of rambling, how I feel, how depressed I am.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
He made me so angry. Here is this motherfucker, who is comfortable, he’s not struggling — in truth, there’s not a hell of a lot for him to struggle about, ‘cause he’s a fuckin’ marshmallow in a bag of marshmallows. He’s a nice guy. I mean, I like him. But he’s a fuckin’ marshmallow.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me any more. I had to belong to somebody and this was it right here. She said, “I pushed you in your early years to try to better yourself and get a social position. But I see that’s not the answer. I know I’ll be proud of you.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
The overt hustling society is the microcosm of the rest of the society. The power relationships are the same and the games are the same. Only this one I was in control of. The greater one I wasn’t. In the outside society, if I tried to be me, I wasn’t in control of anything. As a bright, assertive woman, I had no power. As a cold, manipulative hustler, I had a lot. I knew I was playing a role. Most women are taught to become what they act. All I did was act out the reality of American womanhood.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Automation? Depends how it’s applied. It frightens me if it puts me out on the street. It doesn’t frighten me if it shortens my work week.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
I’m sure that in Germany people also took an oath of secrecy. We know what that eventually led to. If it works that way with us, the sanctions for breaking the secrecy are nothing compared to the sanctions there could be if we’re silent. All
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Studs Terkel (The Good War: An Oral History of World War II)
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I don’t see where people get all this bull about the kid who’s gonna be President and being a newsboy made a President out of him. It taught him how to handle his money and this bull. You know what it did? It taught him how to hate the people on his route. And the printers. And dogs.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
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I can’t imagine a job where you go home and maybe go by a year later and you don’t know what you’ve done. My work, I can see what I did the first day I started. All my work is set right out there in the open and I can look at it as I go by. It’s something I can see the rest of my life.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
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It's a strange thing. I hardly find anybody today who doesn't agree that the ledger should not determine how we live. Most people think it's terrible that the pollution in Lake Michigan is being decided by how much it'll cost companies to cure it. People are realizing that an environment is being created that will be as dangerous for capitalists to live in as well as for the working people...that it's insane to let major things be decided on the basis of black figures and red figures. I find temperate people saying today that the business-motivated system isn't a safe thing to have around.
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Fred W. Thompson
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Studs Terkel was waiting for a number 146 bus alongside two well-groomed business types. "This was before the term yuppie was used," he explains. "But that was what they were. He was in Brooks Brothers and Gucci shoes and carrying the Wall Street Journal under his arm. She was a looker. I mean stunning - Bloomingdales and Neiman Marcus and carrying Vanity Fair."
Terkel, who is 95, has long been a Chicago icon, every bit as accessible and integral to the cultural life of the Windy City as Susan Sontag was to New York. He had shared the bus stop with this couple for several mornings but they had always failed to acknowledge him. "It hurts my ego," he quips. "But this morning the bus was late and I thought, this is my chance." The rest of the story is his.
"I say, 'Labour Day is coming up.' Well, it was the wrong thing to say. He looks toward me with a look of such contempt it's like Noel Coward has just spotted a bug on his collar. He says, 'We despise unions.' I thought, oooooh. The bus is still late. I've got a winner here. Suddenly I'm the ancient mariner and I fix him with my glittering eye. 'How many hours a day do you work?' I ask. He says, 'Eight.' 'How comes you don't work 18 hours a day like your great-great-grandfather did? You know why? Because four guys got hanged in Chicago in 1886 fighting for the eight-hour day ... For you.
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Gary Younge
“
I wanted to be accepted. It must have been in sixth grade. It was just before the Fourth of July. They were trying out students for this patriotic play. I wanted to do Abe Lincoln, so I learned the Gettysburg Address inside and out. I’d be out in the fields pickin’ the crops and I’d be memorizin’. I was the only one who didn’t have to read the part, ’cause I learned it. The part was given to a girl who was a grower’s daughter. She had to read it out of a book, but they said she had better diction. I was very disappointed. I quit about eighth grade. “Any time anybody’d talk to me about politics, about civil rights, I would ignore it. It’s a very degrading thing because you can’t express yourself. They wanted us to speak English in the school classes. We’d put out a real effort. I would get into a lot of fights because I spoke Spanish and they couldn’t understand it. I was punished. I was kept after school for not speaking English.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
We long to feel good about our work. In his brilliant way of writing, Studs Terkel explained over 40 years ago what people wanted from their work efforts: “It is about a search, too, for daily meaning as well as daily bread, for recognition as well as cash, for astonishment rather than torpor; in short for a sort of life rather than a Monday through Friday sort of dying. . . . To be remembered was the wish, spoken and unspoken, of the heroes and heroines of this book.”2
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Shawn Murphy (The Optimistic Workplace: Creating an Environment That Energizes Everyone)
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We had to go to stew school for five weeks. We’d go through a whole week of make-up and poise. I didn’t like this. They make you feel like you’ve never been out in public. They showed you how to smoke a cigarette, when to smoke a cigarette, how to look at a man’s eyes. Our teacher, she had this idea we had to be sexy. One day in class she was showing us how to accept a light for a cigarette from a man and never blow it out. When he lights it, just look in his eyes. It was really funny, all the girls laughed.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
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I don’t know what I’d like to do. That’s what hurts the most. That’s why I can’t quit the job. I really don’t know what talents I may have. And I don’t know where to go to find out. I’ve been fostered so long by school and didn’t have time to think about it. My father’s in watch repair. That’s always interested me, working with my hands, and independent. I don’t think I’d mind going back and learning something, taking a piece of furniture and refinishing it. The type of thing where you know what you’re doing and you can create and you can fix something to make it function. At the switchboard you don’t do much of anything.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
I’m excited to announce that Book 2 of our series, My Job: More People at Work Around the World, is in production. Having met hundreds of people in fascinating jobs, I faced an enormous challenge in selecting the stories to include in Book 2 . . . but I believe this collection will surprise and delight you. It covers a range of jobs in the following sections:
Health and Recovery
Education and Finance
Agribusiness and Food Processing
Arts and Culture
Activism and Diplomacy
The book allows you to experience what it’s like to be an addiction-recovery counselor trained as a clown in London, an art teacher working with gang members in Chicago, a midwife working in rural villages in Guatemala, or a mobile-banking agent making her first million in Zambia.
Book 2 will take you places you’ve never been, from the Appalachian Mountains of West Virginia to a serene beach in Tel Aviv, Israel, and take you deep into the true stories of what it’s like to work at jobs as disparate as teaching a grieving widow to dance, to negotiating with a terrorist.
The book will publish in March and is available for preorder at Amazon.
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Suzanne Skees
“
More or less," that most ambiguous of phrases, pervades many of the conversations that comprise this book, reflecting, perhaps, the ambiguity of attitude toward The Job. Something more than Orwellian acceptance, something less than Luddite sabotage. Often the two impulses are fused in the same person.
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Studs Terkel (Working)
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Who knows Bob’s name in this outfit—let alone his lame child’s? (“The last place I worked for, I was let go,” recalls the bank teller. “One of my friends stopped by and asked where I was at. They said, ‘She’s no longer with us.’ That’s all. I vanished.”) It’s nothing personal, really. Dickens’s people have been replaced by Beckett’s.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Perhaps it is this specter that most haunts working men and women: the planned obsolescence of people that is of a piece with the planned obsolescence of the things they make. Or sell. It is perhaps this fear of no longer being needed in a world of needless things that most clearly spells out the unnaturalness, the surreality of much that is called work today. “Since
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Freud put it one way. Ralph Helstein puts it another. He is president emeritus of the United Packinghouse Workers of America. “Learning is work. Caring for children is work. Community action is work. Once we accept the concept of work as something meaningful—not just as the source of a buck— you don’t have to worry about finding enough jobs. There’s no excuse for mules any more. Society does not need them. There’s no question about our ability to feed and clothe and house everybody. The problem is going to come in finding enough ways for man to keep occupied, so he’s in touch with reality.” Our imaginations have obviously not yet been challenged.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
It was the Depression because no white and no blacks were working. The whites not working made it official.
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
I think everybody should have a job, and the Government should see that they get a job. That WPA deal, that was a darn good idea. I was one of the lucky guys that didn’t need it, but this is what I believe. Everybody should work, but do what they want. I don’t mean this as a communist thing, maybe it’s socialism, I don’t know. Like I’m a musician. Just pay me to do concerts for nothin’. Let people listen for nothing. The Government should work something out so people have something to do. There are so many things to be done in these cities. You feel much better if you’re workin’ instead of gettin’ a handout. You’ll get self-respect, which is number one. Drama, dancing schools, musicians. . .. You could give guys like me jobs as teachers, to teach jazz. So you perpetuate what I’ve learned in my lifetime. You could give that to some younger person and let them carry on, make their own choice, but at least they’d have the background. It’s like studying history. It’s like being part of history. . . .
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
The strike of 1931 revolved around readers in the factory. The workers themselves used to pay twenty-five to fifty cents a week and would hire a man to read to them during work. A cigar factory is one enormous open area, with tables at which people work. A platform would be erected, so that he’d look down at the cigar makers as he read to them some four hours a day. He would read from newspapers and magazines and a book would be read as a serial. The choice of the book was democratically decided. Some of the readers were marvelous natural actors. They wouldn’t just read a book. They’d act out the scenes. Consequently, many cigar makers, who were illiterate, knew the novels of Zola and Dickens and Cervantes and Tolstoy. And the works of the anarchist, Kropotkin. Among the newspapers read were The Daily Worker and the Socialist Call.
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Studs Terkel (Hard Times: An Oral History of the Great Depression)
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She had everything in there snow white. And that means work, believe me. In the dining room she had a blue set, she had sky-blue chairs. They had a bedroom with pink and blue. I look and say, “I know what this means.” It means sho’ ‘nough — knees.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
This coming December, it’ll be three years I made the trip to California. I got a sister out there. I stayed out there over the Christmas holidays and we went to Disneyland. Believe it or not, honest to God, I didn’t think such beautiful things existed in this world of ours. It was somethin’.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
“
Nora Watson may have said it most succinctly. “I think most of us are looking for a calling, not a job. Most of us, like the assembly line worker, have jobs that are too small for our spirit. Jobs are not big enough for people.
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Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)