Elevator Stuck Quotes

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You’re the best boyfriend ever. You let me ride in elevators and everything.” “Laugh it up, Pet. It’ll be hilarious when we get stuck and the smell of unclean tourist is invading your nostrils.” “Don’t worry, Sexy. I’ll protect you.
C.J. Roberts (Epilogue (The Dark Duet, #3))
I'm not doing much, said Jared, warm in her mind, the amusement lingering. Just stuck in an elevator with this creepy Asian girl giving me a death glare.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Limitation is nothing more than a mentality that too many good people practice daily until they believe it’s reality. It breaks my heart to see so many potentially powerful human beings stuck in a story about why they can’t be extraordinary, professionally and personally. You need to remember that your excuses are seducers, your fears are liars and your doubts are thieves.
Robin Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
Stuck in the Elevator by Edie Brickell.
Penelope Ward (Jake Undone (Jake, #1))
I want to text him. I want to call him. I want to take the elevator and go downstairs to smell him. But I’m not going to. I’m not that weird. Overtly, at least.
Ali Hazelwood (Stuck with You (The STEMinist Novellas, #2))
When we select leaders, we don’t usually pick the person with the strongest leadership skills. We frequently choose the person who talks the most. It’s called the babble effect. Research shows that groups promote the people who command the most airtime—regardless of their aptitude and expertise. We mistake confidence for competence, certainty for credibility, and quantity for quality. We get stuck following people who dominate the discussion instead of those who elevate it.
Adam M. Grant (Hidden Potential: The Science of Achieving Greater Things)
Open up your chakra Because once that’s happened there’s no going back Once you start to see what is really happening Who the enemy you should be attackin’ is So READ, READ, READ! Stuck on the block, READ, READ! Sittin’ in the box, READ, READ! Don’t let them say what you can achieve Cos' when people are enslaved One of the first things they do is stop them reading Cos’ it is well understood that intelligent people will take their freedom Cos’ if we knew our power we would understand that we can’t be held down If we knew our power, we would not elevate not one of these clowns If we knew our power, we wouldn’t get arrogant when we get two pennies If we knew our power, we would see what everybody sees, that we’re rich already!
Akala
A thought popped into my head, the same one that appears any time I’m in an elevator with another person: If we get stuck between floors, how long should I wait before I suggest we draw straws? ‘I know what you’re thinking,’ Cuthbert said. I doubted that.
Jack Heath (Headcase (Timothy Blake, #4))
We mistake confidence for competence, certainty for credibility, and quantity for quality. We get stuck following people who dominate the discussion instead of those who elevate it.
Adam M. Grant (Hidden Potential: The Science of Achieving Greater Things)
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump. The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair. The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know? She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower. And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.
Scott Westerfeld (Pretties (Uglies, #2))
I get in an elevator and people clutch they purses like I’m gonna steal from them. Why you think they do that, huh?” I open my mouth to respond, and I get stuck. I have seen that happen. I don’t want to admit this, but I do get nervous when a black guy gets in an elevator with me. Not because he’s black, though. Just when it’s a big guy and a small space. That’s all. But suddenly, I wonder. Suddenly, I’m not sure.
Kimberly Jones (I'm Not Dying with You Tonight)
He rolled his eyes at Suren. He couldn’t stand the sound of that sow’s voice. Hearing her say his name was especially traumatic. About as traumatic as, say, being stuck in an elevator for eternity with a coked-up Gilbert Gottfried arguing with a methed-up Fran Drescher while a drunk Harvey Fierstein attempted to mediate.
Aaron Overfield (Veil)
Nostos algos. I want to go home. A phrase that's stuck on a loop, that I hear before falling asleep, waiting in line for my coffee, tapping the elevator button and rising through the sky to my apartment...and yet my desire is not attached to a particular place...I want to go home but what I mean, what I'm grasping for, is not a place. It's a feeling. I want to go back. But back where? Maybe to the first time I heard Stevie Nicks, to watching the snow fall outside the window with a paperback folded open in my lap, to the moment before I tasted alcohol, to virginity and not really knowing that things die, back to believing that something great is still up ahead, back to before I made the choices that would hem me in to the life I live now. A life that I regret sometimes, I think, only because it's mine, because it's turned out this way and not some other way, because I can't go back and change what will happen.
Julie Buntin (Marlena)
Before he could start asking, a family joined them in the wait for the elevator, the daughters running around, the parents looking like they were stuck in a version of hell that smelled like bubble gum, and was populated by short demons in matching fairy princess outfits that asked for ice cream every three minutes.
J.R. Ward (Rapture (The Fallen Angels, #4))
Forced teaming is an effective way to establish premature trust because a we’re-in-the-same-boat attitude is hard to rebuff without feeling rude. Sharing a predicament, like being stuck in a stalled elevator or arriving simultaneously at a just-closed store will understandably move people around social boundaries. But forced teaming is not about coincidence; it is intentional and directed, and it is one of the most sophisticated manipulations.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Allow me to introduce you to two men, Alan and Ben. Without thinking about it too long, decide who you prefer. Alan is smart, hard-working, impulsive, critical, stubborn and jealous. Ben, however, is jealous, stubborn, critical, impulsive, hard-working and smart. Who would you prefer to get stuck in an elevator with? Most people choose Alan, even though the descriptions are exactly the same. Your brain pays more attention to the first adjectives in the lists, causing you to identify two different personalities. Alan is smart and hard-working. Ben is jealous and stubborn. The first traits outshine the rest. This is called the primacy effect. If it were not for the primacy effect, people would refrain from decking out their headquarters with luxuriously appointed entrance halls. Your lawyer would feel happy turning up to meet you in worn-out sneakers rather than beautifully polished designer Oxfords. The
Rolf Dobelli (The Art of Thinking Clearly: The Secrets of Perfect Decision-Making)
If you want to understand what a year of life means, ask a student who just flunked his end-of-the-year exams. Or a month of life: speak to a mother who has just given birth to a premature baby and is waiting for him to be taken out of the incubator before she can hold him safe and sound in her arms. Or a week: interview a man who works in a factory or a mine to feed his family. Or a day: ask two people madly in love who are waiting for their next rendezvous. Or an hour: talk to a claustrophobia sufferer stuck in a broken-down elevator. Or a second: look at the expression on the face of a man who has just escaped from a car wreck. Or one-thousandth of a second: ask the athlete who just won the silver medal at the Olympic Games, and not the gold he trained for all his life. Life is magic, Arthur, and I know what I'm saying because since my accident I appreciate the value of every instant. So I beg you, let's make the most of all the seconds that we have left.
Marc Levy (If Only It Were True)
You fantasize about the elevator?” Izzy leaned forward on her elbows. “Ohmigod, I do, too. All the time.”   His eyes dipped down to her mouth as he said, “About you hitting the stop button?”   She ran her tongue over her bottom lip. “That’s where it starts.”   “Tell me where it finishes, Shay,” he said, quietly and calmly. No one around them would ever guess that he was asking her to share a sexual fantasy.  No one who’d ever known her would guess that she would.   “With my hands on the wall,” she said, stuck somewhere between embarrassment and total arousal. “And with you behind me, most of the time.”   He raised his eyebrows like he was amused, but his jaw was rigid. “Most of the time.”   “It varies, y’know?”   “Yeah, I fucking do know,” he said, and Izzy's stomach dipped.   “So tell me, Chest,” she said, intimidated and totally turned on by his hot eyes. “Where it finishes for you.”   She didn’t know what she’d been expecting – Blake wasn’t the kind of guy to back down from a challenge so of course he'd answer – but it wasn’t, “Your back against the elevator wall, your legs wrapped around my waist, and my name on your tongue.
Lynn Painter (Accidentally Amy)
You have got to be—” Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier. “Huh, would you look at that?” I glance around the small room, wondering what’s wrong. “No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button. When nothing happens, she presses all the other buttons. “That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.” She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal. “It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.” “Damn it,” she mutters, stuffing her phone back in her purse. “Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.” “I’d rather lick the elevator floor.” “There’s a disgusting visual. Suit yourself.” I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger. Low blood sugar does crazy things to me. I bring the term hangry to a new level. There’s only— “Why are you smiling like that?” I look up at her. “Smiling like what? I’m just being normal.” “No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.” How would she know that? “Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
Meghan Quinn (The Lineup)