“
You’re the best boyfriend ever. You let me ride in elevators and everything.”
“Laugh it up, Pet. It’ll be hilarious when we get stuck and the smell of unclean tourist is invading your nostrils.”
“Don’t worry, Sexy. I’ll protect you.
”
”
C.J. Roberts (Epilogue (The Dark Duet, #3))
“
I'm not doing much, said Jared, warm in her mind, the amusement lingering. Just stuck in an elevator with this creepy Asian girl giving me a death glare.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
Limitation is nothing more than a mentality that too many good people practice daily until they believe it’s reality. It breaks my heart to see so many potentially powerful human beings stuck in a story about why they can’t be extraordinary, professionally and personally. You need to remember that your excuses are seducers, your fears are liars and your doubts are thieves.
”
”
Robin Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
“
Stuck in the Elevator by Edie Brickell.
”
”
Penelope Ward (Jake Undone (Jake, #1))
“
I want to text him. I want to call him. I want to take the elevator and go downstairs to smell him. But I’m not going to. I’m not that weird. Overtly, at least.
”
”
Ali Hazelwood (Stuck with You (The STEMinist Novellas, #2))
“
When we select leaders, we don’t usually pick the person with the strongest leadership skills. We frequently choose the person who talks the most. It’s called the babble effect. Research shows that groups promote the people who command the most airtime—regardless of their aptitude and expertise. We mistake confidence for competence, certainty for credibility, and quantity for quality. We get stuck following people who dominate the discussion instead of those who elevate it.
”
”
Adam M. Grant (Hidden Potential: The Science of Achieving Greater Things)
“
Open up your chakra
Because once that’s happened there’s no going back
Once you start to see what is really happening
Who the enemy you should be attackin’ is
So READ, READ, READ!
Stuck on the block, READ, READ!
Sittin’ in the box, READ, READ!
Don’t let them say what you can achieve
Cos' when people are enslaved
One of the first things they do is stop them reading
Cos’ it is well understood that intelligent people will take their freedom
Cos’ if we knew our power we would understand that we can’t be held down
If we knew our power, we would not elevate not one of these clowns
If we knew our power, we wouldn’t get arrogant when we get two pennies
If we knew our power, we would see what everybody sees, that we’re rich already!
”
”
Akala
“
A thought popped into my head, the same one that appears any time I’m in an elevator with another person: If we get stuck between floors, how long should I wait before I suggest we draw straws?
‘I know what you’re thinking,’ Cuthbert said.
I doubted that.
”
”
Jack Heath (Headcase (Timothy Blake, #4))
“
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?"
"It's a terrific bore."
"I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean."
"Well, I don't exactly hate it. You always have to--"
"Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--"
"Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting.
"Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--"
"I don't know what you're even talking about," old Sally said. "You jump from one--"
"You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically."
"You're sweet," she said. But you could tell she wanted me to change the damn subject.
"You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--"
"Now, listen," old Sally said. "Lots of boys get more out of school that that."
"I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape."
"You certainly are.
”
”
J.D. Salinger (The Catcher in the Rye)
“
We mistake confidence for competence, certainty for credibility, and quantity for quality. We get stuck following people who dominate the discussion instead of those who elevate it.
”
”
Adam M. Grant (Hidden Potential: The Science of Achieving Greater Things)
“
So, there was this beautiful princess.
She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long.
The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there.
One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls.
And it was pretty clear that no prince was showing up, or at least that he was really late.
So the only thing was to jump.
The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair.
The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know?
She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower.
And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.
”
”
Scott Westerfeld (Pretties (Uglies, #2))
“
Nostos algos. I want to go home. A phrase that's stuck on a loop, that I hear before falling asleep, waiting in line for my coffee, tapping the elevator button and rising through the sky to my apartment...and yet my desire is not attached to a particular place...I want to go home but what I mean, what I'm grasping for, is not a place. It's a feeling. I want to go back. But back where? Maybe to the first time I heard Stevie Nicks, to watching the snow fall outside the window with a paperback folded open in my lap, to the moment before I tasted alcohol, to virginity and not really knowing that things die, back to believing that something great is still up ahead, back to before I made the choices that would hem me in to the life I live now. A life that I regret sometimes, I think, only because it's mine, because it's turned out this way and not some other way, because I can't go back and change what will happen.
”
”
Julie Buntin (Marlena)
“
I get in an elevator and people clutch they purses like I’m gonna steal from them. Why you think they do that, huh?” I open my mouth to respond, and I get stuck. I have seen that happen. I don’t want to admit this, but I do get nervous when a black guy gets in an elevator with me. Not because he’s black, though. Just when it’s a big guy and a small space. That’s all. But suddenly, I wonder. Suddenly, I’m not sure.
”
”
Kimberly Jones (I'm Not Dying with You Tonight)
“
He rolled his eyes at Suren. He couldn’t stand the sound of that sow’s voice. Hearing her say his name was especially traumatic. About as traumatic as, say, being stuck in an elevator for eternity with a coked-up Gilbert Gottfried arguing with a methed-up Fran Drescher while a drunk Harvey Fierstein attempted to mediate.
”
”
Aaron Overfield (Veil)
“
Before he could start asking, a family joined them in the wait for the elevator, the daughters running around, the parents looking like they were stuck in a version of hell that smelled like bubble gum, and was populated by short demons in matching fairy princess outfits that asked for ice cream every three minutes.
”
”
J.R. Ward (Rapture (The Fallen Angels, #4))
“
If you’re stuck in the elevator, hit the control panel with a hammer!
”
”
C. Gockel (Noa's Ark (Archangel Project, #2))
“
watch Miller leave down the hall, watch her get into the elevator, and I’m stuck wondering how only hours ago I was wishing her away and now that she’s gone, I find myself desperate for her to stay.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
There’s only one chance in two billion that the elevator will get stuck,” he would have focused on that one possibility. Remember, the brain is hardwired to search for danger and the negative in order to survive.
”
”
George Kohlrieser (Hostage at the Table: How Leaders Can Overcome Conflict, Influence Others, and Raise Performance (J-B Warren Bennis Series))
“
Forced teaming is an effective way to establish premature trust because a we’re-in-the-same-boat attitude is hard to rebuff without feeling rude. Sharing a predicament, like being stuck in a stalled elevator or arriving simultaneously at a just-closed store will understandably move people around social boundaries. But forced teaming is not about coincidence; it is intentional and directed, and it is one of the most sophisticated manipulations.
”
”
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
“
The four-day elevator ride might be nothing more than a prelude to further journeys, some of which might take her to places with little to no bandwidth, and nothing was worse than getting stuck in a situation like that with nothing to read.
”
”
Neal Stephenson (Seveneves)
“
To have luck and fail to act on it is tantamount to not having luck at all. In fact, it was worse. Barnes thought back to his self-help manuals. They all proclaimed with compelling force the necessity of recognizing opportunity then seizing it when it stuck.
”
”
Joseph G. Peterson (Wanted: Elevator Man)
“
The doorman wouldn’t let me in.” “Excuse me?” “He said I was loitering. But I wasn’t. I was just walking to the elevator.” “Why didn’t you tell him you were staying with me?” My teeth clattered. “He didn’t believe me.” Ryan parked the vehicle and nearly ripped his door off getting out. He stuck his head back in. “Come on.” He looked dangerous.
”
”
Odette Stone (Home Game (Vancouver Wolves Hockey, #2))
“
There was no point in telling the woman you were stuck in an elevator with for probably only a few minutes that you’d broken the heart of the nicest person in the world, the snowball that had started this whole avalanche, and you probably deserved all of the looks you’d get all weekend, right? It wasn’t like he’d lied to her; everything he said was the truth, just not the whole truth. It wasn’t like he’d made Josh or Molly out to be evil, had he?
”
”
Jasmine Guillory (The Wedding Date (The Wedding Date, #1))
“
Allow me to introduce you to two men, Alan and Ben. Without thinking about it too long, decide who you prefer. Alan is smart, hard-working, impulsive, critical, stubborn and jealous. Ben, however, is jealous, stubborn, critical, impulsive, hard-working and smart. Who would you prefer to get stuck in an elevator with? Most people choose Alan, even though the descriptions are exactly the same. Your brain pays more attention to the first adjectives in the lists, causing you to identify two different personalities. Alan is smart and hard-working. Ben is jealous and stubborn. The first traits outshine the rest. This is called the primacy effect. If it were not for the primacy effect, people would refrain from decking out their headquarters with luxuriously appointed entrance halls. Your lawyer would feel happy turning up to meet you in worn-out sneakers rather than beautifully polished designer Oxfords. The
”
”
Rolf Dobelli (The Art of Thinking Clearly: The Secrets of Perfect Decision-Making)
“
If you want to understand what a year of life means, ask a student who just flunked his end-of-the-year exams. Or a month of life: speak to a mother who has just given birth to a premature baby and is waiting for him to be taken out of the incubator before she can hold him safe and sound in her arms. Or a week: interview a man who works in a factory or a mine to feed his family. Or a day: ask two people madly in love who are waiting for their next rendezvous. Or an hour: talk to a claustrophobia sufferer stuck in a broken-down elevator. Or a second: look at the expression on the face of a man who has just escaped from a car wreck. Or one-thousandth of a second: ask the athlete who just won the silver medal at the Olympic Games, and not the gold he trained for all his life. Life is magic, Arthur, and I know what I'm saying because since my accident I appreciate the value of every instant. So I beg you, let's make the most of all the seconds that we have left.
”
”
Marc Levy (If Only It Were True)
“
You fantasize about the elevator?” Izzy leaned forward on her elbows. “Ohmigod, I do, too. All the time.” His eyes dipped down to her mouth as he said, “About you hitting the stop button?” She ran her tongue over her bottom lip. “That’s where it starts.” “Tell me where it finishes, Shay,” he said, quietly and calmly. No one around them would ever guess that he was asking her to share a sexual fantasy. No one who’d ever known her would guess that she would. “With my hands on the wall,” she said, stuck somewhere between embarrassment and total arousal. “And with you behind me, most of the time.” He raised his eyebrows like he was amused, but his jaw was rigid. “Most of the time.” “It varies, y’know?” “Yeah, I fucking do know,” he said, and Izzy's stomach dipped. “So tell me, Chest,” she said, intimidated and totally turned on by his hot eyes. “Where it finishes for you.” She didn’t know what she’d been expecting – Blake wasn’t the kind of guy to back down from a challenge so of course he'd answer – but it wasn’t, “Your back against the elevator wall, your legs wrapped around my waist, and my name on your tongue.
”
”
Lynn Painter (Accidentally Amy)
“
You have got to be—”
Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier.
“Huh, would you look at that?” I glance around the small room, wondering what’s wrong.
“No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button.
When nothing happens, she presses all the other buttons.
“That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.”
She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal.
“It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.”
“Damn it,” she mutters, stuffing her phone back in her purse.
“Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.”
“I’d rather lick the elevator floor.”
“There’s a disgusting visual. Suit yourself.”
I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger.
Low blood sugar does crazy things to me.
I bring the term hangry to a new level.
There’s only—
“Why are you smiling like that?”
I look up at her. “Smiling like what? I’m just being normal.”
“No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.”
How would she know that?
“Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
”
”
Meghan Quinn (The Lineup)
“
If this is true—if solitude is an important key to creativity—then we might all want to develop a taste for it. We’d want to teach our kids to work independently. We’d want to give employees plenty of privacy and autonomy. Yet increasingly we do just the opposite. We like to believe that we live in a grand age of creative individualism. We look back at the midcentury era in which the Berkeley researchers conducted their creativity studies, and feel superior. Unlike the starched-shirted conformists of the 1950s, we hang posters of Einstein on our walls, his tongue stuck out iconoclastically. We consume indie music and films, and generate our own online content. We “think different” (even if we got the idea from Apple Computer’s famous ad campaign). But the way we organize many of our most important institutions—our schools and our workplaces—tells a very different story. It’s the story of a contemporary phenomenon that I call the New Groupthink—a phenomenon that has the potential to stifle productivity at work and to deprive schoolchildren of the skills they’ll need to achieve excellence in an increasingly competitive world. The New Groupthink elevates teamwork above all else. It insists that creativity and intellectual achievement come from a gregarious place. It has many powerful advocates. “Innovation—the heart of the knowledge economy—is fundamentally social,” writes the prominent journalist Malcolm Gladwell. “None of us is as smart as all of us,” declares the organizational consultant Warren Bennis,
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
I have a trainer,” she confirmed while searching for an escape route.
Standing closer to this man is like being stuck in an elevator, she decided. You’d bargain with God to get free.
“But not just any trainer. Not only does this woman tackle a stallion no one else can seem to tame but she resurrects the dead, n’est-ce pas? You have done wonders to stir McCloud’s blood again, or so I have heard.”
A.J.’s mouth dropped open at the insinuation. “What are you talking about?”
“Surely you jest. The news is all around.” He gesticulated with a limp wrist. “Although I must say, you are faithless to leave your family in favor of a man who is not your husband. No matter how good you find his services.”
Her vision narrowed on the man’s jugular. “Why, you little—”
Devlin appeared at her side. “A.J.! Time to go pace off the course.”
“Ah,” Philippe said grandly. “And here is your good teacher, the man you gave up so much for. Myself, I could not imagine leaving my family for someone else’s stable, but I am French and we are known for our loyalty. Then again, I also don’t need the particular kind of instruction this McCloud offers.”
A.J. could sense her face tuning brick red and felt like a boxer winding up for a punch.
“Come on,” Devlin said.
“Yes, run along, you two. I imagine there is much you must do to each other.”
That did it. She lost it.
“Why, you tar-mouthed gossip hound—”
She was itching to go further but Devlin put a firm hand on her arm and began to lead her away.
“And speaking of gossip,” the Frenchman called out as they left, “you would do well to keep your ear to the floor. I myself am going to make an announcement soon.”
“That’s ‘ear to the ground,’ you—”
“Enough,” Devlin hissed, dragging her off.
When they were out of range from the crowd, A.J. whirled on him, eyes flashing turquoise.
“How could you let him go on like that? You didn’t give me the chance to defend us!”
Devlin said nothing, which infuriated her further. He just stood there, staring at her calmly. Didn’t he have any pride?
“I mean, come on! Marceau made insinuations that were insane and you hauled me off before I could respond.”
When that didn’t get any reaction, she frowned.
“Hello?”
“You finished?” he asked. “Or do you want to give him more of what he’s after?”
A.J. looked confused.
He said, “Tell me what you’re thinking about right now.”
“How I’d like to crown him with a bag of feed.
”
”
J.R. Ward (Leaping Hearts)
“
As the physical body becomes less dense, there is an increasing sensibility and awareness to the subtle elements of the ether which were once unknown to the perceptive senses. The being then becomes knowledgeable of things that to others are not yet part of their reality. This new elevated state leads him to be seen by those others as crazy and out of touch with common sense. For the one who reaches such stage, however, there is an overwhelming sensation of lone wonder, where beauty is found in nothing but an empty garden of extraordinary flowers with different fragrances and colors. To this individual, the world has ceased to exist in its meanings for it is a world of brute ignorance and dark unconsciousness, guided by self-deceptive impulses. He is like a traveler in time stuck in the past. He has evolved but cannot escape the time-line in which he is in. He is blessed while led to think by fools that he is cursed. And the only thing he needs to do, in order to close the gap between his new self and the physical world, consists in looking inwards and appreciate the decadence around him from the perspective of the Observer. Once he can do that, he can be one with the Great Architect and start thinking like a god. In that precise moment, he is freed from any time-line and all the secrets are revealed unto him. His soul becomes boundless and his personality as fluid as water. He can be anything with a burning fire, and nothing like air, at the exact same time; he can love everyone like fertile soil for growth, and no one, as if he was just air; he can be everywhere and nowhere, like darkness, but also attach and detach at will, like light. And he can also have the power to unroot himself from any will produced by any thought that he might or not have chosen to have.
”
”
Dan Desmarques (Codex Illuminatus: Quotes & Sayings of Dan Desmarques)
“
Many so-called problems only arise in the first place because we’re stuck in our perception of the world, and that limited awareness defines our reality.
”
”
Joseph Deitch (Elevate: An Essential Guide to Life)
“
as well have stuck my fingers in my ears. Warm air blew softly down the hall with a low roar that, coupled with a buzz from the lights and a hum from the elevator shaft, swallowed all other sounds, no matter how hard I concentrated. But that could work both ways. I padded down the hall, noiseless in sneakers. The hall branched to the left several times, forming the bottom end of a T. At each branch I listened intently, then bobbed my head into the hallway for a quick check. I reached the end of the hall. Nothing. Nobody. No Charles Manson or Ted Bundy or Vlad the Impaler. Definitely no Michael Wheeler. I considered for a second. I didn’t know which office I was looking for and could spend half the night checking doors and poking my head into rooms while Amanda might or might not be stuck in an elevator. And if Wheeler was holed up somewhere on this floor, it would be child’s play to sneak up and pop me while I was going up and down hallways, rattling doorknobs. It wasn’t a one-man job and I could afford to wait for backup. My first priority was to make sure Amanda was safe. Quick but cautious, I headed back to the elevators. Halfway there, my cell buzzed in my pocket. I answered. “Singer.” “Detective Singer, this is the dispatcher with the George Washington University police. We spoke earlier. Are you in the Krueger building?” “Yeah,” I said, keeping my head up and watching the doors to at least a dozen classrooms as I continued the walk back to the elevator. “I’m on the ninth floor now.” “Is Ms. Lane in danger?” “I don’t know.” I explained how I’d lost the call. “We’ll need to get someone to override
”
”
Matthew Iden (A Reason to Live (Marty Singer #1))
“
Mark Matthias went from urban Indiana Jones to Public Utility Villain faster than you can say, "Help, I'm stuck in the elevator.
”
”
Neil Shusterman
“
I tune in to all the people I’ll see and meet and interact with in the future, through my blogs, teleclasses, radio shows, podcasts, emails, social media, and keynotes. I feel a connection with everyone in my future and everyone in my past. I feel love flowing from my heart to all of them. I carry within me the indelible imprint of that time spent in communion with the infinite. I know that it will infuse my whole day, elevating my mind to a level at which it would never be capable of functioning unless I had centered myself at the start of the day. The insights and ideas that arise in and after meditation are usually at a level of brilliance far above that of which I am capable in my ordinary waking consciousness. From this elevated perspective I’m making connections in a way that my ordinary consciousness cannot match. I know I will find solutions, solve problems, and experience breakthroughs that I would never have had were my daily activities not infused with the wisdom, creativity, clarity, and joy of Bliss Brain. This produces a fundamentally different life from one lived at the level of ordinary consciousness. I lived at that address for a long time before I discovered the ecstasy of connection with the infinite. At that level of ordinary reality, I believed my fears were real. I believed that my limitations were objective facts. I believed that who I was today was determined by my past experiences. My mind was trapped in a small subset of possibilities. Now that I know that the expansive state is possible, and that I can reach it in meditation every day, I see limitless possibilities. I’m no longer stuck in that small local mind that sees problems as real and limitations as facts. When I move into Bliss Brain, I see vistas of possibility in which those problems and limitations cease to exist. They are only real at that limited level of mind, and they disappear when you consciously choose to ascend your awareness to the level of infinite nonlocal mind. You then bring the solutions and possibilities of that level back down to your daily walk through life. This creates a completely different experience than a life trapped in the confinement of local mind.
”
”
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
“
Not all resurrections of Kundalini exhibit events that can be considered divine experience. In addition, certain unfinished risings can be quite complicated because the actions of Kundalini Shakti to enhance her standing may influence subtle processes of the body, creating a variety of experiences, including subtle physical activity that may be painful and emotional. Blocked risings or risings through cul-de-sac routes can give rise to some distressing and unusual symptoms, and thwart further spiritual development until the block or misdirection is corrected. The strain on the subtle body can ultra-sensitive and urgent distress the experiencer, especially if they don't know how to properly support their rising. Individuals may also use or misuse any special abilities that their risings provide for their own worldly purposes, and this may eventuate in some uncomfortable side effects. If the gifts offered by an arisen Kundalini Shakti are harnessed for non-spiritual purposes, the resulting dissipation or misdirection of vital energy and likely ego inflation may postpone further spiritual progress until the diffusion is contained and the inauspicious focus is corrected. Other factors that complicate an upturn are sometimes present. An uncomfortable upsurge can result when Kundalini Shakti emerges spontaneously through non-spiritual catalysts (such as life shock or incorrect intervention) in an unprepared person whose subtle body is weak, toxic, or unbalanced and who may not have a frame of reference for interpreting and responding to the experience as potentially spiritual. The emotional reaction to the rising itself can disrupt the delicate body even further. Kundalini Shakti will work to resolve limitations in the system of the individual, and the experiences produced by her effort may be felt as uncomfortable, and thus the experiencer considers them problematic. Even a "spiritual disaster" or "kundalini syndrome" may be branded. It may be mistakenly pathologized by others who do not recognize spiritual experiences because the phenomenon must satisfy appropriate requirements to be considered a diagnosable disorder or disease. However, the Kundalini process is not a pathology, and it is considered a blessing that spiritual aspirants should seek for. A blocked rising may result in distressing discomforts, and some discomfort may also be associated with the purification and restoration, which follows an improvement in a rising. Yet essentially, these challenges can be changed. A healthy, balanced lifestyle promotes a successful cycle of Kundalini. With the seeker's spiritual understanding and committed right commitment to co-operate with the intent of Kundalini Shakti, grace is conferred by the divine right to promote the spiritual development of the soul. Practicing appropriate spiritual methods allows Kundalini Shakti to fix (divert, unblock, elevate) a stuck rising so that rising problems can be improved over time. Unimpeded risings can eventually impart a gentle process, culminating in full spiritual attainment through a direct route.
”
”
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
“
Thanks, Vincent. I’m still getting used to how this all works.” He shrugged. “I am too. We’ll probably be figuring it out our whole lives, but that’s okay. We’ve got a lot going on in that lump of gray flesh up there.” He tapped the side of his head. “Well, most people do. Sometimes, mine is stuck playing elevator music for hours on end.
”
”
Harley Laroux (Losers: Part II (Losers, #2))
“
Tell me something: why is it, as though on purpose, that at the exact, yes, at the very exact moments when I might be most conscious of the intricacies of 'all that is beautiful and elevated' (as they used to say in these parts), it seems that I am not conscious of them, and I do such ugly deeds, which... well, yes, in short, everyone does, but which, to make things worse, occur to me just when I am most conscious of the fact that I should absolutely not do them? The more I was conscious of goodness and of that is 'beautiful and elevated,' the deeper I sank into my mire and the more able I was to get completely stuck in it.
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Fyodor Dostoevsky (Notes from Underground)
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you have a sales force that's stuck in the mud, don't just complain about the staff's failure to hit your targets and timeline. Ask lots of questions to figure out what's wrong.
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Frank Slootman (Amp It Up: Leading for Hypergrowth by Raising Expectations, Increasing Urgency, and Elevating Intensity)
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But why does this all matter? Why is the math of arrows and swords relevant to understanding why you might have a boss, a boss’s boss, and a boss’s boss’s boss at work? For a simple reason: as ranged weapons became more common, the dynamics of warfare started to dramatically favor societies with more soldiers. If a few hundred people got together and formed an army under the rule of a single chief, egalitarian bands of twenty to eighty members just couldn’t compete. And when humans get together in larger groups, flat societies become impossible. Put enough people together, and hierarchy and dominance always emerge. It’s an ironclad rule of history. Some people had to learn this the hard way. Bands that stubbornly stuck to the old ways of flat society started to get wiped out by those who joined together and embraced chiefs. Plus, on the battlefield itself, having leaders (generals) with formal power over their soldiers was much more effective than a ragtag bunch of soldiers making their own decisions. It was the opposite of the !Kung hunting rituals. To win a war, you didn’t want to insult your best and bravest. You needed to elevate your best fighters, not cut them down to size.
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Brian Klaas (Corruptible: Who Gets Power and How It Changes Us)
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When we select leaders, we don’t usually pick the person with the strongest leadership skills. We frequently choose the person who talks the most. It’s called the babble effect. Research shows that groups promote the people who command the most airtime15—regardless of their aptitude and expertise. We mistake confidence for competence, certainty for credibility, and quantity for quality. We get stuck following people who dominate the discussion instead of those who elevate it.
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Adam M. Grant (Hidden Potential)