Studs Quotes

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Work is about a search for daily meaning as well as daily bread, for recognition as well as cash, for astonishment rather than torpor; in short, for a sort of life rather than a Monday through Friday sort of dying.
Studs Terkel
We kiss all the time." I clear my throat, then add, "We just...do it in private." "A smug expression crosses his face. "I don't buy it for a second, 'cause if you were my girlfriend and a stud like me was livin' in your house, I'd kiss you in front of the guy every chance I got as a reminder." "A reminder of w-w-what?" "That you were mine.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Money cannot buy health, but I'd settle for a diamond-studded wheelchair.
Dorothy Parker
I always love to quote Albert Einstein because nobody dares contradict him.
Studs Terkel
Since I don't smoke, I decided to grow a mustache - it is better for the health. However, I always carried a jewel-studded cigarette case in which, instead of tobacco, were carefully placed several mustaches, Adolphe Menjou style. I offered them politely to my friends: "Mustache? Mustache? Mustache?" Nobody dared to touch them. This was my test regarding the sacred aspect of mustaches.
Salvador Dalí (Dalí's Mustache)
I'm amazing and studly, but I have limits.
Jim Butcher (Grave Peril (The Dresden Files, #3))
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
Suzanne Collins
Its always nice to have a stud muffin at the table.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
People are hungry for stories. It's part of our very being. Storytelling is a form of history, of immortality too. It goes from one generation to another. -Studs Terkel
Studs Terkel
Before we invented civilization our ancestors lived mainly in the open out under the sky. Before we devised artificial lights and atmospheric pollution and modern forms of nocturnal entertainment we watched the stars. There were practical calendar reasons of course but there was more to it than that. Even today the most jaded city dweller can be unexpectedly moved upon encountering a clear night sky studded with thousands of twinkling stars. When it happens to me after all these years it still takes my breath away.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
I'm infatuated with you, I cannot deny it. Physically speaking, you're a very attractive man. But I don't like you, the vast majority of the time. So far as I can gather, you behave abominably in public and are only marginally better in private. I only find you remotely tolerable when you're kissing me.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
It seems the word ‘slut’ can be applied to any activity that doesn’t include knitting, praying, or sitting perfectly still lest any sudden movements be deemed whorish.
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
He kissed her. Without warning, without permission. Without even deciding to do it, but simply because he couldn't have done anything else. He needed that breath she was holding. It belonged to him, and he wanted it back.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
I pictured Cupid sitting in a crappy little bar, drunk and depressed, while he moaned to the bartender, "That Jasmine Parks, gods, she pisses me off! Did you see what she just did? Totally blew off this immortal stud to play kiss-the-boo-boo with a fickle little rent-a-cop. Why? 'Cause she's the biggest chickenshit on the planet! I'm ready to toss my bow and pick up a bazooka!
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
Most of us have jobs that are too small for our spirits.
Studs Terkel
I was afraid. Of getting hurt in other ways. To be truthful, I still am." His thumb stroked her cheek. "I would never hurt you." "I don't think you can promise me that." She squeezed his bruised fingers. "But it makes things a bit more equal, to know that I can hurt you, too." His gaze fell to her lips. He said simply, without any trace of irony, "You are killing me.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Oh, dear." She let her head fall back to the pillow. "There it went. I've fallen in love with you now." "Just now?" Chuckling, he came to a sitting position, resting his forearm on one bent knee. "Well, thank God for belated blessings." He ran a hand through his hair. "It's been coming on rather longer than that for me." "What?" She sat bolt upright. "What can you mean? Since when?" "From the first, Amelia. From the very first.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Alright, macho babe boy, I'm not some little ditz to bat my eyelashes at the buff stud in black leather. Don't try your he-man tactics with me. I'll have you know, in my office, I'm known as the ball-breaker. (Amanda)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
His breath in my ear, he ran his tongue along the curved edge, sucking the fleshy lobe and my small diamond stud into his mouth, and my eyes drifted closed while I babbled a weak sound of longing.
Tammara Webber (Easy (Contours of the Heart, #1))
That’s what people never understand: They see us hard little pretty things, brightly lacquered and sequin-studded, and they laugh, they mock, they arouse themselves. They miss everything. You see, these glitters and sparkle dusts and magicks? It’s war paint, it’s feather and claws, it’s blood sacrifice.
Megan Abbott (Dare Me)
The pain of an injury is over in seconds. Everything that comes after is the pain of getting well." He gave her a heartfelt look, full of apology. "I'd forgotten that you see. Coming back to life ... It hurts.
Tessa Dare (Twice Tempted by a Rogue (Stud Club, #2))
Villains were wonderful. They got to be cruel and selfish, to preen in front of mirrors and poison apples, and trap girls on mountains of glass. They indulged all their worst impulses, revenged themselves for the least offense, and took every last thing they wanted. And sure, they wound up in barrels studded with nails, or dancing in iron shoes heated by fire, not just dead, but disgraced and screaming. But before they got what was coming to them, they got to be the fairest in all the land.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
An intelligent, energetic, educated woman cannot be kept in four walls — even satin-lined, diamond-studded walls — without discovering sooner or later that they are still a prison cell." (America's Medieval Women, Harper's Magazine, August 1938)
Pearl S. Buck
If you’re a broodmare, that would make me the stud.” “And there,” she said, “is the injustice of the world in a nutshell.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
His right ear still held both studs, and I wondered who had the missing earring. I would have asked, but was afraid he’d tell me Ivy had it.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Suppose neutral angels were able to talk, Yahweh and Lucifer – God and Satan, to use their popular titles – into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their early kingdom? Would God be satisfied the loaves and fishes and itty-bitty thimbles of Communion wine, while Satan to have the red-eye gravy, eighteen-ounce New York Stakes, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all night, no-holds-barred, nasty “can’t-get-enough-of-you” hot-as-hell-fucks? Think about it. Would Satan get New Orleans, Bangkok, and the French Riviera and God get Salt Lake City? Satan get ice hockey, God get horseshoes? God get bingo, Satan get stud poker? Satan get LSD; God, Prozac? God get Neil Simon; Satan Oscar Wilde?
Tom Robbins
The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days.
Annie Dillard (Pilgrim at Tinker Creek)
It seems to me that you need a lot of courage, or a lot of something, to enter into others, into other people. We all think that everyone else lives in fortresses, in fastnesses: behind moats, behind sheer walls studded with spikes and broken glass. But in fact we inhabit much punier structures. We are, as it turns out, all jerry-built. Or not even. You can just stick your head under the flap of the tent and crawl right in. If you get the okay.
Martin Amis (Time's Arrow)
Forgive me, Your Grace. Are you suggesting a woman is some sort of … piece of fruit to you? One squeeze, and you know if she’s ripe?
Tessa Dare (One Dance with a Duke (Stud Club, #1))
A big, studly football jock like me? I got plenty of blood to spare. For you, I have anything to spare.
Kristin Cast (Betrayed (House of Night, #2))
Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded time piece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pockets?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
(“Yeah, work that mustache, you stud, chicks fucking dig the rapist look”)
Karina Halle (The Dex-Files (Experiment in Terror, #5.6))
Any other iron on you?” he asked impatiently. “Just my tongue stud.” His look was a mixture of curiosity and horror. “I’m kidding, you idiot. Let’s go.
Kiersten White
What I remember most of those times is that poverty creates desperation, and desperation creates violence.
Studs Terkel (Hard Times: An Oral History of the Great Depression)
God, grant me serenity to accept those things I can't change, the courage to change those I can, and the wisdom to know the difference." -Division St.
Studs Terkel
This is priceless. Big stud on campus couldn’t make a girl come. You’ve officially given me enough ammo to rag on you for years.” Yup, I sure did. Nobody ever said I was smart.
Elle Kennedy (The Mistake (Off-Campus, #2))
Bloodclan, Attack!" Not a cat moved Tigerstar's amber eyes widened and he screeched "Attack, I order you!" Still none of the warriors moved, eccept for the small black cat who took a pace forward. He glanced twored Firestar. "I am Scourge, leader of Bloodclan," he meowed, his voice cold and quiet. "Tigerstar, my warriors are not yours to command. They will attack when I tell them, and not before." The look Tigerstar gave him was incredulous and glittered with all the hatred he had ever shown to Firestar, as is he couldn't beleive that this scrap of a cat was defying him. Firestar seized his oppertunity. He paced forward untill he stood right infront of the two leaders. Behind him, he heard graystripe hiss, "Firestar,be careful!" But this was no time for being careful. The very future of the forest was at stake, balanced on the breadth of a hair between Tigerstar's bloodthirsty quest for power and the whims of the unknown bloodclan. Now Firestar could see that the collar Scourge wore around his neck was studded with teath--The teath of dogs, and...CATS' teath too. Great Starclan! Did they kill their own kind and wear there teath as trophies?
Erin Hunter (The Darkest Hour (Warriors, #6))
You know, 'power corrupts, and absolute power corrupts absolutely?' It's the same with powerlessness. Absolute powerlessness corrupts absolutely. Einstein said everything had changed since the atom was split, except the way we think. We have to think anew.
Studs Terkel
She had to go," said Rose. "It was because of her angel," said Indigo. "And because of Granddad," added Caddy. "And because of her nose stud." "And because her name isn't on the color chart." "She's lonely," said Rose. "That's why.
Hilary McKay (Saffy's Angel (Casson Family, #1))
Lucy: It's just about a boy and a girl falling in love. Camron: Yeah? Is the guy a stud? Is his name Cameron?
Jay McLean (More Than Forever (More Than, #4))
I knew right then you were the only one for me." He pulled her hand from his face, kissed her palm, then pressed it flat against his chest. "Beatings, battles, fights. No matter how bleak the circumstance, no matter how my soul despaired ... this heart never once gave up." His voice deepened, went thick with emotion. "I've a theory as to why. Do you want to hear it?" She nodded. "This heart is yours. It's yours," he said. "It always will be.
Tessa Dare (Twice Tempted by a Rogue (Stud Club, #2))
Most people were raised to think they are not worthy. School is a process of taking beautiful kids who are filled with life and beating them into happy slavery. That's as true of a twenty-five-thousand-dollar-a-year executive as it is for the poorest." Bill Talcott - Organizer
Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
I can't recall a single amazing thing I have seen first hand that I didn't immediately reference to amp is of a TV show. You know the awful singsong the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
I think most of us are looking for a calling, not a job. Most of us, like the assembly-line worker, have jobs that are too small for our spirit. Jobs are not big enough for people.
Studs Terkel (Working: People Talk About What They Do All Day and How They Feel About What They Do)
Whoever taught my mother the phrase stud muffin should be prosecuted
Flynn Meaney (Bloodthirsty)
When are we going to realize that hating other women - no matter how much money they have or how far they've fallen - is just as bad for ourselves as it is for anyone else?
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
More and more we are into communications; and less and less into communication.
Studs Terkel
Master Kell,” said Alucard, cheerfully. “What an unexpected pleasure, running into you here.” His voice had a natural undercurrent of laughter in it, and Kell could never tell if he was being mocked. “I don’t see how it’s unexpected,” said Kell, “as I live here. What is unexpected is running into you, since I thought I made myself quite clear the last time we met.” “Quite,” echoed Alucard. “Then what were you doing in my brother ’s chambers?” Alucard raised a single studded brow. “Do you want a detailed account? Or will a summary suffice?
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
You know I can never stay away from you.” She reached up with both hands and pinched his cheeks, hard. “You’re just so darn cute,” she said, pursing up her lips. “I’m studly baby, get it right.
R.L. Mathewson (Sudden Response (EMS, #1))
You can borrow my two-carat diamond stud earrings," Aphrodite said. I stopped and looked back at her. "Huh?" She shrugged. "That's as close to a declaration of love as you're gonna get from me.
P.C. Cast (Destined (House of Night, #9))
Chicago is not the most corrupt of cities. The state of New Jersey has a couple. Need we mention Nevada? Chicago, though, is the Big Daddy. Not more corrupt, just more theatrical, more colorful in its shadiness.
Studs Terkel (Chicago)
That's what the leadership was teaching me, day by day: that the self-interest I was supposed to be looking for extended well beyond the immediacy of issues, that beneath the small talk and sketchy biographies and received opinions, people carried with them some central explanation of themselves. Stories full of terror and wonder, studded with events that still haunted or inspired them. Sacred stories.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
Curiosity never killed this cat’ — that’s what I’d like as my epitaph
Studs Terkel
He wore a tiny turquoise stud earring I always associated with Dungeons and Dragons types. Men who own ferrets and think magic tricks are cool.
Gillian Flynn (Dark Places)
I'm not an optimist. I'm hopeful.
Studs Terkel
I have to go," he said. "You don't understand. Someone wants to kill me. "Someone wants to kill you?" she repeated. "Well, I want to make love to you. My goodness, Julian. With two such compelling alternatives, however will you choose?
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
Forgive me for speaking frankly, but after the past quarter-hour's conversation, I am unconvinced that any of you possess the sense or sensitivity to impart the news in any respectful fashion
Tessa Dare (One Dance with a Duke (Stud Club, #1))
We have two Governments in Washington: one run by the elected people—which is a minor part—and one run by the moneyed interests, which control everything.
Studs Terkel (Hard Times: An Oral History of the Great Depression)
He pointed at Brother Jeremiah, who had come to a halt in front of a statue just slightly taller than he was, its base overgrown with moss. The statue was of an angel. The marble of the statue was so smooth it was almost translucent. The face of the angel was fierce and beautiful and sad. In long white hands the angel held a cup, its rim studded with marble jewels. Something about the statue tickled Clary’s memory with an uneasy familiarity. There was a date inscribed on the base, 1234, and words inscribed around it: NEPHILIM: FACILIS DESCENSUS AVERNI. “Is that meant to be the Mortal Cup?” she asked. Jace nodded. “And that’s the motto of the Nephilim—the Shadowhunters—there on the base.” “What does it mean?” Jace’s grin was a white flash in the darkness. “It means ‘Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.’” “Jace—” It means, said Jeremiah, The descent into Hell is easy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
How come you don't work fourteen hours a day? Your great-great-grandparents did. How come you only work the eight-hour day? Four guys got hanged fighting for the eight-hour day for you.
Studs Terkel (Touch and Go: A Memoir)
We had been out in the woods near campus one evening, having skipped out on our last class. I’d traded a pair of cute, rhinestone-studded sandals to Abby Badica for a bottle of peach schnapps—desperate, yes, but you did what you had to in Montana—which she’d somehow gotten hold of. Lissa had shaken her head in disapproval when I suggested cutting class to go put the bottle out of it’s misery, but she’d come along anyway. Like always. We found a log to sit on near a scummy green marsh. A half-moon cast a tiny light on us, but it was more than enough for vampires and half-vampires to see by. Passing the bottle back and forth I’d grilled her on Aaron. I held up that bottle and glared at it. “I don’t think this stuff it working.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
You are a sweet man." -"God, there it is." He flopped back on the bed, as if shot through the heart. "Repeat that to anyone, and I will have you brought up on charges of slander." "I wouldn't dream of telling a soul.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Stud,” D repeated, growly and low. Jack snorted. “You got a better word for a guy who’s swept my chimney five times in one night?
Jane Seville (Zero at the Bone (Zero at the Bone #1))
I came to college to study, Cass, not to whore myself out to drunken frat boys!” She gaffawed. “Whatever, darlin’, you won’t be thinking of studying when your ankles are wrapped ’round some stud’s neck as he wears you like a necklace, tickling your belly button from the inside!
Tillie Cole (Sweet Home (Sweet Home, #1))
It's never been my desire to conquer you, Amelia. If you leave this room with me, it must be at my side. As my wife, my lover, my partner ...” His thumb brushed her lip. “My dearest friend.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
The whole program of unemployment insurance, Social Security, was a confession of the failure of our whole social order. And confession of failure of Christian principles: that man, in fact, did not look after his brother.
Studs Terkel (Hard Times: An Oral History of the Great Depression)
You don't want me to feel obligated? Well, I'm sorry, Lily. I am here because I feel obligated." He brought her hand to his chest, pressing her palm flat against his rapidly thumping pulse. "I'm obligated by my heart. It's decided you're essential to my existence, you see. And it's threatening to go out on labor strike if I don't make you mine this very day. So yes. I am here on bended knee, acting from a deep, undeniable sense of obligation. I am, quite simply, yours." He swallowed hard. "If you'll have me.
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
Gillian Flynn
the purpose of the word “slut” is: controlling women through shame and humiliation. Women’s bodies are always the ones that are being vied over for control—whether it’s rape, reproductive rights, or violence against women, it’s our bodies that are the battleground, not men’s.
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
Takako looked into Hiroki's eyes and grinned. "You've become quie a stud." "And...you're the most stylin' girl in the world." Takako smiled faintly. She wanted to thank him, but she was out of breath. She just stared at Hiroki's eyes. She was grateful. At least she wasn't going to die alone. The last person to stay with her ended up being Hiroki. And she was grateful. She really was.
Koushun Takami (Battle Royale)
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent. In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes. You do not read a book for the book's sake, but for your own. You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind. You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life. You may read because you did go to college. You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too. You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people. Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise. Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight. Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it. Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
Earl Nightingale
Proper handling of a horse like this is no simple matter. He was trained to race, from birth. Not only to race, but to be the best. Once a champion, he was spoiled with attention and permissive handling. Add to that, he's an ungelded male, with a strong natural mating drive. It all adds up to a horse with a mile-wide streak of arrogance, bloody bored out of his mind. Without proper exercise and opportunities to mate, all that aggressive energy festers. He becomes moody, intractable, withdrawn, destructive." Ashworth raised an eyebrow at Bellamy. "Is it just me, or is this conversation becoming uncomfortably personal?" Spencer fumed. "I'm not referring to myself, you ass.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Be as pissed off as you want to be. Don’t hold back because you think it’s unladylike or some such nonsense. We shouldn’t be shamed out of our anger. We should be using it. Using it to make change in our own lives, and using it to make change in the lives around us. (I know, I’m cheesy.) So the next time someone calls you emotional, or asks if you’re PMSing, call them on their bullshit.
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
Michael Ende (The Neverending Story)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
My least favorite form of street harassment is when a guy asks why I’m not smiling. It’s related to that: Women aren’t allowed to be quiet or stoic or shy—or, hell, just in a bad mood—without being criticized. Women are bitchy and frigid if we don’t seem accessible at all times, for the most part to men. We’re supposed to be perpetually friendly. Who wants to live up to that? And seriously, when was the last time you heard a quiet woman described as “deep”? Men who are serious are just that—serious. Think laconic cowboys and Clint Eastwood-style movie heroes. Strong and silent is a desirable personality trait for men—women, not so much. Because where silence in men is seen as strength, silence in women (if not seen as bitchy) is seen as weakness—she’s shy, a wallflower.
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
The poor are so busy trying to survive from one day to the next, they haven’t the time or energy to keep score.
Studs Terkel (Hard Times: An Oral History of the Great Depression)
Life is sad enough without people writing sad books.
James T. Farrell (Studs Lonigan)
You don't know me at all. You don't know the first thing about me. You don't know where I'm writing this from. You don't know what I look like. You have no power over me. What do you think I look like? Skinny? Freckles? Wire-rimmed glasses over brown eyes? No, I don't think so. Better look again. Deeper. It's like a kaleidoscope, isn't it? One minute I'm short, the next minute tall, one minute I'm geeky, one minute studly, my shape constantly changes, and the only thing that stays constant is my brown eyes. Watching you.
David Klass
…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?
John Updike (Rabbit, Run)
Never had the sky been more studded with stars and more charming, the trees more trembling, the odor of the grass more penetrating; never had the birds fallen asleep among the leaves with a sweeter noise; never had all the harmonies of universal serenity responded more thoroughly to the inward music of love; never had Marius been more captivated, more happy, more ecstatic.
Victor Hugo (Les Misérables)
In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)
Studs Terkel (Touch and Go: A Memoir)
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
There's a very generous donation in the parish's future if you make this fast. Ten minutes, at the most." Frowning, the man fumbled open his liturgy. "There's an established rite, Your Grace. Marriage must be entered into with solemnity and consideration. I don't know that I can rush--" "Ten minutes. One thousand guineas." The liturgy snapped closed. "Then again, what do a few extra minutes signify to an eternal God?" He beckoned Amelia with a fluttering, papery hand. "Make haste, child. You're about to be married.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
What was I thinking?" Chiron cried. " I can't let you get away without this." He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents. Gee," I said. "Thanks." Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one. I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...? I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands. The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos." Riptide," I translated, surprised the Ancient Greek came so easily. Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.
Rick Riordan
Damn it, why was he wondering about her? Why did he feel this need to know everything about an impertinent, managing, none-too-pretty female? But he did. Oh, he did not want to engage in anything so gauche or peril-fraught as inquiry. He merely wanted a reference - the comprehensive cotex of all things Amelia Claire d'Orsay. A chart of her ancestry back to the Norman invaders. The catalogue listing every book she'd ever read. A topographical map indicating the precise location of every freckle on her skin.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I’d been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we’ve never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I’ve been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I’ve missed you all my life.
Ann-Marie MacDonald (Fall on Your Knees)
It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.
Toni Morrison (Jazz (Beloved Trilogy, #2))
I’d offer you advice, but I’ve never been married.” “Neither has Garrett,” I said, stating the truth. “He’s a slut.” Cookie giggled. “I love it when you call men sluts.” “Right?” I said, giggling back. “It’s much funnier than the alternative.” It was odd how I despised that word when talking about women, but when talking about men, all bets were off. Maybe because of the centuries-old double standard where a woman who enjoyed sex was a slut, whereas a man who enjoyed sex was a stud. That one never sat well with me.
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds. Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day. Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
Diane Ackerman (I Praise My Destroyer: Poems)
Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made - imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell... Meals' ingredients must be allowed to topple into one another like dominos. Broccoli stems, their florets perfectly boiled in salty water, must be simmered with olive oil and eaten with shaved Parmesan on toast; their leftover cooking liquid kept for the base for soup, studded with other vegetables, drizzled with good olive oil, with the rind of the Parmesan added for heartiness. This continuity is the heart and soul of cooking.
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
Facts and Observations #1 If people think you’re dishonored, it’s no different from actually having been dishonored, except you still don’t know anything. #2 When you’ve been ruined, there are only two options: death or marriage. #3 Since I am gravely healthy, the first option isn’t likely. #4 On the other hand, ritual self-sacrifice in Iceland cannot be ruled out. #5 Lady Berwick advises marriage and says Lord St. Vincent is “bred to the bill.” Since she once made the same remark about a stud horse she and Lord Berwick bought for their stable, I have to wonder if she’s looked in his mouth. #6 Lord St. Vincent reportedly has a mistress. #7 The word “mistress” sounds like a cross between mistake and mattress. “We’ve
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Come live with me and be my love, And we will all the pleasures prove That valleys, groves, hills, and fields, Woods or steepy mountain yields. And we will sit upon the rocks, Seeing the shepherds feed their flocks, By shallow rivers to whose falls Melodious birds sing madrigals. And I will make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroidered all with leaves of myrtle; A gown made of the finest wool Which from our pretty lambs we pull; Fair lined slippers for the cold, With buckles of th purest gold; A belt of straw and ivy buds, With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my love. The shepherds' swains shall dance and sing For thy delight each May morning: If these delights thy mind may move, Then live with me and be my love.
Christopher Marlowe
She’s so gorgeous. I can’t believe we made her,” he says quietly against my ear. “I’m buying a chastity belt.” “I don’t think she needs one yet.” “I’m thinking ahead.” He gently moves me aside to pluck the carrier out of the base. I arch a brow. “I heard you once had a threesome.” He nearly trips on a non-existent crack in the sidewalk. A light cough precedes his query, “A threesome? Who’d you hear that from?” Ha! He doesn’t deny it. Amused, I brush by him to get the front door. “Carin heard it. Said it was always the quiet ones.” “No threesomes for Jamie,” he declares. “Maybe we should homeschool her until she’s thirty.” “We’re turning into hypocrites.” Tucker nods enthusiastically. “Yup, and no guilt here.” Right before he ducks into the house, he murmurs, “By the way, it was a foursome.” I gasp. “Two guys and two girls?” He smirks. “Three girls and me.” “Wow.” I’m more impressed than angry. “Good for you, stud.
Elle Kennedy (The Goal (Off-Campus, #4))
Julian," she said huskily, "you were right the other morning. You know me so well. I'm not made for illicit affaires, all that sneaking around to avoid discovery." In the dark, her hands crept up to his shoulders, then his face. Her finger teased through his hair. "Why should we hide at all? Let all London see us together. I don't care what anyone says or thinks. I love you, and I want the world to know." He wanted to weep. For joy, for frustration. She was so brave, his beautiful Lily, and the situation was so damned unfair. It wasn't her fault that she made these heartrending declarations at a moment when their lives were probably in danger and he couldn't possibly reciprocate. That fault was his, for choosing to live the way he had and making the decisions he'd made. He didn't deserve her, didn't deserve her love. He most certainly didn't merit those warm brushes of her lips against his skin. But damned if he could bring himself to stop them. "We're in love, Julian. Isn't it wonderful?" "No," he murmured as she kissed him again. "It's not wonderful. It's a disaster." Her lips grazed his jaw, then his throat. "I can feel you speaking, and I know you're probably making some valiant protest. But you know I can't hear those words. Your body is making an altogether different argument, and I'm listening to it." Her fingers crept inside his waistcoat, splaying over the thin lawn of his shirt. "Take your heart, for example." Yes, take it. Take it and keep it, always.
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
Hubert Selby Jr. (Requiem for a Dream)
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Where was Bewcastle? But then he was there, standing on the terrace some distance away, and such was the power of his presence that everyone seemed to sense it an fell back away from Alleyne even as they stopped talking. There was still all sorts of noise, of course - horses, carriage wheels, voices, the water spouting out of the fountain - but it seemed to Alleyne as if complete silence fell. Bewcastle had already seen him. His gaze was steady and silver-eyed and inscrutable. His hand reached for the gold-handled, jewel-studded quizzing glass he always wore with formal attire and raised it halfway to his eyes in a characteristic gesture. Then he came striding along the terrace with uncharacteristic speed and did not stop coming until he had caught Alleyne up in a tight, wordless embrace that lasted perhaps a whole minute while Alleyne dipped his forehead to his brother's shoulder and felt at last that he was safe. It was an extraordinary moment. He had been little more than a child when his father died, but Wulfric himself had been only seventeen. Alleyne had never thought of him as a father figure. Indeed, he had often resented the authority his brother wielded over them with such unwavering strictness, and often with apparant impersonality and lack of humor. He had always thought of his eldest brother as aloof, unfeeling, totally self sufficient. A cold fish. And yet it was in Wulfric's arm that he felt his homecoming most acutely. He felt finally and completely and unconditionally loved. An extraordinary moment indeed.
Mary Balogh (Slightly Sinful (Bedwyn Saga, #5))