Stubb Quotes

The midwife considers the miracle of childbirth as normal, and leaves it alone unless there's trouble. The obstetrician normally sees childbirth as trouble; if he leaves it alone, it's a miracle.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

Stubbs may have envisaged the skeleton inside the horse, but most of us do not

Move on. Be well. Go for it!

Because a laugh's the wisest, easiest answer to all that's queer; and come what will, one comfort's always left--that unfailing comfort is, it's all predestinated.

Hereby perhaps Stubb indirectly hinted, that though man loved his fellow, yet man is a money-making animal, which propensity too often interferes with his benevolence.

I don't write like this in order to show how clever and well read I am--though I am rather clever and well read as a matter of fact.

They tell me sir, that Stubb did once desert poor Pip, whose drowned bones now show white, for all the blackness of his living skin. But I will never desert ye sir, as Stubb did him.

Why don't ye be sensible, Flask? it's easy to be sensible; why don't ye, then? any man with half an eye can be sensible." "I don't know that, Stubb. You sometimes find it rather hard.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as we think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the

A good wife would have sorted him out and put him on the right road..." There comes that right road again. I wonder where it is? Imogen thought

To sit alone with my conscience will be judgment enough for me.

Have an eye to the molasses tierce, Mr. Stubb; it was a little leaky, I thought. If ye touch at the islands, Mr. Flask, beware of fornication.

nothing but that one sufficient little word queer; he's queer, says Stubb; he's queer—queer, queer; and keeps dinning it into Mr. Starbuck all the

For, when Stubb dressed, instead of first putting his legs into his trowsers, he put his pipe into his mouth.

Then something immense came into view; an enormous shock-haired giant with his arms stretched out. It was the big gum-tree outside Mrs. Stubbs' shop, and as they passed by there was a strong whiff of eucalyptus. And now big spots of light gleamed in the mist. The shepherd

There is no light. I don't feel like starting my generator. I used to get a big kick out saving people's lives. Now I wonder what the hell's the point, since they all have to die anyway.Dr. Stubbs Catch -22

In old England the greatest lords think it great glory to be slapped by a queen, and made garter-knights of; but, be your boast, Stubb, that ye were kicked by old Ahab, and made a wise man of. Remember what I say; be kicked by him; account his kicks honors; and on no account kick back; for you can't help yourself, wise Stubb.

Let all your crew pull strong, come what will. (Spring, my men, spring!) There's hogsheads of sperm ahead, Mr. Stubb, and that's what ye came for. (Pull, my boys!) Sperm, sperm's the play! This at least is duty; duty and profit hand in hand.

Long usage had, for this Stubb, converted the jaws of death into an easy chair. What he thought of death itself, there is no telling. Whether he ever thought of it at all, might be a question; but, if he ever did chance to cast his mind that way after a comfortable dinner, no doubt, like a good sailor, he took it to be a sort of call of the watch to tumble aloft, and bestir themselves there, about something which he would find out when he obeyed the order, and not sooner.

He was careful to avoid meeting anyone. There was Stubbs, the gardener, coming along the path. He hid behind a tree till he had passed. He let himself out at a little gate in the garden wall. he skirted all stables, kennels, breweries, carpenters’ shops, wash-houses, places where they make tallow candles, kill oxen, forge horse-shoes, stitch jerkins – for the house was a town ringing with men at work at their various crafts – and gained the ferny path leading uphill through the park unseen. There is perhaps a kinship among qualities; one draws another along with it; and the biographer should here call attention to the fact that this clumsiness is often mated with a love of solitude. Having stumbled over a chest, Orlando naturally loved solitary places, vast views, and to feel himself for ever and ever and ever alone.

over his head towards the fire, seemed invoking some curse or some blessing on the toil. But, as Ahab looked up, he slid aside. "What's that bunch of lucifers dodging about there for?" muttered Stubb, looking on from the forecastle. "That Parsee smells fire like a fusee; and smells of it himself, like a hot musket's powder-pan." At last the shank, in one

She felt the press of friendly hands, the murmur of friendly voices. No one minded. Everyone understood. As

CHAPTER 64 Stubb's Supper

D'ye mark him, Flask?" whispered Stubb; "the chick that's in him pecks the shell. 'Twill soon be out.

You shall have the old home still [adverb, not noun - although Jack was by no means out of sympathy with Stubbs' kind of farm produce].

Long usage had, for this Stubb, converted the jaws of death into an easy chair.

No, Stubb; you may pound that knot there as much as you please, but you will never pound into me what you were just now saying.

Remember Stubb, in Moby-Dick? “Whatever my fate, I’ll go to it laughing.

What has he in his hand there?" cried Starbuck, pointing to something wavingly held by the German. "Impossible!—a lamp-feeder!" "Not that," said Stubb, "no, no, it's a coffee-pot, Mr. Starbuck; he's coming off to make us our coffee, is the Yarman; don't you see that big tin can there alongside of him?—that's his boiling water. Oh! he's all right, is the Yarman.

When a prominent Puritan named (all too appropriately, it would seem) John Stubbs criticized the queen’s mooted marriage to a French Catholic, the Duke of Alençon, his right hand was cut off.*

But it is infamous that they have not told you!’ declared Eustacie. ‘Je n’en reviendrai jamais!’ ‘If it’s all the same to you, miss, I’d just as soon you’d talk in a Christian language,’ said Mr. Stubbs.

You shall have the old home still [adverb, not noun — although Jack was by no means out of sympathy with Stubbs’ kind of farm produce] and I shall lead to the altar the beauteous Ermengarde, loveliest of her sex!

cannibals—morally enfeebled also, by the incompetence of mere unaided virtue or right-mindedness in Starbuck, the invulnerable jollity of indifference and recklessness in Stubb, and the pervading mediocrity in Flask.

It is not, perhaps, entirely because the whale is so excessively unctuous that landsmen seem to regard the eating of him with abhorrence; that appears to result, in some way, from the consideration before mentioned: i.e. that a man should eat a newly murdered thing of the sea, and eat it too by its own light. But no doubt the first man that ever murdered an ox was regarded as murderer; perhaps he was hung; and if he had been put on his trial by oxen, he certainly would have been; and he certainly deserved it if any murderer does. Go to the meat-market of a Saturday night and see the crowds of live bipeds staring up at the long rows of dead quadrupeds. Does not that sight take a tooth out of the cannibal’s jaw? Cannibals? who is not a cannibal? I tell you it will be more tolerable for the Fejee that salted down a lean missionary in his cellar against a coming famine; it will be more tolerable for that provident Fejee, I say, in the day of judgment, than for thee, civilized and enlightened gourmand, who nailest geese to the ground and featest on their bloated livers in they pate-de-fois-gras. But Stubb, he eats the whale by its own light, does he? and that is adding insult to injury, is it? Look at your knife-handle, there, my civilized and enlightened gourmand dining off that roast beef, what is that handle made of?—what but the bones of the brother of the very ox you are eating? And what do you pick your teeth with, after devouring that fat goose? With a feather of the same fowl. And with what quill did the Secretary of the Society for the Suppression of Cruelty to Ganders formerly indite his circulars? It is only within the last month or two that that society passed a resolution to patronize nothing but steel pens.

That mortal man should feed upon the creature that feeds his lamp, and, like Stubb, eat him by his own light, as you may say; this seems so outlandish a thing that one must needs go a little into the history and philosophy of it.

What has he in his hand there?" cried Starbuck, pointing to something wavingly held by the German. "Impossible!—a lamp-feeder!" "Not that," said Stubb, "no, no, it's a coffee-pot, Mr. Starbuck; he's coming off to make us our coffee, is the Yarman; don't you see that big tin can there alongside of him?—that's his boiling water. Oh! he's all right, is the Yarman." "Go along with you," cried Flask, "it's a lamp-feeder and an oil-can. He's out of oil, and has come a-begging.

Soon ranging up by his flask, Stubb, firmly planting his knee in the clumsy cleat, darted dart after dart into the flying fish; at the word of command, the boat alternately sterning out of the way of the whale's horrible wallow, and then ranging up from another fling.

Well, well, well! Stubb knows him best of all, and Stubb always says he’s queer; says nothing but that one sufficient little word queer; he’s queer, says Stubb; he’s queer—queer, queer; and keeps dinning it into Mr. Starbuck all the time—queer, sir—queer, queer, very queer.

But Stubb, he eats the whale by its own light, does he? and that is adding insult to injury, is it? Look at your knife-handle, there, my civilized and enlightened gourmand, dining off that roast beef, what is that handle made of?—what but the bones of the brother of the very ox you are eating?

Why don't you snap your oars, you rascals? Bite something, you dogs! So, so, so, then:—softly, softly! That's it—that's it! long and strong. Give way there, give way! The devil fetch ye, ye ragamuffin rapscallions; ye are all asleep. Stop snoring, ye sleepers, and pull. Pull, will ye? pull, can't ye? pull, won't ye? Why in the name of gudgeons and ginger-cakes don't ye pull?—pull and break something! pull, and start your eyes out! Here," whipping out the sharp knife from his girdle; "every mother's son of ye draw his knife, and pull with the blade between his teeth. That's it—that's it. Now ye do something; that looks like it, my steel-bits. Start her— start her, my silverspoons! Start her, marling-spikes!" Stubb's exordium to his crew is given here at large, because he had rather a peculiar way of talking to them in general, and especially in inculcating the religion of rowing.

was no thought of appointing hereditary dukes - to have done this would have been simply to prepare the way for the king or his posterity to be ousted, as had been the case with the Merovingians, and was also with the Karolings in France. The early dukes were simply regionary, beneficiary, or official. Growth

Who's got some paregoric?" said Stubb, "he has the stomach-ache, I'm afraid. Lord, think of having half an acre of stomach-ache! Adverse winds are holding mad Christmas in him, boys. It's the first foul wind I ever knew to blow from astern; but look, did ever whale yaw so before? it must be, he's lost his tiller.

Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Stubbs painted this magnetic masterpiece to illustrate the nature of the sublime, which was one of his era's most popular philosophical concepts,and its relation to a timelessly riveting feeling: fear. The magnificent horse galloping through a vast wilderness encounters the bottom-up stimulus of a crouching predator and responds with a dramatic display of what psychologists mildly call "negative emotion." The equine superstar's arched neck, dilated eyes, and flared nostrils are in fact the very picture of overwhelming dread. The painting's subject matter reflects he philosopher Edmund Burke's widely circulated Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, which asserts that because "terror" is unparalleled in commanding "astonishment," or total, single-pointed,--indeed, rapt--attention, it is "the ruling principle of the sublime.

Ye two are the opposite poles of one thing; Starbuck is Stubb reversed, and Stubb is Starbuck; and ye two are all mankind; and Ahab stands alone among the millions of the peopled earth, nor gods nor men his neighbors! Cold, cold—I shiver!—How now? Aloft there! D'ye see him? Sing out for every spout, though he spout ten times a second!

every one knows that this earthly air, whether ashore or afloat, is terribly infected with the nameless miseries of the numberless mortals who have died exhaling it; and as in time of the cholera, some people go about with a camphorated handkerchief to their mouths; so, likewise, against all mortal tribulations, Stubb's tobacco smoke might have operated as a sort of disinfecting agent.

There is a story about a traveller chased by a tiger to the edge of an abyss. The man took hold of a vine and started to climb down when he saw an angry dragon at the bottom of the abyss, and when he looked up, the tiger was lashing its tail above. As he hung on, a mouse started to gnaw away at the vine he was clinging to. The man was ready for death when he noticed a wild strawberry growing next to him, so he plucked it. It was the sweetest he had ever tasted.

Stick to the boat, Pip, or by the Lord, I won't pick you up if you jump; mind that. We can't afford to lose whales by the likes of you; a whale would sell for thirty times what you would, Pip, in Alabama. Bear that in mind, and don't jump any more." Hereby perhaps Stubb indirectly hinted, that though man loved his fellow, yet man is a money-making animal, which propensity too often interferes with his benevolence. But we are all in the hands of the Gods; and Pip jumped again.

Stubb suddenly dropped all advice, and concluded with a peremptory command, "Stick to the boat, Pip, or by the Lord, I won't pick you up if you jump; mind that. We can't afford to lose whales by the likes of you; a whale would sell for thirty times what you would, Pip, in Alabama. Bear that in mind, and don't jump any more." Hereby perhaps Stubb indirectly hinted, that though man loved his fellow, yet man is a money-making animal, which propensity too often interferes with his benevolence.

He aquí, pues, a este viejo canoso e impío, persiguiendo con maldiciones a una ballena digna de Job por el mundo entero, al frente de una tripulación compuesta principalmente de mestizos renegados, parias y caníbales, moralmente debilitados por la insuficiencia de la simple virtud inerme o la rectitud de Starbuck, la invulnerable despreocupación y ligereza de Stubb y la total mediocridad de Flask. Una tripulación mandada por semejantes oficiales parecía especialmente escogida por alguna fatalidad infernal para auxiliar a Ahab en su viaje monomaníaco.

le antojaba caminar sobre los tablones nadie podía impedírselo, pero que debía de haber algún modo de sofocar el ruido; y sugirió con palabras vacilantes y confusas, que hubiese convenido poner una bola de estopa en el talón de marfil. ¡Ah, Stubb, tú no conocías bien a Ahab! —¿Soy una bala de cañón, Stubb —dijo Ahab—, para que quieras envolverme de ese modo? Pero me había olvidado de que a ti suelen ocurrírsete estas cosas… Baja a tu sepulcro nocturno, donde la gente como tú duerme envuelta en su sudario, para habituarse al último, al definitivo. ¡Abajo, perro, a tu agujero!

Aynı gün, sandalının kenarından aynı altın rengi denize uzun uzun baktıktan sonra Starbuck da şunları söyledi: "Uçsuz bucaksız güzellik; en az âşığın genç sevgilisinin gözlerinde gördüğü güzellik kadar enginsin! Bana testere dişli köpekbalıklarından ve adam kaçıran yamyamlıklardan bahsetme. Şimdi hakikatin yerini inanç alsın; anıların yerine hayal geçsin. Derinlerine bakıyor ve inanıyorum." Stubb da, aynı altın rengi ışığın altında, parıldayan pullarıyla havaya sıçradı: "Adım Stubb ve Stubb da geçmişi hatırlıyor; ama Stubb vaktini şimdiye de hep keyifli geçirdiğine yemin ediyor!

For, when Stubb dressed, instead of first putting his legs into his trowsers, he put his pipe into his mouth. I say this continual smoking must have been one cause, at least of his peculiar disposition; for every one knows that this earthly air, whether ashore or afloat, is terribly infected with the nameless miseries of the numberless mortals who have died exhaling it; and as in time of the cholera, some people go about with a camphorated handkerchief to their mouths; so, likewise, against all mortal tribulations, Stubb’s tobacco smoke might have operated as a sort of disinfecting agent.

And now abating in his flurry, the whale once more rolled out into view! surging from side to side; spasmodically dilating and contracting his spout-hole, with sharp, cracking, agonized respirations. At last, gush after gush of clotted red gore, as if it had been the purple lees of red wine, shot into the frightened air; and falling back again, ran dripping down his motionless flanks into the sea. His heart had burst! “He’s dead, Mr. Stubb,” said Daggoo. “Yes; both pipes smoked out!” and withdrawing his own from his mouth, Stubb scattered the dead ashes over the water; and, for a moment, stood thoughtfully eyeing the vast corpse he had made.

Looking at Moby Dick as a mid-twentieth century revolutionist who was also a lover of Shakespeare, he had come to the conclusion that Melville’s masterpiece was the “first comprehensive statement in literature of the conditions and perspectives for the survival of Western civilization.”28 He saw Ahab, the mad captain taking the Pequod to the bottom of the ocean in pursuit of the white whale, as the forerunner of the totalitarian dictators of our epoch. The crew and the harpooners represented the creative power of the masses; the two officers, Starbuck and Stubb, the helplessness of labor and liberal leaders; while Ishmael symbolized the powerlessness and isolation of the intellectual.

Hey - Duggie! Duggie! Duggie!" He came running up to me, sparkler in hand. I felt like sticking one on him, the cheeky bastard. Nobody called me Duggie. He held the sparkler up in front of my face and said, "Wait. Wait." I was already waiting. What else was there to do? "Here you are," he said. "Look! What's this?" At that precise moment, his sparkler fizzled out. I didn't say anything, so he supplied the answer himself. "The death of the socialist dream," he said. He giggled like a little maniac, and stared at me for a second or two before running off, and in that time I saw exactly the same thing I'd seen in Stubbs's eyes the day before. The same triumphalism, the same excitement, not because something new was being created, but because something was being destroyed. I thought about Phillip and his stupid rock symphony and I swear that my eyes pricked with tears. This ludicrous attempt to squeeze the history of the countless millennia into half an hour's worth of crappy riffs and chord changes suddenly seemed no more Quixotic than all the things my dad and his colleagues had been working towards for so long. A national health service, free to everyone who needed it. Redistribution of wealth through taxation. Equality of opportunity. Beautiful ideas, Dad, noble aspirations, just as there was the kernel of something beautiful in Philip's musical hodge-podge. But it was never going to happen. If there had ever been a time when it might have happened, that time was slipping away. The moment had passed. Goodbye to all that. Easy to be clever with hindsight, I know, but I was right, wasn't I? Look back on that night from the perspective of now, the closing weeks of the closing century of our second millennium - if the calendar of some esoteric and fast-disappearing religious sect counts for anything any more - and you have to admit that I was right. And so was Benjamin's brother, the little bastard, with his sparkler and his horrible grin and that nasty gleam of incipient victory in his twelve-year-old eyes. Goodbye to all that, he was saying. He'd worked it out already. He knew what the future held in store.

Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman's fainting fit. Up helm, I say ye fools. Is this the end of all my bursting prayers? all my life-long fidelities? Oh, Ahab, Ahab, lo, thy work. Steady! helmsman, steady. Nay, nay! Up helm again! He turns to meet us! Oh, his unappeasable brow drives on towards one, whose duty tells him he cannot depart. My God, stand by me now! - Stand not by me, but stand under me, whoever you are that will now help Stubb; for Stubb, too, sticks here. I grin at thee, thou grinning whale! Who ever helped Stubb, or kept Stubb awake, but Stubb's own unwinking eye? And now poor Stubb goes to bed upon a mattrass that is all too soft; would it were stuffed with brushwood! I grin at thee, thou grinning whale! Look ye, sun, moon, and stars! I call ye assassins of as good a fellow as ever spouted up his ghost. For all that, I would yet ring glasses with ye, would ye but hand the cup! Oh, oh! oh, oh! thou grinning whale, but there'll be plenty of gulping soon! Why fly ye not, O Ahab! For me, off shoes and jacket to it; let Stubb die in his drawers! A most mouldy and over salted death, though;—cherries! cherries! cherries! Oh, Flask, for one red cherry ere we die! - Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother's drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.

Not at all; and therein consisted his chief peculiarity. He would say the most terrific things to his crew, in a tone so strangely compounded of fun and fury, and the fury seemed so calculated merely as a spice to the fun, that no oarsman could hear such queer invocations without pulling for dear life, and yet pulling for the mere joke of the thing. Besides he all the time looked so easy and indolent himself, so loungingly managed his steering-oar, and so broadly gaped— open-mouthed at times—that the mere sight of such a yawning commander, by sheer force of contrast, acted like a charm upon the crew. Then again, Stubb was one of those odd sort of humorists, whose jollity is sometimes so curiously ambiguous, as to put all inferiors on their guard in the matter of obeying them.

What breaks in me? Some sinew cracks! 'tis whole again; oars! oars! Burst in upon him! I grow blind; hands! stretch out before me that I may yet grope my way. Is't night? Oars, oars! Slope downwards to thy depths, O sea, that ere it be for ever too late, Ahab may slide this last, last time upon his mark; I see: the ship! the ship! Dash on, my men! - Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman's fainting fit. Up helm, I say ye fools. Is this the end of all my bursting prayers? all my lifelong fidelities? Oh, Ahab, Ahab, lo, thy work. Steady! helmsman, steady. Nay, nay! Up helm again! He turns to meet us! Oh, his unappeasable brow drives on towards one, whose duty tells him he cannot depart. My God, stand by me now! - Stand not by me, but stand under me, whoever you are that will now help Stubb; for Stubb, too, sticks here. I grin at thee, thou grinning whale! Who ever helped Stubb, or kept Stubb awake, but Stubb's own unwinking eye? And now poor Stubb goes to bed upon a mattrass that is all too soft; would it were stuffed with brushwood! I grin at thee, thou grinning whale! Look ye, sun, moon, and stars! I call ye assassins of as good a fellow as ever spouted up his ghost. For all that, I would yet ring glasses with ye, would ye but hand the cup! Oh, oh! oh, oh! thou grinning whale, but there'll be plenty of gulping soon! Why fly ye not, O Ahab! For me, off shoes and jacket to it; let Stubb die in his drawers! A most mouldy and over salted death, though; cherries! cherries! cherries! Oh, Flask, for one red cherry ere we die! - Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother's drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.

Ahoy!” a seaman called out. “The English frigate Polaris, ten days out from Antigua, bound for Portsmouth.” “Ahoy, yerself!” It was O’Shea’s rough brogue. She’d never heard sweeter music. “This be the clipper Sophia, of no particular country at the moment. Seven days out from Tortola, bound for…well, bound for here. Captain requests permission to board.” Gray. It had to be Gray. The officers of the Polaris exchanged wary looks. “Oh, for Heaven’s sake.” Sophia pushed forward to the ship’s rail and cupped her hands around her mouth, calling, “Permission to board granted!” A cheer rose up from the other ship’s deck. “It’s her, all right!” a voice called. Stubb’s, Sophia thought. Oh, but she hardly cared who was on the other deck. She cared only for the strong figure swinging across the watery divide as the two ships came abreast. Turning back toward the center of the ship, she pushed her way through the sweaty throng of sailors, desperate to get to him. Her foot caught on a rope, and she tripped- But it didn’t matter. Gray was there to catch her. And he was still wearing those sea-weathered, fire-scarred boots. No doubt for sentimental reasons. “Steady there,” he murmured, catching her by the elbows. She looked up to meet his beautiful blue-green eyes. “I have you.” “Oh, Gray.” She launched herself into his arms, clinging to his neck as he laughed and spun her around. “You’re here.” “I’m here.” And he was. Every strong, solid, handsome inch of him. Sophia buried her face in his throat, breathing in his scent. Lord, how she’d missed him. She pulled away, bracing her hands on his shoulders to study his face. “I can’t believe you came after me.” “I can’t believe you actually left.” He lowered her to the deck, and her hands slid to his arms. “I thought you were bluffing with that bit. I’d have never allowed you to go.

Cook," said Stubb, rapidly lifting a rather reddish morsel to his mouth, "don't you think this steak is rather overdone? You've been beating this steak too much, cook; it's too tender. Don't I always say that to be good, a whale-steak must be tough? There are those sharks now over the side, don't you see they prefer it tough and rare? What a shindy they are kicking up! Cook, go and talk to 'em; tell 'em they are welcome to help themselves civilly, and in moderation, but they must keep quiet. Blast me, if I can hear my own voice. Away, cook, and deliver my message. Here, take this lantern," snatching one from his sideboard; "now then, go and preach to 'em!" Sullenly taking the offered lantern, old Fleece limped across the deck to the bulwarks; and then, with one hand dropping his light low over the sea, so as to get a good view of his congregation, with the other hand he solemnly flourished his tongs, and leaning far over the side in a mumbling voice began addressing the sharks, while Stubb, softly crawling behind, overheard all that was said. "Fellow-critters: I'se ordered here to say dat you must stop dat dam noise dare. You hear? Stop dat dam smackin' ob de lips!

But it so happened, that those boats, without seeing Pip, suddenly spying whales close to them on one side, turned, and gave chase; and Stubb's boat was now so far away, and he and all his crew so intent upon his fish, that Pip's ringed horizon began to expand around him miserably. By the merest chance the ship itself at last rescued him; but from that hour the little negro went about the deck an idiot; such, at least, they said he was. The sea had jeeringly kept his finite body up, but drowned the infinite of his soul. Not drowned entirely, though. Rather carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro before his passive eyes; and the miser-merman, Wisdom, revealed his hoarded heaps; and among the joyous, heartless, ever-juvenile eternities, Pip saw the multitudinous, God-omnipresent, coral insects, that out of the firmament of waters heaved the colossal orbs. He saw God's foot upon the treadle of the loom, and spoke it; and therefore his shipmates called him mad. So man's insanity is heaven's sense; and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God.

Massa Stubb say dat you can fill your dam bellies up to de hatchings, but by Gor! you must stop dat dam racket!" "Cook," here interposed Stubb, accompanying the word with a sudden slap on the shoulder,—"Cook! why, damn your eyes, you mustn't swear that way when you're preaching. That's no way to convert sinners, cook!" "Who dat? Den preach to him yourself," sullenly turning to go. "No, cook; go on, go on." "Well, den, Belubed fellow-critters:"— "Right!" exclaimed Stubb, approvingly, "coax 'em to it; try that," and Fleece continued. "Do you is all sharks, and by natur wery woracious, yet I zay to you, fellow-critters, dat dat woraciousness—'top dat dam slappin' ob de tail! How you tink to hear, spose you keep up such a dam slappin' and bitin' dare?" "Cook," cried Stubb, collaring him, "I won't have that swearing. Talk to 'em gentlemanly." Once more the sermon proceeded. "Your woraciousness, fellow-critters, I don't blame ye so much for; dat is natur, and can't be helped; but to gobern dat wicked natur, dat is de pint. You is sharks, sartin; but if you gobern de shark in you, why den you be angel; for all angel is not'ing more dan de shark well goberned. Now, look here, bred'ren, just try wonst to be cibil, a helping yourselbs from dat whale. Don't be tearin' de blubber out your neighbour's mout, I

say. Is not one shark dood right as toder to dat whale? And, by Gor, none on you has de right to dat whale; dat whale belong to some one else. I know some o' you has berry brig mout, brigger dan oders; but den de brig mouts sometimes has de small bellies; so dat de brigness of de mout is not to swaller wid, but to bit off de blubber for de small fry ob sharks, dat can't get into de scrouge to help demselves." "Well done, old Fleece!" cried Stubb, "that's Christianity; go on." "No use goin' on; de dam willains will keep a scougin' and slappin' each oder, Massa Stubb; dey don't hear one word; no use a-preaching to such dam g'uttons as you call 'em, till dare bellies is full, and dare bellies is bottomless; and when dey do get 'em full, dey wont hear you den; for den dey sink in the sea, go fast to sleep on de coral, and can't hear noting at all, no more, for eber and eber." "Upon my soul, I am about of the same opinion; so give the benediction, Fleece, and I'll away to my supper." Upon this, Fleece, holding both hands over the fishy mob, raised his shrill voice, and cried— "Cussed fellow-critters! Kick up de damndest row as ever you can; fill your dam bellies 'till dey bust—and den die." "Now, cook," said Stubb, resuming his supper at the capstan; "stand just where you stood before, there, over against me, and pay particular attention.

He passed into the galley and was greeted by a cloud of fragrant steam. The exotic scent of spices mingled with the tang of roasting meat. Startled, Gabriel choked on a sip from a tankard. In the corner, Stubb quickly shoved something behind his back. The old men’s eyes shone with more than holiday merriment. “Happy Christmas, Gray.” Gabriel extended the tankard to him. “Here. We poured you some wine.” Gray waved it off with a chuckle. “That my new Madeira you’re sampling?” Gabriel nodded as he downed another sip. “Thought I should taste it before you serve it to company. You know, to be certain it ain’t poisoned.” He drained the mug and set it down with a smile. “No, sir. Not poisoned.” “And the figs? The olives? The spices? I assume you checked them all, too? For caution’s sake, of course.” “Of course,” Stubb said, pulling his own mug from behind his back and taking a healthy swallow. “Everyone knows you can’t trust a Portuguese trader.” Gray laughed. He plucked an olive from a dish on the table and popped it into his mouth. Rich oil coated his tongue. “Did you find the crate easily enough?” he asked Stubb, reaching for another olive. The old steward nodded. “It’s all laid out, just so. Candles, too.” “Feels like Christmas proper.” Gabriel tilted his head. “Miss Turner even gave me a gift.” Gray followed the motion, squinting through the steam. I’ll be damned.

Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!

When he’d ordered the Aphrodite converted to accommodate passengers, the builder had given him an option. Did he want four gentlemen’s cabins, similar to the ladies’? Or would he prefer to squeeze six smaller berths into the same space? Gray’s answer? Six, of course. No question about it. Two extra beds meant two extra fares. He hadn’t dreamed he’d one day occupy one of these cramped berths. Six feet of angry man, lashed into a five-foot bunk, in the midst of a howling gale-it wasn’t a recipe for a good night’s sleep. Gray craved the space and comfort of his former quarters aboard the Aphrodite-the captain’s cabin. But as his brother had so officiously pointed out, Gray wasn’t the captain of this ship anymore. Throw his arse in the brig, had Joss threatened? Gray tossed indignantly, his chest straining against the ropes hat held him in the child-sized bed. The ship’s brig didn’t sound so bad right now. He’d put up with a few iron bars, the rancid bilgewater and rats, if it meant he could stretch his legs properly. Hell, this room was so damned small, he couldn’t even get his blasted boots off. He kicked the wall of his berth, no doubt scuffing the shine on his new Hessians. He hated the cursed things anyway. They pinched his feet. Why the devil he’d thought it a brilliant notion to get all dandified for this voyage, Gray couldn’t remember. Just who was he trying to impress? Stubb?

I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.

The worst relationship to be in is a projectionship. You’ve probably never heard of this term, but you’ve probably been in one, two or five yourself. I came up with this term after trying to figure out why my own relationships weren’t thriving. A projection is a defense mechanism that we’re all capable of doing. It simply means that we project or attribute characteristics, behaviors, circumstances to another person when really, we are the one who possess it and/or is doing it. It’s an unconscious way of passing an issue onto someone else so in order to relieve or avoid anxiety and discomfort. A projectionship therefore, has the illusion of a relationship, but instead of each person taking responsibility for their own hurts, pains, wounds and history, one or both partners keep projecting it onto the other which results in one or both partners constantly defending themselves or apologizing creating a cycle of stuckness, tension and often times co-dependency; thus, an inability to thrive. When folks haven’t done their own work, projectionships appear as relationships.

It will be all right,” he said, taking her hand. “We will succeed—and we will rescue Señor Stubbs. I promise you.

I do at least understand a little more how fact and fiction work together. It’s like a steak and kidney pudding: without steak, there’s no substance; without kidney, there’s no savour. You need the proper mixture. Pure fact is too indigestible without the imaginative part that fills in the spaces between. That’s the only way to make a satisfying pudding.

Could professional disappointment have been what made him so bitter, like it did with BT Sport’s Ray Stubbs?

Mrs. Stubbs let out a grumble and muttered, “It’s very cold.” “Of course it is,” Ellie replied. “It’s ice.

Social life almost ceased. Even in church, each worshipper was wary of his neighbour.

Only devotion prevailed against the terror. Love might and must yield in flesh, but never in spirit. The mother rocked her tortured child and was afraid of nothing but to be separated from it. Husband nursed wife in secret and in secret gave a kiss to the lips that would infect him. Whole families locked and bolted themselves inside their homes and defended the privilege of dying together.

He was tall and thin with a thatch of unruly black hair. His suit was impeccable. His tie matched his pocket square. And he spoke with a British accent. “Sorry to interrupt,” he said politely. “But I believe you’re in my seat.” “You’ve got the wrong room,” grumbled Stubbs. “Now, if you don’t mind, I’m having a conference with my client.” “Except, according to this Substitution of Counsel form, she’s my client,” the other man replied as he showed Stubbs a piece of paper. This brought an instant smile to Sara’s face. Stubbs eyed the man. “That doesn’t make any sense. She can’t afford a fancy lawyer like you. She doesn’t have any money.” “Of course she doesn’t have any money. She’s twelve. Twelve-year-olds don’t have money. They have bicycles and rucksacks. This one, however, also happens to have an attorney. This paper says I’ve been retained to represent Ms. Sara Maria Martinez.” He turned to her and smiled. “Is that you?” “Yes, sir.” “Brilliant. That means I’m in the right place.” “Who retained you?” asked the public defender. “An interested party,” said the man. “Beyond that, it’s not your concern. So if you’ll please leave, Sara and I have much to talk about. We’re due before a judge shortly.” Stubbs mumbled to himself as he shoveled his papers into his briefcase. “I’m going to check this out.” “There’s a lovely lady named Valerie who can help you,” said the British man. “She’s with the clerk of the court on the seventh floor.” “I know where she is,” Stubbs snapped as he squeezed past the man into the hallway. He started to say something else, but instead just made a frustrated noise and stormed off. Once Stubbs was gone, the new attorney closed the door and sat across from Sara. “I’ve never seen that before,” he marveled. “He literally left the room in a huff.” She had no idea who might have hired an attorney for her, but she was certainly happy with the change. “I’ve never seen it either.

The proudest moment in life is knowing the battles and scares of life you endured are now your testimony that you didn't give up! Give yourself some grace and be proud of your journey!

...magic is madness. That's almost the definition of it. The ordinary mind, the sane mind, revolts at the thought of doing the impossible...

❞ فأنا أعرف عجوزا في كوفنت تفهم في النبات أحسن منك ، وأن الجزار ليشرح بمهارة تفوق مهارتك ، يجب أن تذهب يا بني إلي جوار السرير لتشاهد ‏فهناك فقط يمكنك أن تتعلم الطب".‏ ❝

He was not at the moment in very good odour at Bow Street. Such epithets as Blockhead and Blunderer had been used in connection with his last case. 'Jeremiah Stubbs, miss,’ said the Runner. ‘I am here in the execution of my dooty.

Them Frenchies!’ ‘Unchristian, that’s what I call ’em,’ responded Mr. Stubbs severely. ‘I fair compassionate that wench.

He [Ali] had a contempt of the world, its glory and pomp, he feared God much, gave many alms, was just in all his actions, humble and affable; of an exceeding quick wit and of an ingenuity that was not common, he was exceedingly learned, not in those sciences that terminate in speculations but those which extend to practice.

By dawn, the ship was off Le Havre, and by eight thirty, Wells found himself, swaddled in his newly issued greatcoat, following Sergeant Stubb through the chaotic harbor scene. Hieronymus Bosch could not have done it justice—twisting avenues lined by bales of barbed wire the height of houses, teetering mountains of crates and barrels, whinnying horses and skittish mules, a thousand shouting voices, little French boys begging for a cigarette or a bit of the breakfast the swarms of soldiers had just been issued: tins of bully beef, along with a biscuit as hard and thick as a fist.

an admirable job she found herself

The Tabernacle provides a pattern for us to feel deeply human, and by engaging with it, we turn our attention away from the culture that devalues us and instead fixes our attention on the God who dignifies each of us.

The Tabernacle becomes our means of rest, significance, and safety while we make our pilgrimage through the world as we know it.

The guilty flee where none pursues, or so they say.

Reading is a strange experience, he thought. You dive into the world of another, adjust to their terms, begin to feel at home and then it’s over. You’re alone with a bundle of emotions and no means of return. Rather like a failed relationship. Or being kidnapped by aliens.

Most of us still believe to-day, that [history] is not merely concerned with the stringing together of facts in their correct order and the reconstruction of annals, but with something more. We must draw the moral . . . [W]e yet hold that history has its lessons, and that they can be discovered and taught. ‘The experience of the past’, as Stubbs wrote, ‘can be carried into the present: study gives us maxims as well as dry facts.

LEveryone’s got something to lose, but sooner or later we’re all going to have to stand up for what we believe in or move aside and let Piegan City slide into the mud.

Everyone’s got something to lose, but sooner or later we’re all going to have to stand up for what we believe in or move aside and let Piegan City slide into the mud.

I wish that people could see the real me; not just a spook that gives everyone the creeps. I only wanted the chance to be someone good, like everyone else has. I that’s all I ever wanted.

Nedly, you can’t let other people decide who you are, that’s something you have to work out for yourself. If you decided to go, go because you want to, but not because of me, or anyone else in this town, because for the record I want you to stay, and what the people who don’t know you think doesn’t matter.

at his fingertips, could remember names

to

However outlandish or noble your pursuits, someone is out there doing it. They make it look easy while you can't figure out how to get started. I've always believed, if someone could do it, then so could I. So can you. Whatever obstacles stand between you and who you want to be are designed to build your mental muscles. Every failure, every rough patch, every disappointment will teach you a lesson. Learn these lessons well; you'll need them for who you're destined to be.

The truth is a mystery many try to comprehend.

Nantucket market! Hoot! But come closer, Starbuck; thou requirest a little lower layer. If money’s to be the measurer, man, and the accountants have computed their great counting-house the globe, by girdling it with guineas, one to every three parts of an inch; then, let me tell thee, that my vengeance will fetch a great premium HERE!” “He smites his chest,” whispered Stubb, “what’s that for? methinks it rings most vast, but hollow.