Goonies Quotes

We've searched our database for all the quotes and captions related to Goonies. Here they are! All 21 of them:

Do a loony-goony dance 'Cross the kitchen floor, Put something silly in the world That ain't been there before.
Shel Silverstein (A Light in the Attic)
Draw a crazy picture, Write a nutty poem, Sing a mumble-gumble song, Whistle through your comb. Do a loony-goony dance 'Cross the kitchen floor, Put something silly in the world That ain't been there before.
Shel Silverstein
Well, you have adventures. All start out with troubles, but then you admit your problems and become a better person by working really hard, which is what fertilizes the happy ending and allows it to bloom—just like the end of all the Rocky films, Rudy, The Karate Kid, the Star Wars and Indiana Jones trilogies, and The Goonies, which are my favorite films, even though I have sworn off movies until Nikki returns, because now my own life is the movie I will watch, and well, it’s always on.
Matthew Quick (The Silver Linings Playbook)
I will never betray my Goon Dock friends, We will stick together until the whole world ends, Through heaven and hell and nuclear war, Good pals like us will stick like tar, In the city, or the country, or the forest, or the boonies I am proudly declared a fellow Goony. —The Goony Oath
James Kahn (Goonies)
Why couldn’t he look like Sloth from The Goonies or something?
Suzanne Wright (Carnal Secrets (The Phoenix Pack, #3))
Today when I was walking down an endless maze of white picket fences back to the train station, a little boy playing in his front yard runs up to the fence and looks at me...looks at me with eyes that take it all in...maybe he will say, 'Start writing. On the train. Tonight. In that gay little journal you carry around with you. It's what you naturally do, ever since the sixth grade, except this time it will be notes for this book. You'll be like a huge 33 year old goony sixth grader with a book deal writing on some lame ass commuter train. Now Go! Go on!' Whatever he says, he will deliver the message that all of us have lost the ability to say in our jaded adult lives. Maybe how our lives finally change but only when it is right for our lives to change. That we are not in control of this thing. I look back at him just before making my turn on the last part of my walk toward the train. It feels like slow motion as he sizes me up that one last time. He opens his mouth and the words come out: 'Hey mister, why dont you have a car?' Oh, man.
Dan Kennedy
It was one of the rare mornings when Dad was around. He’d gotten up early to go cycling, and he was sweaty, standing at the counter in his goony fluorescent racing pants, drinking green juice of his own making. His shirt was off, and he had a black heart-rate monitor strapped across his chest, plus some shoulder brace he invented, which is supposedly good for his back because it pulls his shoulders into alignment when he’s at the computer. “Good morning to you, too,” he said disapprovingly. I must have made some kind of face. But I’m sorry, it’s weird to come down and
Maria Semple (Where'd You Go, Bernadette)
Still drink most o' their beer outta bottles, that's how underdeveloped they are.
James Kahn (Goonies)
Data had an idea, though. He grabbed a twenty-volt battery out of his pack and connected two long wires to each pole. Then he crouched in the pool and stuck the ends of the wires into the water. The leeches writhed all over him and fell off—electrocuted.
James Kahn (Goonies)
It was one of the rare mornings when Dad was around. He’d gotten up early to go cycling, and he was sweaty, standing at the counter in his goony fluorescent racing pants, drinking green juice of his own making. His shirt was off, and he had a black heart-rate monitor strapped across his chest, plus some shoulder brace he invented, which is supposedly good for his back because it pulls his shoulders into alignment when he’s at the computer. “Good morning to you, too,” he said disapprovingly. I must have made some kind of face. But I’m sorry, it’s weird to come down and see your Dad wearing a bra, even if it is for his posture. Mom came in from the pantry covered with spaghetti pots. “Hello, Buzzy!
Maria Semple (Where'd You Go, Bernadette)
Ma ottobre è il gran mese delle foglie. prendono questi colori pazzeschi e cadono dagli alberi e io ne faccio cumuli con il rastrello per bruciarle e non esiste odore più buono. Naturalmente piove anche parecchio. Ma quando non piove c'è questo vento molto speciale e misterioso che sembra uscire dal terreno e passarmi attraverso, oserei quasi dire attraverso il cuore. So benissimo che non è così, ma la sensazione è quella. Una specie di magia di altri tempi. E naturalmente in ottobre c'è Halloween.
James Kahn (The Goonies)
I suspect that God is what you do, not what or who you believe in. But people do shit things all the time, I said. There’s something wrong with us. Perhaps. And maybe not. But when you do right, Jaxie, when you make good — well, then you are an instrument of God. Then you are joined to the divine, to the life-force, to life itself. That’s what I believe. That’s what I hope for. And it’s what I have missed. That’s all jumblyfuck to me, I said as decent as I could. Well, think of it this way, he said, pushing his specs back up his nose. When somebody does me a kindness, it enlarges me, adds to my life, you see? And not only mine — it adds to all life. Which is why I wanted to thank you. For coming here. Me? Fintan gave a sad little laugh. And I caught him looking at me goony as an emu. What? I said. Don’t you understand me, boy? Can’t you see it? Jaxie Clackton, you are an instrument of God.
Tim Winton (The Shepherd's Hut)
We rule over gangs—Crips and Bloods and Trinitarios and Latin Lords. Dominicans Don’t Play, Broad Day Shooters, Gun Clappin’ Goonies, Goons on Deck (seems to be a theme), From Da Zoo, Money Stackin’ High, Mac Baller Brims. Folk Nation, Insane Gangster Crips, Addicted to Cash, Hot Boys, Get Money Boys.
Don Winslow (The Force)
I will never betray my Goon Dock friends, We will stick together until the whole world ends, Through heaven and hell and nuclear war, Good pals like us will stick like tar, In the city, or the country, or the forest, or the boonies, I am proudly declared a fellow… *
James Kahn (Goonies)
He wasn't one for living in any fairyland, which is what he said I did sometimes. But I figure, sometimes there's no reason not to, reality is so messed up.
James Kahn (Goonies)
Watching movies (Titanic, Flirting with Disaster, Mannequin, Thelma and Louise, Rushmore, The Goonies, She’s Having a Baby, it mattered very little) was a kind of prayer: She knew the characters as well as she knew herself, as well as she knew anything there was to know, and she could chart and rechart their movements and secrets and misunderstandings endlessly, reflecting in any number of new permutations on all of it, each time. Again and again. They were acquaintances—people she’d known her whole life and understood well, people incapable of letting her down by changing or disappearing or offering up the unexpected. The League of Their Own tears were purely for catharsis. When she was done she would reemerge, reborn. She would make new mistakes. Or maybe none at all. Okay,
Elisa Albert (The Book of Dahlia)
Look, a couple years ago my mom and dad got on that big game show. Remember, Brand? Mom spent a month makin' those funny costumes. She was a giant egg. Dad was a frying pan. Dad kept sayin' we were gonna live on Easy Street. So we drove all the way to Hollywood. When we got there, they put us in this big audience with all these other people in funny costumes. Then some dude with lipstick and sprayed hair came down the stairs. He
James Kahn (Goonies)
There is little more off-putting than the sound of hip-hop vernacular coming out of the mouth of a white, fortysomething, goony bird of a man.
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
To enter you have to enter a special keycode, which just happens to be the five-note sequence from Close Encounters of a Third Kind – a tongue-in-cheek joke Broccoli managed to achieve by personally asking Spielberg for permission. (Being a huge Bond fan, Spielberg agreed immediately, and many years later asked for the favour to be returned when producing The Goonies, asking Broccoli if he could use the 007 theme when Data swings through Mikey’s screen door.)
John Rain (Thunderbook: The World of Bond According to Smersh Pod)
On my way out of the building, I passed the Men’s Residence Christmas Dinner. If you’ve ever witnessed a school bus accident or a dog trying to nudge its dead owner back to life, then the sight of this dinner probably wouldn’t affect you. But for me, it was easily the third-saddest thing I’ve ever seen in my life. The residents were at a long table in the basement, and Mr. Mkvcrkvckz was wearing a Santa hat with his dingy suit. There had been some kind of turkey dinner, because the place smelled like gravy, and they were just opening their presents. A tall goony kid named Timmy held up a pair of tube socks. There were tube socks for Mr. Engler. Opening tube socks over here, boss! They all got tube socks. It wasn’t the tube socks that got me. It wasn’t knowing that these guys would get nothing else for Christmas. It was the thought of Mr. Mvzkrskchs at the dollar store buying forty pairs of tube socks that set me weeping all the way home. This was compounded by the fact that Whitney Houston’s cover of “I Will Always Love You” was constantly on my FM Walkman radio around that time. I think that made me cry because I associated it with absolutely no one. After a visit to civilization with my family, I found the front desk harder to take.
Tina Fey (Bossypants)
Ever since I was a child, ever since I became wrongly convinced I had to be bigger and smarter than I really was, I’ve been trying to perform, trying to convince people I was more capable than I really was. I’d been sending that same nine-year-old kid who took the tape recorder apart out into the world to speak and perform and interact with people. She asked me to come back and sit in the adult chair and tell the nine-year-old what I thought about him. I didn’t know what to say. She asked me to imagine what he looked like, and I immediately pictured the chubby kid from the movie The Goonies. I smiled. I liked the kid. He was funny and disarming and yet still only nine years old. He seemed alone and afraid, and the only way he could get attention was to convince everybody around him he was smarter and stronger than he actually was. My therapist asked me, again, to say something to him. I looked at him for a while and he looked back, wide eyed and curious. I finally spoke up and said I liked him. I told him I thought he was funny and charming and smart. “Anything else?” my therapist said. “Yeah,” I said. “I also want to say I’m sorry. I’m sorry for pushing you out there in the world so you could impress people for us and fight for us and make money for us while I sat in here and read books.” The moment was powerful for me. I’d completely disassociated from the kid who had taken apart his tape recorder. I hardly knew him. I’d not raised him to maturity and he’d spent the last thirty years lonely and desperate for attention. It’s no wonder I hid from the world. It’s no wonder parties made me tired or I got exhausted after I spoke. It’s no wonder criticism made me angry or I overreacted to failure. I think the part of me I sent out to interact with the world was, in some ways, underdeveloped, still trying to be bigger and smarter as a measure of survival.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)