Strong Like Ox Quotes

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Good hips. Breed like cow, strong like bull, dumb like ox. Hitch to plow when horse dies.
Mercedes Lackey (Oathbreakers (Vows and Honor, #2))
Quick work doesn't mean less serious work, it depends on one's self-confidence and experience. In the same way Jules Guérard, the lion hunter, says in his book that in the beginning young lions have a lot of trouble killing a horse or an ox, but that the old lions kill with a single blow of the paw or a well-placed bite, and that they are amazingly sure at the job... I must warn you that everyone will think that I work too fast. Don't you believe a word of it. Is it not emotion, the sincerity of one's feeling for nature, that draws us, and if the emotions are sometimes so strong that one works without knowing one works, when sometimes the strokes come with a continuity and coherence like words in a speech or a letter, then one must remember that it has not always been so, and that in time to come there will again be hard days, empty of inspiration. So one must strike while the iron is hot, and put the forged bars on one side.
Vincent van Gogh
Hi,Grandpa." He reddened at that and struggled with the pleasure the title gave him. "So you decided to give me a moment of your time." "I felt duty bound to pay my respects to the newest MacGregor first." As if on cue,Justin strode over to arrange Mac in the crook of Daniel's arm. Gennie watched the fierce giant turn into a marshmellow. "There's a laddie," he crooned, holding out his glass to Shelby,then chucking the baby under the chin. When the baby grabbed his thick finger,he preened like a rooster. "Strong as an ox." He grinned foolishly at the room in general, then zeroed in on Grant. "Well, Campbell, so you've come. You see here," he began, jiggling the baby, "why the MacGregor's could never be conquered. Strong stock." "Good blood," Serena murmured, taking the baby from the proud grandfather.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
We sat on the verandah drinking beer before we left, the hotel dark behind us. The moonlight was so strong we could see the grains of white sand glittering individually where it had been flung across the tarmac by the ox-wagon wheels. The heavy-hanging, pointed leaves of the gum-trees shone like tiny spears. I
Doris Lessing (The Golden Notebook)
I started to pull it up. I stopped. He arched an eyebrow at me, like a challenge. “It’s nothing I haven’t seen before.” My face grew hot. “Right,” I muttered. “Just… no ideas, okay?” He laughed, but I didn’t think it was at me. “I don’t think you’ll have to worry about that. Not really.” I was almost insulted. I was proud of my body. I was strong. I was young. I was capable of providing for my— Fuck. He wiped his eyes. “No, oh god, get that wounded look off your face. Christ.” He took a deep breath. “I’m ace.” I frowned. “What’s that?” “Asexual.” “Oh. Oh.” I scrunched up my face. “Like… really?” Now he was laughing at me. “Like, really.” “How did that work?” I blanched. “Holy shit, ignore me. Seriously, don’t think you need to explain—” “If that’s what you want,” he said, and that was it. I scowled at him. He smiled at me. I lasted a few more seconds. “Are you sure?” “I am,” he said simply. “But.” I waved my hand in the direction of my neck and the scar on it that extended near my shoulder. “And. Like. You know.” He laughed again. I thought I even heard Ox snorting outside the door. “We made it work. It’s not that I’m repulsed by sex or anything. It’s just not everything to me. There’s more to us than physical intimacy. Or there was.” “Oh.” I bit the inside of my cheek, but the words came out in a rush. “And I was okay with that?” “You were,” he said, and his voice took on a wistful tone that made me feel like I was intruding. “We made it work because we… well.” Blue. The room filled with blue. It was smothering. I wanted to go to him. It was like a pull. Toward what, I didn’t know. Instead I pulled off my shirt and let it fall to the floor. “You can stop flexing,” he said, the blue fading slightly. “I’m not.” “Really,” he said. “So your pecs usually bounce up and down like that normally? That’s something you should probably get checked out.” He looked me up and down, but there was no stink of arousal coming from him. Instead, it was warm, like a heavy blanket on a winter day. “You’re bigger than you were. Harder.” “I’m… sorry?” I wasn’t sorry at all. He shook his head. “It looks good on you.
T.J. Klune (Heartsong (Green Creek, #3))
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
He moved his lips to my cheek, to my ear, back to my mouth. I had never been kissed like this in my life. Each time I thought I should protest because there were so many unsettled matters between us, Hunter kissed me harder, forcing those concerns out of my mind. The cold air heated up around us. He unsnapped the top of my jacket and slipped his hand inside. His warm palm cupped my breast beneath my shirt. Then he straightened, blinking at me, and pulled his hand away. “What is it?” I asked. “Okay,” he panted. “I’m going to kick myself for this in the morning, but I don’t want to do this while I’m drunk. And I don’t want to do it behind the stable. I want everything to be perfect between you and me.” He stroked my hair away from my face. “Are you mad?” “Mad?” I squeaked. “No. Horny? Yes. Frustrated?” “Yes.” He set his forehead against mine. “Yes,” I agreed. “Mad? No.” He watched me with serious eyes. His gaze fell to my chest. He fastened the snaps he’d unfastened a few moments before, then put his hands on my shoulders. “I’m just so thankful we’re finally together.” “Me, too,” I whispered. I felt uncomfortable saying this. I wished I had a cell phone so I could call Summer for verification that I was not making a terrible mistake. But she would yell at me and tell me to stop being stupid. I did not need her permission to fall in love. He kissed me on the forehead, then stood, holding out his hand to me. “I’ll walk you home.” I took his hand and swung it as we rounded the stable again, back the way we’d come. “I’ll walk you home,” I said. With his other hand he gestured toward the top of my grandmother’s mansion, just visible over the rise. “I’m not leaving you wandering around in the night with all these drunk people and, my God, Whitfield Farrell and his fucking bowl.” I giggled. It made me insanely happy that he was jealous of Whitfield Farrell. “You’re drunk, though. You might stumble into the road and get hit by a car.” “They will be sorry,” he said. “I will dent their car. I am strong like an ox.” I burst into laughter, and he laughed with me. He was so handsome in the gentle starlight, and he looked so happy. I couldn’t remember ever being this happy myself. I was still nearly broke and my grandmother hated me and I had a history paper due Monday that I hadn’t started writing, but I could handle all of this with Hunter laughing beside me. I squeezed his warm hand. “I’ll cross back through the pasture if it makes you feel better.” Dropping my hand, he draped his arm around me and pulled me close for another kiss on the forehead. He walked me all the way down to his house, backed me against the front door, and thoroughly kissed me good night.
Jennifer Echols (Love Story)
Animals are the lower intelligent of creatures, yet God illustrates man as one of them. Why? To demonstrate to us how careless, how thoughtless, and sometimes how cruel and low-life we can be without him. Without God, we go through a hard, disappointing, and dreadful life. We are like fearful, untrained, and bitter children that have played all day and are afraid to go to sleep at night, thinking we are going to miss out or be left out of things. A sailor out on a stormy sea needs a strong sail and anchor for the days and a lighthouse for the nights to survive. This is a good illustration of witnessing. We draw from one another’s strength for the day and mediate on it in the nights in accordance with God’s Word. God has faded out of the mind of this generation, we like immature children, believe that the Toyland of material wealth is a sufficient world. Yet houses, cars, and money really do not fulfill. Abraham begot Isaac, and Isaac begot Jacob – a generation of God-fearing men. But in the next generation, God was not the God of Isaac. He had faded and became second place in their lives. Even in the mother’s womb, there was a struggle for honor and success. Jacob stole his brother’s birthright. Morals were decaying, rottenness appeared. The same things have happened with us. Our whole nation is reaping the results of a fading faith and trust, which is producing decaying morals and a decaying country. We are morally out of control. Unless we, like Jacob, who when frightened for his life desired a moral renewal, acknowledge that we are wrong and find God in the process. We must seek God with our whole hearts. The future of this world is in the hands of the believers. God has left everything in the hands of the church. Therefore, we must witness. An evangelical team must go out and bring the people back to the Garden of Eden as God had originally planned. Grace is always available!
Rosa Pearl Johnson
wine, puddings, both sweet and savoury, wrapped in cloths. Rachel surveyed her garnerings with satisfaction, unconsciously twisting the gold ring on her finger round and round, trying to loosen it. She knew when he put it on her finger that it was Alice’s ring – with a piece put in to accommodate her thick finger – but she hadn’t said anything, a wedding-ring was a wedding-ring, after all, no matter how you came by it. ‘To make thee respectable,’ Frederick said when he put it on her finger, as if that were enough. Rachel had her own harvest to come now, respectable or not, she was so swollen up with this child that he must be a prize-fighter in the making. He was going to be as strong as an ox, she could feel it, not like these spindly, sickly children, never one without a cough or a streaming nose. Lawrence and Tom clattered across the yard, Albert trailing behind them with his dog.
Kate Atkinson (Behind the Scenes at the Museum)