Strong Finish Quotes

May I see you again?" he asked. There was an endearing nervousness in his voice. I smiled. "Sure." "Tomorrow?" he asked. "Patience, grasshopper," I counseled. "You don't want to seem overeager. "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said. "You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?" "But you don't even have my phone number," he said. "I strongly suspect you wrote it in this book." He broke out into that goofy smile. "And you say we don't know each other.

If I fail, I try again, and again, and again. If YOU fail, are you going to try again? The human spirit can handle much worse than we realize. It matters HOW you are going to FINISH. Are you going to finish strong?

There comes an hour when protest no longer suffices; after philosophy there must be action; the strong hand finishes what the idea has sketched.

Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic. She growled, more animal than sentient being. And shoved. Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared. Rowan grinned. "There you are.

A nation is not conquered until the hearts of its women are on the ground. Then its finished; no matter how brave its warriors or how strong their weapons.

The measure of a man's real character is what he would do if he knew he would never be found out.

I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.

First off, you should know that your daughter is going to be fine.” … “Jordan’s been through an ordeal but she is…” Incredible. Strong. Smart. Gorgeous. Hot as a firecracker in bed. Probably better to keep that part to himself. “… quite tough,” he finished.

No, you're not free," he said. "The string you're tied to is perhaps no longer than other people's. That's all. You're on a long piece of string, boss; you come and go, and think you're free, but you never cut the string in two. And when people don't cut that string . . ." "I'll cut it some day!" I said defiantly, because Zorba's words had touched an open wound in me and hurt. "It's difficult, boss, very difficult. You need a touch of folly to do that; folly, d'you see? You have to risk everything! But you've got such a strong head, it'll always get the better of you. A man's head is like a grocer; it keeps accounts: I've paid so much and earned so much and that means a profit of this much or a loss of that much! The head's a careful little shopkeeper; it never risks all it has, always keeps something in reserve. It never breaks the string. Ah no! It hangs on tight to it, the bastard! If the string slips out of its grasp, the head, poor devil, is lost, finished! But if a man doesn't break the string, tell me, what flavor is left in life? The flavor of camomile, weak camomile tea! Nothing like rum-that makes you see life inside out!

I, on the other hand, am a finished product. I absorb electrical energy directly and utilize it with an almost one hundred percent efficiency. I am composed of strong metal, am continuously conscious, and can stand extremes of environment easily. These are facts which, with the self-evident proposition that no being can create another being superior to itself, smashes your silly hypothesis to nothing.

God! You'll do anything to avoid it.' Avoid what?' my mother said. The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.' Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.' I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.' Stop it,' my mother said. And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?' My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said. No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.' That has nothing to do with what we're talking about,' my mother said. It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.' Exactly,' my mother said. 'She was-' Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.

How about I call you when I finish this?” “But you don’t even have my phone number,” he said. “I strongly suspect you wrote it in the book.” He broke out into that goofy smile. “A nd you say we don’t know each other.

No one else. It was me who had to carry myself over the finish line, and all I needed to remember when I felt like not trying was that that feeling wouldn't last forever. Forever. I used to believe it didn't exist. One word has terrified me as a child and it haunted me. But now I knew, and many small ways, but it was real, But it didn't scare me anymore. Forever wasn't a little girl cowering in the closet. Forever wasn't the shadows sitting in the back of the class. Forever wasn't doing what I thought Carl and Rose wanted instead of what I needed to do with my life. Forever wasn't believing I was some kind of replacement daughter and that I was letting them down. Forever wasn't being the one who needed protection. Forever wasn't pain and grief forever wasn't a problem. Forever was my heartbeat and it was the hope tomorrow held. Forever was the glistening silver lining of the dark cloud, no matter how heavy and thick it was. Forever was knowing it moments of weakness didn't equate to an eternity of them. Forever was knowing that I was strong. Forever was Carl and Rosa, Ainsley and Kira, Hector and Rider. Jaden would always be a part of my forever. Forever was in the fire-breathing dragon inside me that had shed the fear like a snake shedding skin. Forever was simply a promise of more. Forever was a work in progress. And I couldn't wait for forever.

Homework strongly indicates that the teachers are not doing their jobs well enough during the school day. It's not like they'll let you bring your home stuff to school and work on it there. You can't say, 'I didn't finish sleeping at home, so I have to work on finishing my sleep here.

Hazel Grace,” he said, my name new and better in his voice. “It has been a real pleasure to make your acquaintance.” “Ditto, Mr. Waters,” I said. I felt shy looking at him. I could not match the intensity of his waterblue eyes. “May I see you again?” he asked. There was an endearing nervousness in his voice. I smiled. “Sure.” “Tomorrow?” he asked. “Patience, grasshopper,” I counseled. “You don’t want to seem overeager.” “Right, that’s why I said tomorrow,” he said. “I want to see you again tonight. But I’m willing to wait all night and much of tomorrow.” I rolled my eyes. “I’m serious,” he said. “You don’t even know me,” I said. I grabbed the book from the center console. “How about I call you when I finish this?” “But you don’t even have my phone number,” he said. “I strongly suspect you wrote it in the book.” He broke out into that goofy smile. “And you say we don’t know each other.

Did you have a rough month? I did :( but, you know what? There’s no time to dwell on a missed opportunity or worry about what I should’ve done or said, beating myself up & making myself miserable about my mistakes. That doesn’t work. So will take notes from that, put it behind me, move on & finish the year STRONG

Life is a race, and what matters most isn't when a person crosses the finish line, but how strong they've grown along the way.

She’s been a distraction for him, but not a necessity of life. More like a super-strong mint: intense while it lasted but quickly finished.

Stay on track, don't look back. You have come too far not to finish what you started. You can improve, you can change, you can progress, you can make a difference. You can do it, if you stay on track.

She's been a distraction for him, but not a necessity of life. More like a super-strong mint: intense while it lasted, but quickly finished.

When I was a young man and very well thought of, I couldn't ask aught that the ladies denied. I nibbled their hearts like a handful of raisins, And I never spoke love but I knew that I lied. But I said to myself, 'Ah, they none of them know The secret I shelter and savor and save I wait for the one who will see through my seeming, And I'll know when I love by the way I behave.' The years drifted over like clouds in the heavens; The ladies went by me like snow on the wind. I charmed and I cheated, deceived and dissembled, And I sinned, and I sinned, and I sinned, and I sinned. But I said to myself, 'Ah, they none of them see There's part of me pure as the whisk of a wave. My lady is late but she'll find I've been faithful, And I'll know when I love by the way I behave.' At last came a lady both knowing and tender, Saying, 'you're not at all what they take you to be.' I betrayed her before she had quite finished speaking, And she swallowed cold poison and jumped in the sea. And I say to myself when there's time for a word, As I gracefully grow more debauched and depraved, 'Ah, love may be strong, but a habit is stronger And I knew when I loved by the way I behaved.

I made an appointment to see him and then ordered another beer. While I was drinking it I did some doodling on a piece of paper, the algebraic kind that you hope will help you think more clearly. When I finished doing that, I was more confused than ever. Algebra was never my strong subject.

Unless the nightmare is strong enough to wake you up you go right on retreating, and either you end up on a bench or you end up as vice-president. It's all one and the same, a bloody fucking mess, a farce, a fiasco from start to finish.

You might be on the back nine of life, but it's good to finish strong.

Marianne touches his elbow, halting him. 'You know I'll tell you something about being married five times. Or married five times and still friends with my surviving ex-husbands'. She counts them on gnarled fingers. 'That would be three'. He waits. 'It teaches you damn all about love.' Paul begins to smile, but she hasn't finished. Her grip on his arm is surprisingly strong. 'What it does teach you, Mr McCafferty, is that there's a whole lot more to life than winning.

Clench clench these strong teeth in this strong mouth. My mouth. Of my body. In my house. My mouth? Chapped lips swollen and bloody? Dream dreaming wide and thunder? My mouth! My God! This is me speaking. Not mouthing. Not typing and twitching. Not writing a suicide note the length of a novel that will never be finished. I hear voices now but I know they are not the voices of fathers or lovers, or mothers or angels or demons, but the sounds of my own private wars echoing the battles of women before me and near me. No wonder I do not make people comfortable. I am a mirror. I have far too many things to say. (p. 237-238)

You wouldn’t train for a marathon & then give up a mile before the finish line. Same goes with your life & dreams.

Night fell, and her husband came to bed, and as soon as they had finished kissing and embracing each other, he fell fast asleep. Psyche was not naturally either very strong or very brave, but the cruel power of fate made a virago of her. Holding the carving knife in a murderous grip, she uncovered the lamp and let its light shine on the bed. At once the secret was revealed. There lay the gentlest and sweetest of all wild creatures, Cupid himself, the beautiful Love-god, and at sight of him the flame of the lamp spurted joyfully up and the knife turned its edge for shame. Psyche was terrified. She lost all control of her senses, and pale as death, fell trembling to her knees, where she desperately tried to hide the knife by plunging it in her own heart. She would have succeeded, too, had the knife not shrunk from the crime and twisted itself out of her hand.

I just want to know...if I am special,’ finished September, halfway between a whisper and a squeak. ‘In stories, when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it’s because she’s special, because she’s smart and strong and can solve riddles and fight with swords and give really good speeches, and . . . I don’t know that I’m any of those things. I don’t even know that I’m as ill-tempered as all that. I’m not dull or anything, I know about geography and chess, and I can fix the boiler when my mother has to work. But what I mean to say is: Maybe you meant to go to another girl’s house and let her ride on the Leopard. Maybe you didn’t mean to choose me at all, because I’m not like storybook girls. I’m short and my father ran away with the army and I wouldn’t even be able to keep a dog from eating a bird.

It’s only in faerie tales that everything works out for the best with a magik spell or a prince’s kiss. It’s only in storybooks some little bastard picks up a sword and wields it like he was born to it. The rest of us? We have to work our arses off. And we might not ever taste triumph, but at least we dared to fail. We stand apart from those cowards whispering on the sidelines about how the strong did stumble, while never daring to set foot in the ring themselves. Victors are just folk who were never satisfied being vanquished. The only thing worse than finishing last is not beginning at all. And fuck finishing last.

Thing is,” Chuck continued, “without the dish, a signal would have to be really strong—” “Like, melting-the-pigeons strong,” Morris supplied. “—for him to get it,” Chuck finished.

I'm strong to the finish 'cause I eats me spinach.

Sure it will. That's part of it, Abby. It's a cutthroat business where the weak are eaten and the strong get rich. It's a marathon. He who endures wins the gold." "And dies at the finish line.

The days are passing so quickly. This is the only time of year when I want to slow time down. I spend the entire year trying to get here as fast as I can, then once I'm here I want to slam on the brakes. I'm beginning to have those moments when the feel of autumn is so strong it drowns out everything else. Lately it's been making me think about the perfect soundtrack for a Halloween party. The top of any Halloween music list as to be the theme song from the movie Halloween; right on its heels is "Pet Sematary" by the Ramones. For some reason I've always equated the old Van Morrison song "Moondance" with Halloween, too. I love that song. "Bela Lugosi's Dead" by Bauhaus is an October classic, as well as anything by Type O Negative. And Midnight Syndicate. If you've never heard anything by Midnight Syndicate, look them up right this moment. If you distilled the raw essence of every spooky story you ever heard, you would have Midnight Syndicate. I have a friend who swears by them, believing them to be a vital element of any Halloween party. To finish off the list you must have "The Lyre of Orpheus" by Nick Cave and "I Feel Alright" by Steve Earle.

Be strong,be kind,be generous of spirit, be understanding and let people know how grateful you are.Dont get even.Comfort the ones i've hurt and let down.Say your prayers and ask for Gods understanding and strength.Finish with a smile and some gustoand do what's' right and finish strong.

I can't think of anything that anyone has ever accomplished without having some sort of self-discipline. Without knowing how to work for it. Without learning how to earn it. I talk to my friends who are writers. I say, "Well, how do you do it?" Most all of them will say, "I sit down. I force myself every day to sit down and write for at least two hours. Whether something comes out of it or doesn't come out of it, whether I finish my fifty pages or two, I sit down and I do that because I have to make myself do it." That's what a work ethic is. Any person I know who is successful in my business or any other business is so because they work their asses off for it, because nothing is for free. If you want something, if you want to achieve success in any area of life, you must apply your discipline and your work ethic. Because discipline is what helps you consciously do things in order to reach a desired goal. Discipline is a rejection of entitlement and expectation. Discipline is having a strong awareness that your choices have impact and that your actions make a difference.

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back")

The jungle had inflicted war on them for daring to enter, but they had shown themselves strong. They had confronted the extreme conditions it had to offer, and they were confident they would finish well. Heading toward their final goal,

his feelings as to a first, strong attachment; sentences begun which he could not finish, his half averted eyes and more than half expressive glance; all, all declared that he had a heart returning to her at least; that anger, resentment, avoidance, were no more; and that they were succeeded, not merely by friendship or regard, but by the tenderness of the past. Yes, some share of the tenderness of the past. she could not contemplate the change as implying less. He must love her.

Relegated, as he was, to one corner, and sheltered behind the billiard-table, the soldiers whose eyes were fixed on Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat his order: "Take aim!" when all at once, they heard a strong voice shout beside them: "Long live the Republic! I'm one of them." Grantaire had risen. The immense gleam of the whole combat which he had missed, and in which he had had no part, appeared in the brilliant glance of the transfigured drunken man. He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras. "Finish both of us at one blow," said he. And turning gently to Enjolras, he said to him: "Do you permit it?" Enjolras pressed his hand with a smile. This smile was not ended when the report resounded. Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed. Grantaire fell at his feet, as though struck by a thunderbolt.

I believe that life is all about perception and timing. That good things come to those who act and that life’s about more than collecting a paycheck. I believe that the only person you’re destined to become is the one that you decide to be. That if you try hard enough you can convince yourself of anything. That having patience doesn’t make you a hero nor does it make you a doormat. I believe that not showing love proves you’re weak and belittling others doesn’t make you strong. That you are never as far away from people as the miles may suggest. That life’s too short to read awful books, listen to terrible music, or be around uninspiring people. I believe that where you start has little impact on where you finish. That sometimes the best thing you can do is walk away. That you can never be overdressed or overeducated. I believe that the cure for anything is salt water; sweat, tears, or the sea. That you should never let your memories be greater than your dreams. And that you should always choose adventure.

They didn’t become great guys by choosing the easy road. So meeting a woman who has high standards only makes them more attracted to her. They love women who have strong personal boundaries and are confident enough to know what they want and demand it. High-quality men always respect women who do not tolerate manipulative games and have solid standards. Those standards need to be realistic, of course. Some women have impossible standards.   Both

Regrets are for the weak—” “—and victory is for the strong,” Dalton finished for him.

Better to start early than finish late.

How about I call you when I finish this?" "But you don't even have my phone number," he said. "I strongly suspect you write it in the book.

I have to admit, this place gives me the creeps.' [said Scully]. 'The creeps?' said Mulder with a smile. 'Just because a bunch of big, strong men cleared out so fast they didn't finish their food? And then vanished into thin air? Don't be silly. I'm sure there's a nice scientific explanation. Oh, sorry Scully. You're the one who's supposed to be telling me that, right?

You don’t even know me,” I said. I grabbed the book from the center console. “How about I call you when I finish this?” “But you don’t even have my phone number,” he said. “I strongly suspect you wrote it in the book.” He broke out into that goofy smile. “And you say we don’t know each other.

I'd like to start this week with a request, and this one goes out to the followers of the three Abrahamic religions: the Muslims, Christians, and Jews. It's just a little thing, really, but do you think that when you've finished smashing up the world and blowing each other to bits and demanding special privileges while you do it, do you think that maybe the rest of us could sort of have our planet back? I wouldn't ask, but I'm starting to think that there must be something written in the special books that each of you so enjoy referring to that it's ok to behave like special, petulant, pugnacious, pricks. Forgive the alliteration, but your persistent, power-mad punch-ups are pissing me off. It's mainly the extremists obviously, but not exclusively. It's a lot of 'main-streamers' as well. Let me give you an example of what I'm talking about. Muslims: listen up my bearded and veily friends! Calm down, ok? Stop blowing stuff up. Not everything that said about you is an attack on the prophet Mohammed and Allah that needs to end in the infidel being destroyed. Have a cup of tea, put on a Cat Stevens record, sit down and chill out. I mean seriously, what's wrong with a strongly-worded letter to The Times? Christians: you and your churches don't get to be millionaires while other people have nothing at all. They're your bloody rules; either stick to them or abandon the faith. And stop persecuting and killing people you judge to be immoral. Oh, and stop pretending you're celibate -- it's a cover-up for being a gay or a nonce. Right, that's two ticked off. Jews! I know you're god's 'Chosen People' and the rest of us are just whatever, but when Israel behaves like a violent, psychopathic bully and someone mentions it that doesn't make them antisemitic. And for the record, your troubled history is not a license to act with impunity now.

I hold the hands of people I never touch. I provide comfort to people I never embrace. I watch people walk into brick walls, the same ones over and over again, and I coax them to turn around and try to walk in a different direction. People rarely see me gladly. As a rule, I catch the residue of their despair. I see people who are broken, and people who only think they are broken. I see people who have had their faces rubbed in their failures. I see weak people wanting anesthesia and strong people who wonder what they have done to make such an enemy of fate. I am often the final pit stop people take before they crawl across the finish line that is marked: I give up. Some people beg me to help. Some people dare me to help. Sometimes the beggars and the dare-ers look the same. Absolutely the same. I'm supposed to know how to tell them apart. Some people who visit me need scar tissue to cover their wounds. Some people who visit me need their wounds opened further, explored for signs of infection and contamination. I make those calls, too. Some days I'm invigorated by it all. Some days I'm numbed. Always, I'm humbled by the role of helper. And, occasionally, I'm ambushed. ~ Stephen White "Critical Conditions

Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors. " It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .

To the one and only Alex Jenkins Reid: Thank you for understanding why this book was so important to me and for being so into it. But more important, thank you for being the kind of man who encourages me to shout louder, dream bigger, and take less shit. Thank you for never making me feel as if I should make myself smaller to make anyone else feel better. It brings me an absolutely unparalleled amount of pride and joy to know that our daughter is growing up with a father who will stick by her side no matter who she is, who will show her how she should expect to be treated by modeling it for her. Evelyn did not have that. I did not have that. But she will. Because of you. And lastly, to my baby girl. You were teeny teeny tiny—I believe the size of half the period on the end of this sentence—when I started writing this book. And when I finished it, you were mere days away from making your entrance. You were with me every step of the way. I suspect it was, in no small part, you who gave me the strength to write it. I promise that I will repay the favor by loving you unconditionally and accepting you always, so that you feel strong enough and safe enough to do anything you set your mind to. Evelyn would want that for you. She would say, “Lilah, go out there, be kind, and grab what you want out of this world with both hands.” Well, she might not have put as big an emphasis on being kind. But as your mother, I must insist.

Once the screenplay is finished, I'd just as soon not make the film at all ... I have a strongly visual mind. I visualise a picture right down to the final cuts. I write all this out in the greatest detail in the script, and then I don't look at the script while I'm shooting. I know it off by heart, just as an orchestra conductor needs not look at the score ... When you finish the script, the film is perfect. But in shooting it you lose perhaps 40 percent of your original conception

Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—” “This story sounds distinctly familiar. I think I might have heard it somewhere before.” I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.” Kiaran goes still, his eyes glittering in the darkness. He says nothing. “Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature. “She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart. “That was the first time the girl had ever seen the faery king smile.” I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.” Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.” I stare at him. “So the faery king is a deranged sort. As the girl always suspected.” “How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.” Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her. “It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.” A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close. His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.

After he finishes his song, I ask him, “Sir, were you just playing ‘Lean on Me’?” “That’s right!” he answers, thrilled. Now, whenever I think of Mudd and his house I hear that song, hear Mudd serenading the limping Booth, taking his arm and helping him up the stairs, singing, “Lean on me, when you’re not strong, and I’ll be your friend.

One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.

I remarked in the original Preface to this Book, that I did not find it easy to get sufficiently far away from it, in the first sensations of having finished it, to refer to it with the composure which this formal heading would seem to require. My interest in it was so recent and strong, and my mind was so divided between pleasure and regret - pleasure in the achievement of a long design, regret in the separation from many companions - that I was in danger of wearying the reader with personal confidences and private emotions.

He wants a strong woman, and this here is weak behavior. Men don’t walk away from a woman lightly. When they do, they have made up their mind. They want someone else, someone different, someone better than who you were during that relationship. The more you’d then start to push him, the more you will prove he made the right decision. He can get better.   That’s

Thus was this expedition finished...after having, by its event, strongly evinced this important truth; that though prudence, intrepidity and perseverence united are not exempted from the blows of adverse fortune, yet in a long series of transactions they usually rise superior to its power, and in the end rarely fail of proving successful. Voyage Around The World, 1751

In 1908, in a wild and remote area of the North Caucasus, Leo Tolstoy, the greatest writer of the age, was the guest of a tribal chief “living far away from civilized life in the mountains.” Gathering his family and neighbors, the chief asked Tolstoy to tell stories about the famous men of history. Tolstoy told how he entertained the eager crowd for hours with tales of Alexander, Caesar, Frederick the Great, and Napoleon. When he was winding to a close, the chief stood and said, “But you have not told us a syllable about the greatest general and greatest ruler of the world. We want to know something about him. He was a hero. He spoke with a voice of thunder; he laughed like the sunrise and his deeds were strong as the rock….His name was Lincoln and the country in which he lived is called America, which is so far away that if a youth should journey to reach it he would be an old man when he arrived. Tell us of that man.” “I looked at them,” Tolstoy recalled, “and saw their faces all aglow, while their eyes were burning. I saw that those rude barbarians were really interested in a man whose name and deeds had already become a legend.” He told them everything he knew about Lincoln’s “home life and youth…his habits, his influence upon the people and his physical strength.” When he finished, they were so grateful for the story that they presented him with “a wonderful Arabian horse.” The next morning, as Tolstoy prepared to leave, they asked if he could possibly acquire for them a picture of Lincoln. Thinking that he might find one at a friend’s house in the neighboring town, Tolstoy asked one of the riders to accompany him. “I was successful in getting a large photograph from my friend,” recalled Tolstoy. As he handed it to the rider, he noted that the man’s hand trembled as he took it. “He gazed for several minutes silently, like one in a reverent prayer, his eyes filled with tears.” Tolstoy went on to observe, “This little incident proves how largely the name of Lincoln is worshipped throughout the world and how legendary his personality has become. Now, why was Lincoln so great that he overshadows all other national heroes? He really was not a great general like Napoleon or Washington; he was not such a skilful statesman as Gladstone or Frederick the Great; but his supremacy expresses itself altogether in his peculiar moral power and in the greatness of his character. “Washington was a typical American. Napoleon was a typical Frenchman, but Lincoln was a humanitarian as broad as the world. He was bigger than his country—bigger than all the Presidents together. “We are still too near to his greatness,” Tolstoy concluded, “but after a few centuries more our posterity will find him considerably bigger than we do. His genius is still too strong and too powerful for the common understanding, just as the sun is too hot when its light beams directly on us.

The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.

One who voluntarily deprives oneself of food may live twice as long as one who is forced to be without food. Similarly, you can choose to go without water for several days, but if you are deprived of it, you die more quickly. The older men survived because they had resaons to live - a garden to finish, a wife to see to, and grandchildren to help raise - whereas the younger men had less encouraging them to return (from battle). Strong wills become more crucial than strong bodies. It was this principle that inspired the establishment of Outward Bound. Yet, more than two millennia earlier, Alexander led his troops out of the desert with this same principle.

Imagine that a career is like a marathon—a long, grueling, and ultimately rewarding endeavor. Now imagine a marathon where both men and women arrive at the starting line equally fit and trained. The gun goes off. The men and women run side by side. The male marathoners are routinely cheered on: “Lookin’ strong! On your way!” But the female runners hear a different message. “You know you don’t have to do this!” the crowd shouts. Or “Good start—but you probably won’t want to finish.” The farther the marathoners run, the louder the cries grow for the men: “Keep going! You’ve got this!” But the women hear more and more doubts about their efforts. External voices, and often their own internal voice, repeatedly question their decision to keep running. The voices can even grow hostile. As the women struggle to endure the rigors of the race, spectators shout, “Why are you running when your children need you at home?

I shot up out of my chair. “Change of plans. Finish your drink so we can go.” Jay responded flatly, “Go where exactly?” “I’m not sure but we’ll know it when we see it.” He looked at his glass and back to me. “Why bother?” I looked him the eye, seeing pain there and forcing myself not to flinch from it. “Because pity parties suck” I started walking toward the exit and over my shoulder asked “You coming?” He downed the rest of his drink and followed me out the door.

Familiar words chanted through his mind, demanding he speak them. He tried to bite his tongue. Now was hardly the time, and she'd likely laugh. Once spoken, the words would bind him to her for the rest of his life, even if she refused him, which was likely. And once she did, he could never touch another... not that he'd want to, since he hadn't almost from the moment he clapped eyes on her. Unless... what if she spoke the Binding? Whatever she decided, the Mating Call was forever. Despite that, he could not stop. "Become a part of me, as I become a part of you. And ever after—" "Oh my God." She gasped. "Ice, I—" "I promise myself to thee." Sabelle might not want him to finish this Call, and saying it might doom him, but the taste of her still rolled around on his tongue like ambrosia. Instinct reeled, roared. No way would she stop him from trying to stake his claim and make her his. "Ice," she implored. "My brother—" "Is not involved here." He felt his eyes burning into her. "This is between you and me." "But... I—I don't... He won't approve." Bram wouldn't. That went without question. And right now, he could give a shit. But he noticed that she hadn't said she didn't want him. "What do you want? Because I know I want you, princess. Any and every way you'll let me have you." God, her lips were right beneath his, and he needed another taste of her so badly, every cell in his body craved it. Damning caution, he layered his mouth over hers again. She was like sinking into sugar, sweet, light, tempting... addictive. He nibbled at her lips, then prowled deeper, engaging her tongue. Then deeper still, consuming as much of her as he could with a single taste. Again, the urge to claim, to mate, scraped down his instincts, clear, loud, strong. He lifted his mouth, panting over her lips. "Each day we share, I shall be honest, good and true. If this you seek, heed my call. From—" "Stop!" She grabbed him by the sleeves of his robe. "Ice, think. If you say the rest, it's done. Even if I refuse, as long as I live, you'll be bound to me." "I want nothing else." He stared deep into her eyes, as a feeling of rightness, inevitability settled into his gut. "From this moment on, there is no other for me but you.

Jack sprung to his feet out of reach. "I'd prefer to finish this intact. " "My apologies,” Cabal said, grinning viciously. "l keep forgetting, you're only human." His smile softened to full amusement as Jack raised his sword in challenge. "Human or not," Jack said as he slowly approached him. "I carry the advantage of unworldly knowledge. " " Is that what you're doing?" Cabal laughed; "Something unworldly?" "I have a vast library of knowledge inside my head from my homeland." "What knowledge could your world offer that would be useful here?" "How about a toilet?" Jack winked at Nicole. “Perhaps you should build one and leave us all in awe.” Cabal declared. “People could call them ‘Jacks’ for short.” Nicole added to the conversation.

...when the Gods finished creating woman, they stood back and looked at what they'd done. They had given her a body strong enough to run a marathon, a mind fast enough to do six things at once, a heart big enough to love even while it was breaking, hands that could paint a masterpiece or feed a family or write a symphony. And they were afraid, because they saw that what they made was stronger than they were. They knew they had to create a secret weapon, one thing they could use to destroy her. So they gave her children.

It is better to lose health like a spendthrift than to waste it like a miser. It is better to live and be done with it, than to die daily in the sick-room. By all means begin your folio; even if the doctor does not give you a year, even if he hesitates about a month, make one brave push and see what can be accomplished in a week. It is not only in finished undertakings that we ought to honour useful labour. A spirit goes out of the man who means execution, which outlives the most untimely ending. All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind. And even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas? When the Greeks made their fine saying that those whom the gods love die young, I cannot help believing they had this sort of death also in their eye. For surely, at whatever age it overtake the man, this is to die young. Death has not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tiptoe on the highest point of being, he passes at a bound on to the other side. The noise of the mallet and chisel is scarcely quenched, the trumpets are hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shoots into the spiritual land.

The high-value woman doesn’t ever let men have their way with her emotions, time, body, money, or career. And this is a boundary she strongly protects. Every boundary she bends or changes is only changed when he deserved it. It’s never given.   When a high-value woman is in a relationship with a high-value guy, they behave like a team. They both make concessions, but there’s always an equilibrium. Not a quid pro quo where every concession from her needs to be met by a concession from him. The relationship is always a win-win. Never a lose-win or even a win-lose. (She doesn’t want to dominate her guy either.)   The

The tragic style of Aeschylus (I use the word "style" in the sense it receives in sculpture, and not in the exclusive signification of the manner of writing,) is grand, severe, and not unfrequently hard: that of Sophocles is marked by the most finished symmetry and harmonious gracefulness: that of Euripides is soft and luxuriant; overflowing in his easy copiousness, he often sacrifices the general effect to brilliant passages. The analogies which the undisturbed development of the fine arts among the Greeks everywhere furnishes, will enable us, throughout to compare the epochs of tragic art with those of sculpture. Aeschylus is the Phidias of Tragedy, Sophocles her Polycletus, and Euripides her Lysippus. Phidias formed sublime images of the gods, but lent them an extrinsic magnificence of material, and surrounded their majestic repose with images of the most violent struggles in strong relief. Polycletus carried his art to perfection of proportion, and hence one of his statues was called the Standard of Beauty. Lysippus distinguished himself by the fire of his works; but in his time Sculpture had deviated from its original destination, and was much more desirous of expressing the charm of motion and life than of adhering to ideality of form.

You must have traveled all night,” she heard herself say. “I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.” Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became. Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.” Alarmed by her own lack of self-discipline, Amelia made a wobbly attempt to stand on her own, but he only hugged her more closely. “No, don’t pull away. I’ve got you.” He cuddled her shaking form against his chest. Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.” “Amelia hardly ever cries,” Poppy said. “She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…” As he paused, Poppy said, “A shoulder to lean on.” “Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them. Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child. As Amelia hiccupped and quieted in his arms, Cam asked a few questions of Poppy, who told him about Merripen’s condition and Leo’s disappearance, and even about the missing silverware. Finally getting control of herself, Amelia cleared her aching throat. She lifted her head from Cam’s shoulder and blinked. “Better?” he asked, holding the handkerchief up to her nose. Amelia nodded and blew obediently. “I’m sorry,” she said in a muffled voice. “I shouldn’t have turned into a watering pot. I’m finished now.” Cam seemed to look right inside her. His voice was very soft. “You don’t have to be sorry. You don’t have to be finished, either.” She realized that no matter what she did or said, no matter how long she wanted to cry, he would accept it. And he would comfort her.

One way to get a life and keep it is to put energy into being an S&M (success and money) queen. I first heard this term in Karen Salmansohn’s fabulous book The 30-Day Plan to Whip Your Career Into Submission. Here’s how to do it: be a star at work. I don’t care if you flip burgers at McDonald’s or run a Fortune 500 company. Do everything with totality and excellence. Show up on time, all the time. Do what you say you will do. Contribute ideas. Take care of the people around you. Solve problems. Be an agent for change. Invest in being the best in your industry or the best in the world! If you’ve been thinking about changing professions, that’s even more reason to be a star at your current job. Operating with excellence now will get you back up to speed mentally and energetically so you can hit the ground running in your new position. It will also create good karma. When and if you finally do leave, your current employers will be happy to support you with a great reference and often leave an open door for additional work in the future. If you’re an entrepreneur, look at ways to enhance your business. Is there a new product or service you’ve wanted to offer? How can you create raving fans by making your customer service sparkle? How can you reach more people with your product or service? Can you impact thousands or even millions more? Let’s not forget the M in S&M. Getting a life and keeping it includes having strong financial health as well. This area is crucial because many women delay taking charge of their financial lives as they believe (or have been culturally conditioned to believe) that a man will come along and take care of it for them. This is a setup for disaster. You are an intelligent and capable woman. If you want to fully unleash your irresistibility, invest in your financial health now and don’t stop once you get involved in a relationship. If money management is a challenge for you, I highly recommend my favorite financial coach: David Bach. He is the bestselling author of many books, including The Automatic Millionaire, Smart Women Finish Rich, and Smart Couples Finish Rich. His advice is clear-cut and straightforward, and, most important, it works.

Bet you didn't know that when you agreed to be 'betrothed' to me, huh? Husband-eviscerating apparently runs in my family." Still no reaction, and I felt shame curl in my belly. "Of course, you also didn't know you were getting a damon bride," I added in a softer tone. Very few people knew what my dad really was. I'd always assumed Cal had found out the same night I did. That's why I was really surprised when he raised his head and said, "I knew." "What?" "I knew what you were then, Sophie. Your dad told me before the betrothal. And he told me about your grandmother, and what happened to your grandfather." I shook my head. "Then,why?" Cal took his time before answering. "For one thing, I like your dad. He's done good things for Prodigium. And it-" He broke off with a long exhale. "It felt like some kind of honor, you know? Being asked to be the head of the Council's son-in-law. Plus, your dad, he,uh,told me a lot about you." My voice was barely above a whisper. "What did he say?" "That you were smart, and strong. Funny. That you had trouble using your powers, but you were always trying to use them to help people." He shrugged. "I thought we'd be a good match." The vast dining room suddenly felt very small, like it consisted only of this table and me and Cal. "Look, Sophie," he started to say. But before he could finish, Jenna walked in. "I am so glad I still get to eat human food, because that bacon smells insane..." she said, and then froze. "Oh!" she exclaimed, her ealier bounciness draining out of her. "Sorry! I didn't mean to interrupt...whatever. I c-can...leave?" She gestured with her thumb over her shoulder. "And then come back,uh, later?" But the moment was broken. Cal sat back, and I pushed my hair behind my ears. "No,it's fine," I said quickly, concentrating harder on my eggs than I had on my SAT.

Every time Ian’s amber gaze flickered to her, her heart began to pound. Whenever he wasn’t looking she found her gaze straying to his mouth, remembering the way those lips had felt locked to hers yesterday. He raised a wineglass to his lips, and she looked at the long, strong fingers that had slid with such aching tenderness over her cheek and twined in her hair. Two years ago she’d fallen under his spell; she was wiser now. She knew he was a libertine, and even so her heart rebelled against believing it. Yesterday, in his arms, she’d felt as if she was special to him-as if he not only wanted her close but needed her there. Very vain, Elizabeth, she warned herself severely, and very foolish. Skilled libertines and accomplished flirts probably made every woman feel that she was specila. No doubt they kissed a woman with demanding passion one moment and then, when the passion was over, forgot she was alive. As she’d heard long ago, a libertine pretended violet interest in his quarry, then dropped her without compunction the instant that interest waned-exactly as Ian had done now. That was not a comforting thought, and Elizabeth was sorely in need of comfort as twilight deepened into night and supper dragged on, with Ian seemingly oblivious to her existence. Finally the meal was finished; she was about to volunteer to clear the table when she glanced at Ian and watched in paralyzed surprise as his gaze roved over her cheek and jaw, then shifted to her mouth, lingering there. Abruptly he looked away, and Elizabeth stood up to clear the table.

Creatures, I give you yourselves,” said the strong, happy voice of Aslan. “I give to you forever this land of Narnia. I give you the woods, the fruits, the rivers. I give you the stars and I give you myself. The Dumb Beasts whom I have not chosen are yours also. Treat them gently and cherish them but do not go back to their ways lest you cease to be Talking Beasts. For out of them you were taken and into them you can return. Do not so.” “No, Aslan, we won’t, we won’t,” said everyone. But one perky jackdaw added in a loud voice, “No fear!” and everyone else had finished just before he said it so that his words came out quite clear in a dead silence; and perhaps you have found out how awful that can be—say, at a party. The Jackdaw became so embarrassed that it hid its head under its wing as if it were going to sleep. And all the other animals began making various queer noises which are their ways of laughing and which, of course, no one has ever heard in our world. They tried at first to repress it, but Aslan said: “Laugh and fear not, creatures. Now that you are no longer dumb and witless, you need not always be grave. For jokes as well as justice come in with speech.

Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip. "You haven't moved on?" He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud." The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead. Instead,I reached for his hand. Brought it to my lips. Kissed it. He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away. "Why?" "Because...it'll make everything worse...If you don't feel-" His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?" I bit my lower lip. "What?" "What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?" "Um...it's not technically your soul that..." I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover. He kept his lips touching mine when he asked, "Is it okay?" Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else. He took my silence to mean it was safe. We held our lips together, tentative and still. But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places. He pulled back a little.His breath was on my lips. "What is it?" I asked. "I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again." I lowered my chin and tucked my head into his chest. "I'm sorry." He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real." I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again. He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt." "I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.

From start to finish, what private charities do represents a manifestation of free will. No one is compelled to provide assistance. No one is coerced to pay for it. No one is required to accept it. All parties come together of their own volition. And therein lies the magic of it all! The link between the giver, the provider, and the receiver is strong precisely because each knows he can walk away from it at the slightest hint of insincerity, broken promises, or poor performance. Because each party gives his own time or resources voluntarily, he tends to focus on the mission and doesn’t get bogged down in secondary agendas like filling out the proper paperwork or currying favor with those in power. Management expert Peter Drucker summed it up well when he said that private charities, both faith-based and secular, “spend far less for results than governments spend for failure.

But looking at you was nothing like looking at those pictures. When I first saw,” he said, looking down at her chest, then up again to meet her eyes, “it hurt, almost a physical pain. Since you finished chemo, you've gotten so strong again. Sometimes I almost forget what you've been through. But seeing your scars, they reminded me of your hurt. How you've been cut apart. What you gave up.” It was important, not keeping herself back from him, putting parts of herself off limits. But it stung when he sank down to brush his lips over the two biggest scars. “But your scars are beautiful. I mean, I look at them, and I want to kiss, I want to touch, I feel this tenderness for them. You know how when you love someone, when you've been with them a long time and you know all the little lines and curves and planes of their body, how you look at little parts of them—the corner of their mouth, the back of their hand, the little crease where their earlobe meets their jaw—and you can feel like you're in love with that little piece of them? Maybe soon, I'll look at your scars like that. But right now, it's this feeling I've never had for a part of someone's body, before, because they promise me you're well. That you get to live. That we get to have a long life together.” Her love for him was swelling up in her chest, the way it did sometimes, an ache she wanted to hold on to.

We can act to deal with the consequences of the earthquake and tsunami, but the disaster was only faintly political in the economics and indifference...the relief will be very political, in who gives how much (Bush offering 15 million, then 35 million under pressure, the cost of his inauguration and then 350 million under strong international pressure)...but the event itself transcends politics, the realm of things we cause and can work to prevent. We cannot wish that human beings were not subject to the forces of nature, including the mortality... we cannot wish for the seas to dry up, that the waves grow still, that the tectonic plates ceast to exist, that nature ceases to be beyond our abilities to predict and control... But the terms of that nature include such catastrophe and suffering, which leaves us with sorrow as not a problem to be solved but a fact. And it leaves us with compassion as the work we will never finish

Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away. Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief—"Never mind; be so good as to hold this till I finish." I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round.

She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.

I am in control of myself in every way—at all times and in all situations. Each time I sit down to eat, I reaffirm my determination to achieve my goal. By eating right, and never giving in, I am reaching the weight I want. Whether eating in or eating out, I really enjoy eating less. I never feel the need to finish the food in front of me. I eat only what I should—and never one bite more. One way to weight-loss that’s easy and works, is less food on my plate, and less on my fork! By ordering less when I eat out, and by serving myself smaller portions at home, I keep myself aware of the importance of staying with my goal—each and every day. “Less on my plate means less on my waist.” When I sit down to eat, at no time do I allow anyone else to influence, tempt, or discourage me in any negative way. What I eat, and the goals I reach, is up to me. And I give no one the right to hinder or control my success. Although others may benefit from my success, I am achieving my weight-loss goals for my own personal reasons—for myself, my life, my future, and my own personal well-being. I am never, at any time, tempted to take one bite more than I should. I am strong, I am capable of reaching my goal, and I am doing it! Being in situations which put a lot of food in front of me is not a problem to me now. I simply say “No!” to the food and “Yes!” to my success. I enjoy sitting down to eat. Each time I do I conquer my past, and I create a trimmer, happier, more self-confident future in front of me. When I sit down to eat, I do not need someone else to remind me of my goal, or to keep me from eating something I should not. I take full responsibility for myself, and no one else has to do it for me. Controlling my weight, and my appetite, is easy for me now. I enjoy smaller portions, smaller bites, and a slower, healthier, more relaxed way of eating. I have set my goal and I am staying with it. I have turned mealtime into “achievement time.

When I finished, Dr. Fellows said, "And this was a vision you had Corey?" "Right." "Are you sure?" "Huh?" She lowered her voice. "Is it possible that Derek... influenced this vision of yours?" "What? No." "Absolutely not," I said. "Derek's the one who cut it short. Accidentally, but still. And if by influence, you mean 'talked us into telling a lie to get everyone out tonight,' then I don't appreciate the insinuation, Dr. Fellows." Her brows shot up to meet her hairline. Tori smirked and leaned back onto her pillow. "Well, Maya, I don't know you yet, so you'll forgive me if I question you." "I don't blame you. You don't know us. But you do know Derek and, sorry, but persuasion doesn't seem to be the guy's strong suit." "She has a point, Lauren," Tori said. Dr. Fellows shot her a look, which Tori met with a cool gaze. "Also," Tori said, "I really think you'd know your niece better than that. I wouldn't put it past Derek to lie to get us out of here, but no way would Chloe let him pull others into the scheme."

Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony

I have spent these last two days in concentrated introspection," said Cutie, "and the results have been most interesting. I began at the one sure assumption I felt permitted to make.I, myself, exist, because I think-" Powell groaned, "Oh, Jupiter, a robot Descartes!" "Who's Descartes?" demanded Donovan. "Listen, do we have to sit here and listen to this metal maniac-" "Keep quiet, Mike!" Cutie continued imperturbably, "And the question that immediately arose was: Just what is the cause of my existence?" Powell's jaw set lumpily. "You're being foolish. I told you already that we made you." "And if you don't believe us," added Donovan, "we'll gladly take you apart!" The robot spread his strong hands in a deprecatory gesture, "I accept nothing on authority. A hypothesis must be backed by reason, or else it is worthless - and it goes against all the dictates of logic to suppose that you made me." Powell dropped a restraining arm upon Donovan's suddenly unched fist. "Just why do you say that?" Cutie laughed. It was a very inhuman laugh - the most machine-like utterance he had yet given vent to. It was sharp and explosive, as regular as a metronome and as uninflected. "Look at you," he said finally. "I say this in no spirit of contempt, but look at you! The material you are made of is soft and flabby, lacking endurance and strength, depending for energy upon the inefficient oxidation of organic material - like that." He pointed a disapproving finger at what remained of Donovan's sandwich. "Periodically you pass into a coma and the least variation in temperature, air ressure, humidity, or radiation intensity impairs your efficiency. You are _makeshift_. "I, on the other hand, am a finished product. I absorb electrical energy directly and utilize it with an almost one hundred percent efficiency. I am composed of strong metal, am continuously conscious, and can stand extremes of environment easily. These are facts which, with the self-evident proposition that no being can create another being superior to itself, smashes your silly hypothesis to nothing.

I have fought the good fight, I have finished the race, I have kept the faith. 2 TIMOTHY 4:7 SEPTEMBER 24 God makes you strong enough by His supportive presence. That is what He is: supportive. By His power He makes you strong enough to stand against anything. Unfairness, injustice, hate, pain, sickness, weakness, infidelity—such are the enemies of human beings. Time and time again, a person falters under the onslaught of all this. Sometimes, after you have battled long and been thrown back many times and so many difficulties lie in your path, life throws the whole book at you, and you feel like giving up. Have you ever felt like giving up? I have. I’d hate to tell you how many times I’ve felt like giving up. But do you know something? You must never give up. Never. You must do like Paul: You must fight the good fight. You must finish the course. You must keep the faith. No, as a Christian you must never give up. As a human being you must never give up. And if you know this fact, this truth, that He whom they call Emmanuel is with you, you never will give up.

Have you ever heard the Hungarian national anthem? No? Good for you! I wouldn’t recommend it at all. Unless you are looking for inspiration for your suicide attempt. If it is not just an attempt but you are deadly serious about your suicide then I strongly recommend you not only read the lyrics but listen to the music too. The most mournful funeral song sounds jolly compared to it. Other nations have inspiring anthems like ‘God Save the Queen’ or the ‘La Marseillaise’ or ‘The StarSpangled Banner’, and their lyrics are about victory and proudness like ‘Russia – our sacred homeland, Russia – our beloved country’ or ‘Germany, Germany above everything, Above everything in the world!’ But what about the Hungarian anthem? It starts with ‘O Lord, bless the Hungarian’ and then follow eight long and painful stanzas about our ‘slave yoke’ and ‘funeral urn’ and ‘the corpses of our defeated army’ and ‘groans of death, weeping’ and finally it finishes with ‘Pity, O Lord, the Hungarians they who have suffered for all sins of the past and of the future!’ Yes, of the future too.

ON THE A TRAIN There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.

Subject: SELF WORTH (Very Deep!!!) In a brief conversation, a man asked a woman he was pursuing the question: 'What kind of man are you looking for?' She sat quietly for a moment before looking him in the eye & asking, 'Do you really want to know?' Reluctantly, he said, 'Yes. She began to expound, 'As a woman in this day & age, I am in a position to ask a man what can you do for me that I can't do for myself? I pay my own bills. I take care of my household without the help of any man... or woman for that matter. I am in the position to ask, 'What can you bring to the table?' The man looked at her. Clearly he thought that she was referring to money. She quickly corrected his thought & stated, 'I am not referring to money. I need something more. I need a man who is striving for excellence in every aspect of life. He sat back in his chair, folded his arms, & asked her to explain. She said, 'I need someone who is striving for excellence mentally because I need conversation & mental stimulation. I don't need a simple-minded man. I need someone who is striving for excellence spiritually because I don't need to be unequally yoked...believers mixed with unbelievers is a recipe for disaster. I need a man who is striving for excellence financially because I don't need a financial burden. I need someone who is sensitive enough to understand what I go through as a woman, but strong enough to keep me grounded. I need someone who has integrity in dealing with relationships. Lies and game-playing are not my idea of a strong man. I need a man who is family-oriented. One who can be the leader, priest and provider to the lives entrusted to him by God. I need someone whom I can respect. In order to be submissive, I must respect him. I cannot be submissive to a man who isn't taking care of his business. I have no problem being submissive...he just has to be worthy. And by the way, I am not looking for him...He will find me. He will recognize himself in me. Hey may not be able to explain the connection, but he will always be drawn to me. God made woman to be a help-mate for man. I can't help a man if he can't help himself. When she finished her spill, she looked at him. He sat there with a puzzled look on his face. He said, 'You are asking a lot. She replied, "I'm worth a lot". Send this to every woman who's worth a lot.... and every man who has the brains to understand!!

Asked me what?” Just the sound of his voice twists my stomach into a knot of unpleasant emotions like guilt, sadness, and fear. And longing. I might as well admit there’s some of that, too. Only it has too much competition to ever win out. I watch as Peeta crosses to the table, the sunlight from the window picking up the glint of fresh snow in his blond hair. He looks strong and healthy, so different from the sick, starving boy I knew in the arena, and you can barely even notice his limp now. He sets a loaf of fresh-baked bread on the table and holds out his hand to Haymitch. “Asked you to wake me without giving me pneumonia,” says Haymitch, passing over his knife. He pulls off his filthy shirt, revealing an equally soiled undershirt, and rubs himself down with the dry part. Peeta smiles and douses Haymitch’s knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirttail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thoughts of our time as contestants in the Hunger Games at bay. It’s not until he’s handed Haymitch the heel that he even looks at me for the first time. “Would you like a piece?” “No, I ate at the Hob,” I say. “But thank you.” My voice doesn’t sound like my own, it’s so formal. Just as it’s been every time I’ve spoken to Peeta since the cameras finished filming our happy homecoming and we returned to our real lives. “You’re welcome,” he says back stiffly. Haymitch tosses his shirt somewhere into the mess. “Brrr. You two have got a lot of warming up to do before showtime.” He’s right, of course. The audience will be expecting the pair of lovebirds who won the Hunger Games. Not two people who can barely look each other in the eye. But all I

But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.

When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze. “Wh-?” Her breath rushed out in question. Boom, the world answered. Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder. After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade. She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.

Afterward, I pretended to be patient as Akos taught me how to predict how strong a poison would be without tasting it. I tried to seal every moment in my memory. I needed to know how to brew these concoctions on my own, because soon he would be gone. If the renegades and I were caught in our attempt tonight, I would probably lose my life. If we succeeded, Akos would be home, and Shotet would be in chaos, without its leader. Either way, it was unlikely that I would see him again. “No, no,” Akos said. “Don’t hack at it--slice. Slice!” “I am slicing,” I said. “Maybe if your knives weren’t so dull--” “Dull? I could cut your fingertip off with this knife!” I spun the knife in my hand and caught it by the handle. “Oh? Could you?” He laughed, and put his arm across my shoulders. I felt my heartbeat in my throat. “Don’t pretend you’re not capable of delicacy; I’ve seen it myself.” I scowled, and tried to focus on “slicing.” My hands were trembling a little. “See me dancing in the training room and you think you know everything about me.” “I know enough. Look, slices! Told you so.” He lifted his arm, but kept his hand against my back, right under my shoulder blade. I carried the feeling with me for the rest of the night, as we finished the elixir and got ready for bed and he shut the door between us.

I was dissatisfied with my 1967 manuscript and decided to rewrite the book. It was the first of September, and I said to myself, “If I do not have the finished manuscript in Faber’s hands by September 10, I shall have to kill myself.” And under this threat, I started writing. Within a day or so, the feeling of threat had disappeared, and the joy of writing took over. I was no longer using drugs, but it was a time of extraordinary elation and energy. It seemed to me almost as though the book were being dictated, everything organizing itself swiftly and automatically. I would sleep for just a couple of hours a night. And a day ahead of schedule, on September 9, I took the book to Faber & Faber. Their offices were in Great Russell Street, near the British Museum, and after dropping off the manuscript, I walked over to the museum. Looking at artifacts there — pottery, sculptures, tools, and especially books and manuscripts, which had long outlived their creators — I had the feeling that I, too, had produced something. Something modest, perhaps, but with a reality and existence of its own, something that might live on after I was gone. I have never had such a strong feeling, a feeling of having made something real and of some value, as I did with that first book, which was written in the face of such threats from Friedman and, for that matter, from myself. Returning to New York, I felt a sense of joyousness and almost blessedness. I wanted to shout, “Hallelujah!” but I was too shy. Instead, I went to concerts every night — Mozart operas and Fischer-Dieskau singing Schubert — feeling exuberant and alive.

She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it. "That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying. He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-" "Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle. She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook. "I'm not really fixed for company just now." "I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers." He went under the second time without even the chance to gulp in air. "We're not lovers." "That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?" "I like it strong, so it'll take some time. You should go on home now." "I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward." "This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute." But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead." "That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this." That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice." His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem." "Are you afraid of innocence?" "Damn right." "It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me." The boots clattered to the floor as he went under for the third time.

One certainly does work badly in spring: and why? Because one’s feelings are being stimulated. And only amateurs think that a creative artist can afford to have feelings. It’s a naïve amateur illusion; any genuine honest artist will smile at it. Sadly, perhaps, but he will smile. Because, of course, what one says must never be one’s main concern. It must merely be the raw material, quite indifferent in itself, out of which the work of art is made; and the act of making must be a game, aloof and detached, performed in tranquillity. If you attach too much importance to what you have to say, if it means too much to you emotionally, then you may be certain that your work will be a complete fiasco. You will become solemn, you will become sentimental, you will produce something clumsy, ponderous, pompous, ungainly, unironical, insipid, dreary and commonplace; it will be of no interest to anyone, and you yourself will end up disillusioned and miserable… For that is how it is, Lisaveta: emotion, warm, heartfelt emotion, is invariably commonplace and unserviceable—only the stimulation of our corrupted nervous system, its cold ecstasies and acrobatics, can bring forth art. One simply has to be something inhuman, something standing outside humanity, strangely remote and detached from its concerns, if one is to have the ability or indeed even the desire to play this game with it, to play with men’s lives, to portray them effectively and tastefully. Our stylistic and formal talent, our gift of expression, itself presupposes this cold-blooded, fastidious attitude to mankind, indeed it presupposes a certain human impoverishment and stagnation. For the fact is: all healthy emotion, all strong emotion lacks taste. As soon as an artist becomes human and begins to feel, he is finished as an artist.

Dougal lifted his spoon and slit it into his mouth. Immediately, a frozen look came over his face. Sophia tensed. He removed the spoon from his mouth. Sophia gripped her own spoon tighter. A slow red crept up his face, his eyes watering slightly. Ha! Mary's soup was working its magic. Pleased, Sophia pretended to eat some soup. Dougal slapped a hand on the table. The dishes and Sophia jumped. "What's wrong?" He pointed to his bowl with his spoon. "That." "The soup? Why, whatever's wrong with it?" "Nothing.That is the best soup I've ever had." Sophia blinked. Surely he hadn't just said- He dipped his spoon back into his bowl and took another large bite. Though his eyes watered and his face turned a deeper red, he continued to eat, murmuring, "Excellent!" every third bite or so. Sophia looked at her own soup, which reeked of garlic and pepper and onion. Mary had added a large amount of salt, as well. But watching MacLean eat with gusto made her question her perceptions. What if Mary's natural ability to cook had overcome her attempts to provide an inedible meal? Sophia dipped her spoon into herbowl and gingerly sniffed the contents, grimacing at the strong odor. Casting a puzzled look at MacLean, who was about finished with his soup, she put the spoon into her mouth. The burning sensation of pepper mingled with the rancid taste of uncooked garlic and what could only have been salted dishwater. She jerked the spoon from her mouth and grabbed her water goblet, pouring it into her mouth to wash down the horrid taste. Gasping, she glared with watery, accusing eyes at MacLean. He seemed not to have noticed anything, too busy scraping the bottom of his bowl, as if afraid some succulent tidbit might have escaped him. Finding nothing more, he placed his spoon on the table and sat back, wiping his mouth with his napkin. "That was the best soup I've ever been served. I believe I'll have more." "More? Are you...are you certain?" "I'm positive.

her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb

Describe the defeated ones,” said a merchant, when he saw that the Copt had finished speaking. And he answered: The defeated are those who never fail. Defeat means that we lose a particular battle or war. Failure does not allow us to go on fighting. Defeat comes when we fail to get something we very much want. Failure does not allow us to dream. Its motto is: “Expect nothing and you won’t be disappointed.” Defeat ends when we launch into another battle. Failure has no end; it is a lifetime choice. Defeat is for those who, despite their fears, live with enthusiasm and faith. Defeat is for the valiant. Only they will know the honor of losing and the joy of winning. I am not here to tell you that defeat is part of life; we all know that. Only the defeated know Love. Because it is in the realm of Love that we fight our first battles—and generally lose. I am here to tell you that there are people who have never been defeated. They are the ones who never fought. They managed to avoid scars, humiliations, and feelings of helplessness, as well as those moments when even warriors doubt the existence of God. Such people can say with pride: “I never lost a battle.” On the other hand, they will never be able to say: “I won a battle.” Not that they care. They live in a universe in which they believe they are invulnerable; they close their eyes to injustices and to suffering; they feel safe because they do not have to deal with the daily challenges faced by those who risk stepping out beyond their own boundaries. They have never heard the words “good-bye” or “I’ve come back. Embrace me with the fervor of someone who, having lost me, has found me again.” Those who were never defeated seem happy and superior, masters of a truth they never had to lift a finger to achieve. They are always on the side of the strong. They’re like hyenas, who eat only the leavings of lions. They teach their children: “Don’t get involved in conflicts; you’ll only lose. Keep your doubts to yourself and you’ll never have any problems. If someone attacks you, don’t get offended or demean yourself by hitting back. There are more important things in life.” In the silence of the night, they fight their imaginary battles: their unrealized dreams, the injustices to which they turned a blind eye, the moments of cowardice they managed to conceal from other people—but not from themselves—and the love that crossed their path with a sparkle in its eyes, the love God had intended for them, but which they lacked the courage to embrace. And they promise themselves: “Tomorrow will be different.” But tomorrow comes and the paralyzing question surfaces in their mind: “What if it doesn’t work out?” And so they do nothing. Woe to those who were never beaten! They will never be winners in this life.

Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.

My morning schedule saw me first in Cannan’s office, conferring with my advisor, but our meeting was interrupted within minutes by Narian, who entered without knocking and whose eyes were colder than I had seen them in a long time. “I thought you intended to control them,” he stated, walking toward the captain’s desk and standing directly beside the chair in which I sat.” He slammed a lengthy piece of parchment down on the wood surface, an unusual amount of tension in his movements. I glanced toward the open door and caught sight of Rava. She stood with one hand resting against the frame, her calculating eyes evaluating the scene while she awaited orders. Cannan’s gaze went to the parchment, but he did not reach for it, scanning its contents from a distance. Then he looked at Narian, unruffled. “I can think of a dozen or more men capable of this.” “But you know who is responsible.” Cannan sat back, assessing his opposition. “I don’t know with certainty any more than you do. In the absence of definitive proof of guilt on behalf of my son and his friends, I suggest you and your fellows develop a sense of humor.” Then the captain’s tone changed, becoming more forbidding. “I can prevent an uprising, Narian. This, you’ll have to get used to.” Not wanting to be in the dark, I snatched up the parchment in question. My mouth opened in shock and dismay as I silently read its contents, the men waiting for me to finish. On this Thirtieth Day of May in the First Year of Cokyrian dominance over the Province of Hytanica, the following regulations shall be put into practice in order to assist our gracious Grand Provost in her effort to welcome Cokyri into our lands--and to help ensure the enemy does not bungle the first victory it has managed in over a century. Regulation One. All Hytanican citizens must be willing to provide aid to aimlessly wandering Cokyrian soldiers who cannot on their honor grasp that the road leading back to the city is the very same road that led them away. Regulation Two. It is strongly recommended that farmers hide their livestock, lest the men of our host empire become confused and attempt to mate with them. Regulation Three. As per negotiated arrangements, crops grown on Hytanican soil will be divided with fifty percent belonging to Cokyri, and seventy-five percent remaining with the citizens of the province; Hytanicans will be bound by law to wait patiently while the Cokyrians attempt to sort the baffling deficiency in their calculations. Regulation Four. The Cokyrian envoys assigned to manage the planting and farming effort will also require Hytanican patience while they slowly but surely learn what is a crop and what is a weed, as well as left from right. Regulation Five. Though the Province Wall is a Cokyrian endeavor, it would be polite and understanding of Hytanicans to remind the enemy of the correct side on which to be standing when the final stone is laid, so no unfortunates may find themselves trapped outside with no way in. Regulation Six. When at long last foreign trade is allowed to resume, Hytanicans should strive to empathize with the reluctance of neighboring kingdoms to enter our lands, for Cokyri’s stench is sure to deter even the migrating birds. Regulation Seven. For what little trade and business we do manage in spite of the odor, the imposed ten percent tax may be paid in coins, sweets or shiny objects. Regulation Eight. It is regrettably prohibited for Hytanicans to throw jeers at Cokyrian soldiers, for fear that any man harried may cry, and the women may spit. Regulation Nine. In case of an encounter with Cokyrian dignitaries, the boy-invader and the honorable High Priestess included, let it be known that the proper way in which to greet them is with an ass-backward bow.